#this song will always blow my mind
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jackredfieldwasmyjacob · 2 years ago
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amaral were so insane for this song
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duahauuoplanh · 1 year ago
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SM TOWN naver update
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thehalfbloodfreak · 1 year ago
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I may or may not be reading LOTR for the first time
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best-fnaf-song-competition · 11 months ago
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Ohhhhh I have a lot to say about stuck inside!
(As a disclaimer, I’m gonna be comparing the original stuck inside with the version that had cg5, and I’m more favorable towards the OG)
Stuck inside is really interesting to me cuz it’s intentionally cheesy (affectionate). You can’t write the line “I’ll make them unalive (whoops!)” without it being a little tongue in cheek. The song is from Williams perspective, but it does a less used version of him.
The events are usually presented as dark and evil and, you know, in a horror story. In stuck inside, it’s sugarcoated and almost comedic— all the focus is on William, acting like this is just a regular Tuesday. The tone is brighter, William is describing awful things but he seems flippant towards it— “it wasn’t pretty but it needed to be done”. We’ve seen these events a thousand times, so there’s almost a sense of discomfort hearing about his acts in a way that’s so nonchalant.
The song is almost pop-y, lighthearted— until the bridge. We’ve been seeing these stories from Williams perspective, we aren’t fully grasping how awful his crimes were. But the bridge is from one of his victims. They aren’t sugarcoating it. They explain how they died, how they’re furious, how they won’t stop until they kill William. The false sense of what’s almost comedic is ripped away— there’s no silly words like “unalive”, “yikes!” and “whoops” anymore, just death. We’re suddenly forced to see the story for what it is. If this were a movie, this would be the moment where it goes from horror comedy to just straight-up horror.
And then it snaps back to the chorus, and it goes back to using the comedic tones. William assures the listener that he’ll be fine.
(Adding in CG5’s verse in throws off the balance— rather than a jarring and purposefully uncomfortable shift into the dark side, it feels more gradual in a way that doesn’t make quite as much sense. Don’t get me wrong— it’s a fun verse! But it feels like it should be part of a companion song mostly from the kids perspectives, not this song specifically)
And there’s another thing— the chorus shows that the protagonist of this song is deeply selfish. There’s no apology for his actions, he offhandedly mentions why he’s doing things but never lingers on it or explains further. The chorus is about him. He says “it’s alright, I’ll be fine.” They’re sustaining HIS life. He doesn’t think he survived. Nothing about the kids.
I dunno, those are just my two cents
💜
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redrattlers · 2 years ago
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goldiipond · 2 years ago
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tpn s1 soundtrack does irreparable damage to my psyche
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spacekadit · 2 days ago
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//
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librarydilf · 9 days ago
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a truly astounding number of things about me can very easily be understood by just listening to howl by florence + the machine a lot
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moodlesmain · 3 months ago
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What I'm Made Of (Sonic Heroes OST) 🤝 With Me (Sonic and the Black Knight OST): Final boss songs who's lyrics apply almost just as much to Sonic as they do to the villain he's facing
#im crazy im crazy#also i know with me is used as Merlina's leitmotif but like#you know who throughout all of satbk is like accepting being the villain of the story? Just like Merlina does? Sonic#He's literally like oh killing king arthur will make me the bad guy? oh well lol can't always be the hero#they're both willing to do what they must even if they become the villain because of it#''you know every world will have its end and i'm here to prove it all to you''#''i am who you don't think i am''#like come oonnnn that's exactly what Sonic and Merlina are arguing about throughout the final battle#and those lines could apply to either of them#AND THEN DONT GET ME STARTED ON WHAT IM MADE OF#that song people are more likely to immediately think of Sonic when they hear it for the first time#but if you listen from the perspective of Metal Sonic it's like mind blowing#especially since its such a sonic style song like its got such a familiar feel to all of Sonic's other Crush 40 themes#and I'm including Open Your Heart and Live and Learn in this#Open Your Heart is just Sonic singing directly to Perfect Chaos and Live and Learn is similar to the songs im talking about above#in that Live and Learn can apply just as much to Shadow as it can to Sonic it's their duet as they save the world from Gerald's plan#(insert an ''I'm Live'' ''and I'm Learn'' the Live and Learn Brothers joke here)#but anyway the point is that you think of those songs when you hear What I'm Made Of#it SOUNDS like a Sonic song#but then really you listen to it...... and it sure does sound like things Sonic would say yeah#but ultimately? It IS a Metal Sonic theme. And it is playing on the parralels between Metal and Sonic on purpose#''i don't care what you're thinking as you turn to me cause what i have in my two hands is enough to set me free''#LIKE THAT'S THE FIRST LINE IN THE SONG... Sonic is ALREADY free. You know who isn't and is doing everything in order to be free?#''let me show you just what i'm made of'' is a Sonic line but oh my god is it also a Metal line#dont get me fucking started on the verse about 'one by one they all become black marks on the floor' and how insane the implications make m#these boss songs are all CONVERSATIONS!!!!!!!!!!!!!!!!!!!!!!!!!!#anyway. Sonic music good#sth#moodle rambles
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wildiefleur · 4 months ago
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the way the internet is now makes me WANT to gatekeep i hate it i hate it i hate it
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youareinlove · 6 months ago
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nooo it’s supposed to be london boy x so long, london!! but in all seriousness i know she doesn’t do the obvious most times like she could’ve done wcs with dear john today but still
or red x daylight or red x maroon or mean x thank you aimee or
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bmpmp3 · 9 months ago
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LISTEN to this cover of an old MTV mashup of Toxic and Faint sung by utaite fuku_wa NOW
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#fukuwas been around for over 15 years doing his thing. wild to think about#but holy shit i hadnt check up on his covers in a while. but recently he did this one#and it blows my mind. i put it in a playlist that i forgot what i had in it (i make really large playlists and play em on shuffle LOL)#and when i heard the first part i was like ah yes faint i like this song i like the weird strings. only half paying attention.#and it wasnt until we got to the toxic chorus and i was like WAIT THATS NOT MIKE#really good impression of mike's. like. cadence? his flow!!!!!!! if ur not being distracted by the faint strings like i was#their voices have slight diff timbres plus different accents but like he had the flow down PERFECT#and in the choruses he gets chesters cadence and timbre wonderfully too especially in the part near the end of the bridge#the sort of inhaling growl in 'dont turn your back on me' was spot on#his voice is a little more broken in his screams and more melodic in the softer parts than chesters more like. fuller sound?#sorry for the random voice analyses. i am not a professional i just think like this LOL#but yeah blowing my mind. fuku_wa has always had a really versatile voice with a lot of control (LOVED his cover of two faced lovers)#(when i was a kid! its still probably my fav version of that song) but MAN i had to check to screen to make sure i didnt acidentally fall#into another universe where faint had the lyrics of toxic normally. i was so scared and confused. i like to do this#i like to scare myself by putting mashups and their source songs in the same playlists and forget about it. keeps me on my toes#Youtube
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slug-glug-chug · 10 months ago
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hi i just wanted to let you know i listen to your autism focus playlist everytime i'm studying and/or writing a paper. it's the first and only focus music i've ever found that actually works for my spicy little brain. thank you!!!
yeah of course!!
there's so many playlists out there titled "songs to relax to" or what have you, but 90% of the time it's hard lofi drums or tons of vocals. maybe not exclusively, but common enough throughout the playlist that there's no point anymore
so i made the autism focus playlist for me, but i also made it for you haha. thanks for listening <3
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mad-hunts · 3 months ago
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things had gotten quiet again and in all honestly, jack thought that maybe giving his father some space might be best. he didn't know the full story behind how barton and nico had met in the first place... but there was a tension there that was hard to explain. so, even though jack wanted to learn more about nico, a thought had come to mind that they could probably use some private time to talk. being deprived of touch for so long and suddenly getting it, too, by having barton hug him back? it felt nice to the point where all jack wanted to do that day was stay like that. for, the touch itself might've shocked him, but that soon faded into a feeling like he was real again.
albeit for only as long as the hug lasted. jack found himself pulling down his left sleeve, then, because he was now afforded a moment alone. though unlike barton who seemed to simultaneously revel and loathe being left to his own devices by others; jack, like a true extrovert, drew energy from interacting with others. and although he didn't mind being alone sometimes, being quote unquote 'good company to yourself' wasn't always easy. the long and jagged scar on the inside of his left arm was not something he liked to look at, as a rule. but jack had been thinking about julien a lot lately since he died in september.
as he let out a soft puff of air, he approached a cabinet on the wall that held all sorts of things within it. jack was looking for one thing in particular though. he let out a soft 'yes' in victory as he found what he wanted (a pack of tarot cards) and smiled for a moment. at least, up until jack heard the faint sound of someone tossing and turning. it turned out to be jervis which concerned him. maybe instead of waking him up, jack could make him some of that yuzu cha tea he'd brought along with him. he'd purchased it back when his boyfriend was sick a little shy of a month ago and it seemed to help him a lot. thus, jack reasoned that maybe it could do the same for his father.
quietly, he set down the deck of cards on the table before trudging to the kitchen. jack was about to proceed into the main room of the warehouse but halted at the corner when he heard barton and nico were talking to each other. now, he didn't necessarily mean to be nosy, but the instant he heard something like, 'you know that i expect for things between us to be settled after this, right?' from nico's side? jack couldn't help but want to listen. he just barely peeked over the corner of the kitchen, to try to hear them better. barton seemed to go completely silent at that before raising an eyebrow. ❝ uhh, yeah, why wouldn't i know that? and i'd say that you preventing me from a possible death is the perfect recompense for what i did for you. ❞
recompense. didn't that mean to pay off a debt? jack knitted his eyebrows in confusion at this, wondering what the hell his father could be referring to. but it seemed he just needed to wait to get his answer, ❝ yeah, well, its not like i wanted to kill mikhail. it was an accident. i just wanted to spook him into leaving my sister alone. he was an insane stalker who she broke up with for a reason. and yet, the damn cops wouldn't do anything about him, so i had to do something before he killed her. or worse. ❞ barton held both his hands up at this and let out a mix between an incredulous scoff as well as chuckle.
❝ ahh, i mean, i get it. you don't need to defend yourself to me. your sister has been your guardian for years and she's also your best friend — right? though i, personally, would've been happy to kill this guy if he was stalking my daughter or something. i suppose that's one of the many ways in which we differ. ❞ barton wiggled both of his eyebrows once before raising both of his arms up in a shrug-like gesture. ❝ but your uncle is still someone i consider a friend, so when i got the call about how you contacted him in a panic about accidentally killing someone... and that he called me because i was the only person he could trust to get rid of all the evidence? i have to admit, my ego was stroked. ❞
barton smirked around the water he lifted up to his lips before he took a quick swig of it, ❝ and i never like to pass up an opportunity to have someone owe me a favor. ❞ jack quickly moved back to the corner of the kitchen right when he saw that his father's eyes were moving towards him. so, nico wasn't really here of his own free will, but because he owed barton a favor? his eyes darted across the floor as jack tried to plaster on his best smile and crept out of the kitchen. his father rose both of his eyebrows at his sudden appearance, ❝ oh, hi, son. how is jervis doing? ❞ jack nearly stumbled as he picked up his backpack and slung it over his shoulders. ❝ ahh, he's fine. the guy is still dead to the world though. ❞
he took out the jar of yuzu cha he had in his backpack, before looking at barton, who simply nodded. nico looked up from the floor then, ❝ mm. just to let you know, if your father is still okay by the morning, then i'm out of here. ❞ jack saluted at this before sauntering into the kitchen. but once he reached it, he let out a deep breath and just stood there to try to calm his nerves. it seemed he was right on time to catch jervis waking up. placing the yuzu down on the table near the bed, jack only rose a hand in a wave towards the other before speaking just above a whisper. ❝ hey. ahh, you're awake... that's awesome. how are you feeling? ❞
Blackness. Cold, frigid blackness, swallowing him whole. No bottom, no edges. Time bends, stretches, snaps, like threads pulled too taut. Memories flicker, stutter, unravel like reels of old film catching fire mid-playback. Jervis floats somewhere in it, the void pressing in, pulling him under, as his body remains slumped against the cold floor. But in his mind, he's somewhere else. Everywhere else.
He blinks, and he’s suddenly younger, much younger. The world around him smells of damp wood and copper, the air heavy with salt. His parents are there, their faces blurry and featureless, standing by the shore. A storm looms in the distance, its howl drowning out his calls to them. He can taste the brine, feel the cold slap of rain on his cheeks. “Mum! Dad!” But his voice comes out small; swallowed by the wind. His hands — so small now — reach out, fingers straining to touch, but they slip through like smoke. And then they're gone, swept away by the tide…
The blackness recedes into cold, sterile light. Arkham's damp walls closing in. White coats loomed over him, their faces shadowed. The cold metal of the restraints bit into his wrists, sweat trickling down his temples. Tick-tick-tick went the clock, just above his head. The tick-tick-tick became the rattle of pills in a small, plastic bottle. White pills. Green pills. Pink pills.
The needles dig deep. Medication floods his veins—no, not medication, poison. The kind that silences the mind, dulls the edge, but never quite kills the thoughts. They still buzz, frantic, scratching at the walls of his brain. Reality and memory bleed together in front of him, like ink on wet paper, smearing and distorting. He could barely tell which was which.
The room was spinning. Everything. Spinning.
Fifteen minutes. Enough time for billions of cells to generate. But not enough to save her. Sylvie's face appeared, pale and lifeless, framed by dark hair like a broken doll. The hospital room swam in and out of focus. The beeping of machines, the cold, sterile air. Where was Alice? The baby. Where was she?
His hands flailed, desperate to touch something solid, anything real. He found nothing but empty space. And then—wet streets of Gotham under dim streetlights. He was running, slipping on the rain-slicked pavement. Chasing someone. Or was he running from something?
“…and have you fret, picking your cuticles bloody…” Now it was his uncle’s voice cutting through the haze, thick with the smell of tobacco and vanilla. Once comforting, now suffocating. “I warned you, didn’t I?��� Stephen’s hazel eyes glinted, hard and cold behind his glasses. “Walls, kit. You built them so high you can’t even see over them.”
Walls. Brick, steel, iron bars. Arkham, again. He laughed, or maybe he tried to. The sound splintered, jagged, snapping like bones.
Sylvie. Alice. Gone.
“You forgot.” Sylvie’s voice now, silk-soft, brushing past his ear. “You forgot to take your meds.”
STOP IT!
Light exploded into his vision, searing, blinding. His pulse pounded, his breath ragged. The Bat-symbol loomed before him, casting a long, jagged shadow.
“You belong in Arkham.” It wasn’t Sylvie’s voice. Not Stephen’s. Not even his own. But it echoed, reverberating inside him. His chest seized, breath caught in a cold vice. Was it fear? Or the shadow gripping tighter, squeezing out the last of the air? The Bat-symbol grew larger, swallowing the world whole.
Flicker. Jump. Alice’s laughter, bright and clear, breaks through the fog. She’s laughing because she doesn’t know—doesn’t know what the world is, what it does to people like him. She trusts him. How can she trust him? He can’t even trust himself.
No. Not laughter. Crying. No. Screaming. Her face warped, twisted, blurred.
The iron scent of blood. Flashes of hands—his hands—shaking, slick with red. His? Someone else’s? He couldn’t remember. He didn’t want to remember. He’s tumbling now, spiraling through the dark, limbs heavy, body collapsing on itself. Everything bends. Folds. Chess pieces scatter across a board, his fingers trembling, knocking them over one by one. He tries to pick them up but they slip through his grasp, the board tilting, falling away.
Another hospital room? No. Too still, too silent. No warmth. Not a hospital. Pitch-black. Arkham, yet again. The isolation tank. 10 inches of lukewarm water that matches his skin temperature. Sylvie’s body was rigid, waxen, chestnut hair tangled and tickling his skin as she floated next to him. “Jervis, love,” her voice drifted from somewhere far off, behind the static hum of his mind, “you never did know when to let go, did you?” A chuckle followed, soft and cold. Not hers. Not really. Sylvie was gone, gone, gone.
Jervis' heart thundered in his ears, loud, uneven. His hands twitched, searching for something to ground him. A surface, a texture, anything. His fingers closed around... nothing. Then, the tank vanished. He was weightless. Falling again. The voice—his voice—screamed something incoherent, something desperate.
“Jervis. Jervis, wake up.”
It was Stephen again, calling to him from somewhere far away, his voice low and warm, a lifeline thrown into the swirling abyss. Jervis clung to it, his mind thrashing in the dark, his body heavy and limp on the cold warehouse floor. But Stephen wasn’t here.
He knew it, even as the voice grew louder.
The darkness peeled back like tar, choking him, wrapping tight around his throat. The warehouse floor beneath him — solid, cool, gritty — replaced by a somewhat lumpy mattress. He wasn’t swimming. Jervis' eyes fluttered open. His joints were like jelly, his lungs burned, heart still racing. Barton. Matilda. His body felt detached, a stranger’s. But slowly, awareness crept in. The dream, the memories, they all slipped away like ash seeping through his fingers. He wasn’t falling anymore. But the past—the blood, the voices, the walls—they hadn’t left him. Not really.
Somewhere deep, a whisper curled into his mind: You’re still running.
#divingdownthehole#tw: mentions of child death.#tw: stalking.#tw: mentions of murder.#tw: scars.#OOF... oh my gosh. 'the dagger' song that you recommended? it matched the vibe of your reply SO well. it was like beautifully#tragic would be the best way i could put it so i salute you on that front!! but AHH gosh you weren't lying about it being heavy.#the first part in which you described jervis envisioning he was in arkham was... OMG. it was SO freaking well-written as well though#as usual and had me at the edge of my seat in a good way the WHOLE entire time ISTG. but yeah i might've taken a bittt longer-#than usual with this one though that was just because i wanted to give you the highest quality reply to this as possible!#but yeahhh. i am afraid that my reply may be lacking a bit in the 'getting to know who jack really is' department but i have laid the-#the foundations for that for the next reply so AHHH I AM REALLY HONORED THAT YOU'RE SO EXCITED FOR THIS GUY!! TEHE#SO THANK YOU SO MUCH FOR HYPING HIS CHARACTER UP THERE BY SAYING HIII AS THAT MADE ME FEEL SOOO HAPPY-#TBH AND SPECIAL 🥺 but he says HIII right back to you and that its nice to meet YOU TOOOO (though i know he is merely just a character-#he is entirely my brain-child so i am once again Very flattered that you're so excited GAH) but PLSSS do you really mean that?#because that is unbelievably nice of you to say let me tell ya and i am currently crying in the club because of that ;; like? THANK YOU??#SO SOOO MUCH??? that means a lot especially coming from you as you always blow my mind with your replies TBH!!#and i love you for that as well haha <33 but yeahhh. there is honestly more to the story than just what i included here as to why-#he is there because nico IS someone who is good at heart but he has mades some uhh... well mistakes to say the least SKSKS#but since you have a lot of questions i may just expand on this more in my next reply as well 👀#its kind of funny that my song rec for this one comes DIRECTLY from one of the christopher nolan batman movies but:#i also went kind of back and fourth though this song really got the middle part flowing out for me. its 'why so serious?' by hans zimmer-#in the dark knight :)
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mosviqu · 2 years ago
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new hope club performing super chic live with piwon was honestly a cultural reset
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gutsby · 28 days ago
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Easy to Please
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Pairing: Sleazy Landlord!Joel x Reader
Summary: Months pass, and you can’t make rent—again. You find another way to pay your sleazy landlord. Again.
Warnings: 18+. Unprotected p-in-v. Oral (m!receiving). Dubcon à la power imbalance / sex for money. Infidelity. Pervy!Joel. Talks of abuse. Omitting one tag to avoid spoiling the ending—please read at your own risk.
Note: This fic was loosely inspired by my three favorite songs about female adultery—‘Thinkin’ Bout Cheatin’ by Mae Estes, ‘Lyin’ Eyes’ by The Eagles, and ‘Cheatin’ Songs’ by Midland. No, I don’t support infidelity. Yes, it makes for fun fiction.
Word count: 3.1k
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You hate the face he makes when he cums.
You hate the way he tastes when he’s done.
You hate the grit and the heft of the man, every lone hair that sprouts silver from his chest, and the way he pats the open space beside him in bed after you roll away.
‘Never seen a girl so goddamn allergic to cuddling!’
What makes his observation worse is that you know you’re hating it more and more with every passing day.
Today you have seven Benjamins, two Grants, and a Jackson tucked into your purse. You walk with a sluggish gait, knowing you’re $310 short of making this month’s rent and last. But you go on anyway. It’s not like Joel can’t see you from where he’s seated on the porch.
The pleasantries you exchange are short. By now, you have only to breeze past him in his lawn chair and say, ‘I can’t stay long,’ and he knows the rest. He grabs his six-pack, then his Pall Malls, and asks after you all the same.
“How’s the wrist?” he says.
You sprained it over the weekend. You aren’t sure how he heard. At any rate, you ignore the question and set your bag down on the counter before going to the fridge. You deflect with a question of your own—what the hell happened to the lemonade? He had a full jug last week.
“Got thirsty,” Joel answers, shrugging.
You’re always thirsty, you tell him, and you eye the case of Heineken that he’s placed by your purse. You don’t need to see his face to feel the smile starting to form.
“Don’t I know it,” he says. Insinuating.
You’d hit him over the head if you’d been able to reach. He’s still smiling when your shoulder checks his—closer to his elbow, from the feel of it—and when you leave the kitchen, he leaves too. He trails behind you with an ease that says this is the sixth time this has happened since August, and you’re hardly a week out from Halloween.
It’s not just rent you need to pay; it’s other things. Transmission in your truck’s gone to shit. Phone’s been on the fritz since you dropped it in the tub. Talking heads on TV say the country’s on track to get hit with another recession, and from the way your boss has been slashing your hours in half, you think they may be right. The crack in your bathroom window was tiny last week. Today it’s gone, because your husband put his fist through the thing on Sunday. You patched the hole with duct tape.
Joel’s covering the cost for the pane to be replaced, but that’s because he has to. He’s your landlord—proud owner of the Delta Commons trailer park since ‘97—and that’s what landlords do. Everything else is yours to pay.
You’re a part-time student, part-time waitress, and a full-time caretaker for your ailing spouse, or so you call him. Joel knows Stetson’s not sick, just perennially unemployed and drunk. You pay for most things, and it’s rarely enough to cover your rent. Stetson doesn’t care.
And that’s where Joel comes in.
No pun intended, but in his mind, there’s really no nicer way to say it: you fuck his brains out to make up for the shortfall in rent. You blow him before work to make sure your husband and you will have enough to eat that week. You bite the warm, freckled skin between his shoulder and his neck while you ride him, because you know that gesture will get you a little extra cash when you leave. You smile after swallowing him, and Joel knows that it tastes like shit. You’ve gotten good at faking it lately.
What he hopes isn’t totally fabricated is the way you call him big. Strong. Handsome. So stupidly well-endowed that you have to wince for the first few seconds when you sit on it, and go slow when he takes you from behind
“O-ow!” you whine presently.
His dick isn’t even in you yet. You just stubbed your toe on the edge of his dresser on your way to the bathroom.
“You alright?”
“Fuck me!”
I will, he thinks.
“Want me to get an ice—”
“Let go-OW! FUCK!”
Joel barely even touched your wrist and you were flinching away with a brand new pain. You rub it, almost defensively, then pin him with an icy glare. Nice going.
“I’m sorry,” he mumbles.
Now he’ll be lucky if he can swing a half-hearted handy from the one that isn’t hurt. That’s how mad you look.
You turn your body away, and for a second, Joel assumes that his fate has been sealed: you’ll bumble over to the rug by his bed, toss a pillow on the floor, and assume what he already knows to be your least favorite position. You’ll kneel, and talk of migraines and your long, grueling day and in the end find an excuse not to use your mouth. That’ll be okay. But with the debts you owe him now, it also won’t be enough, and Joel will have to ask you back again. He hates sounding needy, but baby, deal’s a deal.
Luckily you don’t give him the chance to use that line. Much to his surprise, you get on the bed. You lie down. You seem to take a little more care settling in this time, but you take off your clothes. It’s a lime green tank top and some ratty jean skirt, but it’s enough to tempt him.
And not just tempt, but oblige him to accept, unblinking. He crawls over the bed to get to you, and he finds that his spit’s filling his mouth a little quicker. His hands are starting to shake as they slide over the duvet, and the tree trunks he once called his legs are runny, like eggs.
He has to remind himself, bluntly, of your last name, the shiny ring on your hand, your husband’s name, your—
“Age—what’d you say your age was again?” Joel asks.
You look confused for a second, but you tell him.
“Twenty-one.”
Way too fucking young to have gotten hitched three years ago. But then he remembers this is Leakey, Texas, and your family hasn’t strayed more than ten miles from the center of town in four generations. You told him that.
“I thought you said twenty,” Joel says, a little uneasy.
“I did. Up until this past Sunday I was.”
“Oh.”
A beat.
“Happy birthday.”
You blink.
“You gonna take your pants off or what?”
And he does. Maybe embarrassed at first, but then the jeans come off, and his boxers go next, and without so much as a word or a breath, his worries are sliding away like water off his back. Like his clothes now peeling off.
Like your smile growing thin at the sight of him half-stripped on the bed in front of you. Joel doesn’t flatter himself to think he’s even half as handsome as he was in his youth, but he knows he has his draws. What endears him to you today is, unfortunately, his wallet. But that doesn’t mean you can’t be convinced to like him more.
More than Stetson, he thinks without humor.
Dumb son of a bitch can’t tell his ass from his elbow and yet he’s won himself you, living it up these last three y—
“Oh.”
He sounds like an owl now. His clothes are off, and you’re rubbing him, pumping him gently in your hand, which you were so kind to make wet with your saliva. It even sounds better than his, the way it squelches with every flick. Joel can only say so much in strangled breaths.
He tries anyway:
“Feel like a dream, sweet pea.”
Sweet pea.
Your pace quickens. Joel swears he can see the corners of your lips twitch, but then he thinks you’re just wincing. You move down to the floor beside the bed. Kneel almost politely while you nestle yourself between his parted legs
Your mouth is warm. It’s always warm. Joel wouldn’t expect a girl’s tongue to greet his dick like ice, but yours is always heated to a thousand degrees, it feels like. He enjoys the sting. Your lips envelop his big, leaking tip, and he swears he can stay like this forever—in you.
On you, too. He’s got his palm resting flat on your head, and he doesn’t mean to, but he pushes. He bunches your hair in a fist and drags your face to make you swallow.
Mean old man, you must be saying in your head when he stuffs your mouth full. Makes your eyes prick with tears.
Sweet girl. My sweet pea, he thinks, affectionately, and continues to rub your scalp. He holds your teary gaze.
And then you’re moving up. Down. Coating his length with shiny spit and tiny whimpers as your lips move gently back and forth, again and again. Joel’s grip tightens in your hair, and he begs for more. More.
“More,” he orders, jaw clenched, “Fit a little more’a me.”
From where you’re kneeling below, you look put off.
Then you pull off, and you wipe your wet chin.
“Chokin’ me,” you grumble, “‘S’too big.”
Normally, Joel loves to hear that.
Now, however, he’s sliding his touch to your chin and tilting your head up to him. Thumbing at the spit dribbling out on either side of your mouth and subsequently coaxing your lips further apart.
He slides back in, and you don’t fight it. You like it. Holding his gaze in a soft, docile look while your lips stretch deliciously around his shaft, you must love it. Every inch and every twinge of pleasure from the brush of his cock going in and out must be your favorite thing.
Joel hopes it is, anyway. He holds your face now, and your throat convulses involuntarily. You’re so pretty.
“Such a good, sweet girl, ain’t ya?” he presses, watching the coarse grey hairs at the base of him tickle your face.
You respond well to praise. You preen under those words, and try to nod. But his cock is so deep down your throat you end up choking again. Joel watches all of it smiling.
Petting your head and not pushing again. Grinning.
“Love my cock nice and stuffed in that pretty throat?”
You blink instead of nodding, but it’s more than enough.
“Love me deep?”
And the head of him sinks somewhere he’s never been. Your eyes are like two wide pools, and your lips leak everywhere—your chin, your cheeks, your neck.
Joel’s smearing it all with his palm and smiling so wide that he thinks he might pull a muscle. He pants heavily.
“Just what you’re made for. Just what you need.”
You look like you might agree. He keeps going.
“My fuckin’ mouth. My pretty, pretty mouth.”
He holds your face. He thinks he might cum.
“Ain’t a damn thing Stetson can do for this mouth, huh?”
And then he doesn’t. Joel barely blinks, and you’re already bucking your head out of his hold, mouth skittering away while the spit spills out. You’re practically drenched down to the chest when your face rears back. Your eyes are alight and no longer smiling when you grit:
“Don’t.”
Joel should’ve known better.
He’s hit a raw nerve, and now he really wishes he hadn’t.
It doesn’t stop there—but it doesn’t get better, either. Things progress in much the same way as they always have but with none of the need, or the warmth, of before. You climb back up and straddle him quick. Not meeting his eye, you just sit down, and slide down, and don’t wince at all. You don’t tell him that he’s big, and he doesn’t get the chance to even groan at the first influx of pleasure before you’re riding him. Bouncing and grinding your hips against his with all the passion of someone perusing the newspaper. You don’t whimper or moan.
Of course, Joel enjoys the feeling. He also wants someone to punch him in the throat for what he’s done.
“Hey, hon—” he starts, voice strained, “Hon, I’m sorr—”
“Shut up,” you snap.
Your movements hardly falter, and now your hand is seizing the headboard. You’re clenching him tight inside your wet, drooling cunt, and it’s obvious you’re trying to make him cum as quickly as possible. You swallow hard.
Joel isn’t sure what to do. On the one hand, his body is being flooded with pleasure, and on the other, he fears you may never do this with him again. Quickly fixing on the latter, he cups your face in one hand. It’s still wet.
His fingers smear the spit, and somehow you look even prettier. You keep grinding your body in desperate little fits above him, and really, you feel fucking amazing, but Joel is too focused on other thoughts. He squeezes you.
“Baby—” he tries again, but you shush him just as fast.
Your hips are moving viciously now. No matter how sore your legs might have been from a long day toiling away—just a couple hours before your shift at your next job, if Joel’s remembering correctly—you’re working him well. Doing him in. Fucking his brains out, but you aren’t his.
His fingers smear the spit even more. Never will be his.
“Sweet pea—”
“Don’t fucking call me that!”
Now he can’t deny that his climax is close. But this isn’t how he wanted it to end—with you so incensed you can hardly look him in the eye. His hand rubs more, helpless.
And just when he’s seconds away from painting your insides white, losing it all to the pleasure, he sees it.
His wet, sticky touch has uncovered a residue.
Joel pulls his fingers away in a blink, and simultaneously, your eyes are fluttering closed. You’re focused now on climax; because of that, you don’t see what he sees.
What he’s stunned to find on his fingers: makeup.
Lots and lots of thick, heavy makeup on your cheeks. Concealer, he thinks he’s heard it called once or twice.
No matter the name, he quickly comes to see what it’s for. Just as you’re hitting your peak, squeezing the headboard behind him, and coming undone with a shockwave trembling all through your body, Joel pales.
The makeup that you applied so heavy tonight hides bruises. Black and blue and awful hues of greenish-purple too, your whole face, he sees, is engulfed.
He doesn’t speak. He won’t ask.
He won’t cum tonight, either.
He’ll finish something else.
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You leave Joel’s trailer angry. You don’t say goodbye. The screen door screams shut behind you when you leave, and silently, you wonder why he didn’t cum. For once, you wish he had—and hadn’t said half of what he did.
Six hours pass like molasses, and by the end of it all—the close of your second shift—Stetson’s name still echoes in your head. The way Joel said it. It hums along the walls of your skull while you walk, and as you draw closer to home, you remember that strange and infuriating tone.
Then you remember your own less than two months ago:
Don’t talk to my husband. Don’t talk about my husband.
They were two simple rules, and Joel broke them both.
He must’ve defied the first when paying a visit to make repairs that week, and that’s when Stetson mentioned your hand: how you ‘slipped’ in the bath. Tripped and conveniently sprained your wrist the same night he almost tore your arm out of the socket for looking at a waiter a tad too long at dinner. You’d bet any sum of money Joel didn’t get to hear that part from Stetson when he came over to see about the window, though.
No, your twenty-first came and went without so much as a word about your wrist. Your arm. Your face—used to getting caked with concealer every third week or so.
You wince as you open the door. You walk slowly.
At first, you’re met with silence, and you sigh with relief. Then you hear it, and shortly drop your purse to the floor.
You all but fall down yourself at the sight: your husband doubled over across from you, in the kitchen. His head in his hands. You don’t need to see the face to know that it’s bleeding. Profusely. You tread ever slower into the room, thinking somehow, some way he’s going to blame this on you. And when he straightens a little and shows off the full, gruesome extent of his injuries, you blanch to think that it might be. His body’s been beaten to a pulp.
Your pulse hammers in your head so loud you can’t hear him groan. You see him, but you don’t really believe it.
And when Stetson reaches for you, you stagger back.
Your hands skim the counter, but your brain barely registers it. Your husband’s calling to you now, ‘Quit standin’ there lookin’ stupid, do somethin’, huh?!’ He’s screaming, and you’re not hearing it. Barely feeling like a sentient person at all but just a doll stumbling backward on two wooden legs. As you walk, your palm stays stuck to the laminate underneath it, and suddenly, you feel it.
An envelope.
In this state, you aren’t sure why you grab it, but you do.
You take the lone white paper, and you turn to leave. Your hands shake as you hold the thing, and your legs are hardly any better, but they carry you, miraculously, from the kitchen to the threshold of the back door. Then out. Stetson’s not just yelling but bellowing, loud, every last obscenity known to man as he holds his bloodied side and limps in his perilous, pathetic way. Fortunately, you’re gone just in time to miss the bottle he hurls.
Outside, you walk. And walk. And in the still of the night you’re obliged to find your way through a miscellany of trailers and trucks and old, creaking vans by moonlight, and the throbbing in your head begins to slow. You don’t rush to get far, and you don’t have your keys even if you wanted to drive off. You keep walking. Watching nothing.
When your eyes drift to the envelope in your hand, you barely see that either. You’re just blinking as you look, and breathing as you wait for the sight to make sense.
Inside, you find seven Benjamins, two Grants, and a Jackson staring back. Next to them are a few dozen others—enough to cover August, September, October, and several months before that, if you had to guess.
You hope you’ll get the opportunity to thank Joel, and maybe tell him that you don’t really hate him, someday.
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