#though i feel like i should re read some canon stuff again

[cathalbravecog]

please know anytime i get an ask like this im EATING IT UP even if my thoughts are messy and all over the place. would take some while to make up something fully cohesive and of quality so yknow i hope even my on the spot ideas are interesting to you all :D

[irisintheafterglow]

No Prey, No Pay (opla!zoro x you)

summary: after steering him to a successful bounty, zoro can't stop thinking about you. he decides to do something about it. (Part 2 to Parley)

wc: 1.67k

cw/tags: domestic zoro crumbs, idiots in love but they don't know how to express it, canon-typical violence, zoro is so himbo i love him

note: thank you for all the love on my first two zoro posts!!!! i'm so so so happy y'all liked them; this is one of the first times in a while i've actually been super giddy writing a character. i really hope he's not too ooc, i tried to keep his himbo-ness intact. hope you enjoy!!!

likes, comments, and reblogs are always appreciated <3

“Here to try killing me again?”

“Oh,” is all he can sputter out, frozen on the doorstep of the Lady’s manor. The stout, shriveled old woman before him was not who he was looking for. To make matters worse, the flower he’d picked from the hillside on his way up the driveway suddenly seemed like a gargantuan beanstock in his fingers. His face was warming but, for the life of him, he could not figure out why. “You’re not–”

“Nope. They’re in the Farmers’ Market,” she deadpans without hesitation, eyeing him with all the amusement of a PhD candidate reading a children’s book. “The Farmers’ Market I created, by the way.” 

“Right,” he replies shortly, turning abruptly on his heel and letting his eyes widen in pure horror when she can’t see his face. He tosses the flower into a nearby planter, well aware that she can still see his every move. After several misguided attempts to navigate back to your isolated piece of land in the East Blue, he approached the ornately decorated door with a little more excitement than he expected. Having the Lady whom he’d tried to kill a few weeks prior be the one to open the door was another funny twist of irony that caused him an odd feeling of embarrassment, like he’d dropped you off after a date ten minutes past your curfew. “Thank you for your time.” 

“Tell me, pirate hunter,” she called to his back patronizingly. “Why grace us again with your oh-so-menacing presence?” 

“I’m wondering the exact same thing,” he mutters, irritated at his failed attempt to find you on the first try. 

“When you find them, tell them to pick up more sweet potatoes. I thought we had enough for dinner, but we could use a few more now that you’re here,” the Lady instructs him and her words take a few seconds to register in his mind. But, by the time he’s turned around to ask her what she meant, the door is already shut and he’s too proud to knock again. 

As if the mortification on your porch wasn’t enough, it’s nearly impossible to find you in the milling swarms of people in town. The people part naturally for him as he passes, sneaking anxious glances at the three swords on his hip. Whispers of his occupation and intentions float around his ears but he pays them no mind, determined to spot you. Again, he wasn’t sure what he was doing there in the first place; but, no matter what anyone else said, he did know one thing. By some unexpected turn of Fate, he missed you. 

“Shopping for produce while you hunt? I didn’t know you could multitask.” The teasing lilt of your voice appears behind him and he can’t help smirking. You’d found him before he found you, even though it was his job to find people. “Word to the wise: the vendors will upcharge you because they know you’re not from the island.” 

“What if you’re there with me?” When he finally turns to face you, his eyes flick to the canvas bag slung over your shoulder. It’s stuffed with fruits and vegetables, along with a jar of honey from the beekeeper just up the road from your house. 

“They’ll upcharge you more and insist you pay for my stuff,” you reply nonchalantly. “Now that I think of it, maybe we should walk around together.” You brush past him and re-enter the bustling square like he was the last thing on your mind, when really he was the only thing for the past week. You’re certain he’d follow behind you and your theory is confirmed when his voice comes from over your right shoulder. “It’s good to see you.”

“You’re wearing the bracelet,” he observes, easily slipping into place next to you as if it was natural to be by your side. With the sword-clad bounty hunter next to you, it was much easier to navigate the market without bumping every resident of the island. 

“Mhmm, I told you I liked it,” you say absentmindedly, stopping at a stand and picking up a vibrantly colored fruit from the stack. Observing it for bruises and finding none, you signal the seller that you’d like to buy the piece in your hand. His farm-worn hand stretches out to you and you fish around in your bag briefly for coins. But, before you can place the money in his hand, Zoro’s fingers are already dropping an unnecessarily large quantity into the shocked farmer’s palm. You gape at him and his unchangingly blank expression, shaking your head in disbelief when he glances at you, eyes shining arrogantly. “Where’d you get all that money and why did you do that?” 

“Bounties,” he answers plainly, “and ‘cause I wanted to. Next stand?” You’re still slightly frozen from pure surprise, but he shrugs carefreely and tilts his head toward the rest of the vendors.

“Feel like enlightening me on why you’re here again?” It’s the fourth or fifth stand he’s accompanied you to and, at this point, you were just window-shopping. Since he joined you on your errand, you hadn’t spent any more money; before you could pay any of the sellers, they were already thanking you profusely for your generosity with a pile of shining coins in their hands. Zoro proved to be a very patient companion, respectfully giving his opinions on which piece of produce looked bigger or more appetizing. With most of the required items on your shopping list successfully in your bag, you find yourself drifting over to the stalls of mundane things like pretty flowers and colorful crystals. 

“There’s a Marine defector turned intelligence smuggler hiding somewhere in the area. Thought I’d knock out two birds with one stone.” You turn over a piece of aventurine in your fingers, admiring it from different angles in the sunlight. Your breath hitches slightly when Zoro’s face dips down next to yours, watching the crystal from the same angle. 

“What’s the other bird?” You glance at him from the corner of your eye. 

“Visiting you,” he replies without hesitation, plucking the crystal from your fingers and tossing more coins at the vendor. You don’t stop the laugh that escapes your mouth and you swear his smirk gets more self-assured as he drops the rock into your bag. At a point when you aren’t looking, he swings your bag onto a broad shoulder as easily as if it was a piece of paper. “Also, we need sweet potatoes.” Your eyebrows raise in amusement at his slip. 

“We?” You have to fight down another giggle when his face becomes slightly pinker, imperceptible if you weren’t already staring at him. “Since when were we anything?”

“Your boss said she needed more sweet potatoes. Don’t shoot the messenger.” 

“I wasn’t aware that you went to go see her.”

“I wasn’t either, and then she opened the door instead of you,” he admits and you chuckle at his expression of distaste. “If it were up to me, I wouldn’t have–get behind me.” Before he can finish his thought, his arm shoots out in front of you, effectively halting you a split second before a knife darts across your vision, embedding itself into the wooden post next to you. The surrounding market-goers break into chaotic panic and you have no choice but to press your back against Zoro’s to prevent getting swept away. Emerging from the crowd, a lethal-looking group of fighters encircle you two and your hand finds the hilt of your saber. 

“Pirates?”

“No. Bounty hunters.”

“Friends of yours?” You eye the group warily as the marketplace empties, people running into the nearest building they could find to spectate the upcoming battle. 

“I’d call them ‘occupational competition’ on a good day.”

“Ah, great,” you huff sarcastically. “What’d you do to piss them off?”

“Exist,” he deadpans and you hum in assent. 

“Yeah, that’ll do it,” you mutter and you start to pull your blade from its sheath, anticipating the fight ahead of you.

“Don’t.” The single word halts your movements and your stomach drops in fear of what he’s sensing.

“What?”

“Let me handle this,” he says in a low tone that makes your skin break into goosebumps. “Can you hold the bag while I deal with them?”

“You sure?”

“Yep. This won’t take long,” he says irritatedly, scowling at the rival hunters that interrupted his day.

“Alright. I’m gonna go get sweet potatoes, then.”

“Third one down on the left. I’ll meet you over there,” he promises before moving faster than you can comprehend, whirling and downing the two attackers in front of you without even drawing his swords. They howl in pain when you stab your blade into their feet for good measure before leisurely making your way further down the street. As you walk, Zoro clears the path for you, mercilessly incapacitating every enemy with ease. By the time you find the sweet potato stall, there’s only one persistent fighter still giving the swordsman problems. You don’t feel any ounce of fear, however, as you pick through the salvageable gourds while the clashing of swords rings out behind you. Eventually, the street quiets and Zoro returns to your side as if nothing happened at all. “Good?”

“I’m fine,” you say truthfully, running your thumb over the bruise of an otherwise good potato. “You think this one’s still okay?” After peering at it and deeming it safe, he nods.  

“Yeah, it should be fine. If anything, you can just cut off the ugly spot.” There’s a splattering of red just under his eye when you meet his gaze. Your fingers unconsciously come up to wipe the speck of blood from his cheek and his skin feels just as electric as the first time you touched him. 

“Cool. I’m done shopping then, so we can go back home.”

“We?”

“You’re staying for dinner. It isn’t a request,” you command lightheartedly and smile when his steps fall into line next to yours. 

“Mmm, I can’t wait.”

if you enjoy my writing and would like to support me, you can buy me a coffee on my ko-fi! you can also check out my full masterlist here :)

[alliseearekingsandthieves]

Hi!

First of all, I'm in love with your work, I think your time travel fic might be one of the best ones I read on mha so far!

It's so original, the way Shigaraki ponders each decision like he's in a videogame is so charming, and I love your Kurogiri!

Also your Hana survived AU is such an original idea.

Speaking of, my real question for you.

What are your thoughts on canon Shigaraki?

The fact that in your AU he still had one family member he cared about around during his formative years means that he now has that tad more of emotional intelligence (even though his stats are still shit) to be honest with himself about his feelings for his League. Therefore, he thinks about them with genuine care, reflectiong on ways he can take care of them better this time around, proving that he noticed stuff about them even in the first run. Not that he's all healthy, he's possessive in a way, and I'm surprised the fact that surrounding himself with people he cares about while working against AfO might be dangerous for them hasn't yet crossed his mind, but still.

He cares, he knows he cares, he's working to show he cares.

Canon Shigaraki on the other hand, the one who spent fifteen years of his life with zero human contact aside from his sensei and a nomu, do you think he realizes he needs the league on a different level than their skill sets? Does he care more about total destruction or about giving them the freedom they desire? Does he listen to their reasons to be villains, is there some anger for them too in that bundle of hate inside of him? Does he miss Kurogiri, does he think of him as a parental figure? Does he know that they care for him?

I guess you could summarize the question like this: does Shigaraki canonically love his League, and do they really care for each other, or is it just us wanting to see this group brought together by desperation and isolation happy?

Fuck, I'm sorry, this is a super complicated question.

Thank you for reading, sorry for the headache, have a good day ✨

Hi! Wow! Thank you so much for enjoying my work! I'm glad it's something which appeals to you and that it's entertaining! Thank you so much for reading and for your kindness!

Regarding your question: no worries! I get it! This question is complicated but I love to ramble!

My thoughts on canon Shigaraki are complicated and they are colored by the fact that I haven't read the comic properly in several years! There's a ton of people out there who do some really clever analysis work on him and how he is; I am very much not one of them. The following information is probably wrong and when I reread the comic and find I'm wholly incorrect about a ton of things in this answer, I'll shrivel up inside. This is gonna be long and rambly, so buckle up!

Anygay, I don't really love canon Shigaraki all that much. I don't think enough was really done to justify why the League is so devoted to him, so a lot of my work is meant to weave into the places where the reader wasn't allowed and explain where he might've had softer points with them. Like a lot of other LoV fans, I am fixated on the part where he tells his League they should be able to get what they want. And I don't think he really truly wants total devastation as much as he wants the world to just stop hurting.

His name literally means "mourning" and All for One made him wear his family's hands so that he would never stop feeling terrible. He always seems to me like destructive grief. When you're passively suicidal, you want to stop existing for a while. He wants everything else to stop existing, and I see that as grief more than anything else.

He's got all the mental trauma and very little of the reason for said trauma up until he fights Re-Destro and suddenly it comes flooding back. He cannot physically handle his emotions and violently rejects them over and over again through vomiting. His body seems constantly like it's trying to reject Overhaul's quirk and I would make guesses that he feels ill and unsettled all the time, but it keeps turning into bad temper because he's got no other outlet. I could make some metaphors here about how discomfort in your body leads to you harming others and/or harming yourself when you lash out, but I can't think of something with a 1:1 ratio right now, sorry.

He's constantly destroying things, but it's not just other people's things; he destroys his own things in fits of rage and then has to deal with the fact that he did. He's obviously very mentally unwell and has no tools for fixing that, and he dies thinking of his League and how he wanted to be their hero, which does suggest that he loved them a lot.

I've mentioned before that I read the Smash! comics (not recommended and I did not like the humor most times), and the Shigaraki in those is a little funnier and more openly awkward and weird. He wants to make friends with the League and wants them to see him as cool, and you can watch him kind of struggle through that in some of the little League comic strips. My favorite is the one where he wants to show the League how great he is by playing Dark Souls, like, buddy...

But him wanting to impress the League and keep them around him is canon. He has to try and convince them to stay with him and he takes vengeance for Magne. (I can't say for sure that it's really on her account though as the narrative seems to drop her existence afterward and she doesn't show up in his line-up for the League of Villains when he says he wants to be their hero, so it's like :/) He lets Compress attack Overhaul first in order to avenge his arm, he defends Himiko, he and Spinner are Very Close. I think he and Dabi do not vibe in the goddamn slightest, which is probably due to Dabi's loose cannon tendencies and Shigaraki's own temper.

I don't know if he loves Kurogiri in canon! I think he takes them for granted, but that could be chalked up to the fact that he's twenty, twenty-one, and at that age, you take your parents for granted. Or that could be my "Kurogiri is his dad!!!" lunacy talking and it could be that Kurogiri is just an adult who he can trust and he's acting out to see where the boundaries are. Because canonically, as much as Kurogiri defends him, All for One is still the "favored parent."

TL;DR I think canon Shigaraki loves his League the best he can, but I think he knows it wasn't enough in the end. I think we are reading more into it than we're shown because we want them to be happy, and they were at points! They were happy! It just wasn't enough to save them.

(But that's what fanfic's for, right?)

Haha, thanks for the ask and for enjoying my work! I loved trying to answer this question and I hope it makes at least a little sense. Have a marvelous rest of your day and stay safe!

[linmeiwei]

OMG! I recently found your stories and

I'm.

In.

Love.

You've rekindled a fire I haven't felt about P&P variations in a very long time! Yes, there are many good writers, but not very many excellent ones! Your Darcy and Elizabeth, their interactions in all stages are—at least to me—so true to their canon selves, I can easily imagine several parallel universes in which Austen herself might have come up with something like I Dreamt or Betrothed!

Another (very, very) important aspect of their dynamic I absolutely adore in your portrayal of ODC is their sensuality and ardour. It's unlike any other I've read so far, and I'm so grateful for the little scenes of intimacy you've given us— in spite of the position of much of the fandom on sex no less!

(Alas, I am greedy fanfic heaux who was raised in fandoms much hornier than this one, so i cant help but wish for Darcy-centric outtakes for Stranded. Does this exist??? Can it????)

Since I don't yet sound desperate enough, let me ask this: Please tell me you're currently writing a new story? I do realise it takes work and effort and time. Nevertheless, i'm fully committed to being the needy, greedy reader and have therefore no shame in demanding ever more!!

(in reality, of course, I'm beyond thankful for what we have, and can't wait to read all your stories from back to front again and again and again once I've rampaged all the way through, which, at my current speed, should take just another couple of hours, lol 💗💗💗)

Oh wow, thank you so much! It genuinely means so much to me that someone reads what I write, let alone likes it. It's so nice to hear, genuinely, thank you.

Partially, I'm a little flustered reading comments like this, because I write so painfully slowly, and honestly have to go through fifty complete re-writes (as in start from scratch-go again) before I think a story fit to be seen by the eyes of another human being, and even then I'm a bundle of anxiety until the first review comes in. But the fandom has been so forgiving of my many mistakes and so kind in their feedback, and so that really helps me keep going. So, again, thank you!

It does mean that I'm slow with producing more work, though! I do in fact have a completed draft of another novel, that I am now letting rest before I start re-working it again. Which is my long-winded way of saying that, yes, there's something new coming out at some point, but I really don't know when it will be ready (I'm really rather ashamed of how long it's taking me). I have a little toddler and a full time job, which doesn't help, I'm afraid!

Oh and the sex scenes! Yay, I love a good sex scene! I also love horny P&P variations! And I'm so rubbish at writing them, lol! My genuine position on this is that the sex scene comes if it feels right that it should be there (like, in Betrothed it felt right to be more descriptive when it happens, because something fundamental changes for Elizabeth at that point in the narrative, and she breaks the distance between them, purposefully, er, letting him in, so to speak). Stranded was my first novel, so I didn't really know how to do this stuff, so it's coy and full of banter, rather than anything remotely explicit. I hadn't thought about writing any extra scenes for that one, but maybe I will (and if I do, I'll pop it on AO3 for everyone to laugh at :D)!

[peanutbutterandbananasandwichs]

random spn ask:

have you read any of the spn comics (origins, rising sun, etc.) and if so what did you think?

I read Origins forevvvver ago, I'd probably have to re-read it to be able to give coherent thoughts, but I enjoyed it for what it is, like most extra-canon material it has some interesting stuff and some stuff that either I think just doesn't fit in my conception of the characters at all or just gets directly contradicted by later TV canon (which is always an issue when writing prequel material of an ongoing show that includes flashbacks!).\

I'm also particually fussy about art styles when it comes to comic books that are adapting live action properties, whilst it doesn't fall into the worst possible trap of drawing the characters TOO close to the actors likenesses (or even drawing clearly based off still my behated) which I think can end up feeling stilted. I don't really feel they capture the essence of the characters through the art aalll that well either (again long time since I read it though). Its a hard balance though one of the only artists who has ever really successfully done this for me is Rebekka Issacs' when she was illustrating the Buffy comics - she managed to make everyone look EXACTLY like the *character* even if they didn't look exactly like the actor, if that makes sense?! ANYWAYS tangenting now! haha - I haven't read any of the others, I probably should at some point!

[olderthannetfic]

Hi there! I hope you're having a nice day.

Little bit of a rant and a bid for advice, if you or your readers have any. I hope that's alright.

I'm currently writing a fic or maybe multiple fics (plot bunnies be running rampant in me brains) about a rarepair of two guys. I'm a bi woman and have basically zero social skills, so in order to properly understand other people's body language, I like to look up guides or articles about body language between two people, although I know those things are full of bullshit and don't mean anything, and it's hard to find articles for example about whether another woman's body language indicates interest in you if you're a woman yourself, but eh, they're still better than my brain which is usually like "eh, could mean this or that or this or that or this or that or- basically could be anything, I wouldn't know that lol, now I'm tired and will shut off, bye" aka useless as well.

The results I've found have been absolutely useless. I like writing characters in a slightly plausible-sounding way, so I like incorporating body language as in acting choices or subconscious body language (or whatever a proper term might be) in my writing to make it sound more in-character. So for stuff like this, I usually just think "ok what is that person's expression and if I do it, what would that indicate me to be feeling currently", and I don't know if other people do that or if that's just me being bad with social stuff and intuition about it again, and if I should really try to get re-evaluated for autism which I have been advised to think about doing multiple times in multiple direct and indirect implicative ways such as people being like "hey btw are you autistic? no? you sure?" or "I know you got a negative diagnosis as a kid, but maybe that was wrong and you might wanna do it again because of all your social struggles and sensory stuff etc.", heh. (Have been diagnosed with ADHD though, so that might also just be it.)

Sorry for the rambling. English isn't my first language, so if anything sounds strange, that's to blame.

My question or rather bid for advice is: I am wondering if you or your readers might have any advice on where to find resources for reading body language and romantic or sexual implications in body language between two parties, in this case between two guys.

(Hopefully this is not too nonsensical or insensitive or something like that because that's not my intention. I just really don't know how to human or if there actually is some difference on how different people of different genders flirt consciously or subconsciously or if that's some weird unnoticed transphobic bio-essentialism shit that I hadn't yet noticed and sorted out of my head because I don't want to be transphobic since that sucks.)

--

Weeell...

If people have links to guides, that's great, but I do think that in the context of fanfic, people often write flirting that they find sexy or they write whatever the canon style of interaction is and recontextualize it as how these particular guys flirt.

They're not usually thinking "What does flirting look like in general?" and then having the characters behave in a new way.

A lot of our interpretation of body language in written fiction has to do with information we get from the POV character about how they're feeling internally. For the non-POV character, we may have the POV character's thoughts on what the body language means, but we're generally interpreting it based on media cliches and based on knowing this is a ship fic.

So the other dude acts like he doesn't like our POV dude and the POV dude is like "Alas, my pining is unrequited!" and the audience goes "Ooooh, it's one of those fics!"

If the goal is writing certain types of fic, you may not need a guide to How People Really Act as much as one to How Fans Interpret Such and Such a Behavior from Canon as Subtext.

[randomseacucumber]

So, because I am very excited to finally read Wind and Truth, I have decided that I will be doing reaction posts as I read. Each post will cover each 'day' in the book, plus the corresponding interludes. Obviously, this will not be spoiler-free, and spoilers for other books in the Cosmere may also appear. All reactions will be under a cut. I'll also be tagging these posts with #Ivy reads Wind and Truth, so if you don't want to see them, just filter that out.

Anyway...

Wind and Truth reactions: Day 1

Prologue

This is the only part of the book that was released as a preview that I've actually read, but that was, like, three years ago, so I don't remember much, and I'm sure edits have been made since then

Anyway, Gavilar is an idiot

I really should have re-read the rest of the series prior to this book's release, or at least watched some recap videos, but here we are anyway

One thing that stands out to me is that Sanderson's writing is a bit...immature? I've read almost all of his stuff, but for some reason, this is really the first time I've noticed this. It doesn't both me that much, though

Okay, so Axindweth worked for Gavilar. I remember being pretty curious about her in Oathbringer (?)

Navani deserves better

~It was Kelsier all along~

RIP Gavilar, you deserved it

I don't have a ton else to say about the prologue, especially since I've had a chance to process its contents before, but it's certainly interesting

Chapter 1

Kaladin!!!

I remember seeing people speculating that Syladin would become canon, based on the way Syl is being described, and I do hope that won't happen. Kaladin is a character that I've never felt the need to ship with anyone, but if I had to choose a ship for him, I'd go with Shakadolin. Of course, I do adore his dynamic with Syl, but I've always seen them more as a QPR than anything else. Obviously, no shade to anyone who does ship them, but I personally just hope that doesn't happen. Anyway, though, I'm not sure it will, based on the descriptions of Syl? I just think that she likes to play dress-up

Also, I completely forgot that Sanderson refuses to write curse words! Honestly, it's kind of charming

Shallan!!! (Gives her a hug)

Chapter 2

Oroden is adorable! I'm so happy that Kaladin has him

Okay, some interesting stuff about Urithiru

Nooo, not another poop joke!

I do quite like Kaladin's family <3

The wind is talking to Kaladin??? That's new

Okay, yeah, there is definitely emphasis on Syl looking older (sigh)

With the way everything is being framed...I'm scared for Kaladin

Chapter 3

The excerpts before each chapter are certainly interesting. I wonder who's writing them...

Maya!!!

Wit!!!

I love the Ghostbloods, but I cannot fucking take them seriously

Wait, who is Ba-Ado-Mishram again??

Oh, okay

Chapter 4

Kaladin learning to play the flute?? I love this

Hmm, interesting about the Wandersail

Okay, so we're just accepting that the Wind is talking to Kaladin, despite the Wind as a conscious entity not being something previously established?

The discussion of the Passions is really interesting. I'm not familiar enough with Mormonism to know how Sanderson might feel about the idea of salvation through works, but this discussion feels as if it's criticizing the idea. And honestly, it reflects some of how I feel about faith in general

The talk of hope makes me think of Kelsier

Wit is right! Sazed IS among the best!!!

Kaladin the therapist confirmed

The use of the word therapist does make me wonder about linguistics some, though. Is Wit using the same word he heard on another planet, or is he somehow translating it into the language of Roshar? How does that work?

Chapter 5

From page 54: "For her, it was the day when a set of parents had, for the first time, wanted her." I'm not crying, you're crying

Chapter 6

Szeth being unintentionally hilarious

Oh, the thing about the ancient snow is so neat!

I do feel like a lot of the dialogue here is somewhat unnatural. Everyone is talking like a therapist

I don't like the thing about Kaladin being in line for the throne. He's a good leader, but I really don't want to see him as a king. It just doesn't really fit for his character

Chapter 7

Adolin in the bestest boy. He better not die

Oh shit

Chapter 8

Yay, Nightblood!

Lift better get some page time

The rock in Kaladin's pocket...I wonder if Oroden put it there

Oh, good for Dabbid!

What did I just say about Adolin???

Chapter 9

The Knights of Wind and Truth excerpts are still befuddling...my best guess is that Sigzil is writing them

Okay, thank god Adolin is okay

You go, Shallan!!

Chapter 10

A pack human?? Syl, I love you

Sanderson's sense of humor can be so cringe, but in a way that's charming

Kaladin going off of this woman seems a bit out of character, but okay

Chapter 11

Hmm, Ba-Ado-Mishram seems interesting...

Adolin really is the bestest boy <3

I love the art at the end of the chapter. Of course Adolin makes friend with a spren horse

Chapter 12

Okay, yeah, I do think Sigzil must be writing these excerpts

Rlain!

Oh my god, the part with the tattoo!

Chapter 13

I'm still super curious about Sja-anat

Duel-wielding Shallan would be awesome

I am really, really scared for Kaladin

Interlude 1

Felt?? You were a Ghostblood all along??

RIP Kalak, I guess

Interlude 2

THIS is why Taravangian is one of the most fascinating villains I have ever encountered

Day 1 was definitely interesting, and I'm very much curious to see how things continue...

[despairforme]

canon questionare.

what made you pick up this character? Nnoitra first became my mood from me drawing him. I was just randomly drawing some Bleach characters one day, and I ( for some reason ) tried drawing Nnoitra, and - I loved drawing him. I became absolutely obsessed with drawing him and he just brought me so much creativity. He is my muse after all. Since I loved drawing him so much, I became interested in his character and re-read and re-watched the canon content for him. Then I decided I should try writing him, and... Well, 9 years later, here we are.

how did you get into this franchise/fandom? My s/o showed me Bleach like 14 years ago or something. I originally wasn't all that interested ( he basically had to force me to watch the first 70 episodes ), but yeah, eventually I got really into it.

what’s the best thing about the show/series/books/comics/etc.? Definitely the characters. I think Bleach has a lot of cool characters, and while I'm not the biggest fan of the main ones, or the story, the side-characters really carry it for me. And, of course - Nnoitra is the best thing about Bleach for me, since I forever love him so much.

what’s the worst thing about the show/series/books/comics/etc.? For me, I don't find the story all that interesting, or the main characters. I did enjoy them more on my latest re-watch of Bleach, because yeah, they really are just teenagers so you gotta cut them some slack. I also really dislike the pacing of the TYBW anime.

what’s the best thing about the fandom? Everyone is so nice!! I've had the most amazing experiences in the BLEACH fandom! Literally everyone is so kind to me. In 9 years I only had a few not-so-nice experiences, but every issue was resolved. I always feel welcomed and taken care of here, so it's like a wonderful safe-space.

what’s the worst thing about the fandom? Hmm... That's a tough one, since I generally think the fandom is awesome. I know some people have had bad experiences, but I think that'll happen in any fandom, so I definitely don't see the BLEACH fandom as toxic. I guess for me, the "worst" thing is the feminization of Nnoitra in fanart, because it's just so off-putting to me ( and Nnoitra ). But I easily avoid that stuff so it's not a big deal. I also dislike self-shippping, but again, I easily avoid seeing posts about self-shipping with Nnoitra.

what’s the best thing about the canon you are writing? Oh boy, where do I even start... It's super hard to choose, because I love everything about Nnoitra. One of the best things would be his independence and his bravery. He just does his own thing no matter what others say. Writing a character like that is really satisfying.

what’s the worst thing about the canon you are writing? I personally love everything about Nnoitra, even his bad sides, because they make him more interesting as a character. Characters without flaws are kinda boring to me. Maybe the "worst" thing about him is that he can be really difficult to approach.

have you tweaked the character from canon? if so, what did you tweak? I do try to stick to canon in my canon verse, though I did give Nnoitra the accent ( I gave it to him in modern/human!au and it just carried over to all his other verses ). Nnoitra is a minor side-character, so "sticking to canon" is really all about your own interpretation of said canon.

are there some things you dislike about how the show/series/etc. portray the character you have picked up? if so, what? No, I love Nnoitra's canon, it's great. I love that he dies so that his canon is "complete". That way I won't have to deal with new information about him being released.

what would you say is the most unique trait about your character? Most unique... I mean, probably how disagreeable he can be. You don't often see a character be this off-putting. Especially with how bigoted he is. It's a very unpopular character trait.

are there any other characters from the franchise you’d like to play? I have written several BLEACH characters in addition to Nnoitra. At the moment I'm also writing Kuchiki Byakuya and Kurotsuchi Mayuri. I have a couple more I'd like to try my hand at, but I'm just not able to fit more muses into my writing schedule these days.

are there some characters from the franchise you can’t stand?  I used to dislike quite a few characters, but over the years I've learnt through interactions on here to see different sides of them. Now I find some of them interesting, and some of them I feel neutral towards. I don't have very strong negative feelings about any characters, but if I had to choose my least favorites, I'd say all the members of 0 Division.

what are your thoughts on the canon ships for the character, if any? The most common ship for Nnoitra is Nnoitra x Nelliel. I personally don't ship this, since I don't see Nnoitra wanting to be in a relationship with her. He'd definitely be interested in something sexual with her, but it would all be incredibly toxic. The second most popular is Nnoitra x Tesla, which, again, I don't personally ship. I can see it as a one-sided thing from Tesla, where he worships Nnoitra while his feelings are not returned. Sure, Nnoitra does care about Tesla, but I don't see Nnoitra being romantically interested.

what is your personal ship bias for your canon character? I prefer crossover ships. I love imagining Nnoitra with characters from other fandoms. I also had a lot of fun shipping my Nnoitra with Lexie's Grimmjow, but I can't see that happening with another Grimmjow.

are there any ships you can’t stand, why? My least favorite ship for Nnoitra is Nnoitra x Kenpachi. It makes no sense to me.

how long have you been writing the character? A little over 9 years.

should people get into the franchise your writing from, yes or no? I have had wonderful experiences with BLEACH, but it's not my favorite show or the franchise I'd be first to recommend.

if you could sum up your character with one sentence, what would it be? "There ain't gonna be no mercy from me."

which song do you feel describes your character the most and why? Oh, tough one. There are so many good songs for Nnoitra. I really like Carnivore by Starset for him.

tagged by : @vilesn4ke ( thank you for tagging me! )

tagging : anyone who wants to do it! :D

[blindmagdalena]

Heeey, can I ask ypu something?

I've never seen Diabolical, but I've stumbled across a few tumblr posts trashing on Stillwell for doing stuff to Homelander in the episode because he's suppossedly underage.

Is this true? I always thought that Stillwell grooming Homelander was just fanon. I figured the whole tension between them steemed from Unresolved Sexual Tension, at least on Homelander's part.

Then again, if she's actually a predator, it could be that their relationship (?) ended because Homelander "got too old" and she re-started it in order to manipulate him.

Now, I don't know what to think 😩

In Diabolical 8, she absolutely has a very inappropriate moment with him. He’s 18 at the time, so not technically underaged—still gross—though we don’t really know when she met him. I was under the impression she was newly assigned to him, given how in that same moment she makes a comment about how they should drop ‘the’ from his title “The Homelander.”

honestly, I take the canon of Diabolical with a grain of salt, especially because it contradicts some points of canon in the main show. their relationship in s1 does not read to me like two people who’ve been sexually intimate over the course of the last 20+ years. like you said, it feels like extreme UST between them.

Grace Mallory describes their relationship as “special, complicated, intimate, hard to quantify.”

that seems like a really convoluted way to describe it if they were just fucking. imo, it reads as something aside from that. something Mallory didn’t know how to define.

I don’t really believe Madelyn ever had an earnest interest in Homelander, or that they had a true romantic relationship at any point. I think it was always a tenuous leash she had on him, something he projected onto her. but Madelyn 100% did manipulate him. the extent of it is just largely left to implication and interpretation.

[krischaoz]

Some rp stuff incase anyone is looking for an rp buddy

My Guidelines

☆ Must be 18 or older

Purely for saftey purposes as much as it is for my personal comfort. It can be pretty stressful and limiting for me to write with anyone younger (even if it is sfw). So please understand and respect this.

If I do decide to forego this (not likely), please understand I may not be as engaging and there will be limitations to what I can / feel comfortable writting with you.

☆ The general 'dos' and 'donts'

I typically don't write the general triggers anyhow unless I feel it can be handled appropriately and safely. So this should be a problem.

☆ Be upfront about things

More specifically, be upfront about topics you need me to avoid (i.e., certain triggers or uncomfortable topics). I expect you to follow through as well. Don't wait til after the fact to tell me or try to spin it around on me if you didn't do your part to inform me (considering I avoid general triggers in the first place). I'm not playing those games and I WILL block you. I've unfortunately been in that situation years back and I will not be doing that again.

☆ writting Style

I ONLY do descriptive and prefer at least a paragraph per character. I don't expect it to be perfect (as in grammar or 100% in character all the time) but I do ask you try your best and I will do the same for you.

☆ I only really do oc x canon type of roleplays so I may be less interested if you don't have an oc or if you only wanna do canon stuff.

☆ I generally prefer writting over Discord since it's the easiest for me to keep it organized (between roleplay, random convos or even exchanging oc stuff like art or lore). But I may be open to suggestions to other sites.

☆☆☆

What I roleplay

(May be subject to update, but this is all of what I currently write)

Trigun

More spefically Stampede as I'm most familiar with that version (having been introduced through it and having watched it 20+ times) but I'm open to any iteration. Storyline wise, I generally semi-strictly follow the canon timeline of Stampede (granted things will change and be expanded on with new characters in the mix)

Watched all iterations and I believe I've made it to ch.70 of the manga before starting to re-read it.

Genshin Impact

Caught up as far as world quests go. Can't promise I've done ALL character story quests though. For the most part I kinda go semi-canon kind of roleplay plot as each of my ocs have their own unique story.

☆☆☆

[selkiefinalist]

ok well i have finished the thing and i think i’m going to do some reflecting on it before i start the next project, which is a much more important project to me.

what went well?

mmm, idk. there are a few things i’d call out as successes, like: actually finishing. the last couple years have been tough from a free time and emotional resources standpoint, and this is the longest thing that i’ve actually finished since the 2020 playoff bubble. also kurtis’ voice was fun to write, and though i let myself get a bit more expansive with it a few times than i should’ve, there were many times that i re-wrote even little phrases to make the voice more consistent and i’m generally happy with how that turned out.

what would i not want to do again?

95% of it was probably written on my phone, which wasn’t great. really hard to get a full perspective on a work of writing when you can only stare at a palm-sized version of it. it worked, it was what it was. probably not going to do that again though. so that’s something i’ll have to work on if i want to keep writing. also while the voice was fun, didn’t feel like the most “me” fic, which — sometimes i get very sick of writing “me” stuff and other times apparently that’s what i want most lmao. the duality of it all.

other general reflections:

god, i just really enjoy writing rare pairs. it’s so liberating - just absolutely releases me from the stress of writing stuff that people might read and have opinions about, the stress of interpreting pairings where there’s a much more rich history of canon/fanon that can be so intimidating! i am at heart a shy person who just enjoys building these little worlds, and rare pair fic is the most pure sandbox. not that it doesn’t also suck in some ways to spend [x] period of time working on something that will only appeal to a very small audience - but that’s a trade off i’m generally okay with.

this fic (and the last one) was really just about getting some writing legs under me again after such a long time, and i wasn’t too concerned with making it ~perfect~. there were some unresolvable pacing issues (well, they could have been resolved, i just didn’t want to) and a couple of transitions i don’t think i really sold and, while it definitely was fun to write, it wasn’t a super important fic to me emotionally. and that’s okay. not every project has to break my heart over my inability to execute it the way i want to.

lastly. as i’m gearing up for something i AM excited about and that will absolutely hurt my feelings - how am i going to propel myself through that? the last few years have been kind of marked by giving up when i reach those inevitable moments of not being good enough to do what i want to do, especially when i have such little time to spend on it. like, when you only have time for one hobby, you want it to be something you’re good at!! i don’t know the answer to this one yet. being answerable to the person who donated in order to receive this fic should help - i hate disappointing people, and participating in fests/exchanges/collabs has been very effective for me in the past.

[florashifting]

[SCREAM 1: FROGGYS VERSION] PT 1

Platonic!Sidney Prescott x oc!adopted! Sister

read prologue here

THIS IS BASED OFF OF SCREAM IN MY DESIRED REALITY SO ARE MY OTHER SCREAM FICS.

WARNINGS: Canon typical violence, light cursing, mentions of death and violence, description of injuries.

Word count: 2196

Proofread? Not really.

A/n: I kinda like this one, it only took me a few hours to write.

DO NOT REPOST MY WORK ON ANY OTHER SITE OR PLATFORM OR ACCOUNT.

---

Luci was sick. She claimed she was having stomach problems the night before and when she woke up in the morning, so Sidney had decided to let her stay home for the day after. 

-

Luci sat on the couch and set her glass of orange juice down on the coffee table. She bent slightly forward to grab the TV remote that was placed on the other side of the coffee table. After grabbing the remote she sat back and curled up into the corner of the couch that was farthest from the TV. She looked down at the remote in her hand and started flicking through TV channels until she reached the local news and placed the remote back down on the table.

She knew she wasn’t allowed to watch the news without supervision from an older person like Sidney, Billy, Stu, Tatum, or her dad. But she couldn’t help but feel something was different this morning, something was wrong.

-

As she stared at the news reporter, Gale Weathers, on the TV screen, she couldn’t believe the words that were coming out of her mouth. Two Woodsboro High students. Butchered. The police said they had no leads in this case to possibly help them figure out who did it, that was enough to make Luci’s head swirl into the abyss of overthinking. ‘Oh no. Oh shit. Oh. Crap. Is Sidney ok? Could the killer be on campus with her? Should I try and call her or the school?’ Luci thought to herself in a panic. ‘No it's fine, it's fine. Sidney’s fine. Dads fine. Everyone’s fine.’

‘Everyone but those dead kids.’

 Luci tried to calm herself with deep breaths and positive thoughts, although it barely worked.

 Luci swiftly grabbed the remote with the intention to turn on something more lighthearted and less anxiety-inducing. She continued switching through channels until she landed on a cartoon, Looney Tunes. Luci placed the remote on the coffee table once again and got herself into a comfortable position.

-

After a while of watching cartoons and after finishing her glass of orange juice, Luci had fallen asleep in her spot on the couch, she had only woken up when she heard the lock on the front door turning. She jumped up from her spot on the couch so she could get a view of the front door. Her nerves were on edge so she just wanted to make sure it was her sister and not some psychotic killer. Luckily her suspicions were wrong and it was only Sidney who walked through the door.

“Hi, Sid.” Luci said as she walked up to her older sister with a smile.

“Hey, Lou.” Sidney responded while giving her younger sister a quick hug. “How ‘re you feeling?” Sidney asked, concerned with her sister's health.

“Same as this morning. Extremely nauseous.” The younger girl said nonchalantly. “Did anything happen at school today?” She asked Sidney even though she was certain that the campus was swarmed with press and news reporters.

“Yeah, there were News vans everywhere be-” “Because two of your classmates were murdered.” Luci interrupted Sidney.

“How’d you know that? Were you watching the news again? Dad said you’re not supposed to watch that stuff without supervision!” Sidney exclaimed.

“I know but he’s not here so I thought I would just sneak a peek. But I didn’t really hear much anyways! I changed the channel after hearing about it.” ‘It’ referring to the murders of the two high-school students. 

“It’s fine, just try not to do it again without asking.” Sidney said as she walked past her younger sister while gently ruffling her hair. “I’ll be in the living room if you need me. Oh and by the way, Tatum’s gonna be coming over tonight.” Luci’s ears perked up at the mention of Tatum. Luci liked Tatum, she was like a second sister to the younger girl, she was always so nice and caring, and she looked after Luci when Sidney wasn’t around. She even used to babysit Luci along with Stu.

“Should I clean my room or something?” Luci asked, almost in a joking manner. She never understood why parents wanted you to clean your room when guests were coming over. But that's beside the point and irrelevant.

Sidney responded with a small chuckle as she continued to make her way towards the living room.

-

Luci closed the door to her bedroom. It was about 4:30 pm, the sun would be setting in a few hours. Luci strode over to her bookshelf and grabbed a random fantasy book off of it. It was a book that she hadn’t had the time to read yet so she decided now was the best time to start. She plopped onto her bed and put her legs under the covers and leaned on the headboard. She opened her book and began reading.

To Luci’s surprise the book was well written and extremely engaging, she was already halfway through it. She had just gotten to the part where the main character and the villain were having a stress inducing stand-off. If it wasn’t for the sudden growling sound her stomach had made she would’ve found out who won the battle. Luci slid a bookmark in between the pages of her book and closed it. She had placed the book on her bedside table and gotten up from her bed. Just as she was about to open her bedroom door to go downstairs and pester Sidney about dinner, she heard something hit her window.

She walked over to her bedroom window and looked out of it, she could barely see anything considering how dark it was outside. She had decided to chalk up that noise she heard as nothing important and turned around. 

But she wished she didn’t

When she turned, she was met with the mask that belonged to the ‘Father Death’ costume that could be found at halloween shops. She would have laughed at how comical it looked if the intruder didn’t push a Buck 120 hunting knife inside of her stomach.

Before she could even open her mouth to scream the intruder had covered her mouth with their gloved hand.

The knife was pulled out but it was quickly driven back into her stomach and dragged about an inch or two above the entry point.

Luci couldn’t do anything but release muffled screams into the intruder's hand as they stabbed the knife into her one more time.

The ‘Ghost face’ pulled the knife out of her before roughly pushing her onto the floor of her bedroom and leaving her there to die.

Luci tried to scream for help but it was as if all the energy had been drained from her body. She tried to apply pressure to her wound, although it didn’t do much to help the immense bleeding from her stomach. The red liquid was pouring out of her stomach at a dangerously fast rate. 

Luci tried to gather all of her strength and crawl to the landline phone that sat atop her bedside table, but to no avail.

All she could do was turn to lie on her back and hope that her new position on the floor would somehow slow down the bleeding, but she was proved wrong as the thick red fluid continued pouring out of her stomach.

-

Luci had laid on the floor of her bedroom for what had felt like hours even though it had only been about 15 minutes. Tears had started to well up in her eyes as the thought of death kept repeating in her mind. Was this it? Was her life going to end? After only 10 lousy years of living? What would happen to her sister and her dad? 

She couldn’t even sob, as she was too weak to move any part of her body, all she could do was let the tears fall onto her wooden bedroom floor as she bled to death. Or at least she thought she would bleed to death until her sister barged into her room in a panic and a daze.

“Luci!”

Sidney screamed her younger sister’s name as she swiftly but carefully picked her up and off of the floor. 

“You’re gonna be fine Lou we just gotta get-”

Sidney was cut off by her own screams as the person in the Father Death costume lunged toward her with the same red stained knife that they had used on Luci.

Sidney quickly ducked and the intruder flung themselves down the stairs and was knocked unconscious. 

Sidney ran into her own room and placed Luci on her bed. She ran to the bedroom door and closed it and blocked it off by opening the closet door.

Just as soon as Sidney opened the closet door the intruder slammed into the door and tried to get in while swinging their knife through the crack of the door.

Sidney ran to her computer to contact 911, and just as she finished messaging them she realized the intruder was gone.

Her staring at the door was interrupted by the sound of Billy climbing through her bedroom window.

“Billy!”

“The door’s locked, I heard screaming. You alright?”

She exclaimed as she turned towards him and ran into his arms.

“Oh my god! Sid what happened?!” He exclaimed as he looked around the room and the figure of Sidney’s younger sister bleeding on her white sheets came into view.

“The killers here- He’s in the house! H-he’s in the house!”

“He’s gone. He’s gone.” Billy whispered into her ear as he held her.

Sidney stayed sobbing in his arms until she heard a small thud. She looked down and saw a cellular phone on the ground. She slowly turned to look at Billy with terror in her eyes as she started to connect the dots.

“What?” He queried 

She pushed herself away from him.

“Sid, what?” he inquired again.

Sidney looked towards her younger sister who was still breathing, thank God. She wanted to run over and grab her sister and run but she knew that wouldn’t work, not with Billy around, especially if what she was thinking right now was true. So she did the only thing she could do. She ran. She ignored Billy’s calls for her as she ran down the stairs and to the front door. 

When she opened the door she was met with the same terrifying mask the intruder wore when she was attacked. She screamed at the top of her lungs, but only for her own screams to be interrupted by the sounds of deputy Dewey’s startled screams.

“Sid?” He asked, confused.

“My sister! My- My sisters hurt! She's been stabbed! Billy’s the killer- It’s Billy Loomis!”

Sidney hurriedly explained through tears as she pointed towards the stairs that led to the second floor.

“Where are they?” Dewey asked with a stern tone.

“Upstairs! They’re in my room!”

-

Billy was slammed down on the front of his car as his hands were held behind his back while he pleaded with the officers to let him go.

Luci was carried outside on a stretcher and put into an ambulance. Sidney was following close behind her sister and got into the ambulance with her.

“You’re gonna be ok. Everythings gonna be ok.” She tried to comfort her sister as she sat next to her stretcher. “We’re gonna get to the hospital and you’re gonna get fixed up and everything will be fine.” She told her sister, although it seemed more like she was comforting herself mostly because her little sister was barely conscious.

Sidney had been briefly questioned by the police and had talked to Tatum already. Now all she could do was wait until the ambulance arrived at the hospital.

-

Sidney was sat in the waiting room with Tatum and Dewey sitting on both sides of her. Dewey was almost asleep while Tatum was reading a magazine. Sidney’s leg was anxiously bouncing up and down while she waited for news from the doctor about how Luci’s surgery went. She almost considered going into that room herself just to see Luci. She was anxious to know whether or not her sister was gonna make it. She just needed to see Luci. 

Just as she was about to go ask around about Luci, a nurse came out of the operating room. 

“Your sister is in stable condition. She’s gonna be ok.”

Sidney let out the biggest sigh of relief as Tatum shook Dewey awake.

“Can we go see her?” Sidney asked.

“I’m afraid not. Visiting hours are over, and she’s not awake.”

Just then the relief Sidney had just felt had disappeared, anxiety and a small amount of anger replaced it. 

“You can come visit her tomorrow. She’ll most likely be awake by then, if not, we’ll give you a call.” The nurse informed Sidney.

“Do you have a parent you can call? Or a place to stay?” The nurse asked.

“My dad’s outta town, and I’ll be staying at my friend's house tonight.” Sidney said as she stood up and grabbed her jacket. “C’mon Tate, let's go.” Dewey said as he walked toward the exit of the hospital.

-

[beginningobserver]

Hey, Kimeramon Guy here again. So, I'm going to be honest, I've been putting off actually watching 02 due to executive dysfunction since forever, and thus I never went out of my way to spoil myself on The Beginning like I've done a lot of other media. So I'm working off a... limited palette here, but I really do want you to get to enjoy yourself talking about this AU.

So, what I've gleaned (and correct me if I'm wrong) from secondhand stuff is that Ukkomon's main motivation is to keep Rui happy, to the point of brainwashing his parents until they literally burn out and get turned into meat puppets. And something involving a replacement eye.

All this to say, does Rui ever figure this out in √02 (since you said he doesn't when he normally would)? Does Ken discover it first, somehow?

Ooh... Uh... Sorry for the spoilers orz -- I used some elements from the movie, so the ones *with* movie spoilers have the "02tb spoilers" tag... Just in case💧

I'm sorry to hear you struggle to (re)watch 02 due to that, I feel you here (yeah... sometimes it hits me too, orz).

Also, thank you for trying to help me elaborate and explore more about this AU 😭💜 But you don't have to push yourself for that…!

I think The 02 Kids are smart enough to figure things out about what Ukkomon did, but Rui here had his beef with Ukko changed (see read more for details) and solved differently... Maybe you do not want him to know the truth, right? :')

Like I said, there are a few changes from the movie, but...

[Spoilers ahead, albeit vaguely, so as not to spoil the fun for anyone who hasn't seen it yet]

... Yes, the 02 kids come to the conclusion that Ukkomon did all those things to keep Rui alive and happy, and after Rui told them his story, and they all sided with Ukkomon, though they didn't neglect Rui's feelings (the only person who was just a little insensitive was Hikari, but I think everyone who watched the movie took that line too seriously when she possibly meant that Ukkomon was pathetic for doing a lot of wrong things to keep Rui happy and safe/satisfied). Later, at the end of the movie, when Rui gets to talk to Ukkomon again, the mon himself confesses that Rui needed him and that he wanted to make Rui happy to the point that he thought everything good was better for Rui. Ukkomon was aware that he did bad things and doesn't try to defend himself. The Audio Drama 3 (released as a bonus in the JP theaters and now in the JP Deluxe Blu-Ray box set) also points out Rui's share of guilt, so they both think it was their fault in the end.

To be fair, the part about the parents' death is pretty unclear to me. But the same drama CD kind of confirms it, yeah, Ukkomon's power might have killed them. But in the movie, Rui's dad is on his deathbed, and Rui's mom is always distressed, so I wouldn't rule out that they suddenly die and Ukkomon just starts to meat-puppet their bodies so that Rui doesn't get orphaned or sad/desperate…

Since in the movie Rui learns what Ukkomon did, and it's the scene that a lot of people played up while trying to describe it and warn people about the "blood", "eye injury" and "body horror" parts -- it's nothing what people meant. All of those are tamed and on the level of "well, there should be some blood here if you got hurt like that", and I think this movie is even more tamed than Ghost Game -- which was for children ages 12-13. And even I had to skip certain episodes because they were TOO MUCH for me. But 02TB was fair game for me? I can watch it again...at least the RAW I have 💧

The scenes in question happened in connection with a canon 02 event (to be exact, a movie that takes place a year after the 02 events, Diablomon Strikes Back/Diaboromon's Revenge), so he's around the age of the 02 kids -- the AU would sound weird because the events of the TV series take place in 2002, while DSB in March 2003. I debated how to use the exact same scene/context in the AU, but had no success, so yeah, I changed it completely 💦.

√02 Rui does not witness Ukkomon puppeting the corpses, and when Ukkomon confesses in the AU version, Rui does not believe it at all. If canon Rui (adult Rui) had met AU kid Rui, he would have been disappointed that his other self is kind of naive?

[mneiai]

Reading/re-reading a bunch of Dragon Age books and thought I'd give my quick thoughts for the ones I've gone through the last few days:

Asunder - 6/10. Always shocked Gaider wrote it, it does not feel like someone who knows the lore or games well, except insofar that a lot of the fight scenes are "this is how I envision it would play out in the game" as opposed to ones meant to be read. I can't remember if the printed version was this bad, but either there some horrific typos in the digital version or, again, it does not feel like someone that knows the lore wrote it ("Rite of Annulment" what the fuck). Creates some weird conflicts with established lore for no good reason. Last half better than the first half and Cole, Rhys, and Evangeline are genuinely likable once it gets going, at least.

Tevinter Nights - 3/10 to 10/10. Weirdly find the Talons story incredibly engaging and the characters very interesting (though that could be my OCD-based sympathy lol) and wish it were a book of its own and not just a short story that had to rush over a lot. In fact, I'd say most of the Crows-related stories are good, as well as the ones actually set in Tevinter. The Grey Wardens ones vary in quality and the Nevarra ones read like someone took passages from the World of Thedas and told a writer they had to come up with an excuse to infodump with poor mysteries shoved in. Most of the rest were just blah.

Magekiller - 2/10. This is so bad. The intro feels like some 12 year old writing about their OC and the addition of the relationship between Marius and that one DAI NPC that never goes anywhere again makes the protags honestly look way more at fault for some of the shit that goes down in DAI than Cole ever could. And this is true about all the comics, but the art is Not Great and relies very heavily on lazy shortcuts normally found in lower quality comics. Also a lot of lowkey ableism considering how Marius comes across. Never had strong feelings about Charter before, but now I dislike her.

Alistair comics - 5/10. The collection doesn't seem to have a good name to call all these lol Anyway, some interesting parts, getting to see one of my fav Tevinter characters and the way she's handled is always nice, but the whole thing is very C-quality-DLC-plot-thrown-out-during-development. Just all over the place. Hated the Isabella stuff, what even was that? We're not even going to get into the multiple international innocents that should have happened, but the whole thing was honestly ridiculous. Mae carries this shit.

Knight Errant - 8/10. Vaea and Ser Aaron are a trope, but it's a good one for comics and well-done in this, they're very cute. Varric feels way more natural here than in the Alistair ones, not sure what's going on with Sebastian but I think that has more to do with how wishywashy he has to be for Bioware canon than anything else. Literally nothing will make me care about the Magekiller romance, though, and it's honestly weird that's the conceit for the job.

Wraiths of Tevinter - 6/10. I think this was slightly better because it had to establish some of the characters, but it wasn't great (and what the hell did they do to my poor Fenris?!). The original stuff was better than when it started mixing into the overarching comics plotline, and the fact that 50% of these DA works fall back on "Qunari Ex Machina" got very old by this point. I cared absolutely zero amount about any of the villains and the Magekiller characters felt incredibly out of place in an already large cast. If it weren't for the endearing Knight Errant team and the mabari, I'd probably mark it down lower. Also lol why am I supposed to care about a slave owner Venatori apologist just because she had a bad childhood? Literally every one of the characters had a bad childhood. Fenris and Marius were literally slaves!

Also actually sitting down and reading the World of Thedas volumes instead of just looking stuff up in them and they're...fine. I still wish they were more encyclopedia like and I'm still confused at some of the assumptions people make based on things clearly not actually said in them, but that's fandom for you.

[atopvisenyashill]

i’m gonna be so obnoxious with this wall of text ajsjdjd BUT

@whitegownsandflowercrowns said: Lowkey highkey agree with pretty much all of this, and if I can add (sorry for all of the past 30some minutes, but it turns out that staying up late to watch a livestream of a concert convinces your brain that the world needs to hear every possible take you have on the dragon show): - I honestly cannot even judge them for the pacing because HBO should be consistently giving them 12-13 episodes but imo it was the biggest issue with Season 2 - I cannot tell if my gut is right or if I'm just snorting copium 24/7 but I honestly think we're getting Nettles in Season 3; even if we do though, it is obvious that the original plan was to cut her, and I Do Not Get It. Hugh is a trillion times more expendable. - Your thing with Alys is the same as my thing with Helaena: I think Phia is fantastic and perfect for the role, but I also kind of wish we'd gotten a chubbier Helaena (I can lowkey understand why they didn't do it for Rhaenyra or Aegon because in-text their fatness is very much supposed to be A Bad Thing That Reflects Their Rotten Moral Character but it's absolutely not for Helaena. Also think it would weirdly make sense for her. - Also agree that you can tell what the makeup of the writer's room is: I think people over exaggerate HOW imperfect the feminism is but there are very much moments where you can very much tell that the showrunner is a white man. - All of the "not problems" stuff...SING IT FROM THE ROOFTOPS it's just very refreshing to see good faith criticism of this series as well as acknowledging the good stuff

ya the pacing is tricky because i think if like, sara & ryan (idk if miguel read the books) treated f&b as well as the main series with a bit more respect, instead of (imo) clearly going in with the idea they were going to Fix Canon rather than Elaborate On Canon, they would have approached season one’s pacing waaaaay different, probably starting the story much earlier or having a more extended flashback. so i think the combination of them feeling like “i can fix this mess” and hbo very obviously being on their ASS about doing this as quickly as possible (TEN EPISODES IS CRAZY) it was really lethal for the pacing of the show. it’s definitely not solely their fault or even predominantly their fault - when you have like 10 hours to work with, there’s just only so much you can do 😭😭

YEAH i do think from some of what ryan has said that they’re going to add nettles in (could be copium!) but it’s very obvious they originally intended to cut her and it’s CRAZY. BONKERS. HOW DO U MISS THE POINT LIKE THIS.

VERY good point re: weight, that’s another criticism i’ve pushed back on - not only is the weight of rhaenyra used to make her seem evil, but the art itself is pretty inconsistent with depicting her. sometimes she’s skinny, sometimes she’s fat, it varies a LOT so the focus on emma d’arcy being skinny always pissed me off. and same for aegon - again, similar to like, aegon iv, the weight is used to show his unworthiness. i get wanting to drift apart from that. esp bc, as i’ve pointed out, book aegon is aesthetically very similar to robert, and i can understand wanting to give him an aesthetic makeover while keeping the underlying issues aegon has. HELAENA however, doesn’t have her weight commented on weirdly - it’s just like, a thing she seemed to inherit from viserys, that she’s just a lil plump (i believe that’s the word they use - plump and pleasant) and she’s like that for most of her life, so i can definitely see the argument there for sure! esp bc like you say, it’s a very good comparison to alys; just this hollywood thing of cutting fat characters, aging down women but letting men age visibly, and it’s very obnoxious to be a ~feminist show and not meet this very low bar of having size and age diversity amongst your female cast!

AND THE WRITERS ROOM. i think an outlander comparison is good - there’s some points where they do good and some points where you can tell who Isn’t in that room. interestingly enough, both shows take a “far east” type character that is horrifically stereotyped and, due to imo having an asian writer in that room, really expand upon them in meaningful ways (yi tien cho for outlander & mysaria). it’s just crazy to have such a clear example of what Having Diversity In The Room Can Help & then like…..not include any idk dark skinned black writers? trans writers? would having a consultant for north african characters help with dorne? idk but it’s clear they didn’t think about that and it’s a shame bc sometimes it’s like ryan….what ARE you cookin here

like some of the criticism i see……sometimes it’s just naked bigotry (the girls face a LOT of this in particular), but also oftentimes it’s just people like. complaining about nothing. “why doesn’t baela hate jacaerys” why would she. that’s such a stupid bad faith critique. “the dragon fight was bad” according to whOMST???? “they betrayed the entire concept of the dance by making rhaenicent a thing/making rhaenyra complex/trying to give alicent more to do” like i’m TIRED of it, most deeply tired of this “softening MY side is fine the other side should be ontologically evil though” i’m sorry that they’re trying to write a GOOD story and not getting on a soap box like everyone clearly wants them to but this constant “they hate my side” makes me feel like no one in this fandom actually passed english class in high school & just cheated off the smart kid!!!!

i can elaborate if anyone wants, i’m not joking when i say i will be stuck in this car for like four hours 😭 why is urban sprawl so bad (it’s white flight i know this, not the point).

PROBLEMS

uneven as FUCK pacing - maybe there’s no getting around this but i do think this ties back to the idea that they do not care about the source material the way they should. so they just like, rush past the parts they clearly don’t think are interesting to get to what they DO like, because they only have 10 (and EIGHT) episodes to do it in. that’s not enough time!!!! 13 episodes MINIMUM!!!!!!!!!!!!!! SLOW IT DOWN LET IT SIMMER

in season 1, i think the younger generation suffer from this writing choice the most, but so did the strongs & the velaryons most acutely. i also think older rhaenyra is often too busy with Plot to have good Character Moments while older alicent gets a much more even hand. viserys dominates screentime, & we all know i want to top that old man but now he’s dead and the characters that are alive need so much more work.

in season 2, i think the velaryons once again suffer from this, and around idk rooks rest the greens very suddenly drop off. rhaenyra becomes much more balanced and alicent spends too much time being sadly silent instead of doing serious character work w other characters + they completely cut off aliotto & alilarys (and arguably aligon) for That Other One and i just don’t get why u would focus on the worst ship out of those three.

criston should have spent more time w aemond & gwayne should have been daeron. daemon gets too much fuckijg focus in harrenhal and only half of it is interesting. alys & simon you’ve done nothing wrong ever in your lives and i love you.

which tbc i don’t think they have SIDES they love i think there are EVENTS they find interesting & they prioritize getting to those events quickly (bc they don’t have enough episodes).

Alicent should have been older than Rhaenyra. you can make her a child bride, you can make her friends with Rhaenyra, you can make her homoerotic relationship with Rhaenyra the beating heart of your show and still have her be several years older than Rhaenyra, if you’re not a fucking coward.

Tullys - if i thought they did this because they felt it was too many characters to juggle, i’d get it. but you know damn well they did it bc they don’t think the muppet names fit their serious business aesthetic and they are fake fans for that shit.

The Lads - where is Black Aly. Where is Benjicot. Where is Sabitha. Where is Red Robb Rivers. what the fuck. why do the riverlands always get the shaft even when they’re technically getting focus.

the north - i’m sorry did we find it enjoyable when bran disappeared for a season. did u know that this doesn’t have to feel like nostalgia bait if you don’t TREAT IT like nostalgia bait??

nettles - cutting nettles defeats like, at least 33% of the reason you even adapt the dance. even if they backtrack, it is a mind boggling decision to attempt to do the dance without nettles. if u wanted to cut a dragonseed, i’m sorry, i kno i got ulfhusbands following me but cut one of those dudes. “oh but what about their dragon” vermithor & silverwing are the two most boring dragons and you can quote me.

Sunfyre & Dreamfyre - LIKE YOU KEPT VERMITHOR & SILVERWING, WHEN VERMITHOR IS THE UGLIEST DRAGON & SILVERWING IS JUST A LESS COOL DREAMFYRE BUT U CUT 90% OF THE SUNFYRE & DREAMFYRE CONTENT??? ARE YOU SILLY????

Velaryons - where do i even begin. it’s bad to racebend a family and then completely rework their characters so they’re less prevalent. idk how many times this has to be said, but idc if u think rhaenicent is the better ship, there was no reason to write laena the way they did. what was the point of having laenor live if they were just gonna kill him offscreen. what did THEY think they were cookin with vaemond huh. why do rhaenys & jacaerys never fucking interact on their own. can we get corlys talking to any of his grandkids except that one time with luke. pls.

the strongs - every day matthew needlham comes onto set and slays and they go “you know what. let’s have daemon do carpentry instead.” harwin’s entire character was either cut or implied. i like the alys stuff but hollywood has a problem with refusing to cast milfs and i won’t let it stand bc why can we have paddy AND rhys the dilfs but not alys. why is daemon played by a 40 year old but alys can’t be??

rhaenyra’s hair - it’s TWO BRAIDS do NOT piss me the fuck OFF. have the nerve to be RISKY instead of redoing dany’s fifty little braid big braid thing!!!

daeron - let me stop here.

honestly so many of the character troubles can be traced to “needs more time” - the kids in the back half of s1, corlys, rhaenyra in the back half of s1, the strongs, the riverlands, the north.

OR “i need u to acknowledge your limitations as writers” - alicent, the velaryons, the twins, some of the gender stuff, imo this comes from not having a diverse enough writers room & not having anyone writing that’s darker than a paper bag Does affect this.

listen. does brienne become plot relevant right away? no, she’s just kinda following catelyn around after some weird shit happened to her. but we still get to MEET her and CARE about her before stuff gets crazy. oberyn is introduced so we have an emotional tie to dorne in affc. hugh & ulf & the hull boys felt a bit randomly added but imo this is bc they narrowed the scope so much w everyone else.

NOT PROBLEMS

the yuri is INTEGRAL to the plot dont pmo

i have never seen a rhaenyra criticism that didn’t annoy tf out of me

“oh she’s too perfect” no “oh they favor her” no “um excuse you but rhaenyra is FEMININE” im mailing my dog’s shit to your house as we speak

they don’t have a favorite side stop saying that

the concept of black velaryons/dragon twins. i literally did that graphic and it would be so easy to have corlys explain this in his monologue to daemon but i actually think that In This Day And Age, it’s fine to look at a vey white source and go “now where can i maybe race or gender swap some stuff to add to the narrative” pls see iwtv & anne with an e for examples. what they did was maybe perplexing (well no it’s not, it’s a common trope) but still workable and tbh Corlys as a Black man is simply canon to me, eat shit.

“oh they softened this character i hate but they wrote the characters i love badly” it’s bc the writing is incredibly uneven across the board i need everyone to get over themselves. i’m a rhaenyra apologist and even then, they just clearly miss the mark in a few spots bc this series is sloppily written bc it’s on a time crunch. the vision they were going for in their softening of every single character makes sense & are often changes they made to deal with a source material that is VAGUE and PURPOSEFULLY CONFUSING. it’s fine.

the abigail thorne cameo. should tyland & her have done jack shit for like a third of the runtime? no. but like, just casting a funny lady in this part is fine?

i’m sorry i think the hairstyles can be whack but the wigs are great?? why is everyone always shittalking the wigs?? well okay the aegon s2 & jacaerys s1 wigs were p bad but i don’t think any of the rest of them are particularly egregious. everyone shits on the daemon wigs specifically but i think he looks very good??!

the cgi is good i think some of u are too picky

Alicent - listen. obviously i think some of the complaints about her writing has merit. but some of the shit i see is just the the stupidest shit. making alicent a child bride was a good choice, bc we don’t see aemma’s child brideness. also, she’s 17 when they start fucking around, viserys is not like Meaningfully better in the books about her. making alicent a young mom IS the correct choice! keeping alicent as a main character in s2 IS the correct choice. “this is a story about the fight between rhaenyra & aegon” your brain is the size of a pea.

Visaemon is the correct choice (imo they should have leaned in slightly harder to the Viserys/Rhaenyra angle to really bring it home, but everything they did regarding the characterization of this triangle is good.)

and for that matter, bringing aegon, helaena, and aemond closer in age to jacaerys, lucerys, and the twins is also the correct choice. the helaena visions, aegon sadboy, jacaerys classism allegations, baela not gaf abt the bastard allegations, these were all good choices. leo hurt! aemond save me, same me leo hurt! aemond.

helaena and viserys being dreamers is genuinely inspired

criston being dornish is also a good move, all the people who complain about this are just like. so clearly racist aksjdjd and i think they do a good job with Criston As The Lone Dornishman (though they fail a LOT with What Does Being Dornish Mean To Criston but again, this goes back to the writer’s room)

the prophecy stuff is GOOD i’m stealing from kingcunny here but if u don’t like the idea of rhaenyra getting fixated on the same prophetic magic that drove her father to murder her mother, and driving her son away, then maybe targaryen madness isn’t for you!! “well i don’t like the targaryens” i also wish they’d do a show about literally anyone else & i think these overhyped lizard fuckers are obnoxious but like, the main series is FULL of prophecies, you can’t SPIT without landing on another prophecy, wanting LESS MAGIC in the MAGIC SHOW is exactly why we have the dumpster fire that is the main show. be serious!!!!!

[illwynd]

Not to be overly intrusive but I very much want to hear your rant about jms lady loki arc? Your thoughts about thor stuff are fascinating generally, and it either makes me go " I hadn't even considered this aspect of things ", or " oh that's what bothered me about this but I just couldn't find the words!" I mean it goes without saying that you don't have to if you don't want to, but I haven't heard people say anything about that arc other than it was sexist, so now I'm very curious about your opinions on it.

Oh nonny you’re not overly intrusive at all! Thank you for asking this and giving me the excuse to blather about it XD and thank you for the kind words. I clearly think about this stuff way too much, and all I can hope for is that someone else finds it of some sort of interest or value.

Re the JMS lady Loki arc…

So OK I guess I should summarize the thing for the benefit of anyone who hasn’t read it. The main gist goes like this: Thor is having to call Asgardian souls back into the world after breaking the cycle of Ragnarok, and when Loki is brought back, he is “inexplicably” in a female body. Loki has in fact arranged this as part of a con, using his new appearance to better sell everyone on the idea that he’s changed and no longer villainous, but the truth is that it’s Sif’s body he’s stolen, and Sif’s spirit is trapped in the body of a dying mortal, so it’s basically attempted murder (though Loki’s plan is thwarted and Sif is saved at the last minute). In the meantime, the “lady” Loki is a sexy, buxom caricature of played-up femininity, using her wiles to manipulate the men around her, and through it all it doesn’t really seem to be motivated by any genuine gender fluidity on Loki’s part. It’s just a trick. 

So I can see where the criticism comes from: that it’s sexist, that it’s bad genderfluid representation since it’s in the form of a murderous villain, that it resembles transphobic tropes of trans women being “really” men trying to steal whatever from women. But those criticisms never seemed to me to land quite right. They seemed to be superficial and missing something important. And there are several angles you can take in looking at it more deeply where all those criticisms just fall apart.

I’m not even really going to go into the problems with decrying it as bad representation because he’s a villain. I really hope we’re past that. It’s not good when your media queers can only be villains, but having every queer character be morally upright and squeaky clean isn’t a good answer either, because real people aren’t like that. What I ask for is that the whole range be available, and that for any given character, they are first and foremost an interesting character with believable motivations for what they do. So “but he’s so evil he was trying to kill Sif! Bad representation! Bad!” is a complaint we’re just going to set aside and make dubious faces at, because for reasons I’ll get to later, I think there is an emotional truth to the portrayal, and in fiction that matters far more than any black-and-white moral claims.

So next up, we have the complaint that he doesn’t seem to be motivated by any genuine genderfluid feelings, since it’s all just a con. And my issue with that is that… it’s a very superficial take. He is motivated by gender stuff. Just not in a way that the complainers recognize. 

The absolutely crucial detail is that his target is Sif. I say again. It really matters that he targeted Sif for this con. And yes, sure, part of his reasoning is jealousy over her close relationship with Thor (thorki is canon, y’all). But another part is this: Sif is the only other (that we know of) gender nonconforming person in Asgard, and definitely the only other one that we see as being close to his social circle. But where she is celebrated as a woman who is active and successful in traditionally culturally masculine pursuits, Loki’s gender nonconformity—his failure to live up to Asgardian masculine ideals—gets him demeaned, derided, dismissed. The gender fuckery going on here is that he is furious at the difference in how their GNC-ness is treated. His resentment and anger at that injustice, and he's being a right bastard in expressing it. We stan. 

(I also do think there is something genderqueer in how the trickster considers using a feminine appearance to be just one potential tool in his arsenal, the kinda just shrugging and doing whatever works for his purposes rather than getting worked up about having to do such a thing? I mean. So shocking for a trickster figure, right? But hold that thought.)

So that was where I was with it for several years. But I kept coming back to how relatable Loki is to me as a trans masc person, and trying to figure out why it was that way, and what that had to do with this particular arc, and then it finally hit me.

This scene. 

“Thus is Loki truly beautiful.”

In this scene, Loki has just been able to finally return to his male body (with Hela’s help), and he expresses his relief and joy in it, all while the art makes him look… kinda grotesque. And my gods that is such a trans masc mood. Knowing that while you pretend to be a woman you’ll be seen as nonthreatening and acceptable, and maybe you can put up with that for practical or social reasons for a while, but it isn’t how you want to live your life, it isn’t how you want to be seen, it isn’t the appearance that makes you happy. Constantly hearing how by changing your form you’ll be changing from sexy and desirable to ugly and monstrous… but thus you are truly beautiful to your own eyes. 

(I think it is worth pointing out here, for anyone who might not know, that it is not uncommon for trans masc folks to have a phase of trying to go hard femme before they really accept themselves as trans. I personally didn’t, but I can imagine that the exaggerated femme lady Loki might be familiar to some of those guys. I, on the other hand, had a phase of treating my afab body as a tool that wasn’t really connected to me, so there are some other bits of the lady Loki arc that I find familiar. And here I should note that I’m not saying JMS had all this in mind, I have no idea whether he did or not, but death of the author, baby. The interpretation is very much there.)

And there is another little bit that I want to mention. There is one point where Fandral says to lady Loki, “even when you thought you were a man, you weren’t the man you thought you were.”

And. Firstly, screw you Fandral. Seriously. Secondly, the interpretation of this arc as being related to trans femininity gets a lot more press but that is an insult that is far more relevant to trans masc folks. The insults against Loki’s masculinity are reminiscent of how trans guys are not seen as real men, especially if they are GNC in any way, as Loki is. Loki may be amab, but his struggles are so incredibly similar to trans masc struggles (and really, I can’t be the only trans guy who fuckin loves that: a character who feels so familiar and relatable, flawed and angry and messed up in ways that I know all too well, but also has the goddamn body I wish I had. It’s the perfect combination.)

So yeah. That’s the short version, at least, of the rant about what everyone gets wrong about the lady Loki arc. The sexism, and complicated gender politics, is a thing it is commenting on, and I don't see how so many folks miss that.