#threat in season 2 and god i am SO down for that. having them be the antags in hell and lute (maybe even lilith?) being the ones in heaven.

[mouthpoisons]

you cant tell me that wasnt one of the worst fucking finales youve ever seen to any piece of television right 😭😭😭😭 both sides reformism instead of addressing the class conflict at all and jayvik doesnt even get to kiss despite having BY FAR and away the most obvious homoerotic subtext out of ANY gay couple in the show

dude when i tell you i was just sat on twitter entirely checked out for 90% of it LMFAO jayvik so so beautiful but it was really bogged down by the mediocrity of everything surrounding it and the way it was nestled into the larger dumb fuck plot dedacted points. a massive shame

the themes were there i am deeply obsessed with viktors arc that can be boiled down to ''man falls into the horrific destructive pit of internalised ableism and thinking youre not good enough and Overcompensating but he was comforted and reassured and saved by his gay ass boyfriend who adores him unconditionally'' like are you actually kidding me. god the Themes the THEMES were there dude i love them so much and they shouldve kissed their lack of it when the other couples got to was um..... felt! noticed!

everyone elses arc i did not give a fuck about apart from ekko he ruled hard and ambessa was a great villain too i loved every second she was on screen

season 1 being a magical political drama and then season 2 abandoning it all to do this 'wait we have to team up against a larger threat' thing especially since the secret big bad's Damage came from piltover to begin with yeah whatever whatever whatever he grew up poor and disabled in a world that kept him down and didnt want him to succeed and he developed a complex about it that became so all consuming that he almost ended the world. that arc in a vaccum? i fw it so heavily. that arc stuck in the middle of A BOTH SIDESISM FEST????? kys

jayvik for fucking ever essentially

[on-my-vigilante-sht]

Immortal Danger

Apollo x DaughterofDemeter!Reader

Summary: Apollo marries a half-blood without realizing how dangerous it can be.

Warning: PJO universe but no real PJO plot, (kind of) smut, threats, monsters, Ares slander

Word Count: 4.7K

Masterlist | Part 2

A/N Sam Claflin is my personal headcanon for Apollo and if he isn’t cast for the Titan’s Curse season I’m gonna cry

“Am I even allowed to be here?” I asked as Apollo and I materialized in his home on Mount Olympus.

“Probably not but Demeter’s already gonna be pissed when she finds out we eloped in Vegas,” Apollo smiles, pulling me down onto the couch. I laughed as he did so, taking a chance to look around. I was in awe. The ceiling to the sitting room was just a giant skylight and the sun seemed to perpetually shine through it. There were balconies in the column of the sun, revealing the upper levels of the extravagant manor decorated in gold.

“This place is incredible,” I said in awe.

“Yeah, Annabeth did a great job with the remodel. And it’s all yours,” he swore, his lips brushing against my cheek. “Everything that’s mine is also yours.”

“Really?” I challenged teasingly. “Then can I drive the sun chariot.”

He faltered. “Well… after Thalia, I don’t think-”

“I’m joking,” I assured him. “I don’t want to torch Antarctica. Or make North Africa freeze over.”

“I’ll give you lessons some day,” he promised. “Maybe when you’re a goddess and that human nervousness about dying instinct fades.” I laughed before he sprung up. “C’mon,” he said, pulling me up from the couch. “I wanna show you the bedroom.”

“Very subtle,” I chided him.

“I know,” he agreed with a cocky smile as he began climbing the stairs. “But you’re my wife now.” We went up so many levels I was beginning to get tired but Apollo was already practically dragging me up the stairs. When we went to a set of double doors I thought we were done with the stairs but there was one more flight. I followed him up, eyes widening as I realized his room made up the entire top floor.

There was a circle in the floor covered by glass with a view to the sitting room, allowing the sun to shine through the whole house. But the ceiling of the room itself was a glass dome, flooding the whole room with light. Surprisingly, it wasn’t ridiculously hot but that’s a perk of being the sun god. Several plants grew in various pots around the room—I had a sneaking suspicion he added them recently—and the walls were lined with various weapons, mostly bows and arrows. The bed itself was tucked into a sort of alcove, with pillows lining the edge of it, leaning up against the walls so as to make the whole alcove a soft bed. I noticed curtains hanging in front of the bed to shield it from the rest of the room, as well as a contraption above it against the glass probably to block the light from above.

Apollo came up next to me. “I know you’re a light sleeper so I had the curtains put in to block out the light.”

“This is incredible,” I said in awe. “But uh- do gods sleep?”

“We don’t have to but I love sleeping,” he smiled. “It’s one of the best things humans invented.”

I stepped closer to the bed, reaching down to feel the soft mattress. “Gods, do you know how long it’s been since I slept in a bed that wasn’t a twin size mattress?” I asked. Even though at 24 I was far older than any of the other campers at Camp Half-Blood, I had to stay there as the outside world had become too dangerous for me. Once I turned 22, Chiron finally let me have a room in The Big House because even the oldest campers besides for me were still around 17.

“Well,” Apollo began, getting closer until I was laying down on the mattress and his face was so close to mine I could see the gold flecks in his eyes, “I was thinking we’d consummate our marriage in this bed before sleeping,” he suggested, kissing me.

“I’d be open to that,” I laughed, kissing him back. Using godly strength, he managed to wrap an arm around my waist before pulling me up closer to the middle of the bed so our feet weren’t hanging off. As he kissed me, I could feel his hand find the zipper on the back of my wedding dress. But just as he started to bring it down, there was a bell and a shout.

“Apollo?” a masculine voice called through the house.

Our lips parted, and he rested his forehead on mine with a groan. “I hate him.”

“Who is it?” I asked.

“Hermes. Look, he can’t see you. He and I are cool now but he still can’t see you.”

“Okay,” I agreed. “I’ll just stay here.”

He nodded, pressing a kiss to my forehead before running downstairs to an incessant Hermes. As he went down the stairs I watched in amazement as his tux transformed into a t-shirt and shorts. Once he left I started looking around the room more, wary of the giant glass circle in the middle of the room. I went up to the weapons, finding various plaques describing what momentous kill each weapon was responsible for. A little bit self obsessed to have in your bedroom but, hey, that’s Apollo.

As the gods moved to the sitting room I could hear them through the glass. “I know you’ve been dating a demigod,” Hermes’ voice came. “Chiron just sent a distress signal about a missing half-blood.”

“So…?” Apollo’s voice came, trying to act nonchalant.

“I’m saying that the girl you’ve been dating is the missing half-blood. Chiron is worried sick because apparently she’s powerful but will attract a lot of monsters. And Ares is still pissed at you for putting an arrow through him during World War I. She could be in danger of him while not under Dionysus’ protection.”

“Well, I don’t know what to tell you, man. I haven’t seen her in a few weeks.”

“I haven’t known you to go even two days without seeing the person you’re dating.” I could hear the accusing tone in Hermes’s voice. And Apollo knew he was backed into a corner.

“Yeah well, dating a half-blood is hard. Chiron and Dionysus have her on lockdown. And do you know what Demeter would do to me? You remember how she lost it when Persephone ran off with Hades. How am I going to explain that I’m dating her half-human daughter?”

“Well you better pray Ares doesn’t find out about her or he’ll probably kill her just to piss you off.” Kill me?

“Look I’m going to have father turn her into a goddess soon anyway. She’ll be fine.”

“You’re awfully nonchalant about your little human going missing. Is it because she’s actually here?” Hermes accused.

“No!” Apollo said unconvincingly.

“Y/N!” Hermes called. “I know you’re here. Come on out.” I froze. What do I do? Obey the god or obey the other god?

“She’s not here and even if she was, she’d listen to what I said.” I didn’t move, contemplating whether or not I should hide.

“Fine, then you won’t mind if I check your bedroom.”

Σκατά. I could just hide in one of the many other rooms in the house. Hermes probably wouldn’t take the time to check every room. But once I reached the top of the stairs, the door at the bottom opened revealing a very pissed Hermes and distressed Apollo. Curse godly teleportation.

Hermes turned to Apollo. “Wanna do some explaining?” he asked sarcastically, observing my white dress. I just backed away, giving them space to come up the stairs. “Seriously, man. She could be killed because you married her and brought her here without permission,” Hermes explained as they walked up the stairs.

“But no one else is going to know because you’re not gonna tell them,” Apollo said, getting in between me and Hermes. “Right?”

He sighed. “Hi Y/N, congrats on getting married,” he finally greeted me.

“Thanks,” I answered hesitantly.

“Why is she even here?” he asked Apollo.

“Well, we were supposed to go talk to Zeus but I’m working the courage back up,” he laughed awkwardly. Hermes gave him an unamused look. “What? I’ve been single for millennia and then I’m just going to go up to father like ‘Hey, I finally decided to get married. By the way, it’s to a half-blood can you make her immortal too?’”

“So why is she still here?”

“Well Chiron has almost walked in on us having se- OW!” I cut him off with a pinch to his side. “What?” he asked, turning to me.

I could feel the heat rushing to my face now. “Shut up,” I chided him.

“Hermes of all people gets it!” he insisted, slinging an arm around my shoulders. “You can’t honestly say you’ve never brought a girl to Olympus. Like Penelope? Pan’s mother. Because Odysseus would’ve tried to murder you had he walked in on you two.”

“That’s different!” Hermes insisted.

“How?”

Hermes tried to think of an answer for a few minutes before he gave up. “Fine, whatever. But either get her back to camp or tell Zeus what’s going on before anyone else can get their hands on her.” He left no room for argument because he quite literally disappeared in a flash of light that second. Thankfully Apollo had the foresight to cover my eyes for me because Hermes had turned into a ball of light before I could react.

My husband sighed as he looked down at me. “I guess I should return you, huh? I’m sorry I just can’t face Zeus today.”

I smiled softly at him. Truthfully I was in no rush for immortality. I wasn’t quite ready to leave my life behind either way but when Apollo burst into my bedroom declaring that today was the day, I just went with it. Reaching a hand up to cup his jaw I leaned up to kiss him. “Whatever you want, you’re the one who has to take responsibility,” I reasoned.

“Thank you,” he murmured, capturing my lips. “Do you think you can be missing for just a couple more hours?” he asked, pulling away from me.

“Probably,” I agreed. He was immediately scooping my legs up before dropping me onto the bed.

My new husband spent the entire night drawing orgasms out of me until I finally got him to stop. That was the thing about gods, sometimes they didn’t know when to stop because they didn’t always understand human limitations.

I was still breathing heavily from my last peak when I fell asleep on Apollo’s chest, so exhausted.

~

Despite the fact that the sun was down, Apollo could still see his new wife clearly through the moonlight streaming through the glass ceiling. He had laid there for hours, admiring her relaxed features and reveling in the touch of her skin on his. It was nearly five o’ clock and he’d have to get up soon. As nice and sunny as summer was, he hated having to get up so early to get the sun chariot ready.

He gently stroked the hair away from her face, pressing the lightest kiss against her forehead so as not to disturb her. Sitting up, he rearranged the pillows and blankets to cover her before sliding off the bed. He threw on some clothes, leaving a t-shirt for his wife when she woke up before disappearing to the moors of England. Humans thought the sun was always going around the world in a circle but for the west, the sun began in England because that’s where the dividing line fell between the east and the west.

Setting up the sun chariot to do it’s course, Apollo set it off, watching it crest up in the sky like every day. Before he could turn to leave he sensed a new presence behind him. Turning, he found a very smug looking Ares. Trying to play it cool, Apollo smiled. “What are you doing here, brother?”

“I heard about a missing camper,” Ares began. “And then Aphrodite told me about a certain marriage certificate. Filed both on Earth and Mount Olympus.” Apollo cursed internally, that wasn’t supposed to be sent to Olympus for another week. The one time bureaucracy was efficient.

“Ares…” he began, intending to work out some sort of deal but the god of war interrupted him.

“I don’t know where you’re keeping her but until she’s immortal, she’s fair game to kill.”

“You really wanna piss off Demeter like that?” Apollo challenged, hoping her mother could provide her a little protection if he couldn’t.

Ares shrugged. “She has plenty of other children. And it’s not like I’m killing Persephone.” Demeter’s first daughter truly was the apple of her eye. She loved her demigod children but she’d get over their deaths. “Should’ve thought about this before you decided to put an arrow through me in 1918,” Ares sneered.

“That was like a hundred years ago!” Apollo insisted. “Don’t put her in the middle of this. She didn’t do anything wrong.”

“Should’ve thought about the consequences of your actions before you fell in love with a demigod,” the god of war taunted before disappearing in a flash of light.

The sun god let out an enraged grunt before transporting to his house. He practically ripped open the curtains surround the bed to make sure his bride was still there. He let out the biggest sigh of relief seeing her still laying there, unharmed. But now she was stirring due to the sudden light flooding her eyes.

~

I groaned as the sun hit my eyes and a body came to lay next to me. “I’m sorry,” Apollo said, crawling into his spot next to me. “I really wish you could go back to sleep but you need to be back at camp now,” he said. I could now hear the urgency in his voice as I opened my eyes.

“Why? What happened?” I asked, sitting up.

“Look, I uh- may not have thought this marriage all the way through,” he said nervously, handing me a shirt.

My heart dropped and pain flooded my body. “What?” I asked. I cursed myself, I knew it was too good to be true. I thought that after seeing each other for five years he was being honest about wanting to marry me. But I guess five years to an immortal god is the equivalent to a week for a human.

Apollo turned, finding my hurt expression. “No!” he immediately tried to clear up. “No it’s the fact that you’re in danger now. I don’t regret you. I’m so happy you’re my wife now and that you will be forever. I just didn’t think about the other gods’ reactions.”

“Oh,” I said quietly, relief washing over me.

“I could never regret you,” he said, coming over to sit beside me. “I love you. So much,” he swore, pressing me into his chest.

“Is this about Ares?” I asked. He suddenly froze. “I overheard you and Hermes downstairs,” I explained.

“Yes, but I swear to you nothing’s gonna happen to you. You just have to stay at camp. Ares won’t harm you if you’re in Dionysus’ territory,” he said urgently. If his grave tone was any indication, I was in serious danger. “I’m gonna talk to Zeus. We’re already married and I consulted the Fates when I met you so he’ll probably approve your immortality,” he rushed out, handing me shorts to throw on.

I was at a complete loss of what to say so I said the only thing I could think of. “Okay, I trust you.”

He smiled, lightly grasping either side of my jaw. “We have to go. I’m gonna transport with you just outside of camp. The other campers won’t be able to see me but you’re gonna say you snuck out to visit your dad because you were… I don’t know… having a hard time being the only adult at camp?” he suggested.

I nodded, grasping his hand. Immediately we were standing on the side of a familiar rural road. I looked up at the hill in front of me, just over it was Camp Half-Blood. Turning, I found nothing next to me but Apollo’s hand still intertwined in mine was proof he was still there.

He untangled his fingers from mine and gave me a gentle push on my back to encourage me to walk. I did so hesitantly, slowly walking up the hill. As I spotted the gates of camp. Stood on either side of the arch, were two campers in full battle armor. I could hear an indistinct yell as I approached. Probably alerting Chiron to my reemerged presence.

When I finally reached the “safety” of camp I could sense that Apollo was gone. He had kept a few paces behind me but disappeared once I got past Thalia’s former tree. Meanwhile, there was a new threat currently facing me as both Chiron and Mr. D stared down at me disapprovingly. They so rarely agreed with each other and Mr. D so rarely even bothered to pay attention to us that I knew I was in deep shit. “Y/N,” Chiron said like he was scolding his 16 year old daughter, “come with me.” He turned, trotting away as I followed after him like this was a walk of shame. Dionysus just disappeared.

Once I finally reached the Big House, I spotted Mr. D and a woman in the room. She radiated warmth and life despite the rage coming off of her. “Mother?” I asked.

“How could you!” she immediately yelled. “You were seeing a god behind everyone’s back? Not just any god, Apollo,” she spat angrily. “And then next I hear you’re married to him?” she asked in disbelief. “Y/N, do you know what you’ve gotten yourself into? I’ve already lost one daughter to a god. I won’t lose another one.”

Had I not been speaking to a goddess I would’ve lashed out at her. It’s not like she was ever really there for me. How can you lose someone you’ve never been there for? “You’re not gonna lose me,” I insisted, biting my tongue. “You haven’t lost Persephone either, she’s only in the Underworld for a few months. I will be on Olympus with you.”

“Locked in Apollo’s morally depraved sex mansion,” she spat, clearly upset. My jaw nearly dropped, I was so shocked she actually said that.

“Demeter, as valid as your worries are,” Dionysus reluctantly said, “there is the more pressing matter of Ares trying to murder your daughter. And he’ll keep trying until Zeus grants her immortality.”

“Are those boys still fighting about the arrow in 1918?” Demeter demanded.

“Wait, Ares wants to kill me because Apollo shot him?” I asked.

“Yes, it was an accident but Ares never forgot. Especially because it allowed the Allied powers to win. At the time, Ares was kind of betting on Germany to be the next big thing but then when the Allies all blamed it on Germany, Ares wasn’t happy.” Chiron clarified. “And he wants to destroy Apollo’s happiness in revenge.”

“I don’t want you seeing him,” my mother suddenly demanded, still hyper-focused on the wrong topic. Even Chiron and Mr. D rolled their eyes at that. “He’s a no good playboy.”

“We’re already married. I’m not gonna just stop seeing him. And I knew what I was getting myself into. I made sure he actually wanted a relationship with me before I got attached.”

“Oh please-”

“He married me, didn’t he?” I interrupted.

“Demeter, if it’s any consolation he does seem to genuinely be in love with her,” Chiron defended me. “Apollo has never married in all the millenniums he’s lived. He has finally settled down.”

She looked reluctant to accept his argument but didn’t say anything else.

“S-so what do I do now that Ares wants to kill me?” I asked. “Apollo said that he wouldn’t touch me under your protection,” I looked at Mr. D.

The god of wine still looked reluctant to participate in all this. “Well technically camp belongs to all the gods and I cannot ensure your safety. Besides, Ares has never minded breaking a few rules of war. I’ll have to bring you to a more secure place whilst Apollo tries to convince Zeus.”

Demeter sighed. “I will go help him too but after you are immortalized we are discussing your living arrangement,” she said with a stern finger. Before I could reluctantly agree she was gone.

“Come,” Chiron said with a hand on my back. “You must pack only your essentials. Then Dionysus will take you to the convent you’ll be staying at.”

“Convent?” I asked, stopping in my tracks.

“Well, I am the god of cults,” Mr. D reasoned from behind me. “I have a few of my followers there but enough real nuns to disguise you. You’ll be safe there.”

~

I was only at the convent for two days before I was in danger again.

I had been getting along fairly well with the other nuns. Except for one. Her name was Peggy and she seemed too friendly and was always trying to be alone with me. With this being a place that housed Dionysus’ followers I thought nothing of it until I found myself alone with her.

I had been doing my daily chores of dusting the entire convent when Peggy entered the room I was in. I thought nothing of it until I heard the lock click into place. When I turned I didn’t find the nun, I found a gorgon with a grotesque smile on her face. “Daughter of Demeter, I hadn’t expected to see you here. I heard about your little predicament.” I glanced to the open window across the room. If I could just get outside I could trap the gorgon in nature. “Poor Apollo will be so heartbroken when he realizes his bride is dead before he was even able to give her immortality.”

Grabbing a lamp, I hurled it at the monster while she was still talking. It bounced harmlessly off her, shattering but I was already throwing myself through the window. Jumping through a second story window face first probably wasn’t the best idea but I needed to get her onto the ground. As I hit the ground I felt my wrist crack but I didn’t even have time to consider it because the gorgon was bursting through the window after me. She barely missed jumping on top of me but I rolled out of her path. As she was still regaining her bearings I willed the roots of the earth to wrap around her.

Thousands of roots sprung up from the ground tangling each other and the gorgon until they secured her. Any monster worth their myth could cut through my vines but they would come so fast that the monster couldn’t keep up until they were immobilized by the earth. Once the gorgon stopped moving and had just become an unrecognizable mass of weeds, I willed them to pull her into the ground. I’m sure it was a horrific way to die, having every nutrient in your body sucked out of you from underground until you could only become a pile of ichor that would remain in the earth forever.

As soon as I sensed that her life force was gone, I allowed some vines to wrap around my wrist, using the resources of the earth to heal my broken bones. As I let out a sigh of relief at the pain subsiding, I saw a faint flash of light. Now standing a hundred feet away from me were twin brothers, each standing around six feet tall, in full Greek battle armor. I knew enough about mythology and the context of my situation to know that these were Phobos and Deimos. If they weren’t standing between me and the convent I’d try to run there for safety.

“I’m so glad that gorgon was here,” Phobos said. “If it weren’t for you using your powers we never would have found you.”

Σκατά. Well, I just took down a gorgon, I could imprison these two. I let the earth crawl up their shins but they both just looked at each other with smiles before bursting into flames. Their explosion was so violent it threw me back a few feet.

I let out a groan as pain exploded in my body. Peeling open my eyes, I found the earth underneath their feet scorched and they were laughing. I tried to grow vines around myself to pull me into the earth as protection but a blade was suddenly cutting through them and I was being pulled up by my guimpe. Curse these stupid nun outfits.

“Wait, wait, please,” I begged.

“Too bad for you we don’t get to kill you,” Deimos taunted in my face, still holding me by the guimpe. “Ares is gonna torture you to death and send the footage to your husband.”

I did the only thing I could think of. I spat in his face.

“Ew!” he yelled, dropping me to the ground. I wasted no time tearing off into the woods, barely paying attention to Phobos berating his twin.

I continued on, tearing through the woods to get far enough. Seeing a flash of light, I turned the other way, trying to escape Phobos and Deimos long enough so I could hide. “Y/N!” I heard a familiar yell but I didn’t bother to stop. For all I knew, that was one of the twins playing tricks on me.

As I tried to jump over a branch my skirt got caught, sending me to the ground with a crash. Again, curse these nun outfits. Before I could get up though, there was a weight on me. I immediately began screaming and thrashing, assuming it was either Phobos or Deimos but two hands on my face made me look straight ahead. I calmed down realizing it was Apollo currently sitting on top of me.

“Hey, hey, you’re safe,” he assured me. “It’s just me.” As I started calming down, he pulled the veil off my head. “There we go,” he soothed, pulling me up from the ground. As he was still trying to calm me down, Phobos and Deimos appeared behind him. He whirled around, pushing my body behind his. “Zeus granted her immortality. She is under his protection!”

“What we don’t know can’t be held against us,” Phobos laughed.

But before he could do anything, I found myself in a new place. Olympus, I recognized it. Staring up in awe at all the thrones and the magnificent room made of marble. Eleven gods sat around me, including Ares. A completely golden throne that seemed to shimmer was empty.

I looked around, ensuring my head was bowed to all the gods—especially Ares—I finally reached Zeus, falling to my knee.

“Y/N L/N,” Zeus’ booming voice seemed to echo across the room. “You have been granted immortality by the virtue of your husband, Apollo. With the approval of myself and the fates. I hereby grant you goddess status: Y/N, goddess of healing, daughter of Demeter, and wife of Apollo.”

I don’t know what I was expecting but it was as if an unknown burden I didn’t know I had was lifted.

I stood, unsure what to do but all of a sudden a force was hitting me. As Apollo wrapped his arms around me I knew he had been what knocked into me. “My wife’s a goddess!” he yelled, still hugging me, much to the amusement of the other Olympians.

~

A/N I'm gonna be so fucking fr I had no plot going into this I just wanted to write about Apollo so if anyone has any suggestions or requests of a part 2 that ends this better I'm happy to write them

Masterlist | Part 2

[prickly-paprikash]

I have two major criticisms for the first season of Nocturne.

The pacing and the villains.

In the original series, Seasons 1 & 2 are basically just one whole season in and of themselves. It is a focused narrative that doesn't spend a single moment wasting plot or character development.

Whenever the episodes decide to slow down, it feels deliberate. The down times in the first two seasons were rich with character interaction that helped attachments grow and allow the plot to flourish organically.

The best examples of this are when we explore Isaac and Hector's pasts; and when Trevor, Alucard and Sypha arrive at the Belmont hold. There was a rhythm to the seasons. Dialogue, conversations, contest of philosophies, witty banter, and hard truths. Then we transition smoothly to excellently animated and choreographed fight scenes that have weight because we saw these characters humanized in various ways beforehand.

For the villains, Dracula was impeccable. Weak. Starving. Exhausted. Suicidal. His grief and his hatred loomed like a shadow over every single character and plotline throughout the two seasons, and the effects of his demise echoed until the very end.

Castlevania had its flaws. It had its weaknesses. Especially when it was cut to four seasons when it really should have been five. But it was nevertheless a focused narrative.

Nocturne, for all its excellence, does have some glaring flaws that are hard to overlook.

Erzsebet feels threatening and powerful, but the more I watched the show, the more it felt like these were because of purely aesthetic reasons. Don't get me wrong—her design is gorgeous, her past seems rich with potential for the narrative, and I loved how she struck the fear of god in every hero the moment she stepped into the Abbey. But she isn't Dracula-levels of impactful.

Olrox and Drolta did most of the heavy lifting. In the first Castlevania, even when Dracula wasn't the main arc villain, his presence was felt. Erzsebet doesn't have that same weight. She feels... empty at times, as a villain.

That can definitely be fixed in season 2 and I pray that the showrunners prove me wrong. I love being proven wrong because that means the show continues to grow.

The second criticism is pacing. God, the pacing.

Nocturne at times felt all over the place.

Annette's plot of her escaping the clutches of slavery? The way we saw her perspective on the Haitian Revolution? So fucking good. Richter's struggles? Emotionally rich and hooks us immediately. It's the constant, almost dizzying shifts between them, the Abbey, Drolta, Edouard, and the past that drags it down just a bit.

I loved Nocturne. A solid 8/10 for me and I am dying in the dirt waiting for the next season.

But I think the show should've been 10 episodes to accommodate the ensemble cast and their varying plots, and I hope that Erzsebet is improved upon as a villain, a threat, and a character.

[londonspirit]

Was there ever any doubt that Our Flag Means Death Season 2 wouldn't end in thrilling fashion after taking all of us on a rollercoaster of emotions? Probably not, but show creator David Jenkins and writer John Mahone, who teamed up on the script for the finale episode, seemed distinctly driven to squeeze as many tears out of us watching as possible. With the dynamic between Stede (Rhys Darby) and Ed (Taika Waititi) seemingly fractured as of the season's penultimate installment, it was unclear how — or if — the two men might eventually reconcile, but a new threat to the Republic of Pirates, alongside Ed's realization that maybe he isn't meant to be a fisherman after all, sends the two back into each other's arms, literally.

While some characters are afforded something resembling a happy ending, with Stede and Ed deciding to try their hand at being innkeepers as they watch the Revenge sail off into the sunset under Frenchie's (Joel Fry) command, not every single crew member emerges from the finale battle unscathed, chief among them Ed's first mate and formerly ruthless right-hand Izzy Hands (Con O'Neill), whose parting words to Ed may be the very thing that the former Blackbeard needs to hear in order to fully come to terms with accepting the man inside him all along.

Ahead of the Season 2 finale premiering on Max, Collider had the opportunity to reconnect with Jenkins to discuss some of the episode's biggest moments. Over the course of the interview, which you can read below, Jenkins explains why Izzy's speech is both a eulogy for the character and a statement about the show itself, how the Season 2 premiere and finale bookend each other with those beach scenes, and why he wanted to use that Nina Simone needle drop in particular. He also discusses why the season concludes with a wedding at sea, what the finale sets up for Season 3, and more.

COLLIDER: I feel like my first question, in a completely non-serious way, is: how dare you, and my immediate follow-up is: what gives you the right?

DAVID JENKINS: I'm sorry, I'm sorry. Also, I am God to these creatures! But it was hard. It was a hard decision.

The episode kicks off with a somewhat more lighthearted moment, which is Ed realizing he's not cut out for the fishing life after all. On the heels of Stede and Ed’s big fight in the episode prior, why did it feel important to have Ed humorously have the revelation of, “This isn't what I really want after all?”

JENKINS: Well, I like the idea that Season 1 is about Stede’s midlife crisis, and Season 2 is about Ed's midlife crisis. I like that he had a little prima donna moment where he thought he could go and be a simple man, and then it's revealed that he really isn't a simple man; he’s a complicated, fussy, moody guy. No, he's not gonna be able to catch fish for a living. For him to be told that, “At your heart, you're a pirate. You have to go back and do it,” he doesn't want that to be true, but it was true.

Speaking of characters that have a revelation about themselves, Izzy's speech about piracy, about belonging to something and finding family, feels like the thesis statement of this show. Was that the intention behind it?

JENKINS: When I wrote that, I wanted to give Izzy a proper eulogy for himself. He gives a eulogy for himself, but it felt true writing it. Yeah, this is how he sees piracy, and also that's not how he would have viewed piracy in the first season. He would have viewed it as, “I'm here to dominate you, so you work for the boss.” By the end of his journey in the second season, he sees that they built him a unicorn leg, he learned to whittle, and he mentored Stede. He's learned that, actually, a pirate crew works differently than what he thought and that they are all in it together, and they do this for each other. So it felt right for Izzy’s arc, and it is kind of an overall statement about the show.

It's interesting that you call it a eulogy, because, by the time we get to the scene where we know Izzy's not going to make it, it feels like he's using his last moments for Ed more than himself. He has those final words to Ed of, “They love you for who you are. Just be Ed.” Is that the kind of the thing that Ed needs to hear in the moment — even as he's losing, arguably, someone he's known even longer than Stede and is just as close to on an emotional level?

JENKINS: Well, I like that Izzy gives that to him, and then Izzy also apologizes to him because he says that he fed his darkness and that they were both Blackbeard together — that Blackbeard wasn't just Ed, that they did it together. In a way, it's very much for Ed, that speech. The “we were Blackbeard” is claiming that he is also Blackbeard, that Blackbeard is not just Ed’s creation, and I like that for him, too, because he's worked so hard for that — and then just to say, “You can give it up.” There can never be a Blackbeard again as far as Izzy’s concerned because he's dying, and they did that together.

I wanted to ask you about the Stede/Ed reunion. We get Ed finding Stede's love letter that was written all the way at the beginning, and then also the beach fight/reunion. It's definitely a callback to the dream, but was that always the way that you wanted to bookend the season? Here's the dream and the fantasy, and then this is the real moment that we get to have?

JENKINS: It was nice. I knew that I wanted to have the Republic of Pirates at the beginning and end up with the Republic of Pirates. I think the reunion of it was a nice surprise, but it felt right. And finding the letter in a bottle — if you have a letter in a bottle, it's thrown out somewhere, it has to pop up somewhere, you have to see one of them at some point. But yeah, there's a circular nature to it, and that's why I thought it would be good to use Nina Simone at the beginning and at the end as a callback. This dream in this way did come true, and they made it come true.

When I talked to you at the beginning of the season, you mentioned the Nina Simone needle drop, but couldn't say anything about the significance of it at the time. I talked to [music supervisor] Maggie [Phillips], as well, about the needle drops throughout Season 2, and she said you always had a very clear vision for what song you wanted there. A lot of people know the original, but why did you pick Nina's cover? It strikes a different tone; there's a hopefulness to it in a lot of ways.

JENKINS: Yeah, it's wistful. There's a lovely part that sounds like church bells, which is great for the wedding part of it, and then it's just moving. I love her interpretation of it. It’s wistful, positive, and it felt like the end of the show to me. There's a size to it that, up against these images, I just was like, "Yeah, this would be really good. I want this to be in the show."

I did want to ask you about the wedding because on the heels of Izzy's death, it's bittersweet, but also, it's a sign this crew has become a family, and they can still find happy moments and reasons to celebrate. We’ve seen Black Pete and Lucius reconnect, but also reconcile and navigate through Lucius's problems and have their own, almost parallel trajectory journey as a couple alongside Stede and Ed in a way. Was that something that you always wanted to close the season on, the two of them getting hitched?

JENKINS: Yeah. We knew we wanted a matelotage in the season, which is the real term they had for marrying crew members. And yeah, they've always been in relief to Stede and Ed, and they're a little bit ahead of Stede and Ed in how much they can talk about things. So to have a bunch of family things in the season, like a funeral and a wedding, and have the parents kind of watch the kids sail away, felt right, and all of those things seem to work well together and build on each other.

Speaking of Ed and Stede watching everybody sail off, that was an outcome that was somewhat surprising, I think because where they are, you think maybe they're going to end up sailing off with everybody else.” But no, instead, it's just this sweet, lovely note of them getting to play house for a little while. What inspired that turn for them?

JENKINS: I think that they've come to the point in the relationship where they say, “Yeah, we're gonna give this a try,” and that's where the story really gets interesting. That will-they-or-won't-they is interesting to a point, but the real meat of it is always like, “Can they make the relationship, and can they do better than Anne and Mary?” That's the question that we all ask ourselves when we end up in a serious relationship is: can we make this work, and can we get through the hard times? Then they're both very damaged, and it's gonna be a challenge for them, and that's where the story gets interesting.

I'm not sure you can really tease much for a Season 3, but we talked before about how you have your vision for where you want to take this, and based on what we see at the end of Season 2, the implication is that we're going to have Stede and Ed off together, but is the plan to also continue with the other characters as well in their own places?

JENKINS: Yeah. Frenchie’s in charge of the Revenge, and I think Frenchie's Revenge would be an interesting place to work and an interesting ship to be raided by. Then I think that the Revenge means a lot to Stede, and it would be very hard for him to give it up, and he hasn't had a great track record of that. So I think the odds of them all finding each other again are quite high.

All episodes of Our Flag Means Death Season 2 are available to stream on Max.

[alexxncl]

‼️NIGHTBRINGER LESSON 39 SPOILERS‼️

masterlist | all lessons | season 2 | lesson 38 | lesson 40

this was hilarious until i remember that satan is indeed the avatar of wrath and has destroyed the house of lamentations more tines than i can count on both hands. then it got slightly less hilarious, but it's still hilarious

ik we all joke about lucifer being satan's dad bc he technically is but this is PEAK father-son behavior 😭 satan throwing a temper tantrum, no pun intended, over not being able to adopt a cat is one of the funniest things ever actually

y'all know i love me some angst but dear GOD am i happy that we're getting something lighthearted after the emotional rollercoaster that was lesson 38

also we got our room back hehe 🫶🏽

aaaaand now they back to brothers

"nuh uh" "uh huh" DAMN just let him have the cat 😭

shithead lucifer my beloved 🫶🏽 and it's even more heartwarming bc we can see how much he's relaxed and recovered from the incident in cocytus. him smiling and laughing and joking with his brothers freely after the fear of losing them has finally been dissipated has to be a weight off of his shoulders, and a weight off of his brothers' shoulders, too. he's probably been less of himself since the fall, and this is probably more reminiscent of the lucifer from back in the celestial realm

i hc that mammon's familiars/crows just roam around the house freely, so this is even more frustrating for satan bc he's like "well if mammon can have pets, why can't i?"

oh baby :(((

just when i thought we'd gotten away from the angst, i was reminded that we are (i am) indeed on lesson 39 outta 40...ykw at least i was happy for a little bit

10/10 storytelling and writing. i love it when siblings ACTUALLY act like siblings, bc some media doesn't do sibling dynamics justice

granted, solomon isnt their sibling, but lucifer said it once AND doubled down bc he saw that it pissed satan off the first time. the older sibling in me smiled

ik i've said this before but...

lucifer says he hates when his brothers pester him like they don't get it from him 😭 oh no, if it isn't the consequences of your own actions!

now i feel like mammon might be onto something...what if he actually is stronger than lotan? but he doesn't want things to go past empty, playful threats bc hurting lotan would devastate levi, and he adores his little brother too much to do anything that irresponsible. more on this here

the brothers ever 🫶🏽 petty sibling dynamics always get me

satan reusing asmo's phrase after lucifer and solomon used it against him is peak comedy

ADHD TWINS

i can't do long, complicated shit for the life of me without getting sidetracked or overwhelmed

...unless it's these long ass posts

but that's different...kind of

so THAT'S why he was giggling and kicking his feet the whole time?? "hehehe" my ass you sly bitch

also, you can see the amount of pride lucifer feels towards satan just by the way he's acting throughout this entire lesson. he also knew wholeheartedly that satan would, one way or another, find a way to summon the white dragon. he egged satan on and teased him on purpose, which probably made his powers stronger. but i feel like the teasing also was a mask for encouragement

it was obviously still teasing at the heart, but there was a little more to it that reflected how proud lucifer is of his baby brother for coming into his own

also satan initiating the family picture at the end ??? I SOBBED

the lucifer from our timeline would NEVER allow a pet into the house. but the lucifer from our timeline also didn't get to heal the way this lucifer did, so now i'm kinda sad just thinking about that

maybe he thinks having a pet would mean that they're permanently staying in one place? and he still doesn't feel secure enough in his place in the devildom even after all the time he's spent there, even after making a home and a name for himself and his brothers. maybe he considered letting satan get a pet once mc came into the picture, and still toys with the idea, but keeps deciding against it for some internal reason that he won't address

MY WIFE MY BELOVED THE LOVE OF MY LIFE IS BACK

they really do invite any and everyone into the family. i love them so much it makes me insane

completely unrelated but i never realized that the kiss sounds are different for each brother ??? is thus just a nightbringer thing or am i just too far removed from the og game

[suzie-shooter]

Alex Rider season 3 unhinged liveblog ramblings scribbled during first watch. Spoilers, obvs. (also fair warning, I am not particularly a fan of Tom or Kyra lol)

Episode 1 - Widow

S2 recap trivia - Alex's therapist is Molly Doran from Slow Horses and married to Alan Blunt IRL

Malta: Ok, so we're not just going to pretend it's Venice lol.

Creepy old men already hitting on Alex. Standard.

"After this we're out of leads." How do you even have any leads in the first place? Oh ok, Smithers' phone. Terrible security protocols from him, leaving that much historical classified data on it.

"Find the Widow - surely he could have given you an address?" First thing Tom's ever said I've agreed with lmao

Aaaand within a second he's back to being deeply irritating, okay.

Yassen living rent free in Alex's head, you love to see it.

"They've got this picture of me being the responsible one." Have Tom's parents actually met him?

Ooh Razim mention.

You maybe want to clean that wound before whacking a dressing on it Alex?

"Do you think you'll ever lose your appetite Nile?" Spat my drink.

Damn, no harem pants then. Scrubs up well tho.

Listing Levin in the opening credits than having him be only a S2 flashback should be a warcrime.

Episode 2 - Lab

"This weapon is called pork sword, wait, no, shit, wrong USB."

"Julia Rothman. Definitely a wrong un." Spat my drink again.

Do Crawley and Pritchard not warrant helmets and visors? Are they somehow immune to shrapnel?

So, room 6, wired to blow, yes? It's what I'd do…

Oh yeah sure guys, they're going to still be sitting there, all unmoving in the dark, for sure that's a person, and not a Massive Trap.

Thereeeee we go. Agent mince. Top of your class huh, well you're certainly at the top now, and down the sides and partially out of the window.

I know there's the whole 'characters don't know what genre they're in' thing but you are literally in the 'working for MI6 genre', you are up against people notorious for booby traps and blowing shit up, why the fuck would you touch something that hadn't been declared safe first? Apart from anything else you're fucking up the scene before forensics get there.

"I love you man." Vom.

Alex: breaks into super sekkrit lab. Also Alex: doesn't have the faintest fucking idea what he's looking at, so not really helpful.

COMICALLY LARGE BOMB KLAXON.

Episode 3 - Enemy

"Welcome to Malagosto." OooOOooh.

Maybe I'm just looking at it from a fic writer's perspective but it does seem a massive anticlimax to immediately let Tom and Kyra know Alex is okay? Like, you could have got a good couple of episodes of angst out of that uncertainty.

"Do you want me to kill them?" Oh God yes please.

Why the fuck have they plugged the USB directly into the network rather than an isolated PC? 'Hur dur we checked it first', you literally believe Scorpia are smart enough to not be bluffing about the nebulous death threat but you don't think they could hide something on the hardware? Fuck's sake lads. Amateur hour.

Is this Home Secretary meant to be Suella Braverman? Or Priti Patel maybe lol. (Equal rights and all that, and if it had been a white male character I don't think I would have thought twice about the dialogue but having both your two new female characters be immediately proved wrong/ massively patronised/ blown up ain't hugely comfortable viewing tbh).

HOW MANY FICS INVOLVING ALEX GETTING FUCKED ON THAT BED HAVE JUST BEEN BORN?

"Are you suggesting we break into a dead man's house?" "It's not like he's going to be there." 😂

"He became a very close friend of mine." Fnar.

Omg making Alex read his father's love letters is hilarious.

Alex: you could have faked that news report Also Alex: handwriting can definitely never be faked (how is Alex even familiar with his dead father's handwriting? wouldn't recognise mine)

Ugh please stop trying to make Alex/Kyra happen.

Alex up the vent shaft. I hope they're sitting casually at the top going - you could have just taken the stairs love.

If he's climbing upwards, why is his hair dangling like he's upside down? Have they filmed this like 60's Batman, and he's just crawling along a horizontal set lol.

Alex never once asks about his mother does he. Given the shagger-John route they seem to have gone down you almost think Julia would be in a better shout of getting Alex to switch sides by claiming to be his mother.

And - yeah, Alex's recruitment just doesn't feel that convincing here. Adding Tom/Kyra/Jack so much to the mix has changed the feel of his life a lot, and TV verse Alex has had a lot less fucking over by the Department by this point too. And Rothman feels too creepy to be effectively convincing him of anything.

"I want you to meet your tutor." FUCK YES FINALLY 🙌 (may have rewound that part several times lol)

Episode 4 - Recruit

Nicaragua: 18 years ago OH MY GOD IT'S HAPPENING

Baby Yassen is adorable, I'm in love.

OH MY GOD THAT'S SO MUCH BETTER THAN THE FUCKIN SPIDER THING

OH MY GOD THE REVEAL OF HIM STANDING OVER THE SLEEPING ALEX I'M DEAD

(Ok, I'm calm again. For now. We continue.)

"You killed my uncle" - all the hundreds of ways this conversation has been written over the years and Yassen's just like lol get over it 😂 (here for it tbh)

Rothman: He's one of our best Yassen: One of? Bitch.

Yassen watching Alex train like 👀👀

"Did he ever tell you you're no fun?" Oh you want to have FUN with Yassen do you?

Yassen bitchslapping Alex to fuck, both hilarious and hot.

Oh, you want to be WET wet.

"Matteo's the guy with the blanket." Why is that so funny.

Omg Yassen stepping in to protect his boy and humiliating Nile in the process lol. And Alex doing what Yassen tells him, because of course he does 🥰

"This one is my responsibility" 🥰🥰

"What about love, friendship?" Alex has only known Yassen five minutes and is already down bad.

"Kind of lonely though, right?" Yeah, Yassen needs you at his side Alex, so step up and stop being a whiny little bitch about killing people.

Never get in the first taxi, rule one of espionage.

Yep, called it. Tom's like: I'll have my fucking tip back in that case.

This scene is so dark I have no fucking idea what's going on, I thought Nile had attacked Alex, but apparently not. Is Nile officially part of this exercise or not, it seems really unclear lol.

The power of friendship and sparklerabbits saves the day, apparently. Yawn.

Jesus, we really ATE with this ep, huh.

Episode 5 - Revenge

"Would you rather your arms around me, or my arms around you?" Way to make it creepy Tom you skeevy fuck.

"Can we focus please?" "We're multi-tasking."

Sure Grendel, rock up to the super sekkrit spy base in a massively conspicuous car why don't you?

"Yassen will give you everything you need." Oh I BET he will.

Feels sloppy them not removing the diffuser from the vent tbh.

"What does this say?" Alex hasn't inherited John's neat handwriting then lol. Alex leaning into him like that > me making noises only dogs can hear.

"You've put lockpick?" "I left my last one in Nile."

Ooh, suicide pill, nasty. Kind've pointless though, given they've been left with the evidence anyway.

Yassen in Alex's bedroom again, likely place for him to be.

"I don't want you to fail. I don't want you to die." 🥹💕🥰

Yalex roadtrip, let's goooo.

Disappointed they're not making Alex do the Entrapment infrared acrobatic sequence here lol.

If this is Yassen's idea of a date it definitely needs work.

So no surprise scorpions then? Can't have shit in Detroit Malta.

"Why? Why did she kill him?" Well taking things at face value here he was a highly murderous member of a terrorist organisation, so you know, kind've her job.

Yassen does like a casual lean, doesn't he.

Episode 6 - Target

Alex and Yassen have shacked up in London, hope there's only one bed.

Now they're in the back of a van, SO many opportunities for shagging, they're spoilt for choice.

Yassen's impressed look when Alex reels off all the security details, so proud of his boy.

"What happened to my mum?" Finally he wonders lol.

"And I'm good at it. You could be too." 🥹

"You think Alex killed him?" I mean, he was also there with a notorious assassin, so probably not, y'know.

Domestic Yassen cooking Alex's dinner and also cooking him a gun lol.

Smithers' "How I've missed you" ahahaha. Smithers/Kyra much better pairing tbh.

"He's actually quite good at this stuff." Smithers' little snort lmao

Time for Alex to be blacked up/ dunked in a teabag bath/ gussied up. Although he still looks exactly like Alex afterwards, which feels less useful lol.

"You love him, don't you?" Yassen loves him more. I have to say Alex had far more chemistry with Syl, and frankly for that matter with Tom. I really don't get the Kyra agenda.

"It's a dry hole." Alex's worst nightmare.

Is Alex going to look through Mrs Jones' knicker drawer?

Episode 7 - The Shot

Mrs Jones and her tall murderous hobbit son lol. Otto really looks about 58 here.

Hope they bill him for her fucked up fridge.

Is that Bath? Oh, it is.

Mrs Jones casually throwing Alex back into play lol. Maybe she can have a little revenge for him trying to shoot her.

"Everyone breaks into houses." Jack's face lol

Ewww put him down, you don't know where he's been (Yassen's bed, almost certainly)

"Remember they can't hurt you unless you invite them in." "That's vampires."

Yassen arguing in favour of going to rescue Alex MY HEART

"Sit down. I'm going to tell you a story. About your friend, John Rider." HOLY PLOTHOLE TIMELINE PATCHING BATMAN

"John was embedded inside Scorpia for three years." Not the only thing he was embedded in by the sounds of it.

Alex seems to be hallucinating again lol.

Yassen, maybe psychoanalysing your insane boss isn't the safest thing to be doing?

"It's quite mad Julia." Yassen really gives no shits omfg

"I know my place." Yes, at Alex's side.

I like how Julia thought telling Yassen she'd killed John would do anything other than piss him off lol.

Episode 8 - Invisible Sword

"But you do owe me a new fridge." LOLLLLLL

Crawley feeling like a spare part during this lift convo, hahaha

"Smithers, you can do me some kind of tracker, right?" "Yeah, if you promise to keep it on you this time."

Alex is like ohshit I'm gonna die fr

"Not for the agents. They undid their seatbelts." Eyyyyyyyy 👉

Aww they've given him a little baby assassin outfit, how cute.

Where's Yassen, has he just fucked off to the pub?

"For the head of Scorpia, you're a really bad liar."

Laughing at all the other Scorpia agents having to listen to this convo about their boss like we are not paid enough for this shit 😬

"Everyone else is getting what they want, let me have my cereal."

Protecting his boy to the last. Yassen really is purely on Alex's side, we love to see it.🥰

And OMG HE LIVESSSSSSSS 🙌🙌🙌🙌 (I voted yes in that poll, I had faith lol)

Well that was - far more fanservice than I dared hope for, after the meagre pickings we got in the first two series. Yalex supremacy to the motherfucking end, let's go.

[ladyluscinia]

I'm already so sick of how the fallout of ofmd season 2 has snowballed into people on here going "fandom these days just can't handle Bad Things happening in media-- newsflash, characters have to get hurt and die, grow up!" all condescending like. First of all, in the context of Izzy, most people I've seen discuss his death agree that they would've accepted and enjoyed his death if it had just been handled appropriately, and also. "You just can't handle bad things happening to your fave!" Bruh. We were all partying it up when Izzy lost his fucking leg and was suffering physically and mentally. It can be FUN to see your blorbo suffer!

And that is just one example of a larger trend on this site-- people are really gonna come onto the "we love putting our blorbos in the blender and watching them struggle and suffer" site and say "kids these days can't handle Bad Things happening to their blorbos." Sorry, but that's just nonsense. Fandom loves their fix-its, but they also love shattering their faves. The problem has never been Bad Things happening in general, but HOW those things are framed within the narrative and how that narrative is told. The problem is when something is out of place in its genre, or when it goes against a promise the show has made, or when suffering is used flippantly and uncaringly, or when a character suffers and suffers and then just when they've finally caught a break, they're kicked down again, just for a cheap tug at your heartstrings.

Both within the context of ofmd AND in a wider fandom context, fandoms LOVE when our blorbos are hurt, as long as our blorbos are hurt RIGHT.

... And I think it sure is Something that a fandom can have a rampant issue with fans of a character being harassed and sent death threats and that's just "normal fandom being fandom" but god forbid people feel Emotions. About a Character and a Show. And dare to react by... just Offering Criticism! No, death threats are "fandom culture that comes with the territory," but if you vent post or criticize a writing decision in media, THAT'S being "hysterical" and "overly emotional" and "truly frightening behavior!" I just LOVE (big sarcasm) how back when people were getting doxxed and threatened for liking a guy, the fandom was all *cricket noises,* but NOW suddenly everyone is "terrified and exhausted by fandom's volatility" and "concerned about the fragile mental health of fans" when you simply say "damn that episode sucked and I sure am sad about it."

The OFMD fandom was toxic as fuck for a year and a half and continued to be toxic as fuck for all the airing of S2, so hardly surprising that the aftermath of S2 appears to be... toxic as fuck.

Least surprising thing in the world is that the people who hated Izzy and passively or actively supported driving his fans out of the fandom for "ruining it for everyone else" now think his fans should leave the fandom if they are so upset and stop leveraging "baseless criticism" at the show that is "ruining it for everyone else." They have normal not-at-all-parasocial relationships leading them to directly @ David Jenkins and thank him for a season that somehow managed to be both flawless and have all its flaws blamed on MAX, but those wretched Izzy stans have horrible-evil-parasocial relationships making them harass the crew by *footage not found*

If Mr. Jenkins decides to go scroll the #ofmd s2 tag on tumblr and stumbles across me - a random blog and icon - outlining how I think he fucked his show up, that's pretty clearly on him? This is tumblr. I have no relationship with this man or obligation to tailor every word I say as if he's bound to see it and going to take it personally???

I'm actually a big proponent of "Don't @ the cast and crew about pretty much anything" because the same fandom mentality that makes you think you can randomly ask him about your headcanon like you're chatting is what all these people are melting down about if someone directly goes "hey you killed my favorite character and that makes me mad!" - same fucking people, same fucking parasocial relationship. The standard of "only @ them for good things" is the flimsiest fucking line, as any ao3 writer who has received unsolicited "constructive criticism" or "advice" can tell you.

If we want to snidely get into "what this is really about" well it's the same fucking thing it was before:

People substituting subjective opinion as objective fact with zero self-awareness of doing so. "I liked this so it's good." "I didn't like this so it's bad." "I got bad vibes from that character so he was clearly written to be horrendous and unlikable." "I sympathized with this character so anyone suggesting he has flaws is demonizing him."

Or the deepest circle of fandom hell: "I think [insert identity] rep is so important and this piece of media fits into however I personally define 'good rep', therefore it is flawless and/or morally significant enough to be above criticism."

...which, yeah, leads to temper tantrum levels of fandom infighting, especially since people online express, fairly frequently, "I didn't like it because it was bad" and then present evidence for their point. And also a lot of fandom likes bad TV. Or even just mediocre TV that's entertaining.

I personally was not going to be happy about any person beyond one-offs, blatant villains, and background randoms dying because "they had to" (for their own arc or someone else's) because I fundamentally think if you believe you've written yourself into that corner in a workplace comedy that's built around a main romance arc... you're kinda stupid. Yes, even if it's pirate themed. Enough injuries have been walked off and lampshaded to confirm that part is aesthetic.

The fandom wiki for The Office lists 11 deceased characters. Three of them are fictional characters who die in an action-movie episode. Two are one-offs that get named dropped seasons later as having died offscreen. One of them is an offscreen cat, who appears to have had a more significant death plotwise and emotionally than any of the humans, and another is a woman who literally exists as a picture someone makes up a personality for and then discovers the real woman died. The most significant character on the list is a temp boss that got a four episode story arc about being a useless idiot who died in the hospital after a basketball dunking accident.

That is a show that ran for 9 seasons and over 200 episodes. It's pretty universally regarded as good, and the cringe asshole boss getting genuinely moving emotional beats is a big part of that. I think we can maybe pretty confidently say that reflecting the random realities of death is not essential to every story.

If OFMD wants to be evaluated as a hard-hitting drama or a queer story about the struggle of piracy against the Evil Empire, I will compare it to Black Sails instead of The Office. I just don't think David Jenkins is going to enjoy that comparison.

I'm not going to lower my standards because [insert rep reason the show must absolutely be a wild success here].

[prince-liest]

Omg, I just wanted to say I ADORE your characterization of Al and Vox! I don't even have the words to express how much I love reading your stuff, especially the Anon responses you post on here. The behind the scenes thoughts are literally my food, lifesource, its so good when people not only write characters IN CHARACTER, but also include stuff about their analysis/understanding of the character too.. I'm literally obsessed with breaking down characters and yk, cracking their chrome domes open to see how they work (which admittedly, I am not the best at <_< but I love reading them). Just wanted to say how much I love your writing. I had maybe 2 questions, please don't feel pressured to answer them :>

What in your mind (in reference to the 66.6 fics) would motivate Alastor to let Val get close to him in the first place? Or was that more you picking these two characters up by the scruff of their necks and plopping them into a hypothetical scenario to explore their character and write some fun intimate thingsTM?

What do you think of the dynamic of Vox and Al vs something like Lucifer and Al? Personally I've noticed that something Alastor craves, behind the mask of his static smiling persona, is attention. He's (at least how I saw it) usually peeved when people don't care about his absence, and seems especially bothered by the King of Hell refusing to really acknowledge him, so he goes out of his way to push Lucifers buttons (like calling himself a father figure to Charlie, IN FRONT OF HER ACTUAL FATHER LOL) whereas with Vox, Vox is literally CONSTANTLY thinking about Alastor. Man literally interrupted his regular TV program to do a segment about how much he totally didn't at ALL care about Alastors dissapearance or the fact that he returned (suree buddy). So Alastor can have more fun with him and annoy him by ignoring and messing with him on purpose.

ty if you do respond to this, sorry if it was hard to understand, sometimes I forget how to put the thoughts in my brain into coherent words!

Ahhhh, thank you very much, anon! I'm especially happy that you're enjoying my commentary on Tumblr, haha - I spent a while on Twitter because that's where all the fandom zines I was in were being hosted, but nothing beats Tumblr for giving me a nigh-unlimited word count and a captive audience for my rambling! >:D <3 I'm back to cocooning myself on the OG hell site.

Thank you for this ask, it really brightened my day! :D

As for your questions:

1. I'm assuming that was a typo and that you mean Vox (but in case you did mean Val: that was just a funny accident of him walking by the room! Alastor wasn't paying enough attention until it was too late), and to that I say:

I think Alastor allows Vox to take a go at him in canon because he finds Vox's obsession with him to be entertaining, but also because Alastor is kind of a narcissist and that same obsession massively feeds his ego, especially in a political climate that otherwise forgot about Alastor. Vox's whole "Who gives a shit about Alastor coming back?! Haha, now let me have a public meltdown and short out power to the whole city about it! Oh, fuck, why is he back, though?? Can we send a spy in to find out??" is exactly the reaction that Alastor wants every time he mentions his mysterious absence and gets brushed off.

At the same time, Alastor doesn't seem to register Vox as a sincere and genuine threat. He's a big enough fish in the Pride Ring pond that his obsession with Alastor is gratifying, but Alastor's self-absorption also doesn't really allow him to treat Vox as a threat tier above "annoying in a funny way, and also television is stupid." (Perhaps this will change in season 2... :eyes: (or perhaps Alastor will get Even Worse) (please god let him get even worse))

So those two things in combination make Vox the perfect candidate for Alastor to experiment with while maintaining his ego and not feeling particularly threatened. Despite Vox's Safeword 101 talk, Alastor would never put stock into that system with Vox unless he was certain that he himself would be able to back up a 'no' with overwhelming force. Him even considering safewords in the Live On Air! series is less for his own sake and more a politesse he offers on Vox's request to warn Vox to slow the fuck down before Alastor tries to put his insides on the outside.

2. And in direct contrast, we have Lucifer...

... Who Alastor obviously actually cares quite a bit about, because he's a whole nother power tier from both Vox and Alastor, and furthermore and possibly even more importantly, a credible threat to Alastor's relationships and standing in the hotel. I think a lot of discussion I see about Alastor prodding Lucifer seems to talk about how quickly he got annoyed about Lucifer's comments, but that misses the fact that he was pissed off before Lucifer even showed up. He got pissy the moment he saw the welcome sign, actually! And I wager that he was narratively absent for the scene where Charlie actually calls Lucifer because he would have done his best to manipulate her out of doing so had be been there.

And given that the two clearly haven't met before (though obviously Alastor knows of Lucifer - and hates that the inverse isn't true, hah), it's not 100% clear exactly why he's immediately so annoyed, but in my personal view of things and barring something like "he's projecting onto Lucifer because his contract is with Lilith," I think that what we know of Alastor's personality points most strongly to "he liked being the hotel's benefactor and sees it as His Project, and doesn't like the idea that Charlie called daddy for something that she thought mysterious, powerful Alastor couldn't handle." He distracts a lot with obviously-goading comments about practically being Charlie's dad in his duet with Lucifer, but underneath that he puts a lot of emphasis on the work he's done for the hotel and the fact that he's been supporting Charlie and the hotel from the start, so why the fuck is this deadbeat asshole suddenly turning up?!

Tl;dr: Charlie missed her insight roll on Alastor's personal investments and he's sooooo offended - and taking it out on Lucifer!

I think one of my favorite things about both Lucifer and Alastor is that they both sooo obviously belong in the Pride Ring, hahaha.

[fulcrumstoried]

Ex Diris and the Card Spread

Just read the Ex Diris lore entry exotic grande launcher from the season pass and haven't seen anyone try to do a breakdown of the cards and how they align with cartomancy yet, cause I am gnawing at this.

So, the Deck of Whispers is an oracle deck (think tarot, but the cards and meanings are different).

One of the ways that people engage with cartomancy is by developing spreads, aka the order you draw the cards, and the places that you put them, add to the meaning of the cards.

Eg, a three card spread of past, present, future. The first card you draw represents the past, the second is the present, the third is the future.

I don't believe Eris' spread has an exact match (please let me know if it does), but it is very very close to the Celtic Cross Spread, particularly the expanded version.

I'll break down the spread, the meanings, and the cards below. There's very little theory crafting, but a lot more meaning finding, so I hope you enjoy!

The Labyrinthos link above is a very good full breakdown, but tl;dr, each card in this Celtic Cross Spread has a different meaning, which I'll get into (at a basic level), and it looks something like this:

Card 1 - Your current situation [Blades]

Eris interpretes this to mean Sword Logic. Yes, but I think it's also about the First Knife, and the Final Shape, aka this whole fight / saga is centered around whether or not the Witness is right.

Card 2 - The Challenge / Obstacle [Adherent]

Eris clearly sees this as Xivu Arath. I agree, an Adherent could also be known as a Disciple. The meaning also supports it: she's the threat of the season, the thing we have to overcome first.

Card 3 - Foundation / Cause of the situation [Sisters]

Eris clearly sees this as the Hive God's first selves. I agree, as the meaning supports this: who the Hive Gods once were is the foundation of who they have become.

Whilst this feels like a limited meaning (there are more causes than just them), I think it's a deliberate choice to set up the next card:

Card 4 - The / Your Past [The Harbinger]

Eris can only see this as herself. The spread meaning becomes tenuous here, perhaps because she is the Oracle and from the past she foretells the future? Perhaps it is her card because it is her past that is in play? Or perhaps it's because the writers wanted to have that very interesting line

Perhaps now she counted among those sisters. Savathûn, Xivu Arath, and Eris Morn. A game between siblings. A love that sharpens.

I've got a bit of a crack theory developing about this (particularly with what implies about her role as a Navigator), but that's for later.

---

This is also when the normal spread and Eris' differ. Traditionally, you then place Card 5, which represents the present. Eris skips this (perhaps because she doesn't need to know what's happening now), and goes straight to

Card 6 - Near Future [The Lie]

Eris wonders if this is the Guardians, or maybe the lie of the Deep. From a simple standpoint, perhaps it could just mean that the future is a lie, or that to know the Future is to know a lie? Or, following the way each card is an entity, perhaps this is the Witness? After all, they're going to be in our near future.

---

This is when the normal and Eris' spreads diverge again. Sometimes, at the end of a reading, people add three or four more cards across the bottom, which shows the more subtle influences around the person doing the reading. Eris does this halway through, creating:

Because she does it halfway through, I think Cards 6, 7, and 8 are clarifiers of the three columns beneath them, rather than the reading as a whole. (I'm also toying with the idea that they could also represent the Surface, the Sky, and the Deep, but eh)

(Lmao I've just realised that because I made the second graphic, now the numbers don't align, and I'm going to repeat Card 6 and now use the numbers from Eris' spread, sorry!)

Card 6 - aligned with Harbinger/Eris [Liminal]

Imo these match, Eris is currently occupying the liminal space between Hive and not-Hive, Light and Dark.

Card 7 - aligned with Sisters [Ascension]

Again, a match, their rise from being sisters to godhood.

Card 8 - aligned with The Lie [Lacuna]

Now, a lacuna is a gap, particularly where there should be, or once was, something. Eris saw it as part of a Guardian's Light, but I think it's specifically her Light - and the fact that she no longer has it.

She had not held it for centuries. The Hive sisters below beckoned more loudly than the Light did.

Aligned with The Lie, either she is tempted to fill it with the Lie (aka the Darkness), or the fact that she doesn't have it is the Lie (?).

---

Then we get to the final four cards, also known as the Staff.

Card 9 - Current approach / Your influence [The Witch]

Eris is torn between Savathun and herself, and I think that's reflected in what the meaning of the card could be. I'm leaning towards Savathun, because it's highly unusual to have two cards representing one person in a spread, and because she is, you know, the Witch Queen.

Also, that which is influencing us and dictating our approach right now is Savathun. So if we continue with our current approach, we will continue up the staff/column of cards to:

Card 10 - What you need to know / External influence [The Truth]

This is a fun card because it states The Truth, then Eris goes and says

There were too many truths for any one to triumph.

This is a very interesting line to me, and immediately brought to mind the final Veil Log, the Von Neumann-Wigner hypothesis mentioned, and this breakdown from Reddit. Tl;dr the Light is about creating possibilities, and the Darkness is about collapsing all possible states into one reality.

I also find Eris' use of the word triumph interesting - what will the final truth (final shape) of the universe be?

Card 11 - Hope / Fear [Lament]

Eris sees this as Oryx's death. I immediately thought of The Lament sword from Beyond Light. The sword was a gift from Clovis Bray to Banshee, due to his regret at not caring about the living whilst he was alive. In it, he states

Stay alive. For legacy.

However, when we activate the Clovis Bray AI, he threatens to kill Banshee. His initial lament is forgotten. Similarly, Savathun and Xivu Arath both once died, and Oryx brought them back.

So, these combine in two interesting ways; that of fear of total loss then rejection upon regaining it, and perhaps a fear/hope of sword logic being true.

Card 12 - Outcome [The Wish]

The particle The Wish feels important, and my immediate reaction was The Last Wish or Eris' Wish? Now Eris' was in the past, and I think both the meaning (Outcome) and Eris' interpretation suggest that this is something that will occur.

Eris had wished before. It had led her here. Would she be asked to wish again? What else would her desire wrought?

This post breaks down those lines really well. Or perhaps it is about the Last Wish, fulfilling it, that of the fireteam wishing to keep the Dreaming City / Awoken/Humanity safe?

A wish is desire, the greatest power in this universe.

Which is pretty much a direct quote from the Last Wish cinematic. This also reminds me of the reddit post, as being able to choose your reality feels like a pretty darn great power.

---

Eris' interpretations of these cards are built on each other, like a tower working up. A Witch, from whom Truth flows, which causes Lament, to the final outcome of The Wish.

This could be the story of Eris, actually. She asked for the way out of the tunnels under the moon (knowledge, and truth), losing and gaining something in the process, to obtain the wish of being free.

But also, according to Labyrinthos, with the staff (this column of four cards),

We learn how the context of this situation can affect the reader's life outside the situation, and also - how to change it, if desired.

I think these cards are not just for Eris, but for the story/season - the wider picture, and also how it may change later.

---

I also think that these cards do a really good job of bringing together a lot of different areas of Destiny story together - from Forsaken and the Last Wish, to Lament and Beyond Light, with the Hive and Witch Queen.

This was an absolute blast to try and read into, so hope you all enjoyed my red string nonsense!

[blindmagdalena]

Just like you I am a big fan of the relationship between Homelander and Ryan and I have a few thoughts about them that I just wanna throw out there. Sorry this is a little lengthy😅

1: In season 2 episode 2 when Homelander is putting Ryan to bed I think he gives his little speech about them being gods because that’s what Homelander would have wanted someone to tell him as a kid. I think it’s the same thing with him telling Ryan “I love you, son” and then telling Ryan to say it back. Homelander is not inherently angry or upset that he has to either ask or tell Ryan to say “I love you” back. I think Homelander definitely gave off stern dad vibes in that scene as if he thinks he is teaching Ryan to say “I love you” but not in a forceful way but more in an “when I was his age I didn’t know dads and sons said I love you to each other so he must not know either”. I also think Homelander was just feeling super vulnerable in that moment and needed some kind of reassurance.

2. In the last episode of season three when Soldier Boy throws Ryan and Homelander chooses to check on Ryan first rather than engaging in the fight, I think Homelander chooses to do that because he’s probably never had anyone be protective of him or really worried/scared for him. I feel like Homelander may have viewed this as some kind of physical reassurance because Ryan was willing to get hurt and take on three very strong supes to try and help his dad. Not to mention even just being able to knock Soldier Boy back was a big demonstration of power on Ryan’s part. As we all know Homelander respects other powerful supes (to some degree). I also think it played a part in why Homelander was willing to leave at the end when Ryan asked him to. It may have also been to throw it in Butcher’s face than Ryan chose Homelander over Butcher.

3. Ryan is frequently shown wearing at least one color that matches one of the colors on his dad’s supersuit and I think that is really adorable.

don't EVER be sorry for bringing me ryan and dadlander content. both are always welcome.

you nailed the vibe of the 'i love you' scene imo. he's not mad about it, he's establishing his expectations for their relationship. that's just what you do. he's teaching Ryan the script. that's exactly how Homelander has always learned.

i don't know if Homelander was really actively choosing to ignore the threat. he was definitely very scared for his life when Soldier Boy had him, and i think he was running on pure emotion/adrenaline when he dropped down to check on Ryan. i went back to watch it and was unfortunately reminded of how... clumsy that whole finale is.

THAT ASIDE. i think you're right in that Ryan proved himself in a big way to Homelander in that moment. by the end of it, the poor kid just doesn't wanna see any more violence. Homelander accepts that because—again, for the first time—he feels like someone is finally choosing him. his dad is gone, but he has what mattered most to him. he has his son.

also, yes! i agree! we almost always see Ryan dressed in red, white and blue and i think that's an endlessly cute little detail.

[one-flower-one-sword]

so aside from 2x02, 2x05 is so far my favorite ep from season 2, simply for the fact that we get to see Hua Cheng fight. in previous posts, I've already analysed scenes from the novel in regards to Hua Cheng fighting while blind on one side and the logistics of his disability in general, so now I want to try it with the donghua as well. caveat and disclaimer that while I am disabled myself, I am not so in regards to my vision, so everything I know comes from research I've done rather than personal experience. if anyone reads my analysis and feels like it's wrong or offensive, please do let me know and I will correct it.

I mentioned in previous posts (like this one) that there are several instances where Hua Cheng seems to deliberatley turn his blind side towards people and that the reasons for this vary depending on context. in 2x05, Hua Cheng starts off facing Xie Lian and the others directly after he stood up from where he'd been pushed to the floor by Xie Lian:

while he's talking to them about "Ming Yi" though, he starts walking off to the side while having his blind side facing them completely. here, it comes off as a power move - a way to convey "I don't feel the need to keep you in my line of sight at all since I don't consider you serious threats worthy of my attention", without having to say any of that out loud at all:

while the action is the same, the reasoning behind it as well as the way it comes across seems very different to when he has his blind side facing Xie Lian while he's with him in Paradise Manor's main hall in the previous eps:

Xie Lian sat down first, and then Hua Cheng chose to sit with his blind side facing him. like I've argued in previous posts, Hua Cheng seems to do this when he wants to hide his expression and thereby his emotions from others. in this case, I assume it's for the same reason he withdrew from Xie Lian's touch in the ox cart - he's afraid of getting too excited and making Xie Lian uncomfortable with it. of course, he does turn his head and look at Xie Lian several times during their conversation here, but the point is that this positioning gives him the option of hiding when he feels it necessary - like when he offered the dice for Xie Lian to keep and got adorably shy about it. because while on the one hand this was a strategic move to make the whole rescue "Ming Yi" thing work, it was also a genuine gift he was offering to his god:

back to 2x05 now with a brief word from our sponsors, Hua Cheng's beautiful fingers carressing that sword hilt:

ahem. moving right along

Hua Cheng has drawn E'ming now and this is where I get less coherent because ooohh oh wow look at this. first of I love how casually threatening this comes off. most importantly though please look at the way he's holding E'ming and how it's mirroring and accentuating the angle he's standing at, the positioning of his arms, and the direction his gaze is pointed at. beautiful and deadly, no notes

then Xie Lian starts talking to him again about how he understands now that the fault lies with them but to please make an exception and show mercy, to which Hua Cheng replies in this regretful but resolute tone that there are some things one shouldn't get overly involved in. he's stopped pointing E'ming at them and switched it from his right to his left hand. but his stance has been made clear, underlined by the fact that he's now switched to facing them with his seeing side - he won't just let them leave. since Xie Lian is there, he seems wary about being the one to attack first though. this is speculation, but I assume He Xuan understands why Hua Cheng would rather be on the defensive than the offensive in this situation, hence why he twitches his hand here to remind Shi Qingxuan of his presence and his injured state and spur him into action:

now we've arrived at the parts that really got my heart racing. I'm sorry I'm just like Xie Lian in that regard - I love Hua Cheng and Iove swords and sword fighting. or in this case, fan fighting:

the way he effortlessly snatches that fan out of the air is so smooth and badass. also the way he's holding E'ming behind his back and the scimitar again mirroring the line of his body... *dreamy sigh*

his fighting here gives a nice glimpse into that "arrogant, rebellious confidence" that Xie Lian is going to feel so weak-kneed over in the future. it's also proof of Hua Cheng's skill - he had to make this look real and convincing while also making sure his attacks were of a nature that the others could defend against without too much trouble. while I assume that in the name of authenticity, it would have been okay if Shi Qingxuan and "Ming Yi" got hurt, the same does not go for Xie Lian - hence how broken up and angry at himself Hua Cheng is when that does happen in the end. I could also see him choosing that fan in particular because he knows Lang Qianqiu is on the way and knows his sword can neutralize that fan - and if he's facing off against Lang Qianqiu, that means Xie Lian will be out of the line of fire.

I've hit image limit on this post, so we'll continue in part 2!

[hughjidiot]

Total Drama Island Reboot Season Two: Episodes 2, 3 and 4

Okay wow, was not expecting three new episodes at once. Again I am baffled by both the local and international release schedules. But I'm continuing to watch and enjoy this reboot, here are my rough impressions of all the characters in all three episodes. Spoilers below the cut, obviously.

Chase is out second. Pretty obvious boot with how he behaved in the challenge, but that's just how TDI is sometimes. Glad he went early if I'm being honest since his whole subplot with Emma had run its course and there wasn't much more to get out of Chase. Speaking of which though...

Emma was out fourth, which kind of surprised me. I thought she might get an arc of finally forgetting about Chase and moving on, but then she goes and gets eliminated. Maybe they're saving an Emma arc for if gen 4 gets a third season? Who knows. A little disappointing but not a huge loss.

And between them, Millie is out third. Not surprising if I'm being honest; Millie had a chance to train up to be a stronger player with Priya's help, but neglected to actually study for it. And then in episode 2 when she tries to think creatively to help her team win, her lack of social skills is what did her in when she failed to consider how pissed her team would be for tricking Damien down the most dangerous slide. Her elimination feels like a natural consequence of her own actions and shortcomings instead of the contrived coincidences that Total Drama was guilty of many times in past seasons.

Then there's Damien himself. So far he still hasn't done a whole lot, but he's definitely shown to have become more self-confident with the way he called out Millie and how he was willing to brave that rickety bridge in episode 3. Time will tell if he makes it far.

Zee continues to be hilarious. Not really having much of an impact in terms of plotlines with other characters, but he always gets a laugh out of me. "Not thinking is my specialty!"

Gotta say, I thought Priya would have at least shown a little more of a reaction to her bestie being voted off. Still her plotline with Caleb is interesting. I can picture this leading to drama down the road where she realizes Caleb has just been trying to build an alliance rather than flirt with her. Or who knows, maybe Caleb will develop genuine feelings for her and it becomes a ship. Could go either way.

Speaking of Caleb, he represents the biggest difference between the writing of the reboot and previous seasons. Not once does the show portray him as antagonistic in trying to manipulate Priya into an alliance; he's just trying to form a strong partnership to make it farther in the game. Helps immensely that Caleb isn't actively cruel like Heather and Alejandro; he's genuinely chill despite his determination. Him literally carrying most of his team in episode 3 was awesome, not gonna lie.

Nichelle continues to dominate and be awesome in challenges. However I can't help but notice she's not really trying to get close to anyone, like Caleb is with Priya for example. I have a feeling that could come back to bite her if people vote her off for being a potential threat ala Caleb in season one.

I'm loving Axel so far. She's much better about being a team player but also hasn't lost her edge. I also like how we're getting depth to her, like her love of poetry. And then there's her romance with Ripper which I did not see coming. More on that later.

Holy shit, I was hoping for more of the MK/Julia alliance, but I wasn't expecting this much! I'm loving MK's unorthodox strategy of disguising as an intern to get inside information, it's very unique.

Oh and MKulia might become a thing. "Oh stop it, you'll make me blush!" "If MK's brain drove a cool car, I would totally date it." Watching these episodes I was like Wait are they gonna go there? Oh my god they might actually go there! And if they do, I am here for it!

Wayne and Raj continue to be very wholesome and hilarious! I love the dynamic they bring to Team Skunk Butt, wanting to play fair while Julia and MK cheat. And stuck in the middle...

is Bowie. I'm loving the drama of his character arc: he's still willing to pull the same underhanded tactics he used in season one and is all in on MK's strategy, but now has Wayne and especially Raj are acting as his morality pets. Some are predicting this could lead to a Rajbow break up, but I honestly don't think they'd do that. What I think will happen is Team Skunk Butt loses a challenge despite MKulia cheating again with Bowie's knowledge, Bowie feels terrible, and to make it up he offers to eliminate himself if one of the Hocky Bros is about to be voted off.

Last but not least, Ripper. Gonna be honest, he was my least favorite of gen 4 in season one; I didn't care for his focus on gross-out humor and he survived eliminations over characters I liked more. I didn't expect much from him going into season two so I was blindsided here. Not only is his gross out humor significantly toned down (but still present) but he proved to be quite endearing with his insecurity over his crush on Axel. I was especially stunned in episode four when he actually tried to connect with Axel's interest in poetry and actually wrote a poem for her, something I could never see season 1 Ripper doing. And Axel reciprocating with a kiss despite not seeming interested in him earlier? My haw hit the floor. Before I was hoping he'd be an early boot, but now I find myself actually wanting to see Ripper stick around and see where things go with him as a character and his potential relationship with Axel. I... actually like Ripper now, which is a sentence I never thought I'd say.

A few minor issues aside, I am loving this new season so far. I haven't genuinely enjoyed Total Drama since the original TDI 15 years ago.

[queerfables]

@alphacentaurinebula said:

I’m actually not sure I have a firm idea of how long they’ve been in love - I’m super curious, what makes you feel so strongly about that particular timeline?

It's a few different things, but a big factor is just what I want to be true. I'm projecting, because a defining feature of my first queer relationship was both of us knowing that we were in love but not being together. I was a teenager and my parents forbid the relationship and like, I trusted them and I loved them and I knew they were fucking wrong and I didn't know how to reconcile any of that. Like Aziraphale, I was looking for this third way that didn't force me to choose between love and family or make a definitive statement about which of those sides of me was "right", especially because deep down I was terrified that the thing I wanted most was wrong. So instead of anything real what we had was this in-between space of plausible deniability, and that's where I think Crowley and Aziraphale live. The way they push up against a really fucking thin line between what is and isn't allowed speaks to that experience for me.

With that in mind, it isn't a particular timeline I'm set on so much as a particular dynamic. I'm not sure when they fell in love and I think it probably happened so slowly that neither of them could tell you either. But I think they've both been conscious of the unspoken feelings between them for a little while, at least. I'm not sure about Crowley's timeline for this but I'm pretty sure that Aziraphale thinks Crowley figured it out first. His "you go too fast for me" line only makes sense if he thinks Crowley is ahead of him. I'm inclined to trust Aziraphale's judgment on this, if for no reason other than that the line loses a lot of its power if he's wrong.

I have a pretty firm headcanon that Aziraphale realised what was between them in 1941 when Crowley came for him in the church, because allegedly that has been Michael Sheen's belief since season 1 and who am I to argue? I think the way season 2 expands on that night backs this up. I mean, you have Crowley and Aziraphale being pursued by Nazis, and a photograph of them together almost gets Crowley condemned to Hell. The implications are not subtle. They've worried about their association putting them in jeopardy before, but this is the first time there's been a real immediate threat based on it, and it feels appropriate to me if it happens right when they're finally on the same page about what they mean to each other. (Notably, I think this is also the first time they're mistaken for a couple, by Furfur. I'm not totally sure about that though.)

So maybe this is when Aziraphale realises he's in love, or maybe he already knew how he felt, and Crowley saving the books was when he realised Crowley loved him back. Whichever it is, the way he looks at Crowley with the music swelling around him just blatantly seems like a realisation to me. Something shifts in the way he sees Crowley in this moment. It makes me think of the Princess Bride:

That day, she was amazed to discover that when he was saying, "As you wish," what he meant was, "I love you."

(God I'm suddenly completely obsessed with the parallels between Crowley/Aziraphale and Westley/Buttercup. Aziraphale getting Crowley to miracle away paint stains 🤝🤝🤝 Buttercup making Westley pass her a pitcher that's right in front of her. Amazing.)

So yeah, I don't know exactly when they fell in love and I don't think they do either. I think it happened at some point between 2500BC and 1941, so, you know, I'm not exactly pinning myself down there lol. I assume that Crowley is ahead of Aziraphale in terms of falling and understanding that he has fallen, and I assume that Aziraphale has all the pieces by 1941, which gives me a few good decades to play in that plausible deniability in-between space that I like so much.

[originallypoki]

Our Flag Means Death S2 Spoilers!

Something people doesn't seem to realize, is that pacing has a key impact to a story. Yes, the tale you want to tell can be the best someone has ever come up with, but if your pacing of it is awful, it pulls the whole story down with it. To rushed pacing? It loses meaning and impact, because there's no time to become attached. To slow paced? It becomes boring and uninteresting, finishing the book, show or movie feels more like a task than actual fun.

The first 4 episodes of season 2 of OFMD were awesome. The pacing was perfect, we had enough time to register what was happening and to sort out our emotions. I was a bit thrown off by ep 5. Because, while still good paced, you can start the see the problems because of the missing 2 eps ( for example the skipped fight, instead choosing to tell, not show. )-

Then episode 6 and 7 happened. And oh boi, I wanted to drop the show, only my love for it keeping me going.

I know that it isn't David Jenkins and the production team's fault, since the 2 episodes got cut, giving us the total of 8. But I can't excuse the decision to cram the plot of 10 eps into 8. If you have so little time left, why don't just cut some 'unimportant' storypoints?

Like Ned Lowe, he was introduced and died in the same episode. His purpose was to give GentleBeard development I know, that still doesn't give him enough importance to let him stay in the shortened version. Just like the second break-up from GentleBeard we got in ep 7.

Instead we got very out-of-character characters, Stede for example. I can see why he acts the way he does in ep 7. It would make sense, had he more time to have proper character development! Instead he feels weird, plus the very very uncomfortable second-hand embarrassment scenes (like the fight with Zheng). And sadly after ep 3, I couldn't feel the same chemistry GentleBeard had in S1. While there were cute scenes, like the end of ep5, I felt like something was missing to make me actually care. It's just my feelings, so not very important, but it was a bit disappointing.

The end of ep 7 gave me hope. Because it was a perfect way to introduce a villain, who's a genuine threat to our heros. And I maybe like Prince Ricky a bit to much. Then ep 8 came crushing down while drowing my love for OFMD, that made me ignore everything wrong with the second half of S2.

I like ep 8, well the first few minutes. It felt like I finally had time to see what's happening and David Jenkins didn't leave us completely clueless. ( Let's ignore the logic holes since it was is a comedy show and they were always there. ) And I was way to busy squieking like a pig of happiness to think critical.

I have many criticism points, but will only focus on one;

Izzy's death. And by god, I. Am. Pissed. Killing a character that is beloved by the fandom isn't the problem. While I love him, he's my favorite, I also love a good ol' angst. But he was in the middle of his redemption arc, and ending this with death is just such weak writing. I have nothing against killing a character off for development. Iron man for example, his whole story is about becoming a better person and jumping over his ego. And it ends just like Izzy in death. But Tony was through his arc, his death was the final, showing he has changed, showing he would do everything to save the universe and more important, the people he loves.

If Izzy died at the start of or before S2 I wouldn't complain, because it would've been perfect for him. Maybe if he died a more impactful death I wouldn't write this. But you can't make a character finally change and then destroy the meaning of it by killing him off in the fucking middle of the change. It would've had so much more impact seeing how he becomes a part of the crew he loathed not even a few weeks ago. Episode 5 did that great, while a bit fast. I like how he and Stede get along. Growing closer. It was a bit too fast paced, and I hoped for them to finally communicate, not talk. The same with Ed, I wanted him and Izzy to finally talk to eachother and not through eachother. However, giving us acutally communication while Izzy's fucking dying is not how you give impact. (And credit where credit's due; I really like that dialog, it was beautiful and the right words choosen to explain how Izzy feels)

Not to forget what a meaning it conveys. Izzy always did what he thought was right, even when it was completely wrong. But when he finally grows and begins to do actually what is right and let's go of Ed, he dies?

Still, I wouldn't say that they shouldn't have done a season 2 at all. It has great potential and I can see what they were going for. So, while it has it's problem's, it's nothing what a good fanfic can't fix. So I look forward to the amazing works that will build up on this hot mess and / or 'correct' it.

So bye, I'll go cry and give the last three episodes of S2 of OFMD, the last 20 minutes of S2 Go treatment T^T (except that GO S2 was fucking fantastic through the whole season)

[bradycore]

okay here’s the thing about bloody mary. it’s one of the most essential episodes of one of the best seasons of the show. it’s literally the kickoff for the beloved psychic sam arc, and the way it’s done is BRILLIANT. the rambling is under the cut, but first i’ll say that of course the born-again identity is a fantastic episode. it has sam 1) making a friend and 2) suffering immensely, plus the plot-driven sam elements too, so i’m here for it, i am! but it’s NOT bloody mary.

so you’ve got all the nostalgic classics of this era of the show (which i'm having to cut down on for length oops): familiar lore but a good mystery; the lighting & desaturation, the clothes & hair, the shots that are eerily similar to ones seasons down the line (the ahbl and levee parallels alone, oh my god!!!); salmondean lying out of their asses and failing miserably; the bantering; “it might not be our thing” “when is it ever not our thing”; more lying and snooping; the side character of the week experiencing some genuinely scary shit, like, actual horror-movie horror; lines that are funny when you watch them but horribly ironic in hindsight (“600 years of bad luck”); committing b&e and property damage...you get the gist. and sam comes from all this. you can take s7 era away from sam and still have him, but you can't take away this. the roots of the show are the roots of him.

anyway, throughout it all, sam has nightmares. horrible nightmares that we experience with him, but we think they’re normal, and dean thinks they’re normal, and then sam says he has a secret. and we realize that it’s been building up to something. the pinnacle: sam, eyes bleeding, black veins crawling up his face, trying desperately to kill his own reflection as it tells him he’s inhuman. how many times did we see this happen metaphorically over the next five seasons? how huge is this theme for his character? and right here, right now, late at night in an old antique store in midwestern ohio, this is when it starts, when it’s raw, when he’s face to face not with a random character parallel but with himself and the literal mirrors all around him are the inescapable threat and we the audience have our stomachs drop as we realize for the first time that he’s not the Normal One. he’s the Other. there is something Wrong. you had those nightmares for days before she died.

and his reflection told him it was his fault jess died. and he tells the motw victim’s daughter that it’s okay, you couldn’t have stopped your loved one’s death, you should forgive yourself; but when he gets in the car with dean, he keeps his secret. to be normal, to be safe.

and then that last fucking shot, oh my god, those five incredible seconds of cinema: jess standing on a street corner as they drive away with the classic rock music in the background. continuing to raise the question of his psychicness, and ephemeral as ever in her white nightgown, wind in her hair, staring right at him and then she’s gone. and 15 seasons later he will still be thinking about her, and this moment is the last time he ever truly sees her.

this episode is so fundamental. it captures the essence of old-school-spn sam while having narrative and cinematic elements that set the stage for his character throughout the entire rest of the show. born-again identity is sam with a crisis in a hospital; bloody mary is sam with a crowbar and a secret. born-again identity is one of those episodes that’s about him; bloody mary is one of those episodes that’s the heart of him. and bloody mary deserved to win.

[coquelicoq]

9 Fandom Peeps to Get to Know Better

i was tagged by @littleragondin! mci mon ami.e !

3 Ships You Like: in a kim dojka & yoo sangah platonic life partners phase rn. god. they would get married but not because they particularly care about marriage, just to bypass the hoops the government makes single people jump through in order to adopt kids, but kim dokja would seriously hesitate for the sole reason that him marrying yoo sangah would make all three of his parents very happy in a way that he would find incredibly annoying.

ok i'm doing another platonic one: moon & ember! i have read the few existing moon & ember fics so many times i can no longer separate them from canon. their dynamic is everything 2 me. bodyguard & anger translator. damaged hottie with trust issues & naive little pretty boy who just wants to go home. moon sees ember as not just a romantic rival but also a threat to his place in the colony, and of course being moon, his reaction to that is not to challenge ember but just to assume that he's been replaced and that he has to start over again alone. ember is everything that moon is not, everything he's convinced he's supposed to be, but ACTUALLY they're both perfect the way they are and there's room enough in this court for the both of them. they are so powerful when they combine their complementary skillsets for the good of the colony. plus i love that every time he interacts with anyone moon is probably thinking, "ugh, i bet EMBER wouldn't be fucking this up"…but also he's defending ember when stone makes fun of him and offering to challenge the reigning queen on ember's behalf! he's protective of ember even as ember embodies everything that makes him insecure. meanwhile ember thinks moon is the coolest person to ever exist and also. extremely cringe. probably 25% of his pillow talk is him subtly trying to convince pearl that moon is just a little birthday boy who should be allowed to be a hugely oversensitive weirdo, as a treat.

people have been rbing some of my cherry magic posts recently so i've been thinking about kurodachi again. i miss them! they're so well matched, so complementary in the ways that they need to grow, and it's lovely to watch them help each other do that. the way that adachi is inspired to make an effort by kurosawa's continuous striving for things he thinks he'll never get, and the way that adachi's apathy for perfection frees kurosawa from his need to be worthy…like ok fine whatever i am listening!!!

First Ship Ever: i have been sitting here trying to think of an earlier ship so i can avoid embarrassing myself, but if i'm honest it's probably ron/hermione. moving right along.

Last Song You Heard: one week by barenaked ladies! what a banger.

Favorite Childhood Book: when i was a kid i had meticulously curated my top ten favorite books, but now i can only remember half of them: island of the blue dolphins, the witch of blackbird pond, ella enchanted, walk two moons, and mrs. frisby and the rats of nimh. can you tell i had one of those bookmarks that listed all the newberry award winners and was working my way through it? lol.

Currently Reading: i just finished my reread of maskerade, the discworld book about the opera, which i had put on hold after reading le fantôme de l'opéra. it wasn't one of my fave discworlds as a teen but i think i'm now in the right headspace for it. enjoyed it quite a bit!

i'm near the end of both the traitor baru cormorant by seth dickinson and par amour by valérie tong cuong. the latter is about a family in le havre during wwii and is very hard to put down. i have honestly no idea what will happen in the remaining two chapters except the nazis are going to lose the war. the traitor baru cormorant is well done, but i don't think i like it enough to read the sequel. (i still am pathologically unable to stop a book that i've started, but i've just discovered that i am capable of stopping after book 1 of a series. life hack!!)

Currently watching: natsume season 4 dub! i just watched the moon-splitting festival arc and the baby nanase episode yesterday. next up is the one about natsume's picture of his parents which. like. let's just say i am marshaling my emotional forces for that one.

also it is about to be march madness! selection sunday tomorrow babey!!!

Currently consuming: the great thing (sarcastic) about living alone is that you spend four hours making this quinoa black bean dish and then have to somehow eat all of it before it goes bad. luckily my neighbor and i have been doing this cute thing for the last ~6 months where we share whatever food we make with each other. this has been working out extremely well for me, because when he cooks i get to eat without having to do anything whatsoever, and when i cook i don't have to worry as much about quantity. i feel like i tricked him into it somehow even though he is getting exactly the same thing out of it as i am.

Currently craving: a baked good i made for the first time recently and then made again two times in rapid succession because i (and my neighbor lol) liked it so much: gingies! okay technically the recipe calls them gingerbread cookie bars, and i just looked up "gingies" (to make sure it's not an offensive term for redheads that i don't know about) and apparently it's frequently used for gingersnaps, but MY use of "gingies" is right and correct and all these other people are idiots. the reason is that they're basically brownies (texture/structure/technique-wise) but with the gingerbread flavor profile instead of chocolate. and "gingeries" sounds stupid, so gingies it is!

tagging @treecakes, @joelletwo, @qserasera, @defeateddetectives, @ctl-yuejie, @deimos-the-wolf, @stupid-lemon-eater, @loreofcardigan, and @dangerliesbeforeyou if you feel like it! no pressure obvi!!