#this too me forever to write but whatever

[lupinqs]

CRUSH CULTURE ━━ paige bueckers x reader

☆ ━ summary: paige has a hopeless crush on you, a cheerleader.

☆ ━ word count: 5.4K

☆ ━ warnings: alcohol consumption, kissing, this one’s tame

☆ ━ links: my masterlist, inspired by this request (lol i know this was forever ago)

☆ ━ author’s note: hiii i hope y’all enjoy—lemme know if you guys want a part 2 and if so send in ideas for it!!! i have been hopelessly uncreative recently!!! also yes i have been writing tmtc and safe and sound i promise—new chapter of tmtc should be out sometime this weekend, no idea on safe and sound because goddamn that fic takes me forever to write

PAIGE HAS ALWAYS noticed you—though, funny enough, at first it wasn’t because you cheered. That part didn’t even register until her junior year, when she started paying attention to things off the court. But she’d first noticed you back in her sophomore year, in that one class she didn’t feel like she needed at all. She’d often zone out, either doodling in the margins of her notebook or letting her eyes drift around the room as she let her mind wander. Her gaze would skip over classmates until, one day, it stopped on you.

And, God, she remembers that moment. The way she’d blinked, like she needed to reset her brain for a second because… well, you. It wasn’t anything specific, nothing she could even name at the time. But there was this something about you that made her stomach flip. From then on, whenever she zoned out, her eyes would find you before she even realized it. You’d be focused on your notes or lost in thought, completely unaware, and Paige would catch herself staring just a little too long.

She’d think about talking to you, but for some reason, you made her nervous. And that wasn’t something Paige was used to feeling—not with girls. She’d been confident her whole life, even a little cocky when it came to flirting, and her reputation certainly proceeded her. But with you, all of that confidence vanished. Her brain would go blank, her hands would fidget, and her heart would pound just watching you, sitting across the room. The idea of walking up to you, striking up a conversation, felt almost laughable. You’d somehow managed to turn her, Paige Bueckers, into a stammering mess with just a look.

And then there was the other part—the part that kept her from making a move even when she managed to work up the nerve. You looked so…straight. She knows it’s a stupid assumption, but something about the way you carried yourself—she’d convinced herself that you had to be straight. Maybe it was the way you fit in with the other girls, how they flocked around you like they were all in some effortlessly straight, picture-perfect group. Whatever it was, Paige felt certain you’d never look at her the way she looked at you.

So she let it go, or at least, she tried to. But you kept slipping into her thoughts, distracting her in that class, making her mind wander back to you when she least expected it. Her silly little crush on you lingered all through sophomore year, and even when summer rolled around, she found herself thinking of you every now and then, imagining what it might have been like to know you outside of that class.

Then junior year rolled around, and her whole world changed with that ACL tear. Benched for the season, her focus shifted in ways she never anticipated. Instead of charging down the court, she found herself sitting on the sidelines, watching, observing things she normally wouldn’t have noticed. And it was during one of those games, one of those long, frustrating nights when she just wanted to play, that she saw you again—this time, on the court as one of the cheerleaders.

At first, she couldn’t believe it. She actually had to blink a few times, like her brain was trying to catch up with what her eyes were seeing. This was her third year at UConn, and she hadn’t noticed you were a cheerleader ever. Maybe she really was just unobservant, but it truly shocked her. You looked completely different from how you did in class—more animated, more alive, like you were in your element. And when you started that long, impressive tumbling pass down the court, her jaw dropped. She didn’t even know you could do that, and it left her staring, heart hammering in a way she hadn’t felt in a long time. (And maybe the tiny little uniform helped speed it up, too.)

From then on, Paige couldn’t keep her eyes off you during games. She’d always find herself watching you, wondering if you’d somehow feel her gaze, hoping that maybe, just once, you’d look her way. She spent so many games like that—sneaking glances, letting her mind wander, imagining what it might be like to finally work up the nerve to talk to you. But game after game, you never seemed to notice her, too focused on your routines, your teammates, and the cheering crowd around you.

And Paige? She knew she was hopelessly stuck. She’d sit there on the sidelines, feeling ridiculous, pining after a girl she couldn’t even talk to, a girl she thought she’d never really have a chance with. It was her worst crush yet—the kind that left her feeling off-balance, stumbling over her own thoughts, trying to convince herself that it didn’t matter—and she’d never even spoken to you. But each time she saw you out there, smiling, moving with that same effortless grace, she’d feel that same pull, that same quiet, persistent ache.

It’s senior year now, and Paige has one thing on her mind: basketball. It’s been more than a year since she’s played, and she’s determined to make this season count. All summer, she told herself the same thing over and over: Stay focused. Don’t get distracted. No more drifting thoughts, no more daydreams, and absolutely no more pointless crushes on girls she can’t have. And especially no crushes on you.

You, the cheerleader she’d spent too many junior year games staring at from the sidelines. You, the girl she still thought about when her mind wandered late at night, even though she knew better. No, this year, she was locking in. She’d worked too hard, too long, to let her head get all twisted up over you again. She was here to play basketball, not to chase after some unattainable crush.

But as she jogs onto the court for warm-ups, trying to ignore the butterflies that come with her first game back, her eyes somehow find you anyway. Just like they always do. And it’s like no time has passed at all. You’re laughing with the other cheerleaders, your hair perfectly styled in a half-up-half-down, a bow nestled in it, your uniform hugging you just right. The lights catch on your skin, giving you this soft glow, and your smile—God, that smile, so open and sweet and painfully distracting—has her heart skipping a beat before she even realizes it. Paige quickly snaps her eyes away, reminding herself she’s here to play, not to get lost in some imaginary world where she has a chance with you. This is her first game back, and even if it’s just an exhibition against Dayton, she’s got to make it count.

With a deep breath, she manages to brush you off. The pregame excitement kicks in, and her focus sharpens as the game begins. And it’s everything she’s been waiting for—the sounds of the court, the rush of the crowd, the thrill of moving with the ball in her hands again. She’s finally back, and for the first quarter, she’s locked in, feeling the rhythm of the game, feeling unstoppable.

Then it happens. KK makes a bad pass, and Paige is already in motion, chasing down the ball to save it from going out of bounds. She dives, stretching to reach it, but it’s just out of reach. Before she can stop herself, she’s crashing full speed into the sidelines—right into the cheerleaders.

Right into you.

The impact is quick and jarring, and she scrambles to her feet as fast as she can, heart hammering in her chest. She’s prepared to rattle off an apology when she realizes who she’s just barreled into. You’re significantly smaller than her, and her stomach drops as she takes in your wide eyes and the faint wince that flickers across your face. But you handle it with the same grace she’d always admired from afar, waving her off with a laugh and saying, “It’s fine! You’re good!” Your smile is easy, casual, and she’s even more mortified by how sweet you’re being about it.

She tries to apologize again, but you’re already brushing it off with that smile, and she feels her face heating up as she mumbles something unintelligible before hurrying back onto the court. But now her head’s a mess, all her carefully built-up focus gone, replaced by the embarrassing replay of what just happened. She tells herself to get it together, but it’s no use. Her mind keeps drifting back to the look on your face, to the sound of your laugh, to the softness in your smile when you waved her off.

The rest of the game passes in a frustrating blur. She’s off her rhythm, missing open shots she’d normally sink with ease, getting caught in rotations she usually anticipates. By the end, she’s only scored eight points—a painfully low number, especially for her—and she feels the weight of it like a stone in her stomach. She should be thinking about the game, her missed shots, how to get her focus back. But as she sits on the bench, watching the last few minutes tick away, all she can think about is you standing there, laughing off her clumsy collision, looking up at her with that easy, unbothered smile.

So much for not getting distracted.

After the game, Paige is still kicking herself over how sloppy her performance was. She lingers in the locker room, hoping to avoid any unwanted run-ins. But finally, when she’s convinced she’s given it enough time for everyone to clear out, she heads out into the quiet halls of Gampel Pavilion.

Except, of course, her luck isn’t that great. Just as she’s walking out, she spots you—still in your cheer uniform but with a UConn sweatshirt thrown over it, heading down the hall, cheer bag on your back. Her first instinct is to turn around, bolt back into the locker room, and hope to avoid any more humiliation, but it’s already too late. You look up, and your eyes meet, and suddenly she’s frozen in place, panicking because she’s actually staring straight into your eyes.

And then you smile at her. That smile, the one that sends her brain into a meltdown every time. But it’s so much worse now because your smile is directed at her. And, suddenly, you’re walking up to her and saying, “Hey, good game tonight,” and Paige is pretty sure her heart has stopped.

She tries to seem casual, to play it cool, but all she can manage is a shrug and a half-hearted, “Eh, wasn’t my best.” She’s hoping you don’t notice her stutter, but her cheeks are burning, giving her away.

You just wave it off, your dimple showing as you grin up at her. “Nah, this was just your warm-up. You haven’t played in, like, over a year. Next game you’ll drop thirty.”

Paige blinks, and the fact that you know she’s good at basketball—even though everyone knows she’s good at basketball—is enough to send her into a coma, she thinks. “Oh, gosh,” she says, rubbing the back of her neck, struggling to find words. “Gonna have to now, just for you.” The second it’s out of her mouth, she mentally facepalms. That totally sounds like she’s trying to flirt with you.

But you just laugh, eyes crinkling as you look at her, completely unfazed. “I’ll hold you to it,” you say, and that smile doesn’t waver.

There’s a pause, and Paige knows this is where you’re about to say goodbye, and she panics because, after two years of thinking and practically obsessing over you, she’s finally talking to you, and it feels too short, too fleeting. Before she can second-guess herself, she blurts, “Oh—uh, hey, about earlier… when I ran into you. I’m… really sorry about that.”

You shake your head, smiling even wider, brushing it off with an easy laugh. “Don’t worry about it. Happens all the time; more than you’d think.”

There’s something so casual and warm about the way you say it, and she feels herself relax a little, caught up in the fact that you’re looking right at her, not at all bothered, almost… endeared? And for some reason, seeing your dimpled smile has her stammering like she’s never done before.

“So… uh…” Paige stumbles, her words failing, her confidence gone. “Are you, um, going to Ted’s tonight?” She bites her lip the moment it’s out, but she presses on. “You know, a lot of people go there after the first game—it’s kinda, like, a…thing. Which, y’know, I guess you probably already know about because… you’re, like, not a freshman…” She sounds so stupid. God.

You tilt your head slightly, considering, before you smile at her again. “I wasn’t really planning on going, but…” You pause, looking at her with a bit of a spark in your eyes, and for a second, she feels like she might actually combust. “Should I?”

Paige’s eyes widen, and she’s nodding before she can stop herself. “Y-yes! I—I think you’d have a good time.” She mentally scolds herself for the stutter, but you’re just nodding, still smiling, still looking so effortlessly at ease while she’s a nervous mess.

You laugh softly, a sound she’s sure she’ll replay in her head all night, and say, “Alright. I’ll think about it. And if I do decide to go, I’ll see you there, Bueckers.”

And with one last smile, you turn and walk away, leaving her standing there in shock, her heart racing and her mind replaying every word you just said. She’s tempted to pinch herself, convinced this has to be some elaborate daydream because there’s no way she actually just talked to you.

She doesn’t move for a long moment, replaying the way you said her name, the sound of your laugh, and the chance that she might actually see you tonight.

IT’S LATER in the night at Ted’s, and Paige is doing her best to stay composed, talking with one of the guys from the men’s team. Dirty Shirley in hand, she’s feeling just the faintest buzz, not enough to loosen her grip on reality but just enough to feel the edges of her confidence soften. She’s nodding along to something the guy’s saying when, over his shoulder, she spots you walking in.

Paige’s attention falters as she takes you in. You’re in baggy jeans that hang low on your hips, and a leather tube top that clings in all the right places, dipping enough to make her gaze lower slightly. She can barely tear her gaze away as you head over to the bar with a couple of friends, both of whom Paige recognizes from the cheer team. You’re laughing, leaning into one of them, completely at ease, and she can’t stop watching.

She realizes she’s staring a little too long, so she quickly excuses herself, not to talk to you—God, no, she can’t even think straight around you—but to hide by her teammates before she does something stupid. Her teammates notice her the moment she approaches, grinning as they watch her flustered expression.

“You see who just walked in, P?” Azzi teases, nudging her.

Paige groans, cheeks burning. “Don’t start.”

But they’re all laughing, and Ice is elbowing KK with a smirk. Nika, who’s been listening with a barely disguised grin, rolls her eyes. “Okay, this is ridiculous. You’ve had a crush on this girl since, like, forever. Go talk to her.”

“Are you kidding? I can’t. She’s—” Paige doesn’t even finish the sentence, glancing over her shoulder just in time to see you at the bar, waiting for your drink. She’d be lying if she said her confidence hadn’t evaporated the moment you walked in, looking like that.

“Girl boo,” KK sighs dramatically, before grabbing Paige’s wrist and dragging her toward the bar. Paige stumbles after her, mumbling weak protests, but KK is determined, practically hauling her across the crowded floor until they’re standing right next to you. KK orders a Sprite, leaning casually on the bar and glancing over at you with a grin. “Hey, girly pop! You cheer, right?”

You smile, looking more at Paige than at KK, and Paige’s heart thuds against her ribs. “Yeah, I do,” you say, introducing yourself and holding out a hand to KK, but your gaze flickers right back to Paige, who’s half-hiding behind her friend, cheeks pink and looking slightly caught. “Hi, Paige.”

Paige’s voice comes out a little sheepish. “Hey.”

KK smirks, clearly satisfied, and gives Paige a quick wink before excusing herself, leaving Paige standing there alone with you.

There’s a beat of awkward silence as Paige shifts on her feet, trying to keep herself from looking like an idiot, which is hard considering how aware she is of every single thing about you—your posture, your smile, the way you’re leaning in just close enough that she can catch a faint hint of your perfume.

“So,” Paige says, trying for casual. “You glad you came?”

You tilt your head, your lips quirking up. “Hmm, not sure yet. I’m not too impressed so far.”

She nods, stifling a wince, feeling more awkward than she can ever remember. And yet, her mind’s racing, urging her to just go for it, because this is her moment. She’s Paige Bueckers—she’s supposed to be confident. She always is. Besides, if you’re not interested, at least she’ll know. And if you are…

She hesitates, then swallows, trying to keep her voice steady as she says, “Um… can I buy you a drink?”

There’s a flicker of something in your eyes—maybe amusement, maybe surprise—and she’s mentally bracing herself for you to say no when you glance at the bar and say, “Actually, I just ordered one.” Her heart sinks a little, but she forces a smile, trying to play it off. Of course you’re not interested; she should have known better—

Then you’re leaning closer, nudging her elbow with yours, and you smirk, your voice soft and playful. “But you can buy my next one, if you want.”

Paige’s brain short-circuits as your words settle in, her mouth going dry as she realizes what you just said. “Uh, y-yeah, totally,” she manages, trying to keep from looking as giddy as she feels. “I…I’d love to.”

Your smirk turns into a grin, and you’re looking at her like she’s the only person in the room. She’s trying to come up with something smooth to say when, suddenly, one of your friends pops ups beside you and Paige, tugging on your arm, pulling you off the barstool and towards the crowd with a teasing, “Come on!”

Paige opens her mouth to protest, but before she knows it, you’re being swallowed up into the throng of people—not before you send her a quick, apologetic look over your shoulder, your friend still dragging you. Paige frowns, a little disappointed, but quickly catches herself. It’s fine, she thinks, though a twinge of regret lingers. She pushes it aside, grabbing her drink from the bar and returning back to her table, telling herself to focus on celebrating. She’s finally back on the court, and after such a long, difficult recovery, tonight is meant to be about unwinding. So she does, letting her team hype her up as they cheer and clink their drinks in her honor, pulling her deeper into the night.

As the time passes, Paige’s frustration eases, replaced by a warm buzz that dulls everything except the elation of being surrounded by her friends. But even as she sips her drink, she can’t help but think about where you’ve disappeared to, if you’re still here, still laughing with your friends somewhere across the bar. She finds herself scanning the crowd more than once, looking for a glimpse of you. She tries to push it down, laugh it off with another round, but every time she looks around, her gaze seems to search for you.

Eventually, the heat of the crowded bar gets to her. She feels flushed, dizzy from the alcohol and the mass of people, so she slips out the back door for some air. The cool breeze hits her face, and she closes her eyes for a second, sighing as the sounds of the bar fade behind her. She barely has a moment to herself before she notices a figure sitting just a few feet away.

It’s you, sitting on the curb, looking down at your hands as if lost in thought. Paige blinks, unsure if she’s seeing things. But then you look up at the sound of the door closing and smile, that familiar, gentle smile that makes her heart stutter. You seem just as surprised to see her, but your expression softens, like you’re genuinely happy she’s there. And that’s all the encouragement Paige needs.

“You care if I join?” she asks, trying to sound casual, even though her heart’s racing.

“Not at all,” you reply, and she takes a seat beside you, a bit closer than she planned. She feels your warmth even in the night air, and it makes her head spin in a way she can’t blame on the alcohol.

There’s a pause, a comfortable silence stretching between you. Paige watches as you draw patterns in the gravel with your fingers, the lights from the bar casting a soft glow over your face. She swallows, summoning up the nerve to say something—anything that might keep you sitting here with her.

“Why you out here?” she starts, genuinely curious.

You shrug, glancing back toward the bar. “Got a little claustrophobic in there,” you say, voice soft.

“Yeah… me too,” Paige nods, grateful for the fresh air and this quiet moment with you. The silence returns, but this time, it’s charged, heavy with something she can’t quite put into words.

Finally, Paige finds her voice again, her words slipping out before she can think them over. “You’re a good cheerleader, y’know. You do all those flips and shit—it’s impressive.”

You let out a small laugh, looking away for a second as if flattered. Paige is almost certain she sees a faint blush on your cheeks, and the sight makes her smile a little, lips curving upward. “Didn’t know you really paid attention to the cheerleaders,” you respond, teasing.

Paige scoffs, shrugging as if it isn’t a big deal, even though she feels like she’s been caught in some sort of confession—which, she kinda has. “Well, I did sit out for a year, so… I had to find something to watch.”

You tilt your head, smirking as you ask, “So you chose to watch me?”

Paige’s cheeks warm, and she silently thanks the alcohol for the courage that lets her meet your gaze. “Yeah,” she murmurs, watching as you look away, biting your lip as if trying to hide a smile. The sight makes her heart skip in a way that’s both exhilarating and terrifying.

After a moment, Paige adds, “I think we… had a class together, couple years ago?”

You nod, eyes lighting up at the memory. “Yeah, we did. Sociology, right?” you reaffirm, nodding in tandem with her. “’M surprised you remember that—you always seemed so disinterested.”

Paige nearly blanches, genuinely surprised you’d noticed her too. She didn’t think you’d have remembered her, much less noticed her back then. The notion gives her some of her usual confidence beck and she manages a chuckle, shaking her head and tilting it slightly toward you as she murmurs, “Ah, so you were watching me too, huh?”

You roll your eyes, but your smile betrays you as you nudge her shoulder. “Shut up,” you mutter, but the blush on your face doesn’t go unnoticed.

There’s another pause, the two of you sitting side by side in the quiet, both of you lingering on the edge of something unsaid. Finally, you break the silence, voice soft and hesitant. “How come you never said anything before?”

Paige swallows, the question catching her off guard. She doesn’t know how to answer without giving herself away, without admitting the way her stomach twists every time she sees you around campus. So instead, she asks, turning the question back on you, “How come you never did?”

You don’t seem to mind that she didn’t really give you an answer. Instead, you just shrug, looking down at your hands. “I don’t know… you make me kinda nervous.”

The confession makes Paige’s heart alight, feeling like it’s on fire and might spread throughout her whole body. She’s used to people being in awe of her for basketball, for her skills on the court. But hearing you say that you feel that way too, like she’s someone more than just her reputation, shakes her. Besides, you’ve always seemed so incredibly at ease around her, never even bothering to look her way. So, almost incredulously, she asks, “Why?”

You scoff, looking at her like she’s missing something obvious. “Um, because you’re Paige Bueckers. Basketball prodigy, campus celebrity.” You raise your eyebrows at her. “I think most people would be.”

Paige feels a rush of warmth at your words, the way you say her name like it means something special. She searches your face, feeling the air grow thick around you, heavy with something she couldn’t quite name. And maybe it’s the alcohol in her system, maybe it’s the way you’re looking at her like she’s somehow both intimidating and endearing at the same time, but she’s feeling bold. Bold enough to keep this conversation going, to see where this moment might lead.

She clears her throat, a small smile tugging at her lips. “Well, if it helps… you make me nervous.”

You laugh, a little breathless, clearly surprised. “Yeah, right.”

“I’m serious,” Paige insists. “You ain’t see the way I stuttered around you earlier? Ion know, ma, you just kinda fuck with my head.”

She watches, grin widening, as you blush at her words, the color blooming across your cheeks. It’s addictive, seeing you react like that—because of her. She doesn’t even try to hide her amusement when you ask, gaze set out in front of you instead of on her, “Why would I fuck with your head?”

It’s a good question, one Paige asked herself for a long time. It never took her long to figure out the answer. Though, she’s a little nervous to explain herself.

And she gets even more nervous when your gaze slides back onto hers, your head turning towards her. Paige’s smile falters, just slightly, at the eye contact. It’s intense, the kind that feels like it’s holding the world still for a second. Paige’s heart is a drum in her chest, each beat vibrating through her veins. Her eyes slide across your face, your features, tracing the slope of your nose, the curve of your lips, the faint shimmer glitter swiped along your eyelids. She catalogues every detail as if she’s never going to get this close again—a very real possibility if she doesn’t up her game.

Finally, she leans in—just slightly—her voice low and steady as she answers you. “You got this positive energy that makes you just… stand out in front of a crowd. Big smile. Bright eyes. Mm, I just… like seeing that in people.”

The words settle in the space between you, warm and lingering. Paige hesitates, letting them wrap around you both before adding, her voice dipping lower, her boldness shooting upward, “And it doesn’t help that you’re too beautiful for your own good.”

You blush deeper this time, cheeks tinted more red than pink, and it makes Paige’s heart skip. She can’t help the way her lips twitch into a grin. She’s waited so long to see this—see you flustered because of her. It’s everything she imagined and more.

“Stop,” you protest, fighting a smile as you push at her hands, your tone not carrying any weight behind the word. Paige just laughs, soft and easy, catching your hand in hers before you can pull away. She lifts it slightly, letting her thumb brush over your knuckles as she murmurs, “Nah, really.”

It’s then that the air changes—shifting into something heavier. The space between the two of you is practically nonexistent at this point, your sides tucked right into each other. You’re staring at one another, and Paige can’t help it when her gaze flickers down to your lips, just for a second. But it turns out to be enough. Because then she sees your eyes dart to her mouth in return, lingering there. And that’s when Paige knows.

Still holding your hand, she locks her gaze on yours, her voice firm but soft when she repeats, “Really.”

It’s like that word unlocks something between you because suddenly you’re leaning in, and Paige is doing the same, her breath catching the moment your lips touch hers. It’s soft, tentative at first, like neither of you are quite sure if this is real. But then you press into her just slightly, and Paige swears the whole world tilts on its axis.

The kiss deepens, slow but deliberate, and Paige feels her whole body light up. Your lips are warm, soft, and you taste faintly of tequila and strawberry chapstick. It’s intoxicating, the way you move against her, gentle but with enough purpose to make her head spin. Paige’s hand slides up to cradle your jaw, her thumb brushing against your cheekbone.

Your fingers grab at her bicep, holding on like you don’t want to let go, and it sends a thrill through her. Paige’s lips part slightly, and when you follow, letting her slip her tongue into your mouth, it’s like a fire ignites somewhere deep inside her. The kiss isn’t frantic or messy—it’s unhurried, like the two of you have all the time in the world to explore this. She can feel the heat of your skin where her hand cups your face, and she wants to memorize every second, every sensation.

The way you tilt your head just a little, giving her more access, nearly undoes her. Paige tilts her own in response, deepening the kiss further, her fingers slipping from your jaw to the back of your neck. The touch is light, almost reverent, but the closeness makes her heart race.

Your other hand moves, grazing against her side before resting lightly on her hip. Paige’s stomach flips at the contact, her body leaning instinctively closer to yours. She swears she can feel the warmth of your breath between kisses, the subtle hitch when she nips at your bottom lip.

It’s slow, it’s sweet, but it’s intoxicating. Paige swears she’s never kissed anyone like this before, never felt this much just from simple lip-locking. When you pull back slightly—not breaking the kiss entirely, just catching your breath—she can’t help herself. She follows you instinctively, her mouth chasing yours in a way that feels both vulnerable and utterly fearless. You allow her to, tongues half entwined between your swollen lips.

When you finally part, Paige keeps close, her forehead gently pressing against yours, her hand still cradling your neck. Neither of you moves far, the space between you so small your breaths still mingle, soft and warm against each other’s lips. Paige’s eyes flutter open, but she doesn’t look away from you, her gaze locked on yours like you’re the only thing in the world that matters—which, right now, you might as well be.

Her voice comes out lower than she intends, husky and laced with something she can’t quite hide as she murmurs, “You gonna let me buy you that drink now?”

Your lips curve into a slow, easy grin, and Paige feels her chest tighten, her heart skipping a beat at the sight of it. You’re so close she can see the faint glimmer of mischief in your eyes, the way they soften as you look at her.

“Yeah,” you say, your voice soft but sure, “I’d like that.”

The way you say it, the way your smile widens just slightly after, makes Paige’s heart race all over again. She can’t help the small, satisfied smile that spreads across her face. Paige leans back just enough to take in the sight of you—your flushed cheeks, the way your hair’s slightly mussed, and that lingering, breathtaking smile she knows will haunt her in the best way.

“Good,” she murmurs, her thumb brushing your jaw lightly one last time before she pulls away completely, standing up and offering you her hand. When you take it, she holds on a little longer than necessary, leading you back into the bar, already planning how she’s going to keep you smiling for the rest of the night—and, hopefully, much longer afterwards.

[noomeriff]

Ghostly Affection

Summary: You get separated from Mr. Crawling, will you be able to find him again?

Tags: Mr. Crawling x Reader, Hurt/Comfort, Fluff

Word count: 1849

A/n: Well, after literally years of not writing, guess I just needed a sweet ball of sunshine in the form of a creepy ghost man to make my inspiration come back. Hope you enjoy!^^

Bold: Other World Language

"Mr. Crawling?!"

The sound of your footsteps echoes in the empty hallways, your eyes frantically scanning every room you pass. 

"Mr. Crawling, can you hear me?!"

The dizziness starts again, your vision blurring as you lean on a wall to regain balance.

~~~

It all happened so quickly.

You were walking through the immense maze of hallways, trying to find your way back to the other friendly residents, hoping to find some clue that could help you return to your world. 

 

How long has it been since you've woken up in this place? Days? Weeks? You didn't know. What you did know was that the sound of clothes brushing against the cold floors was starting to become an anchor to your sanity, as crazy as it may sound. 

You smiled as you looked over your shoulder, the friendly ghost smiling in return. For some reason, the presence of Mr. Crawling was the only thing that could make you feel a little bit safer in this dangerous and unpredictable place.

You were passing through a big room, talking, or at least trying to communicate at the best of your abilities, pointing at the objects as he answered in an eager voice to your questions.

 

Then everything started moving. Cracks forming on the walls, pieces of the ceiling breaking down as you looked at Mr. Crawling in panic. The both of you darted forward, trying to reach for the exit.

 

You saw him make it to the doorway. 

 

Then you felt gravity pulling you down.

 

He tried to reach for your hand. Your fingertips brushed against each other for a brief second, but it was too late. 

 

You screamed as the floor crumbled under your feet.

~~~

You catch yourself before sliding down to the floor, using both your hands to get back up, "I should get going."

Really? And where will you go?

You look around, walking into the next hallway, your heart starting to beat irregularly, "I must keep moving, I'm sure I'll find him soon."

But what if you don't? This place changes, after all. 

You shake your head as you open another door, trying to suppress the intrusive thoughts, "Mr. Crawling!!"

What if you never find him? What if you can't find your way back to the others?

You mentally scold yourself, your breathing labored as you feel panic starting to invade your mind. Another door opens, welcoming you into a long, large tunnel.

You will forever walk through this hell alone.

All the strength you had left suddenly vanishes, your arms wrapping over your stomach as you fall on your knees. Dread starts to fill your chest like cold, sharp claws piercing your heart.

 

The only thing you had left was crying, to succumb to the harsh reality of this world. Tears stream down your cheeks, your voice feeble as you try to keep your last bit of hope close. 

"Mr. Crawling..."

 

Something moves at the end of the tunnel. 

Your head shoots up instinctively, your hand wrapping tighter on your crowbar, ready to swing at whatever hostile monster was there. 

You listen closely, keeping your breath steady at the best you could while your eyes squint in the darkness in front of you.

 

Then you hear it.

 

The familiar sound of fabric.

A wave of relief washes over you, so strong that your heart compresses in your chest.

Before you even realize it, you're running. The sound of your shoes echoes within the walls of the tunnel. You run until you can finally see the hunched over figure of your friend, who's looking around, confused and alarmed by the noise.

Tears well up in your eyes, the relief so intense that you can't contain it.

You instinctively throw your crowbar to the side, it was only slowing you down. The metal clings on the ground, catching his attention.

You fall on your knees, your arms wrapping tightly around his body as you bury your face into his chest, "Mr. Crawling!!"

He yelps in surprise, not realizing what's going on as he tries to keep his balance. After an infinite moment of silent, he giggles. The eerie but all too familiar giggle you've been longing to hear, the only thing that could cement in your mind that this is reality, you are not dreaming and you're not alone anymore.

In an instant his thin, but strong arms wrap around you, almost crushing you by the sheer intensity of it, "You find me!"

Tears fall faster as you reciprocate his hug, almost in fear that he could vanish as soon as you let go.

"Floor drop! You disappear! Me worry!!", Mr. Crawling basks in the sudden affection, his body swinging from side to side, unable to contain his happiness, "Me search! You find me! Me glad!"

He suddenly stills, your sobs finally reaching his ear. He quickly tries to take a better look at you, but he's met by your iron grip around his chest.

You feel his long, cold fingers rest on the top of your head, softly caressing your hair to soothe you.

"Pet, pet..."

He doesn't move, not entirely sure what to do, but trying his best to calm you down. 

As soon as you feel your breath steady a little, you feel his hands rest on your shoulders, gently pulling you away from him. Your tears run down your cheeks as he looks at you, his expression getting more worried by the second.

He slowly moves one of his hands close to your face, touching a tear with the tip of his finger, quickly retracting it as soon as it makes contact, "Eye...water?"

Do the other world entities even know what tears are?

His expression somehow turns even more worried, scanning your face and your arms, "You hurt? Pain?"

You take a deep breath, brushing away a streak of tears with the back of your hand, "No, no-" you try to remember the right words in the mess that is your mind at the moment, "Me not hurt."

A moment of silence falls as you search for the right words to use.

"Me...afraid. Many, many afraid...", you grab onto his clothes, "Me not know where you... Me alone..."

You yelp as you feel both of his hand hold the sides of your head, caressing you almost fervently. You're only able to notice his frown, his expression a mask of worry as he tries to make you feel better, "Pet, pet!!"

As your head bounces from side to side, you can't help the laugh that bubbles in your throat, your hair already a tangled mess.

You grab his wrists, fighting against him as he still tries to go on, "Mr. Crawling, wait-!" another chuckle escapes your lips as you look at him, "Stop!"

He stops, his attention turning on you as you lower his hands away from your head. You brush away the tears still on your face, your heart fluttering at the sweetness behind his action, "Me fine! Me not afraid! Me found you! You together me!"

Mr. Crawling takes a moment to understand your words, his smile returning as he giggles. His puts his hand back on top of your head, this time much more gentle as he pets you.

 

"Me glad! Eye water bad! Mouth happy! You ?????? !"

 

This time it's your turn to be caught off guard, your head tilting slightly in confusion as you try to translate his words.

Seeing your confusion, he repeats himself, this time gesturing with his hands to give you some help.

"Eye water-", he points his finger at your cheek, "bad!"

"Mouth happy," he points at his face, his grin stretching as he giggles again, "You ?????? !"

Is he... telling me to smile? 

Your eyebrows furrow at the unknown word as you try to replicate the sound, "??????..."

He nods vigorously, almost amused by your confusion.

You try your best to recall all your knowledge, it's been a while since you've heard a new word, but-.... wait a moment... no, this is not a new word, you've heard that sound before... but when was it?

Your eyes wander, looking down at your hands, now resting on your knees. Your new clothes catch your attention... of course! The Bride! You've heard that word when that kind ghost gave you these new clothes!

It was something that Mr. Crawling said in that occasion, but wasn't he talking about the dress that time...?

Your heart skips a beat as a thought crosses your mind, your eyes widening slightly.

 

No, that can't be the meaning... right? But... what if-

 

Your attention slowly returns on him, his expression almost gleeful as he watches you, waiting patiently for you to arrive at a conclusion.

Your mouth suddenly feels dry as your hand moves, pointing a single finger toward you, "Me..."

 

"...pretty?"

 

His delighted giggle is the only answer you need, "Mouth happy! You pretty! Pretty!"

Your can't help the blush that suddenly dusts your cheeks, the pure sweetness in his voice enough to make you feel butterflies in your stomach.

 

Wait- does that mean he's called you pretty before?!

 

As your face turns redder by the second, you're startled when you feel Mr. Crawling's cold hand against your cheek, "Face fire... why?"

You quickly grab his hand, pulling it away as your blush spreads further, "N-Nothing!!- I mean, No worry!!"

He tilts his head, beaming as he looks at you, his smile wide as he pats your head once more, "Me like face fire! You pretty!"

The moment you lean closer to hide your face in his chest, he wraps his arms around you, locking you in place. His laugh fills the silence, covering your voice as you sigh in both embarrassment and frustration.

He leans down, his cheek resting on top of your head as he pulls you closer, "Pretty! Pretty! ???? !"

You're not sure if you want to know the meaning behind that new word, or at least, you don't know if your heart is ready for it at the moment.

A few minutes pass as you let him shower you in affection, your heart finally calming down. You have to admit, he gives good hugs, even if his touch is cold.

You slowly pull away from him. He lets you, but you notice a hint of hesitation as his hands unwraps from you, but still resting on your shoulders.

Your eyes wander over to your crowbar, abandoned on the floor a few meters from you. You sigh, your mind finally at peace, "Maybe it's time for us to return to the others."

Mr. Crawling frowns, his grip on your shoulders tightening slightly, "You go?"

The look of disappointment on his face almost made your heart melt on the spot, your chest hurts at the thought of ending this precious moment between the two of you.

With a soft smile, you pull him closer once again, burying your head in the crook of his neck. Mr. Crawling chirps in delight, his hand resuming his soft caresses on your head, making you laugh with him.

"I guess a few more minutes won't hurt."

[dailyhmsw]

HIHIHI!!!! i’ve been seeing that you’re accepting asks now and it’s been such a joy to read them and know this entity (you :]👋) of daily awesome art better. as a bystander who follows you. your work is so neat and i will never hush up about it‼️‼️

as for my ask….hmmmmm…..what’s your favorite like…aspect of either an element you included in ur personal hms designs, or one you’ve seen in others’? it can be themes, color palettes, psychology, demeanor, metaphors—anything! examples include celestial theming, how a character thinks/a struggle they’re dealing with, or parts of their design that mean something literally or metaphorically. objective observations??

i’m really inspired by how creative the cj fandom is. no design is superior over another ofc, as how people interpret the characters reflect what they like and see the fellas as. interpretation is an art form! wow. writing that makes me realize that chonny’s fandom came from him interpreting music into his own thing (and ergo hms narrative), and then the fans interpret that narrative into their own thing. the loop never ends 😔💀/silly

FIRST AND FOREMOST, THANK YOU ^_^ !!! i agree also, the fandom never fails to inspire me, everyone in it is so crazy talented and makes me even MORE insane about the stupid guys from my songs,,

NOW favourite aspects,, there are a lot of things i love seeing on different hmsw designs but one thing i will always be insane for is when people make them look distinctly inhuman,, i will forever preach about robot/android mind or creature animal heart or whatever the fuck soul is (empty vessel?) because whatever they are they're NOT humans!!! not entirely!! and i love when people write this into their behaviour too! making mind stiff and speak more robotically while heart is always fidgeting and jittery and he has claws and these massive uncontrollable wings.. auaygauaghj

another thing is when people include aspects/colors from the others into their designs,,,.... for example heart with red accents or mind with purple accents and so on..,, or better yet when people include orange in their designs AUGH. it's so good

CELESTIAL THEMING IS ALWAYS BANGER of course heart and mind as the moon and sun is absolutely perfect, but i also like when people throw other planets into the mix?? and i love soul as the stars, it fits him well, but i'm personally subscribed to the headcanon of soul as the sky,, which holds the sun and moon,,,,

something i do personally is to always break up their faces, if that makes sense? with heart's blindfold, mind's screen and soul's shadow/clouds ...,, the face is something that makes your brain recognize what you're seeing as a fellow human, but as previously stated, i love when there's something Wrong with them, so maybe their faces being broken up makes them look much less human...,, hehehe

there are countless things that i love to see on these character designs and if i wanted to rattle them all off we'd be here forever. but i'm just saying, i haven't seen a single design that i haven't liked!!!!! i'm talking a lot about visual details here because once i get started on their psychology i never shut up and i don't want this post to be too long HJAHAHHA but yeah!! cheers!

[jamiepaige]

Constant Companions Closeup #10: MY DARLING, MY COMPANION

(also on spotify!)

It's the Constant Companions Closeups! A series of in-depth dives into the songs off of my latest album, Constant Companions! Last time, we talked about gender with Object of Affection! Today, we've made it to the title track (kinda?)! My Darling, My Companion! Do you think she's figured out what she wants to hear yet

---

Every time I first embark on the process of making another album, I always think I know what the final product will look like. This is a fairly recent phenomenon, born of the part of me that thinks that planning things out and being somewhat disciplined in the act of creation will ultimately lead to a better final product. That's fair and all, but it's also genuinely never how things actually shake out, as I almost always toss that out the window and just start writing shit the first chance I get.

Constant Companions, however, is the closest I've gotten to actually following through on those initial ambitions. Well, maybe not the initial ambitions - without fail, every time I finish an album, there's a two week period where I start writing new material thinking "this next album's gonna be the MOODY one" and it's never the moody one - but rather the plan I developed once my pile of works-in-progress started looking album-shaped.

There's always been some amount of self-referential leitmotif-loving song-series energy in what I've written - Imaginary, Effervescent and Secret Girlfriend; sampling myself on Too Much Autotune or Second Hello; that little four note motif. I had been leaning even further into it with People Posture Play Pretend and 🤼‍♀️, bringing the little interconnected background radiation straight to the forefront, and I wanted to keep going.

So, I would take that mindset and write about motifs - the things that have stuck with me and gotten me to where I am - the hopes that I've clung to, the dreams I want to make real, the patterns that I keep finding myself in. The things that haunt me and the things that keep me living.

...

My constant companions, if you will.

wait didn't i already do that bit. what was i talking about when i did that

This might be incredibly obvious if you've already read the Closeup for Breeze Blows, but yes, this is another song about being plural.

Like I said previously, writing these self-directed songs portraying internal conversations has been a very big part of finding peace within myself. Having to confront a part of myself both alien and overly familiar with seemingly a mind of her own is, understandably, scary as shit in countless ways! If nothing else, it feels like sometimes I can't even talk about it out loud without sounding completely gone.

But it's made me realize and really think about something I think most people take for granted, something that feels silly to even say out loud given how obvious it is but that has completely changed my relationship with myself - you are always a part of your own life.

The overwhelming, ceaseless negative self-talk I lived with for however many years never went away because it was a part of me, and no amount of compartmentalizing or boxing-up or repression or anything helped even in the slightest compared to the act of showing her kindness and patience, letting her be a genuine part of me, being a friend to her. Doing so revealed to me a happier, more hopeful part of myself I thought I'd lost forever.

Letting yourself be yourself, and loving yourself for who you are, is the best way to be!

or something. that feels so fucking dr seuss of me to say whatever we're corny here we will Be corny

---

The working title of this song was "Hathaway", inspired entirely by my friend Lexie messaging me one morning about a dream in which I had released a song named as such. Naming and writing songs based on dreams is maybe my most beloved bit at this point, but my girlfriend ultimately convinced me to make the title My Darling, My Companion. Mostly because she (correctly) thought it'd be cooler than just a pure title track.

The verses were written by sampling my own previous demo for a title track, turning it into a call-and-response between me and GUMI, and the chorus was lifted almost word-for-word from another demo of mine using Teto. That second demo was partially inspired by the character Morgan from the visual novel Heart of the Woods - which I mostly bring up because it's just a really good yuri VN that is near and dear to my heart. And also because my friend Teffi voices the character Tara in said VN. And also because I recorded my vocals for this song at her house. And also because the voice that says "me when I'm goated as fuck" right before the second verse is in fact Teffi in the recording booth with me. Yuri runs deep in my veins.

Speaking of which, this song, in my mind, is one dedicated to advancing my agenda of GUMI x Teto, albeit subtly and in a roundabout way.

See, GUMI has always been something of an idealized voice in my other work. The songs of mine she sings historically have always been hopeful, upbeat, expressing some sense of comfort - I Wish That I Could Fall maybe being the only exception, and even then still offering some hope in the end.

On the flipside, there's a part in verse two where my voice is swapped out for Teto for a couple lines. I couldn't really tell you what it is, since it's not in terms of timbre or range, but Kasane Teto - her Synth V voicebank especially, but really all iterations of her - is the vocal synth that feels the most like a stand-in for my own voice. And really, writing with her almost seems to bring out parts of myself that are a bit too honest.

These two juxtaposed against each other made perfect sense. It helps that they have The Color Scheme, too.

Finally, this song is basically just one big reference to my song Destiny, from back in 2018, and it even closes out with lyrics based very directly on its closing refrain. I don't have much else to say on that front - but there's another Jamie Paige song this bears some shared DNA with, and a blatant reference to it is hidden in plain sight right as the bridge transitions to the outro.

Do you know what it is?

That's the post! If you have any questions, feel free to send them my way - I'm planning on doing a big AMA style bonus post after the album's finished!!

Speaking of which, tomorrow, we'll be talking about the eleventh and final track on the album - a simple little song about a computer falling in love... :~)

[shikai-the-storyteller]

Can't stop thinking about Cellbit putting himself in harms way to protect Roier from Cucurucho and how, just days prior, Forever did the exact same thing for Maximus.

[itspileofgoodthings]

remember when you hit the brakes too soon! twenty stitches in a hospital room! when you started crying baby I did too! but when the sun came up I was looking at you!

[quinn-pop]

yet another oc that only exists because i wanted to write something very specific

(middle is a little older, hence her scar healing. i like to think she gets a glass eye at some point)

anyway this is mira! (they/she) since that wip is almost 20k words and counting i won’t give away too much but long story short she’s the result of meta going “one last time, i promise” and adopting yet another kid

also galaxia kinda indirectly picked the name :)

i’ve mentioned before that i headcanon that pretty much all astrals are autistic and this is just kinda an extension of that. whereas meta tends to suppress his emotions and conform to others, mira…doesn’t. she gets uncomfortable and upset and lashes out at people easily, and working through their emotions is no small task.

the main reason i chose to write them that way was for the sake of narrative but i’ve grown attached to it because there’s a lot of ideas there i’d like to explore. stuff about navigating emotions and relationships when existing is so suffocatingly uncomfortable. it’s not something i could center around Kirby himself, but i think it makes sense with a post character development meta knight.

they are very loved (omg oldee cameo???)

kirby was definitely very excited to have younger siblings after being used to being the youngest in the room for so long!! (with the like. one and only exception being gooey.) he’s super affectionate with both of them and wants to have a close relationship one day, but for now mira is pretty unappreciative of that fact lol. they don’t like being pestered for hugs

everyone else is okay tho

(i know that’s hard to read. oops. “obvious bite marks”. siblings being siblings.)

mira also has a very love/hate relationship with the egg kid, being so close in age they kinda Have to get along but in typical sibling nature they also fight a lot. sure it’s probably rough for a while but i think in the end they’d be good buddies. maybe not as close as Kirby and Bandee but still.

anyway i have a lot of thoughts and am very busy but. i’m really enjoying writing about all this lately it’s been fun ^^

[skrunksthatwunk]

you go to a lesbian blog and find it says women only!! no men allowed!!! and go oh! excuse me, um, what about other lesbians? plenty of lesbians are genderqueer... and they go well, okay, go fuck yourself tim chop off your sweaty dick and stop calling yourself a lesbian. you do not have a dick, actually. you think about that fact often, even though it does you no good. you do not tell this person that.

you go to another lesbian blog and it says women only and you try again, and this time they change it to wlw + nblw only (non-men who love non-men :D). and you'll say hey i appreciate that but gender's not really that cut and dry for a lot of people. someone could be both a man and nonbinary, for instance. i just worry that you're looking at nonbinary as a generic third gender, or an extension of womanhood. i mean yeah you include nblw in your tags but all your posts are about pussy-havers exclusively. what's with that? and they say go fuck yourself you pervy man pretending to be a lesbian. you tried to sneak in but i won't let you.

so you go to a lesbian blog with a dozen or so posts about queer people needing to be more weird about it and you sigh in relief. but you still see the men dni. that's odd. hoping for the best, you say hey! i know you mean well but please maybe don't put men dni at the end of the lovely posts on your lesbian blog bc some lesbians are men. and they'll be like ok!! well you're allowed ;) and you say no that's not. no. some men are lesbians not just me. you think about your own dicklessness and wonder if that's why you were given entry. and you add that even if male lesbians are allowed, there's no indication of that. how would anyone know without asking? and they're like ohh gotcha gotcha well men dni + this is for sapphics only!! and you'll be like ok well that treats the concepts of men and sapphics as mutually exclusive identities and i just told you that's not true and you agreed with me so.. i don't think that solves our problem. and they're like. ok. fine. men dni but genderfluid and multigender people are allowed! and you're like no see that's. that's still the same thing.. you're saying the same thing just with different words. if you don't want men to interact but you're fine with multigender/genderfluid/etc ppl interacting then you either don't see them as Real Men (because they don't reach a standard of Full Manhood) or Complete Men (because they're only Part-Time Men), both of which suggest that they are, in some way, not men or less-than men, which is invalidating and defeats the point of the exception in the first place (accommodation) OR that you don't really mean the dni which is confusing and inconsistent and makes guydykes feel weird and uncomfortable and excluded from the lesbian space you're trying to cultivate. and they're like um. ok. so. cishet men dni? and you're like well i think that makes more sense, but what if someone identifies as both a cishet man and a sapphic? again, if we're trying to accommodate the genderfucky populace then that has to be a possibility that is considered. and they say god you people are never happy. what do you want me to do? what am i supposed to say to keep the right men out? and you pause. you empathize with the need for a space free from dudes trying to fuck you straight and feminine. dudes who watch lesbian porn and joke about what they'd do if they were allowed into girls locker rooms. who look at you like a piece of meat, and like someone who looks at women like pieces of meat in the same way he does. you get it. you know. you want a space where you can be sapphic, too. that's why you came to these blogs in the first place. you brace yourself and you say well i don't know that there are "right men" to keep out. i don't know that there's any single label that would accomplish whatever it is you're trying to accomplish. you could go for "sapphics only" or "queers only" and i think that might be the closest thing to what you want, but it's never going to be perfect. creating any exclusive space is going to shut out people you didn't account for, and the broader the label, the more people will be shut out that you didn't want to shut out. and what about people who don't know if they're allowed? what of questioning transbians, where are they supposed to go? and, frankly, i think i might rather my dykey posts get read and appreciated by a gay guy who sees me as a man than a woman who only sees me as a sacred womb, pure from male perversions or violence or whatever. i think community might just be more complex than a dni can handle. and they look at you and say i don't want to not have a dni. i think you're too permissive. you can't just "what about" or microlabel your way into everything. go fuck yourself, i bet you're not even a lesbian anyway. go find a real problem to get mad about.

you go to a lesbian blog. you ignore the men dni because you know you probably don't even count to them. or maybe you do count and, out of respect for your manhood, they'd shun you accordingly. you try to feel okay about that. you scroll past dozens of posts about mediocre men and gagging at straight friends' boyfriends and how gross and undeserving men are of the beautiful women they couple up with and how all women should be gay so they can get treated right and and and and and. you finally find a post about curling into someone you love and feeling at peace and try to lose yourself in it. you know that feeling is what unites you, what makes you belong. you try to focus on it. you think about carding your hands through a butch's hair or lacing fingers with a femme and feeling warm and loved and more yourself than you ever have before. like this is who you're meant to be. you read about lesboys and butch boytoys and genderfucky dykes and big hairy deep-voiced wonderful women (like you want to be someday, like you wish you could make yourself) and you try to ignore the men dni underneath each and every post. and you daydream about meeting someone kind and earnest at a lesbian bar even though you don't think any such bars exist within three states of you and you can't drink and don't want to drink because you need to be in control of yourself at all times so you don't fuck up like you're always about to and here in the nonexistent lesbian bar you feel wanted and safe and in good company. you picture your ideal, happiest self. it is a mistake. ideal-you has a goatee. not the mascara one you smear on and call drag even though you know it's not drag, not really, the beard you call drag because you think everyone would look at you sadly if you told them it was just to pretend you had something out of your reach. a beard that's soft and that you grew and that cannot be smudged away if you get too comfortable with it. the dream shatters. your people pull away from you, their scoffs mixing with the mind-numbing gay girl bedroom pop you learned to settle for just to have something that almost resembled you, they all pull away and turn their backs and do not look at you. you're too close to being a man now, even though you're the same amount of man as before. and they know you're not supposed to interact with men, not as you would with dykes, at least. and it sours. it's all your imagination, all in your head, but it sours.

you sigh. you think about how small you are. how short, how narrow, how feeble. how your voice pitches up when you talk to strangers because it's easier to speak quietly when it carries more, and because you're nervous. because it's a chore to talk, like everything is. you think about testosterone. you think about how your family would look at you, the questions they would ask, your answers they would only pretend to accept. the uncomfortable glances and whispered questions they'd try to hide from you. you think about how small you are, and how small you will always be. how you don't know of a way to fix it, but even if there was one, no one would want you anymore. you'd be the only one thinking it made you a cooler dyke. you think about how you don't even want a T-voice all the time, how you'll never be able to switch it at will, because you don't know how and can't bring yourself to figure it out. you think about how your throat closes around every hint of your own attraction. how wanting is perverse, how wanting is invasive, how wanting is embarrassing and too vulnerable so it must stay anonymous, as an online witness, and how you can barely manage to form or maintain friendships because your brain makes you pull away, always spinning out and struggling to recover from the simplest of interactions. how they'll all leave you and you won't chase after them at all and how that will hurt them. how stuck you get. how it looks like nothing's holding you back, how that frustrates everyone who thought you were going to be more than you were. the people you love who understand except when it comes to being ghosted, being shut out. how you don't want to hurt them. how you can't tell them that because you're stuck. how you turn to stone when touched, how you never reach out, how you lose your speech and can't look at people, how your autism is fun and sexy until it becomes real and you never see them anymore, how much you longed for someone who knew everything without you having to explain, and who loved you anyway. how unreasonable you know that is to expect of anyone. you think about that not-even-real lesbian bar. you think about how you still can't drive. how you can't leave your home on your own, without dragging somebody into helping you. how you can't leave your body. how you can't leave your manhood behind.

you think about finding another lesbian blog and ignoring everything. about skimming it for the parts you can juice some meaning from. the parts men ignore and don't understand, and how typical of you it is to do so. or the parts where you're not welcome and you should accept that, because it's for lesbians only. how you are a lesbian anyway. how you're meant to choose lesbian or man, how each is a betrayal of some kind to yourself or your people, your family, your lovely strangers, your rare friendly acquaintances. about the parts that tell you you're not wanted, that you're ugly and lazy and gross and insert yourself everywhere without even asking. about the parts that tell you you are hated, and how lesbians are above it all by rejecting men. how lesbians are each blessed miracles. about the parts that say you should be ashamed of being whatever twisted confused freak you are, of everything, of looking and wanting or not looking or not wanting, of picking and choosing instead of taking it all in with a smile. after all, shouldn't you take it? or is your ego too fragile, as men's so often are? aren't you tired? good. we're not here for your consumption. and we sure as hell don't want your company or "community" or whatever. didn't you read the sign? no boys allowed. and if you want to come in you have to make up your mind. as if you haven't told them the only answer you have. you're both. you're both.

you know you broke the rule by interacting.

but it gets lonely sometimes. you wonder if they know.

[bugsinshoes]

there's this concept that i've been aching to explore and i've finally gotten around to drawing + developing it. may i introduce you to:

laurie's mindscape.

laurie's mind is a vast forest of thick maple trees. unlike stan's mind, her memories are represented by large picture frames, leaned up against trees, or even mounted upon them. the frames are all different, ranging from different carvings, to different shapes. the trees themselves are massive, their branches intertwine and create an illusion of being in a tunnel of sorts. warmth radiates throughout the area, and it feels like an extremely safe place to be. it seems completely harmless, but is it really?

if you were to find yourself straying too far from the surface memories, you would soon find the beautiful warm maples slowly dying out and being replaced with sickly birch trees almost seamlessly, the once pristine and intricate picture frames are now cracked and forgotten, and there's an overwhelming fear of being watched. the markings on the trees seem to follow your movement, as if their "eyes" were looking straight at you.

if you are brave enough to push through this unsettling environment, you would be greeted by something much much worse. the colour of the mindscape seems to completely disappear, leaving nothing but greyscales and pale sickly colours of similar vein. wandering too far into laurie's mind would end you up in her suppressed thoughts, a horrible place filled with her innermost guilts and traumas. the air is frigid, and that feeling of being watched becomes so so much worse. it feels like the gaze of a thousand eyes is burning into the back of your head, and it will. not. cease.

after a while of walking deeper and deeper into the recesses of laurie's mindscape, you'll find yourself in a clearing of sorts. in the centre stands the gravity falls water tower, albeit in an extremely decrepit state. the wood is rotting and the metalwork is rusting. even more birch trees lay here, their markings all strangely facing towards the tower. something happened here, and it's clear laurie doesn't want to remember what.

[cerealmonster15]

fic notes....

[berryblu-soda]

Anyways update i just didnt bother to post earlier:

fr God is good and the whole car crash my parents got into last week was so incredibly mild in terms of injuries!!!! worst was a bruised knee im pretty sure

ALSO-

*taps mic* HUG YOUR FREAKING LOVED ONES OR SO HELP ME!!!!!!!

[rearranging-deck-chairs]

nothing interesting here it's the exact same scene i just like seeing it

[pink-lemonadefairy]

🌻 ₊˚⊹ ࿔ 🌳

[sparky-is-spiders]

Pleeeeease tell me about the time travel jonsasha fic. I'm assuming it's jon who goes back in time? From where, end of s5? 👀👀👀 Is it preestablished js, or canon compliant until the time travel? Are they going to try to kill elias......

Alright. So. This answer doesn't need to have context but I'm going to provide anyway, so buckle up for several paragraphs of rambling. Under a cut for length.

Anyway so last year I made this post. It's not required reading but it is relevant. Basically, in my first six months(?) or so in the fandom, when I was big into jm, I read a buncha time travel fix-its. I've sorta moved away from them (heads up this fic will NOT be a fix-it) but at the time I really enjoyed them.

(To clarify, nothing wrong with liking time travel fix-its or not wanting to touch the implications. Time travel identity theft isn't real and we're all here to have a good time. If that's your jam you do you)

Now. The Thing With Time-Travel Fix-Its is that there's going to be a past version and a future version of your intrepid time-travelers and you're going to have to Deal With That, and a common method of Dealing With That is the time travelers waking up in their past bodies. Pretty normal, not unusual, dodges some complicated tangles re: having two versions of certain characters floating around, a perfectly understandable choice that nontheless carries Implications.

Namely: what does it mean to take the place of your past self? For you? For them? For the person they could be? For the people around you (who may as well be interacting with a stranger)? Is that really you? Are you really them? Could overwriting your past self count as murder/identity theft/Bad?

And I thought about it. And I thought about it. And I thought about it. And then I got super into jonsasha dual archivists AUs.

Okay. Context over. We can (finally) talk about the fic.

So, I am a simple creature and Jon is my darling beloved. So I didn't want to just kill him off before the fic even begins (although. hmmm. tempting, actually). But i did need him replaced by s5 Jon. So. What if he was just... displaced? Shoved out of his own body by an imposter? A ghost invisible to all? Alone? Afraid? Watching his friends interacting with an unknown but possibly malicious entity? And thus, the Time Travel Nonsense AU was born!

So there's no outline and it hasn't had a lot of Rotation Time in awhile, but I do have a series of loosely connected Ideas down so you can have those.

Something else is living in S1 Jon's body. He doesn't know what it is, or what's happening to him. He can't really interact with his surroundings, either. Can't be seen, can't speak to anyone, can't do anything but watch. Even the thing puppeting his body doesn't seem to know he's there. And it behaves... strangely. It has some of his mannerisms, and it acts like him, but a little to the left. It's uncanny, watching something that is him-but-not-him like that... and it's lonely.

(S5 Jon is going to be an "it" because S1 Jon is perceiving S5 Jon as a monster/creature (although I do believe in it/its Jon supremacy, to be clear)).

He tries to figure things out on his own. Tries to signal for help. Tries to take his body back. Tries to speak to the new occupant. Nothing.

The fic initially opens with a transcript of his statement regarding the experience. It's technically for everyone but it's addressed to Sasha specifically. I don't know what happens with it after though.

At some point, he does manage to make contact with Elias. It's So Weird how only his boss can see him, but it's something at least. Especially because he's so goddamned lonely.

He's a ghost at his own job and in his own house. He hasn't spoken to anyone in weeks. The others think his replacement is behaving a little oddly but seem to be getting along better with it than they ever did with him. It's revealing things about him as if it was him. It feels horribly invasive, and lonely, and frightening, and awful. His only source of comfort is Elias, and they start a sort of weird situationship sorta thing. It's a good thing Elias is so helpful and trustworthy huh?

Maybe Sasha finds the tape. Maybe she just thinks Jon is acting Weird. Either way, she gets to snooping and is drawn closer to the Eye.

Elias, meanwhile, is trying to get Jon marked, and closer to being the Archivist, and back in his body, AND trying to figure out what it was that replaced Jon. Jon is trying to do the last two. Idk what s5 Jon is doing. Maybe finding ways to break whatever binding will cause Elias' death to hurt other institute employees?

Anyway, after a certain point, Sasha is connected enough to the Eye (and Looking hard enough) that she can see S1 Jon, and they start working together too. Maybe they try to keep it secret from Elias? Idk.

S1 Jon will get his body back, and S5 Jon is eldritch enough to probably not need one.

Ok honestly by this point things are reaaaaally vague if I'm being real. So, lightning round:

The JE situationship breaks off due to Elias'... everything really (I mean, once its revealed that he's evil and sinister and stuff).

Jonsasha's misadventures trying to get Jon's body back result in them racking up marks.

Sooooo much of this is me being enamoured w/ outsider PoV... time travel but from the perspective of someone who ain't travelling. Another important aspect is S5 Jon trying desperately to fix things but failing because the whole project is Doomed and he is being sabotaged from the start by an invisible force (himself).

Also S1 Jon accidentally making things worse for himself because all the information available and his general situation push him to do so.

Sasha survives the Not!Them (obviously) (how? good question!!)

Jon and Sasha have a weird complicated Thing. Their research into S5 Jon sort of separates her from the others and they kinda become drawn into their relationship and stuff. Also from the whole "same master same monster" situation they got going on.

There's going to be a short tape transcript of Jon telling Sasha about his situationship with Elias. Idk if I'llbe able to indicate it over audio transcript but they are both sitting on the floor or cot or whatever and Jon's head is on her lap.

Jonsasha are t4t and autism4autism.

I have a really specific image in my head of them running out the institute's front doors while holding hands, very near the end of the fic.

They do run off somewhere (maybe Scotland still idk) and they do read the 160 statement. Together <3.

And yeah that's everything. Got vague and floaty near the end there but to answer your questions: yes, yes, canon-compliant until time travel, and maybe at some point idk.

[xhanisai]

.

[sisterdivinium]

It might appear somewhat essentialist at first if used to examine real, breathing human beings, but Carol Gilligan's "Images of relationship" can provide an interesting framework with which to understand certain facets of Warrior Nun. More so when coupled with David Hayter's comment on how the show's "women are always right and the men are always kind of screwing things up," for her article, dealing in systems of moral understanding, might point us towards the reasons behind this openly admitted narrative "bias".

In a nutshell, Gilligan observes the different strategies by which boys and girls seem to resolve moral dilemmas, deviating from traditional interpretation. This is because, Rosemarie Tong reminds us, "Gilligan challenged the Freudian notion that men have a well-developed sense of justice — a sense of morality — whereas women do not". By looking beyond these hurried and prejudiced conclusions of (male) researchers before her, she "argued instead that men and women have different conceptions of morality, each equally coherent and developed and equally valid". She bases this idea, then, on those resolution strategies that were found to consist of, for boys, a tendency to see the moral dilemma as "sort of like a math problem with humans", while the girls were more inclined to view it as "a narrative of relationships that extends over time" — so if boys seemed "logical" through their impersonal abstraction of a situation, invoking concepts similar to those of law and justice, the girls were more likely to follow a different, "personal" logic, through "an awareness of the connections between people", identifying "a web of relationships that is sustained by a process of communication".

Where this all intersects with Warrior Nun is that the male and female characters seemingly display these same propensities of moral judgment.

If we start with the men, we will quickly see that they are all caught up in their own abstract systems, prone to grand ideas and concepts while detached from the world and the valuable human bonds that make it up, just as Vincent sees the quest for a hypothetical "better world" as more important than the life of a very real, concrete woman he claims to love. Mr. Hayter himself, in the same interview conceded during the OCS Conclave of June 3rd, mentions how father Vincent and cardinal William are irresistibly attracted to the notion of power: "here's this guy who can do godlike things, so why wouldn't I follow him, you know? ... We gotta have some power ... that we bow down to or whatever". This is how he transmits a glimpse into these characters' psyches and we could safely argue that this behaviour and thought pattern extends to the rest of the men in the show, including Duretti, Kristian, Adriel and even Michael Salvius.

Whether these men mask their fascination with power through other words or not, theirs is a cause which easily calls for violence and a willingness to kill or die for it.

Earthly power inspires Francesco Duretti to have the current halo bearer killed if need be as he attempts to consolidate his bid on the Holy See; Kristian Schaefer would sacrifice the world as readily as he does his old acquaintance Duretti in the name of this power that lay entombed for a thousand years but communicated through the voice of a sick little boy; cardinal William Foster is inebriated with the idea of being a new god's right-hand man, so he brutally slaughters his colleagues to buy himself a place at Adriel's table, even if that means getting no more than his master's crumbs; father Vincent is so eager to find someone or something powerful enough to take the burden of "his darkness" from atop his shoulders that he convinces himself of there being divinity in the parlour tricks of a manipulator, killing a symbolic daughter in this trickster's name; Adriel would bleed humanity dry without a second thought all the while claiming to save it in draining its belief for the benefit of his own megalomania; finally, Michael subjects himself to the will and authority of Reya, whom he claims to be "unimaginably powerful".

Of course the women of Warrior Nun are mostly all ready to lay down their lives for their own cause as well, or else we wouldn't have their iconic motto of "in this life or the next", but the motivation behind it is what sets the men and the women wholly apart here. If the former are intoxicated by the concept of power, the latter are embedded in a family of sorts, in a dense network of relationships that they can identify with some ease, and which informs their decisions and actions more than just dogma or theory.

Most if not all of the female characters struggle between two different stances: one is an offshoot of the males' abstract organisation of the world, while the other is a more "hands-on", "organic" order; between "duty", or what is said to be their duty, and that which their own perception reveals, their "personal" logic by which the "self [is] delineated through connection", seeing one another as actual sisters instead of mere pieces upon the church's chess board. We see the dilemma take place within Beatrice, Camila, Lilith and Mother Superion, who are all faced with a choice of sticking to their place in a well-defined (artificial, abstract) structure or valuing instead the human connections all around them and that stand in opposition to this man-made categorisation of life.

And, one by one, they take the side of that one character who seems to have kept her lucidity and fidelity to her own understanding through it all: Mary.

Mary never lost sight of her priorities. Her focus on friends and sisters illustrates Gilligan's point rather well when she is the only one who insists on understanding what happened to Shannon all the while the OCS is made to concentrate its energies on the halo instead. Of course it blinds her to Vincent's betrayal, but that is his fault more than it is hers; her moral compass points at the right direction for the most part.

And, each at their turn, the nuns adopt (rediscover?) this same mode of thought. Beatrice's efficient, obedient soldier façade crumbles beneath the urgency of siding with Mary rather than following the arbitrary decision of some man invested with the power of an institution; Camila outright admits wanting to be kicked out of the church just so she can stay near to the people who represent her allegiance more than liturgy itself ever could; Lilith literally travels to hell and back to rejoin her sisters, regardless of how her subsequent mutations upset her loyalty later on; Mother Superion sheds her prominence within hierarchy, risking it all, by standing with "her girls". Even Ava, an outsider with no ties to the church but who so desperately wanted to "live", trades a vague, abstract notion of what "life" and "freedom" entail for the very definite, tangible reality of the family this group of women becomes for her.

Another outsider equally stuck between "bodiless" logic and the reality of human connection around her, Jillian Salvius, too, falters before choosing her side when faced with these two points of view: that of "pure" reasoning and that informed by the consciousness of surrounding relationships. Her quest for "knowledge" is not sufficiently strong so as to potentially sacrifice someone in her inner circle. Season one has her holding young Michael back from stepping into the machine she herself had created for this purpose when concern overrides calculation; season two gives us a powerful scene where she is tempted by Kristian into joining Adriel's ranks as he claims she is already a part of it all and dangles before her the forbidden fruit of the world's hidden laws, the elusive answers the scientist in her has always searched for. He tries to hook her in by simultaneously appealing to her intellectual interests as well as her understanding of the web of relationships when he claims she is another link in the chain that leads to Adriel...

And Jillian refuses him.

Kristian would never convince her of already being within this specific network of relationships because he was the one to rupture it first.

To these women, unlike the men, it's not about ideas — or, rather, about rationalisations, given how their interpretation of what is logical or reasonable is more than open to inquiry. To these women, it's not about loud, large but empty words vulnerable to tampering and shifting meanings; it's not about power.

It's about people.

Rosemarie Tong says "Gilligan believed that women's moral development takes her from an egocentric, or selfish position to an overly altruistic, or self-sacrificing position and, finally, to a self-with-others position in which her interests count as much as anyone else's" — and this seems to describe perfectly well the inner trajectory that these characters follow. We see traces of the selfish in Ava, Jillian and Lilith, as well as of the self-sacrificial in Beatrice or Suzanne, but they all appear to converge on this path towards constructing a "self-with-others" whereby they are all individuals inextricably tied to one another — and aware of it, acting accordingly. A sisterhood, a direct sisterhood that supersedes the very church structure which facilitated it to begin with.

Of course Warrior Nun is too intricately built to allow itself to be so smoothly explained; if Carol Gilligan provides a framework that helps us to identify what is so positive and deserving of attention in the female characters' attitudes as championed by one of the show's own writers, it also falls short on other points and her propositions can then be questioned by the show in turn.

We need but a few examples.

If Jillian Salvius values the significance of association with others more than she does a cold, distant overview of things (the latter being the stereotypical scientist attitude), then how is it that she seems so prepared to immolate Lilith at the altar of curiosity? One relationship takes precedence over the other, yes, and we cannot compare the love for a son to whatever affection or respect there is for anyone else, but the nature of Jillian's experimentation with Lilith, had it gone forward, is quite brutal even for the sake of a debilitated child. Jillian's stance is understandable, but this "self-with-others" thing isn't as clear-cut as we might think.

Lilith herself oscillates between those three positions of moral development described by Gilligan, going from selfish to "connected" by the end of season one, but ending season two in almost complete isolation, with only a hint towards her previous place in a web of sisters as she aids Beatrice in getting Ava to the ark... Shortly after having dug her claws into the warrior nun's flesh.

But perhaps Lilith is a more special case than we realise at first. Our early childhood experiences define much of our character, after all, and the words we use have a bearing on how we view and reconstruct the world in our discourse; Lilith's understanding of the relationships between people, of "family", probably doesn't reflect that of her sisters given the ill-treatment she must have received from her relatives. If one's primary web of relationships is so tainted, what model can it ultimately provide for later connections? Just as Ava's mistrust for nuns is justified by her previous, negative experiences at their hands, Lilith's experience with intimate or familial bonds surely affects her maturing sense of being linked to other people. If family is a positive value for Ava and Mary, for example, it cannot boast of the same meaning for Lilith, whose family is a source of stress and misunderstanding rather than a harbour of love.

The treatment she has received might have corrupted her grounds for moral judgment by communal lenses in a way Beatrice's rejection by her own parents did not, leaving Lilith adrift as long as she does not somehow attempt to re-signify what human connection ultimately means. To Lilith, as of yet, the web of relationships she necessarily belongs to mirrors the initial disposition she was brought up in, as a hierarchical structure where every link is tainted by the stench of power and domination — the OCS is a family much like her own... Where orders are given and meant to be obeyed.

We cannot know for certain what it is that she sees or feels after Adriel "unlocks" her wraith-vision, but there is something peculiar in how, reflecting this idea of abstract versus material views of the world we've been discussing, Lilith claims to see reality when she casts her eyes upon the nebulous demonic figures only few others can see. In her opposing traits are mixed, delivering a strange synthesis we cannot quite make out yet and making Lilith a hybrid both in body and in thought.

And while this fact alone seems to interrogate David Hayter's comment about how the women in the show tend to be correct, we can further complicate the statement by glancing at Reya.

There is frightfully little we know of her, but a lot of the information we do have is conflicting: Reya is unimaginably powerful, yet needs to manipulate two young people to do her bidding for her in fighting Adriel; her predictions are "meant to be" yet do not manifest in the way they were said to; she is described as some sort of benefactor by taking Michael in, but she sticks a bomb into his chest and the very sight of her sends him reeling; she is, as far as we know, a woman, yet she might very well be at odds with the other women we see in the show. How, then, are the women always right?

Perhaps they are so when following their conscience as guided by their understanding of community and sisterhood, when belonging to a network of relationships and acknowledging it. That would exclude a murderous sister Frances, a confused Lilith and a mysterious, distant Reya from the definition.

In this sense, then, even if the characters are not static or simple, even if they waver between the moral positions suggested by Gilligan and which do not seem all that definite to begin with, her text is still enlightening as relates to why the women are, "word of God", the moral touchstone of Warrior Nun.

Having been robbed of further development of the story and universe for the time being, however, precisely because of an abstracting, impersonal corporate logic that sees only numbers where there should be people and the wonderful effect this show has had on them, there is only so much we can conjecture on this subject...