#thread; changing responsibilities
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@revclver-jesus from [x]
The man was curious.
His appearance wasn't all that far off from the homeless that Akechi had seen in this area of Tokyo. Perhaps a little more well-kept, but the general disordered and disheveled appearance certainly matched. Being shirtless was... a little more unique, but still not entirely out of place.
But his eyes...
It wasn't just the color (though the color was certainly interesting and Akechi wasn't sure if he wanted to think too deep on what it might mean) but the heavy, tired emptiness he could see in them. The man had been through and had seen a lot; that much was plainly clear.
A shrug and a smile. "It doesn't? Both can be considered the grandfathers of modern intellectualism. One of the most profound influences to the studies and the art produced during the Renaissance came from the Byzantine empire. Though, this is also in regards to Western culture. The influences of Ukiyo-E stems from different sources."
He let his hands laced together behind his back as Akechi regarded the man curiously. "Of course. What's the point in living if you are not willing to continue learning?"
#ic: thread response#revclverjesus#verse: during p5#[[ if there's anything i should change let me know! ]]
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@manslaught said, "i thought to myself, 'what if i could be someone different?'"
shauna’s had the same thought herself, but she never lets it go very far. she can’t. even in high school, when she got into brown, it was hard to let herself dream. jackie was always there in her ear reminding her of the life they were going to live together— shared dorm room, shared college experience, never moving on from each other. something about it didn’t feel right, though; she didn’t know how to be without her, but that felt like the problem, like she needed to figure out who she was beyond her best friend. that’s why she did the things she did, betrayed her the way she did, let her down the way she did. but now, on the other side, she’s lost both the person she could have been when breaking free from jackie’s shadow and the person she was in it, down to nothing now, except for jeff’s wife. that’s why it’s been so hard to see mikayla as driven as she is— because after everything she’s been through, all the time she’s lost on top of what time shauna had lost herself, how could she get there? and why could shauna never do the same?
she doesn’t look up at her, only focuses down on the book she’d been reading in an effort to help mikayla along. she wouldn’t admit it out loud, but this has been the most thrilling her life had been in years— a thought that threatens to reveal to shauna she’s only trapped herself in a life that wasn’t hers. it’s someone else’s, a role shauna’s forced to play now, to make up for all she’s done and all she’s taken away from the person she loved most. she’s miserable, but she deserves it; still, studying, and almost allowing herself to pretend she’s the one going to school now, after everything, gives her the chance to feel something other than boredom for a change.
❝ and — doctor. that’s what you decided? ❞ she held back when mikayla first asked her to help her. it seemed ridiculous, imagining mikayla desousa of all people as a doctor. but she quickly realized she wasn’t in a position to help, and she needed an excuse to get away from home, away from the mold she’d created for herself, and mikayla was offering her the escape. but now that she’s actually spent time with her, even though she never really gave herself a chance to really get to know her before, there’s something about all of this that feels off to her. ❝ why? no offense, but— ❞ this time, she means it. ❝ i don’t really get it. honestly, it kind of seems like you hate this, ❞ she admits, raising a brow to see if she’s onto something or not.
#manslaught#thread: shauna.#arc: shauna / young adult.#i changed the meme like. 4 times. so many were similar but they all hit the spot what do you want#so if this response feels slightly off its bc i couldnt make up my mind <3#anyway. good morning
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I think there's a portion of Janet's audience that feel similarly about GTA and the influx of GTA viewers she's attracted. It's become sorta exhausting to watch any of her content as a non-gta fan. The 18 y/o RP was always a weird decision, imo, and she didn't really question anything about it until it was brought to her attention. I fear the brief drama she was in was also amplified because of that decision, unfortunately.
Yeah. I honestly tried a few times to watch because she speaks so positively of her experience playing but it’s just not for me. I’ve not seen anyone say anything about not liking gta or even mention the weirdness of her rping a teenager so I just thought maybe it was just me. Also her chat just isn’t what it used to be and so intensely rp focused now that I don’t want to join anymore even on non rp days. I’m surprised the drama didn’t give her any second thoughts about that community at all. I only heard about it second hand through Steve talking about it but it sounded really dumb. The streams have been doing well for her numbers wise which she’s mentioned being motivating for her in the past so with an addictive personality that makes a deadly combination.
I think if she wasn’t a bigger streamer it would be more of an issue for people (or at least I’d like to think so because I’ve seen rp fans defend some crazy stuff before so who knows) And I honestly do believe that a lot of interactions she’s had on the server are influenced by her clout.
I’ve basically muted that whole category on twitch and I’ve used blocked terms on other platforms to avoid seeing it. The only place I still see Janet content is instagram and youtube because she hasn’t over saturated those platforms so far. I don’t remember if it was youtube or instagram but a recent reel or short popped up of her revealing to I’m guessing a romantic interest in game that her character is just 18. To see that presented as a stream highlight funny moment is SO uncomfortable to me. It’s been out of sight out of mind for me for a while so that video kinda resurfaced the feelings I’ve had.
#she got 3 chances from me the first time I tried a portion of her chat was backseating telling her character to have sex with a cop#the second time she was calling someone daddy and idk the context nor do i want to#and then i saw a thread about her responding to either critisism of her character#or people who say things about other characters january interacts with (or maybe both)#and she said she regretted making january 18 but she was too far in#and asked people to stop being weird about it#which is not a great response imo#because if you acknowledge something weird is going on maybe you should make a change idk#but yeah it’s relieving to hear that there are a few of us out there
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🏙️ What is the main setting of your au?
🧫 Were your turtles mutated intentionally or on accident?
🦹 Who is the main villain?
KATTT THANK YOU SO SO SMUCH HUURAY HOORAY!!!!!!!!!!!!
🏙️new york DUH. they go to space too tho ^_^
🧫INTENTIONALLY!! in a lab by the utrom. or, by human workers in TCRI but TCRI is led by utrom they just dont know that. most of the mutants ive thought up so far are intentionally mutated w the exception of splinter
🦹imma be real this isnt fully fleshed out but the main idea is that the utrom are about to go to war and they know theyre gonna lose so they wanna bioengineer weapons since they know no one else has the balls and earth is the only accessible planet to them since its off limits, and no other aliens will search it. and thats where they conduct their (unethical) research lol. anyway so the brothers get caught up in it and stuffs. but they also have a bunch of smaller scale "villains"
OH and of course the foot clan.. poor karai....... splinter defeats the shredder wayy before the story even takes place but then karai takes his place and its quite sad
#tmnt:jupiter#THANK YOU KAT HOORAY HOORAY sorry if these responses kinda SUCK its just that the ideas i have for this au r very vague#like if i know the fabrics i wanna use for something but i havent put it together w a thread yet#and also these r all subject to change if i come up w something better Thumbs Up#asks
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Ok though its actually kinda nice to see some of my earliest rps... 15 year old me just having fun 🥺🥺🥺
Might go digging more later. Don't rly feel like getting That into it tonight lol
#speculation nation#the funny thing is that back in 2013 u could still edit people's posts#which with rp i used that to delete old responses so that the posts wouldnt get too long#for the purposes of rp this worked WONDERFULLY so the threads wouldnt get too long on dashboards#but it's also kinda insane to remember that we could just... do that. change posts. fuckin wild Genuinely.#but ahhhh baby me's early writing... so nostalgic#i had 3 characters in this roleplay group. had a lot of fun for the time that i was there#since then tho i havent done any roleplay blogs on tumblr. only ever done one on one roleplays with a select few people#and dnd lol. which counts for the roleplaying aspect.#but for the Writing experience. rp was very definitely a huge thing for the development of my writing.#feeling a little bit emotional almost thinking about the many many words ive written in my life to get to my current skill#ten years ago i was 15 and just messing around with some characters i enjoyed#and now here i am with 663k words uploaded to ao3 and thousands of kudos across all my works#kinda makes me emotional. ive come a good ways since then.#and i have MORE PROGRESS TO GO 💪💪💪💪 i will keep at it. bc at the end of the day i just really love writing.
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youtube


🤷


The sooner yall remember that Hollywood is the propaganda arm of the US military, the sooner yall will stop fangirling over a bunch of your White boy faves making war criminals look good becos that's strategic too.
Also, lmao at these tweets:


#I can't find too much info on Ray#However: He was a navy seal. Why would he know what the marines are doing.#I don't think it will be GROUNDBREAKING or anything but it's probably not the usual kind of war movie#the reactionary response is bad. Even though your thoughts abt it are left wing#this thread is just weirdly reactionary.#the entire military is not a conglomerate it's structured#Not everyone knows everyone. Ppl often do not know shit.#I am against the military as an institution and against war but like#You have to actually research and look up stuff.#I didn't know abt this movie until this post and what I read made me honestly curious lol#It seems more slow paced and procedural. It seems interesting and a change of pace#but the review could be biased who knows lol#Youtube
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hey sorry for saying the wrong thing i wasn't socialized properly at the shelter. tbh i didn't even know there was a wrong dialogue option but apparantly there was and now you're all silently ignoring me and i'm here wondering what i should've said instead
#idk i always feel like im saying the wrong response in irl conversations lately#and idek what im doing wrong i just reply the way i always do which is find something related to the topic at hand and mention it#but it always fades into awkward silence after that and i realize that was probably not what they were looking for#like there was some other common thread i was supposed to follow instead of this one#and normally i feel like ppl are more chill abt going along with it or rerouting the conversation back or whatever#but now it's just awkward silence that makes me wanna scream#idk how to do casual conversation like the point of conversation for me is to find something that i can Talk about#like a fun lil fact or my favorite things. just something that lets you dig deeper and actually have a convo abt something you care abt#but lately whenever i do that it feels like im being shut down. and im not rlly sure what changed. is it just the ppl here? the environment?#all i know is that im dying to have an actual sincere in depth conversation and everyone here seems allergic to it.#idk maybe i should just shift gears and see if i can find other ppl like me here or just focus on friends outside my program#just. idk how to talk or relate to normal ppl. and maybe they'd take offense to that but idk how else to describe it#i need to talk to ppl who are Weird and Freaky and Fucked Up#and ik everyone's going through their own shit and everything but i don't think these ppl are on the same level of fucked up as me#idk this was a pretty random vent but I've been having trouble socializing with ppl lately#i think i should just stick to surface level stuff instead of trying to dig deeper#bc first idk if there even is something deeper to dig into. and second i don't rlly trust these ppl to be myself around them#it's just weird bc they seem close like they'll banter with each other and stuff but idk if there's any deep convos actually going on#just. idk. i always feel more fucked up and disabled when im around them. idk how ppl can just Do Stuff#mine#vent#random
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One Single Thread of Gold
Spencer Reid x Fem!Reader
Part 2 Summary: The three times Penelope tries to solve a Spencer Reid riddle and the one time she (and the team) meet the reason behind all the changes Trope: Fluff! Just fluff and team banter! w.c: 4.0k a/n: For some reason, my earlier post on this disappeared dunno why. But this is a very self indulgent fic as reader’s background is basically based on the industry I work in. I had a lot of fun writing the team banter and I hope you enjoy it too! Comments and reblogs are greatly appreciated 💗
The first clue presented itself on a dull Wednesday night as the team, minus Hotch and Rossi, were leaving the bullpen after a full day of pushing papers. Penelope in all of her sunshine and colorful glory was buzzing about these accessories that she once spotted on a storefront window.
“I saw a pair of earrings and a matching necklace that would look so good with that top you bought the other day, JJ. You know, the blue one with those soft sleeves—they would look great with it. It’s tres boho chic.”
JJ smiled, opening her mouth to reply, but Spencer beat her to it.
“Did you know that boho chic was actually a response to political and social movements?”
“Wait, what?” Emily interjected.
He took her disbelief as a sign to continue on. “Yeah, yeah. There’s an article written about it in Vogue—softness and femininity historically appears in moments of political stress and war. Just like in the 70s with the hippie and anti-war movement that defined their style as a generation.”
They all piled into the elevator and turned to face the boy genius like he grew another head. For all they knew, this could be a clone and a very bad one at that. The Spencer Reid that they knew had absolutely no interest in the realms of fashion.
Penelope was the first to break the silence. “Vogue?”
“Kid, what gives? Just the other time, you didn’t know how many shoes a woman owns and now you’re some kind of expert?” Derek asked with both eyebrows raised.
“Did not knowing activate some kind of button that made you want to read about it?” Emily added on, feeling like she was in some kind of TV prank show.
“What?” Spencer licked his lips, nervous with all the attention on him. He felt like he was about to slip something up that he had been keeping to himself for a while now. A hidden precious gem that was you. “I—I like to read.” A believable excuse except his voice went up an octave, giving him away.
The three women shared a look.
“But you read academic textbooks and classic literature,” JJ stated.
Penelope added on. “Not fashion magazines.”
He shrugged, trying to act nonchalant. “I don’t discriminate when it comes to reading. If it’s interesting—” he shifted his weight one side to another, thinking that the ride down on the elevator seemed to be taking slower than usual. “—I’ll read it.”
Penelope narrowed her eyes. She was no profiler but she could smell a lie from a mile away way. That wasn’t the whole truth. Dr. Spencer Reid was hiding something.
“Okay, see you tomorrow!” he squeaked out as he ran out of the elevator once it hit the lobby.
She turned to the three profilers, stunned with the boy genius’ erratic behavior. “Huh, did anybody else get the feeling that Spencer was hiding something?”
“Maybe, but the kid does read a lot. Maybe he just ran out of books.” Morgan shrugged.
The other two profilers tilted their heads and slowly nodded in agreement. It wasn’t far off on something Spencer would do. He did once pick up a pamphlet in the airport to read as mentioned before to her by Derek, granted it was for a case but still, Penelope couldn’t shake the feeling that there was something else.
So when she arrived home that very same night, she propped up her laptop and got to digging. Boy Genius was hiding something big and Little Miss Oracle of Quantico can find anything with her tech skills. She’ll get to the bottom of this mystery, once and for all.
———
Spencer was glad to be coming home to your presence. Having spied the lights still on from the outside of the apartment, he took the steps two at a time, excited to see his 2nd favorite person after his mother—you.
“Spence?” You called out, having heard the mahogany front door open. “Is that you, baby?”
“Hey, love. I missed you,” he deposited his satchel to the nearby sofa and ran to give you a hug.
You burrowed yourself into his arms. All the muscles in your body relaxing as you caught a whiff of his cedar wood perfume—the same scent you’ve gifted to him during the early stages of dating. “I missed you too. How was your day?”
“Better now with you,” his words coming out muffled as he refused to detach himself from the embrace. “Actually, I almost slipped up today.”
You extricated from his arms to give him an inquisitive look. The slight scrunch on your nose and raised brows made his heart flutter. How expressive, free, and trusting you were. It reminded him of your first encounter. How you teasingly asked him if he was a serial killer when he offered you a ride home in the pouring rain and how you easily accepted regardless.
“Yeah? Did any of them catch on?” you probed as you pulled him by his belt loops to the direction of the bedroom.
He laughed, finding your aggression cute. “No. At least, I don’t think so.”
“Maybe we should schedule dinner with them sometime,” you coyly suggested as you slowly started to unravel his tie. “I mean, we’ve been together for over a year now and I have moved into your apartment, under the guise of watering your plants while you’re away. Which is a lie, by the way—”
“I have plants!” he protested. His hands divesting you out of his sweater, bringing to view his favorite silk set in deep purple that accentuated your skin and the blush on your cheeks.
“—that I brought over, Spence,” you quipped back. “But don’t worry, I won’t spill how the intelligent FBI agent fooled naive me into moving in with him.”
There was a glint in his eyes that sent shivers down your spine. “Love, I wouldn’t exactly call you naive—” his voice going an octave lower. “—not when you’re looking at me with those tempting eyes of yours.”
Giggling, you leaned in for a kiss, one that he quickly took over. His calloused dominant hand wrapped around the back of your neck, effectively caging you in while his other cradled your cheek—a stark contrast to the other. Kissing Spencer had always felt like a religious experience that you never want to part from.
Reluctantly pulling away, you caught glimpse of his need for you. His hazel eyes now dark as ink, nostrils slightly flared, teeth sinking into his lower lip, and his dominant hand dug into the fleshy nape of your neck. It made you feel desirable, like the goddess that he would call you when he’s on his knees tasting nectar from the source.
The discussion of inviting the team out for dinner was long forgotten. No other words were spoken as you pushed him on the bed—only the cries of his and your name and moans of ‘yes’ echoed well into the night.
***
The second clue was uncovered when Spencer walked into the cold windy bullpen with new black cardigan adorning his lithe body. It was non-descriptive to the untrained eye but for fashion enthusiast Penelope Garcia, she knew what those four white lines on the sleeve meant—luxury label and priced well above their pay grade.
She narrowed her eyes. The Spencer she knew wouldn’t dare spend his salary on anything besides limited first edition books. Something was truly up and she planned to get to the bottom of it as her initial online search turned up nothing.
“Reid, that’s a really nice sweater,” she complimented, throwing in her bait.
He smiled. The thought of who gave it to him warmed his heart. “Yeah. Yeah, thanks Garcia.”
Her sparkly pink kitten heels clacking on the floor as she came closer. “Can I see it?” she innocently asked.
The request threw Spencer off the loop but thought nothing of it as he shrugged and handed it to her—still warm from body temperature.
Her squeals caught the attention of the other profilers filling into the office.
“What is it, baby girl?” Morgan deposited his bag on the table and stationed himself beside her. “It’s Reid’s new sweater. Are you seeing something I’m not seeing?”
Garcia rolled her eyes. This was why females are considered more observant that their sex counterpart. Her chocolate thunder was a profiler but how could he not notice what she was deducing?
“Huh,” Emily surmised. “Based on the fibers, it’s definitely not polyester. Possibly a 100% wool, what do you think, JJ?”
“It says here on the tag—100% virgin wool,” she read out loud. “That makes it very expensive, right Garcia?”
The colorful tech analyst smiled. Her girls could never let her down. “Right you are, girlfriends! But it’s not only that, this—” pointing at the four stripes on the sleeve. “—this is a signature Thom Browne detail. Their prices go up to at least 600 dollars—” they all turned to Reid who seemed clearly agitated. “—now why does our boy wonder have a piece that could buy at most five cute heels?”
With his vast intellect, he couldn’t think of a way to weasel out of this impromptu interrogation. He couldn’t very well say that it was a gift now could he? If he did, that would lead to another hard hitting question ‘from who?’ He raked his hand through his curly hair, taking the same path as yours did just earlier as you gave him a kiss goodbye.
When you gifted him the cardigan from your last New York business trip, he really thought nothing of its material equivalence, besides feeling grateful and loved. It was proof that you paid attention to even the littlest details about him.
“Hey Spence, I got you something,” you looked up at him with sparkling eyes. The first thing you had done when you got home was run into his arms. A simple act that healed his aching heart from missing it’s other half.
You reached into your luggage, enthusiastically pulling out the black clothing wrapped in tissue paper like some magician pulling out a rabbit from a hat. “Here you go!”
“A new sweater!” He exclaimed.
You rocked on your heels, looking bashful as you explained the reasoning behind it. “I noticed you fidgeting when you wore the cardigan JJ gifted you last Christmas, the polyester fibers used on it must have been really itchy so I got you a new one—” your eyes widened at how your explanation could be taken the wrong way. “—not that her gift wasn’t great! No, it was very cute! It’s just—I want you to be comfortable and protected during your cases in cold states. Polyester is a good insulator of heat but wool is still the best.”
He loved how unabashed you rambled about your interests. That was one of the first things he piqued his notice. How you liked to share your knowledge about the fashion industry that you work for but never coming across as stuck up or snobby, you just genuinely wanted to educate anyone who had a wrong perception of the billion dollar commerce. Admittedly, he was one of them but hearing you rave about it’s nitty-gritty details and socio-economic movements changed his mind. It also helped that a beautiful and intelligent woman, such as yourself, was educating him.
He pulled you in for a kiss, stopping all the worries that ran through your head. “I love it. Thank you.”
“It’s nothing at all, baby. I like taking care of you. Just like how you take care of me,” you reasoned. “Plus I got it on sale courtesy of the magazine connections.”
A tap on his shoulder brought him out of his reverie. It was Penelope with an eyebrow raised at the subtle smile that graced his face while he replayed the moment in his head.
“Okay,” Morgan drawled. “What’s got you smiling, Pretty boy?”
“Nothing,” he squeaked out, turning to see Hotch make his way across the office. Spencer hurriedly collected his things and started to move even before their unit chief could call their attention.
“We have a case,” Hotch announced.
The remaining BAU members all looked at each other, silently communicating about Reid’s irregular demeanor, before piling into the conference room for another grueling scene of murder.
“He’s been acting weird,” Garcia rushed out. “Definitely hiding something. What do you think, Em?”
Emily nodded. “Are you thinking what I’m thinking?”
“A girl?” JJ guessed.
“Yes, must be a special one for him to keep secret for so long,” Garcia surmised. “Do you think he’ll hate it if I go further digging around to find out who she is?”
“Further?” Emily clarified.
JJ laughed. “Probably, let’s wait for him to volunteer the information. Okay, Garcia?”
She sighed, shoulders drooping, before nodding in agreement.
***
The third clue was quite literally handed to Penelope Garcia on the jet after a case when she accompanied the team.
“Cold Alaska is so not good for my skin,” she grumbled as she rummaged her bottomless bag for her favorite hand cream. “I love going with you all on trips rather than being stuck in my own tech cave but the weather wasn’t it.”
Morgan chuckled. “Aw c’mon baby girl, don’t tell me you didn’t enjoy our time together?”
“You, my sculpted hunk, and the fireplace were the highlight,” Penelope turned to the other female profilers. “My beauties, do any of you have lotion? I think I lost mine.”
Before JJ or Emily could even utter a word, a tube made its way to her lap courtesy of her seat mate, Dr. Spencer Reid.
“Reid, since when do you carry lotion?” Emily inquired.
He shrugged. “Hand cream has it’s benefits besides from moisturizing the skin, it also provides an additional layer of protection. Depending on it’s properties, it can also repair and undo damage.”
The females all shared a look. This was another unexplainable behavior from their resident genius.
“We know that,” JJ stated. “We just thought you didn’t.”
His brows furrowed. “Why wouldn’t I?”
“Well, besides from the fact that you’ve never shown interest about skincare before, isn’t it a stereotype for men not to know? Unless—” Emily slyly smiled and nodded at Garcia to continue.
“Unless you have a girlfriend that we don’t know about,” Garcia bounced on her seat.
Hook, line, and sinker.
Spencer’s eyes widened in alarm. He didn’t realize he was walking into a trap before it was too late. “What makes you say that?”
They laughed.
JJ started. “Besides from you suddenly being knowledgeable in fashion—“
“—or having a pricey sweater you’d never buy for yourself—” Emily added on.
“Or, or—“ Garcia reached out to touch his hand. Which made Spencer react with a high pitched call of her name. “—having a shea butter lotion with rough hands!” She waved the tube up in the air. “Plus, this is half empty. So either it’s not working which I doubt since this is a good brand or you keep this in your bag for a special someone to use!”
Derek chuckled. “Baby girl, you could be a profiler at this point.”
“Oh tell me something I don’t know,” she quipped back. “So Reid, want to tell us the truth?”
He sighed, finding no escape. “Yes, yes I have a girlfriend.”
The girls all shrieked with laughter and their own corresponding questions of who is she? How did you meet? How long has this been going on? What does she do for a living? Is she pretty? Oh I bet she is!
“Looks like that cat is out of the bag,” Rossi nonchalantly stated.
Four sets of eyes turned to look at one of the BAU founders. “Rossi, you knew about this and didn’t tell me?” Garcia gasped, a hand to her chest at the thought of betrayal.
He laughed. “I caught them on a dinner date once and our boy wonder over here—“ nodded in Reid’s direction. “—begged me not to out him yet, said he wanted to be the one to tell the team the news but that was like what, six months ago?”
“Six months ago?” Emily repeated.
“Wait, wait. Hotch, don’t tell me you also knew?” Morgan asked.
The unit chief smiled. “She was added to Reid’s emergency contact last February.”
“February? That’s almost a year ago!” JJ sputtered out.
The tech analyst turned to glare at the youngest member of the BAU. “Reid, you better start spilling all the details or so help me, I will stalk all your digital footprint when we land until I find out who she is, where she lives, and what her deepest darkest secret is.”
“What about hearing it all from her, instead?” He rubbed the back of his neck. The secrecy had gone on for so long and there was no time like the present to introduce his chosen family to his chosen partner—hopefully until the end of time. “She wants to treat you all out for dinner tonight.”
All four nodded vigorously as they watched him pull out his phone and send a quick text to which you readily replied and agreed to.
“My man,” Derek sighed. “Can’t believe you got a girlfriend without me being your wingman.”
“Answer me at least this, is she pretty and does she make you happy?” Garcia asked. No matter how nosey she may be, she only wanted the best for Spencer and if the recent lightness and smiles were all caused by his mystery girlfriend, she already approved.
“The prettiest,” Spencer gushed out. “She’s my own personal sunshine.”
The three girls melted into their seats. Their youngest was all grown up waxing prose over his lover.
“She makes you sappy too,” Derek teased.
***
[EXTRA - When the mystery was uncovered]
Spencer had never felt any more nervous that this moment as he, with the rest of the team minus Hotch and Rossi, wait for your arrival. He sat with his back to the restaurant entrance and his cardigan laying on the empty seat beside him as a reservation mark. His eyes had been going back and forth to his idle phone and to the conversation the team was having.
Morgan noted his state of distress and chuckled. “You okay there, lover boy? She’s still coming right, your mystery girlfriend?”
“Yeah, yeah. She said she was on her way 9 minutes and 24 seconds ago and based on the route and traffic, she should have been here 45 seconds earlier. Just worried that something might have happened.”
Penelope leaned in, picking on her bubblegum pink choice of drink as she did. “You know, if you just told me her name I could have tracked every movement by now and you wouldn’t be sitting here worrying.”
“What—no Garcia, I don’t want her tracked plus she didn’t want you to know everything about her even before meeting her,” his voice going up an octave in your defense.
She shrugged. “I’m just saying. I mean we don’t know a single thing about her—”
“We do know she exists and you’ve been together for almost a year now,” Emily interjected.
“Actually, it’s been more than year—one year and 124 days to be exact.”
“Buttercup, all I’m saying is we don’t even know how she looks—” Garcia gasped, having spotted a passerby on the window and what she was wearing. “Oh my gosh, that maroon coat is to die for and that textured leather bag—I wonder if I could track her down and ask where she got it.”
“Oh she’s pretty,” JJ noted.
Derek smirked. “Baby girl, tell me if you plan to ask her ‘cause I wouldn’t mind asking for her number.”
The tech analyst’s eyes further widened as she noted the attractive woman going inside the restaurant.
“You weren’t kidding about that coat, Garcia, it looks really nice,” JJ appraised.
Emily squinted her eyes, taking note of the garment in question. “It looks high quality, probably vintage and—is she going near us?”
“Oh gods, she is! Act natural, act natural!” Penelope chanted as she repeatedly slapped Derek’s arm.
The stranger stopped behind Spencer. “Hey handsome,” your melodic voice was a siren that called to his every being. “Fancy seeing you here.”
Penelope’s jaw dropped as she took in Derek’s flustered reaction.
“Me?” He pointed at himself, getting picked up in such a public setting was new even for him—the ladies man of the BAU.
You laughed. “Well, you too but I was more of talking to this lover of mine—“ you bent down, kissing your boyfriend’s cheek. “Hey, Spence.”
A series of gasps were heard all around the table.
The youngest stood up and turned to give you a soft kiss on the lips. “Hey, Y/N. I was starting to get worried.”
“I missed the train, sorry I forgot to send an update,” you explained as he helped you into your seat.
Promptly seating back down, he angled his body to yours—all attention on you as if you were the only one in the room. And in a way you were, with how molten his doe eyes stared, alternating between yours and your painted lips that begged to be kissed.
He always felt breathless when you were near. It was as if he found his very own Aphrodite to worship here on earth. Spencer was no believer of fates or destiny but he would pray and light a candle if he needed to, just to keep you his. Your intelligent mind complimenting his, your outgoing personality that draws anyone in, and your face that could launch a thousand ships.
Those eyes that could read the deepest crevices of his fiber of being. Those cheeks that begged to be caressed by his calloused hands. Those soft lips that deserved to be kissed and devoured until you, in turn, were as breathless as he was. He suddenly wished you both were anywhere else but here—specifically in the confines of the apartment where he was free to express his love, devotion, and adoration until you scream his name and beg him to stop. His hand, having found it’s way to your thigh, squeezed the flesh three times—communicating his promise to have your hair laid around you like a halo as you lay under him, bare and writhing with need.
The blonde on the other end of the table cleared her throat, cutting through the tension.
“Okay, Spence,” she smiled. “Mind introducing us to your girlfriend?”
He brought your hand to his lips, leaving a series of sweet kisses on your knuckle. “This is Y/N, my girlfriend. Y/N, this is the rest of the team. Morgan—“ he gestured to each one. “Emily, JJ, and Garcia.”
“It’s nice to finally meet you!” You exclaimed. “So sorry we’re only meeting now. We wanted to stay in our little bubble for as long as we could plus this handsome FBI agent—” you nudged Spencer’s shoulder. “—wanted to keep me to himself. But where’s Aaron and Dave?”
Emily whispered under her breath. “Aaron? Dave?”
“They had prior commitments, love. They did send their regards and Rossi wants to invite you to the next gathering at his mansion,” Spencer explained.
“Love?” Penelope squeaked out. This was really starting to feel like Twilight zone for the team members.
You nodded. “I’ll definitely plot it on my calendar. Now, I heard you had some questions for me?”
“How’d you two meet?” JJ asked.
“When was the first date?” Emily inquired.
Penelope brought out a pen and paper. “What’s you social security number?”
Derek snorted at that. “Do you have any other siblings?”
Spencer’s eyebrows raised further and further up with each question while your shoulders shook with laughter.
“She has all the time in the world to get to know each of you,” Spencer laid out. “No need to make it sound like an interrogation.” He was wishing to keep you forever, if you’d let him.
You smiled as you caressed his cheek, having caught on to the veiled meaning behind his words. “Yeah?”
“Yeah.”
Comments and reblogs are greatly appreciated!
#spencer reid fanfic#spencer reid fic#spencer reid fanfiction#criminal minds fanfic#criminal minds fic#criminal minds fanfiction#spencer reid fluff#spencer reid#spencer reid oneshot#spencer reid one shot#spencer reid x fem!reader#spencer reid x y/n#spencer reid x you#spencer reid x reader#my own fics
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You and Toji are sitting at a table at a bar, talking about different things that went on throughout your days over some drinks. Toji tells you about how Shiu's been a real asshole lately, because his marriage is hanging on by a thread and he hasn't gotten laid in almost a month. He gives you a look that you interpret as him saying 'thank fuck that's not us' to which you respond with a little smirk.
When it's your turn, you tell him about how the new hire broke the copy machine, knocked over and broke the water gallon for the water dispenser, and crashed into someone, spilling hot coffee all over their shirt, all in the course of one day.
"That poor fucker's cursed," Toji says, amusement riddling his expression as he brings his glass of whiskey to his lips.
"He looked like he really needed a hug by the end of the day," you add, biting back a smile, before you take a sip of your own drink.
"Tell me you didn't," Toji says, taking in the seemingly telling look on your face. "Ma."
"I'm kidding. It's jokes, baby. I have no interest in hugging someone I haven't spoken a single word to."
Toji flicks your forehead, watching with a grin as you bring a hand up to rub the sting away. "Gotta piss, be right back, doll. Want another drink before I come back?"
"I'll wait for you to finish yours," you say, to which he nods before standing up from his seat.
"Be right back," Toji repeats, affectionately setting a heavy hand on your head, before he heads off in the direction of the restrooms.
You pull your phone out of your pocket and scroll through your socials while you wait. Altogether, Toji was gone for no longer than four minutes, and yet somehow, that was enough time for a rando to pull a chair up to your little table and start a conversation with you.
"Hey," he starts. "Why are you sitting here looking all lonely?"
You turn your head to face the person with the unfamiliar voice, slightly widening your eyes as if to question if he's talking to you. He looks at you with raised eyebrows, awaiting your response. "Oh, i'm not here alone. My boyfriend is in the bathroom," you respond, with a polite smile, before returning your attention to your phone.
"Ah. What kind of man leaves a pretty thing like you by herself in a place like this?" The stranger says, in a tone that almost seems pitiful towards you.
You look at him again and attempt to keep your expression neutral. "He'll be back any second now. He's just taking a piss, i'll be fine. Unless you're here to make things troubling for me."
The man chuckles, entertained by your quick shift in tone. "With a feisty attitude like that and a pretty mouth to keep up, it seems like you want me to get you in trouble."
You furrow your eyebrows, blatantly offended by his inappropriate insinuation. It's disturbing to see how he turned your warning into something sexual.
"I already told you, I have a boyfriend. Try someone else," you respond, no longer hiding your irritation.
Toji scans the room for the table you're sitting at, locating you and who-the-fuck in three seconds. This man looks awfully cozy with you, leaning in close every time he speaks to you, so he doesn't stand around any longer and quickly makes his way back to you and this new "friend".
"You sure you don't want another drink, doll?" Toji asks, sitting down in front of you, again, his gaze darting between you and this pocket square looking man. There's a difference between your demeanor from before he left and now. You clearly aren't comfortable, anymore.
"That's it? That is your supposed boyfriend?" The man asks, attempting to minimize Toji by referring to him as if he's nothing in comparison to himself. "Oh, princess. You see this watch?" He asks, raising the cuff of his sleeve to fully reveal his golden watch. "Four thousand dollars, and that's chump change."
You look at Toji and pull his hand into your shaky one, giving him a forced smile. Toji keeps his eyes on yours as the stranger continues spewing arrogant sludge about how much money he makes a year and how even the luxury car he has parked outside didn't put the smallest dent in his wallet.
"You would have it so good with me, baby," he continues blabbering. His hand goes to your wrist, a gesture that Toji quickly puts an end to by aggressively shoving the man's hand away, your empty glass clattering on the table from the force. Toji would have snapped the man's wrist and twisted his hand off, but he didn't want to scare you with the bloodshed. He feels like he's buzzing from the anger bubbling inside, and surely it won't be long before he acts out.
"Don't fucking touch her," Toji spits, glaring at the man with an expression that would have put him six feet under, if looks could kill.
Your heartbeat is in your ears and your blood is boiling. This man is disgusting for being persistent towards someone who doesn't want him. It's masochism, at this point, with the amount of times that you've made it clear that you're not interested.
The man snorts, snobbishly. "He brought you here, of all places. Even just glancing at him, you can tell this cheap ass place is all he can afford. He'll never be able to give you everything you want, so just come with me, doll face."
You rip your hand out of Toji's grasp and stand from your chair, delivering a resounding blow to the man's already hideous face. Tables and chairs wobble as he tries to keep his balance, but when you quickly strike him again, hard enough to increase the pain you felt in your knuckles with that first hit, you manage to knock him onto the ground.
"Fuck you, you fucking asshole. You don't know shit!" You grit out, dropping down to try and land another hit to the man's bleeding face. By now, Toji is behind you, restraining your arms and pulling you back as a small crowd begins to form to observe the commotion.
"Ma, come on. Let's just go."
"Let me dent his fucking face in, Toji," you mutter, writhing in his grip.
The vile man manages to sit up, dabbing his fingertips against his busted lip. Though there is red blossoming on his face, his lips still form an amused, twisted smile. He laughs as he watches you get reeled back by Toji, seething as you are dragged away like a child having a meltdown in the middle of a store.
"Hey-- Hey, I said let's go," Toji says, his tone sharper when you continue to try to break out of his hold to fight the idiotic sociopath.
You take a deep breath and stop, willingly letting Toji take you away from this chaos you created in his defense. His hand rests on the nape of your neck, as he guides you through the stuffy bar and leads you outside to the car.
"Stop pacing," Toji says, watching as you threaten to make the asphalt beneath your feet waste away with every step you take in your heated state.
"Fucking asshole, dickhead, motherfucker." You groan, loudly, furiously, before covering your face with your hands. "It's fine, it's fine," you mumble to yourself.
"Then, stop pacing," he repeats, watching on as you walk the same steps, over and over, as if you're on autopilot. "Ma, eyes. Eyes." His hands go to your shoulders, manually forcing you to halt your movement. "Listen to me. I said eyes."
"I'm so... I can't stand still," you say, weakly.
"Stop looking around. Right here," Toji instructs, lifting one hand from your shoulder and pointing two fingers at his eyes. You release a shaky puff of air and hold his gaze as best as you can.
"Talk when you're ready," he says, following your eyes whenever they derail from his.
You aren't ready soon enough. You feel like your heart is trying to burst out of your chest and the adrenaline coursing through you isn't helping at all. Your hand hurts. Your knuckles feel bruised and they're bloody. The night might be ruined, but you felt your reaction was the only way to release the pain you felt when that nothing started talking the way he did about Toji. All you can think to do is hug Toji to prevent yourself from crying about your cause for attacking the gross man. It's all so much. You've never felt so strongly for someone, to the point where you hit a stranger for insulting them. It's scary how Toji brings that defensive, yet, offensive side out of you.
Strong, heavy arms reciprocate your embrace, keeping your tense body close. You feel warm and safe, his scent and the pressure of his hold managing to slowly calm your unsteady heartbeat. After a few seconds of quietness, you turn your head and rest the side of your face on him, finally prepared to speak.
"I didn't like how he was talking about you, Toji. He was talking shit even before you came back, and I hated it. I hated it so much, that I felt nauseous and if I hadn't done something, I would have been sick."
Toji sighs, not out of disappointment or feelings of that sort, but because you seeking out danger for his sake, was not something he ever wanted to see.
"Doll, you know how much I love you."
This sounds like a layer of sugar preceding a talking to. You're trying not to be nervous before the scolding even begins, but you feel the need to brace yourself, as well.
"I love you, too," you mumble.
Toji knows it. He's known it all along, and the events that transpired tonight were just another way of you proving your love and showing how much he matters to you.
"Want you to look at me," he says, lowering his arms on your back, allowing you to make the space necessary to give him your attention. He offers you a soft smile. "Don't get all fidgety on me after you just ripped a stranger's face open."
"I feel like you're about to yell at me," you say, lowly.
That makes him want to laugh, but he keeps his amusement to a minimum, since you're clearly anticipating something terrible.
"Nah. When have I ever raised my voice at you?"
"Never."
"Exactly. Never, and I won't start now, but I want you to get this through your pretty head... It's not your job to beat people up for me."
"I know, but-"
Toji shakes his head. "Hold on, mama. Let me finish talking, then it'll be your turn."
Your heart feels like it's in the depths of your stomach, but you nod, and allow him to continue talking.
"I'm not mad at you, i'm not gonna yell at you. Just wanna keep you safe, is all. That guy was already a fuckin' weirdo, harassing you like that and trying to get you to go with him while I was right there. I wouldn't be surprised if he was into hitting women, too, if he's so comfortable with making them uncomfortable."
It's quiet while you think of what to say. You don't want this to escalate into something that turns you against each other, when it started out as an act of love. You could argue about how you did this to defend him, but in the end, you know his own need to protect you, will stomp all over your arguments.
"I'm sorry we had to leave, but i'm not sorry for the reason behind it. I don't regret what I did."
"Ma..."
"No, Toji. He didn't even know you and yet he still said things that aren't fair." Your voice quiets down, the beginnings of stronger emotions threatening to outwardly reveal themselves. "He insulted you. He questioned your abilities as my boyfriend when he saw me alone— even after I told him you just went to the bathroom. He judged you superficially, he said you can't give me everything I want and--" you pause, interrupted by a shaky inhale and the painful lump in your throat. "Sorry," you mumble, when the first set of tears roll down your cheeks.
"No, you're alright," Toji says, in response, his warm hands coming up to cup your cheeks, thumbs wiping away your fleeing tears. There's a small pinch in his brows. Why are you crying? It's something he can't ask you, because he knows that if he makes a big spectacle out of it, you'll end up drowning in your tears and shutting down everything you have to say. He resorts to keeping your cheeks dry and encouraging you to keep talking.
"Go on, mama."
You sniff, before picking up where you left off. "I don't care about all that, Toji. I don't care where we go to spend time together, because we're together. I need you, not for you to buy me things or take me to fancy places. That's not what I'm with you for."
Your heart is beating fast, again, its rhythm no longer controlled by fear or nerves, but instead the focus that Toji has on you. He's good at holding eye contact with you, something that occasionally gets distracting if you become too aware of it. You notice that his expression is softer. Maybe it's your brief flash of tears or the way you are always subconsciously finding a way to indirectly recite some of the reasons for why you love him.
"I love you, Toji. That means I won't just sit around and let someone talk about you like you're worthless. And I know, I know you can handle things like this on your own and you don't need me, but it was hard to listen to that."
You pause, as if to give him a break from your bulldozing heart. Silence takes over the moment, both of you just looking at each other. Toji's speechlessness has you wondering if you spilled too much of your heart out to him. You know some things are better left to be figured out, such as the range of a person's love, and yet you just poured without measure. "You can call me crazy if you want to."
Toji's shit-eating grin is unexpected, but it's definitely a sight that lifts some of the heaviness you feel in your chest.
"You love me," Toji says, still smiling like a doofus. He knows your serious facade will crack if he looks at you like this for long enough. He can already see a shift in the expression of your eyes and the way your lips are pressing together just a little more. He tilts his head slightly, a gesture that pushes you even further towards that pretty smile he wants to see. When you finally crack and give into his charm, you do so with a mutter of 'you're so dumb.'
"I'm glad that's what you got out of my rambling," you say, wholeheartedly and in better spirits. Toji pulls you in, this time, his soothing warmth and familiar scent tangling around you, again. His chin rests on top of your head and his arms secure themselves around you, tightly.
"I'm not gonna call you crazy, ma. It's not what I think. Also, don't go saying things that aren't true. I do need you," Toji says, his voice level kept at an intimate volume, as if there are other people there in the parking lot with you. His words are solely meant for you to hear anyway and getting them to you in this manner ensures that you won't go home with your heart feeling heavy, after a talk that was meant to comfort you.
"You know, I don't care what other people think— and that's not to say I don't appreciate you throwing a few punches for my sake. You're a sweetheart and you care so much, but if it's a stranger saying some unimportant, dumb shit, it takes a lot for it to actually get to me. If it really bothered me, they'd be gone."
"Yeah... I know," you mumble, into his shirt, knowing you would do it again and again— countless times. You loosen your arms around Toji and he does the same, his hands dragging towards your waist after you separate.
"How's that hand?" Toji asks, picking your wrist up before you can even respond. He whistles at the sight of the slight swelling and the dry specks of crimson spotted over your knuckles.
"A little tender," you say, feeling a tinge of fear when his other hand lifts off your waist to feel the damage.
"Looks real good on your pretty hand," he says, dragging his index finger over the protruding bones of your hand.
"Does it?" You ask, your barely there smile falling when you wince at the little bit of pressure Toji applies.
"No," he responds, bringing it up to his lips and pressing a kiss to the sore area. You wince again when his thumb drags over your skin with slightly more pressure than before. "It doesn't. We'll ice it when we get home, alright?" He lets up on the torturous touching, but keeps your hand in his. The words aren't meant to hurt you. He doesn't mean them and he hopes he communicates that with the way he still opts to hold your hand. Your hands will always be pretty to him, he just can't say that to you, right now. Not if it serves as the smallest bit of encouragement for you to repeat what happened earlier, in the future.
"Okay." You nod.
"Gimme a kiss and we can go home or wherever, if you wanna stay out."
You tilt your head up and wait for his lips to meet yours. It's a gentle brush of lips, but the second Toji's hands start slipping under the back of your sweater and your shirt, you know it's going to be more than a single kiss. You can feel the night's cold wind nipping at your skin, as his hands go higher up, his fingertips reaching just below the hooks of your bra. To your surprise, he unhooks the garment, causing you to quickly press your hands to your chest when the cups loosen, to prevent them from fully sliding down.
"Toji," you manage to utter out during the wave of kisses. You turn your head, receiving a kiss that was meant for your lips, on your cheek.
"Yeah... I think we should go home," he murmurs, against your skin. "Maybe we can rock the car a little bit before we go, hm?" Toji smirks when you let out that flustered giggle he's so familiar with. He presses another kiss to your cheek before you turn to face him, again.
"Okay, but let's not blow it all here. We have a nice and comfortable bed at home. Let's add another good night to it."
You don't miss the way Toji's lustfully lidded, green eyes, keep glancing down at your hands on your chest, or how he's mindlessly caressing your bare waist, under your shirt.
"Alright, ma." He pulls out his car keys and with the press of a button, the car unlocks with a beep and the brief, dull sound of flipping locks. "Get inside."
#toji#fushiguro toji#jjk toji#jujutsu kaisen#jujutsu kaisen toji#jujutsu toji#toji fushiguro#toji fushiguro x reader#toji x reader#toji x y/n#fushiguro toji x reader#toji x you#toji fluff#toji angst#toji fushiguro x y/n#toji fushiguro x you#jjk x y/n#jjk x you#jjk x reader#jjk fluff#jjk#jujutsu kaisen x you#jujutsu kaisen x reader#jujutsu kaisen scenarios
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@gloryseized from [x]
"Am I wrong?" A point-blank question, and for a moment his mask slipped. Akechi found himself staring at Akira (the real one, the one that hid behind the glass lenses that distorted and concealed his eyes), red eyes meeting grey without hesitation. "From what I understand, you're here in the first place because some adult decided it wasn't worth their time or effort to testify on your behalf. I'm surprised you don't have a more dismal view of the world after something like that."
"Adults only care about themselves. If it doesn't directly affect them, they'll ignore it. It's how the world has always been."
It was then that Akechi finally looked away. There was something unsettling about their conversation, and a realization that perhaps he hadn't anticipated on how their forced proximity would affect him. There was something strangely freeing in the knowledge that not even he could free himself from Akira in the moment. Akira was trapped, but then so was he.
The fact that Akira was taking him to Shinjuku of all places didn't register. Not at first. Instead he just felt something uncomfortably close to guilt listening to him talk about the aquarium. There had been no great meaning in the offer to visit it with him. It had just been convenient - and yet it might have actually mattered to Akira.
"... perhaps we could visit it again on another day." Assuming Akira didn't slip up today, and assuming he wasn't tired of Akechi after it.
The offer to end this without suspicion was declined. Akechi wasn't surprised by that, but it didn't stop him from smiling after a moment. It would have had been such a shame to have Akira back off at this point.
"As long as you're sure. I look forward to watching you try to prove your innocence."
-- and it was now that he found himself actually taking a look around, noticing just where they were heading.
"... where is it that you... heading for work tonight exactly?"
#ic: thread response#gloryseized#gloryseized 002: handcuffed#verse: during p5#[[ tbh i think considering akechi's fanbase this would only -increase- his popularity ]]#[[ also i am certain and aiming for akechi to have said things that akira didn't reveal ]]#[[ as a slip up that he probably has been looking into akira ]]#[[ can change it if it feels too uh.. 'god-mode' but it's meant more as a slip up from akechi ]]
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"I don't want to look at anything else but you"
post outbreak! Joel miller x f!reader



summary: You and Joel had found peace in the quiet life you had built together in Jackson. Despite him hurting from the growing distance between him and Ellie, he knows he has you and you have his back.
wc: 6,4k >
warnings: a bit of angst for joel but is mostly fluff. Age gap but not specified. Remember English is not my first language and i'm lazy when it comes to checking.
a/n: okay. I didn't write a lot of blind faith during this week and I'm giving you this other joel fic as a sorry and because i'm already grieving Joel. I hope you like it 💌
dividers by @/saradika-graphics
Ever since you and Joel had settled into a normal life in Jackson. The dynamic between the two of you changed. The cold mornings spent outdoors turned into mornings wrapped in sheets. The two of you, your head on his chest and his arms around your waist. The closest thing to normalcy Joel had experienced since the world had ended that September, years ago.
It wasn’t the easiest path, not for him, not for you. Years ago, when everything was ash and violence, the QZ had been nothing more than a temporary shelter with concrete walls and a rot at its core. But somehow, even in that godforsaken place, you had found Joel. Or maybe he had found you. Either way, you clung to each other like driftwood in a storm.
He was older, weathered by loss, hard edges and thick walls that didn’t crumble easily. And you—well, you were younger, yes, but you’d seen enough to understand him without needing him to say a word. That’s what got him first. The way you looked at him—not with pity, not like someone trying to fix him—but like you saw straight through him and chose to stay anyway.
You were a constant when the world refused to be. He never told you just how much that meant, how many nights he laid awake beside you in the QZ, eyes tracing the ceiling, wondering what he had done to deserve someone like you. Maybe he didn’t deserve it. But you stayed. Even when the Fireflies whispered about change. Even when the world outside called to you both with the promise of something more.
And then came Ellie. The girl who turned everything upside down. The moment Joel took her in, you followed without hesitation. You were the only one who never questioned him—not when he made the choice that changed everything. You held his secret like your own, wore the burden of it in silence. And when the truth finally tore open the fragile thread between Joel and Ellie, you were the one caught in the middle. Not because you chose to be—but because you loved them both.
Ellie had barely spoken to Joel in months now, but you still caught her glancing toward your porch sometimes, like she missed him but couldn’t quite forgive. You didn’t push. You gave her space, the same way you gave Joel comfort. Even when he didn’t say it, you could feel the guilt radiating off him in waves—quiet, heavy, and relentless.
But he still came home to you. Always. His hands shaking slightly when he poured whiskey into a glass at night, the ghosts of the past flickering behind his tired eyes. And you would press your fingers to the side of his face and whisper that he was not the man he used to be. That maybe, finally, after all this time, he deserved peace.
He didn’t say much in response. Joel wasn’t one for poetry or declarations. But his love was in the way he kissed your forehead in the mornings before you even opened your eyes. It was in the way he made sure the firewood was stacked high so you’d never get cold. It was in every silent glance across a crowded dining hall, in every soft murmur against your temple when the nightmares woke him.
Joel had built a warm home for you. A place where the both of you would end up dying after cherishing all the loved you shared for each other. After a fulfilled life, a happy life.
He became a fundamental part of Jackson, a community that grew every year thanks to his efforts and help. A community where he had become loved, and not just by you. While Joel reviewed maps and extensions that could continue to be built, you were part of the group patrolling the outskirts of Jackson.
And when you rode out past the gates on patrol, he stood on that damn porch, arms crossed, waiting for your silhouette to disappear into the trees. He never said “be careful,” never asked you to stay. Because he knew you wouldn’t. But he always waited.
Because no matter how many years passed, no matter what came between him and the world, he knew one thing:
You were the one thing he had never wanted to live without. He would rather die before seeing life leaving your body in a lifeless frame.
Joel had built a warm home for you. A place where the both of you would end up dying after cherishing all the loved you shared for each other. After a fulfilled life, a happy life.
He became a fundamental part of Jackson, a community that grew every year thanks to his efforts and help. A community where he had become loved, and not just by you. While Joel reviewed maps and extensions that could continue to be built, you were part of the group patrolling the outskirts of Jackson.
Today was one of those freezing days of winter when snow covered all paths. You'd been riding with Rick for nearly two hours in silence, save for the sound of snow crunching under your horses’ hooves and the occasional radio crackle from the patrol team. The morning was cold, but sunlight still broke through the trees in patches, casting gold across the frostbitten forest. You were glad for the silence. Patrols were always easier when you didn’t have to think too hard.
But Rick was fidgeting.
You noticed it as you dismounted to check the broken fence line on the north perimeter. He stayed unusually close behind you, clearing his throat every few seconds like he was about to say something and then thinking better of it.
You finally turned to him with a raised brow, snowflakes sticking to your lashes.
“Spit it out, Rick. You’re twitchier than a Clicker.”
He looked at you, flushed already from the cold but turning visibly redder. “Okay, so—I wasn’t gonna say anything. Like… ever. But if I don’t, I think I’m gonna explode or something.”
You leaned on the post you were fixing and blinked. “That sounds dramatic.”
“It is. I’m being dramatic,” he admitted, letting out a nervous laugh. “Look, I know you’re with Joel. Everybody knows you’re with Joel. Joel definitely knows you’re with Joel. And he could probably kill me with, like, a stare. But… I kinda like you. I have for a while.”
You stared at him, hammer halfway raised, not sure if you’d misheard him or if he’d actually just said that. “Rick.”
“I know! I know. It’s not cool. It’s kind of stupid. But I figured maybe if I just said it out loud once, I could move on and stop acting like a dumbass every time you’re around.” He ran a hand over his face, half laughing, half mortified. “Jesus, you’re gonna tell Joel and he’s gonna bury me under the tomato garden, huh?”
You couldn’t help it—you laughed. Hard. Rick blinked at you like he wasn’t sure whether he’d just been spared or sentenced.
“I’m not gonna tell Joel,”You said, still chuckling as you shook your head. “Unless I need leverage to make him do the dishes.”
Rick exhaled loudly, shoulders slumping in relief. “God, please don’t do that.”
“Hey, I might. That’s premium blackmail material,” you teased, giving him a playful nudge with your elbow before getting back to work on the fence. “Look, I appreciate the honesty. I really do. It’s weird—but kinda sweet, in a ‘high school crush’ kind of way.”
He gave you a sheepish smile. “I’ll take it.”
“But Rick,” you added, glancing at him from the corner of your eye, your voice gentler now, “Joel’s it for me. I love him. He is my husband, law or not law. You know that, right?”
“I do,” he said quietly. “Hell, everyone does. Just needed to clear my chest.”
“Well, chest cleared,” you said, patting him once on the shoulder. “Now let’s go back to our work or something. You’re not gonna make me do all the work just because you embarrassed yourself, are you?”
He laughed, finally relaxing. “Nah, I’ll take point. You just hang back and bask in the awkwardness.”
“Perfect,” you muttered, smirking as you mounted your horse.
As the two of you rode off, the moment settled behind you like footprints in snow. Something a little strange, a little uncomfortable—but harmless. You knew Rick wouldn’t cross any lines. He wasn’t that kind of guy. And besides, by the time the sun dipped low and Jackson came into view again, your thoughts were already back home.
To the porch where Joel would be waiting, arms crossed.
To the way his jaw would twitch the moment he saw you, trying and failing to hide the relief in his eyes. To the warmth of his hand on the small of your back when he pulled you close and muttered, “Took you long enough.”
Because no matter what happened outside those walls, you always came back to him. You always would.
The sun had dipped behind the trees by the time you and Rick made it back to Jackson. The patrol had been uneventful after the confession—thank God—and Rick had thankfully returned to his usual self, cracking a dumb joke or two to break the tension. You left him at the stables with a casual wave, brushing the snow off your coat as you handed off the reins.
As you stepped out into the chilly late afternoon, your breath puffed white in the air. The lanterns strung along Jackson's paths were starting to flicker on, casting a golden hue over the snow-covered streets. You shoved your gloved hands into your pockets and turned toward home.
And then you saw Joel walking your way, just down the path near the greenhouse, shoulders relaxed in that slow way of his, with the glasses still perched low on his nose that made you pause and smile like a fool. He rarely kept them on outside. Said they made him look “too damn old.” But there they were, catching the glow of the lanterns as he walked, reviewing something in a worn notebook like the world wasn’t even there.
He looked up as if sensing you before he even saw you.
The second his eyes found yours, his entire face shifted—like watching ice melt under a flame. His mouth tugged into a lopsided smile, soft and real and just for you. And God, it still got you. After all this time. After all the hell, the healing, the hurt—he still looked at you like that.
“You’re late,” he said, voice low and warm as he closed the notebook and tucked it under his arm.
“You’re wearing your glasses,” you replied, unable to keep the grin off your face.
He huffed. “Didn’t mean to. Just got caught up in the numbers. Didn’t wanna strain my damn eyes again.”
You stepped closer, heart easing in your chest the way it always did when he was near. “You look good.”
Joel gave you a look, tilting his head. “You makin’ fun of me?”
“No,” you said, wrapping your arms around his middle. “I mean it. There’s something kind of... sexy librarian about you.”
He let out a dry laugh, hand coming up to tug the glasses off and hook them into the collar of his shirt. “You’re ridiculous.”
“I know, but you love it, though”
“I do,” he said without hesitation, his eyes crinkling at the corners. Then his gaze shifted a little more serious, a little softer. “Everything go alright out there?”
You nodded, leaning your shoulder into his chest. “Yeah. Nothing we couldn’t handle. Rick confessed his love for me, though.”
Joel stopped mid-step. “He what?”
You burst out laughing at his expression. “It was harmless. Kind of awkward. I think he mostly just needed to say it to get it off his chest.”
Joel raised an eyebrow, but there wasn’t an ounce of jealousy in his face, just amused disbelief. “Poor boy.”
“Right?” you said, still grinning. “He looked like he was about to faint. Said you’d probably bury him under the tomato garden.”
Joel gave a thoughtful nod. “Not a bad idea.”
You swatted his arm as he slipped an arm around your shoulder, pulling you close against him. His body was warm, solid, familiar.
“You know I only love one grumpy man in this town,” you murmured, tucking your hand into the space between his coat and flannel.
He looked down at you, something tender and unspoken in his eyes. “I know.”
Your steps slowed, gravel crunching gently beneath your boots as the space between the two of you closed even more. You turned to face him, chin tilted up, your hands sliding into the open edges of his coat to rest against his chest.
Joel's brows lifted just a bit, eyes flickering between yours and your mouth. He didn’t say anything, didn’t need to. You leaned up and kissed him softly—just enough to make him pause and breathe you in. His hand cupped your jaw, thumb brushing over your cheek in that way that always made you feel like you were something rare. Something precious.
The kiss lingered, unhurried and warm in the freezing air.
When you pulled back, your forehead rested against his. “Tell me about your day,” you whispered.
Joel hummed low in his chest, his nose brushing against yours. “Not as excitin’ as yours, apparently,” he muttered, and you could hear the faint smirk in his voice.
You grinned. “Still wanna hear about it.”
He sighed, but it was soft. Content. “Well, I argued with Tommy about expanding the southeast fence. Again. He’s still convinced we need to pull it in tighter. I told him he’s just scared of dealing with the extra patrols.”
You chuckled. “He is scared of extra patrols.”
“Damn right,” Joel muttered, clearly pleased you agreed. “Helped Maria sort through some of the winter inventory. Got roped into fixing a leaky pipe in the clinic because somebody thought I was the only one with ‘good hands.’”
You looked up at him with a grin. “Well… they’re not wrong.”
That made him laugh again, the sound low and rough and good. “Are you flirting with me, darlin’?”
“Maybe.”
“After all these years?”
“Especially after all these years.”
He leaned down and pressed a kiss to your temple, his lips lingering for a beat. “You keep that up and I’m gonna have to warm you up properly once we get inside.”
You raised a brow. “Promise?”
Joel groaned and gave a playful shake of his head. “You’re trouble.”
“You love it,” you said again, smiling as you slipped your hand into his and started walking toward home, where the hearth was probably still warm and the bed even warmer.
And God, you really did love this life. This normal, beautiful, quiet life with him.
As you reached your home, Joel’s hand squeezed yours gently before slipping away. He paused on the porch, his eyes drawn toward the garage across the yard. A faint flicker of light glowed from the crack beneath the door, soft, irregular, probably from that old lamp Ellie refused to replace. You followed his gaze, the air suddenly still around the two of you.
“She’s in there,” Joel murmured, his voice lower now. Not tense, exactly—but something sad, almost wary. You knew that tone. He’d been using it a lot when it came to her lately.
You nodded, shrugging off your coat. “Yeah, she seems to spend a lot of time in there.”
Joel lingered, eyes fixed on the garage like he could see right through the wall and into her thoughts. “Do you know if she’s going to the New Year’s thing tonight?”
You turned to look at him, reaching out to take his gloves from him as he pulled them off. “She didn’t say a lot to me this morning.”
Joel nodded; lips pressed into a thin line. He looked older when he worried—shoulders heavier, jaw tighter. “I wouldn’t blame her if she doesn´t.”
“Things are different now,” you said softly, brushing a bit of snow off his shoulder. “She’s still figuring out how to be... okay with everything. With you, okay. With both of us.”
“I don’t blame her,” he said after a moment. “I just… I hate not knowing how to make it better.”
You stepped closer, resting a hand against his chest. “Maybe it’s not the right time. You’re still here, waiting, still being there for her.”
Joel didn’t answer right away. He looked at the garage one more time, eyes soft with a regret and longing, something like hope, but worn thin.
Then he turned back to you, lips brushing your forehead as he let out a long breath. “C’mon,” he said quietly. “Let’s get inside before you freeze that smart mouth off.”
You smiled and nudged the door open. “Too bad. I had plans to use it tonight.”
Joel laughed under his breath as he followed you inside, letting the door close gently behind you.
The world felt warm and still when you opened your eyes.
That fuzzy kind of stillness where the light was soft and golden through the curtains, and your limbs were heavy in the best way—boneless and relaxed under the weight of a thick quilt. You blinked slowly, adjusting to the calm, to the scent of pine still lingering from the firewood and Joel’s flannel shirt close by.
Your head was resting on his lap.
Joel sat slouched back against the couch cushions, legs stretched out, a book open in one hand, his glasses pushed up the bridge of his nose. He hadn’t noticed you waking yet. Or maybe he had, and just didn’t say anything.
The fingers of his free hand combed lazily through your hair, tracing slow, thoughtful paths over your scalp and down to the nape of your neck. Over and over again, like it was as natural to him now as breathing. That kind of tenderness that wasn’t loud or showy, just there—anchoring and steady.
You smiled, sleep still in your voice. “You’re gonna put me right back to sleep doing that.”
Joel’s eyes flicked down from the page to meet yours, and a slow smile spread across his face. “That a bad thing?”
“No,” you murmured, shifting just slightly to curl closer into his thigh. “It’s a really, really good thing.”
He hummed, the sound vibrating through his chest, low and warm. His thumb brushed along your temple in a soft arc. “Didn’t mean to wake you. You were out cold.”
“Blame your lap. It’s cozy.”
He chuckled, eyes returning briefly to his book. “Didn’t think you’d fall asleep halfway through tellin’ me about how Rick nearly dropped his gun while trying to impress you.”
“He did!” you laughed, eyes closing again. “It slipped right outta the holster when he tried to be all cool and stretch like nothing hurt. I nearly fell off the damn horse.”
Joel shook his head, the quiet amusement clear in his face. “Man’s a disaster.”
“Mmm, but at least a harmless one,” you yawned.
Another beat passed, quiet except for the sound of pages turning and the fireplace crackling low in the background. His fingers never stopped moving in your hair.
“Do you ever miss it?” you asked softly, not even sure where the question had come from. “Before here. All the chaos we used to live in. The constant movement. The adrenaline.”
Joel’s hand slowed, just slightly. You felt the pause. Then the steady rhythm picked up again, gentler.
“Sometimes,” he admitted after a moment. “Not the danger, but the feeling of having to keep going. No room to think too hard. Now Ellie doesn’t talk to me.
You nodded; eyes still closed. “That would be temporary, you know.”
“Yeah.” His voice lowered, more thoughtful. “But I’d trade a hundred years of running for one of these. You and me like this.
That made you laugh again, and his hand cradled the back of your head as you shifted to look up at him.
“You’re getting soft in your old age, Miller.”
He looked down at you over the rim of his glasses, brow raised. “Say that again and see if I let you keep using my lap as a pillow.”
You smirked. “You’d miss me.”
“I would,” he said quietly, and just like that, the teasing faded into something real.
You smiled at him, “I should start getting ready for the party tonight.”
“You look perfect just like this.”
“How romantic, Joel Miller, but I probably smell bad.”
Joel snorted softly, eyes crinkling at the corners as he closed the book and set it aside. “Darlin’, we’ve both smelled worse. Remember when we reached Bill’s house?”
You groaned dramatically, burying your face into his thigh. “Don’t remind me. That was not my best moment.”
“I didn’t mind it then either,” he said, his fingers grazing down your jaw, a soft smile tugging at the corner of his mouth. “You could be covered in mud and I’d still think you’re the prettiest girl in the room.”
You looked up at him, caught off guard by how easily he could say something like that now. It hadn’t always been like this. It used to come out in actions, his silence, his worry, the way he stood between you and anything that even looked like a threat. But now… he let himself say it. He let himself mean it.
And you never took that lightly.
“I’ll take the compliment,” you murmured, sitting up slowly and stretching under the blanket. Joel helped you out of it without a word, and you lingered just a second longer to brush your lips over his before standing.
He watched you, content and quiet, as you moved toward the bedroom. “Do you want me to wear that sweater you like?” you asked over your shoulder.
Joel raised an eyebrow. “The one with the buttons?”
You nodded, already pulling your hair back into a messy bun.
“Hell yeah,” he said, voice a little rougher now. “That one drives me crazy.”
You laughed as you disappeared around the corner, the sound making Joel lean his head back against the couch with a quiet, content sigh. His hand drifted absentmindedly to the spot where your head had been resting only moments ago, like some part of him still needed to hold on.
From the window he noticed the light in the garage had gone dark. Maybe Ellie was getting ready too. Maybe tonight would be a little bit closer to feel like a whole again.
You stepped out of the bedroom a few minutes later, brushing the last bit of lint off the front of your sweater—the one with the buttons Joel never shut up about. It was a little snug at the waist, hugged you just enough to make your point. Paired with the jeans he said made your legs look “dangerously good,” you were banking on at least a solid double-take.
Joel looked up from the couch, still lazily sprawled across the cushions, glasses sliding down his nose.
And damn if you didn’t get more than a double-take.
His hand went straight to his chest like he’d been physically struck. His mouth opened, then closed again like he forgot how to breathe.
“Jesus,” he muttered, sitting up straighter, eyes trailing slowly from your boots to your eyes. “You trying to kill me?”
You grinned, one hand resting on your hip as you posed, just a little. “What, this old thing?”
He let out a breathy laugh, shaking his head in disbelief. “You look…” He trailed off, searching for the word. “I don’t even get a word for it. Beautiful doesn’t make it justice.”
“You’re such a liar,” you teased gently, though your cheeks were already warm.
“I’m not,” he said, still staring. “You walk into that party lookin’ like that, I’m gonna have to fight half the town.”
You walked over and stood between his knees, his hands naturally coming to rest at your waist, thumbs sliding along the hem of your sweater.
“Don’t worry,” you said, brushing a hand through his hair with deliberate slowness. “I’m only going with one man tonight.”
His eyes met yours, serious under all the teasing now. “You’re mine,” he said lowly, not like a warning, but like a vow.
“I always have been,” you whispered back.
And for a second, it didn’t matter where you were going or who’d be at the party. There was only this, his hands steady on you, your breath soft against his, and the quiet thrum of a life you’d built together piece by piece.
“C’mon, Miller,” you said, pulling back with a smile. “Get dressed. Can’t show up to a New Year’s party looking like you just came in from the stables.”
He narrowed his eyes playfully. “I was gonna wear the flannel you like, but now I’m reconsidering.”
You leaned down and kissed him slowly, “Wear the flannel. Then lose the flannel later.”
Joel groaned into your mouth. “You’re evil.”
You smirked. “You love it.”
He planted a kiss on your lips before standing up from the couch.
The lights in the main hall of Jackson’s community center glowed warm and low, casting golden halos over strings of mismatched decorations—handmade banners, old Christmas lights, paper stars that crinkled every time the door opened and let in the wind. Music played softly from an old radio in the corner, laughter and voices mingling with the hum of people pouring in, already loosening up with drinks and stories.
You stood near the back wall, a glass of something vaguely sweet in your free hand, the other laced tightly with Joel’s. His thumb brushed slow circles over your knuckles as you chatted with Maria, who was animatedly retelling something Tommy had done earlier that day involving a runaway chicken and a very confused patrol dog.
You were half-listening, smiling and nodding along, but you felt it more than saw it—that Joel wasn’t really paying attention. His body was here, steady beside you, but his focus had shifted.
You followed the subtle line of his gaze, and there she was.
Ellie.
She was standing on the edge of a table, watching Dina, dancing in the middle of the place. Her hair surprisingly neat. She wore one of the jackets Joel had patched for her last winter, and she looked... better. Not completely at ease, but not avoiding people either. Laughing at how Dina enjoyed herself, her face lit up in that rare, open way that used to be more common. That Joel hadn’t seen in too long.
Your fingers squeezed around his, gently tugging his attention back to you. He blinked, then looked down, sheepish.
“She showed up,” you said quietly, so only he could hear.
Joel nodded, but didn’t speak at first. His jaw worked slightly, like there was something caught there that he couldn’t quite get out. “Didn’t think she would,” he murmured eventually.
You leaned your head into his shoulder, your hand still holding his like it anchored you both. “She’s trying,” you said softly. “Just like you are.”
He didn’t answer right away. Just watched Ellie for another long moment. His face unreadable, but you could feel the storm behind it—the guilt and the love and the endless what ifs he carried like extra weight on his back.
“She still wears that jacket,” he said finally, voice a little rough.
“She still loves you,” you said, just as sure. “Even when it’s complicated.”
Joel looked down at you then, the depth in his eyes something that stole your breath a little. “You think it’ll ever go back to how it was?”
You turned slightly to face him, brushing your thumb along the inside of his wrist. “No,” you said honestly. “But maybe it’ll become something new eventually.”
He nodded slowly, like he was trying to believe it. Maybe tonight helped.
The minutes had stretched into hours, in a few ones. A new year would come into your lives and you were enjoying the hope that brought to all people in the community. Yes, you were enjoying the party, until something completely shifted the ambiance.
When Ellie’s voice came.
Loud. Angry. Hurt.
“I don’t need your fucking help, Joel!”
You froze.
The room quieted, just a little. Just enough.
Joel didn’t say anything at first. You watched his face—how it closed off, his expression almost neutral except for the way his jaw clenched. There was something like shame in his eyes. Like he’d overstepped. Like he knew this was coming.
He turned. Not fast. Not dramatic. Just quietly stepped back, like every inch he put between himself and Ellie was one he’d deserved. He didn’t look at you. Just walked toward the door of the hall, shoulders tight, hands in his pockets, and disappeared outside.
You turned slowly, your gaze falling on Ellie.
She was still standing there. Chest rising and falling like she'd just finished running. Dina beside her, wide-eyed, unsure whether to step in or stay back. The room had started to move again around them, but you stayed where you were, heart sinking.
Ellie looked at you.
And you didn’t say anything. Didn’t frown or shake your head. Just… looked.
There was disappointment in your eyes—yes. A flicker of sadness too, not just for Joel, but for her. For the pain stitched between them. For the ways she still didn’t understand that Joel didn’t defend her to take control, or because he thought she was weak—but because he loved her.
Because she was still his.
And whether she was ready to admit it or not, he would always be hers.
Ellie looked away first. Back to her shoes. Her jaw tensed like she was biting back words. But she didn’t say anything else.
You waited another beat, then gently set your glass down, excused yourself from the people at your table with a small nod, and went after Joel.
The cold had settled deep by the time you made it back home.
The porch light cast a soft glow across the wooden steps, and there he was—sitting in the chair like he had nowhere else to be, guitar in his lap, hands quiet on the strings. He wasn’t playing. Just holding it, his fingers curled around the neck like they used to when he didn’t know what else to do with his hands.
His glasses were off, resting on the side table next to him. The soft creak of the porch boards under your steps made his head lift, and his eyes met yours.
You smiled gently. “Hey, cowboy.”
Joel didn’t say anything right away, just gave you the ghost of a smile before looking down at the guitar again.
You crossed the porch and crouched in front of him, resting your hand on his knee. “She didn’t mean it.”
He let out a breath, slow and tight. “Yeah, she did. Maybe not in the way she thinks. But she did.”
You didn’t argue. Instead, you just leaned your head against his leg, wrapping your arms around his knee. “Come inside,” you murmured. “It’s freezing.”
“I like the cold,” he said quietly.
“You’re getting old,” you teased, tilting your face up toward him with a smile. “Your bones can’t handle it anymore.”
That pulled the faintest smirk from him. “You keep talking like that and you’re getting a snowball to the face next time it drops.”
“Promises, promises.”
You stood up and reached out a hand to him. He hesitated for a moment before placing the guitar gently against the wall. His hand slid into yours, warm and rough and steady, and you led him inside.
The house welcomed you with its familiar warmth, soft light spilling from the kitchen lamp. You tugged him into the living room and stopped, turning to face him, fingers still wrapped around his.
“You remember how to dance, Joel?”
He raised a brow. “Now?”
You nodded. “Now. Just us.”
There was no music, just the sound of the wind outside and the hum of life still buzzing faintly in town. But you stepped closer, placing your other hand on his chest as his found your waist, and you started to sway slowly, like there was a song only the two of you could hear.
You looked up at him, voice soft. “You know there’s no life for me after you, right?”
His eyes flicked to yours, searching. Quiet.
You swallowed. “Not just no one else… No life. I’m not made for this world without you in it.”
His jaw tensed, his hand tightening slightly on your hip.
“I love you more than I’ve ever loved anyone. More than I even thought I could.”
Joel's voice was rough when he finally spoke. “You shouldn’t say that.”
“But it’s true.”
His gaze dropped to your lips, then back to your eyes, and you saw the fight in him—the weight of it all, the doubt, the guilt. But you also saw the way his heart ached for you. How much he wanted to believe he deserved it.
“You’re all I’ve got,” he said finally. “You… and her. And I keep messin’ it up.”
You shook your head and pulled him closer, pressing your forehead to his. “You didn’t mess anything up tonight. You stood up for her. That’s what love looks like, even if she doesn’t know how to take it right now.”
Joel let out a shaky breath. You leaned up and kissed the corner of his mouth.
“I’ve got you,” you whispered. “Always.”
And with his arms wrapped around you in the middle of that quiet living room, Joel let himself hold on.
You kept swaying with him, barely moving, your arms snug around his broad frame like you were afraid he might drift away if you let go.
The firelight from the hearth flickered softly across his face, casting shadows that danced along the lines etched into his skin. You lifted your gaze, taking him in—really taking him in.
His hair was more silver than brown now, especially at the temples, and his beard had followed suit, peppered with white that hadn’t been there when you first met him back in the QZ. The creases around his eyes were deeper, more permanent, carved by years of worry, loss, and that rare, secretive laughter you’d always tried to pull from him like a prize. His hands, still strong, still steady, were rougher too—scarred by more than just time. And his eyes… God, those eyes. Still the same deep brown, still full of everything he never said out loud, but they were heavier now, more tired.
But even in all of it, in every reminder that time had passed, that the world had taken its toll on him—he had never looked more beautiful to you.
This was the man who had survived when others hadn’t. The man who had chosen you when he could’ve kept his walls up forever. The man who still held you like you were the most fragile, precious thing in the world.
Your fingers slid up his chest, fingertips brushing over the soft fabric of his flannel before curling lightly at the collar. You rose up on your toes and pressed a kiss to his cheek, slow and lingering. Then another, along the edge of his jaw. One at his temple. His brow.
Joel's hand tightened on your hip, the other cradling the back of your head now, and his breath caught when your lips found the corner of his mouth.
You pulled back just an inch and whispered, “I love all of it. All of you. Then. Now. Always.”
He looked at you like he was trying to memorize your face.
And then you kissed him—soft, deep, like he was the only thing tethering you to the earth. His lips moved against yours with that familiar tenderness, that unspoken hunger that had never gone away, no matter how many years passed. It wasn’t rushed, wasn’t desperate. It was slow and sure, like he wanted the moment to last forever.
When you finally pulled away, his forehead rested against yours, breath warm on your lips.
“I don’t deserve you,” he murmured.
You shook your head gently. “That’s not your decision to make.”
Joel let out a quiet, broken laugh and kissed you again—softer this time, like a thank you.
You leaned in again, drawn to him like the tide to the moon. Your lips brushed over his once more—slower this time, tender and unrushed. A kiss that said everything without needing words. His hand slid up your back, fingers splayed gently between your shoulder blades, holding you to him like he never wanted to let go.
When you finally pulled away, your noses still touching, you smiled against his mouth. “Happy New Year, Joel.”
He exhaled softly, his breath warm as his eyes opened to meet yours. “Yeah?”
You nodded, heart full. “This is to us,” you whispered, “to spending more years like this. Together.”
Something flickered in his gaze—quiet, reverent, a little disbelieving like the weight of your love still knocked the air out of him every time. His thumb stroked along your jaw, rough and careful all at once.
“Until the end, darling,” he said hoarsely, his voice thick with emotion.
You wrapped your arms tighter around him, resting your head against his chest, right over the steady thrum of his heart. And there, in the soft quiet of your living room, with the muffled echo of fireworks somewhere in the distance and his arms holding you like a vow, you knew there was no one else you’d ever need.
Joel held you there for a long, quiet beat—his hand resting at the small of your back, the other curled at your nape, cradling you gently like the world might crumble if he let go.
Then he tilted his head slightly, eyes finding yours again under the soft glow of the fire. There was something raw in them now—unguarded, soft in that way only you ever got to see.
“Happy new year, baby,” he said, voice low, gravelly, full of something deep and real. “To more years. However, many we’re lucky enough to get.”
You felt your throat tighten, the words catching in your chest. But then he said it, firm, steady, like it had lived in him for years.
“I love you.”
Not rushed. Not whispered. Just said. Like a truth that didn’t need any decoration.
Your hand slid to his cheek, thumb brushing over the slight stubble there. His eyes closed at your touch, leaning into the warmth.
This was your beginning. Again, and again. Every year. Every moment. Joel was your home.
#fic: I don't want to look at anything else but you#joel miller#joel miller x reader#joel miller x f!reader#joel miller fanfiction#joel miller imagine#joel x reader#joel miller x you#pedro pascal character fanfiction#joel miller angst#pedro pascal
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PARIS
male reader x sana minatozaki
30k words

"City's a shithole," you tell Sana, stepping out of a taxi. "Absolutely rotten."
"It is not a shithole."
"It is a shithole, Sana."
"You just got off the plane. Can we reserve judgement on Paris until we've seen the fucking place?"
(This is the one where you get over a fear of flying, of falling - and Sana's breeding kink goes a little further, gets a little more complicated - and neither of you give up much ground. It's an ordeal, that one. You really oughta stop surprising her in hotels.)
-
"Little known fact," Sana says to you near the beginning and looking for once a little less ethereally put-together, a bit more like she wants to go back to sleep. "St. Valentine was actually an incel who died in jail."
She's slumped onto your kitchen counter in a sweater several sizes too large - the one with your college crest, a hole in the armpit - and shorts, her long bare legs dangling above the tile.
"So, y'know."
And you haven't a fucking clue.
She shovels another spoonful of cereal into her mouth, "spending the holiday insufferably alone is something of an homage."
"What?"
"An homage," she crunches, happily.
Oh, you're charmed by her, have been for weeks now, and you chuckle despite yourself, pour her coffee while you're waiting for the toaster to finish. You've decided she's going to eat fruit today whether she wants to or not - it's barely breakfast if it's just a bowl of sugary carbs; and in a pair of fuzzy socks, a stolen crewneck, with last night's makeup still slightly smeared at the corners of her eyes and her hair mussed to shit, Sana makes you feel sorta responsible for her health. Your infatuation must be showing.
She lifts her chin, blinks lazily.
"I guess that makes us both artists by extension, or something," you say.
"Incels?" Sana snorts.
"No." Your toast pops. "Homage-payers."
You watch her mouth quirk around her spoon. "I kinda like that," she allows.
This morning, for the record, is only different than others in terms of superficial details - today Sana woke up with your hand cupped over her cunt, three fingers sinking slowly into her heat - annoyingly slow, the way she likes it least and best, depending on what she gets out of the teasing: her morning orgasm, in this case - and it was different enough that she moaned high and pretty, back arching as she squirmed on your palm, the sheets, whispering a delirious good morning against your jaw when her wits finally cohered into something more linear, understandable.
It's your new normal, sure: sleeping together - and its odd, comedy-forged counterpart, waking-up together.
It's eating breakfast, it's Sana stealing your clothes, sitting on your counters like breaking convention is some sort of biological imperative.
It's her legs wrapping around your waist while she kisses you soft and open-mouthed, leaving it to you to decide how much morning breath you can tolerate - and maybe that's a routine worth indulging, for a bit. At any rate: it's February 7th, which means there's this sword of Damocles hanging over your head that a whole financial system has been built around monetizing, a day people probably buy chocolates and flowers and write sonnets over - except Sana is jetsetting next week and you'll be spending February 14th in your apartment, possibly taking a shower, definitely sleeping in until noon, not being in love.
She's a once-in-a-generation talent, a gorgeous face, a fantastic fuck - this is just what's in the cards for you.
"You're going to miss me," says Sana, flat-out declaring it, threading her fingers beneath your chin, hooking her ankles loosely in the small of your back.
The cereal bowl clatters as you set it in the sink. "I might," you say, noncommittal, enjoying the way it makes her press further into your body, clinging tighter. "How long did you say this trip was going to be, again?"
"Oh, forever, maybe," Sana breezes, waving her other hand.
"You're gonna change your mind about the whole concept of romance and think about texting me within five, ten minutes of dropping me off at the airport. But then you won't actually do it, because you'll figure that I'm busy, and then you'll spend the rest of my flight kicking yourself for not sending me, like, an emoji, or something, and that it could've been enough to bridge the gap, and instead I'll be off somewhere all dolled-up and glamorous, probably surrounded by hot models, and that's when I'll meet someone new. I mean, there'll probably be no comparison to well, y'know-" She palms your crotch, fingers skating across the fabric. You recoil, almost scowl, and she snickers. "-but that's what happens when you don't text me. We're not in contact for one week and I replace you with a French man named Pierre. Or Jean. Jean-Pierre, honestly. If I were you, I'd play it safe and shoot me a Valentine's text."
"Wow." You push your thumbs under the hem of her shorts. "You got it in one, I think."
She shrugs, faux-modest. "Naturally. Jean-Pierre knows what's up."
You slip your hands up further and her expression shifts as you meet skin under the heavy fabric: all suggestion, no pretense. Sana sighs contentedly, leaning back onto her wrists so that you have to chase her, tilt your head to follow the movement. This is natural. She takes your lip between her teeth and sucks, gently. The angle puts a crick in your neck. You let her get away with it anyway, press further in between her thighs, spread them wide - and then she bites harder, the flesh of your bottom lip giving under her canines.
There's a spark there, it makes you want to pull her hair, kiss her harder, dig your fingers into her hips and leave bruises that'll last through the next couple weeks of international press junkets and glitter-eyed meetings with like-minded, like-pretty strangers. You're starting to suspect she's psychic - because she slides a hand up your shirt, letting her fingers skate over your stomach, the dip of your hips, the places that make you tick.
You clock the twitch in your pants, growing, filling. You've slept with this girl an awful lot. It's a problem.
"Possessive," is Sana's assessment, with all of the derision of a tease.
"Cool it," you warn her, sliding your grip up from her legs to her hips, pinning her solidly to the countertop. "I've got a full enough schedule this morning without you making a mess of things."
"Mmm, you don't." She's petulant, kissing you again and letting the touch linger on your bottom lip. It's a strong argument.
"I do," you try.
"You really don't," she says, sing-song, breathless with expectation, anticipating rough treatment.
Her smile is syrup-sweet, oozing indulgence: the sight of her sprawled beneath you is a pure profligate pleasure. Like she's an apple you stole fresh from the orchard, red and shiny and dripping juice down your forearm, dribbling sticky on the grass, rotted with temptation. You wonder if she's always been this way - begging to be held down, fucked hard, edged beyond the realm of possibility - and recently her appetite for filth seems endless, like she's come into a taste for it. Sana Minatozaki doesn't often say no.
For all intents and purposes, your answer should be a given.
"Well," you drawl, thumbing the soft cotton of her shorts, that spot just above the waistband, where her inner thigh meets the crease of her pelvis and you can make her voice go to velvet. "Did you say he died in prison?" You pull away from her a bit, switching tactics, letting the subject slide from bedroom talk to regular breakfast chatter. "Of what, heartbreak?"
"You'd think," she says, almost curt, irritated at the prospect of edification and sorely lacking a good fuck. It's a pleasant mood to find her in - very manageable, easier if you slip your tongue between her legs, though still relatively straightforward. "It turns out the dude got beaten to death with clubs, then beheaded; hence the martyrdom bit, which I think is fair. Pretty metal death to warrant sainthood."
"Seems a little redundant."
"So does giving a holiday to people who are already, like, super in love or whatever, but." She gathers her hair off her neck - lets it fall, satisfied. "I guess romanticism and pragmatism are just mutually conclusive."
"Exclusive," you correct, lightly.
"What'd I say?"
You exchange looks: it's definitely something you've already joked about before. It's easy, like the rest of your dynamic. Sana smiles, slow-burn, and all you can do is try and one-up her: you shrug, sigh, like there's a lot to consider.
Her fingers work open one of the buttons on the front of your shirt, hover on the one beneath it - her patience is dwindling.
"Fine," you relent, rolling your eyes, feigning reluctance. "But we need to be quick about it. Fifteen minutes, twenty max. Then I absolutely need to leave and go sit silently in a room doing jackshit for eight hours."
Sana kicks you lightly in the shins. "Let me get on top, and we'll have time to cuddle, too."
"No dice," you tell her. The negotiations continue, as they always do. "Face-down-ass-up, princess. You can clean up the kitchen afterwards."
"Ugh. You're gross," she says, as you help her down from the countertop, maneuver her toward your room with one wrist tucked firmly in your palm, already rucking up her sweater to skim your fingertips along her ribs. Sana goes easy, her joints loose, willing to bend. "And annoying. And unaccommodating. You're totally wasting my last few days in town."
"I know. I'm sorry about it," you respond, stepping behind her up the stairs, her fingers gliding gently up the rail.
"Liar." She shoots you a half-smile, laughing with no bite behind it. You think, just a bit, that she'd let you get away with just about anything - that is to say, she'd get off on a great many things: you'd let go of your own guilt, just for a moment. For someone so hot and cold with her control, it'd be easy to slide the pendulum to the other side. Maybe she'd beg for it, and it'd sound real: a small part of you thinks she's close enough already. Sana tosses a smirk over her shoulder and your mouth goes dry. "But i'm sure you will be," she tells you, her gaze somehow already unfocused. You suppose all the daydreaming is beginning to affect her too. "In, like, four and a half minutes, give or take. Probably closer to four."
"Careful, Sana," you intone, pitching low; it's like warning a child not to touch an open stove. "Your ass gets red fast."
Sana wiggles her eyebrows in an endearingly ridiculous way - you can't believe this is the girl getting checks from all these designer brands - and twists your way for a second, pressing a soft kiss to the hollow of your neck.
"Promises, promises." She bats those unequivocally long lashes up at you. "You better know I'll hold you to 'em."
-
In any case, she was right: St. Valentine got fucking wrecked. It's the whole morning's lesson. Maybe there's something to be said for dying in a spectacular way, one so fantastically morbid that it has to have happened in another era.
Sana gets on top, sorta, in spite of any negotiations; Sana kisses you stupid; Sana talks nonsense while you eat her out; Sana cums when you get two fingers deep inside her ass and slam her cunt full of another, curling the tip of tongue right across her clit. She goes easily from her knees to bracing herself against the headboard; and you follow her up the mattress when she scoots forward so you can fuck her with her back flush against your chest, head tossed on your shoulder, throat arched so she can choke out sounds you've never heard from anyone, ever. She's not a screamer, but she makes these high, keening noises when she's close - when you're giving her just the right pace, the right rhythm, the right depth - and you lean back on your heels, slap her ass, pinch her hip, "make me cum, baby," and god, her pussy grips down on you greedily, hungrily, swallows every inch and fucks you back until the condom swells full, deep inside her heat.
"You." You say it like it's a half-formed threat, kissing her sweaty, satiny shoulder, nosing the bra strap barely clinging to her skin. "Are such an insufferable cocktease."
"That's me," she quips, out of breath, entirely too pleased.
It's such a familiar refrain now, her elbow bent back, hand trailing your neck, head tipped - she sinks her fingers into your hair and holds you against her pulse where it jumps sporadically under her skin. You flip her around - somewhat elegantly, somewhat not - nestle her soft, creamy thighs over your hips, warm your cock inside of her as she falls back from the clouds, pressing your hand to the tightness of her waist - she wasn't exaggerating: there's time to spare, to kiss her like a movie ending, and to come up smiling.
It's not just all the risky, illicit sex and reckless abandon already in play: it's also the entire lexicon and etymology of fated ends, of doomed sentiment - each verb conjugated twice and three times and five times over. She's got the filthiest parts of your imagination reined in with that face alone, like you're drowning in divinity; this is a girl so pristine and peerless and utterly without vice, staring up at you from underneath mascara-dusted lashes, waiting for her own devastation - always daring you to indulge her.
"You think you're corrupting me," Sana laughs in your ear, serenely, almost self-aware. "Is that it?"
"Well," you start, and there's a self-reflection somewhere in there - your fingertips on her jaw, her heartbeat in the hollow of her throat. The skin's so impossibly soft. Fragile. "It's a thought."
She lifts a shoulder, smiles lazily. Her mouth has that permanent imprint of sin, somehow simultaneously a crime scene and a place of worship.
"Baby," she drawls, all sugar-sweet. "I'm sure that's a given. I was such a good girl before I met you."
"Yeah," you reply, nipping the hinge of her jaw. "Such a sweetheart. So well-behaved."
"I'll take it."
Sana rolls the condom off of you, sitting cross-legged on your bed as you fold a pillow in half and prop yourself up, watching her do her thing.
She’s got so much control like this - wringing the thick mess out into her palm, then sitting back onto her calves. With two fingers and her thumb, she pinches at it, lets it drip back down. A beat later, she makes another string, decides she's all for swallowing today. That's an art. And it's mesmerizing, the way she concentrates with delicate precision, tipping her chin up and staining her lips, her tongue diligently slipping through the spaces between her knuckles.
"You're really cute," you inform her, and she flushes while licking up the rest - you love it, the little contradictions. "But that is filthy."
“Could’ve been inside me instead,” she muses, casually. She’s just testing it out, rolling the syllables on her tongue.
You raise your eyebrows. “Maybe.”
“Maybe,” repeats Sana, quietly. She reaches forward, runs her thumb along your slit, a little lower - just a semi-circle of pressure. Yeah, you’re still achingly hard. She eyes you and her focus shifts; she seems to come to a conclusion, nods her head once; this girl, really, with all her unpredictable tempers. She takes the length of you in her hand, a loose, idle grip, more to be playful than sexy. It works both ways, apparently: your eyes roll up at her, and you suppress a gasp, grabbing hold of the pillow.
It's those dreamy, half-lidded eyes, glazed over and vapid - ah, the total and utter loss of any brain capacity. Something like a prelude to the sweet surrender; Sana does the drooling part for you.
“You wanna go again?” you ask her, and this is another bit: the whole I-say-one-thing-and-do-the-other game, the winding, unwinding tension.
When she wants something, she talks to you like she'd burn a church down for you, then tuck her arm right into yours like the fire doesn't exist in the first place - Sana blinks prettily up at you, strikes the match behind her back. For her part, she doesn’t lie as often as she could, as often as you would expect her to; in the beginning, at least, you assumed she was a bad liar, a good flirt, that kind of contradiction.
If you didn't know better, you'd fall head over heels.
"Or are you just stroking me off because you like the way it feels in your hands?" you go on. You'd like to find out, actually.
Sana smirks, and slides her palm lower, gets a second hand involved, slow and steady - the friction is aching, fantastic. "Aren't you supposed to be working?” she asks, twisting both. You could cum again, but maybe you shouldn't. "Is this really how we spend all our time?"
“How conscientious of you,” you say, drily, and she laughs before tucking her hair behind her ear, kneeling on the sheets and bringing her lips to the end of you, letting her spit run down the head and catching it with her knuckles; just once, she licks. Then, twice. Okay, well - you could probably afford to stay away a while longer. In theory. Three times, four times - oh, her mouth is hot and silky and there's really no way around it.
You grab your phone, shoot off an email or two, and slip your fingers into her hair.
-
Sana's someone you know from work, in a real roundabout sort of way. That's the whole sordid story.
You've got the cushy office job, the creative credentials, she's art, the product; and the optics surrounding that means you're supposed to never, ever lay a finger on her; oils mixing like they shouldn't - the finished, the half-baked, the polished to a gleam versus the raw unvarnished clay; but she'd wandered into the employee-only elevator and said good morning with that smart, sarcastic little voice and you'd turned around, thinking of some entitled manager in the process of haranguing you - only it wasn't a suit-and-tie corporate climber, oh, no, no-
"Hey," you said, too stunned for eloquence, too dumbstruck for wit.
Because here's a perfect, pouty-lipped princess, dressed like an angel and grinning like she's ready to rob a bank; like the moon landing and Shakespeare rolled into one, fantasy and classic literature and a pastel linen shirt, with what felt like half the buttons undone.
You blinked, remembered to breathe.
"Hi." She tipped her head and let a curtain of copper-spun hair slide off one shoulder. Took a slow, appraising sip of her iced-coffee. "You're new. Or - new to me, at least."
The doors shut, and suddenly there was no going back.
-
The signs are there. Four different conditioners on the bath rack, her lotion on the bathroom counter, her shaving cream next to the soap. She prefers peppermint to vanilla. And date night takes a turn from red wine to ramen; you'll end up on your couch watching crime documentaries because Sana will hook her fingers into the loops of your jeans, saying, can't we just, like, stay in?
This morning, too: her hand clings around your forearm a little longer when you kiss her goodbye and help her find the shoes she's wearing home, make her promise to return your sweatshirt soon.
But you know that if anyone asked, Sana'd shrug and laugh, say I dunno, it's not really anything at all.
You're hooking up. You're being idiots - this whole thing, from the very start of it, was so off-the-rails, so questionable. You remind yourself she's never met anyone she didn't like.
She doesn't think about consequences, and she certainly won't start with you. You figure things will fester, get murky and muddled and frustrating - and the worst part isn't how she's ruining you for anyone else; it's how you're going to miss the idea of her, the impossible promise. She's living the glamour, the ceaselessness, the adventure. It's all planned out. She'll keep living her life this way until she doesn't. It's an occupational hazard.
And she won't pay it any attention once some Jean-Pierre becomes her next hot, enigmatic, incomprehensible, asshole genius plaything - hypothetically speaking.
(Or maybe he'll be the first one to really, really figure her out, and that's the more disconcerting thought.)
So you're just...you don't even know what you are, frankly. Friends who text? Sure, whatever: that makes sense. You can cling to that. It's the most sensible explanation so far.
Sana: i was promised an apology text (´;︵;`)
Sana: the pregnant man emoji seems wildly inappropriate given the circumstances
You, at ten fifteen in the morning on February 8th: i'm in a staff meeting, first of all.
You've been getting nonsensical, arbitrary stuff since, like, October: grocery lists, links to memes, notes on things she remembers in the shower. Occasionally, it's horny stuff - a water droplet emoji, the wink, and the peach; then a photo of her skirt lifted in the mirror and her naked ass in a pair of heels - and occasionally, you oblige it.
You: second, I don't want this to come off as arrogant or anything, but I didn't realize you think about me the minute you wake up
Sana: um, soooo arrogant lol wtf
Sana: but also ur not wrong, im desperate for some relief <333
You: poor, pitiful baby 🙄
You: go find miyeon
Sana: she's ignoring my calls
Sana: just send something nasty please PLEASE 😭
Sana: tell me how hard i make you
You: i'm in a meeting, sana.
Sana: I WILL RIOT.
Sana: jk don't tell me. i'm just looking at pics of us rn and i'm going to die.
Sana: (send a dick pic u coward)
She sends you a heart. And an eggplant. Then the tongue.
You: I'll see what I can do
She follows up with: thank u thank u god bless <3
-
Oh, it's dangerous, working in the same office, dealing in all that proximity - even with the floors between you.
You're constantly resisting the urge to slide by, to try and catch a glimpse, to find excuses to bump into her in the hallway, listen to her talk, say hi. So maybe you're a sucker for the devil, or maybe it's all just because she's Sana, and she's a vision in a pencil skirt, a beauty with her legs crossed and her chin tipped high; or it's worse: you'll catch her in yoga pants, hair mussed and shiny with sweat as she flits from practice room to practice room, to get water, to take a phone call, to rub chapstick over her mouth - the daydreams write themselves.
But it's not like you know any details of her job other than, 'singer' or 'professional tease' or the occasional tangential reference. She never really talks about work.
You walk through the halls, eyes flitting around every corner; there's a standing appointment, of sorts, and it has been for the past month, maybe longer - you've got your doubts that today will break the streak. You've never actually agreed to meet her; it's sorta an unspoken understanding, and you find her exactly where you thought you might, after you've made a loop around the seventh floor, wandered as slowly as humanly possible - as if stalling could stop you from inevitably descending the same stairwell you do every time. It's an awful, terrible descent and it's gonna get you both fired - or killed, if her manager finds you first. It's a miracle you're still here.
Sana's leaning against the railing, flipping through her phone; when she hears your approaching footsteps she looks up and meets your eyes. Smirks.
"Ms. Minatozaki," you say, like this is a high school and she's one of the tardies you can't stop calling out.
It's the nth time this has happened, and you have to know she comes looking for you, too.
"So," she drawls, standing and sweeping all her hair up off her neck, clipping it like it's habitual, and the way her hands rest at your waist is a scandal in itself. The watch on her dainty pale wrist glitters in the fluorescent lights, slides down her forearm as she pushes her sleeves past her elbows. You're not really thinking about things like propriety, restraint; Sana's very good at convincing you to shed all pretense of ethics, morals. You're slave to the thousand-kilowatt smile, the short skirts and thigh-high boots and every calculated display of skin. This girl has her agenda written plain on the walls and you've made it known in ten different languages: it's one hell of a view, and it's impossible not to stare.
"You here to escort me somewhere?" asks Sana, in a way that sounds vaguely dirty - which it is. "Need to go looking for pens again?"
She takes a step closer, presses a palm flat to your chest; hums a low, delighted sound.
"Or you could bend me over the railing and stuff me right here." Sana tilts her chin and squints upwards, assessing the metalwork. She drops her gaze, presses her fingertips to the knot of your tie; and then, a show of pity or mercy, drags her eyes back to your face, pretty lashes blinking slow. "Wouldn't be complaining."
"I really wish you could hear yourself sometimes, sweetheart."
"Trust me, it's been on my mind all morning," she confesses, all soft, wicked intimacy. "Distracting me. I doubt you want me keeping it to myself, either."
"No," you admit. "You've got that right."
Her fingers toy with your top button, pop it open. You grab her wrist, stop her, gentle and warning. Her hand goes limp in your grasp, acquiescing easily; this is the part where she likes it, getting pulled back on the right side of polite. "You should kiss me," says Sana.
Like she has to. Like this girl, rich and famous and inexplicably out of your league, a glamorous songbird living high up in her nest, and still wanting for the little taste of heaven she thinks she can steal away from you in dark corners
"Where?" You're playing, and the moment you brush your mouth over hers, the second her breath meets your lips, you've gone and forgotten all your prior reservations about fucking her at work. You let go of her wrist, allow her hand to wander lower, unbuttoning, dipping past the waistband of your pants. She slides her palm beneath the material of your underwear, tugs them just low enough that her slim, small fingers can encircle the base of your cock.
"Anywhere," Sana decides, and kisses the answer into your mouth, sighing into it - enough to pull you under, to submerge and suffocate.
It's funny; she smiles like she's the heroine of your life story, like the storybook star on the cover of an epic, or an infallible leading lady - like someone to love, like someone to admire and aspire to. Or maybe it's a touch sinister: her eyes sparkle and your worldview snaps a little sideways, just to accommodate her; she could be the villain all the same - not your protégée, not the good girl, not an angel or a miracle. There's your poison, and it's in her blood - it's a flashpoint of pure greed, and Sana doesn't need a mirror. She knows every single sin.
You drop your hand from her hair, the pretense, and give in: the railing creaks a quiet noise of protest as she wrenches her ass against the unforgiving steel, and then she's arching into your body, sighing again; it's a sound you've committed to memory, ingrained it, the sweet taste, the sharpness of her exhale when your hand wanders high up the hem of her skirt.
"Anywhere?"
"Sure," breathes Sana, fingers spidering further into your open zipper.
It's so incredibly risky, it's bad practice, not to mention illogical: the stairwell is a public, communal space, no escape, nowhere to hide - there's only seven floors to the building, seven opportunities for someone to stumble in, and none of these numbers are in your favor.
"I'll be quiet," she mutters, lips ghosting along your jaw. "I promise." She knows that's not what you're concerned with, but you appreciate the thoughtfulness; oh, who's fooling who? "We can just-" Her hips hitch up and press firm against yours. "-see where it goes."
And, well - you have the rest of your career to be responsible, probably. Professional, obedient and boring and ethical and so many other useless terms you could drag up and wave in the face of the fact Sana's fucking gorgeous. She's holding back from giving you the full-on pout, but just barely - you catch the shadow of it on her lips; the thinly concealed ache, the pretty agony. She kisses you like she's not gonna breathe until the second after you're inside her - then that's that, like some sorta ritual. A tradition, an instinct, it's a swan-song for every shred of decorum she's begging to burn up.
You hoist her, balance her on the railing. When your grip tightens, she shuffles forward, draws her legs up a little - that's the key, letting her settle just right: the end of the world could come now and she'd still feel fucking divine, pussy dripping through her underwear straight onto the crotch of your pants - there's a wet spot now, you can feel it on the side of your thigh where you've got a fistful of her skirt scrunched, rolled up above her thighs, all bare creamy skin, something to remember this by: her in the height of perfection, full of good intentions and eager to fall apart.
"Panties," you tell her, palm up, hand held out.
"You're fucking crazy," she exhales, but she's fiddling with her waistband and shifting on her ass in seconds - they're tangled around her boots - you're a goner from the start, it's like your soul leaves your body with a wet little snick. "Get - get them off," and it sounds so sweet in her voice, whining, ragged - not that it was in any danger but her own breath renders her resolve for composure pointless.
"Your little cunt's dripping," you note, with your hand cupping it, two fingers teasing along her soaked slit; no part of the conversation has ever needed to go in circles with Sana, or anyone else. You just sort of lean into it. "Been wanting me since you got dressed, huh."
"Your fault," she tells you, nose sliding over yours, seeking affection. "Explicitly. Never got those pictures out of my head."
"Um," you say, slipping into another finger, because she's hot and slick and insatiable and the friction will melt her right to goo - you think Sana's orgasms might be getting a little violent, these days. You're more inclined to inspire them. "I didn't actually send you anything provocative."
"See?" She grins at you, breathless. "Here lies my problem."
"Such a hard life." You crook your fingers a little deeper; Sana collapses against you, a flower drooping from too much rainwater. "Such a burden, being you, hm?"
"So I'm the issue in this scenario," she mutters, pushing back into your hands, squeezing her thighs. "Causing problems, all by myself, sluttly-little-me."
"I never said that."
"You called me a fucking cocksleeve, the other night."
"Sana."
"Which is absolutely correct. Like. One hundred percent. But don't act like you don't get off on it."
"Well," you say, innocuous: stroke up inside of her, stretch, reach - crook - and there's a breathy moan in your ear. "So do you."
"Shut up," she says, "this is about your inability to compartmentalize," and her cunt is so slick that it makes a delicious, lewd squelching sound as your fingers dip and curl in further, the walls of her pussy clenched tight, suffocating your skin - every time you roll a condom over your cock and sink inside her you do have to wonder if it's really, genuinely necessary.
"Wanna cum?" you ask, deflecting a bit, and stroke her with intent, relishing the way her little pink mouth drops open to exhale.
"Gotta be better than getting psychoanalyzed by a guy who has my fucking panties in his pocket," she grits out, hips rolling to the tempo of your fingers, now scissoring apart. You're only touching her cunt and still she moves against you like you've been railing her for hours - you think she's so wet you might hear it down the hall, down the street. "Might be a good tradeoff. Maybe." Then, more resolutely: "Fuck. Yes. Please."
It's hard to take her seriously like this, with her pretty features drawn up, all the facets of a statue rendered beautifully human, transient, falling apart in the pleasure. In moments like these, Sana looks most ethereal; when your thumb's fast on her clit and you croon compliments and the sweetest-bittersweet filth in her ear until her whole body becomes liquid-fire, sloppy and hot, desperately keening.
"On my fingers?" you ask, because maybe you're a lot like Sana: an insufferable tease.
You slip your fingers down to the next knuckle and curl it up against the slick heat, deep, until she's making soft, whimper-like sounds, brow furrowing in focus, straining for release, and Sana can't even look you in the eyes, too far gone already, lost in this. "Or," and here's the dangerous part - "I could get on my knees and eat this pussy until you can't see straight." You're dangerously close to taking the panties from your pocket and sliding the lace under her tongue just so you could see how pretty she looks like that, huffing, groaning, eyes flickering shut at the sensation - not the actual taste of herself, but just the way it's so undignified.
She looks pretty at any angle, any moment - you wonder if you can fuck it into her so she'll always know it's true: the kind of egomaniacal narcissism Sana might get off on. It seems appropriate.
Sana just hums at this, arching a delicate brow, considering.
"How about you give me your mouth and watch me fuck the hell out of it, hm?"
"Mildly threatening, but okay." You take one hand, smooth over her ribs until it's cupping the slope of her jaw, and draw her gaze upward, until she's staring into your eyes. "You always taste like a godsend - could get addicted to it, probably, baby - would you wanna ruin my throat? Make me drool all over you? Turn it into a little fucking mess, just the way you like?"
The sound she makes then is unearthly, somewhere between a moan and a groan. A reverb.
You know it's out of hand because you've started using the same euphemisms she does - breeding her, ruining her tight little pussy, stretching it out nice and full. Getting a second opinion, then a third and a fourth. It's a little crass for your typical repertoire, but she makes the sweetest, most ruined noises at that. You're an equal opportunist, and her whiny submissiveness is just as good - maybe a little less effortless. More demanding: there's always the feeling she's lording it over you.
"No, really." You're stroking your fingers in solid, even thrusts as you speak: gentle, measured, nowhere near enough. "You're fucking soaked," you remark, the corner of your mouth tilted up. "Like you can't stand not having something inside you, huh?"
"Something big," she grits out.
You laugh a little, amused. She's practically leaking down the heel of your hand.
"The problem is," breathes Sana, swallowing once, twice, eyelashes flicking lower, her cheek pliable in your palm and her nails scraping gently against the hair at the nape of your neck - she's dissolving. She's all yours to own, consume, to make cum. She's drenched and warm and perfect and there's a whine threaded through every expletive. She always likes things better when you're nastier to her; it's probably fucked up. Everything is, and it's Sana - so that should go without saying. "Fuck - whatever - please. Just-"
You laugh again, and the noise twists a little meaner this time in Sana's ear.
"C'mon," you say. "Tell me about this - about my issues. Your ideas. How badly you're gonna, what was it, destroy my life, I think? Just talk while I go down on you. Might help take the sting out of it." You pause. "Or make it all the more worse, really."
Sana whimpers, broken, liking the sound of that, judging by the way her cunt drips, swollen and fluttering and you can feel her pulsing against your fingertips.
"I'll tell you if you start to go in the wrong direction," says Sana, petulant and lovely as ever. "How's that - how's? Oh, my fuck-"
Sana's words drop off. It's well-warranted. You're hungry for her, insatiable; you sink down to the floor, get your mouth on her pretty little aching cunt and that's sorta how this always starts.
She gasps out and tangles her fingers in your hair, fucks her cunt against your tongue and cries out like this isn't a scandal.
You pray to god no one comes for a smoke, for the breeze to cool them off: because nobody needs to know how thoroughly you ruin the company's golden goose, their pristine girl-next-door, pop-sweet baby-princess. You pray because she's going to cum like the rest of your brain won't remember it tomorrow, like every teary-eyed scream won't stick to your lips like static.
Your tongue moves, pressing harder to her clit; she rides your face. Grinds down your lips while your gaze remains rapt, transfixed.
You won't blink, won't look away for even a moment. Not when Sana's falling apart above you: a complete fucking mess, a spitfire and a divinity and a filthy-wet-dream in heels, panting so hard that you're gonna need an excuse. That everyone's gonna see you've done it, broken the perfect facade and left her absolutely mangled. It's fucking obscene the sounds she's making. High, aching whines, squelch, wettened suction; her fingers tearing through your scalp; those god damn lip-gloss-flavored moans - they echo on your neck and chest, run down and through your rib-cage. They land in your gut and rest heavy and stale, ruminant, too thick. Sweet and molasses and unbearable, all stuck inside your throat. Fuck, fuck. She cums; there's your paycheck in the line of her body, arched into an acute, cataclysmic peak, an upstretched needle to pierce the surface.
It's a moment in a crystal-clear shot, one you'll try and lock in the bank, the hallows, your mind.
She's beautiful, obviously: in the aftermath, ragged, inelegant - you figure it's the fact that the poor thing's so damned unused to being fucked, has gone on for all her teenage years, then her early adulthood, barely scraping a few fingers, a low buzz of some unremarkable toy; no - she's used to the admiration. The flattery. The rapture and praise.
But you doubt anyone's made a thorough wreck, a beautiful slobbering, sloppy mess - and who would? She's worshiped like she's an icon. Some half-baked notion of reverence, like she's holy. An angel in the wrong hands - oh, the imagery's much too flimsy. Fawning. Unending, untethered; you might be a sucker, but you wonder when you'll meet the next guy in her rotation, and, not wanting to spend much thought on him, wonder instead about Sana and her subterfuge.
You've wondered on and off why the hell she chose you.
"You don't deserve that," says Sana, after, a little breathless but otherwise unfazed and smug, like it isn't a big fucking deal to talk back to you while your jaw is still covered in her slick.
"Pretty sure I do." You wipe at your mouth, come up closer to her again. "Seemed like it helped."
"I have a whole monologue prepared," says Sana, a touch irritated - ah, well, she might be spoiled after all. "It wasn't easy to put together. The idea of you fucking me is kind of distracting, just for the record."
"Sweet of you, baby."
"Oh, fuck off," says Sana, promptly.
You smile. It's charming and cheeky and Sana blushes, suddenly off her game. "I'm serious," she says, scrambling back to her point. "You deserve nothing for leaving me alone and miserable and not showing up for ages. You're so - I'm mad at you."
"Oh," you say, and raise an eyebrow, mock-horrified. You kiss her bare, sweat-sticky neck, trace a finger from her navel down past her hips. Sana shivers. "I had no idea."
It's just Sana's axiomatic response: all snark and sass and sly one-liners until you've got your finger against her clit, and then all at once she's begging, sobbing, falling to pieces, whining your name like it's a mantra. She doesn't give a damn about your apology now. The state of your relationship has hardly progressed - but it doesn't matter. It's only the sex, the endless hours spent with Sana's thighs bracketing your head, her lipstick imprinted on your throat, the red lines she paints over your shoulder blades. It's only that. Sana's cunt, clenching and raw from orgasm and soaked like you can never fill her up: dripping, drooling.
And, okay. Yeah, maybe you didn't show up when she asked you to, didn't listen. You admit it. She's needy every second, craves praise and your cock in equal measure - but you are guilty.
(What's that she said earlier - that you didn't deserve it? Right.)
You aren't really in a position to say shit about being ignored either, so.
-
Sana has you pegged to her whims: she doesn't have to do a damn thing, she just breathes and has you around her finger.
Well - actually, she's very proactive. She likes making demands. Well, really: she wants things.
It's February 9th, for anyone keeping track - the shortest month of the year and the one with a few more grey days in the bank than the others, which makes sense since you're deep into the heart of winter by then. On December 28th you and Sana had spent nearly three hours on the phone discussing the latest installment of this netflix miniseries of very questionable quality. There were a lot of different points to be made, apparently: you think both of the leads are, objectively, fairly attractive, but Sana wouldn't admit she had a crush on the lead until you got to the third season.
Anyway, she was upset on her birthday because of it.
"Happy new year, by the way," you told her, somewhere in the middle of the call. Sana had to speak quietly so her parents wouldn't hear, but she sounded kind of moody. "How are you gonna celebrate?"
"My ex," Sana groaned, ignoring the question completely, "made fun of my taste in guys. Like, my type or whatever."
You cocked your head. "And what is your type?"
"Oh, you know," she said, dismissive. "Hot." You laughed, and then she said, "A little less old and a little more muscular," and that shut you up, quick. Sana hesitated.
"Shit," you said.
"Shit," she agreed. "I really, really like you, though." And then:
"Yeah?"
"Yeah."
And you've been kinda done for ever since.
-
Right, okay. You get sidetracked, easily. It's a running gag. Sana gives you shit for it, but then again she gives you shit for a lot of things.
On February 9th, evening leaking through a skyline cracked open and gushing like an oil spill, and the stars dripping silver - auspicious, potentially, on Sana's side - she turns up at the door of your apartment, tapping snow from her boot-clad feet, mouth tight.
"It's fucking freezing," she snaps at you, as a greeting - the hello goes unsaid. You open the door wider and she sweeps past, takes a glance around like she owns the place. You should have known - in hindsight.
Work was fine but felt lengthy. Sana shot photos for some designer brand you'd never heard of and felt pretty proud of the day's accomplishments. She talks your ear off about it while you lean against the counter and nod attentively, put water on to boil and think about getting a fish, a dog, maybe a plant; you haven't quite figured it out. Sana might have opinions about it all.
You make tea for both of you. It's this rose hibiscus thing that supposedly soothes the mind. It was a gift from a coworker at some point. Or maybe it was going to be a gift to a coworker and you just never got around to sending it; either way, it had a bow and everything. At some point in time, when someone received it, there was a bow involved. You'll work out the details - at the very least, you'll say the explanation was very elaborate and poignant, and it'd get Sana smiling. She'd trace your hand, thumb skimming your knuckles. All of a sudden you'd be sitting across a small table, talking and talking as a stream of conversation ebbed and flowed; you'd think about the stars in the sky, like blood in water. You'd kiss her neck and tell her you're not tired, ask her if she'll stay the night - it would be easy.
"So he's a total prick," finishes Sana, chin in one of her palms, blowing over the lip of the mug, "but at least he's good with a camera. Otherwise, I swear I would've left the label years ago."
"Wow," you say. You weren't paying attention.
"Mhmm," she continues.
You blink at her, slightly disoriented.
"I was talking for like, twenty minutes. You should have noticed."
"Were you," you say mildly, "seriously? Shit. I'm sorry. I guess I tuned out, just - went somewhere else."
"Huh." Sana leans on her arm. There's a lacy white ribbon tied in her warm, amber hair. It suits her, matches the gauze-thin chiffon sleeves of her sweater, the floaty skirt she's wearing, dark gray tights adorning her legs - a cossack blouse, maybe, would describe it. She's so fashionable, all the time, like it comes from the tips of her fingers, unbidden and instinctive. It makes sense; Sana's a muse for the finer things in life, all light and lovely like gold. Like - rose quartz, the blush of dawn. It's an indescribable sort of attractiveness - the kind that is rooted in her mind, in her character.
You're glad she hasn't made you spell this sentimentality out.
"Do you have a secret girlfriend you need to be confessing to?"
"I ran into Momo earlier," you say instead, which - bad timing, maybe. Sana's bright-eyed, brow lifted, curious.
"Where?" she asks.
"That cafe place. The one by the second-hand shop she likes. Near the theater."
"I've never been to a movie with you," she remarks, instead of pointing out that your explanation could apply to like, twenty places around the city alone. "Is it because you'd rather die than be seen with me in public? Like, are you worried I'm ruining your reputation?"
She's playing. Obviously. The script here is flipped: you're the secret fling, the casual affair, the quick fuck that isn't meant to mean anything, no strings attached - but maybe the implication in Sana's question is that she'd consider it otherwise. She'd like to go to the movies, or out to dinner. Somewhere crowded. Not exactly an ideal date, but you could see it on her. You want to take her places. Maybe you already do, anyway.
You roll your eyes. "Right," you say.
"Does she know?" Sana taps her bottom lip. "About us."
"Yeah," you say, too quickly.
Sana makes a face. "How? When?"
"She's your roommate," you explain, kind of at a loss. "And - you talk to her. I figured. How could she not know?"
"Dude," says Sana.
"Is this gonna be one of those moments where you pretend to be way angrier about something than you actually are?"
"Obviously, yes." Sana tilts her mug toward you in accusation. "What'd she say?"
"She asked if we were dating."
"What'd you say?"
"No," you say. "And then she asked if I wanted to be, and then I ran into traffic, like, literally, to escape."
"Do you," begins Sana, in her best innocent voice. "Or don't you?"
She looks delighted. You stare at her flatly. "Ask Momo," you tell her, and she dissolves into that creased-eye smile that sends all your faculties reeling. The gorgeous little tri-tone of laughter and her fingers combing through the silky length of her hair - she's still teasing you. You've figured out the steps, memorized the way this game moves forward. It's an indulgence and it's an obsession - and it's the same thing for you as well, really.
"Can't," she says, still laughing. "She'll lie on your behalf."
You have no clue what that means - but you guess that's just Sana.
-
So here's an inflection point, right before Valentine's day, because you have terrible timing - right before Sana ships out to Bruges, or Milan, or wherever the fuck it is for Fashion Week: you'll only catch a few days, maybe less, before she jets again for some other assignment. It's part of how her job works, and the situation's all roundabout, because she's probably spending the holiday eating French toast with a model and waiting in an airport, watching the world go by from the plane. So, sort of backwards. You should get the bouquets and heart-shaped boxes and share a plate of pasta, you suppose - but the main thing here is you'll only get a weekend. Then you won't even see her in person until the 28th.
Or not at all. Whatever the outcome - maybe she'll stand you up and have her revenge for you being so goddamn difficult and antagonistic in the first place. Who knows. Not you.
She's studying her reflection in your bathroom mirror, tying off an elaborately loose bun, pulling some curls free, working around the headband that she seems hell-bent on keeping in her hair, in case you should ever forget she's a total living doll. A pair of shorts reveals the creamy expanse of her thighs; she doesn't have a bra under her tank top. Your mind wanders.
"You look fine," you say, yawning, elbow to the sink's countertop.
The sound of the shower running is white noise in the background, droning away, and the door's cracked ajar so steam wafts into the hall. Sana doesn't spare you a glance, focused as she is on arranging herself back to magazine-cover perfection.
And it's not unreasonable: you've seen in her high heels and on runways, with cameras flashing, with a toned physique and carefully sculpted makeup and hair to match - but you think there's an authenticity here, the clothes she keeps in a bin above your dresser that have somehow mixed themselves in with a tube of mascara and a stick of deodorant, a set of bristled hairbrushes - the toiletry bag from her makeup case. If you were a more emotionally intelligent and honest man, perhaps you'd say something to the effect of, you look beautiful, or maybe, I'm going to miss you, you know, so if there were any big revelations that you might be having, if you might have something important you've neglected to bring up-
(Maybe it's not healthy - but you'll admit to some oddness, some habits: Sana sleeps better after she's been fucked senseless, her forehead pressing to yours; the sheets need washing more than once a week. It's a very regular development in her life and the fabric softener she prefers, the lavender and verbena, has started appearing in your cabinet; you're using that type now automatically.
And that's not nothing. That's probably an invitation for some sort of talk. It's not - well, yeah. Anyway: no one will ever accuse you of being great at communicating.)
You wrap your hands around her waist, pushing the cotton of her shirt up, spreading your palms flat to trace her skin, feeling the tight muscles in her stomach flex and quiver - your touch skates to the valley of her cleavage and back, around her side, shoulders to collarbones and the front of her ribs, then her hipbones. She squirms a little bit; her skin pebbles where you're touching her. She's sensitive - ticklish, maybe.
"Feels good, that," she admits, half into the sink.
And in the reflection, watching, you see her lean back, lean into you, without thought for herself; the familiarity of your touch. The easy intimacy of it.
"Well," you tease, "yeah, it's a bit of a problem for you lately."
The shower's still running. You kiss the side of her throat.
She smacks a hand down on your wrist - she's playful, though, teasing in her chide. "Get out," she says. "Unless you're getting in with me."
It's 11:34PM. You're already halfway to fucked-out; there was a particularly intense stretch, her thighs clenching and trembling on either side of you as she rode your face, hair falling and hitting her cheeks, her mouth parting open into the hottest sound you've ever heard, her shoulders arching; your palms braced tight against the soft skin of her hips, holding her just above your tongue as she whimpered please, more. She'd came on your face - like, all over - and then fell to your lap and was just so, so eager for a second helping. So you held her there, at the edge of your mattress as she took it so prettily; moaning and pleading until she'd sobbed through another and collapsed in a messy heap of satisfied flesh, slumped against you like the physical stress had stolen whatever architecture her bones had remaining.
It's not an unusual turn of events - and now, there's the two of you. A routine; a domestic dance, almost. A morning-evening-afternoon affair.
"Nah," you say, pressing a kiss to her hairline, her jaw, the nape of her shoulder. "You could use some space, baby. Wouldn't wanna infringe."
"It'd be worth it," she says - not even flirtatious. Just blunt, honest.
You run your hand through your hair, intimate deep-in-thought.
"Oh, c'mon." Her reflection scoffs at you. "Momo doesn't call us a pair of sluts with a love story because you're the uncomplicated, mature one."
"So you did talk to her." She shoots you a glare through the glass - but no fire to it. She's relaxed in your grip, compliant. "And listen, maybe it's my character arc, honey, let me have it. I think I'm really coming into my own."
Sana flushes just a little at the pet name. There's a roll of her eyes, too. It's intentional, and you adore her for it. "Are you?" she snipes, but you're her favorite frustration and this is all just prelude; there's heat in her tone, an anticipation of wanting to be grabbed, to be slammed down into the pillows and fucked hard until her thighs can't tremble anymore. It's an indulgence in familiarity. You understand - but you don't quite give her what she's looking for.
"I hope so." You lean further, push deeper into her space. Your arms bracket her in. She's a beard-burn shy of looking completely debauched. It's tempting. "One of us has got to get their shit together, and you're obviously not taking any interest," you continue, all clandestine and shrewd and serious. Your free hand presses at her thigh. It doesn't matter which one.
Sana rolls her eyes again. "You bitch," she mumbles, shifts her weight - nudges you a bit with her elbow. She keeps you close, either way. "I'm being serious."
You'd beg to differ, but the way she reaches her hand back into your hair and looks at your reflection is so loaded: lips plush, jaw smooth, a shadow resting across her shoulders. The honeyed quality of her hair. The rough shape of her collarbones, half-hidden beneath her loose cotton top, gray as gunmetal and baring her smooth, gorgeous shoulders. Sana is, above all, an attention-getter. It's hard not to fixate on the physicality. All parts of her - legs, ass, tits, hair, the swan's neck, the way she's just tall enough that you'd need her standing on tip-toe to kiss her, chin lifted, eyes down - that sweet little pout of a mouth - they're all an aesthetic intent; her waist has been grabbable since you've known her, and you would die to tug the ends of her hair free, ruffle the order and let them fall, a wavy-brown disaster, to her bare shoulders, frame her eyes with her eyelashes. That would make you soft, for sure. Or, anyway - more soft. As though you hadn't spent the past three months staring her down in the mornings, sneaking glances like she'd catch you at it, fixated and lust-ridden: Sana has all the elements to break you down.
You snap her waistband to make her flinch.
"You know what our problem is?" The water's still running - maybe she likes the sound of it, is trying to tune you out. "I always have to watch you for like five minutes before you kiss me," she chides, lifting her hair like she's fishing for compliments. "It's fucked up."
"A serious dilemma," you agree, without hesitation. Your thoughts are: 5'4", 120 pounds soaking wet, a perfect proclivity for being manhandled and made to feel cherished and worshipped and slutty as she needs. It's what you know of her, more or less. There are more things not on record. Things of consequence, weight. It would require context. "Truly."
"I mean, your mouth is never where it should be."
"Everyone's a critic."
Sana leans into you. Tips her head back. "Pay attention," she whispers, "be good," and lets her lips begin to part.
"Yeah?" your reflection replies, unkind.
She rolls her eyes again. Again again. There are many moments for this: the attitude, the incredulous stare, her naked body pressed to the marble walls of a bathroom she's becoming dangerously fond of - she sighs, like her heart's in it and it aches her. It's dramatic. "I'll teach you."
She spins away from the mirror and cups her hand around your mouth: another gentle touch, in contrast.
You think, all over again, of her thighs. Of the weight in her shoulders. The fine points of her wrists. She loosens the ribbon from her hair and places it on the counter. You don't know why that's so poetic. It feels like you've won something.
"Do I need to go get another condom?" you ask, dry, when your head goes south and your gaze gets low, right there - the cut of her clavicle, the way she'd probably like being handled rougher, hiked up on the bathroom counter, forced to submit like she's letting you do it.
Sana doesn't smile, but her lips twitch.
"Maybe," she says.
(You have an inkling, or two, or more.)
"Maybe you should take your clothes off before we talk logistics, huh?" she teases, and she does smile now. You laugh, despite your better judgment. "Don't look at me like that."
"I'm not looking at you like that."
"I swear," she mumbles - it's accusatory, the way she leans her weight against you. It's her signature move. "I think your new thing is just a dirty girl complex."
You stare down at her. "Oh, okay."
Her lips crease: disgusted. "Just a thought," she says. Her eyes are hooding, and it's what she does when she's letting herself slide. Her hands come down slow, so slow to your neck. You could bite her if you wanted to. There's plenty to mark, plenty of skin to bruise: she's at your mercy, and she loves it like that. She licks her lips and waits. "You're out of them, by the way. Like - the condoms. I grabbed the last one from your nightstand and - you know." She's shaking her head - something solemn about it. "No more. I'm telling you for your own benefit. So, um - yeah, that's your warning."
"My warning?" you repeat.
You take her jaw, watch her cheeks bloom pink - it's nice. Pretty. Very charming. Well, that's Sana - well, at least it fits.
"What I'm trying to say," she begins, slowly, uncharacteristically bashful, "is you could, like, do whatever you wanted, probably."
"Dirty girl," you repeat, quiet.
She blinks at you. A furrow forms, impervious, in her pretty brow.
"This isn't - I don't - listen, no one says that- they only do that shit in the movies."
You grin.
"But you're like, a guy in real life."
She swats at you.
"I can't believe I have to clarify the fact that-"
"You want me to fuck you raw," you interrupt, gently - and when Sana looks at you there's something guarded, and soft, and caught, and it's almost like-
Well, what's the word?
"I just mean I trust you," she mumbles.
You think: well, you could've led with that.
"Oh," you say, instead. "Oh - sweetheart," and then she blushes harder, but it's not because of you. She has a sudden and surprising sense of embarrassment, and you just blink at each other for a couple seconds - maybe you weren't expecting that from her, the sentimentality - and she doesn't want to apologize. "Listen-" you begin, and then cut yourself off. What is there to say? What did you just spend the better part of an evening trying to avoid mulling over?
(A fleeting, untoward notion. Some sort of unsolicited idea, illicitly tangible. As in: maybe you're both going a little insane.)
"I have a couple questions," you add, like an afterthought.
"I can't with you." Sana ducks her head, pulls on the bottom of her top. "Sorry, just," she starts, but lets the rest slip. "You don't need to make a thing of it."
"You seem - conflicted, is all." You catch her by the hip, guide her a little closer. There's a slow-simmering feeling stirring in your gut - something incessant, demanding of attention. "A little regretful. Look at me."
"I wasn't asking." She looks. It's a direct hit: she has a mean glare, one with the same capacity to bore through you, tear you limb by limb. She has the capacity for cruelty, is what you're getting at. "If you're that curious about the specifics, it was an expression of trust. Take it or leave it."
"Now you seem upset."
She arches an eyebrow: the normal one, the regular sardonic-you're-so-hot-I-hate-it eyebrow, not the sexy-sultry-dirty eyebrow.
"Five minutes," she huffs, without explanation. "Five whole minutes and I'm still not being kissed, like, why-"
Your laugh comes from somewhere in your chest; deep, surprised.
"There's no winning with you," she grumbles, but when she looks up you can already see it - it's in her eyes, she's not actually that upset. There's no stormy undertow, just the fondness lurking like a tidal wave underneath everything else. You feel the current a bit before it swallows her: there are hands tugging, winding, drawing the whole mess closer and closer. It's affection, an entire sea's worth of it, flooding and indiscernible. You can see all the stars that shimmer. It's just: her hips are so fucking grabbable, you know that already, that it's to the point of being inescapable, an absolute truth - and she wants to get off, she always wants to, but there's some greater, darker purpose to how her breath ghosts on your neck. How she blushes like it's the first time.
"I want," she breathes. It comes with intent.
(Yeah, a lot of fucking intent.)
"I know, baby," you tell her, low - and press a kiss to the juncture of her jaw, one hand lifting her top, palming her breast, the other sliding into her underwear. "You always want more," you murmur. Sana nods like a doll - you've reduced her, again, into a bundle of fussy limbs and breath and gasps, begging you to get inside her pussy. "I've got you," you coo, a bit darkly: and, well, Sana isn't wrong - it is a kind of dirty girl syndrome. At least for her.
For you, it's more like a daily reacquaintance with your sins.
Your mouths meet, clumsy and off-kilter; Sana's tongue is heavy, languid in the wet heat of your mouth, and the kiss tastes like everything else: her hair like flowers, her makeup, the faded sweat, her cherry lip balm, the flat, glassy quality of the cum dried on her thighs, her underwear around your fist. There's a lingering scent to her sex that reminds you of how badly you wanna fuck her; your finger ghosts at her cunt and it's wet again, dripping-pink and sensitive, ready, open, a bruised thing.
"You," she breathes into your mouth, and her teeth skim your lip, "are so fucking hard." She's skated her palm down into your sweats, taken a rough hold of your cock, as though to prove something: and she's so right. She doesn't break the kiss. Her thumb smears a bit of your pre-cum over the slit, spreads it up and down your length. You're already aching-hot and throbbing for her. "Baby," she murmurs, sounding devious, feeling it, too. There's more to say, more of that floodgate left to open up:
"You're going to cum so much in me, aren't you?"
(It's rhetorical.)
You hoist her onto the counter, shove her shorts down, pull your cock out of your pants: it's just muscle memory, the way the rhythm works itself out - and if Sana was trying to push you, she's definitely succeeding.
"You should be careful what you wish for," you offer, half-nonsense, half the judicious side of an agreement. The devil on the shoulder's not exactly in the business of sticking to your promises: "I should probably pull out, you know," you go on, mindlessly - but she's got her arms around your neck, is rolling her hips impatient and insistent like the conversation isn't even important enough for her to properly listen to.
"Gonna cum on all over me instead?" she asks, too quiet. "Is that the plan?"
And it's the least combative you've heard her be in a hot minute. You slicken your fingers with her cum and rub your digits along the flushed, throbbing surface of her clit: the only way you know to deal with her filthy mouth.
"Right on my tummy, or all over my chest," she goes on, heedless, dragging her fingertips over her shirt like you need a demonstration. She's just spewing bullshit for the thrill of it. The grin accompanying that is sly, cheeky, like her whole self; she rubs her nose against yours.
You gather her panties and let them ball up in your palm.
"Maybe a mess all over my ass?"
"Oh, definitely," you sigh, finally, and work her apart as the kisses fall out of line.
She looks up at you from beneath long, delicate lashes, fluttering like she knows the effect it's having on you: it's un-fucking-fair, the way she uses it, wields it like the weapon it is. A sigh slips from her, ragged, fucked: she's bracing herself, chasing the tip of your cock, leaning into the nudge. "Maybe you can push me onto my knees, shove your dick down my throat and gag me with it until I swallow every drop, yeah?"
"Sana," is your reply. "Of course." It's the conscientious, mature, adult thing to do.
She's batting her eyelashes. You should do something about it, maybe: you line your cock up against her entrance, holding steady, and slap your hand on the smooth expanse of her right thigh. "Spread," you snap at her, and then grin back.
Her face scrunches: genuine exasperation, tight cunt, real feeling.
She huffs, opens her thighs wider, gives herself up to you - and that's another victory. Her fingers reach up and dance against the scruff on your jaw like it's a fond curiosity. You watch her search your face for affirmation like it'll fix everything. There's not much to do but to slip your arms around the waist, let her wrists cross over your shoulders like she needs the anchor to survive.
"So pull out then, mister-good-ideas-at-work," she taunts, nosing at your throat, the underside of your jaw, up to your ear: "Show me, if it's so easy."
You can barely breathe, it's so tense; the way she teases the shape of it, her cunt slick and open against you. She'll stretch like she was tailored for the fit, easy and familiar, taking, taking, taking - she's always such an angel, but she's halfway in hell already, legs spread out, slick pussy lips bumping against the blunt head of your cock, so wide, so vulnerable.
"Sana," you hear yourself say, voice like sandpaper, throat drying. Her smile twists her features to something more-knowing, all full-lipped and curving at the corners - she's a little more practiced in sinning, knows the game better. It's an act and it isn't, all at once.
"C'mon, I need it," she drawls, but the soft little plea comes back: "please."
Your hand drops from her mouth, smoothing over her chin, down the swell of her breasts, her ribs. You slip your cock inside her and can see the exact moment her face blanches - it's so sweet, so sharp: her eyes widen and her jaw goes slack, lips falling open as her brow furrows. She's so wet around you, taking you, swallowing up every inch like it's no work at all, her perfect pussy clenching just as it hits the base: like it's muscle memory, like she's been molding herself for it, opening for you. The very thought makes you want to fuck her even deeper: you tighten your hand at her hip, drag yourself out of the slick squeeze of her cunt.
"Oh," Sana breathes out, eyes half-lidded. "Holy- oh, you're-"
Your cock sinks deeper. The word gets lost in her moan; a crease forms on the bridge of her nose, between her brows, and she presses her fingers to your nape, clutching at the skin like she's unsure of the support. One of her palms strokes across your cheek: a wonder, a mercy, a favor, all of it. You'll ruin her, just like she wants, just like you promised. You're sure of it.
You have to fight the urge to ask if she's okay, because you know what kind of face she'd make: exasperated, disappointed, incredulous. Instead you snap your hips and drive yourself inside of her again.
All her thoughts and her confidence - the casual faux-command, the playful, arrogant tilt in the turn of her words - unspools, dissolves, crumples in her eyes, collapsing to dust around you: she can't even choke out her filthy demands, let alone the sugar-soaked slights and slander that came first. The innuendos, the bullshit, all those deliciously-subtle negotiations. She blinks, and the second you slide a couple inches back in and in and in, her eyes flicker shut and you both exhale into the same breath: an oh-my-fuck-Sana, and the answering whimper-moan that falls so effortlessly out of her mouth. Your palm burns against her hip bone, sinking deep, trying to press her tight against your cock, skin-to-skin and full-to-the-brim.
"How," Sana gasps out, sounding delirious, out-of-it, her brain rattled by nothing more than the full, perfect fit of your cock inside her. Her fingers lock behind your head, pulling you even closer. She gasps against your mouth, "-how does it- fuck, oh my god, fuck-"
You see what she's getting at.
There's nothing separating you, and it feels - well, her pussy is unbelievable. The realization is hitting you harder with each glide you sink inside her; just like everything else with Sana - charged, thrilling, slightly inappropriate and hotter for it.
And you'd tell her if you had the words - how fucking good she feels, the grip around your shaft as you hilt inside her, the exact feel, taste, texture of Sana's perfect, pretty, slick-squeezing cunt. Oh, you're slaking a kind thirst here they write stories about, the kind you die for: it'll never be sated, you'll always be seeking, and the deeper you go the further you drown.
"Yeah," is all you can say. "Fuck." The only explanation.
Her voice goes tighter with each stroke, her legs wrapping around your waist like rope. You're touching everything of Sana that can be touched: you kiss her hair, suck marks into her collarbone, cup her face and force her eyelashes open; you fill her up so deep you can feel her throat tremble when your name just brushes the roof of her mouth.
Oh, it's rough, messy, somehow incandescent; you're pounding her right there on the counter, against the sink. The showerhead's hissing just loud enough for you to miss the string of expletives you know she'd be spitting, the half-bitten curses. She keeps her ankles hooked like she's afraid you'll fall, afraid that you'd slip out of her, leave her empty, unoccupied, unfulfilled, wanting.
"Fuck, baby," you hear, feel against you: her lips are near your ear. She shivers. "If I knew," a pause as Sana swallows, her hair clinging damply to her forehead. "If I knew- felt this good- you're going to- your fucking cock, I swear, ohmygod, I swear-"
You press your mouth right at her temple, harshening the rhythm and loving the way her fingernails dig hard, bright crescents into the skin of your back; there'll be marks there tomorrow, the perfect imprints of her grasping, coming apart, holding on.
"God, Sana," you mutter, almost desperate. It's such a fucking disaster. She's wet on your skin, soaking everywhere. It's so fucking hot.
You want her cumming on your cock; you want her on her back, knees up, shaking; you want her a sweat-shining mess, breathless and glassy-eyed. You'd worship her body if you didn't have your hands clenching her ass so you could push her (one, two, three, four) times (five) against the tile, (six) against your skin.
It's more imperative than religion, really.
Three months later and you suppose there's been a lot of perfect, sopping-wet, begging-and-creaming, broken-off, rough-thrusting, sinful fucking, and sometimes it's in her apartment or in the backseat of her car or in your fucking kitchen, her braced up against the island countertop with her legs spread and you railing her in her pajamas. Sometimes it's when Sana whimpers in this awful way when she's kissing you, pressing a soft, barely audible "ruin me," into your mouth - it's then when she gets really, truly fucking filthy: you're actually going to fucking cum inside her, sobbing and stupid, if she doesn't fucking knock it off. If this doesn't just kill you both - and that's how it'll go: her legs locked so tight around your waist, hands white-knuckled around your shoulders, face-to-face and with the base of her cunt kissing your cock so sweetly.
Sana makes a weak, overwhelmed noise, like the same thought's gotten the best of her, too.
"My pussy," she says in this high, thin whisper. "It needs you. Like I fucking - oh, fuck - like I think I was made for your cock." Her words have gotten little manic, voice edging at hysterical: "It's a perfect fit. Just feels fucking-" A whine pitches in her throat and she grinds her clit against your lower stomach, her abs quivering like she's had three cups of coffee.
You thrust once - no, you really, truly fuck her: you snap in and in and in - you hold her fast to the sink basin and bury your cock all the way to her deepest point, to where Sana clenches and her muscles ripple around you.
She's always so sensitive. Like in a smearing-lipstick, fucked-through-half-a-box-of-tissues, you-absolute-angel kind of way.
But there's no tease, no falsified modesty to it - none of the push-and-pull from either of you; your expressions are blissed-out, stuck in awe, in reverence. Jaws dropped and punching out each hard, deep fuck into her, gasping for air. "Oh my god," she's saying, head lolling like there's no rigidity left to her spine, nails digging into the hard muscle of your back. She's saying other shit - and you're talking, too, talking a bit: it's the kind of delirium that strips language to the bone. "Holy fuck- I know- Yeah. Fuck, I know."
The nodding is excessive - but in your shared defense, so is the sensation of fucking each other raw. Who the fuck coulda guessed?
She's hot and tight and god-blessedly gorgeous - and you tell her that. From the first time you watched her stretch a condom over your cock, roll it down with her palm, and felt her pussy sink onto you inch by inch and the pressure was immediate and aching - "It feels so fucking good," she'd been saying - to the fifth, to the fiftieth. To her draining you dry, her moans winding you up and around her finger - even that first time in a filthy, nasty, cramped bathroom stall, drunk as all fuck, and then the next morning. "More, more, more," and now, too, all: "It's everything, please, fuck, keep going," all the other times where your tongues have turned to satin, curling into the place of your own destruction, where the warmth is licking out all sense.
In the worst of moments, in the best - she's clung to you, body arched up, hips up, heels dug into you so hard you might be bruised under her.
All her moans are punched-out, high-pitched, shuddering with her exhales.
It's everything: "Don't stop."
And that's really how the last shred of coherency slips past, disappears down the drain: her voice twists as you graze the spot inside her you want her to cry at, and you sink into a pleasure so intense, a release so in-tune, it's like it'd only be complete after you both sank to hell.
"Such a good girl," you kiss into her skin, sinking your fingers into the round fullness of her butt, spreading her apart so she knows, even better, exactly where her cunt ends and your cock begins. "The prettiest fucking girl; your fucking pussy is so tight; hot and soaking wet for me." Your voice sounds worse with each dirty little nothing: you've both been babbling for a while. Maybe ten seconds. Maybe since the beginning. "I think I could fuck you forever."
"Cocksleeve," she agrees, and tips her chin to the ceiling, blinking hard at nothing, trying not to lose it, but maybe also, in the same sense: "Literally could just - be my cunt. For the rest of time. Cocksleeve."
"Gorgeous," is what comes next out of your mouth; and, in some warped parallel to the truth, "All mine."
For her, too, really: she likes being tossed around, told how much you need to breed her, how slutty she is - but then you watch how her brain fries with the softer, sweeter stuff. Oh, you're making love to the thoughts she keeps trapped under a box in the back of her head, and all the things she'll only dare admit to under dim lamplight; when she thinks she can disguise how they might come across as anything at all besides absolutely fucking tragic.
You could bottle her tears for how sentimental this shit is - well, you could do that anyway - the whole messy situation. You say her name once and she whimpers out your own. That's the state of affairs. Just one look at her face is all you need. It's an instant trigger, it's how the electricity rushes and buzzes through the wires.
"You're stunning," you say, totally earnest.
And the heat goes straight to her guts.
It's the transparency of it all, or the bordering bratty-tilt to it, or something, you're not a therapist - it's just what sends Sana toppling, fluttering like a heartbeat as her hips stutter into your own, legs spasming, pussy clenching - and right on the heel of that, with a strangled: "So fucking good to me, I swear, please-"
The moan barely passes the boundary of her lips as it breaks like dawn over her body, sending her spine arcing, chest heaving. It's a kettle-whistle pitch and you think your neighbors are sick of the screams, the late-night-to-early-morning, pounding rhythm against the thin walls, the laughter, the headboard beating like a drum. And they would have to be blind, to not look at her and see a sin they want to taste, too - she's divine like this, moans broken-off and falling into each other, a slur, a blur, her tits bouncing under the flimsy tank, rising higher with each stroke - the fat, firm weight of them; and this is when you know she's going to cum on your cock, the way her muscles go loose, pliant, willing, relaxed - it's all an afterglow in the waiting, she's wriggling into her death, in anticipation, arching up to meet you.
When you pull your hand out from under her ass to grab a fistful of her shirt, right at the center and pulling up to keep her back arched off the counter, her breasts spill from the loosened material and up, and up - they bounce higher, tighter; you're pounding her sopping-wet pussy harder than you have any right to.
There is no heaven to compare.
You'll tell her, if you'll survive the sight of it: Sana is an absolute fucking wreck. Her jaw is slack, her lipstick has long smeared to obscurity and she is a vision in the sexiest, sluttiest sense. She is the kind of fucked that's worth staying dead for. Worth taking last breaths to witness, dying to witness.
And, the moment her lips graze yours: your insides crackle and smolder.
Her hand hits the counter, knocking whatever's next to you onto the tile - the clatter would've been distracting, but you're balls-deep and you think it'd break her if you hit it any rougher-
"Ruin me," Sana pants into your mouth, barely audible. "Fucking ruin me, please, ruin me-"
"Sana," you manage through the hot clench of her around you, the near-painful crush of her arms tight at your waist.
"Need your cum," is what she sounds like. "Like fuck, do you feel that?" She's breathing into your ear. "God, fuck, your cock is right against my tummy, right here," she mewls, one slender hand slipping down to tap a knuckle right below her belly-button, "can feel it pressing up against me," and your mind's gone off, racing down every back-alley, all the old dirt-road streets: "You'd cum right up my little womb. You could. If you wanted, you could breed me up - pump me full, fuck me full. Give me- just - give me everything," and she has no idea - no idea what she's saying, what she's doing, how hard it is to think around a girl with such a perfect, pretty, slick-squeezing cunt-
"Sana," is all you can manage, warning and plea in one. "Careful." It's stupid: you have half a foot on her, outweighing her by more than the other direction, and yet Sana makes you weak. You're like clay for her to mold, bending beneath her fingertips and falling straight through, like the word please: a request. You don't know how she has you all figured out. It's no fun this way.
"Or else what?" Sana smirks, winning. "Gonna get me pregnant?"
You swear you see stars, that it's going to end embarrassingly fast for you, and the thought of you hilting right into Sana's tight cunt, knocking up against her insides, breeding her like your stupid fucking cock knows it wants, that's so, so fucking filthy - no, no, fuck no: that's not what this is, this is supposed to be innocuous, or some approximation of it - you're gonna put her on her knees, cum on her face, fuck a load across her tits, in the bowl of her cupped palms and watch her lap it up and lick clean her long fingers, maybe push the whole, aching head of your cock between the lips of her plush, pink, sweet-as-can-be mouth. Send the load directly down her throat, tugging those gorgeous tresses while her brown, liquid eyes peer up at you. A mess: a sopping, fucked-out, splayed-out, mess.
"Filthy fucking mouth," you deflect, because you can't keep on track with how pretty Sana's perfect cunt's clutching you like a fucking fist, her tiny frame somehow matching you, thrust for thrust.
"What about it," and Sana isn't even flinching.
"Gonna cum in it," you snap, a growl, and it's supposed to be a threat, but then it hits - right at the crease between her torso and legs, your favorite place to pound into her; you're fucking her like a toy, treating her like the easiest little hole you've ever had your hands on, and you'd never pull out, you'd never give this up and Sana knows it, too - you have to make sure to take the base of your cock and work your cum deeper into the bowels of her perfect, hot cunt.
"Yeah?" she hums resplendently.
Somehow, fucked-out and blissful, soaking your cock as you split her open, there's a note of tease in her voice - and an echo in the swell of her womb, clenching, just as willing; Sana's a genius, so she must have found all this shit out already - but it's the type of thing you have to admit, privately and to yourself, through gritted teeth, not within hearing-distance of a girl whose smile could undo every thread in the fabric of time: it's kind of really, ridiculously hot.
"Can you promise?"
"Yeah," you choke.
"Go on," breathes Sana, a dare and a request in one. "Love hearing you say it."
"On your knees," you try to swallow, "gonna pump your cute little throat full," you groan, a man unmade, "gonna have to fuck you like this again, baby. I'm going to make you-"
Make her what: a mother? A whore? A wife, a baby, something she'll be afraid to call out loud, but will say anyway-
"Yours," and that's Sana, fucking the thought out of your head, "so you could use me up, so you'd make me take it, give me everything - cum, cum in me, I need it- please," her voice climbing, crescendoing, "Cum in me," a broken record, all instinct. Sana and her tight, creamy little pussy, you pumping full, you flooding her insides and spilling out, the messier the better - it's how she gets off, her voice wavering until you can feel the shivering, the shaking, the quivering; that perfect moment of collapse, where you're there with her, just the same.
There's a certain kind of pure, self-destructive stupidity in trying to rationalize it, you know, but that's the fucked-up part.
"Oh," she breathes, deep and deliriously hot, and it's an aftershock of its own.
There's no reasoning with how badly you're pounding into her, fucking your cum as deep as it'll go, letting her soft curves rut against your body, to meet her rhythm in turn, to fill her up to the brim and then just a bit over.
"Oh, I can feel it," and Sana sounds like you've done the unthinkable: as if you'd broken a prayer, a hymn, the key to heaven held beneath the wetness, the heat, the fluttering pulse, the tightness, the sex, this body of yours. Like she could die. Like she should die. "That's - oh, oh - your cum's filling up my pussy," and it doesn't register that she shouldn't say it, and you should be telling her to shut the fuck up, but it just doesn't cross your mind at all: "Oh, God. You're - it's so hot inside of me, can - feel it," and it's all true.
There's nothing like it, her silken, creamy, slushy warmth surrounding your softening cock, the way you fit so easily against her.
"I told you," is the first thing out of her gorgeous, swollen mouth. Her lips brush your jaw, your neck. Sana's breath tickles, light on your skin. "No shot you were pulling out."
"Shut up," is the best you've got - it makes her laugh, eyes creasing, throaty and sweet; oh, there's that quintessential Minatozaki charm.
-
(That's it: she has your number; you watch her smile, watch the way her legs shake when you slip out of her, watch her warm brown eyes flit upwards. You can't let her leave. And she knows.
Sana's fingers graze the curves of your cheeks as she holds your lip between hers, tongue tasting, teasing. A long beat before she releases you, and her smile spreads over the line of your face, slow and steady, like a sunrise. She's impossibly gentle, all silk and sweetness. Unthinkingly soft as her palm smooths your hair out of your eyes - her skin on your skin. Sana's eyes are dreamy like this. The radiant gleam in her irises clashes with the moonlight on her lashes.
She's glitter, gold.)
-
The pharmacy. The one by your apartment that's open a little after 1 am on a Saturday.
And this should be your cue: walk on by, look forward, straight ahead.
Walk, like you have somewhere to be. Toss some distractions into the basket, drain cleaner, detergent, a fifth, new, foreign bottle of conditioner; maybe some light beer, too, to fit the stereotype, to balance things out.
You tell yourself you have no place here, amidst boxes of birth control pills, gels and patches and syringes and capsules of every single kind. Don't dawdle - don't linger.
Sana's milling the aisles in pursuit of candy, or a bag of those heinous fucking Takis, probably. A bottle of gatorade, realistically; she likes the blue one, says it tastes like putting your tongue to a nine-volt. What an eloquent princess, you think, and find it hard to hide the smile, the simpering stupidity, the tenderness.
She's someone you text about shitty things, who complains to you about her coffee stuck in the vending machine, Mina's ongoing billionaire-affair and Nayeon's chattering over some boy she likes from way back when. Someone whose high ponytail can be found above a pair of comically large glasses, a paperback novel pressed between the bend in her arm and her ribs (bitch, of course there is, she'd said when you'd asked, there's smut in everything these days); whose laugh, tinkling and lilting and silver-bright, has no right to sound as rich or as deep or as richly deep as it does.
Someone who looked in your eyes and found it - that gaping hollowness, a vacancy in the marrow - and who laughed at that, too. She makes it worse. You might actually love her.
"You're like, really nervous," she tells you, not asking.
"Well," and that's when the wall between your mouth and your brain finally collapses: it all rushes through; no air left in the room. "Maybe I'm a fucking idiot."
"I've actually always known this." Sana looks at you, half a smirk. It's almost impossible to imagine the last time you were anything else. "But, like, aren't all men, really?"
"Yeah, yeah. A genius observation." You run a hand through your hair; her smile blooms wider.
"If you insist," and Sana tosses her head, exaggerated, before dumping a shit ton of Twizzlers into the cart. "They're for Tzuyu," she explains. "She's been fucked by her publicist more times this week than she's had hot meals."
"Y'know I actually caught wind of that," you say, moving one step forward in line. "It was neck and neck until she skipped a lunch. Although I don't think those count as like, substantial nutrition. It doesn't negate the other thing."
"Fuck, you're probably right. Gummy bears next time, then."
"Right. Better, slightly."
"That's the spirit," and she peels away, leaving you with her smoky sarcasm - a hand on your bicep as she saunters off to the parking lot. "Also: get some of the good Tylenol from behind the counter. You fucked my brains out and I think I'm coming down with a concussion."
"Jesus christ," you groan. "Again with the outdoor-voice, Sana."
She flashes you her megawatt-grin, flips you off, and the whole transaction at the register is over before you've made sense of it. It's an opportunity for some perspective, a chance to decide you've got it wrong. You should walk home, Sana should ask for a ride, or an Uber - neither of you should need a night-time pharmacy. You could change it if you tried. It's almost absurdly simple, but the way she takes your hand on the walk home is so soft. She's so close: her profile is elegant, poised in the streetlamp's sick, sulfur glow.
You turn the key. There's her laughter again, echoing like windchimes through the city.
And, fuck. It's going to be harder to forget this than you think.
-
"The internet says it's best to use within twenty-four hours," is all Sana says about it. The tablet's small and green. She hands the plastic bottle to you to check it. Her hair's fallen over her shoulders like ribbons, soft as her eyes. "And the way Momo described it," she explains, almost playfully, "if I wait to take this tomorrow, I think we'd get an excuse to fool around some more."
The look she gives you then is somehow uncharged, despite the suggestion, and she has that habit, when she's laughing or when she's moaning, of chewing on the inside of her lip. She's sitting on top of your breakfast table and looking like starlight. She uncrosses her legs, tips her head.
"What do you think?" and it's everything, a complex trap in four syllables. She's caught you well and squarely. "Do we have a reason?"
"Hm," you say. Sana crosses her legs the other way.
"It's bona fide," she says, teasing you a little, running a finger along the tabletop, her eyes flicking up. She's impossible. It's terrible. "You can creampie me over and over. Can fill up every inch of my pussy - fill my guts right up, and breed me good."
"Huh." It's all you have left to deflect with, when she's laid it all out like that. "That's not what bona fide means, by the way."
Sana lifts a hand, cocks her head. "Means you can do whatever you want." She clicks her tongue, scandalized. There's not much point in refusing, and not even a chance.
"Carte blanche might be what you're after," you offer.
Her laugh is a little breathless, annoyed. "Yeah," and it's like she's flushing pink. "That's what I said. Are you gonna ask me if I know what creampie means too, smartass?"
"Princess," you say, grinning a little, setting the plastic down beside her. You're pretty sure it's rhetorical anyway. "If you read even another sentence from one of Momo's incognito tabs, you'd end up drooling on my sheets." You keep her gaze, eyes locked - well, at least one of you's taking this seriously, you think, as the corners of your lips curve, unbidden - fuck, she's always making you smile.
"Does this mean you're into me, or something?" You tilt your head, pretend to consider. Sana makes a show of scowling. "Or do you just have a thing for being a cumslut," you gesture vaguely, "like, generically?"
Sana leans in and kisses the underside of your chin.
Quick, easy; she snaps back into place like you'd somehow never notice. "A little of both," she says, as breezy as possible. "I'm surprised you're ruling out me taking pity on you." Her eyes have all the mirth you'd expect, and the warmth - the fondness. She looks up at you, and her smile's not as bright or sharp as it used to be. She just seems happy. "Wishful thinking, but whatever."
-
And maybe Sana's on to something: wishful thinking - but, then again, maybe you're getting close to the part where you've both got it all so, so wrong. You'll have to figure things out from there. Either way, you're at a place where you're genuinely taking medical advice from Hirai Momo.
So, it is what it is.
-
You don't exactly talk about it. Which is to say neither of you ever bring up how this whole arrangement came to be.
Because it's not romance, it's not sweet, it's not soft or sentimental - it's not even halfway serious: the way everything unfolds haphazardly and with no real, defined idea of what you're getting yourself into, other than a precautionary 'hey, we're not gonna know each other' rule that got broken almost instantly is all that you can divulge, for now. There's all these complexities, layered and tangled and difficult. It's all-consuming. It's an emotional quagmire. It's the kind of thing that'll take years to unpack, the kind that'll never really have an actual explanation; a mistake, probably, you think, one worth repeating, definitely.
"Look. You're leaking out of me," she murmurs from against your pillows, thighs parting - you glance at her cunt, exposed by her twisted panties, and sorta get stuck there. Sana laughs. "Wow," she says, watching you with that wide-open smile of hers, dark hair splayed across the pillows. "Your obsession's worse than I thought."
She's leaving town in the afternoon, so it's been this lazy, lingering fuck all morning, just to pass the time.
You're working from home in the most metaphorical way possible - taking advantage of the daylight streaming in the windows, playing with her hair, fucking her on and off until you get tired of having a mess of a stranger in your apartment. Right. That's the explanation you'll give, when anyone asks. It's a miracle you've slept at all - but then again, Sana gets blissfully and completely tuckered out, turns into putty in your arms, and this is the most dangerous thing of all, the sultry, doe-eyed beauty of her slack mouth in the dark.
You fell asleep together the first time you shared a bed and now never seem to wake up on your own anymore.
She's lax on your mattress, and the blanket's riding low on her thighs, revealing the slopes of her perfect ass. Her little cunt's gaping. Leaking cum. There is no denying it. You think the devil would look a lot like this.
You place your reading glasses delicately on the nightstand, pretend you haven't heard her - or the squelch of her fucked out cunt as she slides a finger down, down, down-
"Oh. Am I distracting you?"
"You have a breeding kink," you say, once she's on a second bottle of water, when her skin's less flushed. You're rubbing between her shoulder blades - she's glowing in your sheets like she belongs there, all white satin and innocence, even with the sweat matted at the ends of her hair.
"Probably," sighs Sana, eyelashes fluttering. "Do I?"
"Definitely," you say, amused.
"Maybe," hums Sana, sounding winded still. You dig your fingers into the nape of her neck, and the next sound out of her mouth is not entirely uncontrolled. You have a point; you're both thinking it. You're just not going to make it. "What's your excuse?"
"Excuse?"
You're not asking her to clarify the question, you're simply buying time to scramble for an answer. Because- "I have no excuse." You shrug. "Just - biology." She rolls her eyes at the apparent insufficiency. "Something about filling up this perfect little body and ruining your whole" - you make a gesture toward her - "pristine-ness."
"Ah, there we go." Sana sits up, the sun casting golden streaks over the angles of her back as she goes.
She stretches like it's an accident, reaches for the hair-tie on the nightstand, and it doesn't matter if you see her do it. "Well." She combs back her damp curls, piling it in an errant bun with practiced ease. It looks good. It's hot, actually. Your cock's still sensitive - but, well, so is Sana's everything. "We're fucked in the head. We get it out of our systems."
"Speak for yourself," you say. She raises a pointed, unmistakably Sana-ish brow. "I'm well-adjusted," you insist. "No baggage."
You watch her go through a moment of disbelief, trying to find some leeway before she snorts. She's climbing on top of you, apparently. Theoretically, you've been keeping an eye on the clock - counting down the minutes before she has to be checking bags and folding up a boarding pass into her purse - first class, because the company believes luxury begets beauty. You'd argue she was both regardless, but-
"That," she says, very matter-of-fact, and settles down so the curve of her ass is over your thigh. It's light pressure. Barely. "Is bullshit."
"I thought that's what you wanted, Ms. Corporate-wunderkind. A therapist type."
"Shut the fuck up." She smacks your chest, too hard to be playful, but a beat later and her hand's snaked back behind her, palm curved over your cock with a promise that makes the rest of the world seem sort of dull.
You shift beneath her, involuntary. Let your hands trail to the warm hollow of her hips, brushing your thumbs over the pink blush marks that blossom on her skin when you touch her for too long.
"Wanting, wanting," she muses, with a strangely alluring sense of casualness, "you've got one track mind - ah - don't even try to hide it." You're more interested in her fingers dragging over your tip, the graceful knuckles that go rigid as she finds your cockhead grazing over the pad of her palm. "For all you know I'll fuck another guy," she says, in a matter-of-fact, it doesn't matter anyway type tone. "Or, god, a dozen."
"Please." Your incredulity and chagrin slip out in equal measure. "Have pity."
Sana cocks her head, intrigued, and takes ahold of the base of your dick.
"No," she decides, "can't say that I can."
There's the stretch, the press. She sinks onto you with no resistance; she's all velvety and wet and you know you were the one who'd gotten her that way. You hiss - so does she. Then it's just quiet again, except for Sana shifting above you, her long legs tangling with yours, the heels of her palms pinning your thighs down to the mattress behind her. She gives a languid little swivel.
"Do you remember," you hear Sana saying, very dreamily, and that's what makes you think perhaps it isn't a serious inquiry and that your input isn't required. She goes, "there was that last day of scheduled rehearsals, that we had before the long winter break. And we got through the numbers in four hours, maybe? Tons of time to kill, and there was nowhere for me to be."
"You came over to my place," you mumble, a vague, wordless reminder of your role.
"Right." Another shift; you're still sensitive as fuck but Sana's weight feels good in your lap and the view of her tits is objectively excellent. "And I took a shower."
"Sure."
She squeezes and rises in tandem, sighing blissfully.
You sit up slightly, support yourself on one elbow and watch yourself disappear, reappear in the wet slit of Sana's pussy. "For a really long time."
"Like an hour," agrees Sana, almost humming, and snaps her hips forward. The jolt forces a groan out of you. She tilts her head up as she does it again, eyelashes fanned, and the reverberation of her movements shakes loose that damned piece of hair clinging to the arch of her temple. You watch a thin stripe of cum leaking out of her, too; that'd been inside her an hour ago. Maybe less. She's fucking you like it doesn't bother her, like she'll never grow tired.
She pulls at the long lock of her hair, seems to examine it contemplatively. She's so perfectly content in her self-aware, blasé, cat-like smugness, purring and untouchable and arching back. Then she says, "That was because I was fantasizing about getting filled with so much cum that I just started running down your shampoo bottle - that's, like, the ultimate breeding fantasy for me, honestly."
"What about that one time," you say, as though unhinged, as though half-conscious, as though every word has the consistency of molasses and there's a bright pulse of blood flooding your brain and rushing out your cock, "when we snuck out to the parking lot, and I made you sit on the hood of my car-"
"Shh, not the same," dismisses Sana, leaning into you, and you hold her there, lock your fingers into the swell of her ass to steady the desperate throbbing inside her pussy. Her tongue darts to the corner of her mouth, but her head lolls to the side, the gauzy curtain of her hair swaying at her waist.
"But," she concedes, an exhale, "that was good, yeah."
"You came really fast - like, so fast," you insist, thrusting up to the sound of her small groan. Her body, all lush skin and ample, unresisting curves, is flushed and gleaming. There's so much of her to take in: the inky fan of her lashes, the ridge of her ribs, the way her breasts hang heavy as she moves. This kind of debauched view feels exclusive, as if reserved just for you. "Remember that?"
"Did I?" She blinks owlishly.
"I'm remembering it for you." Your palm is heavy on her ass; it's what keeps you grounded, lets you get leverage. "What were you thinking about then?"
She bares her teeth in an indecent grin, tugs on the corner of her lip, as if reveling in the memory.
You watch her mouth open, close again.
It clicks: "Right," she answers, finally, and rides you all the harder. "Errant thought, but." She climbs up onto her feet, knees swung wide, her tiny soles balanced perilously atop the duvet - it's all slippery friction and she's so light you could flip her right over. It's all at your discretion. You lean up further. Your arm braces her back, low and hot. "Was imagining how you'd feel in my ass," Sana continues, carelessly, matter-of-fact, as if discussing dinner plans or a movie rental, and you don't expect a laugh from your lungs, but it comes out harshly, all surprise and hot delight, like a confession.
"This was a few years ago," Sana says.
She lifts off, teases your cockhead with the shallowest grip. Watches all the lines in your face start to wobble, and then sinks back down, all the way, burying your cock in her pussy again. Her lips move, you bottom out, you know she's going to ruin your next orgasm like that.
"Someone online posted some bullshit comment about me being - quote-unquote - easy," she tells you, turning her head to the side, to the window. You know the expression on her face: her mouth curved, eyes dark and so, so full of that amused contempt. "Just this thing that you see on the internet all the time. Everyone just doing the same thing - said I probably love it in the ass and - yeah. Can't recall. Fucked off right away."
"Really stuck with you, huh?" Your hips snap, and you swallow hard. "Brought that - image. Up. Didn't it."
"Guess it kind of did."
"Uh-huh."
She licks her lips. "I'd heard worse," she says, and hums, low.
Your grip on her back, her waist, her hip - they're steel-tight. "Felt like someone had put it in my head," Sana remarks, dreamily, then raises an eyebrow. "So y'know. Had a thought and let it take me there. Only made sense. Let myself. Daydream a little, take a long shower," and her smile goes lopsided, her eyes drift, "breathe hard against the bathroom tile, take two of my own fingers up there-"
And she drops, sinks, the lewd, sloshing sound of it resonant; your hands pull her to you by the roots of her hair and she gasps, heaves a small, faltering breath. She's so fucking wet.
"Baby," you groan, completely flat. "I'm gonna cum in you."
"Yeah." Sana looks like she's miles away. She could be. "I know."
She brushes the hair out of your face, holds her nose to your cheek, starts riding you fast, faster - and you do.
-
This is where the story actually starts - which, in retrospect, is kind of ironic, because everything was technically pre-written, already preordained:
You're in an airport, arriving late and harried, your hair a mess, Sana's luggage slipping from your shoulders. It's snowing biblically outside, the pavement frosted and dangerously slick with ice. The precipitation heavy and thick and white enough to obscure vision. You keep checking your phone, checking your texts, trying to stay grounded even though the forecasters specifically said the skies would clear by sundown.
Flying conditions: sub-optimal - but only barely.
You think serendipity could be something of an old friend to the two of you - if only the pantheon of weather-adjacent gods didn't seem to like her just a little more.
She's calm and unruffled and preposterously cool, with one hand slipped into her coat pocket, her face tipped towards the window so she can survey the falling snow. She looks the part of the chic world-traveller, clad in leather gloves and a tweed peacoat, the collar popped high and stern.
In contrast, you feel like the embodiment of frazzled, clutching anxiously at the handle of her suitcase and turning frantically to ask her which direction to head in; you're not her manager, you didn't plan her flight, didn't schedule any car services for the ride to her hotel. In a few odd hours she'll be on a different continent, standing in a different hemisphere, and you don't really know what to do with your hands.
"When am I gonna see you again?" she asks, pointedly sidestepping all forms of goodbye, bypassing any polite small-talk about the state of the storm.
She's done up in semi-dramatic makeup, a pair of gold earrings swinging when she tilts her head, fixes the edge of her fringe with her fingers: you watch her catch herself, relax - like a true work of art, you suppose, nothing to imply a separation.
There's the duality, you guess. You're looking at a profundity in motion.
And there will be a thousand cameras in her face when she touches down, vying for attention, swivelling and clicking, seeking shots that are just perfect enough - the internet is rabid and frothing at the mouth for a glimpse, some semblance of truth to satiate the rumor-mongers and their constant dissections of the arch of her spine, in the sway of her walk. She's got knee-high socks on and the fashion mags will be desperate to tear her apart at the seams, claim a sliver of all that profundity - they'll never know it's less of an aesthetic decision and more just a stopgap for the thumbprints blooming yellow-bruised in the curves of her calves.
Sana's watching you watch her; expectantly, eyes shining, big enough to fall into.
"Soon," you say, like you have a choice, and hope it sounds like reassurance, not resignation. "Hopefully soon."
She lifts her carry-on to one shoulder, smiles.
The lens you have is quieter, subtler - that's all.
-
(You can feel Sana turn to look from the terminal, paused, hovering, her jaw catching on her silhouette; and she waits until you're gone before she strides confidently to the desk, brandishing documents and asking sweetly, charmingly, for the check-in. Her walk slows, stutter-stops. Her posture straightens.
She brushes back her hair and keeps going.)
-
"You better not be romanticizing your melancholic solitude," Momo says later, with a tray of food in her hands.
It's the next day - same time, probably - you'd gotten back from the airport, hailed a cab and stewed in something like self-reflection before deciding you'd bury yourself in your work. You've been letting Sana distract you too much recently - not that you particularly mind it - but if she's not here to drag you into a conference room and drop to her knees, you might as well start making some progress elsewhere.
You roll your pen around your fingers. "What exactly do you think I'm gonna get up to? Staying up until midnight writing shitty poetry and getting blackout drunk?" Momo snorts. "She'll be gone for two weeks, Momo, not ten years. I think I'm gonna manage okay."
"Don't go punching through glass windows just yet, buddy. It's been twenty-four hours, that's nowhere near enough time for your brain to bathe itself in all the wrong chemicals yet." She plops a bowl of instant udon down in front of you. You realize suddenly you haven't eaten in - well, quite some time.
She wrinkles her nose. "God. So morose."
When you glance up, Momo's regarding you with one fist balled tight to her hip. You stare back at her. Her shirt is doing absolutely nothing to contain the top-half of her chest and your coworkers keep passing and rubbernecking. You get it. Her lanyard just goes right through the center of her cleavage; you sorta squint.
Some things never change.
"Um," she says, mock-scandalized. "Can you not?"
You lean back in your seat. "That was totally professional. I looked right at you."
"Yeah, like I'm a specimen." Momo pulls out the chair next to yours and takes a seat.
"I mean, you kind of are," you deadpan.
Momo chortles, pointing her chopsticks at you. "That was almost flattering, thank you." She slurps up the first noodle. "If you're nice to me, I won't tell Sana you're flirting with girls at the office while she's away. I think she'd come all the way back and wring our necks."
"And wouldn't we deserve it," you add. Your computer screen is frozen, blue-tinted with failure. Great. Momo sits down and the sky's falling within seconds. You assure her for the umpteenth time that she's not really your type anyway.
"Excuse you," Momo says, indignant, because that's a joke.
See - Momo's everybody's type, if you had to peg the definitive example of universal attractiveness. She's everyone's favorite eye-candy whether they swing right, left, upside down or none-of-the-above; it's the ass, ostensibly. The big eyes, the gorgeous cheekbones too - her jet-black hair's cut short, practically the opposite of Sana, sleek and androgynous and hanging off her shoulders in the prettiest sort of way.
If they made dolls they'd be collectibles, wildly sought after as a pair, mint-in-box-worthy - the perfect, polished icons of feminine beauty: brains, bravery, strength. But also definitely the ass.
You blink. "Is there something you're here to harass me for, or is my total lack of interest in banging you just something you're interested in re-establishing?"
"I dunno," Momo says around a mouthful of noodles, "it's distracting. It feels weird when Sana isn't here. Things don't feel very funny. Or cute, y'know? I feel like a standup act missing the lead comic relief."
"Are you saying I'm not hilarious and entertaining?"
"I think you're funny, but." She munches happily on some spring onions. "Not intentionally, not usually."
"So why are you getting soup all over my desk?"
"You're pouty for one, all sad-like," Momo says, swallowing. "And you're supposed to be coming up with this advertising pitch and the only thing written in that word doc was 'hey guys'."
"First draft's the hardest," you recite automatically. "I'll figure it out."
"But not anytime soon," Momo drawls.
You slump your shoulders. "But not anytime soon, no."
"If you miss her, just call her," Momo urges, with all the delicacy of an elephant on stilts. "I'm sure she's bored and horny. Like, wicked horny."
Momo is both direct and filthy - there's another difference. Sana's a layer cake: whip it into shape, top it off in pink icing, drizzle white syrup on top; she looks good and acts good and you can swallow her whole, every inch of her tasting sugary, syrupy sweet. Momo doesn't hide that she's the filthiest mess in a five-mile radius; the complete opposite of Sana - well, sorta.
"I heard you dropped a load inside her, earlier." She laughs out loud, true to form. "What the fuck are you thinking? I mean, serious talk: that shit will also rewrite your brain-chemistry. And the farther Sana is from us, the more your neurons are going to start feeling like they're fucking dying, so don't give me your stupid bullshit and tell me you're 'fine' when you're like, a total wreck."
"Can you fucking keep it down?" You rub a hand over your face. "Also wasn't it you who called us 'all-or-nothing?'"
"That was like a month ago. The whole being-casual-and-making-it-work shtick seemed neat and I wanted in. Also it's February 14th, you jackass. I think you two skipped past normal the second you could get into each other's pants." Momo slurps the broth. "Totally unhealthy."
"Also not fucking true." You exhale. "What am I gonna do?"
She gives you an are you stupid? look. "Text her," she enunciates slowly, like you're hearing her wrong. "Call her, I dunno. Romance is all about grand gestures and unreliable narration. Or at least she reads enough trashy Nancy-Meyers-movies-adapted-into-books-style romance to try and extrapolate something. Go out, and find some flowers." The next bite of her noodles is overly enthusiastic. "Make the girl feel special or something."
"Right, she's gonna love that."
"That's what all the books say."
You purse your lips. "So basically all the books have lied, but Sana loves them anyway because they make her cum with how badly they're written, and now you want me to act like they're an instruction manual on fucking courtship. Am I missing any other steps? Like, does this take into account the fact that I'm also really not that romantically inclined-"
"I think you have to do something nice, put some effort in," Momo interrupts, sagely. "Y'know, the gesture's important. A little creative thought. Something better than you've got going on in that empty husk of an advertising pitch. She doesn't actually care about flowers, but it means you think of her."
You slide further into your seat. Momo grins at the glare you give her, too-friendly. The girl is the only person on the premises who can call you out on your bullshit with any actual weight and expect to get away with it. She doesn't technically even work with your department - has more or less established herself as some combination of A-lister, sex icon, social darling - all rolled into the body of a curvaceous woman barely dressed. And everyone's just sorta charmed by it.
If you were a slightly-less-rational person you'd probably try to date her, too.
"Did you know that St. Valentine was actually beaten to death with clubs before getting decapitated?"
It's an aside question, because the only thing worse than arguing a point with Momo is when she happens to be right.
"Where are you pulling this shit from?" Momo wonders, deadpan, wiping her chin. "Why would you tell me that?"
"Thought it might be relevant." You swirl a plastic spoon in the bowl. "Do you have anything else for me, O great and venerated sage of modern womankind?"
Momo snickers at the sarcasm. "Sure," she says. "Tell me your current thoughts on Paris."
You drag a breath through your teeth. "City's a shithole if you aren't rich, famous and absolutely beautiful. In which case, the city exists solely to bask and dote upon your presence. What was the question?"
"Stop checking the travel sites."
"I'm not."
"Are to."
"Don't."
"Do," Momo replies, primly, and waves her hand dismissively. You are very, very mature. This is your professional space. "Keep it simple." She adds, casually: "Or something."
-
Far, far away and farther still, a girl ducks into a hired car, takes her heels off and turns up the air conditioning, wiggling her toes in relief.
She ends up slipping out of her clothes, taking a hot shower, changing into sweatpants. A private meal is offered to her; she turns down a glass of champagne, instead requesting iced coffee with an obscene amount of espresso shots - pours a ridiculous amount of milk in until the contents are a creamy beige, not even close to being a light-roast.
Later, much later, after a scented candle is extinguished and a notebook is closed shut, the night sky still dark and unchanging, the time zones shift, and then a single, glowing notification flashes across the screen - 4.42 am, her phone says. She's drifting in and out of sleep, dreaming in monochromatic pixels.
It's a mundane, totally insignificant message: nothing fancy, nothing new. A quick update - something along the lines of where are you, what are you doing, are you safe and happy, thinking of you. But it's punctuated with an exclamation point and followed by a pair of hearts - which is something new - like you're thirteen and she's just given you her home-room assignment list on a slip of paper and made you promise to exchange homework with her in the morning.
"How cute," she breathes, softly, and feels warm.
-
Here are the three rules about falling. Another anecdote; another wish-wash of creative editorializing, again: you really hate that you're quoting Momo on literally any of this, but unfortunately Momo has a lot of practical advice in the form of shitty armchair-psychology.
You know because you have a literal book full of the worst pithy maxims, delivered by her in varying states of drunkenness and hysteria and grudges borne of much heavier drama, all edited to her personal taste. It's a different thread, but also all part of the story: she and Sana are best friends. Take it or leave it.
Anyway: the rules,
1.) Grand gestures. Unreliable Narrations. Know that the idea is romantic, but the process is totally horrifying.
There aren't really any guidelines or requirements, not an exact science, anyway: there are softer, slower and easier ways to love than an impulse transcontinental flight; it comes in different forms, with much fewer headaches, far, far less red tape.
Try a knee nudge in a cab, a smoke-flavored kiss on the back porch, a text me when you get home, murmured in between yawns, the click of heels coming into the house after work - maybe, outside her apartment, making out against a wall of bricks like it's all you'll get, breathless and laughing under streetlights; if Sana were any less captivating (a loaded word if there ever was one) there'd be no good reason to think or to dwell on the semantics.
2.) Bending at the knees makes you less likely to get a concussion when you lose your balance. It's still risky, still a shot in the dark: in physics, there's a certain amount of grace under pressure - Sana's adored not by men, not by people, but by the universe itself.
It feels like: she's too loved, too known. The number of followers she has is, frankly, abhorrent to your sensibilities.
3.) An object at rest remains at rest: it is up to someone else to try and change its trajectory.
For all practical intents, purpose and reasonable application: forget them.
The only lesson that counts is 4.) Fuck logic, and that goes in the book.
-
February 14th.
Presently, we're flying at an altitude of twenty-eight-thousand feet as we begin our descent into Charles de Gaulle Airport. I'd like to ask you to please fasten your seatbelts, place all tray-tables and upright seats in their fully-vertical positions and power off all personal electronic devices. The local temperature at the landing strip is eleven-degrees celsius or about fifty-two degrees Fahrenheit. The forecast for the rest of the afternoon predicts clear blue skies, and we would like to thank you for flying Air France. Please have your passports and immigration documents handy for quick and efficient processing.
Then the same message in French, you're guessing. Welcome then, to the City of Light.
-
Your cell service pings back to life as you navigate through customs. Her texts and voice-mails are short, clipped, inane: news bulletins of random things she's heard of, things that catch her attention, new designs, newly-founded associations, this gallery and that gallery, this statue, that museum - all without her own commentary or editorializing.
The deluge of information almost makes her seem impersonal, disconnected from her own thoughts, like you're getting everything secondhand. Like it's accidental.
9:00 AM - Sana: oh btw just saw the 80's hairdressing revival special in studio e. 7000 times worse than the 70's one. nothing. nada. not a single ounce of cool. not like, at ALL.
Sana: never in my life will I EVER, in the history of fashion, agree with it.
Sana: photo attached
The photo is honest-to-god terrible. You have no idea what she's referencing.
11:30 AM - Sana: idk how it happened or why, but there's this tennis match thing i guess i'm supposed to be at
Sana: im honestly too zoned-out to tell whether i actually like this game lol
Sana: how tf does everyone know the rules. what is for-de-all? is that just a made-up thing people scream when a serve bounces into the net???
Sana: we'll see how it ends
Sana: ok the pro in the white suit is kinda hot and like, sosososo talented
Sana: he hits hard and his returns are perfect
Sana: how have i gone so long without knowing how deep i could get into the sports of men in fitted shorts??
There are countless more: small-talk, casual banter, lighthearted teasing, all going at her own speed of 5000 centimeters per second. You skim through, not sure how to parse the implications: she seems at best half-focused, unengaged, probably tired - maybe high on local-jet-lag, more interested in telling you she misses you and that her hotel room bed feels massive than telling you about her afternoons wandering art museums in a designer dress; oh, the magazines are frothing over her.
For reasons you don't feel entirely ready or qualified to address, you're reading between the lines to all sorts of things.
3:00 PM - Sana: could i call you? it'd just be like 5 minutes, i'm not busy or anything but idk if youre busy. not sure if you'll reply to this right away.
Sana: sorry don't mean to disturb you (´;︵;`)
Sana: well tbh i actually kinda do mean to interrupt.
She sends an obnoxiously bright, cloyingly pink 'V-Day' Gif in place of the last text and then doesn't answer. And suddenly, in a way you hadn't considered before - you think you're losing your goddamn mind, trying to construct an actual picture from fragments, assembling all the puzzle-pieces back into a single, discernible whole. She hasn't so much as signed off her text, let alone give you anything concrete to follow up on; this whole chain reads like the equivalent of sending her a lunch break meme, asking what her day looks like.
Inconveniently: it's the 14th of February, and Sana is the kind of person you'd get chocolates for - would tear open a Valentine's Day card and sign the message and seal it off with a stamp. It'd be tacky, and overly sappy and gaudily, horribly romantic - like a suitor from the Renaissance. You've always suspected she was something like an antique, in this very modern kind of way. It's how she looks best, all draped in antique jewels, chiffon and damask, dripping pearl and lace and silver threads, all in expensive, cosmopolitan aesthetic that makes sense within itself: something old, something new, something borrowed, something blue.
The insanity is that it's making perfect sense right now. You have been ruined in ways unimaginable, and you have not, as Momo kindly warned you, even known.
You are not, in fact, alright - or casual about the situation.
You need flowers, urgently: this is a gift-giving crisis.
-
It's funny - this winter fling, as ill-fated as they come, a few months in: time seems to pass fast. Too fast, to the point where it starts to slip away in longer and longer increments, faster and faster, further and further intervals - like shadows stretching inexorably towards dusk.
There's no flowers, no cards, no nothing - and that is sort of the nature of it, the romance of the everyday.
You're in the metro so you can't even use your data, can't send her a quick selfie of your charming visage, with the background blurring like you're getting real poetic about it. No moon, no stars, no gaslight illuminating the dark. Just plain-ass subway tracks, a near-soviet expression of concrete, and some stupid ads for full-body waxes. The trains clear the station at 8:57 PM local time. That's Paris's time, Paris's city, her backdrop. The frame of this portrait.
So, in other words: you are not poetic, at all. You've probably got nothing in your hair except dust, dirt, and a bit of airfare grime. You've still got yesterday's cologne and nothing worth sending her except an afterthought.
No photos, no video, no cards, no ring; no pearls or lace, no gold and silk - and this is total luck, by the way; serendipity must still like her more - you look across the platform and watch the lights of another train arrive: the girl stepping off is stunning.
And even further in terms of non-comparisons: she's the type who laughs too hard at your jokes and wipes away the smeared tears on her cheeks afterwards, who will drop a dirty joke at every moment, who lets you see her mouth open in a perfect, dripping-wet gape, who will sink into the mattress after a good, rough fuck, the headboard creaking; a girl who will tell you your coffee is too bitter and when you ask, sweet enough? - she'll still say no; not yet; no; don't; harder, don't you dare stop - that type of girl, is the one inching off the metro, glancing down at the watch on her slender wrist.
The trains start again and the girl is left standing on her own. In another five seconds, someone will probably say, mademoiselle? - which, also: there's a class on language you have not passed; you'll pay that back later - and in response, she'll sigh deeply, stretch her arms out. Tilt her head upwards for some fresh air.
You blink once, twice: and no - that really is her, on the other end. Sana Minatozaki - somehow inexplicably, for no reason you're privy to - has materialized as though she just decided on a whim to visit her home planet again.
You call out across the chasm, like a man possessed, and it is incredibly loud, incredibly embarrassing, incredibly out of character. You hardly notice.
Your voice catches on the draft of the tunnels; it must've echoed. She spins around to see who's calling her.
When she spots you, her face glows.
-
"Holy fuck," she rasps, trying to catch her breath, putting her forehead to your shoulder. "Jesus christ. What the fuck is wrong with you?"
"We were in the same city," you respond, hoarse and almost panting, palms flat against her skin. Your muscles have that third-rail electricity running through the tendons and straight on through, too; Sana feels like pure tension, just burning off. There's something vaguely buzz-high about you. "Couldn't resist. I was gonna call eventually-"
She hits your shoulder like she's mad, but her face has more or less melted in pleasure, her mouth parted into a wide smile, all sharp edges and incisors. Her hair's almost a disaster: you can see the barrette slipping out, the edges of it, the glittery accents; you think about getting your hand all knotted up in the up-do and pulling - just to watch her spill off the end of the spool, tightly wound, twining around you like ribbon, sinking in and refusing to leave.
The doorman tried to ask for your coats before you fell on each other - in the middle of the lobby, if that's possible - and it's not like he even really saw anything, you were sure: just saw her smile when you pressed the tip of your fingers up under her chin, just your thumb grazing her lip before you bent your mouth to hers and didn't come up for air.
The doors of the elevator up shut close, and suddenly there's nowhere left for you to go: no further to climb, to hide, to disappear.
"You," she begins, biting off the end of the sentence in exasperation, settling instead for letting the word trail away. Her lips ghost across the hollow of your throat, the curve of your jaw, the little dip between the column and your ear, pressing hard and insistent - marking her territory.
"Do you just, y'know, pop up in fucking New York once in a while, too, for like a spot of breakfast and then, yeah, I'm good." Her voice sounds tired, worn. It's kinda cute. "No plans to stay, nothing booked, just passing through, huh?" She taps your shoulder, pulling away to run her fingers through your hair. "Idiot," she breathes, in that saccharine way of hers, smiling; you are helpless; you are done for, fully done-for: she can take as many digs at you as she wants. "Also what the fuck, you didn't answer my texts," her face crumples a little when you grab her, haul her against you - holding on, tight. It's an intoxicating rush, seeing Sana falter like that.
She's as stunning off-kilter as she is put together: more real than any human being should be allowed.
"Well," you say, not apologetic at all. "It's a holiday."
"You're making it really hard to be angry right now," she replies, lifting herself in her pumps and slotting her lips over yours. This time, the kiss lingers. It is the point of departure, a threshold of arrival: who knows whether or not she can feel you melting beneath the heat of her fingertips. You want her to take as many soft, easy-going kisses as possible - a stack, a row, a wall. If she keeps leaning into you like that, you'll do just about anything. "Not just to make a boner joke, either," Sana whispers, fingers gripping onto your shoulders for balance. "I wanna go slow for once. Real gentle."
"Say that again?" You hum, unable to leave well enough alone.
"Something slow?" She lilts.
"A boner joke."
"God," she groans. "Would it kill you, you massive fucking prick, to have a modicum of compassion and not act like you're five?"
And look - there's not enough elevator for the whole story, let alone the novel it would be to properly explain everything there is to know about Sana; how the sky goes dusky-hued when the streetlights come on; how she always fiddles with her hands in her pockets when she's bored, the impatient flex of fingers, pulling at the loose threads. How you'd kiss her knuckles to calm her - how she was annoyed that she let you in the first place.
The story of the two of you would take, well - it'd take a few months.
"Actually," you counter, "it would. Probably kill me dead. Obituary, a single photo of a smirking ass in a dress suit. Very sad."
"Christ. I've put up with way too many assholes today," she huffs, shaking her head, "for you to be the way that you are."
"Oh, trust me. It's not my favorite either." You lean back, can't quite help it: she's not at all ruffled - only curious, only teasing. You pull her hips tighter towards you. She kisses you, sighs a little: her neck smells like orange-blossoms. You had no idea that could be as sensual as it is. "You'll just have to deal," you murmur.
"Like always," she complains.
"It is pretty rough."
Sana meets your grin. Her hand cups your face - it feels oddly tender.
"How," she says, slowly, the words very carefully enunciated - "the hell did you think this would turn out?"
You open your mouth: this is what you are capable of.
-
Sana never actually gets around to telling you the things she meant to say: the confession of a valentine, all sappy and serious, almost candid, with gravitas - a five-paragraph essay, four pages long.
It's a messy affair - you've got a fistful of hair and the other's shoved down the front of her skirt. She's been wanting to be here all day, it seems - you've seen the text-book spread of supermodels and old-money socialites and she's wanted a moment's escape from them all, has been pining for someone, anyone (most certainly you); waiting in her pretty dress and her high heels, a set of pearl earrings, the starlet curls of her hair - the clutch she left on the floor by the door because you shoved your hand underneath the fabric, said: I'll eat you out right fucking here.
So there's a common thread, if nothing else: you and Sana are verifiably incapable of having anything resembling a serious conversation. There isn't a single point of departure: the entire thing starts out casual and remains, firmly, casual.
You are deeply unserious people; this is just how it is. So clear from your head the ideas of saviours, soulmates.
You stumble together into the sitting room of her hotel suite - the luxury is appalling, almost, the floor-to-ceiling windows opening onto a gorgeous balcony and overlooking the Seine - "It's fashion week," is her excuse, "all the good penthouses have been booked since last November," she apologizes, which you can't really wrap your mind around anyway. You nod like that's reasonable, the right answer, pull at her lip with your teeth, and she melts right into the open palm of your other hand - oh, she'll fit well here. It's where she belongs: soft, sweet, yielding to you.
"Don't need your pity," she pants, breaking the contact to speak, to drag her tongue up your collar and up to the hinge of your jaw, grinding her hips down so that you hiss and close your fist tighter in her hair, give her that sudden tug, that sweet little rush: that thing she doesn't need, wants anyway.
Her expression flicks something in you - the eyes, the mouth; the trademark Sana-sneer. And suddenly you need to pin her to the wall, the floor, hold her still for the taste. You look up to get your bearings and find the world gone monochrome: night, cold, grey, grey-on-grey, black, dark - and that's fitting somehow. Sana tilts her head away to observe you back - you have a feeling she's observing how fucked-up you are over her already, and for some reason, you can't give her the satisfaction, not quite yet: can't admit the defeat of how you can't ever take your eyes off her, the thick swell of her legs and the smooth curves of her calves. Can't lay out what you'll do to her.
Though that's about when the storybook romance vanishes, and in its place - a more familiar arrangement; the reality you'd built with her over the past half year, the awful, easy rhythm you're going to settle back into with little ceremony: all playful affection, no sentiment. Zero pressure to pretend - or to pretend anything differently.
(Which brings you to this.)
"Sana," you drawl, grabbing her chin, making her twist in the direction of your touch. "Is that your dildo stuck to the coffee table?"
Because in the middle of all this, that's what she left lying out in plain sight: a some-odd inch silicon cock, unabashedly translucent, obscenely clear; with a ridiculously realistic head, veined shaft, balls - she had gotten her vibrator out of one suitcase and forgot the rest. It's literally sitting right next to the complimentary drinks; so obviously out-of-place, it's impossible that someone could mistake it for anything.
"Oh god," is the only reply, mortified. "Please, dont. I didn't think I'd be-"
"Should I be offended?" You are doing a truly appalling job at sounding seductive. You are, in fact, kind of choking down a laugh.
Sana takes a hand through her half-disassembled hair. Tosses the bobby-pin holding up her bangs: there. Full dishevelment - the effect is startling. You can almost trace the silhouette of a girl so very badly kept together; frayed ends, straying strands, half-gossamer and half-permanent dye.
"It's a toy," Sana explains, like you hadn't pieced together that much. She shrugs off a strap of her dress, the other. "It's just plastic and stuff." She looks at it. You can see the wheels turning, trying to figure out if it's worth salvaging. Then: "Here, c'mon - don't think. Don't," she tries, unconvincingly: "think too much about this."
You raise an eyebrow.
"I was planning to fuck myself senseless, maybe because somebody wasn't answering their texts," she adds, glibly. It is absolutely stunning, watching Sana Minatozaki shamefaced, pouting - trying and failing, failing miserably - to look even a little apologetic. "Just lemme - if you're into it, y'know, we could. Use. It. Or something."
"Or something."
It's too late: you're cracking up.
"This is really what you use on your off hours? On yourself?" You pick it up: it's heavier than you expect, mostly because the thing is made of clear jelly, probably some kind of latex-powdery-water concoction - just the sheer thought is bizarre, foreign to you. The base suction cups to...any surface, you suppose, to provide stability. It's not altogether very practical, now that you're getting a closer look. "Is this," and you hush conspiratorially, "Is this Jean-Pierre?"
Sana smacks the side of your arm, flushing. "Shut the fuck up," she responds, laughing. A beat later, her lips tilt. "His name's Woody."
"That sounds like a conversation starter."
"I shouldn't have to explain the reference."
"You're sure it's a he?"
"It's got testicles don't it?"
"Oh yeah," you say, weighing the toy in your hand. "Look at that."
"Would you just, like," Sana coughs delicately, looks around the room for something interesting. "-put it somewhere."
"Phrasing," you can't help but point out. "Jesus you moved the mirror in here, too."
And you'd caught the moment originally, when the blush had filled her cheeks, her forehead, her nose, all the way on to her ears. She had known. "Maybe you really did corrupt me," she counters, turning her head pointedly away. "Wiped away the good girl veneer and turned me into a degenerate pervert."
"Which is basically how you started," you remind her - and you catch her in your arms. She relaxes almost instantly; you sink a palm down the small of her back to rest in the dip of her spine. You've learned a little: Sana prefers closeness, intimacy, touch. No questions, no fanfare, no gimmicks, just the simple offer of body warmth. She'll curl into your chest and stay quiet, almost content; an ineffable smile leaking up the back of her throat as your nose tickles the side of her neck, mouth open and warm and pressed into her skin.
Her eyes crease. She feels more real, a little less ethereally divine.
"How could you?" she asks, faux-affronted. You can feel how she breaks character, the laughter reverberating against your fingertips. "I'm, like, so fucking demure."
It takes everything to resist kissing her until she moans: which is the danger. You do anyway, but at least the damage has already been done.
She locks her wrists loosely behind your neck. Kisses you slow. Heavy. Giggling - you've been demoted to giggles in the end, it seems, a slip from seductress back to child-like delight. "Seriously," Sana sighs, rolling her shoulders out and circling her hips slowly. Your heart drops. Your entire face turns hot; you're really fucking gone for this girl. "Wanna watch me ride it?"
-
The thing is, a bed-time story would have paper-hearts, and candles, and maybe a field of birds; an open space, a plush meadow, a wide, beautiful, clean canvas for this little romance to run wild across, uncontained.
Sana instead, reaches for a bottle of personal-lubricant, glances back with a smile; your breath catches - you think it's a momentary trip, a chemical reaction.
You realize it's the lighting instead, the frame of this moment. The simple concept of art, how the hues of the dark deepen, saturate into something a shade off - purples and blues; something to capture and press into paper, inked forever.
She holds the bottle above the end of the toy, pours generously. As you can already tell - no lack of initiative, imagination: she takes both her legs to the edge of the table, stretches them outward - makes a pretty little show of herself, arches her back off the glossy wood - and sets the tip just against the inner junction of her thighs. Sana pushes, tilts: gasps aloud, sharply inhaling, watching you watch her with heavy-lidded eyes. Her shoulders relax and the rest of her muscles follow the tension - easing in a slow, languid circle, hips grinding down. She sighs at the cool feel of it, before pulling it back to rest the edge just in-between her lips, a teasing movement, right where you would reach - two fingers inside, hook up and outwards and open, stretch her wide to fill.
The girl looks like sin, looks like decadence; near-saintly: holy and sacrosanct. You think they've beatified less.
Sana reaches with her free hand for the front of your shirt.
"You," she whispers, and your hands flex involuntarily.
"Yeah," you reply, soft, even-keeled. "Me."
(Romance me, she'd said, only half-sarcastic. Sweep me off my feet and ruin me. Then I'll show you just how obsessed I am with you.)
-
There's always the itch, the impulse: to undo and dismantle everything around her, take everything to pieces; reduce her to tears until all she knows is your hands and your voice. To stop treating her like a masterwork and treat her more like something you're carving out of a block of stone. Maybe she'd lose that divine edge; she'd fall from that angelic grace into something mortal, and it wouldn't be anyone's fault. Not really.
Well - until now; because this is all you.
"Oh, Sana," you murmur, watching her tear up like it's killing her. "God, look at you."
You’ve got your fingers running through her honey-blonde tresses, got her wet lips slipping down the length of your cock, got the cutest little whimpers coming from her chest when you push a little too far, force yourself a little too deep - got the prettiest girl on her knees, working your cock to the back of her throat and letting her hips grind a few more inches of silicon inside her. The visual isn’t even in competition, in comparison - her huge amber eyes all innocent and glassy, those flawlessly plush red lips - you really shouldn't do it; if she hates something it's being mussed up, but here she is, anyway, because if there's anything she hates more, it's not getting a full serving of exactly what she wants - and she's swallowing your dick down her tight little throat without asking anything in return.
"You love this, don't you, baby," and when she bobs up - sinks back down - your next breath drags through your teeth.
The mirror's behind her; you don't need the nod for confirmation.
You can see it clear as day: her pussy creaming, glistening as she takes it even deeper, leaving a white, glistening trail from the base to the tip of the silicon shaft - how far she's gone; how far she'll still go.
"You love having my cock down your throat," you keep talking, and you curl your fingers gently in her hair, not enough to guide or press, but Sana - bless her - takes it like an indication and does the work for you; she nods anyway.
The waterline of her big doe-eyes is swimming, nearly spilling over - and if this doesn't prove it, then nothing will, certainly not anything she could say herself.
But, really - you can't get over her face, and she must know that.
Prada, Fendi, Chanel, Dior - they've got similar ideas, sure; straight to the gutter, only if they could see how you're replicating their vision - her eyes: too huge, too shimmery, too imploring; her hair spills from your fists in loose, glossy coils; that magazine-cover-ready look all flushed, mascara-thick lashes wet from the strain, jaw a little slack to accommodate the size of you - you're not too much easier to take than the dildo stretching her cunt wide right now, either.
Oh, she's filled up on both accounts.
"Mmnhph," is how Sana hums around you, tongue working obscenely over the head. Her mouth feels velvety-tight on the upstroke.
It doesn't take much to forget her mouth's playing second-fiddle to the work her cunt's doing, and her free hand's curling tight around your thigh, a steadying mechanism - which, isn't that the very root of the matter: the first time you'd cum in her tight little pussy, hadn't it been just like that, where all the pieces slotted right back into place, a certain order to the chaos? The desperate cling of her pretty-fingernailed hand.
Eyes wet and blinking: trust, don't let me down.
And you'll indulge her like tomorrow's the end of the world. Work her through it; watch her fine eyebrows pinch tight together; note how her high-strung breathing sounds muffled in her nose. How she lets you slide to the edge of the chair to fuck her face, lifting your hips and knocking into the slightest gag-reflex possible. She gets progressively filthier, tongue lathing the underside of you, sucking the head with the tight seam of her lips whenever you pull back to give her a second to breathe.
"Jesus." Your fingers loosen in her hair, combing her wild bangs from her flushed face. It's suddenly delicate. Gentle. Doting. Sana's pretty little forehead deserves a kiss for how fast, how deep, she's taking your cock in the softest part of her throat.
"There we go - just relax, sweetheart," you tell her, the very same girl who is making herself cum in the full-length mirror: pussy stretched and pulsing wet around the toy. "Catch your breath."
She doesn't even flinch when you touch your thumb to her cheekbone, carefully pulling her face back, feeling the wet press of her tongue at the crown. But her lips pull into a pout like she's sad you're stopping her. "No more?"
You inhale, deeply, and try not to laugh out loud. Her cheeks have flushed this adorable rose color. "Baby," your voice trails off with a click, and it's entirely your fault for teasing her; you might not get out of this room for the rest of the night, after all. So much for red wine and valentine's on the Seine - the perfect, the picturesque-
"I can't help it," Sana cuts in. She doesn't even hesitate. If anyone can redefine perfection, well. She's wearing that look: her mouth an utterly sinful pucker and her tongue skimming pink up the wet mess her throat's made of you. Her big, heavy-lashed eyes gazing at at you, and her pupils - well, that's no doubt what happens when something hits too hard, and it's the last thing you should notice, really, in this moment.
Her tongue is flat, stuck out. Very pink. She slaps your cock against it. Jesus christ, you think.
But: who can blame you, when the gorgeous, nude, marble-perfect woman on her knees is riding her toy with no qualms whatsoever, gazing straight into your soul?
"The faces you're making are really fucking hot and it's valentines day and you, like, taste and smell so fucking good-"
"Okay." You're twitching in her hands, and it's making her give you the most awful bedroom eyes in the world. "Okay, baby, slow down-"
She doesn't, but she can't do much worse; Sana presses her plush, swollen bottom lip to the crown of your cock, makes a show of licking the precum beading from your slit - licks her lips like it's a present, like she'd flown halfway around the world just for that, and it's an ambrosia she'd rather savor than spill.
"Sana," and your laughter falls out in a gasp, because, fuck - she's got a tight grip on your thigh and the most selfish desire for your orgasm you've ever seen; her other hand is already set, too, the one rubbing away at her own dripping pussy, wrist working just underneath her, catching her clit. "You're going to make me cum like that."
"Okay," she tells you, all round-eyes and wet-mouth; she's so fucking insatiable. "Then cum."
You're not sure how a goddess who worships your cock ends up like this: propped up the hotel-furniture, sinking down a thick, gleaming dildo and the slightest hitch in her breath a fucking non-sequitur. "Fucking hell," you gasp. "Princess-"
And, well - it's not like you really protest; her mouth's already at the tip of you and she's working it there, in and out, with a teasing wetness.
She sighs, heavy, but also blissful; sinks lower in one, rolling agonizing movement; meets your eyes when you go heavy-lidded and biting your lip - like it's a competition for who can end up the worse wreck. She swallows, slowly, so slowly. Lets her nails lightly dig into the sensitive skin behind your balls, drags them back up with her tongue and her throat constricting.
It's her expert mouth, that's the thing. You close your eyes because you think you might cum right then; right down the back of her pretty, porcelain throat. You can hear her humming like she's enjoying it more than you - can hear the clicking sound in her throat when she bobs her head, fucks herself deeper. Can hear the slick, filthy slaps of her pussy taking the cock fastened to the coffee table under her. And, you think, opening your eyes just a crack: when your girl's making a mess of the expensive hardwood with the cream spilling from her needy cunt - that's worth giving into. That's an image so good and perfect and god-damned filthy that you'd bet, when you cum, all the devil will want is a deal for a replica, for a pact to possess every woman out there who fits the mold: this one's yours.
You're fucking her mouth so hard, she's drooling.
"Jesus- ah, fuck. I'm going to fucking cum, Sana," and, not that she listens, “down your fucking throat, honey- I'm, oh," - not that she cares, really - you've just managed to grit your teeth - to arch your back up like that could pull you out from the sensation: it doesn't.
She does moan around you, then. Pulls the vibration deep and uses her tongue, works the pink, slender muscle right down to where you're half-gagging her, making her eyes water.
It's easy to knot your fingers back in the locks of her hair, pull tight.
Easier still, her face is framed with your thighs and the effect's immediate - it feels as hot and wet and tight as a vice and your voice shakes along with the rest of your neurons, firing, collapsing, keening - and, of course: when your hand fisted in her hair tries to pull her hot mouth off your cock, well.
There's a few more inches of sloppy-wet friction and slippery-tight drag you hadn't really budgeted for.
You're cumming all over her face, not that you had much of a choice - it's just one wave and another, your thighs tensing and the breath going out of you in stilted, long, stuttering moans - Sana looks up, when your brain has unscrambled enough to register her name and the light of the world and the absolutely perverted expression she's got: there's a shot of cum that streaks across her closed eyelid and another string making a sticky-white mess out of her button-nose and, god-
You don't mean to cum in her hair, but-
"Fuck," your teeth clatter around a biting-gasp, "Sana, oh fuck," but - as expected, she does have your cock gripped tight at the base, her lashes clumped with the mess, her cheeks sticky-messy.
Sana's looking up with the innocent sort of mischief only she could ever get away with, you figure, cum-covered and beautiful: the good girl with her good girl mouth, all the evil inside of her.
She lets your cock fall out of her hand, down, with an obscene, wet thud, right where she can press it against her face - press it against those sharp cheekbones - and those doe-eyes, and those lips: the ones she draws across the dripping tip, pulls at them with a sultry sort of sigh. Sinking the curve of her nose down the belly side of your cock as you paint her, gasping for air; and it gets worse - when her tongue catches between your balls, when her lips are pouting right around the soft skin there and her soft moans make you pump the white-hot ropes of cum until it's a mess in her hairline, in the silky locks that fall to the crests of her ears and down to where they rest over her tits, hiding the flush of her hard, puffy nipples, her tiny little pink clit-
"Messy," Sana croons, without much of an inflection; one eyelid flutters open and a milky-stream runs down the curve of her cheek; the other seems hopelessly stuck.
Oh, she's usually such a wet blanket about getting anything in her hair (which is more often just an excuse to ride you brainless on the shower bench, but it doesn't come without her grumbling on the way), and even then she's lifting up off her heels and resting her chin on your thigh to make sure you can watch when she spreads the mess along her slender throat and back behind her ear, almost shy, drawing strands of cum into her mouth with her long-lashed eyes locked onto yours.
"It really hasn't been that long," and she says it with some exasperation, with a bubbly little bout of laughter that has the same weight as her pecking kisses along the muscles of your abs, cleaning her cum-hand against the patchy wetness across the flat plane. "Geez - you must've been so pent up -" and she stops for breath, for another suckle to your shaft; your cock twitches in her grip, the sensation too much, but it makes Sana give the most self-satisfied smile. It'd be unbearably irritating if she wasn't your entire universe - she is, so you try not to move as she steadies herself on your thighs; presses her messy face into the side of your throat and mewls. "All mine," Sana decides, sounding quite content about it. "Do you need a few minutes?"
She asks this like she isn't pumping you still, using her delicate fist to keep you upright for her while she speaks into the line of your jaw.
"Um," you say, before anything else. Before thinking about her clinging, wet heat around you. Before anything else: "yeah."
She purses her lips. Presses her free hand to your chest with a needy arch of her body. Pants for you, lashes falling shut - and, there's the problem, she's so much more fuckable like that. She's painted red from her cheeks all the way down her tits and you're just realizing how much drool fell off her chin, how much of a mess is between her tits, how much she revels in it - getting her face-fucked until neither of you can survive the fallout.
"How about," she huffs against you, all breath and the curve of a whine, "I clean this up," her hand's still tight at the base, where your nerves are singing with all sorts of new sensory input - "and god, your heart," she whispers, and her chin hooks over your thigh. She's looking up at you, ruined, flushed and dewy. "-is beating so fast for me -" she says, almost wistful.
That's the point, probably. It's the entire problem: she has a few ideas of how beautiful she is, the kind of destruction she wreaks.
Her breath catches in her chest when her hips shift back and that thick, fake cock pops out of her cunt; it sounds fucking filthy, and the softest of keening moans escapes her - it has the weight of your existence and she probably knows it; her amber gaze fluttering shut as she doesn't move for a second.
You don't either, can't really; Sana sliding up your body as graceful as ever, even naked and used-looking, leaves you barely functional and running on over-stim. "I mean," she starts, like the two words just tumbled out of her cunt with the rest of the mess and that's a great explanation; Sana's moving around in your lap anyway, dropping that nice, hard dildo on the seat beside you, still dripping. "I can't let you cum in my pussy," she says, all gentle matter-of-fact, while her mouth opens across the arch of your jaw and she gets cum down her wrist. "Well," she amends, "-not yet anyway, not right now," and she does look guilty, for some reason.
It makes your smile twist wry and unattractive, probably. "I'm good at controlling myself," you manage.
"Liar," says Sana, which is a reasonable reply. You'd laugh, but her cunt's wet and hot against you, already sinking, settling, just an inch deep into her cunt. It's easy to take in hand - you grip her hips, thumb her little pink clit.
Sana's response is to rut against it, rubbing all over where the swollen head of your cock rests between her thighs. Her smile goes a little blissed out, dreamy.
"There's another place," she's saying, while her hair spills down your arm, between you, sticking in the space between her tits, "that would be a perfect home for this thick, gorgeous cock."
"I think you should let Woody and I sort that out," and, shit, that doesn't make her stop moving, dragging her soaked slit over your shaft. "Maybe he'll be your valentine after all, huh, babe?"
Sana narrows her eyes, tilting her head forward in her best attempt at threatening. It's cute, almost, if your dick wasn't trapped between the wet heat of her body and your belly. You pick her up so, so easily. And that's hot, you think: your strength, her whole lithe-waisted petite-tits everything.
"Hey," her lips part against yours, a protest there - until you move her by the hips, pushing up and watching her spread for it.
And if that doesn't go straight to your ego.
Sana huffs, playing aloof, petulant - a character you draw out when she's really hoping and praying you'll fold her up and show her what the good parts of worship mean. "You think you can share?" she's asking you, voice already growing rough. She's trying to fuck back, take her hips again, but you still her with your palms, fingers sinking tighter and her ass spilling out between your knuckles.
"Get your knees back on the table for me, pretty girl," and you lift her as she squirms; set her down, until her body is arched forward, tits pressed punishingly to the hardwood.
You think you're maybe spending next-century's savings on a wet-dream made real; maybe being too rough, too mean about your hand twisting through that mess of golden-strawberry curls at the base of her spine and making her spine curve deep as she breathes out a heavy, messy curse.
"Give me what I deserve, then," and she can't reach under her body and tug at your cock, but she gets the words out. The order. "I'm aching, it's sore and empty and, it's so fucking tight," and that's not a demand but a whine. She wants you, that's the real point. "You know, I want," and she doesn't finish that, but:
She's blinking at her reflection in the glass, watching it. You really fucked up that pretty painting, and she's appraising the art, tilting her chin just a bit to appreciate the effort: how she's made to be wrecked.
You grab Woody, attach it to the table without thinking; the weight's warm, solid; he's hard-used and wet enough from her body that it's not an issue; there's enough lube leftover to slide your palm once or twice over and drag it wet across Sana's ass, around your length, even over Sana's pink cunt, wet and swollen and bunched with the toy she'd used, stretched deep as you'd seen. She whimpers out the softest sound, then, and you think: what a miracle, and maybe she does too because her hips arch into it like she's begging for praise, for your touch, anything; there's a few seconds of pressure, just enough time for you both to realize what's happened.
"This'll get messy, you know," you tell her, which isn't fair. "It won't feel the same in there," because your baby needs her explanations.
"Want to feel you both in my guts," is what she offers instead, and- yeah, it's so not fair for her to say stuff like that either.
You touch the silicone head to her puffy folds, ease him up and down - just how you would for her, only taking care to feel where she's pinkest. Where's the pressure on your fingers? There, probably, but there, too. Where does she gasp the softest when she's full and tensing in anticipation? Oh.
Her cunt is so slicked she sinks on it, opening fast and beautiful and dirty.
The sound Sana makes is unreal; no way to measure her reaction otherwise. You don't know whether it's good or bad; all you see is the way her reflection dips into nothing, into pain, but: her head jerks up in time to watch and she moans like she's begging - loud and pretty and shocked, eyes fluttering. Her hair falls like curtains around her face, a wildfire behind her. She's stunning; of course you think it.
"See that," she says, through clenched teeth, "the pretty way it pushes out of me-"
"Makes room for me," because yeah, fuck, okay. You know it too.
She's perfect for this: a body like she's the centerfold in a dirty magazine and then a disposition that says yes, you do want me like that. Or, she's asking for a pounding. That's the least you can do - straddle the surface with her, line your cockhead up, push just barely to the resistance - force Sana's hips down until Woody's bottomed and her legs shake for the first time.
"You good, baby?"
"You can," and-
Oh, man. "Let me do it," you tell her, sliding your hand up her back to grab her hair, winding it between the thick of your knuckles. "I'll take care of you, I promise-"
That's another shot in your veins: her lips bitten red, her expression ruined; the way her face falls for you like she's meeting you in that elevator for the very first time, the straw of her iced coffee between her lips, her nose wrinkling for the cliché.
She blinks at you again, nods and keens and oh-
Your cock works in that next fraction of an inch, just the head spreading Sana open.
"Holy-" but she chokes it back, so you'll keep doing this, making her think, fuck- "oh my-fuck-okay," is what she gives you, breathing in pants; what her expression tells you, the lines cutting over her brows and between her nose.
"Sana," is as far as you get, and Sana's grinding, gasping. She'll sob. She'll get loud. You can see from your angle; just feel how much it burns, the way Woody's working inside her, splitting her to the core.
You watch the line of her back work, tense, clench - where it's just that simple and base and human.
And the mirror's got the full story: it all comes up with the same obscene details - Sana's mouth a deep open pink, her eyes rolling closed as she swallows thickly - as she's wetting the air down and relaxing her whole body for it: her toes curling. She sinks another inch onto the toy, you figure, and she makes this fucked-up mewling noise, half-cry, half-begging. Your cum is tacky all over her front, drying sweaty; her makeup's runny. She's a disaster and so pornographically stunning.
You sink deeper, and she bucks, takes her time riding. "Feels- fucking incredible, doll, I'm going to start fucking you, ok?" and you groan; you are. You pull back, seeing where her cunt is creamed out and ruined, where there's the ghostly wet lube smeared on your cock, all sticky like her.
Sana nods, looking back - she finds your face, doesn't falter; she'll see her tits spilling against the table; the dark shade of her nipples. Her cunt's sliding over the toy in a rush; she's shimmying her whole body, impatient. You let go of her hair and touch between her shoulder blades to the base of her spine, marvel in the stretch of it, the pretty flush you're fucking into over and over.
"It feels-" Sana's talking, her forehead bowed against the table, her mouth hanging loose, "feels-good. Good. Amazing. Feels-" and she can't breathe, you know, but fuck, neither can you- "so. Full. Full."
You nod; know. She knows.
She's saying it for herself, in a slur, the words on the edge of a gasp: "I'm-holy-"
Your fingers pinch her ass, just gentle; enough to spread her, catch a view of her stretched asshole. Her teeth knock together - she's trembling for this. She'll cum.
"Trying to kill me," you tease, but fuck- it's good; so fucking good.
You've been brushing your cock to the back of this girl's throat and it's still the hottest thing you think you'll ever see; her personal toy buried to the hilt beneath you, just the tight little opening of her pussy fucked-out and slicked-up, raw and red and utterly ruined-
"Shh, sweetheart," you manage, burying yourself in as far as possible, leaning over. You move the hair falling into Sana's face and trace her features with the tip of your index finger, smudging a fingerprint of eyeliner. You're kissing her hair, her skin, tasting salt, sweat, cum: "Such a slut, taking that big fat toy all in you, opening you up-" and the last you get out isn't her name, it's a murmur- "look what a whore you're being," and her cunt is fucking throbbing-
You lean back, catch a sight of it; her thighs trembling and pinkish and oh, fuck, no. She's got one of her hands worked back and on her clit, stroking it feverishly-
"Baby-"
"I need you," is what she cries out; not an explanation. "So," and it's something mangled- "God, please. Come on."
She tells you twice; she can't help herself. Sana's ass is unbelievably tight. So pretty; so the little fucked-out cocksleeve you always needed. All her eyeliner's fucked to hell and her hair's still a knotted disaster; you've got all your inches inside her, she's pressing the heel of her hand to her clit and drawing patterns over her face with her fingers like she can't remember-
"My pussy, jesus-fucking-christ." Her mouth is falling slack again. "God. God. Harder, it feels too good, don't stop-"
"Such a good fucking girl," and there's this picture-perfect moment-
She cums. You're all up in her guts, spilling to the tight space, that she's fucked beyond the stretch and that's got to burn, paradoxically making her go all crazy with this feeling. Your cock's making space - you'd hate not fucking her until she's overfull and all those slick muscles are clenched and bruised-
"Does my princess need something?" you ask her, while your palm teases the flare of her hips. It's teasing; she won't stop; she'll cum again. You're pounding her ass and that toy's still there, buried to her cervix, her pussy's a mess and it's almost an itchy pleasure, too much stimulation, too sensitive; she's slick, sodden.
Sana is nodding furiously. One hand's doing it again, and the other's got the thumb trapped in her mouth; she's trying for silence; it won't last. Her throat's loud and filthy and you've always probably known, since the very beginning, that Sana loves taking you in whatever gorgeous, wet, tight hole she can.
"Please," she manages. Her hand's moving quicker- "Let me. Let me." And she's grinding against you, taking in every inch you have for her, arching her back; her clit is raw and throbbing and she's a fucking genius. A natural at begging. She deserves the win. She's being good. She's letting you fill her with cum.
You're not even fucking her into particularly fast, particularly deep, just grinding, using the tight ring of muscle, the heavy, bruising press.
"Tell me," and she can't focus- "Tell me when you're going to cum, princess. Can't wait to feel you-".
Oh. And, then-
You want it to last.
Her feet are tapping, toes curling into the hardwood, and it's over: she's tightening her grip against the table and making sure to keep the vibrations direct, her cheek pressed to the wood, drool drenching the corner of her lips. You've seen enough dirty shit, done enough kinky stuff. This - this might actually have you dumbfounded: watching her convulse; watching her bring her hand away, just touching. Her cunt's all milky and soft.
"Stay still, sweetheart," you're saying; as if she can move. You're holding her steady by her hips. You're massaging lightly; taking all the rest you can. "That's it, come here, you're so-" and your cock's easing its way out- "fucking."
She gasps when you slip all the way free; your cum slides back down. Sana's languid and fluid, skin sweating, hair everywhere. She's not crying, but it's the closest she's been in ages; the closest, most pure you can get a girl: your cum spilling out and all over you, and you're telling her it's alright, telling her she's gorgeous; saying it's okay she's already stretched herself so thin, exhaustion pooling, seeping out of her mouth, the line of her thighs and-
"Thank you." It's that genuine, melodic cadence, the honesty - it's that the first time she's looking down and she's blinking tears- "Want you to- right here," and she's moving forward, slowly.
You're cupping Sana's thighs before you can even think; lifting, bending them to her chest, her lips bitten, kiss-swollen. Her tongue darts to the corner of her mouth: Sana knows where this is going.
You can taste her. You can taste your own sins - the vanity, the hubris, the glutton, the greed - taste how wet, how flushed. She's putting that expert mouth to good use and keeping quiet again: a pant, a whine, an ahhhh, a whimpered half-curse. Her chest is flushed the prettiest, sweetest, lightest shade of red.
It's too intimate. You could lie in it, keep her warm like this until the very earth rotted. All the rough, dirty things you could do to her; it's almost sacrilegious that this is what brings the closest feeling of bliss, peace.
You don't realize how still everything is, all stilled, until Sana's small, quivering legs hook your shoulders; until the end of her toe brushes the shell of your ear, presses. Her spine arches into your mouth and the scent of her cunt - the taste. You could stay here, in your hands, and take, and - and give it right back: take, take, and take.
You eat her cunt until her voice is wrecked raw, your tongue dragging across her ass, over your lower lip, smearing her slickness, tasting her from your fingertips. She doesn't beg and she doesn't tell you what to do, she just spreads her pussy and rides her clit against your lips, moaning unashamedly as she rocks herself on your face, coming on your tongue in two, three hard, heavy pulses.
"Good fucking-"
"-God," you finish for her, and it's all the most sacred kind of silent. Your face buried back in between her thighs, just breathing. Just loving her, and holding her steady, because aftercare's a bigger part of the game than either of you let on, and you know she's ready and safe in your arms by now.
Sana pants and heaves, eyes shut. Bites her lips red as she smiles.
The lines of her face relax as if you're soothing her, tucking her in: good job, I've got you. When she isn't such a tender wreck, it'll happen all over again.
-
"You know," you say conversationally to Sana, who's lying in the fetal position at the foot of the bed, "you look cute right now."
It's another day, same time-zone, different house, same game. You've never stopped in your pursuit of what exactly a muse looks like: perfect, empty, caught in the bright white exposure of her hotel room lamp; all hard black-and-white, tonal range; in the scratch of the pen and the haze of the film developing, on the translucent material of the photo you'll print. There's the image, there's her breathing-
(There's all the ones you don't even know you'll find: her belly growing large, skin smoothing with child, a birth, a growth, a transformation; the dreams.)
-she's told you as much, but you can never know for certain if she really, truly-
"I'm dying," she grumbles. "You fucked me to death."
"You're bad for my ego." You plop down next to her and rub a hand between her shoulder blades. The curve of her back makes your fingers ache and your throat close up. "How do you feel, really."
Sana takes a moment before she replies.
"Hurt," she finally murmurs, quietly. You hum back a soothing noise. "But good. The best. Everything I've always wanted." She pauses. "Also: dead."
"You said that already." You're rolling your eyes, fondly.
She doesn't reply, just pushes herself up, legs crossing, one hip propped up. She's in a hotel bathrobe and she's supposed to be at a runway in an hour. "Hey."
"Yeah?" you're already tilting your head. She's sitting in the middle of the bed now, legs crossed under her; this is definitely a hotel robe, you've never been around her this long. "What's up?"
Sana just tucks her hair back, bares her shoulders and moves the fabric down the curve of her side.
"I told you," she starts, and her teeth snag on her bottom lip, "I think you're good," and she's suddenly shy: this little fuck-off of yours, of yours. "For me."
"You-" you start, and there's a way that things are and you have the gut instinct, the conviction of it, but-
(Then again, a girl with hair the color of a caramel confection and eyes you could be lost in for eons told you the other day without having to say it, eyes widening in the haze and light and gloss, that she could love you forever.)
"Yes," she answers, because it's your question, that slow smile making her features draw inward, the wrinkle of her nose: yes, it's your decision. That she's telling you the truth. "Exactly."
-
Actually, to frame this right, you probably ought to have started with her, at the girl with idyllic, copper-spun hair and a thousand-watt smile. It reads main-character energy from fifty feet away: you should've pulled the curtain back and simply said, meet Minatozaki Sana.
Your significant other, sorta - few people on earth know that, for a lot of reasons, and depending on the day, you can't be entirely sure if she wants it that way or if she'd rather scream it from the rooftops; Sana is - well, it's tricky. She's beautiful in a way you never got to conceptualize before, that nobody probably does. She's magnetic. It's effortless. It's gravity, and it's only natural that you'd always want to pull yourself back to her, to orbit her; she'd ask and you'd die, right?
She assumes you'll ask to marry her, someday - you're starting to suspect she's probably right.
And there's a pattern of nuance to how you know her, all the definitions of her - you bring her fresh-cut flowers, you call her princess, you fuck her until she begs, you hold her while she rinses her hair in the shower. You run your mouth, you eat her cunt until she can't walk straight. It's a big role, a broad palette to capture.
Sana, in the morning for example:
Can't drink her coffee black; steals sugar packets from cafes and slips them into her pocket; sleeps so still and so quietly that sometimes it almost scares you, worrying that she’s slipped off into a coma. She likes being doted on, likes getting compliments, likes melting under someone’s full attention as if she's waited for that from you her whole life. She says it directly: listen, okay, don't laugh at me, I get needy.
Or, beneath starlight:
Flitting across hotel balconies, grabbing you by the arm and pulling you into open bars.
She'll buy you a drink and loves when you buy her another, her glass never half-empty. She climbs on top of you and presses her mouth to your ear, sings the song in her head for the next five minutes, hips jolting when she sways a bit too far - a light bulb over a diner counter. Tips the waiter extravagantly, rolls her eyes when you lecture her for spending your money. Smiles at you anyway and takes your hand in hers on the way out the door.
Sana Minatozaki, on herself:
A nightmare. I don’t even know. Seriously. An absolute mess. Completely nuts. (You said you were a 'total fucking catch.') Oh, yeah. I guess that's true too.
-
(Or maybe, Sana, on you:
Well, when you ask on the flight out, she says something sweetly innocuous. When you press her again, she blushes. When she might be feeling especially adoring, she'll look at you and say, with utmost certainty and uncharacteristic lack of sarcasm, 'I mean, it's you. What more can I say?')
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God's Favorite
Lucy wakes to the soft tapping of rain against her window, and she is God’s favorite. She knows this in the absent sound of her alarm, and she knows this in the yawning rumbles of thunder, and she knows this before she touches her phone alight to the notification screen.
8:43 am. Far from the 4:30 am alarm she’d needed to heed to make it to her flight. Her screen is awash with airline notifications.
She scrambles from bed. Her urgency is an apology. Lucy skips the shower and skips the hair washing and paints on deodorant before stowing it back in her carryon and calling her uber.
“Crazy weather,” her driver with the big mustache remarks. His windshield wipers swish through a river of rain.
“Yeah,” Lucy answers. She glances at her rumbling phone. She glances at the rumbling clouds. The road is clear. It shouldn’t be, not this route and not at this hour. A gas main broke somewhere up the highway that feeds this street. A freak accident. 2 injuries. It’s kept this road clear for just the locals since it happened. Lucy encounters no traffic enroute to the airport.
There are pockets of planes grounded across the runways, barely visible behind the sheets of downpour. They look like herding animals, herbivores, standing stock-still in brace against the weather. Lucy stares at them only a moment while the driver pulls her carryon out of the trunk. She grabs her jacket closed against the wind, and grabs her carryon handle, and thanks her driver. The rain does not reach her here, though the wind does.
Inside Lucy drags her bag past the help desks swarming with the orderly filings of people in disarray. Parents leaning too hard on help counters with kids pulling on bag handles. Hurried conversations and requests and arguments. The electronic boards are awash with deeply red DELAYED and CANCELED. The airport is choking. Lucy, who God loves, glides through security unimpeded.
At gate-side, Lucy finally looks to the large red board of DELAYED and CANCELED etchings to confirm what she knew without even checking her phone notifications. Gate A14. Her carryon wheels pitter and patter across tile as she walks, striding quickly, with apology.
When Gate A14 comes into view it is smothered with the weight of two or possibly three flights worth of people. There are people asleep clutching backpacks and curled on the floor. There is a four-year-old girl with her face buried in an iPad and a mother having a phone call whose clipped urgency infects Lucy. There is a man leaning over the counter to talk to the gate agent, and his hands pulse with each tensing of his fingers. “…to the hospital before she…” Lucy makes out, or thinks she makes out. She doesn’t hear the gate agent’s response, but she can read the defeated shake of her head.
Lucy’s carryon wheels clunk where the smooth tile of the terminal shifts to carpeting. She doesn’t think to grab a seat because there are no open seats. So she positions herself in a way to unmistakably say she is at the gate, threading between stagnant suitcases and kids splayed on the floor. Lucy approaches the rain-splattered windows, and like a conversation shy upon being overheard, the thunder recedes from her advance. The rain draws to a polite close. The clouds split along a seam and pull away, as if they were only ever a wave that had transiently crashed to shore. The sky is beautifully blue.
There is a stirring hopefulness in the air. Other passengers have pushed past Lucy to stand closer to the window and peer outside, as if their confirmation of the changing weather can convince the airline of what to do next.
The gate agent puts down the phone receiver of a one-sided call. She pulls the microphone close and with grainy clarity she announces, “Boarding for Flight A1874 to Detroit will begin in 10 minutes.”
On the walkway, through the gap between the throughway and plane, Lucy sees the puddles rising with steam. They throw the iridescent spectrum of a rainbow up into the sky.
In a backlog of hundreds of flights, Lucy’s is the first out across the runway. This is because God loves her. She only wishes It loved her in a way to fix her broken phone alarm.
…
In childhood Lucy had heard “God loves you” and “Jesus loves you” in the placative ways that Sunday School teaches its children. With jingles and crayon-drawings of sheep and shepherds and a decorated ornament, crafted each Christmas Eve.
Lucy had long since fallen out of it and had thought very little of her parents’ tepid god for the last 10 or 15 years.
It was last spring, 27-years-old, that Lucy had found her way out into the marsh. Mud sucking her boots and gnats plicking in swarm against her skin. Where she sat her tailbone in the muck and folded her arms over her knees and buried her face in her legs to cry. And cry. And cry. And there with the mugginess sopping her skin and the humidity coiling her hair, God decided It loved her.
It loved her with a parting of canopy for the robin-blue sky. It loved her with the chirp of cicadas. It loved her in the way a dog circles its owner and nudges a wet snout to palm, because It was here, and It would make her feel better.
Lucy’s seat is the window seat beside the man with the tensing fingers. He fiddles with a phone in his clutch until he locks it in airplane mode and stows it, to look at no more. Lucy wonders who this man knows in the hospital, and she wonders why God doesn’t love him more than It loves her.
…
In March, Marco breaks up with her over a plate of fish that is too dry. In the moment, Lucy wonders if it’s her fault, because of the fish. But that’s not it. The signs were there, in all the subtle and stuttering moments Marco had pulled away. Each little moment like a slightly missed step, on a staircase growing ricketier each month.
Marco leaves and everything is so quiet, to the point that Lucy thinks her own sounds are pretty stupid, and pretty embarrassing while she’s coiled snail-like and snottily-sobbing into her pillowcase. She thinks absently of how she has to wash the pillowcase now, and that’s fine, because she was going to wash her linens this weekend anyway. She sobs so hard she’s almost screaming. Oh, and kitchen towels. She’ll wash the kitchen towels too.
She’s alive enough the next morning to throw all her linens and her kitchen towels on the floor of the laundry room. And maybe Marco breaking up with her is fine, because his birthday is December 25th and who wants a husband whose birthday is the same day as Christmas?
Her doorbell rings. And somehow it’s Marco again. She opens it to him, and he smells like a wildfire.
“Sorry, Lucy, this is awkward,” and Lucy believes he means it. He’s clutching a jacket around himself for what looks like security more than warmth. His apartment burned down last night. A resident fell asleep with a cigarette lit and dangling from her fingertips. Unit right below him. All his stuff burned, or filled with smoke, or is now logged up with water. He’s been sitting outside on the cobblestone for the last few hours, watching the blaze, on the phone with insurance. His landlord hasn’t responded to him yet. He’s cold, and he’s smokey, and can he shower here maybe? Can he stay for just a day or two, maybe? Sorry. This is awkward. He has no family on this coast. He really has nowhere else to go.
“Sure.” Lucy lets in Marco who smells like a wildfire. She adds the towels to her laundry list because they will smell like a wildfire too once Marco has used them. When he is clean, Lucy asks him nice questions. He asks her nice questions back. She helps him figure out something strange on the insurance form. He starts cooking dinner before Lucy realizes he’d entered the kitchen, because she was busy with the linens and the towels.
Marco takes the couch and clean linens. “Thanks, again, really. I can pay you a few days rent, when I get the insurance payout.” It’s no problem. Lucy goes to her room and shuts the door. It’s warmer here with Marco again. She wonders how long he’ll stay. She wonders if it will be for as long as she thinks the sound of him breathing in the other room is a comfort.
Something twists in Lucy’s chest. She wonders why God loves her more than It loves Marco. Lucy wonders why God didn’t love the woman with the lit cigarette who did not make it out of the building.
…
In June Lucy is desperately throwing together the haphazard makings of a financial report. She meant to stay up late to finish it, and get up early to make it beautiful, but she’s had a cold for a whole week now and the new bottle of decongestant she grabbed wasn’t “non-drowsy” like she thought.
Her heart is beating, and she nearly twists her ankle with a misstep in high heels, and she almost loses her grip on the shoddy makings of a too-light financial report still warm from the printer. She can spin it, maybe, that it’s intentionally light and she’d simply wanted the esteemed and respected input from the executives in the room before she produces the truly polished report this evening. And when the eyebrows are raised and she is told the report is due now, maybe they will refrain from firing her on the spot since she is still the only one who can produce the report they need.
She pulls open the meeting room door as if she is not out of breath, as if her nose isn’t red from a thousand tissues. She takes her seat so hastily that she does not notice, until she looks up properly, and sees the CEO’s seat is empty.
No one speaks. No one acknowledges her entrance. Lucy hugs the warm binder to her chest.
The door latch clicks open, but Lucy knows it will not be the CEO. She heard the click of heels before the doorknob turned.
It’s his assistant with the lovely auburn hair that curls around her shoulders. Her suit is red and her eyes are red and she stands just behind the CEO’s chair. Everyone notices her in the way they did not notice Lucy.
She speaks. The CEO’s wife and daughter were in a head-on collision with a drunk driver 42 minutes ago. They’re in critical condition, and the CEO has gone to be with them. He asks everyone’s forgiveness and grace in this time. The meeting is rescheduled for tomorrow, same time, and he humbly requests if everyone in attendance can adjust their calendar to accommodate this. This is a big ask, he knows. The board will have questions, he knows. But these are extenuating circumstances. The assistant will help with any necessary reworking of everyone’s calendars. And Lucy, can you please deliver the report tomorrow? The assistant has a sympathy card, which she lays on the table along with a black pen, and she asks if anyone would care to sign it.
Lucy signs it. The card paper is so cold, compared to the warmth of the half-finished report squeezed tight against her chest. The half-finished report should have cooled by now, but God must know she’s cold and ashen-faced, and God loves her so much.
…
In July, Lucy is a perfectionist. Her mother swears she wasn’t always like this. Her high school best friend is surprised, when in town for a weekend and meeting up for coffee, by the way Lucy triple-confirms the time, and the place, and the way she wears two watches. Why two watches? he asks. Because the alarm on one watch might fail. What about your phone? The watches are the backup, if the phone dies.
There’s something off-putting in the way she talks, and the way she asks questions of him, and the way she exclaims in joy at every piece of good news he shares. Josiah glances behind himself, more and more, and it’s because Lucy stares back there like she knows someone else at the next table.
It’s all weird, and Josiah can’t help but pull away. But Lucy pulls away first, retroactively. She can always pull away retroactively, and declare to her four walls of her room how much she didn’t need that friend, like she doesn’t need Marco, or anyone else who God may drop at her doorstep like the dead bird bounty of a cat, happy to share with the person It loves.
Lucy finishes her reports early. She wiles away the sun at her office even in the summer finishing reports far before anyone could need them. She double-checks, every time. She triple-checks. Her boss pulls her into a meeting room and with hands folded on the desk, he asks if maybe she needs to take some time off. And instantly she declares to the four walls that no-one at the company is doing this to her. “I wasn’t implying that…” but she’s not looking at him when he answers.
In July Lucy returns to the marsh. She returns with stones she’s horded up and gathered in the trunk of her car. She walks through the boot-suckling mud and she weighs stones in her arms while she hurls them, and throws, and screams, and hopes one of them might strike God in Its snout.
“I HATE YOU!” she screams. She throws all her weight into a stone whose sharp edge nicks bark. She hurls one through the bushes and another into the leafy canopy above. She is sopping wet and the cicadas chirp at her. “I HATE YOU!! GO AWAY!! LEAVE ME ALONE!!!” She chucks a stone which lands in the sucking muck, capsizing like a ship beneath the algae.
She throws, and her gravity heaves forward, and her boots stay stuck in the mud. So she topples elbow-deep in the mud, spattered, soaking into her chin and her shirt and her jeans and her hair. She parts her lips and tastes the earthy wetness on her skin, coppery blood, split lip. The stones are all under her. She laughs. Lucy tilts her head to the sky screaming with laughter. Joyous to tears, with the wetness drawing rivulets down the mud on her cheeks. She laughs because sopping-in-mud-and-muck is NOT the state of something God loves. This wouldn’t happen to something God loves.
Lucy goes home. Lucy showers. Lucy does her laundry. And It crawls back into bed with her. Perhaps like a scolded animal, but perhaps It did not even know It was being scolded. Lucy cannot tell.
The wine stains came out of her linens today because God loves her.
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There’s some common threads I see in the anti-voting posts going around, and I feel like I need to discuss some of them. Let’s start with the biggest one:
Voting to punish evil. I see lots of variations of this. Biden is supporting Israel, therefore we can’t vote for him. Is there any viable candidate who would stop the genocide? I don’t think the anti voting crowd actually cares. They are appealing to moral feelings rather than political strategy, because strategically, you have to realize that voting is not going to change foreign policy, and that change has to be pushed by other means. It’ll probably be something in the long haul.
Democrats should run someone else. First of all, this is a shit strategy. You don’t primary your president in the second term unless your party is falling apart. This may come from people from countries where replacing the head of government is easier, but the POTUS is the de facto party head. Also, going to the lack of thought to the goal — do you know someone willing to primary Biden and able to win who would do the things you want?
Biden hasn’t done anything anyway. This is just a way to bat away pro arguments. There’s plenty of lists of progress on lots of things. Student loans, insulin price caps, regulations, anti-trust.
Putting the entire Palestinian genocide on Biden. I’m not saying there’s not culpability there, but understand that the entire US government is in support of Israel, on both sides. It was a miracle we got a handful of Senators to call for investigations. We should cut off aid, absolutely. Who’s running to do that? And keep in mind that Israel chose to engage. US officials would have liked a more limited response, not out of care for Palestinians, but because they know from experience that it will come back to bite Israel in the form of newly radicalized Hamas recruits.
Liberals just have no hope for change. This is a new one. Just some idea that people are stuck in a rut and that’s the reason the two party system exists. The two party system is a mathematical consequence of the way we vote. There is reason to hope for change. The change, though, whatever means you choose, will take decades. Keep working at it. The hope is not that this election will fundamentally change things. The hope is that many small political actions over the years will push things forward.
Funnily enough, I haven’t seen a whole lot of third party promotion, just lots of this rhetoric aiming to punish. When voting, ask yourself:
Is this problem I have with this candidate something that the other candidate would be better on?
Are there other political actions I can take that will help?
What things can change with a different President or Congress, and what needs to be pursued by other means?
Withholding your vote as a punishment isn’t really going to help. Biden doesn’t know who you are or why you are not voting for him, and there is no one with a chance of winning that will do everything you want. But you have other means. Protest, organize, donate, build up alternatives, advocate for a different system.
Vote to give yourself space and get a little bit. Do other things to keep things moving.
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ᢉ𐭩-FERAL + DESPERATE MARK

Pairing: mark Grayson X f!reader
W.c: 1.8k (whoopsie)
Synopsis: mark gets back from a mission bruised and beaten. He couldn’t care about that one little bit. However he does care about you a bit more than usual today.
Warnings: dry humping, clothe ripping, mentions of bruises, cream pies (author got a lil to crazy/lost in their own mind)
A/n: ok so this is my second fanfic here. I’m gonna be real…I got VERY lost in my own mind while writing this one 😭 it may be a little bad so I’m honestly so fucking sorry if it is and it’s ok if you don’t even wanna read it. I’m also gonna start taking request so I can start writing more and getting better at writing so just request smtn if ya want. Anyway I’m done yapping. Hope you enjoy this shitty fic.
It was late afternoon—soon getting ready to become evening and Mark still wasn’t back yet from another mission. Today was your day off, it was supposed to be his too but Cecil called him in once again. You honestly wished Cecil would justcall you in instead. As you reach for your phone to call Mark you hear a knock on the window—knowing it's Mark, you dash to open it as he rolls into the house. He just face plants into the living room floor laying there as he looks beaten and bruised, the entire upper half of his suit isn’t even there and the lower half was ripped and hanging on by threads. You kneel down to the floor to try and see his face but he’s just curled into himself.
“Mark…you ok baby?” You ask softly waiting for a response but he just stays there. You sigh knowing it would be a long night of patching him up so you go to grab the first aid kit. He never tended to himself, you knew you had to take care of him or he’d never heal. Eventually, you make your way back into the living room and Mark isn’t there. “Mark?” You called out just a bit worried now since he usually was never like this. Next thing you know his body was looming behind you, his head curled in-between your neck and arms wrapped around you like he was going to pop you. “Oh god…I missed you…so much..” Mark said in a famished tone as he began huffing the perfume on your neck like he needed it to breathe. You couldn’t figure out what was going on with him but whatever it was you liked it. “Mark, are you gonna let me patch you up? I don’t want you bruised up forever.”
His hands moved all around you and your torso till he found your waist again wrapping his arms around it to hold you. He spoke muffled—keeping his face in your neck as if stopping would kill both of you. “Mmsure..”
Mark was latched onto you like Velcro and eventually let go. Sitting on the floor across from each other as you softly touched his chest pressing and applying bandages on each different bruise. Mark couldn’t stop leaning into the touch. The more you pressed the more he grunted and groaned. It was honestly starting to get to you, you’d never seen him like this but you liked it. You scoot closer in front of him holding up his chin while placing more bandages on his chest. This time…he whimpers.
“Oh fuck…” he whimpered out leaning into your hand more. His body was hot and warm as if he had a fever. Whatever happened on that mission changed his behavior and you didn’t mind it one bit. “Almost done Mark, don’t worry.” You said trying to keep your composure as you were honestly ready to fold for him. He was like a puppy and you were intrigued. You scooted closer to him—sitting on his lap as you placed the last bandage on his face. He was losing his mind, you were in just a tank top and panties—reeking of his favorite perfume. He was fighting for his life trying to hold back fucking the life out of you. Eventually, he just had to have you, grabbing your back to pull you as close as he could before he started sloppy kissing you.
It felt amazing. Eventually, he let go—he needed you off his lap giving you a small push. You held yourself up on the floor with your elbows as you were laid out on your back. You just looked down and saw him latched onto your leg. He was absolutely feral, slobbing on your thigh as if he had been famished. You felt friction on your leg, moving back and forth up and down. “God, baby please, don’t move.” Mark cooed out as he began dry humping your leg and sucking on your stomach. You felt like your mind was twisting and turning, seeing him like this was an absolute turn-on. He was so desperate for you it was perfect. “Fu- mgnh..fuck baby.” He whimpered out struggling as he just kept crazy on your leg. It was like he couldn’t stop. He just kept going and going as you stared in complete fucking awe
feeling yourself grow wet because of his behavior.
You reached your hand to his head rubbing his hair softly as this just made him go faster and faster. He was doing all of this whilst he was still in a ruined suit. You didn’t want to have him ruin the suit worse but you also didn’t want to stop him. “Mark…your suit is still-“ you were cut off quickly as Mark reached one of his arms down ripping off his suit and boxers along with it. So much for fixing the suit.
He just kept going now, there was no fabric stopping him now. “Oh shit…I’m..ngh…mngonna…” he was struggling to even speak between moans as he softly bit into your stomach before cumming over your leg. Your eyes shot open as you were astonished at what just happened. Before you could even process he pulled you closer as he had both of you mashed together.
Mark spoke in a breathy tone, “I need you to…take off..”
“Take off what?” You were trying to figure out what he needed, it was honestly a struggle since he was barely speaking in complete sentences and you were trying to deal with not only his arousal but now yours as well. Before you could figure out what he needed, his hands grabbed at your panties ripping them off of you with ease. You felt like you were going tomelt into the floor before he eventually picked you up with ease throwing you over his shoulder. He practically flew into the bedroom putting you on the bed before getting on top of you. He began kissing you sloppily once more as if he was starved for your lips.
“Ngh..m..” you both moaned into each other's mouth muffled only letting go of each other's lips when you felt like you were gonna suffocate and needed air. “I need…more of you” Mark huffed out sucking on your neck now as you were absolutely turned on now.
He didn’t waste another second, tossing your legs over his shoulders as he leaned down closer. You know exactly what was coming next. He had dived his head down between your legs licking at your pussy like it was a 5-star meal. Your legs shot up before rising right back down as he kept going. He switched between plunging his tongue in your hole and sucking on your clit. You were melting in his mouth and that didn’t stop him at all. He moved his hand towards your entrance moving two fingers inside as he kept sucking at your clit.
“MARK!” You shouted out in pure ecstasy as your hands leaped to his head grabbing onto his hair for dear life. He didn’tmind it one bit honestly—it showed him he was doing good. “I ngcan..eep…it up” he spoke with a mouthful of your pussy as he started sucking harder and going faster with his finger. You felt like you were about to pop just from this as your toes curled and legs shot up once again. You finally came feeling greedy for more. You hadn’t even realized you had his face pressed down in your cunt until you eventually let go of his hair watching his head rise. His face was covered in your cum before he licked it off as best as he could.
He didn’t waste a single drop.
“M…mark..” you said in an exasperated tone trying to get your breath back from what he just did. Before you could get a chance he pulled you up into his lap as he just began smashing his lips into yours again. You felt like your head was spinning, it didn’t even feel real for a second.
“Baby…I need you to get on my cock.” Mark said tapping your ass softly to have you lift up. He just needed you to get on it and he’d do the rest. “Can’t you just do it for me?” You said in a sly tone trying to see how far he’d go for you in his moments of desperation. He didn’t waste a second grabbing you up and having you face him. He lifted you up as quickly as he could before having you slide down on his cock as slow as he could make it happen. You could feel him already twitching inside of you as your arms wrapped around his shoulder for support. He went from sitting up with you on top of him—to laying down with him over you in a meer seconds. He began ramming himself into you relentlessly.
He couldn’t hold back. He needed you so badly. He wanted to fill you up until you popped. You were starting to zone out already. The only thing you could pay attention to was his face—he still looked so fucking perfect to you even though he was fucking your brains out. “Oh mark…oh fuck..” you cooed out as he was balls deep in you now. Your legs wrapped around his back holding on for dear life as you felt your walls clench around him before you finally came. He eventually followed suit, cumming right after you but he just took a few seconds to breathe before he kept going. “Last one baby…last one.” He said in a pleased tone as he kept pumping into you. You felt like you had fireworks in your gut as you began to groan.
“Mark…I can’t….cum anymore. I can’t ngh-“
“Can’t do it” you whimper out as he kept going.
“Aww don’t say that…I know you can…I’ve seen you do it before. Cmon baby…Ngh…last one…”
You couldn’t deny him the pleasure and it felt even better than the first round. In and out, in and out, over and over as he made sure he hit all the right spots. Your nails began digging into his upper back as he knew he was doing something right. He kept pumping into you faster and faster and your legs just grew tighter around him.
“Fngh…fuck! Baby…almost..” Mark was struggling to hold on and eventually he popped. He came inside of you once again and you followed right after. He kept his cock in for a few seconds giving you a cream pie, he let his cock do one more twitch before pulling himself out of you. You were absolutely exhausted—watching as the cum leaked out of your pussy as if you were a faucet. Mark just smiled at you as if he didn’t just break a sweat.
“M…mark.” You called out his name gently struggling to keep your eyes open as he had practically fucked you to sleep. He scooted closer to you holding you in his arms before speaking to you softly. “Relax, just sleep I’m here. Besides, I’ll be here tomorrow—it’s my turn to take care of you.”
You liked the sound of that.
#mark grayson smut#mark grayson#invincible x reader#mark grayson x reader#invincible smut#invincible mark grayson#shroomyvfics#this is so bad I’m sorry#bashing my head into a brick
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[Who the fuck do you think you are?!] from a newbie labrat
"ah-ah, Language." Jack corrected and scolded. His synthetic eyes narrowed towards her at her harshness towards him. But it wasn't a surprise at all to receive such hostility from the new experiments.He was more amused then actually angry at her outburst. "The Name's Jack, Handsome Jack" He introduces. "and you, - unfortunately, well... fortunately, depending on how you look at it, is gonna be a part of something great, Kiddo~"
#[asks]: complaints? questions? give them to hr#human experimentation tw#//lmk if you want me to change this response- i assume from her bio this is in the beginning of the time line?//#//feel free to move this to a different thread!!//#threadsandwings
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