#this song is like theatre

[shire-ivy]

Saw someone say musicals were never made to be sad, never meant to be tragic and I'm ????? There has always been a very special kind of sadness in musicals. Some undefined melancholy.

[lab-gr0wn-lambs]

hot garbage 👇

[rozzsum]

Kingdom of the Planet of the Apes / Then There Was You by Calum Scott

[lady-corrine]

One of the (many) reasons I deeply dislike the "Annie and Finnick's wedding was only a propaganda move that meant absolutely nothing to anyone" take is that is... simply not accurate?

It is often claimed Plutarch had Finnick and Annie intentionally wear Peeta and Katniss' outfits to send some type of message, but that means to completely ignore how it was Katniss herself that offered to give Annie a dress for her wedding:

“when Plutarch has a fit over what the bride will wear — I volunteer to take Annie back to my house in 12, where Cinna left a variety of evening clothes in a big storage closet downstairs.”

How Peeta himself also made their wedding cake:

“As surely as the embroidery stitches in Annie’s gown were done by Cinna’s hand, the frosted flowers on the cake were done by Peeta’s.”

And to also disregard how everyone else felt and how happy and excited they were to be part of it:

“When it’s announced that children are wanted to sing District 4’s wedding song, practically every kid shows up. There’s no shortage of volunteers to help make decorations. In the dining hall, people chat excitedly about the event.”

All in all, it means to brush aside how everyone perceived their wedding as simply something good, genuinely so, and nothing linked to a false spectacle:

“Maybe it’s more than the festivities. Maybe it’s that we are all so starved for something good to happen that we want to be part of it.”

[rosie-kairi]

"And I'm askin', "Why, Lord?"/ If this is how I die, Lord/ Why be left with no family and no friends?"

The Ballad of John Doe, or, "haha what if the original souls of Luxu's vessels became Lingering Will-esque ghosts who could not remember who they were in life, and can only remember that they were someone at some point. wouldn't that be fucked up or what."

[februaryart]

Let me die on the stage Let the orchestra play

[untimelyambition]

curt and kim being dance partners in all the scenes at the castle is something that is so special to me

[grantaire-lover-69]

Les Misérables isn't a phase, it's a lifestyle💥💥💥💥💥💥💥💥

[thelawsofdaylight]

I have a lot of respect for the Just Stop Oil protestors who interrupted Les Mis last night. I've done disruptive actions before and it's fucking hard. Any kind of direct action is hard, and anyone who participates in civil disobedience (or uncivil disobedience!) will know that.

But still. It's incredibly disheartening to see the negative responses from people who (presumably, seeing as they either follow the account and/or bought tickets to the show) are fans of Les Mis.

And like, I don't know, it's just making me reflect a lot on how popularised versions of Les Mis (mainly the musical) still fail to get through to people. It doesn't hammer home the message in the book's prologue, it's too easy for people to see it as that was then and this is now, that was over there and this is here, etc, etc. Like... I can't stop thinking about how quickly the protestors were thrown under the bus by both the audience and the theatre. How it's easy for people to exercise hypothetical solidarity towards a bunch of fictional characters yet not extend that to real life contexts. How everyone will unanimously agree that the National Guard are the bad guys and then turn around and cheer on the IRL cops for removing protestors. I don't know.

And I've been to productions of Les Mis before where people will cry during the barricade sequence or comment on how upsetting Fantine's story is and then come out of the theatre and walk straight past the unhoused people on the streets. It's not new. But it is particularly jarring when as soon as the lights come up people seem to forget how fervently they hoped that things would be different, and not realise they have to play a part in that change in order for that to happen. Like, the message of Les Mis is supposed to be if you do nothing, nothing will change.

The amount of people who don't seem to grasp that Les Mis condemns people exactly like them, who stood by, who turned away from the people trying to change things, it's just... It's so fucking frustrating.

[lollytea]

I need to watch Sharpay's Fabulous Adventure to reach my final conclusion on if she's even attracted to men

[iridescentis]

i cannot sing dance nor act but i think playing ricky potts would fix me

[man-down-in-hatchet-town]

One of my favorite things about actually joining the Starkid fandom after so many years of loving Starkid but not being a part of the community is seeing how much love and enthusiasm for Starship is still out there. Like, ya'll really love the silly alien-bug-Little-Mermaid musical I was obsessed with twelve whole years ago and it warms my heart so much <3

[multishipper33]

I’d recommend voting for LL, 3L, or LiL. Those three have enough ✨theatrics✨ to qualify for a musical.

Don’t vote because of whatever alliance you like best. Which would suit a MUSICAL??? Specifically.

[tangyyrine]

green

[starlene]

Every time someone comments the state of musical theatre in their country by saying musicals here should be presented in English because the translations are awful, a muse loses its lyre.

I mean, sure, if you think musicals should always be sung in their original language to preserve the exact vocal flow the original artists intended or whatever other purist connoisseur reason, fine. You're entitled to that opinion.

But other than that, the correct statement is this: musicals here should be translated better because the current translations are awful.

Just saying.