#this way it's 3 on 1 off 8 on

[soullesscircuits]

Bwah I'm about to be working 8 days in a row gonna cry frfr

[kit-screams-into-the-future]

was having trans marty thoughts again and i came to a realization about this scene

[vaperarmand]

have you ever seen two people more married in your entire life. please

[coquelicoq]

if we assume that each of the three pillars comes exactly three times for a total of nine times, and we know that the 7th time it was the 40-year guardian, and if we assume that was her final visit and the last two visits will be split between the 30-year guardian and the 8-year guardian, we can calculate how long ago the miharu family made that deal: (40x3)+(30x2)+(8x2)=196 years. 196 years ago it was 1828, but i think this is supposed to be set in the 1980s or 90s, so call it the late 1700s. that's the kind of thing matoba as the head of the matoba clan has to concern himself with - deals with youkai made by people 200 years ago from families that don't even exist anymore. it's an interesting contrast to the thing he says to natsume at the end of this arc, about the 9th visit, which is 30 years away, being someone else's problem. he's embroiled in the past but doesn't even think he'll get to have a future.

[wouteke]

Koppenbergcross 2017 mathieu beautiful prey animal supercut + interview. ft. wout and separately christoph for 2 seconds

[quaranmine]

the amount of math i put into figuring out my PTO is honestly so funny. i've probably spent like 2 hours this week and last week just playing with the leave calculator spreadsheet my coworker gave me. this morning i added a sheet for 2026 so now i'm calculating my PTO out that far. i basically already have a plan of how i'm taking time off for 2025 so as to maximize my time off in 2026. i dont think this is a normal level of attention to detail but at least i'm having fun

[isthereintruthnobeauty1968]

thinking about saavik again orz

[caffeiiine]

i would like to see either nikolai or sigma's sentences please :3 /nf

THANK YOU!!! YOU ARE FUELING MY TWO FAVORITE THINGS!!!

under the cut bc length. [it got REALLY long]

anyways, nikolai and sigmas prison sentences as they would be in the US.

note: i’m not using the wiki for this. i doubt it covers everything, so im going back through the manga and analyzing everything from there. aside from finding out manga appearances, everything else is research and pre-memorized info.

note 2: i may have made a few mistakes with the sentencing but it should be accurate enough give or take 10 years.

note 3: there’s no minimum sentence since majority of research i’m doing leads to me picking the minimum years since it usually states “punishable by life imprisonment or any number of years” which is unspecific and sucks so i just dropped the category

nikolai!!! - crimes - sentence - reference state - references/citations

Crimes :

first degree murder [7 accounts]

second degree murder [1 account]

domestic terrorism [16]

mutilation of a corpse [1 account]

shoplifting [implied, counted as 1 general account/misdemeanor]

assault with/using a deadly weapon [1 account]

impersonation [2 accounts]

[1]

disturbing the peace

theft of public property [2][3] [1 account]

verbal assault/threat [4] [1 account]

aiding and abetting

aiding in prison break

drugging [1 account]

attempted poisoning [5] [2 accounts]

fleeing arrest [1 account]

[6]

robbery/general larceny [4 accounts]

unlawful possession of explosives

attempted first degree murder [implied] [7]

kidnapping [4 accounts]

aiding a convict

breaking and entering [1 account]

sentence :

at maximum = 14 life sentences + 61 years + 186 days and/or up to 7,063,000$ in fines; no parole

reference state : michigan

references via michigan legislature : [first degree murder] Section 750.316 Act 328 of 1931 + [second degree murder] Section 750.317 Act 328 of 1931 + [domestic terrorism not counted, i can’t find definitive punishments and it'd probably be with the supreme court] + [mutilation of a corpse] Section 750.160 Act 328 of 1931 + [shoplifting] Section 750.356 Act 328 of 1931 + [impersonation] Section 750.217 Act 328 of 1931 + [felony assault] Section 750.82 Act 328 of 1931 + [disturbing the peace] Section 750.170(?) + [theft of public property] section 750.356 act 328 of 1931 + [terrorizing/verbal assault/harrassment] section 750.411h act 328 of 1931 + [aidinh and abetting] section 750.450 act 328 of 1931 + [aiding in a prisoners escape/aiding a convict] section 750.183 act 328 of 1931 + [attempted poisoning] section 750.91 act 328 of 1931 + [fleeing arrest] section 760.479a act 328 of 1931 + [robbery] section 750.529 act 328 of 1931 + [unlawful possession of explosives] section 750.200 act 328 of 1931 + [attempted first degree murder] section 750.91 act 328 of 1931 + [kidnapping] section 750.349 act 328 of 1931 + [breaking and entering (with explosives)] section 750.112 act 328 of 1931.

Sigma!!! - crimes - sentence - reference state - references/citations

[8]

threatening an officer [2 accounts]

domestic terrorism [16]

unlawful possession of explosives

attempted first degree murder [1 account]

criminal negligence [9]

aiding and abetting

negligent attempted mass murder [10]

attempted first degree murder by proxy [several accounts] [11]

felony assault by proxy [12] [3 accounts]

[13]

attempted manslaughter [14] [2 accounts]

attempted second degree murder [15] [1 account]

aiding in a prison break

aiding a convict [1 account]

breaking and entering [1 account]

felony assault [3 accounts]

sentence :

at maximum: 5 life sentences + 45 years 93 days and/or up to 8,000$ in fines; possibility of parole

references via michigan legislature: [aiding and abetting] section 750.450 act 328 of 1931 + [felony assault] section 750.82 act 328 of 1932 + [aiding in prisoner escape/aiding a convict] section 750.183 act 328 of 1932 + [unlawful possession of an explosive] section 750.200 act 328 of 1932 + [attempted (any type of) murder/manslaughter] section 750.91 act 328 of 1932 + [breaking and entering (with explosives)] section 750.112 act 328 of 1932 + [threatening an officer] section 750.478a act 328 of 1932 + [criminal/gross negligence] section 8.9 michigan legislature

[scatteredshowersposts]

A post-canon, pre-reunion No. 6 playlist for Shion. This playlist follows Shion from the end of Volume 9, through Beyond, until just before he reunites with Rat. It concludes right before the events of my story, Summer Rain.

In the Country - La Luz There isn't one thing that I wouldn't do for you Why leave?

Good Grief - Dessa But I’m willing to work for this Just show me where to dig And I’m ready to hurt for this

I Don't Trust U Anymore - Left at London As a kid, I was idolizing millionaires and all the presidents But I don't trust them anymore No way, no way, no, not again And I may never trust at all No way, no way, I'm over them

Working for the Knife - Mitski I always thought the choice was mine And I was right, but I just chose wrong I start the day lying and end with the truth That I'm dying for the knife

Glass House - Screaming Females Whose house is this? A gift was promised Future structures till we all vanish

The Center Won't Hold - Sleater-Kinney I need a real affliction Gives me a reason to stay I need a new reflection Don't wanna see my face

Fear the Future - St. Vincent When the Earth split in two I was I, you were you I run for you Run for me, too

Kokomo, IN - Japanese Breakfast God, I wish we could go back there Left alone in my room I know they deserve you too And maybe I'm not that worthy

[seenthisepisode]

~~~

[courfeyracs-swordcane]

I got tagged by @tesho-travels to do ten songs I have on loop lately!

1. Danny by Grover Anderson and Jimbo Scott

2. My Body’s Made of Crushed Little Stars by Mitski

3. The entire Equalizer Robobs playlist

4. Goodbye Yellowbrick Road by Elton John

5. Funeral Pyres from ARISTOS: the Musical

6. Headfirst Slide Into Cooperstown on a Bad Bet by Fall Out Boy

7. Hallelujah

8. This Is Love by Air Traffic Controller

9. Telephone Wire from Fun Home

10. Draft Dodger Rag by Pete Seeger

Tagging @nosongunsung11 @wildfandom @coyotefang1987 @lemonade-comet @nplutonian @theparallaxview @dogliker73 !!! And anyone else who wants to do it just say I tagged you I like seeing people’s music

[unidentifiedfuckingthing]

im still so annoyed about the (very cool!) planetary gear reduced 3d printer extruder design that had nonmeshing gears on purpose to try and balance out the tolerance issues with trying to 3d print perfectly meshing gears & i commented asking about it and then the description was updated to be like "SOME people have asked for a 72t (or whatever) version, even though i designed it like that for a reason, so if youre really anal about gear ratios you can try it out. youll probably have to run it in for a really long time to get it to go smoothly if you dont have good tolerances, and my first design was literally fine, but here you go. UNRELATED: in the next version were moving to sls printed part kits because theyre more reliable and have better tolerances so thats very exciting :D" like so then i was RIGHT!!!!! is what youre saying!!!!!! bastard!!!!!!!!!! and he already warned that a run in period was mandatory on fdm printed sets anyway even with his design!!!!!!!!!

[hayatheauthor]

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[icewindandboringhorror]

Pictures and things

[ms-demeanor]

Hey, are you a broke motherfucker trying to save money on groceries and attempting to plan for having food in the house at the end of the month? Do you have a good system for storing frozen meat? If you don't, here's how I do it:

Large Bastard called me when I was at the plasma center (we're broke motherfuckers!) to tell me that Aldi had nearly expired pork chops (use or freeze by tomorrow) for 50% off, so I told him to get 4 packs.

I keep my freezer pretty full with homemade stock, frozen meat, frozen veggies, frozen fruit, and g-free bread, so I can't just stick the big packages of pork chops directly in the freezer, and besides if I do, the pork chops will freeze to each other and then I'll have to thaw the whole mass of them if i want to cook them, which will increase thawing time.

So what I do instead is make an accordion of waxed paper and fill it with pork chops.

This ends up saving a ton of space, and means I can choose to thaw 8 pieces or 1 piece or however much I need at a time.

3 packs stored this way are smaller than 1 pack from the store.

The final accordion of meat gets wrapped in a layer of waxed paper, then put into a freezer bag with the air pressed out, and now if I don't have cash for groceries I've still got something to eat.

This is also the way that I save meat that is close to its spoilage date that I won't be able to cook before it goes bad. If you stick a family pack of chicken breasts in the freezer, you have a family pack of chicken breasts to thaw. If you put them into little waxed paper envelopes, you've got single serving packets that you can easily toss into a soup or bake from frozen.

This is ALSO pretty much the technique I use to freeze banana slices when my bananas are going brown and I'm not in the mood to bake, only I freeze them on a cutting board before breaking them off and sticking them in a bag when they're frozen.

Freeze wet stuff in individual pieces, not big chunks, so you don't have to break up big chunks to use your frozen food.

I know this probably seems pretty obvious to a lot of people, but it wasn't obvious to me until a couple years ago because nobody ever showed me how to do it and I didn't grow up in a family that cooked a lot.

[s-soulwriter]

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.