#those ships also are perfect parallels

[impala-67-zeppelin]

alex, claire, and kaia are the perfect parallels to sam, dean, and cas and i dont ever see it talked about enough in conversation or in fanfiction.

[wolfofansbach]

BEING A LIST OF THE THIRTEEN GREATEST RIVERDALE LINES, ON THE OCCASION OF THAT SHOW'S TERMINATION

As our much loved/hated show comes to an end, I feel compelled to record, for posterity, the greatest thirteen pieces of dialogue to spring from the pens of RAS and his henchmen. It was, of course, originally a top ten list, but I simply could not exclude a few of these treasures. Without further ado: 

13. 

“I dropped out in the 4th grade, to sell drugs, to support my nana.” 

“That means you haven't known the triumphs and defeats, the epic highs and lows of high school football.” 

Spoken by: an inmate of Leopold and Loeb Juvenile Detention Center, and Archie Andrews. 

In: 3 x 2 

Yeah, okay, this one had to be on the list. It’s funny, I’ll admit. It’s a great example of the overwrought semi-sincere melodrama that helped make this show so special. It’s low on the list largely because The Normies got their hands on it, so every time I hear someone make a reference I get all “do not cite the deep magic to me, witch.” 

12. 

“No! No! What are we supposed to do now? I’m horny as heck!”

Spoken by: Archie Andrews 

In: 7 x 16

Season 7 is undeniably dreadful, and yet there are diamonds in the rough. The occasion is the failure of a projector, just as Archie and Reggie prepare to watch a pornographic film. The utter desperation with which KJ Apa delivers this line is exquisite. One is made to feel they are witnessing a genuine tragedy. 

11. 

“Tonight, they’re making an exception and debuting a cover of the song my parents claim they were listening to the night Jason and I were conceived.” 

Spoken by: Cheryl Blossom. 

In: 1 x 1 

Really a fantastic line. A wonderful encapsulation of the casual absurdity of Cheryl’s character, and a foretaste of the lunacy we would plumb in later episodes and seasons. 

10. 

“In case you haven’t noticed, I’m weird. I’m a weirdo. I don’t fit in and I don’t want to fit in. Have you ever seen me without this stupid hat on? That’s weird.” 

Spoken by: Jughead Jones

In: 1 x 10

A genuine classic. “High school football” before “high school football.” One is never entirely sure just how sincere the line is meant to be, both on a meta-level and in-universe. A perfect illumination of Jughead’s pretentiousness. It is made all the better by the occasional cuts to Lili Reinhard’s agonized face. 

9. 

“At the last dance, multiple students were murdered.” 

Spoken by: Principal Holden Honey. 

In: 4 x 2

Delivered as an explanation to Toni and Cheryl, as to why there would be no school dance this year. Principal Honey is in fact supremely rational in the cancellation of this dance. This being Riverdale, he is of course treated as an unreasonable tyrant. 

8. 

“Bro, I know all the secrets of this universe.” 

Spoken by: Archie Andrews (evil version)

In: 6 x 5 

Spoken as evil Archie reveals his evil plan to keep the parallel universes apart. KJ Apa’s delivery once again makes this line. He is comically sinister. Strangely, he sells it. 

7. 

“A Vughead kiss, right now, in the present might be precisely what it takes to save a future Bughead from imploding.” 

Spoken by: Jughead Jones. 

In: 2 x 14

One of those lines that both makes me laugh and makes me genuinely angry. This was a fairly early season, and this may have actually been the first line to get me asking, ‘did they genuinely write and deliver that?’ Extra points for use of the atrocious ‘Vughead’ portmanteau ship name rather than ‘Jeronica.’ 

6. 

“I’m the ultimate wild card. I am the daughter of The Black Hood. The nightmare from next door. I’m training with the FBI and I’m coming for you, you psycho bitch.” 

Spoken by: Betty Cooper

In: 4 x 14 

Just delicious. Another one of those lines that leaves you somewhat unsure whether or not the writers understood how genuinely hysterical it was. “The Nightmare from Next Door” sounds like an announcer hyping up a wrestler. Spoken with a raw sincerity by Lili Reinhart. Also points for the heavy homoeroticism between Betty and Donna. 

5. 

“For I am Cheryl Blossom, Queen of the Bees.” 

Spoken by: Cheryl Blossom.

In: 5 x 16. 

This one really doesn’t require any elaboration. 

4. 

“Elijah ascended…and I will, too.” 

Spoken by: Edgar Evernever.

In: 4 x 5. 

Admittedly, this one is only spectacular with context. But in context—the context being that Chad Michael Murray delivers this line while dressed like Evel Knievel and standing in a cartoon rocket right out of a Warner Bros cartoon—it becomes utterly magnificent. 

3. 

“It’s not queer baiting, it’s saving the world.” 

Spoken by: Veronica Lodge. 

In: 6 x 22. 

It’s actually hard for me to decide whether this one is funnier with or without context. Without context it’s wonderful, but it possibly becomes even funnier when you know that the context is that Veronica needs to kiss Cheryl to transfer superpowers into her body so she can turn into a Scarlet Witch knock-off and stop a magic comet summoned by Sephiroth an English wizard who is also the Devil. 

2. 

“If there’s no wedding reception, it means the Gargoyle King has won.” 

Spoken by: Kevin Keller. 

In: 3 x 12.

One of my personal favorites. This is a perfect line because like #3, it requires no real elaboration. There is absolutely no context in which it isn’t hysterical. 

1 .

“Word of my exploits serving Nick his comeuppance has seeped into the demimonde of mobsters and molls my father used to associate with, so the five families are sending their youngest and brightest, their ‘princes,’ as it were to, well, come court the rare Mafia Princess who can belly up to the bar with the big boys.

Spoken by: Veronica Lodge. 

In: 2 x 20. 

This is, in my opinion, the all-timer. Every word is perfect. The rapid-fire alliteration. The use of the word ‘demimonde.’ The entirely unnecessary addition of ‘as it were.’ This is borderline Dr. Seuss. The fact that Camila Mendes delivered it without cracking a smile should have won her an Emmy. No. An Oscar. This line is Riverdale. 

[blluespirit]

okay first three episodes thoughts

good

bending is cool as fuck

sozin’s actor does an amazing job at full crazy but calculated

scenery is STUNNING

monk gyatso made me cry. idk why i just saw him and wanted him to give me a hug so bad

APPA ACTUALLY LOOKS GOOD AND NOT LIKE A LITERAL MONSTER

i wasn’t sure how id feel about them showing the air nomad massacre but i think the importsnt thing is that they showed it was a massacre - and that although they can defend themselves, they don’t have the ability to fight back like an organised army would bc they’re pacifists! they attacked a peaceful group

the abandoned fire nation ship in the southern water tribe looks so fucking cool

ARTIST ZUKO???!!! LETS GOOO

Dallas does an amazing job at getting across Zuko’s intense desperation

I actually ended up loving all the Sokka and Suki interactions sm it was so cute and wholesome

Katara is perfect i will kill and die for her

Azula’s opening scene being her manipulating those people trying kill ozai ultimately leading them to getting burned alive by him and smiling - literally so fucking good. she is the best villain in history of forever

really good move having the mechanist (Sai!) and Teo be in Omashu imo. having them destroy the northern Air Temple so carelessly always pissed me off

THE FREEDOM FIGHTERS ARE LITERALLY PERFECT I AM SCREAMINGGGG

I was wondering how they were going to introduce the Mechanist and Jet in a limited amount of episodes but I like how they combined the two stories

Also Sokka absolutely nerding out in the Mechanist’s home is so important to me

Zuko getting has ass beat by that lady for fighting Aang is literally so funny and reminiscent of the goofy aang vs zuko fights we see in season 1 (to be clear: i adore zuko. this is NOT hate on him)

Zuko losing shit about his notebook and trashing his room and then outing himself as a fire bender in Omashu is so perfect. god i love him so much. it’s very season 1 zuko. it’s giving I DONT NEED ANY CALMING TEA!!!

things i was not a fan of: (some of these are a little pedantic i’ll admit)

Exposition is a little is a little janky but i’ll forgive it i guess bc at least it isn’t egregious as The Movie That Shall Not Be Named

Aang leaving just to get fresh air/clear his head and intending to come back is a silly change to me. all i keep thinking about is the storm where we got those epic Zuko and Aang parallels which now doesn’t really work and also takes away a lot of Aang’s depth. A good change adds to the story, but personally this seems to take it away

WHY would they not make Katara the one to bring him back from the avatar state? just seems like a strange choice to me? not saying this from a shipping point at all but that moment is a big step to their bond/friendship especially since they have only just met

Still don’t understand why they made the head of the village Suki’s mum. like i don’t think it’s a terrible choice but they still could have let them have a mother/daughter bond but still let Suki be the leader without any implications of nepotism. it mostly seeems silly

tl;dr - really enjoying it so far!

[follows-the-bees]

I wanna talk about Jim's journey. Their character arc is one of my favorites of the show.

In season one, Jim fits into two very well-trodded tropes and each one is subverted by the end.

First, we have the trope of a person (typically a woman) disguised as a man to go into hiding and also the old wives tale of no women on ships because they bring bad luck. We see some of this attitude through Frenchie's superstitions but the trope is subverted fairly quickly when Jim talks to them about wanting to be just Jim and the crew (and Nana) effortlessly use they pronouns.

OFMD has many, many ties to classic Western tropes and style of filmmaking. And Jim's whole character arc of season one fits the Revenge trope.

They have been trained to be a killer, hardened by life, only open to Olu but even that openness is just a sliver. When Jim is spurred on by Nana to complete that Revenge arc, they fall into it, leaving the safety of the ship, the community built there, from Olu.

But instead of more killing, Jim comes to an understanding with Spanish Jackie. They share a drink (which oftentimes in Westerns ends in a gunfight, unlike the show which starts with a knife fight and ends with communal drinking). Upon hearing that most of the men they are after are likely already dead, Jim decides to put down that knife and instead returns to the aptly named Revenge.

But in perfect subversions of tropes, Jim does choose Revenge, but not the type that eats at your soul and often ends in unhappiness or death. Rather, they are choosing community and softness.

Jim is one of Stede's loudest critics at the beginning of season one; Stede represents the opposite of how Jim was raised and once viewed the world.

But the beginning of season two shows how much Stede's way of piracy has influenced Jim. They no longer are following the Western Revenge storyline, but rather serving as the storyteller to the crew. (A direct parallel to the pilot.)

In fact Jim is reciting that same exact story that Stede told in the pilot. But it is different, darker. And that is because Jim is a different person, and in a different, darker environment at the moment. But invoking those good times that they remember. S1 Jim would have never told a story to try and make a crew member feel better.

We see Jim continue to choose kindness, mercy, grace with several characters. With Izzy, who is a dick but is their dick. And yes, also with Ed, until Ed's plan of suicide by crew now has affected and threatened their lives.

They also seem to be the first to realize what Ed is doing. And they refuse to kill Archie, who was drawn to them because of Jim's hope.

Jim's journey the rest of the season fills me with warmth. They get to be soft, they reunite with Olu, and form the cutest polycule with Olu and Archie. They also intervene and talk to the Pirate Queen about Olu, repairing their status.

The giant smiles on their moustached face during Calypso's Birthday, handing out drinks to the captain and Ed (showing the repaired relationship there), dancing with their lovers, and cheering on Izzy's singing shows how free Jim (and the whole crew) get to be now.

Jim is the embodiment of how Stede has tried to change piracy, of how Stede's effect has created a community.

Jim is the embodiment of the queer joy that this show unabashedly embraces.

[ultimate-marysue]

Thinking about writing something about RoyJay. I just love the idea of those two accidentally fumbling their way into having one of the healthiest dynamics in DC.

Like, they're both considered such fuck UPS by the cape community at large post drugs/pit madness. I just think they're both such no-bullshit people they would be actually really effective at cutting each other's self destructive/self isolating behavior. And at first they would fight it because "fuck you and your holier than thou shit", but they would eventually realize neither of them is judging the other. That they both come from a place of caring and empathy even if they can't always express it.

Like Roy has a lot of background on the Batfam dynamics from being friends with both Dick and Jason. He understands how it feels to not meet your mentors expectations and to be let down by them in your time of need. He's also a father that has lost his daughter and I think that he can both validate Jason's need for vengeance while also offering some perspective on Batman's self destructive behavior after Jason's death. I think that whole angle is so interesting to explore (even in a Bad Batdad or trying his best but it's not enough Batdad situation). Roy also would let Jason vent about his siblings sure, but once he calms down he'd force Jason to reckon with the fact that these are kids. Dick, Cass and Tim aren't at fault for other people comparing them to Jason, and unfair comparisons go both ways.

On the other hand I think that Jason is probably one of the better equipped people to help Roy through his addiction. Jason has never blamed Catherine for her struggles and understands that if she never managed to get clean it wasn't for a lack of love for him. He would be the most empathetic in that situation, understanding how fucking hard it is to stay clean, but at the same time he would never go easy on Roy because he knows that sometimes you need someone to hold you accountable until you can do it yourself again. Roy would really appreciate having someone that has his daughter's best interest at heart but doesn't judge him as a horrible father for struggling. It can be so hard when everyone else just assumes that you should be able to magically cure something that's affecting your brain chemistry because it's what "good parents should do". I also think Jason would point out the hypocrisy of Roy calling Dick a Martyr while pulling the same shit. Maybe Roy doesn't do it out of guilt and a savior complex but the end results are the same.

Like, I don't ship them just because they're two men standing next to each other being friends. I think that even from a completely platonic standpoint their dynamic must be so interesting because of all of the above. Canon doesn't do enough with all of those tasty parallels because they're cowards. They're in the perfect place to help each other and they have the no-nonsense attitude to keep each other in check. They wouldn't judge each other but neither would they try to fix each other. They'd help each other fix themselves. I'm chewing my arm off.

[centrally-unplanned]

Japanese website Forest Page is shutting down ~today, a tragic loss of "Heisei otaku memories", as so many are calling it. Launched in 2003, Forest Page was a "Geocities for mobile", a site that hosted user-created websites and gave them tools to allow non-coders to make them. In practice, it became one of the premiere places for fanfiction in Japan, with the stories hosted on author-created sites.

It wasn't quite the Fanfic.net of Japan, as for one the Japanese fandom just never centralized quite the way the 2000's western one did, instead being spread out over a half dozen or so sites. But additionally, it wasn't initially popular for fanfic so much as cell phone fanfiction, because in 2000's Japan the "cell phone novel" was a specific thing. These websites were being made for flip phones, not smartphones, and not only would people read them on those phones, they would often write them. None of that was very conducive to the creation and consumption of a "traditional" novel; so starting in the 2000's Japanese writers started making stories fit for the medium, namely:

Very short

A huge focus on dialogue and inner thoughts, with no/minimal description or scene detail

Using a limited POV of a specific character

Often employing the medium-as-message, like using emojis, structuring the story as IM's or emails, etc.

Also they all had huge gaps between lines, I'm not really sure what that is about:

Probably for readability on the phone given the small screen size? But it was absolutely part of the genre. A few of these novels actually made it big, got movie adaptations, people wrote articles about the "cultural phenomenon", it was the 2000's so Hiroki Azuma had a take on it of course, and so on. It slotted neatly into the vibe of the time of technology changing culture, paralleling discourse around otaku in the same era.

In fanfic those trends met up, and anyone familiar with fanfiction probably read that list of traits of the cellphone novel and thought "oh, this is perfect for fanfiction". Skipping out on description? I don't need it, I know what they look like already. Focus on conversation and POV? Perfect for shipping fics. Short lengths? Yeah, we are shortcutting to the good stuff, that is the point. Mirroring trends in the west, Forest Page's userbase was ~95% female, and the most common content on the site was romantic or edgy-dramatic stories in the franchises you'd expect. The closure page linked above actually summarizes the site's history by year, and lists the biggest fandoms:

Which is exactly what I would expect from a female otaku fanfiction website. Congrats to Pirates of the Caribbean for making it though, freeaboo's represent.

I do think the fact that the site was a website hoster as opposed to a fic hoster did align with the way the Japanese fandom was more "creator focused" and embraced the media mix more. There were "fic circles" a la doujin circles who made their own pages, people would make fanart, fan video games, and so own to host alongside it, and all of it was centralized to the creator; it made following them-as-a-person just a little bit easier. Most websites were simple text, but others did have the full Geocities experience:

Something that was somewhat common were basic visual novel concepts where the reader could make choices, or even insert their own name so they would be the "MC" of the story:

(Dream novels are in fact their own thing in Japan) My understanding is the site was quite popular through the 2000's and into the 2010's, though over time the "cellphone novel" as a concept fizzled out. People got smartphones, more people got PCs, and the constraints didn't make sense anymore - you can read ebooks and normal websites on your phone now after all. You can probably draw a line between these kind of stories and the webfiction/light novel boom of the late 2000's/2010's, something that was equally born on the internet, that streamlines the novel to "shortcut to the good stuff" but without the need to fit on a flip phone's screen. Though I will admit my own understanding of their histories shows them more as two sides of the same "youth demand for new literature" coin.

In 2017 Forest Page launched Forest Page Plus, a new service fully optimized for the smartphone era; but it did not transfer over all the old content, starting the clock ticking on the original Forest Page. My understanding is that in June they announced Forest Page was officially closing down; and from what I have gathered from reminiscing writers on twitter, they did not provide any easy, one-touch way to save any of the content, so people are archiving Wayback Machine links or sharing tips on how screenshot-save stories (I think the rub is they gave people a way to transfer content to FP+, but most don't want to do that, as places like Twitter & Pixiv are the content kings of this era).

As of tomorrow I would bet the large majority of the content will be gone; quite sad given both the quantity of stories there and how many got sometimes millions of readers. I am sure most of the biggest stories are archived at least, but particularly the early stuff was a very ephemeral genre, one that doesn't make sense to revisit once you aren't a 16 year old teen writing and reading fics on a flip phone in between classes. Which means another legion of the ghosts of the Wired is being born today. May we pour one out for a fellow online community that lived and died!

[ichayalovesyou]

Why Do Old-School TV Duos Have SUCH MLM Vibes?!

I think there’s something very specific about the formula and writing style of non-serialized/semi-serialized shows from the 60s to 80s that featured two grown men going on wacky dangerous adventures that makes my gay little literary analysis brain go absolutely off the wall bonkers. I’m trying to figure out why!

I’m writing this on my Trek blog because I don’t think this pattern in people actually shipping these types of relationships the way they do if fandom as we know it wasn’t born via TOS in syndication. That being said! I also think it has to do with the way these shows are designed that makes myself and others OBSESSED with a specific character dynamic that feels (to me) damn near impossible to replicate in modern television. In a way that’s more than just fandom, it’s in the way TV like this was written at the time!

Further explanation under the cut!

🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈

I think what it usually boils down to is this. There’s a charming protagonist whom without the series could not operate, frequently top billed or the title character! (See: Wild Wild West, Starsky & Hutch) BUT he doesn’t have anyone to play off of! So what do they do pretty much every single time? Give Mr. Idealized Vision of Time-Period Masculinity For Genre a second guy to rhyme with!

See but the other guy has to play opposite but parallel to our hypermasculine protagonist. So what frequently ends up happening is that in order to play off our “normal” guy, even though he’s also a white dude, is that he’s still somehow Other.

They’re always perfect for each other, and they always get into scenarios that would be written, shot and interpreted by conventional audiences as romantic IF either one of those characters were a woman! Especially at the time these shows were made in.

If the one is aggressive, the other is gentle. If the protagonist is violent, his counterpart is intellectual. If the one is stoic, the other is emotional. Which (while one size def doesn’t fit all) usually makes the second guy come off as much more queer-coded (and sometimes other minorities like neurodivergent/disabled etc) than the other because of the traits associated with masculinity vs gayness at the time! Our prime examples in these gifs are Spock, Hutch, Artemus, and also *BJ!

*(M*A*S*H is a bit of a unique case since the show flirts with queerness more openly in ways that people more into the series have explained better than me but I think it still fits the formula I’m discussing.)

Here’s the thing though right? We’ve got two best friends, and the show NEVER really feels right if one of them is missing unless the focus of the story is how A & B operate without each other while trying to find the other one. They stick with and rescue each other unfailingly in scenarios that might destroy a regular friendship.

Hell, there’s often stuff that would emotionally/physically destroy a regular person/character in modern media. But because it’s not serialized they always seem to pull through seemingly through the power of friendship alone or dealing with it off-screen! Emotional consequences? Yuck! (Unless it’s M*A*S*H or Starsky & Hutch, like I said, not monolithic)

Here’s the thing that some people might say throws a wrench into the interpretation I’m discussing. What about the absolutely non-stop parade of conventionally attractive women the main protagonist (and less frequently the supporting man) goes through?

I would reply: how many of those female characters actually emotionally impact our protagonists as characters long term?

The answer is of course, because it’s NOT serialized, almost none! Kirk can watch Edith Keeler get killed by a car accident and still be making eyes at Spock the next episode. Hawkeye can have a “life changing” romance with a Vietnamese humanitarian woman, then share a blanket with BJ next episode like she never existed!

The Doylist explanation of course is not just the fact it wasn’t serialized but also just, constant, blatant 20th century sexism. Which SUCKS!!! As well as not wanting a long term love interest to throw off the character dynamic of our duderagonists. It’s the 20th century tv equivalent of bros before hoes.

However the Watsonian explanation always seems to result in no love interest EVER being more important than what the two protagonists have no matter whether you think they’re queer or not. No attractive woman could make our reputed babe-hound protagonist abandon his buddy. There’s no earnest romance our more queer-coded supporting man doesn’t end (or get ended for him) often for the protagonist’s sake.

Now some of these women are incredibly well written and straight up GOOD matches for our guys. So why wouldn’t they get involved in something long term UNLESS!! They were in love with each other the WHOLE time?

What if protagonist (frequently the babe hound) doesnt know he’s queer, or knows but doesn’t know he’s in love with his bestie, or any number of similar fruity explanations? The supporting man also runs into this explanation but people tend to believe he’s already aware that he’s queer but either also doesn’t know he’s in love or is keeping it to himself because time-period homophobia and/or thinking (probably not unreasonably) that babe hound is straight?

Between the inherent closeness of being narrative foils. The regularly scheduled life or death drama creating sometimes insanely romantic (in the narrative if not a literal sense) drama between the two. The revolving door of weekly women they never seem to get attached to enough to leave one another. The non-serialized nature resulting in sparse personal information/history about the protagonists as a result.

I think between the very NATURE of the way tv shows were written at the time. Plus the way fandom was shaped by a dynamic that has rippled through how media works and is interpreted by fans for decades upon decades. It’s not hard to imagine getting really emotionally invested in the possibility of the protagonists being in love is a fantastic way to enjoy the media!

In conclusion, it’s really fun and easy to go “these bitches gay! Good for them good for them!”

[emeryhiro]

What are your thoughts on Connie and Daryl? I have always found his reactions towards her to be very different - he acts very giddy and light in front of her. Do you think the show would have ever gone in that direction? Bcoz that was a pretty popular ship during the last few seasons rie?

Hey Anon!

Thank you for the question ♡♡♡

I personally love Connie; she's definitely one of my favourite characters on the show.

Now, in terms of what I think about Connie and Daryl as a romantic couple (I really hope I don't upset a bunch of people with this): yes, it was and still is a pretty popular ship, and I can definitely see how it could work, just like how Carol and Ezekiel did for a time. But, I don't think the show would have or should have gone in that direction and here's my reasoning as to why:

Firstly, the GIF above shows a very intentional shot that was filmed and included in the episode (S10EP1). I think this shot is meant to symbolises the parallel between the two relationships: Carol/Ezekiel and Connie/Daryl. Both can be good together, but neither is the true love/perfect match for the other.

I think Daryl's giddy and light behaviour around Connie is completely genuine. Daryl is very good at reading people, and he can tell that Connie is truly a kind and good person, which allows Daryl to trust her enough to be comfortable and more open than usual around her. And if I had to compare their relationship to anything, I would compare it to a healthy sibling bond, where Daryl treats Connie like the younger sister he never had, hence why he's also very protective and gentle with her.

It's also important to note that Daryl only shows his good sides to Connie; perhaps that's another way of protecting her, like those of us with younger siblings do to shield them from difficult things. And that's also the difference between Connie and Carol. With Carol, he shows 100% of himself, the good and the bad. He can be completely honest with her even when he's at his lowest and trusts her completely because he sees her as his equal, which she is. They complete each other and rely on each other equally.

Carol and Ezekiel's relationship is also a great example of the depth of a relationship like that. Yes, they were in love and happy while they had their fairy tail, but when they lost Henry and the kingdom, and Carol was at her lowest, she didn't need Ezekiel; she needed Daryl, because he was the one she could be 100% honest with and trust completely.

And when I look at it as a romantic relationship, I think the difference between Donnie and Caryl is the difference between someone who can be good for you, and you can be content and happy with them when things are good, versus someone you need during the good and the bad, someone you can be your true self with without fear, someone who knows you better than you know yourself and loves you unconditionally, which is precisely how I see Caryl.

tl;dr Connie is great, but she's not Carol 😊

~~~~

Thanks again for your question ♡ I really hope I explained this well 😅 I would love to hear what you think, even if you disagree with me.

[the-invisibility-bloke]

001 Sirius/Harry

Have a nice day😃

Oh you're gonna regret this. XD (But I hope you have a nice day too!)

When I started shipping it if I did: 2004? I think they were my first HP ship.

My thoughts: AAAAAAAAAAAAAAAAAAAAA.

What makes me happy about them: THEY SAVE EACH OTHER'S LIVES ON THEIR FIRST AND LAST NIGHTS TOGETHER, RESPECTIVELY. TELL ME ANYTHING MORE ROMANTIC THAN THAT. Also, found family in a sense, but better yet, they were given to each other by James and Lily, and their chemistry from the very beginning is everything, they are so utterly devoted to each other, so thrilled to be in each other's lives, so love-starved and touch-starved, they are each other's links to their past as well as each other's hope for the future. All they want is to care for each other, it's so fucking beautiful it hurts, and the reason it's so fucking hot and just the right amount of sweetly toxic is because they have no fucking boundaries, Harry was raised in abject neglect (so was Sirius, in his own way) and Sirius spent those years in prison so they suffered on parallel timelines and now here they are, a collision of orbits, perfect complements, where Harry was forced to grow up too fast and Sirius' life stopped at 21 so the power imbalance is skewed and fucky and all the lines get blurred because they simply need so desperately, the hunger and yearning, but also the fact they just get each other. They tick each other's boxes, fill all the voids, the need to protect, to be protected, and it's no secret this man was Harry's sexual awakening, a not-father figure but the first man to step up and fill those role model shoes, with his tattoos and his recklessness and his general sexiness/coolness making him unlike any adult who's ever shown Harry affection, not to mention the yummy angst of Past Prongsfoot™, so extra guilt for Sirius there, but more significantly, he very quickly comes to see Harry as his own person. I think he's the first one to see that the similarities to James are less than the differences, and more beautiful for that, and I think it would be a bit terrifying for him to realize he's fallen for Harry as himself and not as a replacement, because now he has no excuse, he can't write it off as an inevitability of loving James. ...Anyway.

What makes me sad about them: HE FUCKING DIES.

Things done in fanfic that annoys me: I'd share in DMs, but as someone with the world's lowest self esteem, I never want to discourage anyone from writing what they love.

Things I look for in fanfic: I love canon-compliant or canon-adjacent, desperation and codependency, Harry being first ashamed and afraid of rejection, then when he knows he's got him, shameless about what he wants. I love Sirius being tortured by his own guilt until the explosive breaking point where he loses all self control. OOTP era is my favorite because they're in close physical proximity and there are Opportunities, okay, OPPORTUNITIES. Late-night fireside chats (snogs), Harry slipping into Sirius' room under pretense of nightmares, come on, it fucking writes itself. I'll read the occasional Sirius Lives (just wrote one, in fact), but part of me kinda loves that he dies, because it enables all my OTPs to exist in tandem, case in point...

Who I’d be comfortable them ending up with, if not each other: Sirius? No one. He's gone for that boy and he dies loving him. But 20 years later, Harry falls for Teddy and is wracked with the most delicious guilt. Is he projecting the godfather-godson dynamic he so brutally lost with Sirius? (No, but the guilt is fun!) I also like the premise of Harry and Draco falling into each other post-divorce, better late than never, but after a lifetime of competing for Teddy's attention, godfather vs cousin, turns out the boy's kind of in love with them both, so H/D/T OT3 is my jam.

My happily ever after for them: Sirius lives, obviously. But I want to write a fic where, after the war, Harry obsessively dedicates himself to working out the mysteries of the veil and getting Sirius back. He succeeds some 20 years later, right after he finally decides to leave the past behind and embrace the present, where his own lovely godson has been madly in love with him for years. So basically he gets Sirius back right after he and Teddy begin a relationship, thus it ends up Sirry+Teddy OT3, but this is where multishipping hits a brick wall because what about Draco. OT4?

who is the big spoon/little spoon: I'm dully traditional and default to whoever's bigger (Sirius), but I think they wake up fairly often with Harry clinging to his back, all nestled in like a cute little parasite.

what is their favorite non-sexual activity: Motorbike rides, pickup Quidditch, Muggle video games, and I think they like to travel. Harry never did, growing up, and after all those years in Azkaban... yeah. Gay cross-gen wizards take on the world.

[alexanderwales]

Pitchposting: The Waves

Here's the logline: a hero flits between universes where everything is different and yet all characters recur. The love interest is the same, whether she's a pirate captain, a cubicle worker, a bard, whatever. The villain is the same, whether he's a rear admiral, a corporate tyrant, or an evil overlord.

Multiverse stories are often about the path not traveled, the way that the world might be different. This would be a story about commonality, everything staying the same.

So there are some number of stories being told here, and the shape of all of them is exactly identical, all hitting the beats at the same time. A death in one means a death in the other, but our protagonist is only in one place at a time, so we see each beat only once and infer the rest. A car chase in one story is a ship chase in another. The climactic battle where soldiers crash against the castle walls becomes a climactic battle where the pirate horde smashes against the walls of a fort, and that turns into a modern cityscape where rioters smash against the walls of a towering skyscraper.

My vision here is that we do grand changes as we move between stories, only to find that everything is equivalent.

So what do you do with this? What's this sort of structure for? What cool stories or scenes does it lend itself to?

My first thought is to break it, naturally. If there are five or six realities that we're cycling through, maybe our protagonist can get just one of them onto a different track, one where fate has something else in store. I don't know how you would do this, there's this neat scene in my head where we go "all is lost -> all is lost -> all is lost -> all is ... wait, what's that?!".

My second thought is that having multiple realities moving in perfect synchronicity with each other allows for a way to really underscore a character, say something about them with thick red marker. The elemental thing that's supposed to define a tragedy is that the bad ending is something that came from within the character, right? Something that they could have stopped, if only they had been a different kind of person. The seeds of their downfall laying within them. So isn't there something nice about seeing that this is invariant? That the worlds are different, circumstances are different, but the choices are the same? You'd have to be incredibly careful with this (and the whole thing, really), because I think in constructing different parallels you might end up with something that the audience doesn't consider parallel. But it could work, layering the emotional beats on top of each other.

My third thought is what I think should have been my first thought: the story is one about mastery, coming to know and understand the rules, "winning" across all realities because of understanding, ideally with some kind of character synthesis along the way. I think this is ... well, difficult, given the rules as I've been talking about them. If there's a "twist", then it should be a twist that happens across all realities simultaneously. If there's something gained or lost, it should always have a parallel. I cannot immediately think of some clever way of breaking this system - something that the reader would understand to be clever or at least worthwhile. (I say reader, but this would be better in a visual medium.) Maybe "breaking it" in a different way is the ideal, pulling the realities into each other, swapping conceits and genres. But this, too, would take a lot of planning to pull off, and you'd need to be careful about these set pieces.

So if I were serious about this (which I'm not, this is pitchposting,) I would start out with our characters, then build some worlds around them, trying for maximum variation in those worlds. The plotting is also pretty vital, particularly the "standard" plot whether you're going to break that or not. I do really like the idea of having a single "mundane" world, a place of office buildings and stakes that are measured in lunch breaks and water cooler conversations. I want the swings to be extreme, but the parallels blindingly obvious when they're put in front of you.

To be clear, I'm not sure that this structure/gimmick could actually work. In a text medium, which is what I primarily work with, I think you'd have to spend too much time on blocking and descriptions and detail whenever you switched realities. Switching scenes can be rough even in the best of circumstances.

But it's an idea that I've had rolling around in my head, and if I can't do something with it, then I hope it can at least spark something in someone else.

[velvet4510]

I ship every canonical Tolkien couple - except Aerin & Brodda, Aredhel & Eöl, and Tar-Míriel & Ar-Pharazôn. Those poor ladies deserved so much better than those pathetic a-holes. And of course, no Turambar and Níniel, NOOOOO. (Honestly anyone who does somehow ship them needs some serious help.)

I also kinda think Melian could’ve done better than Thingol.

These are the “non-canonical” Tolkien pairings that I ship, since nobody asked.

Frodo x Sam (it’s literally canon, period, forget the “non-canonical” category, it’s right there, it’s real)

Frodo x Sam x Rosie (Sam being shared during that year in Bag End; also all but spelled out)

Bilbo x Thorin (obviously; even in the book, it’s subtextual, but it’s THERE)

Fingon x Maedhros (Beren/Lúthien + Frodo/Sam parallels are no joke; yes yes i know i know they’re first cousins and that should be a dealbreaker, and for a while it was for me, but technically they’re HALF-cousins, they only share one grandparent, and it’s not like they can procreate together, so it’s very different from what it would be if one of them was female)

Túrin x Beleg (also, obviously; just read their scenes and you can tell - ALSO the fact that Túrin never mentions Beleg again after Glaurung’s attack … do y’all realize that Glaurung is canonically a memory-eraser … that dragon wiped his memories of the love of his life and the reason he was triggered into romantic feelings for Níniel was because he saw a blond person lying on the ground under a flash of lightning which was also the way he saw Beleg for the last time and his heart remembered that even though his mind didn’t!!!!!!)

Mablung x Nienor (he just did so much for her and never gave up on searching for her until he then had to live with the knowledge that she was dead and he failed her … she lost all her memories of him and married her brother … the idea that they fell in love in Doriath before all this makes for a practically perfect tragic love story. Best part is he knew and loved her for her real self, whereas Turambar and Brandir both fell in love with an amnesiac shell of herself.)

Finrod x Bëor (yes, Finrod loved Amarië too …BUT look at how Bëor gave up everything to spend the rest of his life with Finrod, and how Finrod lost Bëor to mortality but then laid down his life for Bëor’s descendant; the angst is just too juicy to ignore)

Maglor x Daeron (two nasty but guilt-ridden minstrels who deserve each other, perfect)

I do not ship Merry and Pippin at all; not only are they full blooded first cousins, but since Merry is an only child and Pippin only has sisters, they very clearly fill that “brother” role in each other’s lives.

After a lot of thought, I’ve decided that queerplatonic Legolas & Gimli makes the most sense to me. They also fill the “brother” role in each other’s lives since they both have no blood siblings. I understand why many people do ship them romantically/sexually, but the thought of anything sexual between them just doesn’t feel right to me, personally. Even the thought of kisses just doesn’t seem to fit them, IMO; they’re about mutual respect and sharing quality time, rather than anything physical. To me they exemplify “heterosexual life partners” perfectly. It is important in this shipping-obsessed culture to never undermine platonic friendship.

[millidew]

random list of v3 opinions after experiencing all that again:

the death road of despair segment is the pre-trial highlight of ch1. so damn good. just a perfect microcosm of the game and kaede's flaws and conflicts

maki is funnier than i remember. but she’s at her funniest when she hits shuichi with a devastating insult, usually completely unprompted

ouma and maki parallels and foiling forever and ever. they HAAATE each other. but also it’d be cool to see them get along. the whole point is that they don’t see through the other and believe the other’s lies but still

maki saying she’ll work hard to make people trust her and her talent and that she wants to survive with everyone…ough…

ouma is so mad. he wishes that were him. also that moment where everyone ignores him and tries to comfort kaito after gonta's execution. he also wishes that were him but unfortunately he's been an asshole to everyone and no one likes him so

the only way i can enjoy saio/uma is one sided ouma->shuichi where shuichi is just not invested in the cop/robber dynamic ouma wants at all. it’s funnier this way + saimota inspires a visceral upset within him. he NEEDS to fumble both kaede and shuichi.

on that note i’ve been hcing ouma as bisexual for years partially out of spite

kaito’s obnoxious charm can’t be ignored. if you think you’ve successfully done it, it means it’s just entered an asymptomatic form. it'll hit you soon enough

ch2 pre-execution >>> KIRA BUCKLAND THE VOICE ACTRESS THAT YOU ARE. EVERYONE WONDERING IF THEY MADE THE RIGHT CHOICE BY VOTING FOR KIRUMI. KAITO GOING “IDC I WANT TO LIVE, OUR LIVES ARE IMPORTANT TOO!” KIRUMI INSULTING OUMA <3 EVERYONE CHEERING FOR KIRUMI TO RUN!!! TO LIVE!!!!!!!! GAHHHH SO COOL

kaito and himiko just blatantly lying through their teeth during their ftes. the liars who suppress their true problemsssss. also him shouting that he is NOT GIVING HER A PIGGY BACK RIDE!!! EVAR!!!!! is so funny

himiko I LOVE YOUUUUU. i love her getting overly familiar with people post-development and just accidentally completely overstepping boundaries by insulting kiibo and calling maki "maki roll." she's trying so hard you guys

KAITO IS SO FUCKING DRAMATIC. HE SHOULD’VE BEEN THE MALE LEAD IN A HIGH-SCHOOL THEATRE PRODUCTION AND ANNOYED EVERYONE IN THE CREW!!!! STOP BOTHERING MAKI SHE HAS A POWER DRILL

shuichi and maki doing sit ups and the camera slowly panning to show kaito laying there hands behind his head saying his usual bullshit is one of the funniest moments of the game

tenko and himiko agree that shuichi should transition into a woman. this is true.

I don’t accept tenko slander unless it’s specifically about her obsessiveness over himiko in ch1-2 in which case I can’t defend her

if kaito shaved he’d look 13. for this reason he is legally not allowed to do that.

tsumugi and the background of v3 are SO GOOD. ABSOLUTE PEAK. in execution there are lots of weak points but after thh, sdr2, udg, and the anime series, tell me a meta story about consumption, lies, and depression that ends with the cameos from entire main games’ previous casts doesn’t go hard

don’t deny that tsumugi loved her little ocs. do you not enjoy torturing your blorbos, putting them into situations, and giving them nice things just to take those away?? shipping them and dressing them up??? making silly aus (salmon mode, utdp, arguably dr:s)?

i just wish the writers utilized her more bc i love that so much. she should've wanted to get to get more involved with everyone (giddily see her ocs up close). she should've made even more thh/srdr2 references. players assume the writers are making for cheap nostalgia points, and they are, but it's true in-universe too...she should've been so overconfident that she'd get sloppy with the situational irony... tsumugi you little freak ily

she and rantaro were 100% s52's survivors and you can pry this from my cold dead hands. her dr fangirl self can be her pre-game personality

speaking of pre-game personalities, pre-game content is at best boring to me. how they write ouma is my litmus test. if he's not enough of a nuisance, just in a different way, then it's gotta go

maki is down for a training trio polycule, shuichi is in denial about everything and fears becoming an awkward third wheel, and kaito has been trying unsuccessfully to wink-wink nudge-nudge shuichi and maki into “realizing their feelings for each other” for ages

i still think maki should have short hair. initially I thought just shorter pigtails would be ok but I’m now in the firm camp of a pixie cut with one of her scrunchies on her wrist, with her orphanage-age flashback self maintaining the pigtails. she had to cut them off for practicality’s sake but one of her hidden desires is to be able to regrow it one day. another show of her loss of identity and past life, and how every aspect of her is controlled? such a simple desire at first glance but because hair is such a simple show of autonomy…even more tragic… maybe her doomed childhood friend yuri used to do her hair …hrm…

ultimates are public, influential figures. maki’s had to assassinate friends before (rip her yakuza friend that I didn’t know she had up until recently). maki went back to being an assassin in utdp after graduating. the hope’s peak class roster MIGHT just be a hit list

for someone who includes miu in her top 3 I haven’t talked about her at all huh. it’s been maki central up in here

miu is AWFUL but when her jokes hit, they hit good and hard just like she’d want them to. she’s completely insufferable and deserves to hit ouma (also insufferable) with 3000 hammers. kiibo too but he wouldn’t want to

look just because ouma said he was doing everything for a good reason, do NOT forget that at his core he is a little dipshit. he’s a JERK!!!

brief dip into maki time again. one of my favorite aus is that maki’s doomed childhood friend is actually miu. i'll expand on this in another post

once again: drv3 and rgu are shaking hands about exiting the narrative and the follies of playing hero. read my utenanthy!kaemugi post

v3 is FARRRR from a masterpiece, but it's a solid and fitting Ending to the main games, plus it's got an insane cast with infinite dynamics and a premise which i love to bits <33 and it was the game that got me into dr, so it'll always be special in my heart. also kaito momota luminary of the stars debuted in it which gives it 5/5 stars

[kokosye]

My take on bakudeku, togachako and izuocha (objectively)

I’ve seen a lot of arguments between the bkdk fandom and the izuocha fandom, what is canon? Was it a bad ending? Was it out of character?

Slow down, first of all the real ending is 429, or at least that’s what is completely canon on the mha verse. Aside from that, we can analyse 430 and 431 for funsies, but if you want to just take mha till 429 that’s completely fine, horikoshi just puts an alternative ending out there, like for example the author of death note does (he writes many alternative endings but the only one that is canon is the original manga one, but you can chose whatever you want to as I did)

Horikoshi hasn’t made any ships canon in the official mha verse, nor bakudeku nor izuocha is canon. If you want to take 430 and 431 as endings that’s on you and that’s respectable cause the reader chooses what they want to read.

Now, let’s talk about those two chapters, for the people that want to take them into account. And with the parallels with katsuki, himiko, izuku and ochako. CAUSE THEYRE ALL THE SAME

In 430 we get offered an ending in which izuku becomes fully quirkless again and he finds a place for himself in teaching, he likes his job but he feels like he’s missing something out and that he should also be with his mates being a hero and saving people, which was his lifelong dream.

Katsuki then gifts him a super dupe suit that he has been saving for to allow izuku to reach his dream, izuku then cries his heart out, grateful for what katsuki has done for him.

The chapter ends with all class A being pros with a perfect smiley picture, we get that “closure” between izuku and katsuki but it doesn’t feel entirely right cause we feel like we need a chat between izuku and ochako, who is the most influential character with katsuki and all might for izuku, it feels like something is off. We also don’t get that togachako closure either, it feels bland, somethings missing.

In 431 we get that chat, izuku looks at ochako cause he knows she’s suffering and putting on a smile to distract herself from all the hurting she has inside. She can’t forget himiko after 8 years and izuku knows that because he feels the same with katsuki.

This chapter is super important in both their arcs cause they both let go of what was tying them to the blondes, and believe me, it wasn’t love. Izuku and ochako didn’t love each other either, nor izuku nor katsuki nor himiko nor ochako felt love, but twisted feelings for each other, 431 offers a possibility for both izuocha and bkdk that wasn’t there before.

Katsuki and izuku chased eachother for all of their lives, their resentment was what tied them so closely, they wanted to have what the other one hadn’t. Katsuki wanted to be vulnerable, to relax, to be able to express himself freely without the narcissistic facade. Izuku wanted to be bold, to be active, to express himself without the victim facade. They resented eachother cause the other had what they wanted. That’s why they couldn’t truly hate nor love eachother, they needed to know themselves more, they needed to love themselves before loving eachother.

Happens the exact same way with izuku and ochako. Izuku didn’t actually like ochako, she just was the first person in his life that gave him validation and affection apart from his mentors, a person of his age, more than that, a pretty girl. Of course 15yold izuku is gonna be head over heels with that new feeling but it wasn’t love, it was the need to be loved cause he hated himself.

That’s why we don’t really see izuku actually respecting ochako but idolising her, he thinks she’s cute and nice but he doesn’t see her as a person, not even as an equal. Ochako on the other side sees izuku as superior, again idolising him, she doesn’t see him as equal either, but as superior, infatuation, not love. Izuku wanted the validation he got from ochako, ochako was like katsuki, she wanted to be izuku, but she didn’t actually like izuku.

Nor katsuki nor ochako love izuku. And izuku nor loves katsuki nor ochako. (For now)

Now let’s talk about himiko and ochako.

Himiko and ochako weren’t in love either, their only tie was being infatuated with izuku, admiring him wanting to “become” him. As toga says “you love someone when you want to become them”, but she was wrong. Loving someone is not just admiring them, love is purer.

That quote is not casual, it refers to katsuki and izuku too. It’s saying , dude you can’t love someone till you recognise them for more than what you want for them, loving is selfless, you don’t want something out of someone you just want them, that’s it.

Ochako wanted to find comfort in himiko as she is the only one who fully gets her and that’s why even after 8 years she keeps thinking of her. Izuku wanted validation from katsuki and katsuki from izuku, that’s why 8 years later they’re still trying to chase eachother.

But the cycle finally stops and they break out of their dramas and arcs, as horikoshi stated on his letter. They finally get to be who they are without all of those twisted feelings disguised as love or hate.

Izuku is able to stop chasing katsuki by rejecting his offer to be a sidekick in his agency. He doesn’t want to compete against katsuki anymore he wants katsuki as a person, not as a rival.

Ochako is able to let himiko go and to finally understand herself and maybe who knows, become the person she actually admires, maybe getting to actually know izuku instead of idolising him. Maybe izuku starts to actually see ochako for who she is rather than someone that just validates him.

Maybe now katsuki stops seeking answers in izuku and tries to find them in himself and that allows him to truly love izuku without being selfish.

It’s an open ending nobody knows what might happen. Maybe none of them fall in love or maybe they do, but now they have the possibility to actually truly love.

[pinazee]

Bounty Hunters!

I just find it so adorable when a kid has bright ass food stains on them. Its like the essence of childhood or something more poetic haha also, this might sound insane, but this is the first ep i could feel that shawn and gus had been friends since childhood. Possibly because they’re nearly wearing the exact same shirts and at the same steps so the parallel is a lot more obvious. Like it just clicked in my brain or something.

I just really liked this shot. That is all.

Shout out to James and Dulés’ stunt double

This is one of those times i don’t envy actors. This looks so uncomfortable. Also, i can’t decide if it’s naivety or arrogance that Shawn would think he could go into this bar and be okay?? I guess you can assume that Shawn knew Tancana would stop them before they caused any serious damage but that one guy was about to hit him with a chain, and its one thing to go into this on your own, its another to bring your friend with you.

A+ scene work from Corbin Bernsen here lol

This is what I do to get my dog to stop eating her toys. Doesn’t work with her either.

One of the few times Shawn kind of loses it with Gus and has to recollect himself haha. Like he’s been frustrated sure, but he usually applies some sort of manipulation. But i really like this scene because usually its Gus thats frustrated with Shawns behavior.

Sidenote: about the super sniffer. I don’t think its that he can smell things others can’t, because Shawn usually points it out and can recognize it, i think the super sniffer is that Gus can break the smell down and put a name to it. Like the gardenias in the perfume, the ginger blossoms in the kangaroo paste. Shawn just knows its kangaroo paste. Idk, i had to think about it at least haha

What a goof. But also, ive started watching Gus while shawns doing his breakdowns and he’s like miming beside him haha if i see it in a later ep i’ll gif it.

Its kind of insane that Bird hands over Tancana and this supposedly alleviates Juliets guilt? Like i get the line she says we all make mistakes as a way of saying Juliet’s forgiven herself, but um, she didn’t really do anything. I wish instead they would have had Shawn notify the cops where he’d be, have lassie ignore him per usual, but let juliet take off on her own (against orders) and save them from bird that way (possibly at the parking garage). This way we can see that she can still rely on her gut and it isn’t handed to her by shawn, kind of like the If You’re So Smart ep, when he solved her case and its somehow a win for her. Its still a sweet gesture that Shawn was cool semi-risking his life (and gus’s for that matter) so she can “save” them and get her good reputation back, even if it doesn’t quite make sense haha

The near kiss was perfection! I think a full kiss would have been too soon, particularly because Juliet was pretty vulnerable just then and it wouldn’t feel right. But the fact that it made juliet nervous enough to start dismantling her gun like she’d been doing all day- fantastic way to gain insight into to her mind and give us the audience hope that the ship would exist. She seems pretty conflicted about him (i think mainly because she doesn’t date coworkers?). I mean, from her perspective, she only know him as immature, irresponsible to a degree, who relentlessly flirts, BUT at the same time is incredibly kind and fun. I would have some hesitation too. Being kind and fun will only get you so far, in my book at least. I also need someone i can rely on to do the boring grown up stuff so im not solely responsible and Shawn just doesn’t come across as someone who can do that (yet). And not to spoil it, but in the bank robbery ep, we learn Juliet likes them mature.

okay. I don’t think this is going to be a popular opinion (just to prepare you mentally) cause i believe everyone loves this scene, and don’t get me wrong i love it too, i just think it doesn’t quite fit in the ep? Like i know shawn was flirty with jules the whole time, and he’s trying to impress her, but it was always jokey and they didn’t really have a solid heart to heart moment, and it pulls away from what Juliet was going through. I think if he’d consoled her a bit, let her know that a mistake is inevitable and assuming that she wouldn’t make any was setting her up to fail, that she was still the smartest, and bravest cop on the force and she should remember that the next time that voice in her head says differently, then he could maybe go for the kiss. Maybe. I think I would’ve preferred it if he’d just consoled her and she was the one who went to kiss him but changed her mind at the last second and thats how we get close talking. Because she wants to kiss him, but at the end of the day she’s pragmatic.

(I just want to quickly add that i by no means think i can write these better. This is just fun for me to put my own little spin on it. I also know other factors go into making a show (time, budget etc) so there are things writers wanted to include that would have improved their eps but said factors forced them to make changes. I don’t want these little opinionated changes i’d make to come across as mean spirited or arrogant. They’re more like responses to a writing prompt if that makes sense.)

[andro-beaurepaire]

I have been in the Temeraire fandom for a whole five minutes and now I am demanding fics from Temeraire's point of view as he's pampered and spoiled by Laurence.

This man had been gifted with a giant scaly cat and understood the assignment.

Oh dear, I wish I had so much more of those than I actually have to rec you ! ;-; My own venture into the fandom is relatively new as well, so if people have more other recs, please feel free to send them ♥

Most of those fics are super spoilery if you haven't finished the series though ! Also you will soon find out that dragons are actually the ones who are most interested in pampering their humans, so a lot of those are actually Laurence getting dotted on by Temeraire too, which I hope will appeal as well ♥

-

-Gifts for Dragons by trolldoll (set post-canon, Temeraire has questions about the little tokens humans exchange to remind themselves of each other when they're apart, and Laurence decides to give him one suited to his size ♥ Hilarious and adorable, with background Laurence/Tharkay)

-Care Package by canis_m (set after book 6, Temeraire's mom sends a package of gifts destined to both her son and his captain ♥ Fluffy and adorable !)

-Seasons by drifloon (one of my all time favorites ! Set between book 6 and book 7. Laurence tries his hardest to be the best caregiver/provider he can for his dragon, and Temeraire frets and worries over his captain's mental health and emotional wellbeing. This has a more romantic take on their relationship, though absolutely nothing sexual happens. Mostly fluff, with a dash of hurt/comfort ♥)

-Glorious Revenge by Phnx (Modern AU, Temeraire plans for a matching couple's costume with as much feathers and glitter and shiny stuff as possible, Laurence suffers the indignity out of love for his dragon, and Tharkay has a good laugh at their expense until he doesn't XD Pure comedic fluff!)

-Marks of Esteem by @verdet-cadet (another all time favorite of mine ! Set during book 1, the aviators have a long tradition of getting their dragons a very particular gift, and both them and Laurence realize that Laurence is more than ready to follow this tradition as well ! Or : Laurence gets a tattoo for Temeraire /0\ Fantastic aviator slice of life, hilarious and hot at the same time ♥)

-An Ever-Fixed Mark by Boochicken (if you liked the previous one, then I can only recommend this one as well, for it is a direct follow-up ! Temeraire wants the most perfect design, Laurence complies, the aviators help and get drunk :D ♥)

-Priorities by @roboticnebulawrites (Set during the whole series. If you like the dragon/cat parallel, you will most certainly love this one ♥ Humans are definitely the cats here tho !)

-The Ship's Cat by Ystradwel (Another fic that dives into the dragon/cat parallel, only this time there is an actual rivalry between Temeraire and the Reliant's ship's cat for Laurence's attention :D Laurence does his best to gives both creatures the amount of love they need ♥ Set very early during book 1)

- I hope I did not miss the mark too much ! I'm always down myself for some good Laurence & Temeraire stories in general, so all the recs are welcome ♥ Thank you for the lovely ask !

[offtorivendell]

Elain Archeron Week, Days 2 and 3: Hope and Stength

I've got many hopes for the quiet dreamer, who in turn has been so heavily associated with hope herself, when we finally get her book. But what I'd love to see most is Elain using the skills she's gained in both her "little garden" and kitchen - those for which she has previously been belittled - for the benefit of the IC/Prythian. To demonstrate that not all strengths involve muscle and blades, though she's shown she can wield one when necessary.

Elain could be...

On a mission, working as a cook or gardener. One of the main reasons Nuala and Cerridwen are such great spies is they can convincingly double as maidservants, however there are only two of them, and as half-wraiths they still stand out. If someone had to take a job in a kitchen or garden, to fly under the radar and gather information (because servants talk!) then Elain would be perfect for this role. She wouldn't need to learn the work she's meant to be doing, and as Nesta suggested that she may have been taking lessons in stealth from her two wraith friends, she may already have those skills covered, too.

A diplomat, recreating someone's favourite dish from home. Putting foreign ambassadors in a good mood would quite possibly help with any negotiations or loosen tongues, and Elain listening to information that others may deem unimportant - like discussion about food or flowers - and acting on it is something she has shown an aptitude for in the past, like when she had a horse and supplies ready for Feyre's return to Prythian in ACOTAR, or when she shadow walked to take down the King of Hybern in ACOWAR.

A potions mistress, creating poisons and antidotes. This is one of my most favourite, long-standing wishes for Elain, and I know I'm not the only one who hopes that she has a witchy aspect to her story. Imagine if she could Make her plants, imbuing their natural properties with a little more oomph? Or doing the same to any potions she concocts? Could she create faster acting antidotes to power blocking substances that we have seen before? Has she, as @ladynightcourt3 suggested, been apprenticing under Madja? This would be such a handy skillset to have on hand, especially when combined with the stealth she's exhibited.

It's important to note - and I know I'm not the first to discuss this, as SJM has mentioned it before - that women can be very effective spies (though maybe we'd call them informants, or say they worked in "intelligence" instead?) without the whole cloak and dagger "spy" approach. With regards to possible ships, imo the parallels between Azriel and Lucien are extensive; their shared role in information gathering is just one of those similarities (so in this way, at least, I think she'd do well with either - I'm mentioning this as the "couple roles" parallels SJM seems to be going for aren't irrelevant to the plot).

That being said, no matter who Elain ends up with in the end I think she'll use her charm, observational skills, wit and wisdom (all canon!) to gather important information (I've previously discussed that she may have used parties to do this while human, rather than to simply socialise); hopefully her well-earnt and unique skillset in the garden and kitchen will also come into play.

@elainarcheronweek