#thomas makes a mistake

[bruciemilf]

DC can shoot blockbuster movies, but only WFA is genius enough to introduce PTA mom! Bruce who's extremely competitive.

I need Battinson, youngest parent there by far, to roll in, smudged make up, bruises, a busted red lip.

No one thinks to link those marks to Batman. They're OBVIOUSLY evidence of a long night of fooling around in the club instead of caring for his young ward

Margie thinks that's funny, seeing as this guy obviously doesn't get out much. She tried putting him through the trial of Intimidating Mom Show Off and he just said, " I'm going to cry in the bathroom. Excuse me."

I'm sorry, but Bruce being openly affectionate with Dick, Jason, Damian, Cass, and Tim, -- kisses on the cheek, hugs that last until the teacher breaks them off, - would have the fathers cringing.

" Haha, I don't do that with my kids. I'm actually here because my wife bitched at me."

Bruce, straight up, " Don't you like your children?"

" Excuse me?!"

" Not yet. Why do you hate your kids?"

" I love my kids, I just can't wait to get away from them. Come on, you know how it's like."

" No. I love my babies. Why do you hate your babies? Why do you hate your wife. I'll pay for your divorce if you want."

Bruce gets reported VERY often to the principal and board for being inappropriate, and you know what? They refuse to do anything. It was about time someone raised hell around here.

Duke, age 8, watching a grown man throw a tantrum because Bruce called Dick 'baby' : Bruce. I can poke him with my sword

Bruce: Not yet, Duke

Jason tries exploding every kid he doesn't like with his mind. "Trust me, you won't like the alternative. Now be gone! My papi brought me lunch." It's a lunchbox full of books.

Bruce gets along the best with the mothers. They treat him like the class hamster

[let-roman-bite-someone]

i see a lot of people saying that Remus is the embodiment of intrusive thoughts, or that he is Thomas's intrusive thoughts, and i just want to remind y'all he's not.

he is Creativity, or more accurately, Forbidden Creativity. his job is intrusive thoughts. intrusive thoughts are something that he creates, knowingly or unknowingly, but he is not them. just like how Virgil is the root of panic attacks but he is not the embodiment of panic attacks alone. and Patton is the core of Thomas's emotions, but he is not one emotion.

[geminison]

Can i have some whalers? And maybe papa Daud with them? Thank you

Solid right hook, Thomas!

Totally normal weekly assassins’ activities. Sparring. Yes. Billie is proud, Thomas is scared, Daud is pissed. And surprised. Everybody else is torn between the desire to flee and to see what happens next

[the-labyrinth-of-me]

Wait did both Alice and Zane record Alan when he was at his lowest point? Didn't Alice make her exhibition to show the world what she sees? To show Alan the truth about himself? That it never was Scratch visiting and terrorizing her, but Alan himself? Did she depict his "self" and Zane depicted his "persona"? The two sides of him that he wishes he can eliminate bc they brought him into trouble (Scratch representing anger and the fallouts with paparazzi and stuff, Zane representing his self-destructive behavior with alcohol and drugs and the party nights)? The both sides that caused his marriage to start falling apart? Was that the reason Zane made that video of Alan when they were on that booze and drug-fueled bender while working on the Return manuscript? Is this party video the companion piece?? Alan's downward spiral, same as Alice's photos? Do they fucking work together aasdffjfjfkfk

[franciscrozierofficial]

POINT OF VIEW:

you are my steward and I am inviting you to my chambers to perform bedroom acrobatics after many hours of day drinking and of staring at the ice contemplating the depths of the human soul

[itspileofgoodthings]

also while we’re here when Fanny is leaving some social event (can’t remember what) and Henry gets her shawl for her and he’s prompt and quick and dexterous and romantic and she’s just like “sigh. wish it was Edmund.”

[mwolf0epsilon]

How to fix 'All Engines Go', an experimental concept:

I've been chatting with @british-hero about TTTE and time and time again AEG has shown up as the black sheep of the franchise (which I understand perfectly, some of the... Err... Choices are a LITTLE questionable at times, but at least it's not the worst of the worst of BWBA am I right?). From remaking specific characters to make them more "appealing to children", to relegating beloved characters to background only, AEG has rubbed old-time fans the wrong way because it's essentially just a reskinned Paw Patrol-type show.

While I haven't exactly grown up with the show, I can definitely see where Rogue is coming from when they twist their nose. And honestly I think I do have a very quick and simple fix for the show's universe. Or, at least Rogue seems to agree with my concept for remaking it:

It's a fairly simple fix but I think it honestly would have benefited the show a lot more if instead of changing characterizations, they just assigned the OG cast teacher positions, and brought in new engines to be the students.

It wouldn't have upset so many longtime fans, and it would have given newer generations a better taste of TTTE while also still having "kid characters" they can relate to.

Honestly the show has a very lovely art style, and aside from making the engines move in VERY BIZARRE ways, it's not badly animated. It's just a pity that Mattel doesn't seem to understand what the audience wants...

But yeah, those are my two cents on this whole thing.

[usefulquotes7]

You are more than a list of mistakes and if anyone tells you otherwise, let it be the last they make. Iain Thomas, I Wrote This For You

[a-flappy-bat]

I filled a whole sketchbook page with terrible Alan Wake/ Control quick studies!

[taviacoolcat]

"i love green creek!" "i hate thomas"

[jankwritten]

I will never be normal about Ox and Gordo’s relationship actually. Thinking about them makes me insane. Like imagine being abandoned by everyone you love everyone all at once they’re all dead or gone across the country or fucking banished to prison and they left you alone, ON PURPOSE, and you can’t do a damn thing about it because if you leave you abandon your home, their home, you lise what feels people you have left and is it even worth it when they left you so easily and

There’s a little kid hiding behind his fathers knees and he’s never had root beer and you watch him grow into this intense strange boy who doesn’t understand that his father isn’t coming home his father left him and god don’t you know how that feels and you watch him learn his way around a car and you remember the man who taught you who gave you a chance who listened when you said what was wrong and

He needs a job and you’re the only one who cares so you help, god, of course you help, you can’t let him or his mom lose what little they have left so you let him work for you under the table, he doesn’t need to but he demands it even though you paid off their debt as soon as he asked. It’s the money of those fuckers who abandoned you, anyway, and Ox needs it Ox and Maggie need it and

He’s everything to you he’s your son your brother your life and he’s fifteen and he’s your fucking tether, he keeps you human, and you think finally, finally you’re healing. You both had shit dads who dealt you shit cards but you’ve got each other and you don’t need anyone else and

Then they come back and it’s not for you. They come back and they don’t even speak to you.

But they speak to him. To Ox.

They need him. Just like they needed you when you were barely a teenager when your father leveled that town when he killed your mom when you had to become their witch because the pack needed it your Alpha needed it because Thomas-

But Ox chooses them, over and over. You try to make him understand that they’ll only use him and hurt him and he doesn’t care. He chooses them. The damned wolves.

Imagine the man you loved hated needed despised dies and his son makes every imaginable mistake and you follow him because he is your Alpha he needs you and you leave. You leave Ox behind and you hate yourself every day, for three years, you know how this feels you know exactly how this feels and it’s bitter in your throat because you hate him him Mark him for this choice you’ve just made and you understand and you hate it and it’s vicious and you can’t forgive him so how can you forgive yourself and

You come home and he’s not a boy anymore he’s not a kid but a man and he’s tall and strong and he’s the Alpha, somehow, and he doesn’t need you anymore.

But he forgives you. Easier than you’ve ever forgiven anyone in your life, he forgives you because he loves you and you love him and you came home.

[pa-pa-patato]

I would like to hear about the rebirth au! It could be named second chance au? SC for short?

-♠️

Love it! Second chance au

Some facts about it

•They all got their memories back when once they turned 15 years old

•only the questers got their memories back even tho most people from the their word got reborn

•cuphead almost went to the life of crime again but mugs and the rest of his family stopped him luckily

•holly believes that there is also magic in this world but is very week compared to their previous one All of them have a hard time trying to stop her from being scammed

•Boris is very aggressive because he lost the only person that knew how to help with day to day life So he was extremely possessive and angry when he found out bendy has a brother

•Cala and mugs found each other instantly that’s how they knew that everyone got reborn They all joke how it was their love that brought them together again

•bendy’s family and friends are the workers from the game so his life was quite interesting (I’m making his parents be Joey and Henry they got married for tax benefits and are best friends)

•bendy is dating Alison in this au and yes neither of them remember their past lives

•the First person to tell everyone that they found bendy was Alice but! The first person to actually find was cuphead he saw him by chance in a park with his family and he didn’t have the heart to tell him anything so left not saying a word to anyone

•the thing that brought their powers back was Are searchers They attacked civilians and make them sick but Unlike in the old world they don’t die they become the lost ones

That’s all I can find right now byeee~

[bird-nest-32]

The end of Scorch Trials is the most confusing thing in Maze Runner. Like what do you mean Brenda can also telepathically talk too? Was it real or a hallucination? If it was real why did they never bring it up again?

[brightwoods]

Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?

Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too

Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift

Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now

Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC

Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead

(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)

And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later

I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff

And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together

And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC

Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?

And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation

Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?

[whoviandoodler]

[Image description: a digital drawing of thomas and varian from transatlantic hugging and laughing. Thomas is cradling varian's face in his hands while varian's hands are on his shoulder blade and under his shirt respectively. They're both dressed in undershirts and pants and are leaning against a wall covered with framed photos and art pieces. End description.]

I've been trying to decide what made them laugh for days and I have yet to find the answer (did a background noise spook them while they were kissing and they just realized that it was the draft? did one of them say something funny?), so I'll leave it to the rest of the fandom to decide because y'all are excellent at coming up with Scenarios.

[acrazybayernfan]

October 29th 2014 : DFB Pokal second round, Bayern-Hamburger SV (3-1) (part 1)

The first assist from Thomas Müller to Robert Lewandowski