#this was one of my first thoughts today

[squwhims]

[egophiliac]

Your first initial impressions of any Twst character vs your current feelings about them?

honestly, my perception of pretty much every character went through some metamorphosis of "this guy looks like a jerk" to "oh, he's a stupid jerk? now hold on." it's all about that balancing act between a dark brooding asshole and a dark brooding asshole who is also totally ridiculous, and it really does make ALL the difference.

perhaps most ironically, I've mentioned before that I was absolutely not into the Diasomnias at first, because the impression the website gave pre-release was somehow even less favorable than for everyone else and I was mad at Lilia for getting my hopes up for a token girl). and then we got their stories and, well, I kind of just haven't stopped thinking about them since. 🤷

also, I went in thinking that Crowley was going to be. y'know. competent at his job. a helpful guide. a mysterious yet caring mentor figure, a fitting leader for this band of delicate young magic waifs with their fancy little magic outfits and their perfect, perfect hair. I've never been so glad to be wrong.

[sandflakedraws]

re : how each brother reacts learning that they can't go back

you'll have to pry the "all the Brozone Bros knew what happened at the tree" headcanon outta my cold, dead dead dead hands.

[soldrawss]

@goodlucktai mentioned awhile ago about Gio, even as the oldest, becomes the shortest of the turtles even as the boys grow older, but his little brothers will still crouch down to meet him at eye level anyway, because they still respect him and look up to him!!! He's still their big brother!!!

[buttercupshands]

I started drawing this next day after I finished Act 6

13 or so days and it's finished!

Main things are traditional and Loop's body was edited digitally after

Unedited it looks like this

I've been torn on how to do Loop's body for the entirety of lining, also

A bit sad the main lines are visible only as a wip, most of this thing is literally just a ton of sharp lines

I think it's also my first day of drawing, Loop is just a sketch here (feat. my leg)

I even finished the beans before it so they were a moral support, because if you let me things like this take a year

[tomatoart]

Bleegeghh teh 11th💉🥫 ft. recent outfitz

[amelia-yap]

QUACK

[applestorms]

L can be such a possessive character at times. he always strikes me as the type of person who is deeply aware of everything that he owns, both in a more literal sense and metaphorically-- like, he knows what money he has and how to use it, what resources are readily available to him and what he has to be sneakier to utilize, the habits and tendencies and emotional states of individuals and world governments both. the DN musical really puts an emphasis on the more computer-y aspects of how his brain functions, which isn't as obvious in the manga/anime but i think still works well as a way to follow his thinking. it's kinda what near does too: everything is a factor to them, every tiny detail a new opening to optimize for the best results, every person and location and object a part of a puzzle waiting to be solved. and as a part of that, L is deeply aware of every and any little thing he may or may not have control over, and exactly to what degree.

his habit of stealing titles as depicted in the LABB murders novel is such a good example of this. ryuzaki, eraldo coil, deneuve. he eats people alive and then takes their names for himself like some kind of fucked up fae or trickster god, creating new masks and personas to hide behind from the remains of the people he's devoured. i have to wonder if he would've used the title of KIRA for himself had he won-- i can hardly imagine what kind of power such a title could hold if held in his hands. of course, he could've just used the defeat of KIRA as a way to build up the L title even further, offering up the body of a dead god like perseus showing off the head of medusa. but L is so emotionally attached to the kira case, i struggle to see him allowing it to fade from existence so thoroughly as near does, even if it is only kept close on a private level...

this is part of why i think it genuinely makes a lot of sense that L's ultimate win state would include capturing light to some degree. even if the memory of KIRA somehow manages to fully disappear from the public consciousness, there is no fucking way L is letting light yagami out of his grasp. honestly, the moment that L truly loses this game is not when he starts investigating misa while still under rem's watch, not when light gets back his memories, not even when he dies, but the moment when he allows light to be freed from the handcuffs. the moment when he allows the other members of the task force to turn off the cameras and keep him from watching light and misa talk in the lobby. the moment when he gives up, lets light yagami go outside of L's personal sphere of control, is the moment when L starts the clock ticking down to the end of his own life.

this is one of the key ways in which i see light as a true equal and parallel to L, as after L's death he, intentionally or no, continues the same tradition and takes L's title for himself, twisting the two sides together into the L-KIRA amalgamation. only, the L title functions a little bit differently than every other persona or title that we see in the series-- because L's true name is L. that's all that he is. on a literal, legal, and emotional level, i don't think that L is anything more than L. he is the world's greatest detective, he's an incredible, weirdo super genius, but he does not afford himself much more than that, barely allows himself personhood or humanity outside of his work. light was the one to ultimately defeat L because he did not just put a stain on his character (as BB attempted), did not just kill him, but stole his very identity and took it for himself.

one of the biggest contradictions of L's character that i think you must accept should you attempt to portray him accurately is that he is both deeply detached from humanity while also having all of his work and effort and life be focused around saving it. it's one of the ways in which he is an exact opposite to light-- where light relies on humanity for external validation, to be Seen, while also looking down on it as dumb and immoral and spineless, L is so separated from it that he barely exists as a person, all the while dedicating almost every action he takes to helping it. remember: for all the emotional turmoil that wammy's house and the legacy of L may put on the kids living there, ultimately it's entire existence is nothing more than L's logical solution to his potential demise. if he dies, the world goes down with him, all of the cases that are yet to happen and he is yet to solve being left in the air. he has the foresight to set up a fail safe, but not to consider the emotional implications of what being that fail safe might feel like, how high the price of your own humanity is if you are not already alienated from it, the inability to have your own name on your gravestone-- though perhaps some of the blame also falls on watari's shoulders in this case, philanthropic old bastard that he is.

imo, playing his game really got it right in presenting L and light as one and the same, synonyms on either side of the mirror. in every action they take they are both so selfishly selfless, playing the game for themselves and their own pleasure but plastering the needs and will of humanity on top of it. L isn't invested in saving humanity for the sake of humanity-- he just likes the thrill of having the stakes raised so high. hard to shit on ryuk for wanting entertainment when the humans he finds are just the same as him.

[weatheringandweary]

The “Jason died to teach Apollo empathy” take reallllly bothers me, because… no..? That’s not what happened..??

Ignoring the fact that Apollo was willing to take his own life minutes before in an attempt to save Meg, Piper, and Jason - he’s been putting his life on the line for others since THO.

You can make the argument that the only reason he went after Kayla and Austin was because they were his kids if you want, but even throughout The Dark Prophecy he was willing to die if it meant saving someone else. He went out of his way to save Lityerses despite the fact he was his enemy, he straight up admitted to Trophonius that he was willing to die for Meg even though she betrayed him for Nero in the prior book, and then he went back to fight for the Waystation with a broken arm because they went through so much effort in supporting him through his trials. It’s actually baffling just how easy it is for him to fall in love with humanity, it’s not something he had to learn!

Jason had stuck his neck out for Apollo in BOO because he saw injustice. He knew Zeus was looking for a scapegoat and he used what little power he had against the king of the gods to try to spare his half-brother. Jason knew that even though he had been nothing but loyal to the gods and had saved the world twice over (cough cough fighting a titan bare handed and defeating Gaea alongside the seven cough cough), he was still just a cog in the system. He was only mortal. The most change he could make to the status-quo was ensuring that the other minor gods were represented in Camp Jupiter, but then he was issued a death sentence months later, so what power did he have really?

But you know who could make a difference?

Apollo. Apollo could.

The thing is, as much as Apollo complained about being a mortal, I honestly believe he would have rejected godhood had Jason not died. He had almost died several times over and the only one who offered him any Olympian assistance was his sister. He resented the Olympians for having all the power in the world and choosing to use none of it to help him or his friends. Apollo's biggest fear - one that overruled dying in my opinion - was becoming a god again, once again a puppet of his father, and falling back into his old ways out of fear and self-preservation.

I can't even count the amount of times where he was on the brink of death and felt relief and satisfaction at the thought of everything being over. He didn't want to die, but it was an escape from having to one day stand up against his father, his abuser. It was the easier alternative even if it was ultimately the worse one.

But Jason made him promise to keep going. To remember.

He had to get back to Olympus, remember all that has been sacrificed in order to return him to godhood so that he could make a better future. He has to live forever to ensure that generation after generation of demigods have someone supporting them indefinitely. So that they would not be as fearful and powerless as he was. He has to be immortal again so that he can use his power for good, as much as that scares him.

He had to become a god so he can look Zeus in the eyes and say "No, this is never happening again."

That's what Apollo learned.

[hiding-under-the-willow]

Okay. hear me out. Creaking Helsknight

[xxplastic-cubexx]

How would you redesign Headmaster Magneto? Just out pf curiousity because while he served it didn’t feel like… Erik.

i have to keep it 100 i have no idea without just. rerunning his original design but with a palette swap LOL but we try around here

[marshmallowgoop]

no thoughts just Heiji Hattori (HD)

[meamiki]

mira !!! :]

[myokk]

a collection of fast scribbles of Eloise💘

[aru-art]

happy 2nd anniversary to what continues to be the game of all time!! 🪐

[stardestroyer81]

It finally happened— Pizza Tower is releasing on the Nintendo Switch today!!! I knew I had to whip up a little something to celebrate, so have this drawing of Peppino and The Noise... on the go! 🍕✨