#though it does make me think if the characters in frontiers would change- maybe not but their dynamics with sonic would
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navii-blaze · 17 days ago
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Forces adaptation in archie....
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barbatusart · 7 months ago
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bit of thinking outloud but for my current tactician run im doing a special wyll origins playthrough im calling the Evil Wyll Run & it’s given me a lot of food for thought about his character (or at least the freedom of psychological movement + exploration afforded to an origin run!)
wyll spoilers abound we’re entering the wyllenium here
wyll always felt a bit underwritten to me - i know that’s partially because there was that big kerfuffle in the 11th hour with changing his whole story and personality on top of having to recast his VA, and frankly hats off to both original VA lanre malaolu & new VA theo solomon for their hard work - both brought tremendous performances, & i sincerely hope mr malaolu was paid well for his work & time even if his voice wasn’t used in the final cut (i would also say warlock as a class itself felt a bit underdeveloped but im 100% OK with chalking that up to me the player not understanding how to play warlock effectively yet lol im more of a fighter barbarian Hit Stuff guy)
but honestly this feeling of being “underwritten” combined with a character with a long history of heroism in his pocket made wyll really interesting to me even in my tav playthrough. for all his accomplishments he still feels like a blank everyman, or like he’s someone who fully believes he’s the main character who doesn’t “need” to do any extra work on himself - and honestly he feels Very much like he could be The Main Character. once his backstory of the son of the duke was revealed too i immediately got the sense of like, rich boy trying to prove his worth beyond his wealth and status by striking out & becoming that hero, or that Prince Charming. basically that perfect happily ever after somebody. and im of the opinion that you don’t get mixed up with a cambion in the first place unless you’re either the kind of naïve “everything will just work out” immature that tends to comes with his status as the son of a noble, or you’re hungering for power. depending on playstyle he’s very easily both of these things
on the naïve front (ie a good wyll playthrough) if anything he feels very believably immature, & from that perspective the events of the game feel as though they’re the prequel to the actual start of wyll's story where he finally finds himself & learns what kind of man he really is. we just dont get to see it alas, but i really enjoyed the thought exercise of somebody still grappling with overcoming his own immaturity. he feels like someone who can still grow and that his tale is just beginning
Evil Wyll (meaning any time mizora shows up he drops everything to enact her instruction & hasnt once tried to find a loophole out of his contract) which ive come to be far more fascinated by is someone clearly vying for power, which is interesting because his noble status would’ve given him all the power he wants had he Played Nice. to me it speaks of someone who wants to be able to take what he wants from life without it being handed to him, which contrasts in a really fascinating way with entering into a warlock pact at all. maybe he thought it was better that it be a decision he made as opposed to nobility given to him by his family ties, maybe there’s still that pollyanna sentiment of “it’ll just work out & ill live happily ever after.” again maybe both. maybe in a sense the fiend, as he calls himself, is a good excuse to shuck off any poor decision he makes or any genuinely heinous thing he does under mizora’s instruction - an identity he uses as power fantasy (and very much in tandem/interchangeable with the blade of frontiers power fantasy) until it means taking ownership for any of his misdeeds, and then a scapegoat.
may be a bit incoherent but im only now hitting act 3 in my origin run & im Really enjoying this difficult characterization ive cooked up for myself lol
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ran-orimoto · 4 months ago
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Who would the Frontier kids meet and hang with from other series?
Since yesterday it was Odaiba day, I will finally reply to an ask from this Anon, whose identity I know because @teclajellymon isn’t skilled at hiding secrets lmaoooooo. She wanted to only ask about Izumi and Junpei but she had to act like a chameleon, you know ahahahha.
Happy Odaiba ( in late *flops* ) !!!
• Takuya: I mean, you’d think a googlehead should be placed by the side of another one. And I do understand that, the official did the same as well, but can I change the rules a bit? I want to see Takuya and Sora interacting, because Sora reminds me of Rin from Yes!5 and Rin from Yes!5 is voiced by the same woman voicing Takuya, who also said she wished Takuya was a girl like Ri-
OK. I just think they’d share they football passion together and it would be cute? Besides the fact aesthetically they would look really pleasant together, they both also are fire themed. I’d like to see them playing together and if Taichi wants to join, why couldn’t he?
Still, among the googleheads, I think the one I would like to see interacting with Takuya is Marcus…? I want them to kill each other, yes?
Kouji: He’s kinda easy, because I really like that Cd cover where he stared at Yamato playing his harmonica, dreamy eyed. I know it’s kinda lame Kouji is being put with a loner wolf, so I’m taking a safe route, but I honestly can’t get rid of that image printed in my head. Hmmm someone else, someone else, idk. Help. Maybe he could meet Takeru? If he met Yamato, he would meet Takeru as well and Takeru has got a Patamon. Since Kouji was often seen getting Patamon’s attention in the original season, Takeru’s would bring him memories.
• Izumi: Of course, when it comes to your favs you have got ton of ideas. Ton. Let’s say I will write a little bonus down here for Junpei and Izumi, so, for now, I’ll just temporise ahhahah. Many pair Izumi with Miyako, but I would honestly be curious to see how a meeting between Ruki and Izumi would play. Once a friend of mine drew Izumi and Ruki collaborating in modelling together (Ruki was the photographer, Izumi was the model of the photoshoot), but I want to picture them together more because Seki Producer liked saying Izumi “is actually more similar to Ruki than Mimi”. How? At what extent? What did you mean, SekiP? We will never know imo, but maybe if Ruki and Izumi got to know each other…
• Junpei: OF COURSE, same identical tale as old as time like when it comes to Izumi. So many ideas for my boy, I’d make him even meet Taichi and I think they’d go along. During my Adventure 01 “rewatch”, I truly found myself spotting a piece of Junpei in so many characters ahaha. Taichi has got a scene in which he drives some kind of crane in a factory and Frontier’s episode 5, the one in which Junpei drives one as well, blatantly is a homage to that. Needless to say, Junpei has also got something in common with Jyou, whom he met in an official comic (during which Junpei doesn’t miss the chance to compliment Izumi in front of strangers and in her absence lmaoooo); moreover, in the first Frontier ending, Junpei reading his homework on the stairs is another clear homage to 01, to a scene focusing on Jyou, though I can’t recall which episode it was and I apologize.
Still, and I’ve already said it, I ABSOLUTELY want Junpei to meet Ruri. I want him to become envious of her little detective life and bugging her by sticking his nose in whatever digital mystery she’s on. The Great Detective Shibayama meets the fantastic Ririrun! I need to draw them *wants to explode*. Maybe Junpei could affect Ruri with his fantasies about owning a series, who knows.
Junpei would also so funny with Miyako, I swear. The 02 x Frontier pic did place them in a mirroring position and I just adore it lol. They can eat together while talking about their crush, even if Miyako does yell much more than Junpei lmao. Bingo. I think Junpei would admire her technological skills and would evolve in Bolgmon to gain maths intelligence lmao x 2.
• Tomoki: I have played the Takeru card and I don’t really care? Because I want Tonoki to join the Tamers younger kids for once, though we know nothing about Ai and Mako, and unfortunately about Shaochung as well. But ehy, we can come up with headcanons and make these babies have fun. If Impmon acts as a bully like usual, Tomoki will have someone to deal with, though…
• Kouichi: He doesn’t give me any problem like his twin (good boy, Kouichi). Thanks to some people from this fandom, I have jumped on the boat of Kouichi and Hikari, not necessarily on a shipping level. I can see it. I can see Juri boarding as well, but Juri is way too hyperactive to Kouichi’s tastes imo. Hikari is a bit quieter and more considerate. He would put him at ease just like his twin does www.
• Bonus: Koumi x Junzumi
And here I can say : aren’t shippings ending with umi so beautiful at this point ?
Talking again about my 01 rewatch, I can confirm to myself early Mimi does remind me of Junpei a lot, which is a sacrilege but, ehm, seriously…???? I don’t blame some dude playing in their stories about Junpei being a Jyoumi son, because he’s really a mix of them. People usually like connecting Junpei with Koushiro (and I do too lol) because of the electric/thunder bug theme, but I also adore creating scenarios for Junpei and Mimi ahahah, two spoiled kids coming from rich families always complaining about needing to eat, sleep, getting disgusted so easily….Two needles stuck up your butt, speaking bluntly ahahha.
I have got a lot of ideas about Junzumi x Koumi . In my hcs Izumi will open a restaurant someday and I do believe Mimi would love visiting it. Then, she would invite Izumi to her cooking tv show and Junpei would stop underlining how wife is much better than this Mimi Tachikawa who has come from who knows where. Do you know my wife won two contests, is Gambero Rosso’s favourite guest, her restaurant received compliments from both Terramadre and Slowfood-
Junpei, shut up and let the girls play.
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prowerprojects · 1 year ago
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Hi! Hope you’re doing wonderfully!✨ My question is what got you into Sonamy? (If you are)
Hi! Thank you ^_^
I am! In fact, I would say it's my top ship for both of them (though with Sonic this spot is shared with Sonknux, I couldn't be asked to choose between them hehe).
The only versions of them that I don't really ship is Fleetway, and Boom (more on that later).
With Fleetway, I feel like it does a very good job at doing a "What if Amy actually got over Sonic and then got into a relationship with someone else (who isn't similar to Sonic so it doesn't look like a bad rebound), and she and Sonic become even closer friends" type of scenario (Which I gotta admit, Fleetway Sonic and Amy have an amazing dynamic and they're ride or die for each other), which is also partially why I'm not interested in seeking it out just for the sake of it. (I do ship Amy with characters other than Sonic or Tekno, but that's not the reason why). I feel like it partially also raises my interest in Sonamy, like. We've already seen what happens when she gets over Sonic, let's see something else now? Right?
Some people might think it doesn't count, because Fleetway Amy is so different from regular Amy, and maybe, if you compare her to Adventure Amy. But I actually find her quite similar to the way Amy is written in IDW, they even have kind of a similar, "edgier" compared to other versions of the character, sense of humor. (Also this is me saying modern!Teknamy would totally work how are there no fics with Tekno in the game-esque universe?? (Heck there's almost no Fleetway based Teknamy fics either for how much everyone is gushing about their relationship) I can't see her working for Eggman here, but maybe she could work for GUN developing weapons for them, while also using their resources for personal projects on the side (maybe befriending Team Dark in the process), but when it gets discovered GUN tries to arrest them but Team Dark helps them get away and hide, eventually they meet Sonic & friends, including Amy. Since GUN got destroyed in Forces, Tekno is free now, maybe if you're doing an idw-based thing they could join the restoration or something. It could work! Modern!Teknamy! Think about it!)
Anyway, back to Sonamy. I don't actually remember how I started shipping them. I used to watch Sonic X a lot when I was little, but I guess the Sonamy didn't make that big of an impact on me back then, I mostly remembered Knuckles and Rouge having a thing there.
Then way later I was actively watching the Sonic Boom tv show as it was coming out, but... I didn't like Sonamy there at all. It's not their relationship on its own, but everyone making jokes about it, "shipping" them together in-universe which made me not like it. It just felt really forced. (And the issues with Amy's portrayal in Boom are a topic for a completely different discussion)
And it's only when I properly got into games that I actually saw what their relationship is actually like!
And I'll be real... it wasn't always... great. There was some turbulence. I even believe the people who think Amy didn't even initially like Sonic, but only was infatuated with his image of a hero and the freedom & adventures that she had associated with him. She projected her fairytale fantasies combined with heteronormative societal expectations onto him and their potential relationship. (Just look at her in Adventure! She misses Sonic because she misses adventures, she thanks him for saving her because he's her hero but he actually barely did anything there! She was the hero!) No wonder Sonic wasn't on board with that! (Even though he still was always friends with Amy) Who would be! But here's the kicker:
It changed
The dynamic changed! They changed! And it's always fun. I can't hate the way Tails is written on Colors–Frontiers because there's dynamic! He's going through a little character arc! (A character arc of hitting rock bottom instead of becoming his best self but an arc nonetheless. It's something interesting. And now we get to see him rise back up)
And it also shows that their dynamic is able to evolve and isn't stuck! Which means there is a possibility that it would evolve further! Isn't that just fun to think about?
Amy became more confident in herself. She realized she didn't need Sonic to go on adventures or to save her. With this, their relationship became more equal. Sonic in general became more personable and closer to his friends.
Amy is now not blinded by just seeing Sonic as "Her Hero" and is able to see him as a person that he actually is and falls in love for real! I already mentioned this before, but I think her attempt at confession in Lost World signifies that. Everyone already knows she loves him, but now, it's different.
On Sonic's end, there aren't as many changes, he's just able to be more open and comfortable around her (even though she's still able to occasionally throw him off with her over the top energy). (I also personally headcanon that Sonic didn't have a lot of experiences with romance which might have lead him to believe that the way Amy acted initially is "the standard" (which he couldn't and didn't want to match, and prevented him from realizing his feelings for a longer time. I personally headcanon him as demiro which is probably why my top ships with his are with his two closest friends)
Ultimately, their dynamic on its own is fun, too. They're a kickass team and they have a similar sense of humor, which is fun and I wish we got to see them banter more. They also have a similar fascination with adventures and love for nature and the world. Sonic doesn't need to slow down for Amy because she loves him as he is, and Amy doesn't need to give up her projects to be by Sonic's side because he's always supportive and encouraging of her!
They just have a very cozy friendship nowadays, especially when you remember everything that happened before we got there! But that's what makes it so good. The history they have, the work they put into their relationship, no soulmate "love from first sight" can match that. (Though of course they're also now canonically soulmates too because of Frontiers but they're also soulmates with Tails and Knuckles so it's not like that)
Hehe, well. I rambled a lot, not sure I actually answered your question 😅 I guess they're just cute!
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therummesoccupied · 6 months ago
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FANG THE HUNTER: ISSUE #4 - THOUGHTS
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I know! I'm very late! I'm sorry!
It's just... I can't think of a ton to say about this one that I didn't already say about the other three.
The writing is good, there are lots of neat character moments, art is stretchy and fun with plenty of visual inspiration from the games... yeah, it's cool!
Some specific points I'd like to note, though...
I do really love this scene where Fang just straight-up yoinks the Heavy Shinobi's katana and KO's him with it. It's the kind of thing I wouldn't normally think SEGA would allow, since we haven't really seen any character use a sword in canon since Black Knight (if Black Knight is even canon, for that matter).
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Perhaps its the anime kid in me, but that was rad as hell.
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I've seen a few folks complain about this moment - namely after Fang's proclamation that "Nobody takes what's mine" back in Issue 2, but... I dunno, I think it's fine.
Firstly, the situations are not equivalent. This isn't really a case of somebody "taking" Bark from him as much as him choosing to leave Bark behind.
Secondly, a big part of this comic's story has been the growing strain on the Hooligans' relationship as the story has gone on. His feelings about the other two have certainly changed since then.
Thirdly, I think he pretty clearly... doesn't mean it?? Like, all it takes is Bean looking at him funny and he decides to go help Bark out.
I dunno, this does not seem like a huge deal to me.
I also really like the fight between Bark and the Heavy King.
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With the detail they add to Bark accruing damage over the course of their brawl and the little bits of lighting and shadow they add to him, they manage to make Bark look... kinda badass?
Like, I get he was always meant to be a cool fighty guy, but he's also always had that Silly Classic Sonic verneer over him that keeps him from seeming too... I dunno, COOL!
I'm just glad they even went the length to add this little bit of visual intensity.
Speaking of Bean and Bark, though, I must regretfully acknowledge that what I predicted did ultimately come to pass...
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The Hooligans have broken up.
(Also I keep seeing Sonic YouTubers refer to them as the "Hoodlums?" That's... not their name? Whatever, it's just weird.)
Anyway, I actually really enjoy this move. It's not often in IDW we get to have a tale end in tragedy, so it's nice to see the conclusion here be so bitter. These are three characters we've been used to seeing together for YEARS, even before IDW Sonic began, and now, they're no more.
Maybe they'll have a heartwarming reunion someday, but thus far, this split has even carried over into the games, as we've seen in Sonic Superstars.
Speaking of Superstars...
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That's how our comic ends - with Fang setting off for Northstar Island to begin the plot of Sonic Superstars!
In the time since this issue came out, I've learned this move was fairly controversial, but I dunno, I found it neat! This is the first time I can think of that we've had the plot of IDW play directly into a specific game!
They haven't firmly established if or when stuff like Team Sonic Racing or Sonic Frontiers happens within the comic yet (my personal headcanon is that neither have occured up to this point) so it's cool to see the IDW story so clearly connect itself to the games this way.
It's also neat to see IDW's Classic Era link itself to the Modern Era with Fang ending up in possession of the Warp Topaz, which of course, we will later see appear in the hands of Dr. Starline. I already did my big rant about how much I LOVE the Warp Topaz being here and how it has firmly gotten me onboard the Unified Timeline now, but it's still a very cool note to end on.
It does leave me asking a few questions, though?
Firstly, if Fang has the Warp Topaz at the beginning of Superstars' plot... why doesn't he... use it? I can't think of a single time he teleports or warps around in that game. Heck, his ace in the hole is a big mech of himself that doesn't appear to do anything of the sort.
Then... how does it end up in the cave where Starline finds it? Was there some form of confrontation between Starline and Fang we'll never get to see?
And wouldn't that be SICK??
As weird as the choice to end the story with Fang in possession of the Warp Topaz was, I'm pretty happy with how this miniseries came out! I really hope that, in the future, we get more arcs like this centered around specific members of the games cast.
I like the IDW cast just fine, but... c'mon. You KNOW that's not who we're picking up the comic to see.
The book tells me everything I need to know about them just by the way it puts them in the story.
The reason I love arcs like this and Scrapnik Island is because they take the characters I'm already familiar with from my time with the games - Fang and Mecha Sonic - and tells me things I didn't know about them, puts them in situations I've never seen them in before. Takes stuff I know from the games and EXPANDS upon it!
All in all, this is up there with Scrapnik Island and Chao Races & Badnik Bases as my favorite arcs in the series.
With Fang in the rear view, we head back to the Modern era for the Phantom Riders arc, the first issue of which is already out, and I hope to talk about it before the next one is released this time.
Thanks for reading!
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theultim · 1 year ago
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I kinda started a project where I re-write like. 99.99% of Sonic Forces and I realized for this to work right I'm gonna need a lot of input from a lot of other people for this.
It's gonna be a huge project, that I kinda already acknowledged/realized when I started formatting it out on Obsidian. It's just gonna be in written form since I'm not confident in my art whatsoever. My current estimate for this is maybe a year or two until I'm maybe fully done? I'm not concerned about what platform(s) it'll be available on since I purposefully don't tag my posts 80% of the time.
I'm very storyline centered, so I want to know what people liked/disliked about it, the characters, and the pacing. What do you think could've been done better? What do you think is pretty important? This will help me shape out my drafts for the characters and story I want to tell better. I personally have only played SA2 (Not to completion) and I might be able to get Sonic Frontiers this weekend! So yes, that does mean I've never played Sonic Frontiers. My friend has though; And I've watched a no commentary compilation of the game.
I personally noticed a big trend when it comes to Sonic games, where they basically reset the progress the characters have made in previous games to the point where they're no longer able to be self-reliant. That's another reason why I want other people to have input in this project of mine! (It also keeps me open to new ideas!)
Honestly, I couldn't tell what Sonic Forces' goal was, storyline-wise. It was a headache for me to watch because of all of the time jumping back and forth. I can find/create ways to justify characters like Shadow and Silver being in this game, I'm just upset there wasn't one given to the viewers in the actual game.
I don't want to take too much from the IDW comics/other media. The main exception to this that I've made is using NebrocRock's renders of The Jackal Squad to help give Infinite just a bit more story to work with. (And me some characters to work with. For Infinite.)
Some ideas on locations! We only really see Green Hill and the Death Egg, with only a mention of Seaside Hill. (And that. City or whatever. I don't know its name) If Eggman took over the whole world, what would that consist of?
And on character development/inclusion.
There is literally no character development in this except for the Avatar. Speaking of, I still want to include them and the other two game renders they have! (Which are bird and cat. I've named then Rotary and Javelin! Might change though.) Avatar will stay as the "MC" with the other two being sides. I'm not gonna do some y/n stuff though, because they actually have stuff going on.
We only really see the Chaotix Squad, Team Dark.... AND SILVER? FOR SOME REASON??
Anyways, if there's characters you'd want included in something like this, say who and why! (And characters you'd make changes to)
I'll be tagging posts in relation to this project with Sonic Frontiers Remixed! (Since that's what I've been calling it in my docs.) I'm not sure what else to add to this post, so I'll be ending it here. If you need more examples of what kind of information I'm trying to gather, feel free to ask! And if you already have some ideas you'd like to share, please do!
I honestly really do think Sonic Frontiers is worthy of this project. Its plot is vague enough for me to fuck around with it, while also having key points in the story.
(Reblog would be appreciated on this one [1] post, I'm gonna need all the input/help that I can with this)
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alithetiredartist · 10 months ago
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Luz - 2020 anime kid music. Mother Mother, nightcore, steven universe soundtrack, the living tombstone, Marina (maybe i’m still deciding), MCR, anime theme songs, etc. I think a lot of people like to forget she IS a cringe 14 year old and in the pilot she said she likes editing anime clips to music. Shes grown a lot while she was in the boiling isles and I think her music taste probably improves after the finale, but in thanks to them it gets worse because she probably listens to what every depressed 14 year old listens to. After the finale I could see her music taste go in a lot of different directions, maybe right after she goes more the MCR route and listens to a lot of emo music or she watches a movie with a really good soundtrack and listens to music from that and her music taste branches out from there. I feel like since she’s 14 her music taste changes a lot especially during the TTT timeskip and after the finale
Amity - I don’t care about Amity that much but I could see her music taste go in a lot of directions. I think she’d be that girl who listens to classical music while she studies, she’s the only person in the hexsquad who I could see being a swiftie. She listens to the good witch azura soundtrack with Luz probably. I don’t really think about Amity that much so it’s hard for me to say what her music taste would be. I could maybe see her listening to 2000s white girl music as a guilty pleasure but idkkk
Gus - No specific music taste. He listens to what he likes. I think his music taste also changes a lot. Maybe when he first gets to the human realm he listens to 2000s white girl music and kinda likes it (where Amity first heard it, maybe). He grows out of it fast. He’s the kind of person to be like I listen to every genre except country. Everyone lets him control the music at parties (once he’s a bit older and has more of a solid music taste) because he always knows the best music for each situation. I think he never stays with one music artist for long except for maybe one or two that he’ll love forever.
Hunter - Also no specific music taste. He listens to whatever. He likes learning his friends music taste. Maybe he listens to emo music with Luz. Cosmic Frontier theme. I think there could be a universe where he makes fun of Amity for liking Taylor Swift but then listens to Champagne Problems but I hate when people just say every character is a swiftie so no. He just listens to whatever though. He listens to one song in repeat for three hours then gets tired of it. He never sticks to one music artist. Maybe he finds playlists other people made for however he’s feeling and listens to that for a few hours and never listens to the songs again. He made Willow a playlist of cheesy love songs then a year later he went ew I listened to this.
Willow - I know a lot of people say this but she likes rock. I’ve seen some people say she likes metal but ehhh idk. She gives an indie rock vibe to me. When she’s like 17-18 she’s all about finding underground rock bands and supporting the hell out of them. She watched Scott Pilgrim vs. The World and liked the soundtrack but Amity said something mean about it so she pretended she didn’t. After the finale when she can really think about the music she likes she gets into bands like The Frights for a few months. I don’t really think she’d listen to that much music during the timeskip. She went down a rabbit hole and found a song like Grey by Good Boy Daisy or Caving In by Kimya Dawson and decided that’s enough music for now so she’d just listen to what her friends like (she does not like their music taste but she listens anyway because she’s a great friend)
does anyone wanna hear my hexsquad music taste head canons
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asjjohnson · 3 years ago
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I have this one fanfic idea for Digimon 4, or Digimon: Frontier.
There's a time travel episode that I'd always found interesting (I really like time travel, haha), and, a few years ago, something had reminded me of it, and I had decided to make a fic related to that episode.
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He was on the floor of some kind of dark room, or cave, with bright white shapes randomly strewn along the walls. He slowly got to his feet as he glanced around. The room didn’t have corners and the walls were rough, while the bright screens seemed almost natural, as though they had organically grown from the cave walls—if this was the digital world, they probably had.
Focusing on the bright screens, he started to make out the images playing on them. Most of them seemed to show views of a trailmon station.
(keep reading for more info and a link)
In the original episode, Takuya has just been through something really traumatic, and is given the chance to go back in time and stop himself from ever going to the digital world. He's mysteriously transformed into a digimon while he's in the past (some kind of glitch? maybe there can't be two Takuyas at the same time? It's not really explained). And he does try to stop his past self, but, at the end of the episode, he decides to leave the past as-is, and overcomes his fears.
But... what if he really had changed the past?
He could feel himself beginning to unravel into fractal code. He must have been wrong to think he could return to his family. But it was alright. It just meant he had succeeded. The human Takuya may be disappointed now, but it would end up being for the better. That Takuya would live a happy life with his family, never knowing true despair. He himself, whoever he was, would never come to exist, and the future would be rewritten. His smile widened as he completely vanished.
The fic is titled "It's a Wonderful Digi Life" (inspired by the movie "It's a Wonderful Life"). Takuya succeeds in rewriting time, and writes his current self right out of the timeline, becoming stuck as Flamemon, someone outside of time with no place to belong. He hasn't overcome his fears and still has flashbacks. And he finds himself in a mysterious cave filled with screens that show his friends as they go through their adventures in the digital world. This time without Takuya.
I like my idea, but it involves a lot of retelling of the series, and I find that really difficult to write. But, at the start of this year, I'd decided to give it another go and see if I can figure it out.
I'd also had an idea of making a slowly evolving illustration for the fic. Where, over the course of several chapters, I would add more characters standing with Takuya/Flamemon.
The first chapter's here: https://archiveofourown.org/works/36160081/chapters/90137824
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livefreeforfun · 2 years ago
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DBS Manga Return + New Arc Announced! Here's My Speculation:
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Just yesterday, we were informed of the return of the Dragon Ball Super manga and the reveal of its next arc being an adaptation of Dragon Ball Super: Super Hero set to start on December 20th. It’s speculated to start with prequel events that will lead up into the events we see take place in the film. While I don’t think anything that happens in the movie will change drastically in the manga, I think starting the arc with these prequel events is a fun way to adapt the arc!
The arc will feature Goten and Trunks becoming super heroes, and it’s nice seeing the two of them get something to do! I’m hoping we get to see other characters that appear in the movie like Android 18 and Krillin during these prequel events as well, as the Granolah arc really didn’t feature a whole lot of characters and it’s been a while since we’ve seen everyone else in the manga. I just wanted to take a second to theorize about what may happen during the “prequel” section of the arc as I think there’s a lot they could do there.
Videl
Videl hasn’t had very many moments to shine in DBS compared to other characters, so I think this could be a very good opportunity to show us more of her character. I’m not expecting her to fight Cell Max or anything, obviously something like that wouldn’t happen, I just think it’d be cool (and also pretty likely) that we’ll get to see a bit of her in this arc’s prequel events. We learn that she teaches martial arts at a school now during the movie, so maybe we’ll get a glimpse at the school? Who knows, I just think it’d be a neat addition to add in there.
Marron
Marron, like Videl, is another character who we haven’t seen a ton of in DBS, and I think we’ll see at least a brief appearance of her. If we do, it’s also very likely that she’ll have a new design similar to Goten and Trunks, as the last time we saw her was during the Tournament of Power if my memory serves me correctly, and at least 2 years have passed since then. If she does get a new design, it’s likely she’ll look similar to how she did during the End of Z, as the time when EoZ takes place is approaching in universe.
Gohan’s Makankosappo Training
Gohan states during the movie that he spent some of his spare time practicing the Makankosoppo in order to surprise Piccolo, but we never got to see him practice the technique. If the prequel events turn out to be more relaxed compared to the Granolah arc, it’s possible we could see him practicing the technique.
Gotenks
While Gotenks making an appearance in an arc that puts focus on Goten and Trunks makes sense, I doubt we’ll see him during the prequel events. The two of them messing up and merging into fat Gotenks during the movie tells me that the duo haven’t been practicing the technique much and have gotten rusty, so for them to pull it out during the prequel section, fuse into Gotenks perfectly, and then proceed to botch the technique during Cell Max would just be weird, at least in my opinion. The possibility of him appearing before the main events of Super Hero is still there though, so I figured I’d just bring it up. I’d definitely be nice to see a properly formed teenage Gotenks in action, though!
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Final Thoughts
While I don’t think this arc is going to be anything mind blowing, I think doing a Super Hero arc instead of immediately diving into a “Black Frieza” arc is for the best. I’m hoping it’ll be a good mix of action and slice of life content without stretching on for too long like the Granolah arc did. Ultimately we’ll just have to wait until December when the arc starts to see how it goes, but regardless like I said originally, it’s nice to see Goten and Trunks getting something to do in the manga, it feels like it’s been way too long since they’ve been relevant.
If you read all this, thank you! I just wanted to spend some time speculating on this as I’m very excited to see the DBS manga finally return. I’m still planning on doing a Sonic Frontiers review like I stated previously and I’m still working on writing other Dragon Ball related things, I’m hoping to have at least one of those out soon!
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davidmann95 · 3 years ago
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Sooo… Superman and the Authority?
magnus-king123 asked: Your thoughts on Superman & the authority Give it to me...lol
Anonymous asked: Seeing Bezos take his little trip into space the same day Morrison puts out a Superman comic that touches on how far we’ve fallen from the days when we dreamed of utopian futures where everyone explored the stars was a big gut punch. Not used to Superman being topical in that way.
Anonymous asked: What'd you think of Superman and the Authority#1?
This is far beyond what I can fit in the normal weekly reviews, so taking this as my notes on the first six pages, with this and this as my major lead-in thoughts:
* Janin's such a perfect fit for Morrison - the scale, the power, the facial expressions selling the character work, the screwing around with the panel formatting as necessary to sell the effect, the numinous sense of things going on larger than you can fully perceive amidst the beauty and chaos. It's a shame he wasn't around 25 years ago to draw JLA, but I'll take him going with Morrison onto other future projects.
* His intro action sequence is such a great demonstration of why Black actually does have something to offer, and also how he's such a dumbass desperately needing Superman to save him from himself.
* While Jordie Bellaire didn't legit go with an entirely monochromatic palate the way early previews suggested, it's still an effect frequently and excellently deployed here. And glad to see Steve Wands carry into this from Blackstars since there's such an obvious carryover from its work with Superman.
* "Gentlemen. Ladies. Others." Great both because of the obvious - hey, Superman's nodding at me! - and because it's a phrasing that reinforces that this take on him (and let's be real Morrison) is old as hell.
* I'm mostly past caring about whether this is an alt-Earth Superman until it becomes indisputable one way or another, this and Action both rule so what does it really matter? But while there are still a couple signs in play suggesting some kind of division (the Action Comics #1036 cover, Midnighter up to time-travel shenanigans) the "lost in time" quote clearly thrown in after the fact to explain how he could have met Kennedy outside of 5G that wouldn't be necessary for an Elseworlds, the assorted gestures towards Superman's current status quo, the Kingdom Come symbol appearing in Action, and that Morrison would have had to completely rewrite the ending if this wasn't supposed to be 'the' version of Clark Kent going forward as was the intent when they first planned it all say to me that no, no fooling around, this is our guy going forward one way or another.
* Janin and Bellaire making the first version of the crystal Fortress ever that actually looks as cool as you want it to.
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Anonymous asked: I like that Superman and The Authority is basically the anti-All-Star; instead of the laid back, immortal Superman who is supercharged, we have a stressed, ageing Superman whose tremendous powers are fading. The former will always be there to save us, but the latter is running out of time and needs to pull off a Hail Mary. Also, he mentions in his monologue to Black that he was "lost in time" when he met JFK, so maybe he is the main continuity Clark. Or he's the t-shirt Supes from Sideways.
* You're absolutely right - the power reversal is obvious and the ticking clock in play seemingly isn't for his own survival but everyone around him as he wakes up and realizes all the old icons grew complacent with the gains they'd made and he's not leaving behind the world he meant to. Both, however, are built on the idea of preparing the world to not need them anymore - it'll still have a Superman in his son, but that'll only work because of the others he empowers and inspires. The question is what happens to Clark if he's not going to live in the sun for 83000 years.
* Clark's 'exercise' here does more to sell me on the idea of Old Man Superman as a cool idea than however many decades of Earth 2 stuff.
* Intergang being noted alongside Darkseid and Doomsday speaks to how much Kirby informed Morrison's conception of Superman.
* This isn't exactly the most progressive in its disability politics but at least it makes clear Black's being a piece of shit about it.
* It's startling how much Clark can get away with saying stuff in here you'd never expect to come out of Superman's mouth. "I made an executive decision" "Privacy, really...?" "You have nowhere to go, Black. Nothing to live for." "There are few people in my life who I instinctively and viscerally dislike, and you've always been one of them." It only works because there's zero aggression behind it, he's just past the point of niceties and being totally frank while making clear none of these assessments preclude that he cares and is going to unconditionally do the right thing every time. He is absolutely, per Morrison, humanity's dad picking us up when we're too drunk to drive ourselves home.
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* The story doesn't put a big flashing light over it, but it's not even a little bit subtle having the material threat of the issue be a ticking timebomb left by the carelessness and hubris of generations past.
* Manchester keeps trying to poke the bear and prove his hot takes about Superman and it's just not working. The front he put up under Kelley is gone after decades of defeats, and as Morrison understands what actually conceptually works about him as a rival to Superman underneath the aging nerd paranoia he's exposed as what he absolutely would be in 2021: a dude with a horrific terminal case of Twitter brainworms. I was PANICKED when I heard there was an 'offensive term' joke in this, I was braced for Morrison at their well-meaning worst, but it's such a goddamn perfect encapsulation of a very specific breed of Twitter leftist who uses their politics first and foremost as a cudgel and justification to label their abrasive, judgmental shittiness as self-righteousness (plus it's a killer payoff to a joke from way back in his original appearance). Cannot believe they pulled that off when they're so very, very open about basically not knowing how the internet works.
* @charlottefinn: Manchester Black using his telekinetic powers to force someone he hates to fave a problematic tweet so that he can screenshot it and start a dogpile
@intergalactic-zoo: “Once they cancel Bibbo, Superman won’t be *anyone’s* fav’rit anymore!”
* Friend noted this issue had to be fully the conversation because the whole premise stands on the house of cards of these two somehow working together, and with three 'silent' inset panels the creative team pulls off that turning point.
* So much of this feels on the surface like Morrison bringing back the All-Star vibes with Clark, but when he drops a "That's all you got?" in a brawl you realize what's underlining that bluntness and confidence in the face of failure is that deep down this is still the Action guy too. This dude ain't gonna get wrecked in his Fortress while the other guy chuckles about him being A SOFT WEE SCIENTIST'S SON!
* Bringing up Jor-El made me realize that Morrison already spelled out that this is the final threat to Superman, what he faces at the end of the road:
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"Now it's your turn, Superman."
* A l'il Superman 2000/All-Star reference with the Phantom Zone map!
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* There's so much intertextuality going on here even by Morrison standards - Change or Die with the old hero putting together a team of morally nebulous folks out to 'fix' everything, Flex Mentallo with the muscleman trying to redeem the punk, Doomsday Clock with the fate of the world hinging on whether Superman can get through to a meta stand-in for an idea of 'modern' comics cynicism, DKR and New Frontier and Kingdom Come and Multiversity and Seven Soldiers and What's So Funny and All-Star and Action and the last 5 years of monthly Superman comics and Authority and probably Jupiter's Legacy and Tom Strong - but none of that's needed. You could go in with the baseline pop cultural understanding of the character and not care about any of the inside baseball shit and get that this is a story about a leader of a generation that let down the people they made all their grand promises to as inertia and day-to-day demands and complacency let him be satisfied with the accomplishments they'd made long ago, looking at a new era and seeing the ways its own activists are dropping the ball. The only thing that fundamentally matters in a "you have to accept you're reading a superhero story" sense is that because he's Superman he's willing to own up to it and listen to people who might know better about some things and try to set things right while he and those who'll take his place still have a chance. And yes, the oldster looking back on their legacy with a skeptical eye and hoping for better from the next generation, hoping most of all that their little heir apparent can fulfill the promise inside of him instead of being a provocating little shitkicker, is obviously also autobiographical.
* The overlaying Kennedy reprisal is such a great visual of a sudden intrusive thought.
* The Kryptonite secret is the obvious "This is going to matter!" moment, but "He lied about his son" is a bit that doesn't connect to anything going on right now so maybe that's important here too? More significantly, the Justice League can't actually be the villains here but that Ultra-Humanite's crew are in an Earth-orbiting satellite makes pretty clear what's up.
* I've said before that between Superman, OMAC, and a New Gods-affiliated speedster this was going to use all of Morrison's favorite things. King Arthur playing a role isn't exactly dissuading me.
* Love the idea that all the antiheroes have their own community in the same way as the capes and tights crew. They definitely all privately think the rest are posers though and that they alone are Garth Ennis Punisher in a mob of Garth Ennis Wolverines.
* Manchester's fallen so far he's gone from trying to convince Superman to kill to convince him to dunk on people for their bad takes and Clark just doesn't get it. Official prediction of dialogue for upcoming issues:
"According to these bloody Fortress scans, the only thing that can restore your powers is an unfiltered hit of dopamine. Don't worry, Doctor Black has a few ideas."
"Hmm. Maybe I'll plant a nice tree?"
"...fuck you."
* Ok I already talked about how great the Fortress looks in here but LOVE this library.
* A pair of pages this seems like the right spot to discuss from Black's original appearance that underlines both his and Superman's inadequacies up to this point:
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Responding to the problem of "the government and penal system are hopelessly corrupt" neither of them has any actual notion of what to do about it in spite of their respective posturing beyond how to handle individual outside actors - each is in their own way every bit as small-minded and reactionary as the other. Clark's coming around though, and he's holding out hope for the other guy.
* Superman: Have a lovely mineral water :) proper hydration is important :)
Manchester Black: *Is a dude who can get so mad he vomits and passes out. At water.*
* That last page is the one to beat for the year, and does more to put over the idea of this as an Authority book than that Midnighter and Apollo are literally going to show up. It also feels like Morrison tacitly acknowledging all the ways the premise could go or at least be received wrong - from Superman saying 'enough is enough' to who he's bringing into the fold to go about it - in the most beautifully on-the-nose fashion imaginable. Maybe they'll save us all! Or maybe they'll drown us in their vomit.
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waywardimpalawriter · 4 years ago
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I don’t know how my ask got changed to anon lol but ‘‘twas me asking about William Miller!
I’d love to see a Will/Plus Size reader snippet! Maybe they’re friends with Catfish and his and that’s how she gets introduced?
I just think Will would be such a softie for his girl💛
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One touch
Pairing: William ‘Ironhead’ Miller x Plus Size Female Reader 
Characters:  William ‘Ironhead’ Miller, Frankie ‘Catfish’ Morales, Santiago ‘Pope’ Garcia, Benjamin ‘Benny’ Miller, Frankie’s girl (Reader so referred by she/her) 
Setting: Two years after the event’s Triple Frontier, following weekend after the events of ‘Book Boyfriend’ 
Rating: PG-13
Warnings: fluff, kissing, self image issues (female), 
Summary: One simple touch just two hands meeting in greeting, little shocks of electricity dance across palms. Causing gasps to exist as eyes lock. Never intending to meet the man of your dreams because of your best friend. 
Word count: 4,254
Notes: Now part of the ‘Piece’s of life’ Series, chronologically second *for now* in reading order. Requested by the lovely @geminimoonbeamx. I had a good time writing then editing this little (coughs) okay not so little story.  
“Why did I let you talk me into this hmm?” Fingers twisting the hem of your ivory babydoll blouse worries filtering through your veins that the surplice neckline is cut too low. Showing too much of your generous bust to eyes that would sneer and poke jabs your way. “You know I’m not good in crowds.”
“Just a group of friends Y/N that your a part of no crowds,” Bouncing Isabella on her hip giving you a glare. In the back of her mind the idea she come up with stirring to life. Wanting happiest for her adopted family and hoping the matchmaking skills still proved useful. “Sweetheart how many times have I told you, tried to beat it into your head how beautiful you are?” 
“Given me headaches because of you woman,” eyes rolling you turn from watching your best friend. Heart aching to have the happiness she does. “Doesn’t mean I’m gonna listen.” 
“And why not querido? She’s right, course I’m saying that from a brotherly stand point,” smiling while passing by. Frankie moves to stand beside his fiancée and daughter, placing a kiss to her forehead and the crown of Isabella’s. 
Head shaking still tugging at the offending garment, as uncomfortable feelings course through your body. “I’m more comfortable in scrubs than this frilly shit you both know that.” Leaning against the counter arms crossed slight glare to your features. 
“Shit,” little voice exclaims clapping of her hands, twin groans leaving both parents. 
“Now look what you started,” though a soft chuckle leaves her lips while still bouncing Isabella. 
Hard knock echoes through the small foray make all four of you jump and Frankie shake his head. “Ironhead,” breathing the name with a fond smile crawling across his lips. 
“Where’s my princess at,” deep voice boomed through the house followed by a small chorus of ‘Hey’. Accompanied by the sound of a hard slap to someones body part.   
Peels of laughter emanate from Isabella as she wiggles free from her mom’s arms recognizing the voice she runs on chubby little legs towards the mountain of a man standing in the doorway. Soft gasp barely held in your throat as your eyes start from his much loved hiking boots, traversing up long denim covered legs and thick thighs. Pausing for a moment to sweep your bottom lip between your teeth for a nibble taking in the expanse of trim waist and broad shoulders. Fitted dark blue t-shirt covering what you’d bet a weeks wages hides sculpted muscular chest your hands itch to touch. Trying not to groan when your eyes finally land on his face. If you thought his body a work of art sculpted by Michelangelo himself, his handsome face only added to the drool surely pouring from your mouth. Light blond beard your fingers twitch to run through, full bottom lip begging to be nibbled, short cropped dirty blond hair matching his chin. When your eyes finally stop ogling this adonis come to life and lock with the sweetest pair of stormy blue eyes stealing your breath. Quickly averting your stare to avoid seeing disappointment. 
Missing the confusion flash over his features, while bending to scoop Isabella up into his arms and playfully planting kisses over her chubby cheeks. Squeals mixed with giggles bring smiles to everyones faces. Will’s eyes however take that moment to drink in your appearance and finding himself at a lost for words. Trying to keep the smirk off his twitching lips watching the two of you. Frankie rubs at his mustache to hide till it turns into a smile. Catching the way Will looks you over with barely concealed desire. 
Walking over to slap Will’s back affectionately, “Glad you three Stooges could make it. Got a little worried for a moment.”  
“With Will’s driving it’s a wonder we made it at all,” slightly shaggy brown head shakes offsetting the remarks with a fond smile and teasing tone. 
“Walk next time Ben,” sharp quip leaving his lips a smile tugs them up a little. 
“Bring your asses in here, got someone I want y’all to meet but now I’m thinking better of it,” rubbing his patchy bearded chin gleam of mischief sparking through those chocolate browns. 
Head shaking she smacks Frankie’s tummy lightly getting a ‘oaf’ sound from his lips. “Language Morales or it’s the couch for you,” voice teasing but still holds a bit of warning. 
“I call your bluff amor,” rubbing the abused spot, sending her a wink and focusing on you. “Remember I’ve been tell y’all about Y/N,” grin returns as your head snaps up to shoot daggers at the man you consider a brother. “They work together at the clinic,” smirking at the look you’re giving him, “cool the ire querido.” Looking between the two of you, slapping Will on the back, “Y/N meet Will…” 
“I remember Frankie you don’t have to go into an oral history,” extending your hand watching him with curious eyes. The care with which he holds Isabella to his chest makes your heart melt for this man you barely know except from the stories heard over a late night poker game or conversations about your lives between the three of you. “Pleasure meeting you Will.” 
Carefully enveloping your smaller hand within the gun callused grip of his own, he swallows taking in the beauty before him. Speechless till Isabella pats his cheek, “Trust me honey the pleasure is all mine.” 
Breath caught as a shiver rolls down your spine at the contact of his warm hand. Insnared by those beautiful eyes you slowly lick dry lips cursing your inability to form the right words to utter at this moment. The look he’s giving you only further ties your tongue as heat spreads pleasantly along your spine and warms your body like no other. Though that little insecure voice in that back of your mind sounding like all those jeering girls from the past telling you this beautiful man wouldn’t give you a second look.   
“Anty,” holding her little arms out towards you breaking the spell Will seemed to cast over you. Immediately taking her into your arms, small body resting on your generous hips, eyes leaving his to brush a kiss over her soft brown head. 
Throat clears behind him, “Mind moving your as…” seeing the finger up in warning at Ben with fire dancing in her eyes. “Butt outta the way brother dear,” gravely voice finished the amended words before she could smack him up side the head. 
Slimmer in build, face clean shaving with a black ball cap turn backwards, smiling blue eyes take you in. Feeling a little self conscious that evaporates when he comes forward to tickle Isabella making her squeal in happiness. Taking your out stretched hand bringing the two of your into a short one sided hug. 
“Ben Miller ma’am and yes Fish told us a great deal about you leaving out the part about your beauty though.” Playful twinkle in those sweet sky blue eyes putting you at ease in a different way than his brother. 
Brow lifting short scoff existing your throat, you can see the family resemblance between him and Will. “Thank you but flattery will get you no where darlin.” Sweet smile spreading over your lips slowly. 
Letting your hand go to step aside Benny glances over at her sending a teasing wink that makes her playfully roll her eyes. 
“I like her already hermano doesn’t take Benny’s shit and gives it right back,” chuckling then ‘oafs’ when she smacked him on the back of his curly dark brown head. “You said it first a long time ago hermosa. I’m an old man you’re gonna…” 
“Knock the few brains you have left out of your skull? Not possible Pope you only think with what’s between your legs,” snicking at the playful sullen look he gives her. “Don’t mind him Y/N. He’s more of a rocky road than smooth peanut butter.” Trying to hide the approval skipping through her eyes at the way Santi looks at you. 
“Woman must you give all my secrets away,” grinning he takes your hand to kiss your knuckles salt and pepper beard tickling your skin. “Santiago Garcia but these knuckle heads call me Pope you can call me whatever you like preciosa,” giving you a smirk. (Gorgeous)
Smooth, of course Santi would pull out all the stops to flirt with you. Those thoughts twisted his gut though there’s no reason they should. You’re free to choose who ever you wanted but that little nudge in the back of his mind questioned why not him? When your eyes connect Will quickly looks away plastering a smile over his features to not give away the uncertainty currently filtering through his mind.   
Catching Will’s stare till you blink and he’s turned his head making you feel foolish for thinking he’s actually looking at you. “Just don’t call you late for dinner huh?” Returning your gaze to Santiago’s deep chocolate eyes. Giving him a soft smirk low chuckle leaving him lips tipped up with his own smile spreading across his mouth. 
“Know me already,” grinning Santi steps closer to brush a kiss over Isabella’s curls. “Pleasure meeting you Y/N,” keeping his eyes locked for a moment longer with yours than stepping away.  
Heat blooms over your body, not nearly what you felt when Will shook your hand but still warm as you switch a bouncing Isabella to your other hip. 
Shaking his head, “All right now that everyone’s met out of the kitchen,” waving his arms to shoo them out the backdoor. “Pope give me a hand with the cooler?” Frankie asks motioning towards the long Igloo cooler by the backdoor. 
“Why you gotta pick on the old man Fish there’s two strapping young men right there that can carry the chest?” Grinning as both Miller boys roll their eyes. 
Scoffing, “You ain’t any old then I am Pope stop acting like your ancient man,” popping his shoulder nodding a thanks to Will and Ben. Frankie grabs the plater full of steaks, heading out the door behind them with Santi snatching up the vegetables for grilling. 
Once the door securely closes, “You like him don’t you?” Coming towards you to take a bouncing Isabella from your hip. 
Eyes widen glancing towards her, head shaking in the negative. You move from one bare foot to the next wiggling your toes against the cool tile floor. “Don’t know what you’re talking about.”
“Will,” the only thing she answers with going to place Isabella in her highchair while getting the rest of dinner finished. Having seen the way you looked at the eldest Miller and how he you. 
Gapping at her, “What about him?” Though you couldn’t deny the pleasurable tingles dancing across your skin at his touch. Soulful blue eyes flash when you close your. Splashed with a haunted look that a part of you wants to help. “Don’t try to set us up woman it wouldn’t work.” 
“Why not?” Frown turning down the corners of her lips, banishing a wooden spoon towards you. “Stop thinking every man is Brock. Trust me neither of them could treat you like he did. Will’s a good man you should give him a chance.” Thought secretly pulling for Santiago having a feeling you’d help sooth some of those demons she’s seen in his eyes at times. 
Eyes rolling so hard you’re sure there stuck somewhere in the back of your head. “An adonis like him would never give me a second look.” Glancing out the window to the back patio, pausing on the very man your discussing. Watching him laugh at something corners of his eyes crinkle and the smile tugging at his very kissable mouth has a small breathy sigh leaving your body. Unable to deny the thoughts rolling like film through your mind. Wondering exactly what those lips would feel like. If there soft? How they’d feel… shaking those ideas from your head to focus back on the woman chuckling.  
“Told you,” smirking her own gaze landing on Frankie who’s soft loving eyes focus on her before Benny smacks the back of his head. Making all the guys except Frankie bust out laughing again. 
Swallowing, you glance away right as Will’s stare lands on your plush form. Foreign feelings building in his chest every time he looks at you. Hoping it’s not written all over his face or the guys would rib him as they do Frankie. But in that moment when your eyes lock, glass and a short distant the only thing between Will doesn’t care about teasing. Interested solely in getting to know you, to find out if your soft body will mold to his hard angles the way he hopes. To taste those kissably plush looking lips and dragging all manner of noises from the back of your throat. 
Beer bottle waves into his field of vision breaking the connection with you and reaching for the cold long neck to take a health drink. 
“She’s single,” taking he seat next to him, voice low to not include Ben or Santi. “Be careful with her though,” locking browns with blues for a moment letting Will know wordlessly what he means. 
Shaking his head, “Benny or Pope…” looking back towards the house watching you move around the kitchen like a seasoned pro. Never one to not go after what or in this case who he wants, Will swallows harshly even before taking another drink. Gut twisting at the thought of you with another man. Shock widens his eyes given the fact you just met. But how often did one feel those pleasurable tingles that warm the bones and dance across their veins like tiny lighting bolts. Just from one single touch. 
“Trust me when I say she’s too much for Benny and Pope’s not home longer enough sadly,” smiling before tossing back the rest of his beer. “She’s shy at first but like my love will open up to you if treated right,” giving a fond smack to his shoulder. “Think about it and don’t let the past how you back,” getting up with that parting advice to check on the steaks. 
Giving Will some much needed time to think while Benny talks about his next fight and Santi adds news concerning the job he’s been vetting. Not really paying attention till both women come from the kitchen loaded arms bringing potato salad, bacon wrapped asparagus, macaroni salad, and dessert, Isabella held snuggled in her mother’s arms. All four shoot up to help, Will offers to take one of the bowels from you. To which you smile handing him the asparagus. Heart thumping wildly offering you one of his own in return. Fingers brush shooting those tingles back through both your bodies. 
Quickly turning, to keep from embarrassing yourself. “Hope you remembered to make my steak medium Frankie I don’t want no burnt meat.” Hands planted on your ample hips giving him a playful glare. 
Will takes the moment to take in your form, hands itching to grasp your thick waist and bring you back into his chest face burying into the sweet spot between neck and shoulder. Wondering if your ticklish, if you’d enjoy the burn his beard would leave. Thoughts interrupted by Frankie’s voice.
“Yes, ma’am I left yours and Will’s for last since you both seem to like your meat mooing,” chocolate eyes rolling getting a giggle from Isabella and a soft chuckle from the woman beside him. 
Looking towards her, mouthing a quick thank you. Nodding in return, “Go make your drink I know how much you loath beer sweetheart.” 
“Shit tastes like piss to me,” muttering the words just loud enough to have everyone bust out laughing when Isabella repeats what you said. Giving her a sheepish look before bolting towards the kitchen door in anticipation of something thrown at you. 
Watching you go, a deep chuckle leaves his lips and curiosity gets the better of him so Will follows. Pausing to lean against the archway into the kitchen. Noticing for the first time your barefooted, in a pair of fitted carpi’s accentuating the curve of your ass and thick thighs. Visions of those thighs wrapped around his waist floating through his mind till a huff of annoyance sounds. Breaking him from those salacious thoughts to see you stretching, blouse riding up to bare a small patch of skin, reaching for a bottle of Jack. 
Before thinking things through fully Will’s feet carefully, quietly walk him towards you. Pressing his chest against your soft back, getting a squeak of surprise from your lips. One hand pressed into the counter beside your thick waist the other reaching above you wrapping those thick nibble fingers around the half full bottle of amber liquid. Lowering yourself from tip toes your to brush against the person behind you. Mouth dry as soft musk cologne, an under current of pine added to tickle your nose as warmth dances over your cloth covered back. 
“Thank you,” head turning to look into the vivid blues of Will. Who’s yet to move from crowding you into the counter. Breath stolen by the way he’s looking at you, almost hungry and not for the food that’s cooked. 
Clearing his throat, voice gruff, and deep sending shivers down your back. “You’re welcome happy to help a damsel in distress.” Stepping back so you could move, eyes darting towards your lips. That you lick slowly, tucking the bottom between your teeth making a low groan ramble from within his chest. Clearing throat to speak, “What’s the Jack for?” 
Blinking trying to focus on what he’s asked and not how good it felt to have him pressed against you. “Uh… it’s,” ‘God why does he have to smell so good,’ thinking to yourself while trying to answer but find yourself unable to form the most basic coherent thoughts. 
“For?” Stepping forward, placing the bottle on the counter so his hand is free to brace himself and crowd you back into the spot recently vacated. 
Fascinated by the bob of his Adams apple eyes glued to that particularly interesting patch of skin. You don’t hear the question till two fingers pinch your chin. Raising your eyes to meet with lust blown stormy blues. “Straight or in Coke?” The pad of his thumb grazing over your bottom lip pulled the wet skin free from being trapped by your teeth. “You gotta stop biting that bottom lip honey it’s distracting.” 
“Wha… what?” Struck dumb for a moment you swallow trying to get moisture to the Sahara desert formally known as your throat. Head shaking the lustful cobwebs out, “In Coke,” finally gaining enough brain power to answer. Unsure just what he’s playing at while trying to remember what she said about Will. The fact he’s nothing like Brock but that little horrible voice tries to keep reminding you of faults. Hang ups Brock had about your body and job you loved. 
“Woman after my own heart,” smirk pulling at the corners of his lips and catching your eyes. Unconsciously pulling your bottom lip back between your teeth in a bid to keep from whimpering at how delicious he feels pushing into your soft body. “Fuck,” low growl leaves his chest caging you in. The hand bracing himself wraps around your plush waist. Tugging you against him tighter as the other cups your cheek. “Tell me to stop and I will.” Wanting you comfortable with his actions hoping his touch dissipates the uncertainty in your eyes. 
Finding your voice after swallowing again, “If your not serious then stop. I’m not looking for a one night stand.” Shocked by your own forwardness, maybe she’s rubbing off on you after all. Whatever the reason you don’t care you just want to taste those lips and feel them pressed against your own. Recklessness in the face of better judgement sliding through your thoughts. 
“Tomorrow night 1900hrs dinner?” Waiting, nerves making him just a little jumpy. Itching to finally taste your mouth but he waits for you answer. 
Nodding, arms coming up to wrap around his broad shoulders, fingers tugging the soft hairs at the back of his head. “7pm dinner nothing fancy I’m not that kinda girl soldier boy.” 
“It’s Captain actually,” smirk sliding over his kissable lips. 
Brow tipping upward, “You gonna kiss me Captain or wait till tomorrow night?” 
“Permission to make you whimper ma’am?” Cocky twist to his glaze that reminds you of Benny but it’s different and you know damn well he’s going to be trouble. 
“You can try Captain,” innocently wetting your lips, looking up at him through your lashes. 
Sunk and he knows it. That simple look sets his body aflame and desperate to have you. But he reigns those thoughts in, while lowering his head to touch yours. Lips brushing softly barely there kiss sending tingles dancing across his body. Eyes close to savor the strawberry chapstick glossed over your pouty lips. Arm tightening around your plush waist, Will slides his mouth over yours twice before slanting an angle against your lips. Keeping the kiss chaste till you timidly tug at his hair making him groan at the slight sting. Taking the signal as go ahead to plunder the warm depths of your wet mouth. Nipping the already abused bottom lip, sucking the soft skin between his own teeth to nibble and caress with the tip of his tongue. Soft whimper vibrated through your chest making him smirk but doesn’t stop the assault on your mouth. 
Using the hand from your cheek to slide back and cup your neck holding you in place as he thrusts his masterful tongue into the wet cavern of your mouth. Playfully mating with yours, tangling and retreating repeatedly wanting to hear those whimpers. Capturing and bringing yours into his own wet depths making a moan race from the deep reaches of his chest and his arm to tighten deliciously so wanting to meld the two of you together. Finding your curves fit his angles perfectly. Only the need for air breaks you apart, foreheads resting as you share gasping breaths. 
Stunned by the amount of passionate want flowing through his veins. Not even sharing that kind of depth with his ex-fiancee. Those very thoughts shock and shaking him to the very core. Only breaking from the trans by Santi’s teasing voice. 
“Might want to save some of that sexual tension for your date tomorrow you two. No fun to play all your cards in one night,” Pope’s laughter filled voice floating through the desire coated haze your both wrapped up in. 
Head falling to his sternum to hide yourself from the prying eyes of your new and old friends. “Fuck off Pope,” voice rambles under your cheek, catching the teasing tone. 
Pinching his side playfully at the language used receiving a low growl into your ear from the man wrapped around you. Burying your face in his chest to cover the squeak when his large hand cups a generous butt cheek to squeeze. 
“Making out like randy teenagers in our kitchen for shame I thought you both knew better?” Frankie groans into her shoulder his head finding home with shake of laughter and playful disgust color his voice. 
Head snapping up glare leveled at Frankie, “Randy teenagers huh? Says the man who fucked my best friend on every surface in this house. Some I choose not to sit in because of the things I know.” Reluctantly stepping away from Will’s warmth to make your drink, smirk sliding over your lips when they both gasp. 
Santi and Benny gagging, wiping at themselves to clean off imaginary dirt. All four retreating back outside after the show you put on for their amusement ending. 
Grabbing the bottle of Jack, a can of coke and your favorite Reduce stainless steal cup. Plopping all the ingredients on the island you glance up to notice everyone else left except Will. “So where you taking me tomorrow night?” 
“I know this nice little place, quiet, excellent management and the food,” eyes close with a blissed express over his features. Almost as if he’s tasting the food right now. 
Watching him while dragging your bottom lip back between indenting teeth, “You’re place huh?” Teasingly quipped till stormy blue eyes open and lock with yours. “I’m kidding of course,” swallowing harshly, hand shaking just a touch while pouring the Jack then coke over ice. Attention diverted towards the task, missing the spike of arousal flare to life and deepening his blue orbs.  
Heat surrounded your back as Will comes up behind you, hands gripping the island on either side of your thick waist to cage you in. Pressing his lips to the shell of your ear, “An option true one I’ll save for later sweetheart after we get to know each other better.” 
Heat flicker’s to life low in your belly, his minty breath ghosting over your skin. Making it hard to suppress the shiver of desire rolling down your back. Especially when Will pressed himself against you. Swiping your Jack and Coke to take a health drink. “Hey soldier boy that my drink. Make your own.” 
“Hmm wanna taste?” Wiggling his brow, Will lowers his mouth back to yours for another kiss. This time hints of Jack and Coke assault your taste buds but there’s more. A flavor you’ll come to associate with Will, one you’ll never get enough of.    
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fantastic-rambles · 4 years ago
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Sk8 Analysis: Adam’s Search for “Eve”
I’m tired of seeing all the hate for Adam, so... here’s some more non-hating-Adam content in which I try to relieve some of the pressure of my latest obsession. This isn’t meant to be a justification of his behavior or anything, just my own thoughts and theories on his character.
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To me, his driving force is his love for skating. I honestly believe that he loves skating more than anyone else does, and more than anything else: his speech when he’s starting the quarterfinals of the tournament seems to suggest that/be a bit of a “humble brag” when he says that he’s trying to figure out who loves skating the most... because pretty much everyone knows that he’s #1 and the likely champion. Then there’s also all the times when he’s put off work in order to skate or immediately gone to the course after returning from a trip. So when he’s skating, he wants to enjoy himself to the fullest, which means that he needs a real rival, someone for whom it is not a foregone conclusion that Adam will win if he goes all-out. Which is what he’s looking for in his search for “Eve.”
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Of course, the logical starting point in examining his character is his past. We do see that he has some typical “innocent childhood”-looking memories with Tadashi, who taught him how to skate, as well as good times with Cherry and Joe when they were teenagers. There was definitely a time when he was sincerely happy and didn’t engage in his current level of high-risk behavior that’s traumatized and injured a number of his opponents. But even then, it seems pretty clear that he’s on a different level than the other skaters: when Cherry and Joe first meet Adam, they have a skill test/challenge in which Cherry and Adam both jump over a stack of skateboards. While Cherry just barely clears the stack, Adam jumps over it with plenty of room to spare, which sparks the start of Cherry’s admiration for him.
But it does seem like Cherry and Joe are the two skaters who can best keep up with him, so they spend a lot of time together, and Adam even lets them see his face, telling them that they’re “special.” At that point, they were all still growing and improving, probably by competing with each other, so they had not yet reached their full potential/maturity as skaters. Even though Adam seemed to be their de facto leader since he was the most skilled and drew the admiration of everyone else, I think that he wanted them to improve until they could challenge him on equal footing, to help him also improve and enter a new frontier of skating together.
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But between then and now, something changed, and all we know is that Tadashi blames himself for it, and it’s something that Cherry (and maybe Joe) doesn’t know or understand. Adam became obsessed with finding his “Eve,” the person who could be his equal in skating, and he became much more aggressive/desperate in searching for that person. When he finds someone who he thinks has the potential to keep up with him, he tests them to see if they love skating as much as he does (if they do, they won’t be scared to come back and challenge him) and whether they can keep up with him. And if he thinks that they really are “Eve,” he invites them to the world that he sees, when his eye goes all rainbow-y and he pushes both himself and his opponent to the edge. However, when he does that with one of his prospective Eves, the guy goes off a cliff, disappointing him and shocking Cherry and Joe.
So then, coming back to the present, how does he treat his opponents? It’s based on what expectations he has of them with regard to their likelihood of being “Eve.”
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Starting with the one for whom he has the least expectations: Cherry. Usually, before a race, Adam will banter with his opponent and generally be kinda obnoxious, but he clearly has no interest in racing Cherry from the very start, and he admits as much (though Cherry misunderstands why). He gives off an air of just wanting to get it over with, interrupting Cherry and Joe’s bickering before the race and the whole time, he almost never smiles. It’s not that he doesn’t smile because he’s taking Cherry seriously, or that he’s upset about racing Cherry: it’s because it’s simply not fun for him. The more serious he gets, the more openly he expresses himself with his overly dramatic protestations of love, because that’s when he’s truly enjoying himself.
He also doesn’t engage in his usual showmanship, only dancing when he’s about to pull off a move, which might simply be because the “dancing” is required to set up the Love Hug/turn his board around. The early Love Hug at the beginning was a test: both of them knew that Cherry would avoid it, but Adam wanted to see how. Would he do something unexpected, or simply stick to his “overcalculated” method of skating? But Cherry ends up disappointing him, so in the end, he pretty much smacks Cherry in the face with reality. Again, I’m not condoning his violence, but I also think it was necessary in order to shock both Cherry and viewers who believed in “the power of friendship” to show them that, yes, Adam is no longer who he was, and that he isn’t clinging to the past/his fond memories. Adam himself doesn’t seem happy about doing it, unlike when he challenges other skaters with danger/violence (his previous prospective Eve, Reki, and Langa), but Cherry needs that reality check so he can let go and move on.
What he said about Cherry’s skating being “boring” and with “no surprises” is certainly incredibly harsh, but it’s not inaccurate. Even though I love highly analytical characters who can make calculations and execute them perfectly on the fly like Cherry, I agree with Adam’s assessment. Cherry is not an amazing skater: the only reason he’s considered one of the best skaters is because of his perfect technical skill, assisted by Carla. But he can’t improvise, and more importantly, he can’t improve: he’s already reached his peak. And that’s not enough to challenge Adam: even during their race, there were times that Adam was clearly holding back even as Cherry was nailing everything perfectly. So Adam has no more expectations of Cherry. He’s long ago discarded the idea that Cherry (or Joe) could be his “Eve,” so he views skating with them as boring and a waste of time because they can’t do anything that will thrill him or let him fully express his love for skating. 
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Next, Reki. Even though Adam knows that Reki isn’t at his level, and his main motivation is to beat Reki so he can race Langa, he still takes Reki relatively “seriously.” He’s his usual, flamboyant self prior to the race, and he does seem to enjoy himself during the race. Reki is closer to reaching his full potential, but that still puts his ability far below Adam’s, so Adam gives himself a handicap so that he can enjoy himself when he goes all-out to catch up. He also tests Reki’s potential with his very hands-on/violent approach to competing, though Reki ends up being scared off by it initially. But then he recovers and even surprises Adam with his persistence, resulting in Adam trying out a Love Hug on him, which turns out to be the final blow to Reki’s confidence. But Adam can still enjoy himself because it’s a new experience and a new challenger, so he can get a breath of fresh air even though he knows Reki isn’t his “Eve.”
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Then, there’s Miya. Although it’s very briefly shown, Adam’s race with Miya during the preliminaries shows that he does have expectations of Miya. He has a cheerful, creepy talk with Miya about how he’s loved all of his opponents--not, in my opinion, in a romantic way, but rather because without them, he cannot fully enjoy the thrill of skating if he’s just skating “alone”--and during the race, he dances on his board throughout as he leaves Miya in the dust. Adam does seem happy when he says that it’s their first time racing together, because that means it’s a new experience for him. But he doesn’t test Miya’s potential to be an “Eve” with his usual grabbing him and forcing him to dance together because he believes that Miya hasn’t reached his maximum potential yet, as shown when he says that he won’t “love” Miya until he “blossoms beautifully.” So he does expect good things from Miya eventually, but he won’t race Miya seriously at this point: perhaps later, Miya could become an “Eve” for him, but not right now.
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Then, finally, he has his eyes set on Langa, who is currently the closest to his ideal of “Eve.” Of course, he is aware that Langa is practically a complete beginner since he’s been watching Langa from the very start, but at the same time, Langa has so much raw potential that it excites Adam, so much so that he’s not willing to wait for Langa to fully mature as a skater. Even before the race starts and he becomes convinced that he’s found “Eve,” he shows up with a bouquet of red roses to proclaim his “passionate love” for Langa (AGAIN, NOT ROMANTICALLY), which is completely over the top compared to when he skated with anyone else and shows just how excited he is about skating against Langa.
During the race itself, he clearly respects Langa for wanting to start at the same time despite the very obvious handicap it gives Langa. Everyone else thinks that Langa is insane or stupid, but Adam seems pleased by it--because Langa is rising to the challenge and trying to fight him on equal terms. Yes, Adam holds back during the race because he knows that if he was serious, he would crush Langa (competitively, but not spiritually), but he also wants to see what Langa is made of. Initially, he seems disappointed when Langa is hanging back on the straightaway, which is a “safe” play suggested by Cherry that can’t beat him. But when he tests Langa by grabbing him and throwing them into a spin, not only does Langa not give up, but he actually challenges him back: pulling closer to increase their spin speed while smiling, which Adam is clearly delighted by. Then when he tries the Love Hug, Langa surprises him and exceeds his expectations by escaping it, even though he’s basically still a newbie. And escaping it not by dodging/running away like Cherry did, but by driving straight into Adam and flying over him. He’s willing to take risks and possibly fail, to do things that others don’t expect: a trailblazer for a new era of skating, like Adam (who developed a way to “skate uphill” and “pull off a Love Hug in a turn,” which everyone thought was impossible until he did it).
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So Langa has everything that Adam is looking for in a rival: a love for skating that can’t be crushed by anything, a desire to challenge himself against opponents who should be above his ability level, and the potential to exceed Adam’s expectations and become a skater who he might even lose against. So Adam invites him to his world with the rainbow-y eye and is very clearly disappointed when they’re interrupted by the police. At that point, Langa isn’t at the level that he can actually fight on an equal footing with Adam, but it seems that he’ll be there soon, and that’s why Adam “loves” him so much and considers Langa to be his “Eve.”
He’s not looking for a romantic or sexual partner in “Eve,” but someone who can create a new world together with him: someone who can keep up with him, show him fresh possibilities, and breathe new life into what he loves more than anything else (skating). He doesn’t just want a crowd of fans who admire and cheer for him, for all that he enjoys the limelight and is incredibly flashy. He wants an equal.
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letterboxd · 4 years ago
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Love Thy Neighbor.
With her nineteenth-century American romance, The World to Come—starring Katherine Waterston and Vanessa Kirby—screening now, director Mona Fastvold talks to Ella Kemp about the need to create images, striving for ASMR storytelling, and just how much we owe Terrence Malick.
“We’ve seen a lot of movies during this time period in America about what the husbands were out doing… but they had wives who are at home, living their completely separate lives. What were they up to?” —Mona Fastvold
In the American Northeast in the nineteenth century, life for farmers’ wives is physical, lonely, subject to both the extremes of weather and their husbands’ moods. When Abigail (Katherine Waterston) and Tallie (Vanessa Kirby) become neighbors in The World To Come, their lives become infinitely more bearable.
What unfolds is a careful study of the ways affection and understanding can bloom in the most unlikely places. Based on Jim Shepard’s short story of the same name, Mona Fastvold’s desperately romantic film starts where Abigail’s diary also begins: with a new year, and new neighbors. Through lyrical voice-over and closely drawn scenes, Abigail tells of how, in the wake of unimaginable loss, her life is cracked wide open by the arrival of effervescent, free-spirited Tallie. She speaks of grief and exhaustion, but also of astonishment and joy.
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Katherine Waterston as Abigail and Vanessa Kirby as Tallie in ‘The World to Come’. / Photo by Vlad Cioplea
It’s a story felt through whispers as much as kisses, framed by the blustery winds of the East-Coast frontier—and by the spectre of their husbands (Casey Affleck as the downcast Dyer, Christopher Abbott as the jealous, disturbing Finney) finding out about their new love. Fastvold gives each character just enough attention to let the relationships that matter most rise up all on their own. She does so with words, poetry that somehow feels alive, and with music—specifically, a stunningly passionate clarinet soundtrack.
The World to Come won the Queer Lion at Venice last August (where it miraculously had an in-person premiere), and won many more hearts at Sundance in January. It’s Fastvold’s second film as director, after 2014’s The Sleepwalker, which also starred Christopher Abbott, and was co-written by Fastvold’s partner (and Vox Lux director) Brady Corbet.
What did you feel when reading Jim’s story for the first time? Mona Fastvold: It was a home I wanted to move into. It was this feeling of thinking, ‘This belongs in my universe, and I belong in this universe.’ And I all of a sudden had a few images that I felt a very strong need to create. The first thing that I felt really compelled to do was creating this physical expression of joy after the first kiss. I had this image of Katherine in this wide shot, completely open and just exposed. And I was really compelled to shoot her in the snow by the grave as well.
I also wanted to frame her being tied to the house with a rope, working her way through the snowstorm. There was a lot of amazing text and maybe fewer images in the script, because it’s written by these two really wonderful writers and authors of novels, not so much screenplays. So it’s not a very technical screenplay, and there were a lot of things left to me to work out, which I enjoyed. But the foundation was this really good text.
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Mona Fastvold on the set of ‘The World to Come’. / Photo by Toni Salabasev
The text is so striking, in the way it’s so verbose but never feels stiff. How did you keep the words intact while bringing these emotions to life? I cast some really good actors, so that helps! Then when you’re working with this kind of text, it’s not really a text that you can improvise or play around as much, you really just need to honor it. For me it’s really about finding the movement that will support the beats of the text. I like the edit to be motivated by a gesture, something that says, “I want you to look at this”. I’m trying to make the rhythm more exciting. Ping-ponging back and forth is less exciting to me.
When rehearsing, we’d create movement either physically, or find changes through long pauses already in the text, and then upon finding those organic beats I’d figure out with my DP how we can stay in one take for as long as possible, until we find that moment which motivates a change. I never like there to be a camera movement just for there to be something cool visually. And there’s all this subtext in the text, all these messages Abigail and Tallie are trying to send to each other. When are you being direct? When are you being understood? When are you not?
Particularly in recent years, we’ve been fortunate to have a number of films that reframe period pieces about forbidden lesbian romances. Why do you think we keep coming back to this kind of story? A lot of people feel compelled to say these stories have always been there, and to claim that part of history. It’s not modern, it’s not a new thing, but it’s just that these stories have not been told much. Especially a love story that takes place among farmers. We know a little bit about upper-class stories from some literature, but not that much from that time period. So part of the appeal for me was to say: this is a part of history. Even though it’s not a story about Napoleon, this story about these two quiet, introverted women is still worth exploring. And we’ve seen a lot of movies during this time period in America about what the husbands were out doing. I’ve grown up watching these movies, but they had wives who are at home, living their completely separate lives. What were they up to?
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Finney (Christopher Abbott) reads Tallie’s mail. / Photo by Vlad Cioplea
You mention the husbands—I felt watching this film that it was set in a very different world to the likes of Portrait of a Lady on Fire, which a lot of people loved precisely because of how few men were in the film. But here the husbands play a really important part within the story about these two women, helping to convey their frustration and limitations, without taking over. All characters in a story deserve equal counts of love and attention from the writers, directors and actors. It was incredibly important to portray the men with as much nuance as Abigail and Tallie. It makes for a more interesting story for them, that their relationships with their partners are complex—they’re not just these male archetypes who are terrible and awful. Dyer was an interesting character, in that he’s striving to understand even though he doesn’t quite. And he had different ambitions as well, but this is the situation he’s in, and he’s chosen a practical partner who he respects, and I guess loves and cares for. But they’re running a farm together, they’re business partners as well and depend on each other for survival. When he says “I’ll die without you” it’s quite literal, in a way. I wanted to break these characters open and make them more difficult to deal with, for themselves and for the women as well.
Your picture includes a beautiful, and really unexpected score by Daniel Blumberg—particularly in the use of the clarinet, which feels like its own kind of narrative. Can you talk me through the process of weaving that into the story? I brought in Daniel even when I was developing the script and working on casting early on. I kept listening to ‘Three Pieces for Solo Clarinet’ by Igor Stravinsky, and somehow the instrument felt really connected to Katherine’s voice-over. It was important that the voice-over was not slammed on top at the end. It’s there, I hope, to have a bit of an ASMR effect where you feel it draws you really close to Abigail in a hypnotic way. That you feel like you get this intimate experience of that character by having access to her life even if it doesn’t explain things too much.
So we wanted to have the score speaking to the voice-over, which we recorded long before we started shooting as well. We would play it on set and Daniel would come in and play music there. So constantly being in dialogue between the text being read and the music being played was an important part of the process.
It’s time for some Life in Film questions. What is your favorite ‘forbidden love’ story? A film I really love, which inspired The World to Come, is Olivia. It’s from 1951 and it’s directed by Jacqueline Audry, and it was one of the first lesbian on-screen kisses ever captured. It’s a great movie directed by a female director when that wasn’t so much of a thing. It was an important trailblazer for this film.
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Marie-Claire Olivia and Simone Simon in Jacqueline Audry’s ‘Olivia’ (1951).
What’s your favourite “Dear Diary” movie, the one that best uses a confessional voice-over? Terrence Malick pretty much cornered that market with some beautiful, beautiful attempts at that. We definitely have to pay our respects! Particularly Days of Heaven is pretty amazing. The voice-over work there is extraordinary.
What is your go-to comfort movie? It’s funny because I was asked that a while ago and normally I would just be like, “Anything Nancy Meyers makes is just so lovely”. She makes these films that are just like candy. But during the pandemic, it’s just too hard to watch these cozy movies, because it just makes you feel depressed. So right now, the film I’ve watched the most in my lifetime is Eyes Wide Shut. I also find it to be a Christmas movie… If it’s on anywhere, I’ll always leave it on, or just watch a little piece of it.
What should Letterboxd members watch after The World to Come? First of all they should watch Olivia if they haven’t seen it, and then the other day I watched Martin Eden—it’s an incredible movie. So beautifully made.
What is the one film that first made you want to be a filmmaker? I grew up watching a lot of movies. My family are cinephiles and I’ve always loved films. I grew up on a steady diet of Ingmar Bergman’s films during my teenage years, and Tarkovsky too. Seeing those films made a really big impression me. But what really inspired me in many ways was seeing Claire Denis’ films. The way she approaches storytelling is so intuitive. It’s so exciting. That resonated with me, and later on I recognized some of that in Lucrecia Martel as well. I just love how she handles time and logic and character.
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‘The World to Come’ is currently in select US theaters, and will be available on demand from March 2, via Bleecker Street.
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prowerprojects · 1 year ago
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I was thinking maybe a weird mix of both?Between his older friends, where he feels he has to pull his weight harder in order to keep up and his younger ones where he, not necessarily needs to "set an example" but knowing when to stand up and lead when there's a problem or a sense of danger ahead. Especially for those who look up to HIM; as he does Sonic. (Allows for him to have some flexibility, and just more tastes of his progression and what he could be in the future.)
(Nah, I get ya. Although it could make for interesting dynamics, just because certain characters have similar ages or traits does not mean they have to hang out with each other only. Nor should it be the SOLE reason.)
In some aspects, yes. "Wanting to be cool and stronger" has been a goal since his debut. He's made progress, it's the independence that's a struggle. (Sa1 was him making the epiphany. Frontiers is like him, reaffirming his goal or him making it 'clearer' after looking back a bit. But again, it's just words until we see results. Who knows what we'll be saying by 2032.)
Yeah, just a few tweaks and maybe some accessories. But nothing to throw off most fans. (Although I don't see them changing Sonic's iconic shoes, I know some really like his SOAP ones. It'd be cool if they did some happy medium between the two.)
Heh, if he got his own game again, Tails would probably have a more gadgeteer look to him there. (Also, I like the idea of him slowly upgrading his friends' gear as his skills [and confidence] grow.)
There's a lot of confusion during that time, I remember some being concerned that Sticks would replace Cream; or just Modern in generally. (But yeah, gotta be careful with redesigns. I don't think anything will top how Movie Sonic first went.)
Heh, it seems like it was a small experiment they were testing the waters with. Now that they have a flow and the series has been received positively so far, they might churn out more at a quicker pace. (No rush though. I suspect we'll get one more before the year ends.)
Oh yeah, I probably misunderstood what you were talking about last time a bit. I'm just gonna say that I hope we get more of Tails character focus.
Personally I love what they did with Sonic's shoes in sa1, they look like classic shoes but modernized, but the ones he wears nowadays just look kinda weird and metallic.
Oh yeah, they would probably be allowed to spice up the look in a spinoff. Hehehe. (You're making me waaay too hopeful about it)
You know what could be cool about upgrading the gear? If you could get upgrades for other characters in future games, and they would canonically come from Tails.
Oh I hope ^-^
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ectonurites · 4 years ago
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do u have any thoughts on the whole “tim is zapped to time prison” storyline? bc i feel like it could have been pretty interesting and a good way to bring back young justice/tim’s memories more immediately if it hadn’t been such a blatant attempt to just get tim out of storylines bc they had no ideas for his character
sorry lol u don’t have to respond i just kind of wish people talked about this storyline more? and the fact that tim lowkey became one of the only people in dc with knowledge of the other timelines (i think so at least) and nobody really addressed it?? like going into the next phase where people learn about other timelines after death metal.... tim should already know some of this stuff right?
YES YES YES OKAY LETS TALK ABOUT THIS this got incredibly long because I just have a lot to say (and i included screenshots) and i prob got a little off topic but. but lets get started anyways:
i haven’t read that particular storyline in a few months so i might be missing/misremembering some details here, but that whole ‘time prison + future tim’ thing was like. a really really interesting concept and the implications/impacts it has are a big part of why i liked tynion’s detective comics run as much as i did even with it’s flaws in characterization (such as treating tim like he was jimmy neutron boy genius and making steph..... be all ready to quit/breakaway from the team like that. the steph quitting characterization really started i think in batgirl convergence and unfortunately has haunted her since, even though pre reboot never giving up was like...... one of her defining traits. dc i hate you sometimes) 
i think that one of the biggest things that bothers me about the situation is how little we saw most of the other characters in the batfamily grieve (aside from steph and some with bruce, but again the way steph was portrayed just... hhhhhh. it very much reduced her to ‘tims girlfriend’ more than i’d have preferred) but otherwise like...as far as I can remember there was maybe one line in that monsters crossover thing where dick mentioned tim was gone, jason had a single line about avoiding the funeral in rhato, i dont think they showed any reaction from babs at all until after he was back, and the most for damian I recall is at the end of the 2014 teen titans run (#24) where he looks at... a case with the old red robin uniform Tim wasn’t even wearing anymore when he died? and that just bugs me. Instead of getting to see the actual funeral we get one flashback to it way after the fact once Bruce already knows Tim’s not actually dead
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But at the time when they all DID think he was dead? the closest thing we see was in that same teen titans issue (#24) there’s a memorial-type ‘sharing stories’ thing after the funeral with tim’s titans friends but.... we don’t see something like that with his family. tim is a major presence in these peoples’ lives, they are his family, when he gets sent into time prison its even SAID how loved he apparently is
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its just... idk. they all thought he was dead, and if they had put more emphasis on showing not just telling how that effected EVERYONE (not just steph) in the batfam, it might have felt a lot less like they were just putting tim away until there was a story idea for him. (like obviously I know they can’t make everyone’s stories revolve around Tim, but I’d have way preferred a detective comics issue of the funeral/memorial with the family than having there only be a teen titans one, I think it would have... held more relevance & meaning... but instead they just went right into that monster crossover story instead of lingering on this)
but then the Tim story itself once it does pick up way later, with titans tomorrow/future tim coming along having that whole “tell conner you’re sorry” “who’s conner?” exchange with current tim... that opens up A LOT of things to think about, and I think was pretty interestingly done if i’m remembering correctly. future tim recognizes the timelines are different, and ya know goes off to try to change things further ("whaddaya got there?” “a gun to kill batwoman” “NO!!!!”), theres lots of fighting etc etc the good guys win as we expect, but once that’s all settled tim’s left there with this whole. thought process
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which ya know is the big indicator there’s weird timeline/reality fuckery going on (or also the read here can be that tim and kon are so connected across all space and time that their bond can transcend anything even timelines and realities and reboots... “and they were soulmates” “oh my god they were soulmates”) 
ANYWAYS lets not forget that tim isnt the only one who learns about this other timeline stuff during this whole situation!
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Brother Eye has records of future tim’s timeline, and cass & steph see who they used to be! and as soon as steph finds out ‘holy shit i was ROBIN and BATGIRL?’ she also desperately wants to know more! which then a bit later leads into young justice 2019 where instead of going off to college like they told Bruce they were gonna, Steph and Tim go get the help of Zatanna to see what might be going on in their brains with these timelines and weird feelings (as we see in flashback form in yj 2019 #5)
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and HOO BOY DOES SHE FIND THINGS! she gets in there and finds out that oh yeah, their brains had very much so been tampered with, and with her magic she undoes some of it, by unlocking memories, and Tim finally remembers Conner! (also in case u were wondering, that panel is specifically a callback to this one from yj 1998 #17 when Cissie quit the team)
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one thing that I think is weird/interesting/idk if it gets... properly addressed even, was that Zatanna also poked around Steph’s brain too and she didn’t remember everything? Might have something to do even with how Tim had been in time prison, might have taken less work from Z to open things up because of that? Who knows
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additionally i wanna call attention to how he said “That entire chapter of my life” which... leading into my next point a bit... strongly leads me to believe even though he’s remembering some things he definitely does not have ALL of his memories back (because theres a lot more than just the young justice ‘chapter’ of tim’s life that was drastically changed by the new 52 & rebirth) 
BUT moving on, i wanna bring up this part from later on (after they figured out that there was a crisis that caused things in the world to change, which is why their memories/brains were messed with) in issue #16
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so yeah, I think it’s indicated even though Zatanna brought back some memories and opened up his brain a bit, there’s still many holes, and some things seem more like dreams rather than memories and he’s probably unable to tell which are which on his own to some extent. (also for reference the real thing that Tim thought was just a dream is... likely yj 1998 issue #1)
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So based on the things i’ve brought up here (which are the things I remember off the top of my head, I could easily be accidentally leaving shit out LMAO i haven’t fully read through any of these books in at least 3 or more months now) I think it’s safe to assume that Tim definitely has a head start on getting back his memories before Death Metal happens, but that it was by no means a complete thing. So the after effects of Death Metal are probably just gonna... be a little less drastic for him vs most other people because it was already happening, but it’ll be kinda filling in the remaining gaps? 
And like you said he is absolutely one of the few people that already knew about about the timelines/the fact that these crises have happened and changed things, but pretty much all the other young justice characters are also aware that there was meddling in the timeline/that multiple timelines and alternate universes like this exist since they were all together as a group when it got explained (in like. yj 2019 #15 i believe is where most of the explaining happens) (and cass as well is aware of things to some extent because of her and steph’s interaction with Brother Eye) but the difference is that Zatanna didn’t go into everyone’s brains, so they aren’t dealing with the same memory things as Tim (and possibly Steph? because again Z DID go in her brain, she just wasn’t able to unlock all the same things as she did with Tim) 
but yeah in general i SO wish this was explored more, both in canon and in fanworks (fanworks tho... that can still happen >:3c). Memories hazily coming in for Tim while Kon and Bart are able to confirm or deny things, him dealing with conflicting memories and feelings about his past as they trickle in... like I think we’ll start to see these types of things moving forward across a lot of titles with Infinite Frontier (i BELIEVE dont quote me on this but I BELIEVE the person writing Damian’s upcoming solo had mentioned in an interview that the memories coming back of the other timeline aren’t going to be an all at once thing but will be more gradual for most characters) but the fact that it theoretically had already been happening for Tim for MONTHS and we only got that one crumb indicating it in #16 of it instead of any actual exploration makes me SAAAAAAD 
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rebamacncheese · 4 years ago
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THSR Designer’s Notes: The Ruffle Dress
This is the third in a series of posts where I break down the design choices I made for my illustrated Frozen 3 fan-script, True Hans Soul Rebel. Link here if you haven’t read it: https://archiveofourown.org/works/27113293/chapters/66207733
So. THSR is broken into three acts, like a good Gisnep feature, but it can also be broken in half, if you like. The first seven sequences, and the last seven. The center piece, on which everything hinges, is the Spring Ball. 
Up until now, I hadn’t talked about the non-Hans/Marie character designs, because there’s not much to say with them. Of course, in the fully realized movie, there would be updated wardrobes for the whole cast - spring palettes for Anna and Kristoff, Elsa’s fifth spirit outfit is made more combat-ready - but I didn’t have to think very hard about them, for my purposes in illustrating my fic. They’re all about what you expect, more or less, from “Frozen, but make it spring”. This changes with the ball. 
All of the main cast get new outfits - showcased in the character posters. They were all designed with each other and the setting in mind, and to weather the emotional/physical gauntlet that is THSR’s second half. This is going to be lot. Let’s break it down. 
First up, the ruffle dress:
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In my notes, this is also called “Elsa’s DTF dress”. 
And that is what it is. Elsa has a crush, and she wants to dance with her. 
Romance is a new frontier for the character, a side of herself she’s never had to confront directly before. The tumultuous mix of love and fear causes her to lose control of her powers for the first time in years. She can’t keep her ice solid, one of the consequences of which is that she can’t dress herself with magic. The ruffle gown is wholly analog, made from repurposed material in the back of her old closet with the help of castle servants. (I give them six hours in-story to make it, which is still insane. But if you want a realistic depiction of dressmaking, you’ve come to the wrong genre)
The challenge for the ruffle dress was that it had to both feel like Elsa - and not like Elsa. Show her out of her depth, out of her element, and also asserting her new desires. Show the influence from Marie, which means true warm colors foreign to her palette. And, of course, make it work for the Frozen spring collection.
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Here’s a very early draft (the middle one) which didn’t work at all. I tried to keep the exposed shoulders, and have the ruffles more period-inspired. The good idea of having the ruffles mimic water is there, but it looks like she’s wearing melted ice cream. The pastels are also wrong - immature. I was trying to keep within the rules Frozen’s artbooks laid out, that if you go too dark or too warm, Elsa stops feeling like herself. 
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See the dark blue and black she wears at the height of her encloisterment. And the dark magenta nightgown, when the story is about how Arendelle is not where she belongs. 
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I was being cowardly, in other words. The break through came with the realization that that the look would be better the more paradoxical it seemed. If it has the structure of an Elsa gown that shows her embracing herself - open shoulders and back, giving you anachronistic high femme eleganza - and the colors associated with her insecurity. By her own choices, too - Elsa’s an artist, she expresses herself through her clothes. This is her expressing what romance is to her, something dark and unknown, but strangely familiar, like the deep sea. 
The pinned hair is a compromise on these lines - bringing back the waves in the braid, but keeping it free, as in her fifth spirit look. 
Here’s another draft:
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Now we’ve got something. Abyssal blues, dark but highly saturated jewel tone, with ethereal aqua lining and passionate red accents. The ruffles also echo hellebore, the winter rose - like the spring palace’s chandelier. 
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The halterneck is in line with Frozen 2 concept art. 
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The creative team decided against this - I’m guessing because it was too dark/warm, and didn’t contrast well enough with Anna’s dark autumn leaf palette. But this shows the high collar is possible keeping within Elsa’s style - the ruffle dress actually exposes more of her shoulders.
The rich blue and red lipstick is also much like the concept art, though with the dramatic eyeshadow she reminds me of another iconic queen. 
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Queer Villain Couture. This is what we are here for, this is everything Elsa’s relationship to Marie is. And come Act 3, this is exactly the aesthetic for slinging wild magic down from a volcano. 
The ruffles could use some work, though. The real cascading effect I want, I’m not sophisticated enough to draw from scratch. 
Here’s an attempt to articulate the ruffles in a uniform flow: 
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I try, but it’s not right. Ends up looking jagged, not flowy, and oddly like a flamenco dancer. Which isn’t bad in general, but wrong for Elsa and too much at odds with the setting. (side note, wtf is up with Marie’s hair here? Girl, hang on, we’ll get to you in a minute) I made many attempts to get the cascade effect free-hand, and I always just ended up with something like this.
In the end, I just cheated. I found a real prom dress with the ruffle shape I wanted on google search, traced them on. Now you know. Regretfully, I then deleted the layer, and now I can’t find the exact dress I stole by searching again to credit them. Ah, well. Maybe somebody bought it?
I only cheated once, though - every subsequent illustration with the ruffle dress I winged it (as you can probably tell).
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Forget everything else I’ve said, this thing was really designed to make 2D animators cry. 
In all, the ruffle dress is THSR’s answer to the snow queen gown, and the fifth spirit gown - Elsa’s big statement piece of the film. The thing kids would beg their parents for come Halloween. And I think it does it’s job, as something that both stands up to the rest of Elsa’s wardrobe, and stands out alongside the other Disney heroines in their finest. 
But, to Elsa’s astonishment, her ruffle dress in all it’s glory is not the real showstopper of the ball. 
Watch this space :)
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