#those ships also are perfect parallels

[impala-67-zeppelin]

alex, claire, and kaia are the perfect parallels to sam, dean, and cas and i dont ever see it talked about enough in conversation or in fanfiction.

[wolfofansbach]

BEING A LIST OF THE THIRTEEN GREATEST RIVERDALE LINES, ON THE OCCASION OF THAT SHOW'S TERMINATION

As our much loved/hated show comes to an end, I feel compelled to record, for posterity, the greatest thirteen pieces of dialogue to spring from the pens of RAS and his henchmen. It was, of course, originally a top ten list, but I simply could not exclude a few of these treasures. Without further ado: 

13. 

“I dropped out in the 4th grade, to sell drugs, to support my nana.” 

“That means you haven't known the triumphs and defeats, the epic highs and lows of high school football.” 

Spoken by: an inmate of Leopold and Loeb Juvenile Detention Center, and Archie Andrews. 

In: 3 x 2 

Yeah, okay, this one had to be on the list. It’s funny, I’ll admit. It’s a great example of the overwrought semi-sincere melodrama that helped make this show so special. It’s low on the list largely because The Normies got their hands on it, so every time I hear someone make a reference I get all “do not cite the deep magic to me, witch.” 

12. 

“No! No! What are we supposed to do now? I’m horny as heck!”

Spoken by: Archie Andrews 

In: 7 x 16

Season 7 is undeniably dreadful, and yet there are diamonds in the rough. The occasion is the failure of a projector, just as Archie and Reggie prepare to watch a pornographic film. The utter desperation with which KJ Apa delivers this line is exquisite. One is made to feel they are witnessing a genuine tragedy. 

11. 

“Tonight, they’re making an exception and debuting a cover of the song my parents claim they were listening to the night Jason and I were conceived.” 

Spoken by: Cheryl Blossom. 

In: 1 x 1 

Really a fantastic line. A wonderful encapsulation of the casual absurdity of Cheryl’s character, and a foretaste of the lunacy we would plumb in later episodes and seasons. 

10. 

“In case you haven’t noticed, I’m weird. I’m a weirdo. I don’t fit in and I don’t want to fit in. Have you ever seen me without this stupid hat on? That’s weird.” 

Spoken by: Jughead Jones

In: 1 x 10

A genuine classic. “High school football” before “high school football.” One is never entirely sure just how sincere the line is meant to be, both on a meta-level and in-universe. A perfect illumination of Jughead’s pretentiousness. It is made all the better by the occasional cuts to Lili Reinhard’s agonized face. 

9. 

“At the last dance, multiple students were murdered.” 

Spoken by: Principal Holden Honey. 

In: 4 x 2

Delivered as an explanation to Toni and Cheryl, as to why there would be no school dance this year. Principal Honey is in fact supremely rational in the cancellation of this dance. This being Riverdale, he is of course treated as an unreasonable tyrant. 

8. 

“Bro, I know all the secrets of this universe.” 

Spoken by: Archie Andrews (evil version)

In: 6 x 5 

Spoken as evil Archie reveals his evil plan to keep the parallel universes apart. KJ Apa’s delivery once again makes this line. He is comically sinister. Strangely, he sells it. 

7. 

“A Vughead kiss, right now, in the present might be precisely what it takes to save a future Bughead from imploding.” 

Spoken by: Jughead Jones. 

In: 2 x 14

One of those lines that both makes me laugh and makes me genuinely angry. This was a fairly early season, and this may have actually been the first line to get me asking, ‘did they genuinely write and deliver that?’ Extra points for use of the atrocious ‘Vughead’ portmanteau ship name rather than ‘Jeronica.’ 

6. 

“I’m the ultimate wild card. I am the daughter of The Black Hood. The nightmare from next door. I’m training with the FBI and I’m coming for you, you psycho bitch.” 

Spoken by: Betty Cooper

In: 4 x 14 

Just delicious. Another one of those lines that leaves you somewhat unsure whether or not the writers understood how genuinely hysterical it was. “The Nightmare from Next Door” sounds like an announcer hyping up a wrestler. Spoken with a raw sincerity by Lili Reinhart. Also points for the heavy homoeroticism between Betty and Donna. 

5. 

“For I am Cheryl Blossom, Queen of the Bees.” 

Spoken by: Cheryl Blossom.

In: 5 x 16. 

This one really doesn’t require any elaboration. 

4. 

“Elijah ascended…and I will, too.” 

Spoken by: Edgar Evernever.

In: 4 x 5. 

Admittedly, this one is only spectacular with context. But in context—the context being that Chad Michael Murray delivers this line while dressed like Evel Knievel and standing in a cartoon rocket right out of a Warner Bros cartoon—it becomes utterly magnificent. 

3. 

“It’s not queer baiting, it’s saving the world.” 

Spoken by: Veronica Lodge. 

In: 6 x 22. 

It’s actually hard for me to decide whether this one is funnier with or without context. Without context it’s wonderful, but it possibly becomes even funnier when you know that the context is that Veronica needs to kiss Cheryl to transfer superpowers into her body so she can turn into a Scarlet Witch knock-off and stop a magic comet summoned by Sephiroth an English wizard who is also the Devil. 

2. 

“If there’s no wedding reception, it means the Gargoyle King has won.” 

Spoken by: Kevin Keller. 

In: 3 x 12.

One of my personal favorites. This is a perfect line because like #3, it requires no real elaboration. There is absolutely no context in which it isn’t hysterical. 

1 .

“Word of my exploits serving Nick his comeuppance has seeped into the demimonde of mobsters and molls my father used to associate with, so the five families are sending their youngest and brightest, their ‘princes,’ as it were to, well, come court the rare Mafia Princess who can belly up to the bar with the big boys.

Spoken by: Veronica Lodge. 

In: 2 x 20. 

This is, in my opinion, the all-timer. Every word is perfect. The rapid-fire alliteration. The use of the word ‘demimonde.’ The entirely unnecessary addition of ‘as it were.’ This is borderline Dr. Seuss. The fact that Camila Mendes delivered it without cracking a smile should have won her an Emmy. No. An Oscar. This line is Riverdale. 

[blluespirit]

okay first three episodes thoughts

good

bending is cool as fuck

sozin’s actor does an amazing job at full crazy but calculated

scenery is STUNNING

monk gyatso made me cry. idk why i just saw him and wanted him to give me a hug so bad

APPA ACTUALLY LOOKS GOOD AND NOT LIKE A LITERAL MONSTER

i wasn’t sure how id feel about them showing the air nomad massacre but i think the importsnt thing is that they showed it was a massacre - and that although they can defend themselves, they don’t have the ability to fight back like an organised army would bc they’re pacifists! they attacked a peaceful group

the abandoned fire nation ship in the southern water tribe looks so fucking cool

ARTIST ZUKO???!!! LETS GOOO

Dallas does an amazing job at getting across Zuko’s intense desperation

I actually ended up loving all the Sokka and Suki interactions sm it was so cute and wholesome

Katara is perfect i will kill and die for her

Azula’s opening scene being her manipulating those people trying kill ozai ultimately leading them to getting burned alive by him and smiling - literally so fucking good. she is the best villain in history of forever

really good move having the mechanist (Sai!) and Teo be in Omashu imo. having them destroy the northern Air Temple so carelessly always pissed me off

THE FREEDOM FIGHTERS ARE LITERALLY PERFECT I AM SCREAMINGGGG

I was wondering how they were going to introduce the Mechanist and Jet in a limited amount of episodes but I like how they combined the two stories

Also Sokka absolutely nerding out in the Mechanist’s home is so important to me

Zuko getting has ass beat by that lady for fighting Aang is literally so funny and reminiscent of the goofy aang vs zuko fights we see in season 1 (to be clear: i adore zuko. this is NOT hate on him)

Zuko losing shit about his notebook and trashing his room and then outing himself as a fire bender in Omashu is so perfect. god i love him so much. it’s very season 1 zuko. it’s giving I DONT NEED ANY CALMING TEA!!!

things i was not a fan of: (some of these are a little pedantic i’ll admit)

Exposition is a little is a little janky but i’ll forgive it i guess bc at least it isn’t egregious as The Movie That Shall Not Be Named

Aang leaving just to get fresh air/clear his head and intending to come back is a silly change to me. all i keep thinking about is the storm where we got those epic Zuko and Aang parallels which now doesn’t really work and also takes away a lot of Aang’s depth. A good change adds to the story, but personally this seems to take it away

WHY would they not make Katara the one to bring him back from the avatar state? just seems like a strange choice to me? not saying this from a shipping point at all but that moment is a big step to their bond/friendship especially since they have only just met

Still don’t understand why they made the head of the village Suki’s mum. like i don’t think it’s a terrible choice but they still could have let them have a mother/daughter bond but still let Suki be the leader without any implications of nepotism. it mostly seeems silly

tl;dr - really enjoying it so far!

[follows-the-bees]

I wanna talk about Jim's journey. Their character arc is one of my favorites of the show.

In season one, Jim fits into two very well-trodded tropes and each one is subverted by the end.

First, we have the trope of a person (typically a woman) disguised as a man to go into hiding and also the old wives tale of no women on ships because they bring bad luck. We see some of this attitude through Frenchie's superstitions but the trope is subverted fairly quickly when Jim talks to them about wanting to be just Jim and the crew (and Nana) effortlessly use they pronouns.

OFMD has many, many ties to classic Western tropes and style of filmmaking. And Jim's whole character arc of season one fits the Revenge trope.

They have been trained to be a killer, hardened by life, only open to Olu but even that openness is just a sliver. When Jim is spurred on by Nana to complete that Revenge arc, they fall into it, leaving the safety of the ship, the community built there, from Olu.

But instead of more killing, Jim comes to an understanding with Spanish Jackie. They share a drink (which oftentimes in Westerns ends in a gunfight, unlike the show which starts with a knife fight and ends with communal drinking). Upon hearing that most of the men they are after are likely already dead, Jim decides to put down that knife and instead returns to the aptly named Revenge.

But in perfect subversions of tropes, Jim does choose Revenge, but not the type that eats at your soul and often ends in unhappiness or death. Rather, they are choosing community and softness.

Jim is one of Stede's loudest critics at the beginning of season one; Stede represents the opposite of how Jim was raised and once viewed the world.

But the beginning of season two shows how much Stede's way of piracy has influenced Jim. They no longer are following the Western Revenge storyline, but rather serving as the storyteller to the crew. (A direct parallel to the pilot.)

In fact Jim is reciting that same exact story that Stede told in the pilot. But it is different, darker. And that is because Jim is a different person, and in a different, darker environment at the moment. But invoking those good times that they remember. S1 Jim would have never told a story to try and make a crew member feel better.

We see Jim continue to choose kindness, mercy, grace with several characters. With Izzy, who is a dick but is their dick. And yes, also with Ed, until Ed's plan of suicide by crew now has affected and threatened their lives.

They also seem to be the first to realize what Ed is doing. And they refuse to kill Archie, who was drawn to them because of Jim's hope.

Jim's journey the rest of the season fills me with warmth. They get to be soft, they reunite with Olu, and form the cutest polycule with Olu and Archie. They also intervene and talk to the Pirate Queen about Olu, repairing their status.

The giant smiles on their moustached face during Calypso's Birthday, handing out drinks to the captain and Ed (showing the repaired relationship there), dancing with their lovers, and cheering on Izzy's singing shows how free Jim (and the whole crew) get to be now.

Jim is the embodiment of how Stede has tried to change piracy, of how Stede's effect has created a community.

Jim is the embodiment of the queer joy that this show unabashedly embraces.

[punkeropercyjackson]

The treatment of Momo by Bnha fans is fucking horrifying.Within canon while it's true Horikoshi sexualizes her,it's still said multiple times she's still a child-Aizawa literally SAID she's still mentally a 15 year old girl and rn she's only 16.In the same episode,Shouto recognizes he's been accidentally been ignoring her emotional needs and feels awful about so he makes it up to her with the 'One of those vote's was mine!' speech and always looking out for and taking care of her from then on because he thinks she deserves it and loves her as a person.It's also canon Momo is as is important to him as Izuku is,hates Bakugou due to his extreme toxic masculinity,wasn't allowed to be a real kid to be raised to be the perfect proper lady instead,has her own unique diverse dynamics with other girls and gets anxiety attacks when treated as older than she is

And YET.Everybody calls her a mom.She gets defanged of her 'silk hiding steel' archetype to replace it with her being a doormart in female form,which is what society thinks women should be.Her goofy silly side that comes out when she's happy like the 'bouncy Momo' moment when her classmates asked her for help with classes and she took it as an excuse to bring them over to her house because she's just a little girl who wanted to play with her friends is completely erased to make her the wet blanket.Her naivetee is flanderized from not understanding social norms and normal teenage girls to her being essentially born sexy yesterday.Todomomo is downplayed nonstop with the 'cisheteronormativity' excuse by white gays who don't know what trans love is and that Momo is as autistic-coded as Shouto because they think autism is a boydisorder.Todomomo is considered a Bakugou involved triangle,the ONLY guy Momo's age she actively hates and that told Shouto he dosen't care he was abused and treats him that way too with zero remorse for either.Her girl ships are turned into background token wlw for the creators to prove they're not misogynists only to out themselves as deadass lesbophobes.Dadzawa and Momo gets jackshit and so does Fatgum Intern Momo despite all the posts she should've been one with the 'women❤that's enough feminism for today i think' ahh beat.All the her and Dabi content is him being a pedophile as he's not literally a child by r*pe who hates his dad for being abusive and as if they don't have tons of potential for being platonic soulmates and found siblings,including that Momo's love interest is Dabi's little brother so they'd literally be in-laws so it all comes together and i've met exactly one person that recognizes the sisterly potential with her and Himiko and nobody's ever brought the parallel between Shouto and Himiko becoming obsessed with Momo and Ochako for the same reason(their specific hero skills)but the stark contrast in dynamics

It's INSANE the way she's potrayed in fanon vs how she actually is and her untappedness that has so much range.Bnha fans not only saw the misogyny and treated it as a part of it instead of a flaw but somehow made it WORSE.LIKE WAY WORSE,FOR MOMO MOST OF ALL!!!!!!Y'all ain't ever making it out of the patriarchy

[centrally-unplanned]

Japanese website Forest Page is shutting down ~today, a tragic loss of "Heisei otaku memories", as so many are calling it. Launched in 2003, Forest Page was a "Geocities for mobile", a site that hosted user-created websites and gave them tools to allow non-coders to make them. In practice, it became one of the premiere places for fanfiction in Japan, with the stories hosted on author-created sites.

It wasn't quite the Fanfic.net of Japan, as for one the Japanese fandom just never centralized quite the way the 2000's western one did, instead being spread out over a half dozen or so sites. But additionally, it wasn't initially popular for fanfic so much as cell phone fanfiction, because in 2000's Japan the "cell phone novel" was a specific thing. These websites were being made for flip phones, not smartphones, and not only would people read them on those phones, they would often write them. None of that was very conducive to the creation and consumption of a "traditional" novel; so starting in the 2000's Japanese writers started making stories fit for the medium, namely:

Very short

A huge focus on dialogue and inner thoughts, with no/minimal description or scene detail

Using a limited POV of a specific character

Often employing the medium-as-message, like using emojis, structuring the story as IM's or emails, etc.

Also they all had huge gaps between lines, I'm not really sure what that is about:

Probably for readability on the phone given the small screen size? But it was absolutely part of the genre. A few of these novels actually made it big, got movie adaptations, people wrote articles about the "cultural phenomenon", it was the 2000's so Hiroki Azuma had a take on it of course, and so on. It slotted neatly into the vibe of the time of technology changing culture, paralleling discourse around otaku in the same era.

In fanfic those trends met up, and anyone familiar with fanfiction probably read that list of traits of the cellphone novel and thought "oh, this is perfect for fanfiction". Skipping out on description? I don't need it, I know what they look like already. Focus on conversation and POV? Perfect for shipping fics. Short lengths? Yeah, we are shortcutting to the good stuff, that is the point. Mirroring trends in the west, Forest Page's userbase was ~95% female, and the most common content on the site was romantic or edgy-dramatic stories in the franchises you'd expect. The closure page linked above actually summarizes the site's history by year, and lists the biggest fandoms:

Which is exactly what I would expect from a female otaku fanfiction website. Congrats to Pirates of the Caribbean for making it though, freeaboo's represent.

I do think the fact that the site was a website hoster as opposed to a fic hoster did align with the way the Japanese fandom was more "creator focused" and embraced the media mix more. There were "fic circles" a la doujin circles who made their own pages, people would make fanart, fan video games, and so own to host alongside it, and all of it was centralized to the creator; it made following them-as-a-person just a little bit easier. Most websites were simple text, but others did have the full Geocities experience:

Something that was somewhat common were basic visual novel concepts where the reader could make choices, or even insert their own name so they would be the "MC" of the story:

(Dream novels are in fact their own thing in Japan) My understanding is the site was quite popular through the 2000's and into the 2010's, though over time the "cellphone novel" as a concept fizzled out. People got smartphones, more people got PCs, and the constraints didn't make sense anymore - you can read ebooks and normal websites on your phone now after all. You can probably draw a line between these kind of stories and the webfiction/light novel boom of the late 2000's/2010's, something that was equally born on the internet, that streamlines the novel to "shortcut to the good stuff" but without the need to fit on a flip phone's screen. Though I will admit my own understanding of their histories shows them more as two sides of the same "youth demand for new literature" coin.

In 2017 Forest Page launched Forest Page Plus, a new service fully optimized for the smartphone era; but it did not transfer over all the old content, starting the clock ticking on the original Forest Page. My understanding is that in June they announced Forest Page was officially closing down; and from what I have gathered from reminiscing writers on twitter, they did not provide any easy, one-touch way to save any of the content, so people are archiving Wayback Machine links or sharing tips on how screenshot-save stories (I think the rub is they gave people a way to transfer content to FP+, but most don't want to do that, as places like Twitter & Pixiv are the content kings of this era).

As of tomorrow I would bet the large majority of the content will be gone; quite sad given both the quantity of stories there and how many got sometimes millions of readers. I am sure most of the biggest stories are archived at least, but particularly the early stuff was a very ephemeral genre, one that doesn't make sense to revisit once you aren't a 16 year old teen writing and reading fics on a flip phone in between classes. Which means another legion of the ghosts of the Wired is being born today. May we pour one out for a fellow online community that lived and died!

[ichayalovesyou]

Why Do Old-School TV Duos Have SUCH MLM Vibes?!

I think there’s something very specific about the formula and writing style of non-serialized/semi-serialized shows from the 60s to 80s that featured two grown men going on wacky dangerous adventures that makes my gay little literary analysis brain go absolutely off the wall bonkers. I’m trying to figure out why!

I’m writing this on my Trek blog because I don’t think this pattern in people actually shipping these types of relationships the way they do if fandom as we know it wasn’t born via TOS in syndication. That being said! I also think it has to do with the way these shows are designed that makes myself and others OBSESSED with a specific character dynamic that feels (to me) damn near impossible to replicate in modern television. In a way that’s more than just fandom, it’s in the way TV like this was written at the time!

Further explanation under the cut!

🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈

I think what it usually boils down to is this. There’s a charming protagonist whom without the series could not operate, frequently top billed or the title character! (See: Wild Wild West, Starsky & Hutch) BUT he doesn’t have anyone to play off of! So what do they do pretty much every single time? Give Mr. Idealized Vision of Time-Period Masculinity For Genre a second guy to rhyme with!

See but the other guy has to play opposite but parallel to our hypermasculine protagonist. So what frequently ends up happening is that in order to play off our “normal” guy, even though he’s also a white dude, is that he’s still somehow Other.

They’re always perfect for each other, and they always get into scenarios that would be written, shot and interpreted by conventional audiences as romantic IF either one of those characters were a woman! Especially at the time these shows were made in.

If the one is aggressive, the other is gentle. If the protagonist is violent, his counterpart is intellectual. If the one is stoic, the other is emotional. Which (while one size def doesn’t fit all) usually makes the second guy come off as much more queer-coded (and sometimes other minorities like neurodivergent/disabled etc) than the other because of the traits associated with masculinity vs gayness at the time! Our prime examples in these gifs are Spock, Hutch, Artemus, and also *BJ!

*(M*A*S*H is a bit of a unique case since the show flirts with queerness more openly in ways that people more into the series have explained better than me but I think it still fits the formula I’m discussing.)

Here’s the thing though right? We’ve got two best friends, and the show NEVER really feels right if one of them is missing unless the focus of the story is how A & B operate without each other while trying to find the other one. They stick with and rescue each other unfailingly in scenarios that might destroy a regular friendship.

Hell, there’s often stuff that would emotionally/physically destroy a regular person/character in modern media. But because it’s not serialized they always seem to pull through seemingly through the power of friendship alone or dealing with it off-screen! Emotional consequences? Yuck! (Unless it’s M*A*S*H or Starsky & Hutch, like I said, not monolithic)

Here’s the thing that some people might say throws a wrench into the interpretation I’m discussing. What about the absolutely non-stop parade of conventionally attractive women the main protagonist (and less frequently the supporting man) goes through?

I would reply: how many of those female characters actually emotionally impact our protagonists as characters long term?

The answer is of course, because it’s NOT serialized, almost none! Kirk can watch Edith Keeler get killed by a car accident and still be making eyes at Spock the next episode. Hawkeye can have a “life changing” romance with a Vietnamese humanitarian woman, then share a blanket with BJ next episode like she never existed!

The Doylist explanation of course is not just the fact it wasn’t serialized but also just, constant, blatant 20th century sexism. Which SUCKS!!! As well as not wanting a long term love interest to throw off the character dynamic of our duderagonists. It’s the 20th century tv equivalent of bros before hoes.

However the Watsonian explanation always seems to result in no love interest EVER being more important than what the two protagonists have no matter whether you think they’re queer or not. No attractive woman could make our reputed babe-hound protagonist abandon his buddy. There’s no earnest romance our more queer-coded supporting man doesn’t end (or get ended for him) often for the protagonist’s sake.

Now some of these women are incredibly well written and straight up GOOD matches for our guys. So why wouldn’t they get involved in something long term UNLESS!! They were in love with each other the WHOLE time?

What if protagonist (frequently the babe hound) doesnt know he’s queer, or knows but doesn’t know he’s in love with his bestie, or any number of similar fruity explanations? The supporting man also runs into this explanation but people tend to believe he’s already aware that he’s queer but either also doesn’t know he’s in love or is keeping it to himself because time-period homophobia and/or thinking (probably not unreasonably) that babe hound is straight?

Between the inherent closeness of being narrative foils. The regularly scheduled life or death drama creating sometimes insanely romantic (in the narrative if not a literal sense) drama between the two. The revolving door of weekly women they never seem to get attached to enough to leave one another. The non-serialized nature resulting in sparse personal information/history about the protagonists as a result.

I think between the very NATURE of the way tv shows were written at the time. Plus the way fandom was shaped by a dynamic that has rippled through how media works and is interpreted by fans for decades upon decades. It’s not hard to imagine getting really emotionally invested in the possibility of the protagonists being in love is a fantastic way to enjoy the media!

In conclusion, it’s really fun and easy to go “these bitches gay! Good for them good for them!”

[rosemarydisaster]

Thinking about writing something about RoyJay. I just love the idea of those two accidentally fumbling their way into having one of the healthiest dynamics in DC.

Like, they're both considered such fuck UPS by the cape community at large post drugs/pit madness. I just think they're both such no-bullshit people they would be actually really effective at cutting each other's self destructive/self isolating behavior. And at first they would fight it because "fuck you and your holier than thou shit", but they would eventually realize neither of them is judging the other. That they both come from a place of caring and empathy even if they can't always express it.

Like Roy has a lot of background on the Batfam dynamics from being friends with both Dick and Jason. He understands how it feels to not meet your mentors expectations and to be let down by them in your time of need. He's also a father that has lost his daughter and I think that he can both validate Jason's need for vengeance while also offering some perspective on Batman's self destructive behavior after Jason's death. I think that whole angle is so interesting to explore (even in a Bad Batdad or trying his best but it's not enough Batdad situation). Roy also would let Jason vent about his siblings sure, but once he calms down he'd force Jason to reckon with the fact that these are kids. Dick, Cass and Tim aren't at fault for other people comparing them to Jason, and unfair comparisons go both ways.

On the other hand I think that Jason is probably one of the better equipped people to help Roy through his addiction. Jason has never blamed Catherine for her struggles and understands that if she never managed to get clean it wasn't for a lack of love for him. He would be the most empathetic in that situation, understanding how fucking hard it is to stay clean, but at the same time he would never go easy on Roy because he knows that sometimes you need someone to hold you accountable until you can do it yourself again. Roy would really appreciate having someone that has his daughter's best interest at heart but doesn't judge him as a horrible father for struggling. It can be so hard when everyone else just assumes that you should be able to magically cure something that's affecting your brain chemistry because it's what "good parents should do". I also think Jason would point out the hypocrisy of Roy calling Dick a Martyr while pulling the same shit. Maybe Roy doesn't do it out of guilt and a savior complex but the end results are the same.

Like, I don't ship them just because they're two men standing next to each other being friends. I think that even from a completely platonic standpoint their dynamic must be so interesting because of all of the above. Canon doesn't do enough with all of those tasty parallels because they're cowards. They're in the perfect place to help each other and they have the no-nonsense attitude to keep each other in check. They wouldn't judge each other but neither would they try to fix each other. They'd help each other fix themselves. I'm chewing my arm off.

[emeryhiro]

What are your thoughts on Connie and Daryl? I have always found his reactions towards her to be very different - he acts very giddy and light in front of her. Do you think the show would have ever gone in that direction? Bcoz that was a pretty popular ship during the last few seasons rie?

Hey Anon!

Thank you for the question ♡♡♡

I personally love Connie; she's definitely one of my favourite characters on the show.

Now, in terms of what I think about Connie and Daryl as a romantic couple (I really hope I don't upset a bunch of people with this): yes, it was and still is a pretty popular ship, and I can definitely see how it could work, just like how Carol and Ezekiel did for a time. But, I don't think the show would have or should have gone in that direction and here's my reasoning as to why:

Firstly, the GIF above shows a very intentional shot that was filmed and included in the episode (S10EP1). I think this shot is meant to symbolises the parallel between the two relationships: Carol/Ezekiel and Connie/Daryl. Both can be good together, but neither is the true love/perfect match for the other.

I think Daryl's giddy and light behaviour around Connie is completely genuine. Daryl is very good at reading people, and he can tell that Connie is truly a kind and good person, which allows Daryl to trust her enough to be comfortable and more open than usual around her. And if I had to compare their relationship to anything, I would compare it to a healthy sibling bond, where Daryl treats Connie like the younger sister he never had, hence why he's also very protective and gentle with her.

It's also important to note that Daryl only shows his good sides to Connie; perhaps that's another way of protecting her, like those of us with younger siblings do to shield them from difficult things. And that's also the difference between Connie and Carol. With Carol, he shows 100% of himself, the good and the bad. He can be completely honest with her even when he's at his lowest and trusts her completely because he sees her as his equal, which she is. They complete each other and rely on each other equally.

Carol and Ezekiel's relationship is also a great example of the depth of a relationship like that. Yes, they were in love and happy while they had their fairy tail, but when they lost Henry and the kingdom, and Carol was at her lowest, she didn't need Ezekiel; she needed Daryl, because he was the one she could be 100% honest with and trust completely.

And when I look at it as a romantic relationship, I think the difference between Donnie and Caryl is the difference between someone who can be good for you, and you can be content and happy with them when things are good, versus someone you need during the good and the bad, someone you can be your true self with without fear, someone who knows you better than you know yourself and loves you unconditionally, which is precisely how I see Caryl.

tl;dr Connie is great, but she's not Carol ��

~~~~

Thanks again for your question ♡ I really hope I explained this well 😅 I would love to hear what you think, even if you disagree with me.

[velvet4510]

I ship every canonical Tolkien couple - except Aerin & Brodda, Aredhel & Eöl, and Tar-Míriel & Ar-Pharazôn. Those poor ladies deserved so much better than those pathetic a-holes. And of course, no Turambar and Níniel, NOOOOO. (Honestly anyone who does somehow ship them needs some serious help.)

I also kinda think Melian could’ve done better than Thingol.

These are the “non-canonical” Tolkien pairings that I ship, since nobody asked.

Frodo x Sam (it’s literally canon, period, forget the “non-canonical” category, it’s right there, it’s real)

Frodo x Sam x Rosie (Sam being shared during that year in Bag End; also all but spelled out)

Bilbo x Thorin (obviously; even in the book, it’s subtextual, but it’s THERE)

Fingon x Maedhros (Beren/Lúthien + Frodo/Sam parallels are no joke; yes yes i know i know they’re first cousins and that should be a dealbreaker, and for a while it was for me, but technically they’re HALF-cousins, they only share one grandparent, and it’s not like they can procreate together, so it’s very different from what it would be if one of them was female)

Túrin x Beleg (also, obviously; just read their scenes and you can tell - ALSO the fact that Túrin never mentions Beleg again after Glaurung’s attack … do y’all realize that Glaurung is canonically a memory-eraser … that dragon wiped his memories of the love of his life and the reason he was triggered into romantic feelings for Níniel was because he saw a blond person lying on the ground under a flash of lightning which was also the way he saw Beleg for the last time and his heart remembered that even though his mind didn’t!!!!!!)

Mablung x Nienor (he just did so much for her and never gave up on searching for her until he then had to live with the knowledge that she was dead and he failed her … she lost all her memories of him and married her brother … the idea that they fell in love in Doriath before all this makes for a practically perfect tragic love story. Best part is he knew and loved her for her real self, whereas Turambar and Brandir both fell in love with an amnesiac shell of herself.)

Finrod x Bëor (yes, Finrod loved Amarië too …BUT look at how Bëor gave up everything to spend the rest of his life with Finrod, and how Finrod lost Bëor to mortality but then laid down his life for Bëor’s descendant; the angst is just too juicy to ignore)

Maglor x Daeron (two nasty but guilt-ridden minstrels who deserve each other, perfect)

I do not ship Merry and Pippin at all; not only are they full blooded first cousins, but since Merry is an only child and Pippin only has sisters, they very clearly fill that “brother” role in each other’s lives.

After a lot of thought, I’ve decided that queerplatonic Legolas & Gimli makes the most sense to me. They also fill the “brother” role in each other’s lives since they both have no blood siblings. I understand why many people do ship them romantically/sexually, but the thought of anything sexual between them just doesn’t feel right to me, personally. Even the thought of kisses just doesn’t seem to fit them, IMO; they’re about mutual respect and sharing quality time, rather than anything physical. To me they exemplify “heterosexual life partners” perfectly. It is important in this shipping-obsessed culture to never undermine platonic friendship.

[pinazee]

Bounty Hunters!

I just find it so adorable when a kid has bright ass food stains on them. Its like the essence of childhood or something more poetic haha also, this might sound insane, but this is the first ep i could feel that shawn and gus had been friends since childhood. Possibly because they’re nearly wearing the exact same shirts and at the same steps so the parallel is a lot more obvious. Like it just clicked in my brain or something.

I just really liked this shot. That is all.

Shout out to James and Dulés’ stunt double

This is one of those times i don’t envy actors. This looks so uncomfortable. Also, i can’t decide if it’s naivety or arrogance that Shawn would think he could go into this bar and be okay?? I guess you can assume that Shawn knew Tancana would stop them before they caused any serious damage but that one guy was about to hit him with a chain, and its one thing to go into this on your own, its another to bring your friend with you.

A+ scene work from Corbin Bernsen here lol

This is what I do to get my dog to stop eating her toys. Doesn’t work with her either.

One of the few times Shawn kind of loses it with Gus and has to recollect himself haha. Like he’s been frustrated sure, but he usually applies some sort of manipulation. But i really like this scene because usually its Gus thats frustrated with Shawns behavior.

Sidenote: about the super sniffer. I don’t think its that he can smell things others can’t, because Shawn usually points it out and can recognize it, i think the super sniffer is that Gus can break the smell down and put a name to it. Like the gardenias in the perfume, the ginger blossoms in the kangaroo paste. Shawn just knows its kangaroo paste. Idk, i had to think about it at least haha

What a goof. But also, ive started watching Gus while shawns doing his breakdowns and he’s like miming beside him haha if i see it in a later ep i’ll gif it.

Its kind of insane that Bird hands over Tancana and this supposedly alleviates Juliets guilt? Like i get the line she says we all make mistakes as a way of saying Juliet’s forgiven herself, but um, she didn’t really do anything. I wish instead they would have had Shawn notify the cops where he’d be, have lassie ignore him per usual, but let juliet take off on her own (against orders) and save them from bird that way (possibly at the parking garage). This way we can see that she can still rely on her gut and it isn’t handed to her by shawn, kind of like the If You’re So Smart ep, when he solved her case and its somehow a win for her. Its still a sweet gesture that Shawn was cool semi-risking his life (and gus’s for that matter) so she can “save” them and get her good reputation back, even if it doesn’t quite make sense haha

The near kiss was perfection! I think a full kiss would have been too soon, particularly because Juliet was pretty vulnerable just then and it wouldn’t feel right. But the fact that it made juliet nervous enough to start dismantling her gun like she’d been doing all day- fantastic way to gain insight into to her mind and give us the audience hope that the ship would exist. She seems pretty conflicted about him (i think mainly because she doesn’t date coworkers?). I mean, from her perspective, she only know him as immature, irresponsible to a degree, who relentlessly flirts, BUT at the same time is incredibly kind and fun. I would have some hesitation too. Being kind and fun will only get you so far, in my book at least. I also need someone i can rely on to do the boring grown up stuff so im not solely responsible and Shawn just doesn’t come across as someone who can do that (yet). And not to spoil it, but in the bank robbery ep, we learn Juliet likes them mature.

okay. I don’t think this is going to be a popular opinion (just to prepare you mentally) cause i believe everyone loves this scene, and don’t get me wrong i love it too, i just think it doesn’t quite fit in the ep? Like i know shawn was flirty with jules the whole time, and he’s trying to impress her, but it was always jokey and they didn’t really have a solid heart to heart moment, and it pulls away from what Juliet was going through. I think if he’d consoled her a bit, let her know that a mistake is inevitable and assuming that she wouldn’t make any was setting her up to fail, that she was still the smartest, and bravest cop on the force and she should remember that the next time that voice in her head says differently, then he could maybe go for the kiss. Maybe. I think I would’ve preferred it if he’d just consoled her and she was the one who went to kiss him but changed her mind at the last second and thats how we get close talking. Because she wants to kiss him, but at the end of the day she’s pragmatic.

(I just want to quickly add that i by no means think i can write these better. This is just fun for me to put my own little spin on it. I also know other factors go into making a show (time, budget etc) so there are things writers wanted to include that would have improved their eps but said factors forced them to make changes. I don’t want these little opinionated changes i’d make to come across as mean spirited or arrogant. They’re more like responses to a writing prompt if that makes sense.)

[offtorivendell]

Elain Archeron Week, Days 2 and 3: Hope and Stength

I've got many hopes for the quiet dreamer, who in turn has been so heavily associated with hope herself, when we finally get her book. But what I'd love to see most is Elain using the skills she's gained in both her "little garden" and kitchen - those for which she has previously been belittled - for the benefit of the IC/Prythian. To demonstrate that not all strengths involve muscle and blades, though she's shown she can wield one when necessary.

Elain could be...

On a mission, working as a cook or gardener. One of the main reasons Nuala and Cerridwen are such great spies is they can convincingly double as maidservants, however there are only two of them, and as half-wraiths they still stand out. If someone had to take a job in a kitchen or garden, to fly under the radar and gather information (because servants talk!) then Elain would be perfect for this role. She wouldn't need to learn the work she's meant to be doing, and as Nesta suggested that she may have been taking lessons in stealth from her two wraith friends, she may already have those skills covered, too.

A diplomat, recreating someone's favourite dish from home. Putting foreign ambassadors in a good mood would quite possibly help with any negotiations or loosen tongues, and Elain listening to information that others may deem unimportant - like discussion about food or flowers - and acting on it is something she has shown an aptitude for in the past, like when she had a horse and supplies ready for Feyre's return to Prythian in ACOTAR, or when she shadow walked to take down the King of Hybern in ACOWAR.

A potions mistress, creating poisons and antidotes. This is one of my most favourite, long-standing wishes for Elain, and I know I'm not the only one who hopes that she has a witchy aspect to her story. Imagine if she could Make her plants, imbuing their natural properties with a little more oomph? Or doing the same to any potions she concocts? Could she create faster acting antidotes to power blocking substances that we have seen before? Has she, as @ladynightcourt3 suggested, been apprenticing under Madja? This would be such a handy skillset to have on hand, especially when combined with the stealth she's exhibited.

It's important to note - and I know I'm not the first to discuss this, as SJM has mentioned it before - that women can be very effective spies (though maybe we'd call them informants, or say they worked in "intelligence" instead?) without the whole cloak and dagger "spy" approach. With regards to possible ships, imo the parallels between Azriel and Lucien are extensive; their shared role in information gathering is just one of those similarities (so in this way, at least, I think she'd do well with either - I'm mentioning this as the "couple roles" parallels SJM seems to be going for aren't irrelevant to the plot).

That being said, no matter who Elain ends up with in the end I think she'll use her charm, observational skills, wit and wisdom (all canon!) to gather important information (I've previously discussed that she may have used parties to do this while human, rather than to simply socialise); hopefully her well-earnt and unique skillset in the garden and kitchen will also come into play.

@elainarcheronweek

[andro-beaurepaire]

I have been in the Temeraire fandom for a whole five minutes and now I am demanding fics from Temeraire's point of view as he's pampered and spoiled by Laurence.

This man had been gifted with a giant scaly cat and understood the assignment.

Oh dear, I wish I had so much more of those than I actually have to rec you ! ;-; My own venture into the fandom is relatively new as well, so if people have more other recs, please feel free to send them ♥

Most of those fics are super spoilery if you haven't finished the series though ! Also you will soon find out that dragons are actually the ones who are most interested in pampering their humans, so a lot of those are actually Laurence getting dotted on by Temeraire too, which I hope will appeal as well ♥

-

-Gifts for Dragons by trolldoll (set post-canon, Temeraire has questions about the little tokens humans exchange to remind themselves of each other when they're apart, and Laurence decides to give him one suited to his size ♥ Hilarious and adorable, with background Laurence/Tharkay)

-Care Package by canis_m (set after book 6, Temeraire's mom sends a package of gifts destined to both her son and his captain ♥ Fluffy and adorable !)

-Seasons by drifloon (one of my all time favorites ! Set between book 6 and book 7. Laurence tries his hardest to be the best caregiver/provider he can for his dragon, and Temeraire frets and worries over his captain's mental health and emotional wellbeing. This has a more romantic take on their relationship, though absolutely nothing sexual happens. Mostly fluff, with a dash of hurt/comfort ♥)

-Glorious Revenge by Phnx (Modern AU, Temeraire plans for a matching couple's costume with as much feathers and glitter and shiny stuff as possible, Laurence suffers the indignity out of love for his dragon, and Tharkay has a good laugh at their expense until he doesn't XD Pure comedic fluff!)

-Marks of Esteem by @verdet-cadet (another all time favorite of mine ! Set during book 1, the aviators have a long tradition of getting their dragons a very particular gift, and both them and Laurence realize that Laurence is more than ready to follow this tradition as well ! Or : Laurence gets a tattoo for Temeraire /0\ Fantastic aviator slice of life, hilarious and hot at the same time ♥)

-An Ever-Fixed Mark by Boochicken (if you liked the previous one, then I can only recommend this one as well, for it is a direct follow-up ! Temeraire wants the most perfect design, Laurence complies, the aviators help and get drunk :D ♥)

-Priorities by @roboticnebulawrites (Set during the whole series. If you like the dragon/cat parallel, you will most certainly love this one ♥ Humans are definitely the cats here tho !)

-The Ship's Cat by Ystradwel (Another fic that dives into the dragon/cat parallel, only this time there is an actual rivalry between Temeraire and the Reliant's ship's cat for Laurence's attention :D Laurence does his best to gives both creatures the amount of love they need ♥ Set very early during book 1)

- I hope I did not miss the mark too much ! I'm always down myself for some good Laurence & Temeraire stories in general, so all the recs are welcome ♥ Thank you for the lovely ask !

[lover-of-mine]

I have realized what is making my head explode when a BT post accidentally goes through my tags!!!! They are completely ignoring Buck is bi. They are acting like my aunt in the early 2000s. I may not have been fond of all the LUs but they were valid relationships. If Taylor had not fucked up who knows where that relationship would have gone. I mean clearly nowhere once Eddie was out because once Eddie broke up with him he spiraled and kissed Lucy. But they are still valid relationships and at this point in time I don't see how Tommy is better than any of them. To be honest he has the worst traits of Abby and Taylor but the screen time of Ally. So frustrating.

Well, when have people ever been normal about bisexuality? But here's the thing, every relationship Buck had so far had his own set of issues that somehow have been reduced to the way he was dating women, which is fucked in so many ways and the amount of times I have to stop myself from picking a fight because of bucktaylor it's actually hysterical to me because we're seriously at a point where I need to defend the validity of Taylor's place in Buck's life. Like, how did we get here? Because here's the thing, do I think Buck and Taylor were meant to be? No. Do I think Buck would've clung to her until he literally couldn't anymore if her actions hadn't hurt his family? Absolutely. I see Buck going as far as panic proposing to her if that particular situation hadn't happened, just to have someone. Because they had chemistry and Buck kept trying to force that to become love. Taylor was wrong for Buck for a multitude of reasons, but none of those reasons were because she's a woman and Buck is gay. And the relationship with Tommy is not gonna magically last forever just because Tommy is a man. Tommy is this weird amalgamation of all of Buck's love interests with Ali/Ana levels of screentime and he doesn't magically have a fighting chance just because he has a dick and people can't seem to see this. And I think that's crazy. Because Tommy was given to us in an episode that had the theme of not recognizing people, while actively making us think it was about someone else and then they did the Kim storyline and I want to scream because people can't see the parallels. And the more I look at it the more insane I get because he's all of Buck's love interests smashed into someone who's Eddie two steps to the left with none of the things we love about him. But somehow he's perfect because he's not a woman. The only thing Tommy has going for him is not being a woman. You turn him into one and none of the things he did would fly. Letting Buck get away with physically hurting Eddie? Leaving him in the curb? Not dressing up? Making a kink joke after someone Buck loves almost died? Picture those scenes with Lucy and tell me anyone in the fandom would be shipping them. Let alone fighting for them the way people are right now. But he's a man so he gets a pass and that's so fucking weird. Evan Buckley is bisexual but getting dicked down isn't going to magically make everything perfect. Jesus.

Also, since you mentioned Eddie coming out, something that I've been thinking about since we found out it was supposed to be Eddie, a Buck who thinks he's straight finding out Eddie has a boyfriend would shortcircuit. I legit think they could not find a way to write Buck's reaction to Eddie being queer that didn't end with him figuring his feelings out so they switched things up, so Buck would for sure would've gotten there once Eddie got there because he would've had big feelings about it and Buck is not the repressed one.

[rwbyrg]

RWBY Ship Parallels #1: Fear & Bravery

There are too many ship parallels to put them all in one meta, so I'll make individual posts as I remember them. The first one I want to tackle is how all the canon or hinted-at-being-canon ships all have pivotal moments where the themes of being afraid and/or having courage come up.

Some elaborations under the cut!

For starters, just for context to refer back to throughout the post, the definition of courage/bravery is as follows:

noun 1. the ability to do something that frightens one. 2. strength in the face of pain or grief.

I was initially going to list these chronologically, but we're going to do it on a ship by ship basis instead. First up:

Renora

The first incident for them happens all the way back in V4 during their backstory flashback. Ren underwent a small arc learning from his father that sometimes the worst action to take is not taking any action at all, even if it's scary. He then tries to support Nora by teaching her this same lesson: that they both need to be brave. She expresses vulnerability about how scared she is, Ren confesses to feeling the same, and together they decide to look after each other from that point on. Which makes everything just a bit less frightening.

We also revisit these same themes in their V8 confession. First we see Nora criticizing Ren for running away just because things got difficult:

And after Ren owns up to this cowardice, the things he did out of fear of failure, the conversation shifts. Nora admonishes herself, and Ren lists things off about her that he admires, the last of which - while not using the word itself - calls to how brave of a person she is and cites it as one of the main reasons why he loves her. Because as the definition above states, being strong and helping people without worrying about how much it might hurt you in turn is what it means to have courage.

WhiteKnight

Their heart-to-heart in V9E9 says it all. Weiss has been carrying the weight of failing to save Atlas since it fell, and after Ruby's actions in the episodes prior, she became aware (a bit too late) of how those same failures were weighing on their leader. So when Jaune acknowledges the harm he caused from trying so desperately not to repeat their past mistakes, Weiss is the perfect person to step up for reassurance.

She knows that their failures do not equate to their worth or all the good they're capable of doing. And reminding Jaune of this, calling him a brave and good person in spite of his failures, is what he needed to hear to be able to reach an acceptance he hadn't been able to achieve in all those years trapped alone in the Ever After.

(Also the framing parallel of BB and WK both holding each other is a very nice touch.)

Bumbleby

With BB it's not just one or two moments. Blake and Yang's characters both centre around the themes of cowardice and bravery since their beginnings and we see it come up throughout the show a lot. Back in V2, Yang sees the bravery in Blake when she herself can only focus on the opposite:

Blake: When you figured out I was a faunus I didn't know what to do, so I ran. when I realized my oldest partner had become a monster, I ran! Even my semblance... I was born with ability to leave behind a shadow of myself. An empty copy that takes the hit while I run away.

In V4 and 5 we see Yang struggling to get back on her feet after losing her arm and the trauma she endured at Beacon. Blake tells Sun that she sees Yang as the "embodiment of strength" and we, the audience, get to see the proof of this every time she keeps fighting despite shaking, and especially when she faces off with Raven in the finale.

These parallel arcs culminate with both of them facing off against Adam together, but most especially gets called back to in their mutual confession scene in V9:

Yang acknowledges what she saw in Blake all those years ago, that she doesn't give up on what matters to her, even when people hurt her, she still fights for what's important. While Blake acknowledges Yang's reliability, her strength, and her courage. And both of them, like Renora, cite these reasons as things they admire, and reasons why they love each other.

Now last, but certainly not least:

Rosegarden

One of the very first things Oscar says to Ozpin when he leaves the farm is that he's scared. This comes back time and time again, especially in the Atlas arc where Oscar spends so much of his time counselling Ironwood against letting his fear control him (a conflict Ruby is also a part of). Our little prince even has a theme song titled Fear to really drive it home.

Whereas Ruby has always been the poster child of "keep moving forward", no matter how much the trauma, stress, pressure, and grief weighs you down. You just have to be strong and keep pressing on, fighting the monster that took her mother away. No matter what.

So, much like BB, there are themes around bravery, fear, and perseverance that apply to both Ruby and Oscar's personal arcs. Both of them especially have focus on being brave despite fears of loss. With Oscar, it is fear of losing himself to the merge; whereas Ruby has a fear of losing those she loves.

All the way back in the infamous Dojo Scene is where we first see these themes addressed in their dynamic. It starts with Oscar expressing vulnerability to Ruby about how afraid he really is.

Ruby initially tries her usual strategy; surface level reassurances about just pushing through it... but it doesn't work on him. So after some upset from Oscar, she ends up being vulnerable with him too. Something she hadn't done with anyone else in show by that point.

Ruby admits that she's afraid too, not just for herself, but for the threat Salem poses to the world as they know it and the people within it. Ruby tells him about those she's lost and says that if it had been her instead, those friends would have kept fighting too. That vulnerability, which requires courage in and of itself, is what motivates and inspires Oscar to keep moving forward where Ruby's earlier attempt could not. The scene closes off with one more nod to these themes where Ruby pauses at the door and turns back with one final thought:

In both the above scene and the V4 finale, Ruby cites "fighting for those they've lost and those they haven't lost yet" as her main motive to keep fighting. Up until V8/9 she used this as her greatest source of strength, but that strength is a double edged sword which eventually became her greatest weakness when Neo used it against her. First trapping her in a room with all the people she "failed":

And then landing a finishing blow with making her kill lose one of the people she loves most: Oscar.

Ruby can be brave if it means she can protect the people she loves. But just as Penny's death dealt a very big hit to Ruby's hope, what little she had left was crushed at the thought of losing Oscar (and Little) too.

Aside from that, there has also always been an underlying mystery around what having silver eyes means for Ruby. In V4, she is hunted by Tyrian and in V8 she finds out what her fate would have been had he succeeded. A fate which very justifiably terrifies her and seems to be a theme that will carry on into the Vacuo arc. It is also something that was brought up in the second RWBY x JL movie, I talked about this a little bit in this meta, but I'll share it here as well. In the movie, Ruby opens up a bit about this fear saying the following:

“Did you know I lost my mom when I was a kid? I don’t know exactly what happened to her, I don’t really remember her, I just have stories. And I keep trying to live up to those stories, but… I realize they don’t matter anymore. Heroes fall. And I just want to get as much done as I possibly can before I do.”

This scene directly parallels one of Oscar's back in V6:

“I don’t know how much longer I’m going to be… me. But I did some thinking, and I do know that I want to do everything I can to help with whatever time I have left.”

Both of these scenes show their respective courage around fears related to their issues with identity. Oscar saying he will do whatever he can before he loses himself, and Ruby doing whatever she can before she loses her life as all heroes eventually will.

So to summarize: Renora, Whiteknight, Bumbleby, and Rosegarden all have a scene where one or both partners cite the other's bravery as something they admire or love about the other person. All of these ships also include at least one scene - but often more that just weren't listed here - where they open up and are vulnerable with each other about their fears and motivations. And lastly, with BB and RG especially, bravery and fear are central themes to both their relationship dynamics as well as their individual character arcs within those pairings, all of which narratively parallel each other extensively.

CRWBY is very consistent with how it writes its ships and this is only the tip of the iceberg of all the parallels we've seen between these partners so far. But that's all for now; thanks for reading!

[valc0]

Hannibal rewatch and Baldur's Gate 3 ramblings

I recently re-watched the first season of Hannibal after almost 8 years and since I’m now deep into another fandom (BG3) I analyzed some of the themes of the show and how parts of it could tie in with the story of the game, particularly when it comes to the Dark Urge.

I’m also doing a review because why the hell not. I divided the text into sections for convenience, so if you want to read only the review or are exclusively interested in my speculating ramblings on BG3 you can easily do that.

It’s a long one so let’s start.

REVIEW

THIS REVIEW IS NOT SPOILER FREE AND WILL GO INTO GREAT DETAILS ABOUT THE TWISTS AND PLOT POINTS OF THE SHOW.

If you didn’t watch it and you like thriller/crime/horror please do yourself a favor and watch this show now!

I’ll start by saying season one, to me, is almost perfection. It’s 13 very well crafted and acted episodes and almost none feel like filler (almost but we’ll get to it). The crime of the week structure is integrated with the horizontal themes of the season seamlessly and the story avoids exploring too many parallel plots, making the theming very cohesive.

I remember watching this show for the first time and finishing season 1 in about 2 to 3 days, but I’d never think the same would’ve happened a second time. The first 5 episodes had me in a clutch from the start. Every character is fleshed out and extremely well written, the acting is impeccable, the writing is phenomenal and the visual, even when getting symbolic, never seem gratuitous or nonsensical in their use of analogies and dream-like visions.

The photography is also phenomenal, with great use of contrast that makes the image and scene clear even though it's set in the dark or at night.

If I had to rate the season I think I’d definitely give it a 9/10, and the 9 is only because of two small things that I figured I’d get out of the way first:

(I must remember whoever is reading this that these are my opinions, they don’t mean to offend anyone else differing opinion. You’ll see what I mean in a second.)

Alana Bloom x Will Graham is forced, comes out of nowhere, and makes Will act out of character most of the times.

I’m not getting into ship-fighting, this is not about shipping, I like Hannigram but I have no dog in this fight so this is totally not about it. Episode 8 is great, it has one of the best kills in the whole season and Will deteriorating stability makes for great lines and visuals, other than a lot of tension since he can no longer be predictable and ends up disrupting Hannibal plans.

And though I could attribute the way he acts towards Alana as something he does because of this deteriorating mental state, it doesn’t really feel like it. He seems very present during those scenes and acts weirdly romantic for the reclusive stray-collector, whose primary hobby is fishing and who’s been plagued by visions of death in the past episodes.

I would have rather see them to grow more of a non-romantric connection that may or may not have become romantic in later seasons. It all seems a bit rushed imo.

I also know they are setting up the Alana x Will x Hannibal. Which I’ll be honest I don’t remember liking the first time I watched it...but we’ll see.

2. Episodes 9 and 11 slow the show and kind of drag the pace.

Episodes 9. The totem of bodies is a very striking and memorable visual, but the crime in itself is very bland and the killer only gets a 5 minute scene towards the end which is anticlimactic and kinda too much tell with too little show. It’s honestly a shame because the murders in the previous episodes were very well crafted and paced. This one, not so much. I understand the need to connect the themes of “legacy” and “family” with Abigail’s actions but I feel like there could have been better ways to do that in previous episodes.

Episodes 11. I loved the whole Chesapeake Ripper fake-out, but I’ll be honest I don’t think I needed a whole other episode of Abel Gideon’s story. Didn’t really care for the plot of this and the pace was a little too slow. Good things about this episode are the ending with Hannibal at his most manipulative, and the fact that it starts Chilton’s comedic chain of misfortunes– which cracked me up the first time I watched the show because come on!! this guy is awful and can’t catch a break, you love to see it.

Now that the “bad” is out of the way let’s talk about the good, which is honestly everything else.

Episode 1

Banger of a pilot. Everything for the rest of the show is set up in only 42 minutes if you can believe that. Characters are fleshed out, themes are placed, conflicts are started. By the end of the episode all you want is MORE. I have very little else to say other than the pacing of this one should honestly be studied, a lot of modern series would need the lesson imo.

Episode 2

Interesting case with a lot of great scenes that reinforce the characters and their relationships. You get a first glance at how campy? the show can be, which is honestly something I love, I’m kinda tired of the “realistic to the point of boredom” trend I’ve been seeing lately. Freddie Lounds is properly introduced as the disrupting force she is and we get a jumpscare that made me curse. Sorry, did I forget to mention I’m watching Hannibal and I cannot stand horror? Lmao

Episode 3

LOVE this episode, the way this show makes you feel powerless as you watch the events unfold knowing full well what is happening and who is responsible...amazing! I love Abigail’s character and the very innocent and pristine way she is portrayed when you know later on the truth will come out is chilling.

Episode 4

I remember how grim I found this episode the first time and the feeling returned the second time around. Hated the killer with every fiber of my being and the fact that she kinda looks like Catherine Tate made me die a little. Also the scene of Hannibal making himself a family through gaslighting and creative use of drugs and lies was amazing.

Episode 5

I loved this crime and the way the episode paces the killings. The angel symbology was great, I’m a sucker for catholic and religious themes tied into vicious crimes. The series also introduces Bella, Jack’s wife, which I’ll be honest I don’t remember having a good ending...I don't remember exactly how, but I know I will cry.

Episode 6

Favorite episode by far, the tension in the flashback scene is palpable and when you see Miriam looking at the sketch with the silhouette of Hannibal pacing towards her in the background AAAHGGG- RUN Miriam OMG! This is the episode where you realize how absolutely scary Hannibal’s physicality can be. Mads Mikkelsen is 1,83 (5ft 11) but he feels like a giant in those scenes, like you can do shit about it.

Episode 7

The episode’s case is a botched transplant one and it’s just okay, nothing too spectacular, but the way this series makes me hungry should be concerning, since I just watched Hannibal kill and butcher people who slightly wronged him to make a feast out of them. I’m sorry, whoever is directing the shooting of the food is doing a good job, okay?

Episode 8

My second favorite episode yay! I love this kill because it’s so over the top. Also the visual of a person played like a cello is haunting just as much as the sound they decided to give it. “He had to open you up to get a decent sound out of you.” okay Will go off?!?! A bit sad they took this murder from Hannibal since I believe it was his in the books, but the end fight was worth it (though when Tobias started swinging his impromptu cello string weapon I did cackle because omfg calm down)

Episode 9

See section above

Episode 10

I shat myself watching this episode with all the horror vibes I’m dying please, I’m watching this through my fingers like a baby. I did love this episode though, and the final twist of Hannibal going to such lengths to be sure he leaves NO ONE behind is terrifying. Dr. Sutcliffe even agreed with him and didn’t show signs of wanting to betray or rat him out, and yet in the big scheme Hannibal still found it better to kill him. Scary stuff.

Episode 11

See section above

Episode 12-13

Putting these together because they are the finale and are closely linked to each other. There is no real “crime of the week”, though Georgia Madchen dies at the start of episode 12 and Abigail...dies at the start of episode 13. Will continuously declining psyche is very well portrayed, you really feel powerless with him as his brain keeps betraying him over and over at the worse possible times. Also Hannibal fake-empathy is so uncomfortable to me...knowing the lengths he’d go to manipulate the situation after seeing all the “behind the scenes” is chilling. All in all it’s a good finale though it really doesn’t feel like one. By the end Will managed to see Hannibal’s true colors, but I don’t think he’ll fully understand what he’s fighting against until he actually sees Hannibal in action, so it does feel inconclusive in a way. We do get Hannibal funny naked fursona is all its glory though so, big happy for me!

Now let’s get in my current fixation and tie in some of the themes of Hannibal with Baldur’s Gate 3. YAY!

BALDUR’S GATE 3 – Dark Urges, Bad Dreams and Worse Influences

Let’s get something out of the way first.

The Dark Urge is a very flexible and versatile character which is mostly – if not completely– shaped by the player. We get to decide if they refuse the Urge, with the bittersweet realization they still took all those lives and will have to deal with that guilt. OR we could make them machines of slaughter and death, embracing their father’s plan for them to be the killer they were made to become.

There are other variations of this and from what I’ve seen many Durges have very different characteristics depending on how the player interpreted and played the game.

This to say, all of the following dissertations on BG3 and the themes of Hannibal are my personal view of MY Durge or the way I see the character in general, which is extremely personal and could crash with someone else’s interpretation or headcanon. Keep that in mind while reading, if you see me using absolutes or if I forget an “imo” at the end of a sentence, remember this is ALL In my opinion, none of this is to be considered as a general and all-encompassing statement for every Durge out there.

That said, you’ll be surprised to know in my interpretation the Dark Urge isn’t Hannibal, what’s funny is that the Dark Urge isn’t Will either.

Durge is both characters at the same time, and depending where they are in their journey, this may change.

In the case of Will, towards the end of the series you get a more “start of the game” Durge. The memory loss, the confusing thoughts, the haunting dreams and then this weird hellish creature (Sceleritas Fel) guiding them. By this point Durge is still a victim of their circumstances, they can’t really grasp who or what they are and their mind is in complete shambles.

I can see a Resist!Durge in this scenario, someone completely horrified by their actions starting to question who they are, what they did, and if they can ever change. This point in the game isn’t spelled out as much, the narrator often refers to it but the real extent of psychological damage a Resist!Durge must face is left completely to the player’s interpretation, that’s why I think Will is such a great starting point to understand and visualize the character of Durge from a distant POV.

With Hannibal you get a more pre-tadpole pre-Orin-meddling Durge. Someone who knows what they’re doing and how to get what they want. I personally never saw my own Durge as this calculating, something in the feral way the Urge gets to the character in game made Hannibal a tad too composed to fully be an inspiration for Durge, but I’ve also seen other people Durges as cool and collected killers, and the comparison in that case works really well.

Another interesting characteristic of Hannibal we can see in Durge is the twisted way he thinks in relation to others. Hannibal calls himself Will’s friend, and I believe he’s genuine in his affection since the way he helps Will is in done in earnest.

This helping though, it’s monstrous in all sense. Hannibal lies, literally gaslights Will, meddles with his head and denies him medical help. He manipulates him into killing, only to watch what unfolds simply because he needs someone who understands him. By dragging Will deeper into his world and making him a killer, Hannibal cultivates what he perceives as Will’s true nature and potential, making the man a suitable friend for himself.

It speaks to Hannibal narcissism that he would consider helping someone as making them more like him. But then again that’s also why Hannibal is so drawn towards Will, because he thinks differently and he IS different from him. He doesn’t have the same amount of interest or even respect for someone like Tobias, who’s probably the most Hannibal-like killer we get to see in season 1.

He needs the challenge, he needs to feel in control. And ultimately, though not in an usual sense, Hannibal needs a friend. He is lonely.

This works a lot for Durge in the sense that they may or may not corrupt people around them. As a player we get the choice and power to influence how companions act and react, and this kind of duality of “I like them, I want to help them” and “I want to make them like me” is a good motivation to give a Durge who may, for example, ascent Astarion, or turn Shadowheart more towards Shar, or give Gale a power complex (more so than he already has) ect.

BONUS! And then came Durgetash

In episode 1 Hannibal visits Will and brings him breakfast. While they chat in a honestly beautifully lit scene, this exchange happens.

Hannibal: You know, Will, I think Uncle Jack sees you as a fragile little teacup. The finest china, used only for special guests. Will: How do you see me? Hannibal: The mongoose I want under the house when the snakes slither by.

Did I mention I love Durgetash? Did I mention I go completely feral over unhealthy dynamics and specifically this kind of dynamic?

“The mongoose I want under the house when the snakes slither by.” is an amazing line for Gortash because I do believe the reason he wanted Durge to side with him was that Durge was extremely good at being undetected, and even more so skilled at killing the right target at the right time.

I love the idea of Gortash using Durge as a shield/weapon, and Durge using Gortash to economically sustain and socially shield Bhaal’s cult. I love to think their relationship was born because they were useful to each other and that in this completely selfish ecosystem they somehow found company.

Because I’m sure Durge pushed back. I’m sure they realized they were being used and didn’t like it one bit, and Gortash kept Durge around even though they may pose a threat, for the same reason Hannibal keeps running circles around Will. Gortash needs a challenge. Being head of Bane’s cult means that other than his God, no one else is above him, and I think a man who’s been fighting his whole life to gain control would feel a bit lost when this control is automatically given to him without a fight.

In the same way I think Durge would yearn for something more, something different than what they’re stuck with, which is a dying cult forced to hide beneath the city, and a jealous and over-zealous sister who I’m sure tries to kill them once a week. I think they would get pulled in by the promises Gortash would make. To rule together, above ground, for once not having to hide, getting back the power Durge feels like belongs to them.

The similarities I found between these characters are way more than these but I think I’ll have to make a part 2 of this once I’m done re-watching season 2. I’m aware the series has been out for a while and I’m sure people already made way more interesting and in-depth analysis. I still hope you liked my little morning ramble that turned in a full on essay on the subject.

Thank you for reading!