ABBASI, ROHAN: an introduction, of sorts
Following immediately after Seth.
It’s widely considered bad form to start one's story with their protagonist waking. So let us begin, then, what is most assuredly not a story – something quite smaller and grander in scale – with most assuredly not our protagonist – lacking categorically across the board – with, of our own forthright admission, an interlude on morning routines and the spiraling outwards of them.
Like most mornings, Rohan rises with the bile-bitter tongued feeling that he’s already late for something important.
Unlike most mornings, he does so in a bed his body does not recognize and without the usual sunlight streaming across his face. The sky, from what Rohan can see of it, sits lower here than in Arizona, a singular grey plane through which it feels little can escape between. What light does is equally low and flat, casting the as-yet-unfamiliar room in unflattering shades of, well, more grey. Rohan reaches semi-blindly for the bedside lamp for what little it'll help, his face still half-pressed to the pillow and — a protein bar.
He hadn't dreamed it, then. Seth had been here. The silver, crinkling assault of Kirkland's Worst nestled in the indent only just previously occupied by Rohan's head enough to rematerialize — something of the morning. God fuck, what time was it?
Rohan swings his legs over the side of the bed. It's cold. Of course it's cold, it's February, and for most of Rohan's life February has meant fucking cold. But Arizona, clearly, has made him soft. Cold-blooded, in need of a large, smooth rock to stretch out on for a few more hours. Missing the same sun he had complained so thoroughly about for so much of the year. Maybe he should think about investing in a sun lamp; any chance Amazon will still honor a two-day delivery?
...
When Rohan does arrive at the right room, it's under frankly more layers than he has any business wearing and would be embarrassed by in nearly any other circumstance. And he still feels cold — though, if we're to be entirely honest, as much as Rohan is ignorant to it beyond wishing he'd worn another jacket, it likely has more to do with the freezing waves rolling off the rest of the team than any real change in air temperature.
Rohan, for his part, started practically vibrating the second he so much as stepped foot in the building. To say he's operating on a different wavelength than many of his coworkers might be, perhaps, an understatement. He enters brightly, bristling with awareness of each pair of eyes that swivel towards him. This, at least, is in some way familiar. Orientation; a round table of stiff-mouthed and too-rehearsed introductions, even if Rohan is the only one leaking genuine excitement and anxiety on making a good first impression out of every pore.
If there is any hesitation in Rohan's step, it's not in taking his seat. That's easy. He slides into the space held for him, Seth's bag deposited gently on the back of his chair and Rohan's slung the same. A matching pair. He gives Seth a gentle tap on the ankle to say what he needs to and won't in the presence of strangers. Hi. Good morning. Thank you. Don't look at me like that. Pay attention.
Beyond that, Rohan is by all accounts well-behaved and characteristically himself. He does not take notes, does not cross his arms and avert his gaze. Rohan sits forward in his seat, chin propped in hand, making as much direct eye contact with each speaker as they'll allow. In the space between he leans back, settles beside Seth, and allows himself the brief vice of workplace gossip with his best friend.
When his turn comes around, by virtue of it just having been Seth's, Rohan slides again to the very edge of his chair, elbows planted on his knees, and gives a half wave.
"Hi, all," he starts with a smile, trying and failing to meet the eye of everyone left in the room through it. "I'm Rohan. Just Rohan, please. Dr. Abbasi if you feel especially professionally compelled, but really I'd prefer if we kept things more casual and friendly, seeing as it looks like we're going to be spending some serious time together. You're welcome to call me Tree Hugger, if that feels right to you, but you might have to say it a few times to get my attention."
He tries for a self-deprecating smile, drops it, and tries again with something a little more honest and open.
"With that said, please forgive me if I'm slow on the uptake when it comes to call-signs. I'm in my seventh year at the Foundation, but it's all been on the research side of things. Lab work, mostly. I'd be more than happy to go into details with anyone who's interested, as Seth knows I can go on all day about it and then some, but I'll spare you all the gory parts and give you the rundown: I'm a neuroscientist and pharmacology guy by training with a more recent focus on amnestic applications in animal and humanoid SCP recovery. I definitely consider myself a pretty active participant in the Foundation's scientific community. One of my long-term goals that I've had — pretty much since I started here has been to incorporate academic and modern medical research principals into what we do. It's something I bring to work with me every day and I'm more than excited for the opportunity to continue bringing it but on a much larger scale and alongside all of you.
"So — yeah. That's about it on my end. Again, pleasure to meet all of you. Please feel free to grab me afterwards for anything or any reason. I'm also on the hunt for a running partner, maybe someone else interested in starting a journal club of sorts — so. Yeah. Grab me if that's you. Thanks for listening. Onto the next."
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If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)
At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.
Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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