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thetomorrowshow · 1 month ago

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Whumptober 6 - Not Realizing They're Injured

title: exit 73

fandom: limited life smp

cw: blood and injury

Jimmy whoops, high-pitched and birdlike, as they run, their feet pounding against the asphalt. “We killed that one! Those Clockers didn’t know what hit ‘em!”

“Stop talking and just run,” Grian hisses, his words choppy. “We’re not out yet.”

They'd parked the van another block down, cleverly disguised as a plumber’s van—and if anyone opened it up, a plumber’s van is all they’d find. They’d spent a good bit of money outfitting it with drain snakes and wrenches and other tools, just in case anyone decided to find their van suspicious.

Right now, they’ve just got to make it there without getting caught.

Are they being followed? Probably not, they wove through some confusing alleys that Grian had somehow known his way through, they should be in the clear. Joel doesn’t look behind himself. He just keeps running.

They round another bend, and another, and Joel tries to keep himself pretty fit, but the stitch in his side is already burning and shouldn’t they have found the van yet?

“Where is that plumbing van?” he mutters angrily. Grian shushes him; Joel scoffs. “We lost ‘em ages ago, calm down,” he tells Grian, slowing just a bit to try and relax the stitch’s pain. “Where’d we park it?”

“Two more streets down,” Jimmy calls back—because of course he’s taken the lead, with his stupidly long legs. “I can see it, just over the hill.”

Great. Two more streets.

It’s kind of embarrassing that he’s already so out of breath. He swears he works out—it’s just been a long hit. He’s been hiding out at the cargo bay for hours, wedged behind some boxes, waiting for the moment that the Clockers showed up to sign for their contraband. Then it had been some quick moments of adrenaline—a fight, flashes of knives and fists—before Grian had the papers and they ran, the sudden energy still pumping through Joel’s veins.

He’d managed to grab Bdubs’s (one of the top Clockers that was overseeing the operation) famed pocket watch off the man himself, and that should sell for a pretty penny. It was plated gold with crystal glass, so the rumor went, and Joel couldn’t wait to have a jeweler test it.

Oh, that tiny man has got to be so furious right now. . . .

“There it is!” Jimmy cheers, pointing ahead. Joel still doesn’t see it all that well through the dark, but he trusts that Jimmy knows what’s going on and just focuses on one foot in front of the other, in through his nose and out through his mouth.

Grian grabs his hand and pulls him forward, toward the van. He sees it now, with its crooked pipe art on the side, dimly illuminated by the starlight above.

Joel’s the driver, of course. The others poke fun at him for never letting anyone else drive, but he’s not going to go into or out of a mission with intense nausea, so he’s driving. He climbs up into the driver’s seat, shoves the keys in the ignition and starts driving before he even knows that Grian and Jimmy are in.

Judging by an annoyed shout, Jimmy wasn’t all the way in, but the door shuts and Jimmy rolls into the backseat, his annoyance clear in the darkened reflection of the rearview mirror.

Grian immediately reaches for the radio. Joel smacks his hand away. Jimmy leans forward, also reaching for the radio. They both smack his hand.

“No music,” Joel grits out. He’s usually high-strung after a mission like this, no real outlet for the energy flowing through him. Yet, despite knowing that he’ll be quick to anger, the others always manage to provoke him.

The no-music rule has been in place for as long as Joel’s been driver. Can’t the others stop being idiots for two seconds and let him drive in peace?

The van trundles along at thirty-five miles per hour, and Joel turns toward the on-ramp of the freeway, grimacing as that stitch in his side pulls when he presses on the gas. He can’t wait to get home and just sleep, once the adrenaline has run its course.

Grian beside him is shuffling through the pages, making a satisfied noise with every leaf he reads. “Yep. This is exactly what we were after. Good job, team.”

“They had a ton of weapon storage,” Jimmy pipes up. “They must’ve been storing stuff at their port.”

“Maybe we should put up some people to watch, see where they move it to,” muses Grian. “Now that we know it’s there, they’ll be in a hurry to pack it all up.”

“Especially now that we have the blackmail.”

“Mhm. Joel, how’d your side go?”

“Fine,” Joel says shortly. He keeps his eyes fixed on the road, even as the white lines in the darkness seem almost to float on water.

Never think that when you’re driving, his mom had told him once, when the eight-year-old Joel had pointed it out. It’ll make you sleepy.

How long was he at his post? Seven hours, maybe? That isn’t too bad. With the adrenaline still jolting through him, he shouldn’t be this tired.

“His seatbelt isn’t on,” Jimmy says, ignoring the fact that Joel is a bear that he shouldn’t be poking with a stick.

Grian clicks his tongue, leans over Joel’s entire body to grapple with his seatbelt. “Safety first,” he reprimands, dragging the belt over him. Joel cranes his neck to see around Grian.

He clicks it into place at Joel’s hip, then sits back, examining his fingers.

Which exit was it, again? 73? Well, that one’s 69. Maybe he should get off the freeway, take some backroads. He doesn’t think they’ve been followed, but there are more cameras on the freeway.

The freeway will get them back quicker, though. And it’s in the plans to go this way, he doesn’t want to change them right as the job’s wrapping up. Sudden changes in plan are the highest cause of casualties in this business.

“Joel,” Grian says slowly. “Is there blood on you?”

Joel glances over at him; Grian’s holding his hand up to the window, something dark shining on his fingers.

“Maybe,” he shrugs. “I broke Bdubs’s nose.”

“Did you get injured?”

“Here—I’ve got a flashlight—”

A light clicks on and Joel resists the urge to growl at Jimmy. No lights on in the car, first rule of driving, why is Joel the only one with a bit of sense—

Grian pulls at his shirt, lifting it (Joel tolerates it, as much as he wants to literally bite him).

A moment of tugging his shirt this way and that, of Joel’s teeth grinding as he stares at the road.

Then Grian gasps.

“Joel—shoot—someone got you—”

“Holy moly—that’s a lot of blood—”

It all catches up to Joel at once.

The anger, the exhaustion, the stitch in his side—

And Bdubs had had a knife, hadn’t he? A knife that Joel had lost track of after he’d nicked the watch.

Grian’s hand presses down right on the stitch in his side, and Joel shouts behind his teeth, hands tightening on the wheel. That—that hurts—

“Pull over,” Grian commands. “Timmy can drive. Pull over.”

“Absolutely blummin’ not,” Joel says. His stomach is already roiling, there is no way he’s going to let someone else drive. “I can make it. How bad is it?”

More painful pawing at his side. Joel bites the inside of his cheek.

“It looks deep,” Grian says. “We should call ahead, get them ready for medical attention—Joel, seriously, pull over—”

“I’ll be fine. We’re almost there, anyways.”

Subtly, he taps a bit more on the gas. Now that he knows he’s been stabbed, apparently, he can barely think through the pain. It hurts quite a bit more than it did a minute ago—and his head is starting to feel woozy—

Jimmy’s talking on the phone behind him, and Grian is digging through the glovebox—Grian withdraws a bunched-up emergency blanket (it’s not in the little package anymore, he thinks Jimmy opened it up a while back because Joel wouldn’t turn off the air conditioning) and flicks open his pocket knife, cutting a long strip off the blanket.

Grian reaches around Joel, wriggling his arm behind Joel’s back. “This would be easier if you would pull over,” Grian grunts, threading the strip of the blanket between the seat and Joel’s back.

Joel stares ahead, sweat breaking out all over his body. He might be sick, regardless of—

White hot pain bursts through Joel’s side, radiates up and pounds on the confines of his brain, stealing his vision for a brief moment. He cries out, arms jerking without his input.

“Pull over—Joel, hit the brakes and pull over!”

Joel blinks rapidly, the road fuzzing back into sight. He’s driving between two lanes, his arms luckily dragging him more toward the middle of the road rather than the median. He straightens out as best he can with his stiff, lead-like arms.

Which exit are they on? 72. Great, so the next one. The next one, the next one, the next one—

“None of this will be worth it if you crash the van,” Grian’s saying in his ear, his voice echoing around Joel’s staticky brain. “Pull over!”

Next one, next one, next one—

Exit 72 B?

“You’ve got to be kidding me,” Joel breathes, pressing even harder on the gas. They’re going ninety-five now, definitely too fast for this tired old van.

“They’ll be ready when we get there, I told them it was bad,” Jimmy says. Jimmy’s voice doesn’t echo quite like Grian’s, but it does sound funneled into his ear, almost like through a cardboard tube.

It isn’t bad, he wants to say. He can’t quite get his lips to move.

Exit 73.

He remembers to click on his turning signal, somehow. It seems important.

“Joel, slow down, slow down, brake brake brake—”

“Am braking, calm down,” Joel mumbles. He is, he thinks. He definitely moved his foot to the other pedal, even if he doesn’t dare look down at the odometer. He thinks if he turns his eyes down, they’ll shut.

He knows how to get back to the mansion from here, but Grian gives directions anyways. His hands are still on Joel, holding the strip of blanket tight around his gut. Joel doesn’t have the strength to argue.

Left here. Onto that country lane. Keep driving. Keep driving.

“Talk to me. Say something, Joel, stay awake.”

Joel groans. He doesn’t particularly want to talk to Grian, and right now he’s doing nothing but severely irritating him.

“’m fine,” he manages around his heavy tongue. “Stop worrying. Like my mom.”

Grian laughs, shrill and anxious. “I wouldn’t worry so much if you could put together a whole sentence! Or if you would pull over—”

“Jimmy,” breathe, “can drive—” breathe breathe breathe, “when I’m dead.”

“Might not be too far away, to be fair,” Jimmy says.

Is this what death feels like? Clammy and fuzzy and sweaty?

Joel had better not die, then, because that sounds like it would be downright hellish in more than small doses.

Geez, he’s tired. Can’t he just pass out? Wouldn’t that be nice?

Can’t close his eyes. He has to keep driving. Can’t close his eyes.

“Never been stabbed,” he says through numb lips. “Just got shot. Once.”

“Turn here,” Grian says. Joel blinks. He hadn’t realized they’d already reached another turn.

“There is so much blood we’re going to have to clean up, geez louise. . . .”

“Right, I’ll jus’ . . . stop,” snarks Joel back at Jimmy, “stop . . . bleedin’.”

“Eyes on the road,” says Grian. Joel’s eyes are on the road, though, he’s sure they are. He’s going to great lengths to keep them propped open and staring directly at the road.

“Joel, eyes open. Keep them open.”

“They are,” he insists. Grian squeezes his arm with the hand that isn’t holding the blanket, sticky and warm.

“More open than that. We’re almost there, okay?”

They are almost there. The driveway is just up ahead.

Joel squeezes the steering wheel. He’s got this. It wouldn’t be good to pass out right here, right before they make it.

He isn’t sure how he gets there, but he does. He stares straight ahead, more focusing on keeping his eyes open than he is on the road, and he pulls up in front of the doors, finally letting go of the wheel to shift into park.

It’s silent for a moment as Joel stares straight ahead, at the dark mansion ahead of them.

“Told you,” he manages, shooting what he hopes is a smirk in Grian’s direction.

Then the fuzziness coalesces into darkness entirely, and he slumps forward over the wheel and knows no more.

The mansion’s library was converted into something of a hospital, long ago. Joel had always disliked it—they hadn’t bothered to paint it white or anything, left the walls a deep red and surrounded by costly books and polished oak shelves and expensive wood flooring, so it just felt like some rich mad scientist’s pet project every time he walked in.

That was why he didn’t particularly enjoy waking up there.

He groans, blinks several times as the library’s ceiling comes into reluctant focus. His limbs ache, and there’s some kind of pain pulsing from his side, but it isn’t as sharp as he thinks it ought to be. Painkillers, probably.

Joel looks down, sees an IV in his arm. Yep. Painkillers.

“Are you actually awake, or just faking it?”

Joel glances over to his other side.

Grian’s sitting there, arms folded. His leather jacket lies discarded on the floor, the sleeves of his red shirt pushed up to his elbows. His sunglasses are stuck in his greasy hair, doing nothing to hide his disapproving raised eyebrow.

“Hey,” Joel croaks. Then, because his memory is a bit spotty, “We made it, right?”

Grian smacks his shoulder.

“Hey—ow! What—?”

“It’s for being a moron—both Jimmy and I are perfectly capable of driving—and why didn’t you say you were injured?”

Joel’s seen the two of them drive, and he would like to disagree on that point. The him being a moron, though . . . probably justified. “I didn’t know,” he says, in response to Grian’s question. “Really.”

Grian holds his gaze for a moment longer, irritation in every line of his face—and then his face softens, and he rolls his eyes.

“Just try not to die, okay?” he says, smacking his shoulder again (gentler, this time). “I don’t have time for a funeral.”

Joel scoffs. “I wasn’t going to die. I was fine!”

Grian doesn’t speak.

Was he—was he genuinely close?

“Well,” Joel says, deciding not to think about that. His hand not occupied by an IV fumbles into his jeans pocket, and just as he’d hoped, his fingers find cold metal. “I did grab . . . this.”

Grian’s jaw drops as he stares at the golden watch, glinting in the low light. “No way. No—you got a Clocker’s clock?”

“Better. Bdubs’s clock.”

“Oh, dear,” Grian chuckles, shaking his head. “You’re gonna be in for a lot more trouble than a pesky stab wound.”

Joel just smiles, drops his hand to his lap.

He could use another nap.

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stop-breaking-my-heart-dragonage · 3 months ago

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I'm sorry, but why don't we talk about Witch Hunt more? Seriously, I think it might be my favorite DAO DLC. Don't get me wrong, I enjoy the hell out of Awakening. Leliana's Song is good. The Golems of Amgarrak is... eh, bad. I didn't really like that one. The Warden's Keep, The Stone Prisoner, and Return to Ostagar are all amazing and I love them.

But Witch Hunt??? Y'all. I can't. I'm too emotional right now.

I have at least one dynamic from each game that I'm obsessed with. For DAO, it's the dynamic between romanced!Alistair, Tabris, and Morrigan. I've talked before about the dark ritual and stuff in this post, so let's just say that my Tabris, Rose, very much has unfinished business and a score to settle with Morrigan.

Tabris and Morrigan grew so close throughout the entire journey of DAO, y'know? Close enough that Morrigan claimed she thought of her as a sister, and Tabris felt the same way... and then in one single moment, it's just shattered.

There were signs that Tabris ignored, like the way Morrigan dismissed all the circle mages and claimed they should be left to their fates since they "allow themselves to be caged like cattle." Or how she disapproved every time Tabris wanted to help those down on their luck. Or, worst of all, when Morrigan disapproved when Tabris chose to kill the Tevinter slaver instead of making a deal with him to use the lives of the remaining elves to grant her more power... one of those caged elves being Tabris' father.

But she gave Morrigan the benefit of the doubt; she's sheltered and only had Flemeth as an influence and teacher, of course she's unempathetic and selfish, but there is good in Morrigan's heart. She can learn to be more empathetic and to care for others.

At least, Tabris believed that until Morrigan confessed that she's known about the ultimate sacrifice and the dark ritual from the beginning, that Flemeth sent her with the wardens with a purpose that Morrigan intends to follow through with. It's devastating and it broke Tabris' heart.

She just learned that a warden has to die to stop the blight, and that warden could be her or Alistair. Not only are they romantically involved, but they've been through all of this shit together, they're the only ones who fully understand what being a grey warden is like. They carry the burden on their shoulders, and they're probably going to lose each other to the archdemon.

And Morrigan waits until she's at her most vulnerable to ask that of her.

Again, I've gone into more detail about that before, but at this point Rose is done with people deceiving her. She's done with Morrigan... except she's not. It's the betrayal and knowing Morrigan got what she wanted that causes Rose to go searching for her.

To Morrigan's credit, she does give some answers. She claims she didn't thing the archdemon would show itself so soon, and she did what she had to because she didn't wish to see Tabris hurt or die. I believe her, and to an extent, Tabris believes her... but Morrigan still doesn't get WHY it's a betrayal.

Morrigan's right: She will never understand Tabris, and Tabris will never understand her. She can insist it's not a betrayal all she wants, but it absolutely is, and Tabris has never allowed anyone who crossed her to just walk away... except for Morrigan.

Until now.

Hearing that Morrigan manipulated her way into the trust of this Dalish clan so she could steal their book and run is just further evidence in Tabris' eye that she hasn't changed. Maybe it was always foolish to believe she could.

So... she stabbed Morrigan.

She didn't do it to kill her; Morrigan is the daughter of Flemeth and a powerful mage with healing magic, a mere stab isn't going to kill her.

No, it's about what the stab represents: "I am done with you."

And how the scene plays out? It's so dramatic and good, just the way everything slows down, the music, how they make eye contact as the stabbing happens just....

I know it sounds really bad, and this is the part where I remind everyone that I ADORE Morrigan, but the stabbing ending is so satisfying from a story-telling standpoint for my playthrough.

It's so tragic and it hurts and I hate it.... but I love it, y'know?

I love Witch Hunt, like I haven't even talked about Ariane and Finn, or how the circle just has all these books on Dalish artifacts and translations of elvhen, or how other eluvians can be found with a shard from the broken one in the dalish origin.... like you're telling me that Merrill had a piece of the puzzle? If she had the knowledge, she could've found a working eluvian to study?? I'm going to gnaw my own leg off--

Listen, I could gush about this all day.

But now that I've completely finished DAO, it's time to replay DA2.

#dragon age origins #dao #dao morrigan #warden tabris #dao witch hunt #i could write an entire post about ariane and finn like they're such fun companions and so INTERESTING and their dynamic is so good #it's not a long dlc but i kinda wish it was just so i could spend more time with them before finding morrigan #and the reunion with morrigan is just hhhhnnngggggggggg i am feeling too many emotions help #i love morrigan what a great character sorry rose stabbed you but y'know... that's kind of thematic for her #morrigan will be fine... well physically she will but the emotional damage is a big oof #can't wait to hear about it in dai... i can't even remember what she says if the warden stabs her?#something about not parting on good terms or something skskskss whatever it is it's an understatement i'm sure #anyway i'm going to replay da2 and obsess over merrill's arc... i just want to give her the answers from witch hunt and let her go nuts #listen is it too much to ask that warden carver find this info out from tabris and give it to merrill #and the two of them go on a long adventure to find a working eluvian?? hmmmm??? and while they're at it they can steal from the circle #the circle doesn't need all those elven books okay it's fine

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