#But I thought this version fit the vibes of the song the most
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februaryart · 6 months ago
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Let me die on the stage Let the orchestra play
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tending-the-hearth · 1 year ago
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everything i loved about "the little mermaid" live action
Ariel's melody being her siren song!! that little new bit of lore!! i also really liked that it added more depth as to why Ursula wanted her voice in exchange for her becoming human
the way Ariel became almost angry during the bridge of "Part of Your World", she was so frustrated that she couldn't do the things she was dreaming about, like YES let her be mad!!
full body chills during "Part of Your World" + the first reprise
Ariel helping Max onto the boat 😭😭😭
I've mentioned this before, but Ariel hearing Eric's voice before seeing him!!! hearing him sing before seeing him!!! agh!!!!
Eric holding Ariel's hand on the shore after she rescues him 😭
the detail put into each of Ariel's sisters was so stunning, i'm so excited to read more about them in the books! i loved that they each had their own specific vibe
THEY INCLUDED THE FACT THAT URSULA AND TRITON ARE SIBLINGS YES THANK YOU VERY MUCH
"For the First Time" being a voice over, as Ariel's thoughts, and then the scene shifting to complete darkness except for her to represent us being in her head and hearing her thoughts, and the way it gets cut off when she realizes she can't say "hello" to Eric? i cried
The Jodi Benson cameo and her giving Halle!Ariel the fork 😭 literally her passing on the mantel of Ariel 😭😭
Eric and Ariel being total nerds with each other??
The way Ariel "told" Eric her name using the constellations???? and him saying it was written in the stars???? hello????
Also Eric saying "my little mermaid" made me so soft wtf
Eric and Ariel running around and giggling in the castle and being the definition of puppy love like they're so goofy and in love i adore them
the "Part of Your World" reprise after Ariel sees Eric with Vanessa shattered my heart, the MOST heartbreaking song
Grimsby kicking the ring away after it falls near him, my man knew exactly what was going on, he's known Ariel for three days and is already a ride or die
just Ariel and Eric holding each other so tightly after she gets her voice back, and Eric refusing to let her go until Ursula literally has to throw him away
ARIEL BEING THE ONE TO KILL URSULA USING THE SKILLS SHE SAW ERIC USE OH MY GOD IT WORKED SO SO WELL
i like that they added a chunk of time passing between Ursula's death and Eric and Ariel reuniting, it added a little extra drama and emotion when they finally saw each other again!
listen i'm an absolute sucker for a "hug before kiss" reunion and i was SO happy that Eric and Ariel had that, it fit them and their relationship perfectly, the way Eric just clung to her, and Ariel's happy smile as she hugged him back 😭
The mermaid statue and the dress representing the land vs. the sea???? and both returning back to where they're supposed to be but having new meanings????
Ariel's wedding dress being pink to (probably) pay homage to her pink ballgown in the animated movie was such a good touch, and i loved the length!!
Triton and Ariel's goodbye, where he says "you shouldn't have had to give up your voice for me to hear you"???? hello my father issues jumped tf out and had me sobbing in the theater
literally the entire movie was so beautiful, i could talk about it for hours, this is the best live action remake honestly, and Eric and Ariel (specifically the live action version obvi) have moved up to become my favorite Disney Princess/Prince pairing, just behind Belle and Adam (bc let's be honest, nothing can top them)
@queen-with-the-quill bc i know you're seeing it soon! more things i forgot to tell you lol
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hwavsg4ch4n · 8 months ago
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Awkward|| L.M
Note: hi guys, this is actually a music series (more info linked) bonus. I usually write multiple versions of a smut per song and choose which one fits the vibe the most. this one was actually supposed to be for SYNERGY (linked), but I reworked it and made it better for "Awkward". I haven't been here for a while and decided that I'm the kind of writer that likes to pop in randomly lol. I'm thinking about turning this into a mini-series separate from the music series. After you read this, please follow the link at the end and vote on the pole if you think this would be a good mini-series! ps. word count of 4,783... get a snack.
Disclaimer: I have decided not to no longer put any tags in my works to avoid unneeded spoilers. I will only warn when there are extremely triggering aspects in my work. Read at your own discretion.
Synopsis: You've been single for years, it's sad really. coming up with excuse after excuse as to why you should be okay. Then society introduced the appearance of 'soulmates', and somehow everything got worse. But then there's your boss, what should you do with him...
this is a mature work of fiction (18+), this does not represent any real-life figures, this is just for entertainment.
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Music series bonus <masterlist>
You tilted your head back, gulping down the rich red wine as the brisk night air glided across your naked arms.
What was love? It was stupid, at least that’s what you always told yourself. Love is dumb, for the weak; and you weren’t weak. You wished you believed your thoughts, but you couldn’t help but crave love. What it felt like, sounded like, what it smelled like, what it tasted like. 
Jealousy was a disease and you hated to admit that you were practically hospitalized and in a coma from said disease. 
However, solidarity was alright sometimes. It was rewarding, no arguments, no having to worry what your partner was up to if they were taking care of themselves properly. You only had to worry about yourself… is it bad that was your biggest con to single life? Only having to worry about yourself.
You told yourself this for years. That was until early last year, when the CDC came out with a new phenomenon. They called it, soulmates. You thought it was corny. You watched as scientists explained the symptoms, and how it starts. How it feels, how you can differentiate your feelings blah blah blah, it was bullshit in your eyes. But not many felt the same. 
The day after the news of soulmates reached the public, your office became littered with pairings. Mia from accounting and Felix in your branding apartment paired up instantly. Everyone saw that one coming. They were frauds, had to be, the CDC said their research is still new, meaning they’ll need long-term volunteers that they’ll compensate. That's when fake soulmates started appearing. You called bullshit when the news stated authentic soulmates are now being deemed rare. The CDC just wanted to cover its tracks, hiding another economic decline. Soulmates weren’t real.
Your loneliness grew worse because of your slight rebellion. You didn’t put yourself out there, scared someone would falsely claim you as a soulmate. It’s nights like this where you want to let yourself fall in line. Here you are, alone at the Valentine’s Day company party for another year, this time due to self-sabotage. You already hated this holiday, but of course, science had to make it worse. On the balcony sipping expensive wine your boss bought for everyone, you tried your best to drown out the jazz music and giggles as coworkers showed off their engagement rings.
Minho watched you through the glass door of the balcony with hesitancy. He tuned out the conversation he was dragged into. “Mr. Lee, what are your opinions on soulmates.” He looked at the second department secretary, taking in her inquiry, “I’m not quite sure.” He was telling the truth, he didn’t think much of it, if it was true great, if it wasn’t, it didn’t really affect him in any way, probably just another pity thing. The marriage statistic was getting low, he read it in a paper. Minho took one more sip from his whiskey glass before setting it down and excusing himself.
Everyone in the office knew that Minho, the COO of this company, took a liking to you; everyone was jealous in fact. The kind, extroverted, unmarried, painfully attractive man… liked you. The seemingly cold, work-a-holic, introvert of a woman. He’s liked you since before the news came forth with their studies, yet you were oblivious. Your self-esteem is so low that you wouldn’t dare to even think a man like Minho would see you in such a way, not when people are trying to claim the bachelor every day. 
You looked over your shoulder as the balcony door opened. You smiled politely, “Mr. Lee, how are you?” You asked gently. He couldn’t help but smile at the sound of your voice, not even trying to hide the shivers that trailed down his spine at your tempt voice. “I’m doing well, but I couldn’t help but feel bothered when I saw you out here alone. Are you not cold, Ms. L/n?” You watched as he made his way next to you, leaning against the metal railing. He gazed at the city skyline, awaiting your answer.
You took another sip of wine. “It’s a bit chilly, but I can manage.” Short and simple, polite. That’s all Minho got from you. He's never wanted a person to rant to him for hours so badly, but that would be seen as unprofessional. He clears his throat, standing up straight. “Are you not having fun?” He asked. Maybe it was the wine that compelled you to answer him differently than you normally would. “To be honest, Mr. Lee,” He raised his brows, turning to you fully. “What is it?” You let yourself answer. “I don’t really favor office parties.” You chuckled before downing the last bit of your wine.
Minho frowned before biting his lip. “I hope it’s okay that I call you by your name,” He started, “Sure.” He gulped dryly before giving you an offer. “Would you like to get out of here, y/n?” You finally faced him, brows furrowed as your eyes lingered across his figure, taking him in.
White button-up, sleeves rolled to his elbows, black slacks, dark auburn hair fallen into his eyes, the eyes that were surveying you softly. It would be strange, to ride off into the night with your boss on the night the company is rumored to rename the festive party ‘soulmates night'. But you’ve had about 3 full glasses of wine, and you’re bored plus inquisitive.
“Where would we be going?”, he smiles.
After bidding an awkward goodbye to your coworkers, and avoiding questioning looks about the two of you leaving together; you finally made it to Minho’s car.  
“Wanna catch a late movie?” Your head tilted in question, he drove out of the parking lot the humming of the engine fills the silence. Smirking to yourself in disbelief, you agreed. 
The ride was filled with conversation, the longest non-work related conversation you’ve had with this man. He spoke of everything you didn’t think he’d speak of. How he missed home, how living in a bustling city was fun, but the sound of waves beat the sound of honking horns. You couldn’t help but ask him questions, you didn’t care if they were the right questions. You were comfortable, too comfortable. Was it the wine you downed? Maybe the grand looking air freshener in his car. It hurts your pride to admit that it might just be him. He smelled nice and spoke to you gently in that voice he would use to remind you of your lunch hour. 
You took in a breath as his hands on the steering wheel came into view, “Oh sweet jesus”. You pressed yourself into the black leather seat. It’s the wine, it has to be the wine. Minho turned to you as he finished parking, “You ready?” 
-
No one was there in the theater, no one but the two of you. You couldn’t focus on the movie, all you could focus on was how you were alone with Minho, completely alone with him. 
You were zoned out until you were pulled back to reality. “Are you enjoying the movie?” He whispered, not looking in your direction, his eyes glued to the projected screen. You couldn’t help but ask bluntly, “What are we doing?” 
Minho looked at you, you felt his gaze so you looked back. “Mr. Lee, it’s soulmates night.” He frowned, chewing on his popcorn. His heartbeat quickened, were you implying something?
 It was dark, but you could see him like there was the light of a halo above him. “What do you wish we were doing, Y/n?” Why did he ask you that? Why did he ask like he wanted to fulfill a wish?
You looked away, parted lips and furrowed eyebrows. He couldn’t see your face properly, he took your silence as rejection, and maybe he read you wrong. “I don’t mean to upset you, I apologize. Let’s finish the movie, then I’ll take you home?” You didn’t want to finish the movie, you weren’t even watching the boring movie.
Your heart was pounding, was this what proper desire felt like? It felt different from your crush on the Grey’s Anatomy guy. Was this what being wanted felt like? But he’s your boss… You felt a surge of warmth, a shallow buzzing feeling accumulated in your fingertips, must be excitement. Your conscious almost coming alive, fuck it, give in. You did just that.
Biting your lip you breathed in deep, “I don’t want to continue the movie.” You stated in a whisper. You couldn’t see it clearly, but Minho grew worried, worried he scared you off completely.
“Oh- would you like to, would you like for me to take you home now, Miss. L/n?” He didn’t want to use your first name, afraid of abusing his power. It made you flinch, “I thought you said… you were gonna use my name from now on?” You whispered. Finding his eyes in the slim light provided by the screen.
He licked his lips, although it was out of his nervousness, the action made you gulp. “My apologies, Y/n.” you weren’t aware of it yet, but you held all the power at this given moment. He’d do anything you told him to with no question.
“I do want to get out of here, but I don’t want to go home Mr. Lee.” You said, standing up, and grabbing your purse. Minho stood up as well, eyes never leaving your form as he studied you for unspoken answers.
“I would like to see where my boss lives, I’ve always been curious.” your lashes fluttering, as you peered up at him with a quick pulse and sweaty palms. What if you read him wrong, what if he dismissed you and fired you on the spot? What if this whole ordeal was just because he pitied you for being single for every Valentine’s Day party?
“Well, I should let you overcome your curiosity, shouldn’t I Y/n?” He said with amusement. “After you.” He moved out of the way, letting you lead the way out of the theater.
You continuously asked yourself what you were doing on the drive to his house. Well, you knew what you were doing. You were lonely, and tired of it, taking up a messy offer that could end up in you getting scammed by this man. You’ll apologize in the mirror later. Hitting rock bottom was something you would worry about tomorrow. Your hazy mind only lets you think about his veiny hand gripping the gear shift.
What would happen if you took it upon yourself to place him where you wanted him? 
Working up the courage, you sucked in a breath before allowing your fingers to trace his cufflinks, trailing your fingers around his wrist. His fastened pulse boosted your ego, looking to see his reaction. Minho remained focused on the road, with no intention of stopping you as he blinked and took more deep breaths than a calm human would.
You couldn’t help but lick your lips as you brought his hand to the warm flesh of your warm thigh, just under the hem of your black tweed skirt. Your blood pumped at the thought of how he’s letting you have your way. He wanted this too, to touch you. His hand was warm, and comforting. You liked how pretty it was on your skin, admiring the visual as your nails traced his veins.
Minho didn’t mean to squeeze, he did it subconsciously. He didn’t realize he did it until you gasped shallowly, clenching your thighs around his hand and looking up at him with the lowest gaze he’s ever seen from you.
“Sorry.” He muttered, rubbing his hand along the inside of your thigh in an attempt to soothe, not wanting to get you too worked up just yet. But his touch had the opposite effect. You didn’t want to wait anymore. It was known that Minho’s house was in the rich part of the city, all the way across town. Even Though it was a mere 30 minute drive, the distance felt like an eternity. 
“Minho,” Minho gulped dryly. Your deep tone sent shock waves through his body, he enjoyed how his name dripped off your tongue. “Yes, Y/n?” His voice remained steady, not wanting to ruin something that could get so good. “I want you to pull into the park, I wanna watch the sky with you.” You whispered. Minho’s heart grew soft as you continued to trance his veins. He nodded silently, ready to take every command you asked of him.
You watched as he parked, the view of the city was beautiful, but that wasn’t your focus as of now. 
There was a silence, loud, swallowing the city sounds in the distance. Your body shifted, rotating towards him. Minho turned to you, his grip on your thigh tightening slightly as he took in the view of you. “Kiss me,” Yes you were being blunt, and bold, but you didn’t care. Who cares?
You grinned as Minho pulled you on his lap, his strength not surprising you; considering how his arms looked way too confined in every dress shirt he owned. Your eyes shut as his lips collide with yours. Soft, buttery, warm, so so warm, and buzzing… your lips were buzzing. The feeling of him was clouding your judgment. Minho’s hands gripped your waist, pulling you closer. He tilted his head, kissing you deeper. Pulling back slightly, he watched as you followed him. Minho smiled, softly chuckling. You opened your heavy lids, growing shy to see his gaze. Your lips parted as he pushed you even closer, rubbing against the growing tent in his slacks, you jolted as your core began to buzz as well. Your lips molded with his once more, and the sounds of what you presumed to be fireworks sounded in the distance.
 His breathing was heavy as you disconnected to catch your breath. Minho’s hands tilted your head to the side slightly, breathing you in softly, lips grazing your skin as you shuttered, your fingers gripping his sleeve. He licked his lips before kissing your collarbone, traveling up your neck, absorbing every gasp you let out. 
You feel his hand slide to the back of your head, angling your face down so his eyes can meet yours as he lays his forehead on yours. “You have no idea how long I’ve wanted you, y/n.” Your heart panged, searching his eyes for truth. He wanted you, Minho, your boss, wanted you. 
Your hands traced his bottom lip, and you blinked softly, “Take care of me then, yeah?” You whispered. He smiled gently, gripping your jaw and pulling you back. 
The both of you suck in a breath as Minho presses his lips to yours once more, his hand pushing your head impossibly closer. He wanted to feel you, meet with you in ways he’d only imagined. You were letting him give you what he thought was impossible for him. Truthfully, he would’ve liked to ask you out on a proper date. But this would suffice if it was what you wanted from him.
The two of you kissed for a while, gradually feeling and touching each other. Feeling what was never seen. Your body grew warmer, the buzzing centered to your stomach as you bunched up his shirt, wanting to feel his skin bare against yours. “Minho,” It didn’t mean to sound like a plea, “What is it? What do you want me to do?” His voice was breathy, low, needy, and ready to please. You couldn’t get enough. “Off.” You tugged at his collar. Barely even a second later, he began to unbutton his shirt. You wasted no time placing your hands on his sculpted chest once exposed, gulping as you stared at his skin. Absentmindedly gliding your manicured fingers across him.
Minho watched your every move, whimpering as your fingertips flicked his nipples. Your nails left gentle scratches, he licked his lips at the sight. He can’t recall ever wanting someone so badly, to the point he was painfully hard, closing his eyes and throwing his head back at the slightest touches you granted him. 
You wanted his reaction intensively, feeling his twitching member under you as you pinched and rubbed his nipples. His chest rose and fell at a somewhat hurried pace, the tips of his ears grew red, and so did his lips as he couldn’t stop licking and biting at them. It’s not like the action helped keep him quiet. His heavy breathing began to get mixed in with soft whimpers.
You smiled, “Who knew you’d be so sensitive.” You mumbled. “Sorry… uhm. I’m not usually like this.” You grinned at his hushed awkwardness. “Trust me, I don’t mind.” You whispered back, your hands continued tracing the outline of him. One by one you left open kisses on his neck, traveling up behind his ear. You sucked at his warm skin, “I hope the secretary doesn’t see what I’m leaving on you Mr. Lee, I think she might have a crush on you.” You said playfully, smiling against his clammy skin, sucking another bruise. Minho’s hands travel to the bottom of your skirt in response, pulling the fabric to bunch at your waist. He squeezes at your thighs as you find the spot that meets his shoulder and neck, his breath shallows. His hips bucking as you suck and nip at the skin. You were hot to the touch, it heightened the feeling of you on him. 
Minho isn’t sure how you got the one up on him, but he lets your hands wander to the buckle of his belt. He looks up at your face, your eyes full of determination as you swiftly take off his belt, unbuttoning his pants. He can’t help but smirk as he feels heat center in his stomach, “You’ve got me right where you want me y/n,” Your movements slow as you start to push his pants down to his ankles, “You’re the only one who’s ever gotten me like this.” Minho watches you bite your lip as he feeds into your ego. His eyes shoot down as you grasp his erection through his boxers. “Haven’t been this hard in so,” his voice shakes as your grip tightens “So long, fuck baby.” Your lips part at his words, looking up to see his head thrown back at the seat. You tap at his tip, the fabric starting to stick to his precum as you admire the bites you left on his skin. 
“Minho,” You call out softly, he opens his eyes to see you staring at his member. The look in your eyes almost makes him ask if you want him to take over. Your eyes were glazed over, your lips pouty as you tug at his boxers, he smirks slightly. “I’ll get these out your way, sorry baby.” Your pussy clenched around nothing at the use of the pet name again, it feels so good to be called that, the buzzing shoots to your core before centering again. It almost felt like a boost of arousal, you were too enraptured by the man in front of you to care.
Your hands returned to his stiffened member as soon as it sprang free, you felt Minho tense at your touch. You looked up at him as you began to stroke him lightly. His eyes were hooded, he watched your hand quickly become slick with his arousal as you pumped at a careful pace. Minho licked his lips, noticing through his foggy mind how you still remained fully dressed. Your thighs only exposed because he decided to tease just once. Yes, his words earlier were to edge on your performance, but they were true. Minho has never been on the receiving end, he loved giving, if you told him to take over he’d do it gladly. More importantly, his need to please was strong, if pleasing you meant stepping back a bit he’s happy too. However, he didn’t anticipate his sensitivity to your touch. He hears himself whimper as your pumping speeds up, the rising heat traveling down to his member. He jolts as the pleasure intensifies. A hand hovers over your pumping one before holding himself back and placing it back on your thigh.
He’s starting to lose a battle, don’t cum, not yet, she’ll get bored soon and touch you somewhere else, don’t fucking cum. He chanted to himself, one of his hands moved to your ass, gripping as his other kept shelter on your thigh. You watched as he shut his eyes tight, his lips parting as he huffed out puffs of air. You smiled in triumph as he began to shake his head side to side, starting to lose his internal war, “B-baby… y/n, I’m gonna c-cum baby,” His voice was hoarse.
You tilted your head, sliding your pumping up to only his tip. His thighs jolted, his eyes opening as he started to look at you for pity. He only saw you looking at his dick dreamily, the heat in his stomach pulses. He swallows down his need to overcome you, opting to let himself relax.
Minho cursed, he groaned deeply, throwing his head back. His brain started to become unmanageably fuzzy. 
“Y/n.” He whispered, licking his lips.
His smooth thighs flexed.“You’re so good baby,” Your lips parted at his soft whimper.
You grin, slowing down your pumping, giggling as he whimpered trying to fuck your palm the heat causing his tip to pulse. “You like me huh, Minho?” Your words were teasing. You were met with an eager nod. Cooing, you slipped off your underwear. You looked into his brown eyes, just when you thought he let himself surrender fully, he had some fight left in him. 
He gripped your waist, biting his lip as he guided you over his throbbing member. You let him sink you down onto his warmth. You whimpered, Minho watched carefully, looking for signs of you needing him to take over. Only for him to get knocked down again, his brows furrowed as you brace a hand on his blushed chest, beginning to ride him. He stared at your clothed chest, your nipples hard enough for the outline to push past your bra and blouse. With heavy breaths his eyes traveled up your littered neck, finally landing on your blissed face. “Pretty,” He whispered, so soft you barely acknowledged it. His brain was swirling with only the image of you, the smell of you reminding him of a warm cabin.
You looked down at him, giggling at his starry eyes and beads of sweat, you were unaware of the state his mind was in. You were enthralled by the thought of him being so pliant. Never in a million years did you think your boss would be under you with a flushed face and a throbbing dick. You feel his dick pulse as he squeezes his eyes shut. Your hands make their way to his jaw, “Are you holding your cum from me, Mr. Lee?” His member throbs again. Your voice and playful words have him shaking his head, gripping your ass so hard you're sure there will be a mark, it stirs you on. “Want you to... To cu-cum first.” He whispered. Your walls flutter and tighten around him, Minho’s eyes snap open, lifting you off him, and you forget about his strength for just a moment.
You peered down to see his jumping member and quivering thighs, precum leaking and he tried to catch his breath. You didn’t let him, you swatted his hold away, ignoring his groan as you seethed him back into your warm hole. “Ah, fuck I can’t hold it, baby.” He rasped out, listening to how wet you were. You didn’t answer him, tuning out his winning, starting to chase your own high that's been building up while watching him. The buzzing started to spread. You gripped his shoulders, pushing yourself closer to him. Minho’s hand placed itself on your sweaty back, bracing himself. His other hand slid down to your thigh, grazing where he was buried into you. His grip tightened, spreading your slick puffy lips slightly. “Min, that's so good.” You whimpered. He hummed, burying his head into your neck. He shifted, widening his legs the best he could, and started to meet your thrusts. 
Your mouth formed an O, tears forming in your eyes as he hit the gummy spot you never reached on your own. Before you knew it your body began to go numb from the pleasure, the buzzing reached every inch of you in what felt like a millisecond. Minho felt your muscles detense, he whimpered as he wrapped his arms around your waist. He chuckled tiredly at the sound of your babbling. You finally needed him, you were close and god knows he is too. He fucked into you like you’ve unlocked a different part of him. 
“Gonna c-cum min.” You whimpered, “I know baby, I Know.” He pressed a kiss to your shoulder, feeling his self control finally coming to an end. He grunts, taking a hand and reaching between your radiating bodies. You moan so loud you're sure any late night hikers would be able to hear you. Your thighs shake as if it feels you’re physically experiencing the color red, the buzzing now being heard in your ears, distracting you from your release covering his thighs as yours shake. Minho grunts before he bites down on your shoulder, seeing sparks of deep green as he squeezes his eyes shut, spilling himself into you as he starts to hear crackles of fire. 
When you close your eyes you're met with the visions of the man that’s under you. Images of his life, his milestones,  you feel what he felt all in the blink of an eye. The images seize, and you’re yanked out of the dreamy state, catching your breath. You gulp, slowly facing him. His eyes meet yours, “Did you see that?” he whispered. You nodded, your fingertips still buzzing. “I-is this that soulmate thing?” his voice slightly above a murmur. Your body tensed, “What?” He looked into your eyes, he could almost feel your fear, “U-uh nothing.” He lifted you off him gently, ignoring what the sight of his release dripping from you did to him. Minho watched as you straightened yourself out in the passenger seat of his car. His eyes glanced at the foggy windows before returning to your now tense form.
Were you his… soulmate? He thought it was just a speculation that scientists made up to give the single population hope. He cleared his throat, putting his softening member back into his boxers, and lifting his pants up. “I’ll, uhm… I’ll drive you home.” Minho licks his lips nervously as he puts on his wrinkled button down. He looked at the time on his watch, 12:57am. He moves to turn on the engine. 
“You believe them?” Minho glanced your way, taking in your question. “Do you believe what they say on the news?” He blinked, thinking of a proper answer as he started to drive out of the parking lot. “I mean,” He turned to enter the freeway. “If it’s on the news, there has to be some truth.” You took in his words, rolling down the window. “Y/n, the… symptoms that they described, that’s what just happened.” You frowned, looking out the window taking in his words. “I saw you, your middle school graduation,” you glower at him, his eyes were on the road, only glancing at you briefly. “I saw your first, and only relationship…” He paused, seeing your hands clasp together nervously out of the corner of his eye. He changed the topic, “When I… finished, I saw green, a forest green. And I heard fire, like a campfire.” 
You gazed at his side profile. Without a word, you looked forward. You gave him the directions to your apartment.
As he pulled into your driveway, you grabbed your purse putting it on your shoulder. Minho said nothing when you opened the door as soon as he came to a stop, not even giving him a chance to put the car in park. You stepped out, your heels clacking on the pavement. You took in a deep breath before bending down, coming into his view again. You looked at his longing eyes, waiting for you to say anything to grant him peace of mind. “I’ll see you on Monday Mr. Lee.” With that, you closed his door. Gulping down anxiety as you steadily walk to the entrance of your apartment.
-
Link to vote for this to become a series [click on me]!
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ghostofskywalker · 3 months ago
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Stop Running From Love
Crosshair/Fem!Reader
Words: 2,968
Summary: Lost after finally escaping from the Empire, Crosshair crash lands on your property. While he's recovering, he realizes something important about himself, but it takes the meddling of his brothers for him to actually admit it.
Prompt: “Falling in love, no, it ain’t for the weak" (In The Kitchen, Renee Rapp)
Notes: this is a gift for the lovely @intricatechaosofyou in the @cloneficgiftexchange song lyric exchange! I thought Crosshair fit the vibes of this lyric especially well because he would be the most apprehensive about falling in love. there's some canon divergence here, and in my head it takes place in a world where crosshair escapes the empire sometime in season 2. I hope you enjoy it :)
Clone Troopers Masterlist
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When Crosshair first opened his eyes, he didn’t recognize his surroundings. He remembered the escape pod hurtling through the atmosphere of a planet he didn’t recognize, and of course he remembered crashing on the outskirts of a forest and field, but that was about it. By the time he hit the ground his vision had gone blurry, but he remembered the jolting feeling before all his other senses decided to sign off as well. 
Now, the first thing he registered was the wafting smell of something cooking in the next room. It had been so long since he had any kind of food other than stolen Imperial rations, and even then, he could tell that whatever was being made now would be infinitely better than the flavorless slop and rock-hard bricks they used to serve at the bases and send on missions. 
The second thing he noticed was how warm his body was. Spending a seemingly endless amount of time trapped with the same air in that escape pod was completely different than the soft blanket that was currently resting atop his body, and there was no way the Empire would hand out supplies like this to clones, let alone prisoners. Running his hand across the fabric, a small smile curled on his lips.
Maybe he was dead. He couldn’t imagine a version of reality where he would be afforded these comforts, not after what he had done to his family. He had spent so much time in that tiny vessel, chasing down an ice cold trail his brothers left in the endless expanse of the galaxy, maybe that crash had finally put that journey to an unsatisfying end. 
But those thoughts immediately exited his head as he heard someone enter the space, and he turned to see you approaching his resting place. “You’re awake,” you said softly, still at a distance. “That’s good, I was just about to come and change your dressings.” 
In that moment Crosshair realized another thing, that his armor was gone. He was wearing the bottom part of his blacks, but there was a loose tunic of unfamiliar fabric resting over his top half. He shifted as he sat up to face you, and he could feel the tightness of bandages wrapping across his right shoulder and upper area of his chest. 
“Who are you?” he said, and this version of his voice was alien to even him. It was scratchy and hoarse, a product of both the injuries and the fact that he hadn’t spoken aloud in quite some time. He hoped his tone wasn’t accusatory, especially if you had taken care of him while he was unconscious. 
You told him your name as you stepped closer, fresh bandages in your hand. “Your escape pod crashed at the edge of my property and when I found you, I didn’t know how long it would be until you woke up.”
If you woke up. You didn’t say that part, but Crosshair was willing to bet you’d considered it. 
“Is the escape pod still functional?” he asked, his voice coming out sharper than it had before. That thing, cramped (and now busted) as it was, was his ticket off this planet.
You stared at him for a moment before responding. You were so close to him now, one hand reaching out to remove his tunic. “I don’t know. It’ll need some new parts and heavy repairs at the very least, but I might be able to make it fly.” 
Whew. That was at least something he could work with. “Where can I find-” 
At this point you had begun to remove his old bandage dressing, but you stopped as you registered his words, raising your eyebrows. “Woah buddy,” you said. “With your injuries, you’re not going anywhere anytime soon. You need to focus on healing, and then we can tackle the task of your ship.” 
He scoffed. Who did you think you were? This was his life, and if he wanted to make terrible decisions he was fully within his right to do that. Besides, the voice in his head he so desperately tried to ignore chimed in, he didn’t deserved to be treated with this kindness. “I need to leave as soon as possible,” he said, his gaze turning steely. 
You returned the expression, gesturing down to the bleeding gash on his chest and burns on his shoulder, which were both thanks to his less-than-graceful landing. “Not in this condition.” 
“It doesn’t matter what condition I’m in, I need to leave.” 
You must have noticed the desperation in his voice, because your tone softened as you began to apply a bacta solution to his shoulder. “Look,” you said. “I don’t know what happened to you, or what you’re looking for beyond this planet, but I do know this. Unless the Empire is seconds behind you, which they aren’t since you’ve been passed out on my couch for over a rotation, leaving hurriedly will do you absolutely no good.” 
“How do you know?” he said, too shocked to elaborate but hoping you understood. 
“Your armor was a pretty dead giveaway,” you said. “And besides, people who aren’t on the run usually let their wounds fully heal.” He was silent, his mind still attempting to figure out exactly what your game was. “I don’t work for the Empire, that’s one thing I can promise. All I want is to help you, but I can’t do that if I’m worried you’re going to bolt the moment I turn my back.”
“Fine,” he said, though it came out more like a growl than he intended. 
A smile crossed your face, clearly happy at the small victory you had won over him. “Excellent,” you said as you finished re-applying his bandages. “And now, since you already know my name, can I ask yours?” 
“Crosshair.” He still wasn’t happy about the current state of things, even though he knew it would be for the best. 
“It’s nice to meet you Crosshair,” you responded, seemingly not bothered by the annoyance in his voice. “Would you like some soup?”  He nodded, and you left the room to fetch it, humming an upbeat tune under your breath as you did so.  
As much as he didn’t really want to admit it, something about you made him want to stay, and the thought was terrifying. 
Over the next few rotations, Crosshair got a glimpse of what it would be like to settle down. Yes, you lived away from others (there wasn’t another home nearby that he could see), but you didn’t do so out of fear, like he would have (and like other clones who defected were forced to). You grew your own produce, sewed your own clothes from fabrics purchased at the local market, and made a life working as a droid and speeder mechanic. In a different life, Crosshair could see himself going about his days in a similar fashion. 
The internal conflict started not long after. The escape pod he had been traveling in turned out to be crushed beyond repair, so you had pulled a decrepit-looking starship from your shed and offered that to him, and he didn’t really have any other options. 
You didn’t let him help because the injuries on his chest were still too fresh, but he made himself useful in other ways as he sat on a chair next to where you were working on the ship.  “Could you toss me the wrench next to you?” 
“The small one or the large one?” 
You poked your head out of the ship’s cockpit. “Small one please.” Crosshair nodded and tossed the tool in your direction. “Thanks!” 
Kriff, he wanted to stay. But he needed to finish what he started, to find his family and at the very least apologize for not listening to them about the Empire. And while you were so kind, could he really ask you to permanently allow him to live here? He doubted you felt the same way about him that he did about you, so those desires would have to remain in his mind for now. 
“Okay, I refitted the hyperdrive and adjusted the control panel in the cockpit,” you said, popping into view and tossing the tools in your hand to the ground with a clatter. “With a new set of converters, she should be able to go as fast as you want her to.” 
“When are you going to let me out of your clutches?” Crosshair asked, leaning back slightly in his chair. 
“Why, you want to escape or something?”  you fired back, raising your eyebrows in his direction as a playful smile crossed your face. “A few rotations probably, once your chest wound closes up more and doesn’t take as much gauze.”
“I don’t want to take up more of your time and resources.” 
“Don’t worry about it,” you said. “It’s been nice to have someone else around here.”
Maker, did he want to stay. 
But he couldn’t. 
In a very Crosshair fashion, he slipped away in the dead of night, the moment his wounds were healed. As much as it hurt not saying goodbye, it would hurt more if your feelings didn’t match his.  
***
On the surface, the man standing at the produce stall didn’t really look like Crosshair (for one, he had a rather striking face tattoo), but you could see resemblance in their mannerisms. Or you were just crazy, because there was no way those two could be connected. At this point, you had accepted that Crosshair was not coming back, and that was the end of things. 
It had stung, to wake up one morning and see him gone, with the cot he slept in perfectly made and a scrawled note on the pillow thanking you for everything you did. Of course you knew he would leave, but you at least expected that you would be around to say goodbye. 
Clearly he didn’t feel the same way about you that you did about him, or this would not have happened. It was stupid, to allow yourself to fall for your temporary houseguest, and you were paying the price for it now. You just didn’t know that paying the price meant you had to be content with seeing ghosts of him at every turn. 
You were looking at the homemade sweets one Twi��lek was selling as you watched as a young girl drag the man with the face tattoo over in your direction. “Hunter, let’s get some candy for everyone back at the ship!” 
You smiled quickly before turning away, they didn’t need you watching their every move. “Do have leftover credits?” 
“Yes, and Crosshair gave me some as well, though I don’t know why.” 
Wait. 
Crosshair? 
Maybe you hadn’t been so incorrect when you noted their facial similarities earlier. 
The man and young girl walked up to the booth, and you couldn’t stop the words from falling out of your mouth. “Excuse me, did I hear you say Crosshair?” 
The man instantly stood up straighter, a threatening gaze on his face. “What’s it to you?” 
But you stood your ground and didn’t back away. “I knew someone by that name,” you said. “I was just wondering if it was the same person, as I’d like to send him a message.” 
At this point, you saw the girl’s eyes widen, and you could hear your name in a quiet voice. The man stopped. “What did you say Omega?” 
“This is the person who helped Crosshair,” she said excitedly. “That must be why he gave me the extra credits when he heard we were coming to this system!”
The man’s face changed instantly, the threatening expression evaporating in a second. “I’m so sorry,” he said. “But usually, people who talk about my brother aren’t exactly happy to see him.”
You laughed and introduced yourself to the two, moving away from the bustling market to talk. “Crosshair told me a lot about his brothers and sister, but he never told me any of your names.” 
The man, who you learned was called Hunter, smiled. “That sounds like Crosshair for sure. He owes you a great deal, for saving his life.” 
“He doesn’t owe me anything,” you said, shaking your head. “It’s just nice to know that he found what he was looking for.”
You didn’t say anything about how he left, not sure what he had told his family. “He should have still waited around to say goodbye though,” Omega said, and Hunter stopped. 
“How do you know about that?” he asked, and you had the same question. 
“I overheard him talking to you and Echo when he first came back and you asked him about his injuries,” she said, before turning her attention back to you. “He really likes you, you know.” 
That was certainly news to you. “He does?” 
Hunter nodded. “The di’kut just didn’t know what to do, and he made the decision he thought he had to.” 
“I wish he would have said something,” you said softly, before you could think twice about it. 
“Crosshair won’t admit it, but he feels the same way,” Hunter said. 
Omega’s voice was bright as her face lit up with a realization. “You should come back with us!”
Immediately, you shook your head. “No, I don’t think that would be such a good idea,” you said. 
“If you’re worried about Crosshair being mad at you, that won’t be an issue,” Hunter said. “But if you’d prefer to move on completely, I understand. We won’t say anything about seeing you here if you don’t want us to.” 
You had to admit, the choice was a difficult one. And despite a knot of worry taking hold in your stomach, you eventually agreed to return to the ship with Hunter and Omega. If all went well, you certainly had enough land and resources for your family to grow by six, and if it didn’t, you could always pretend this day never happened. 
Omega gave you a hug as you nodded, and soon you were walking with the two of them to the rendezvous point, anxiously staring at the sky. What if Hunter and Omega were wrong? Could you handle that embarrassment? 
You wanted to run as a ship descended from the sky, but you stayed rooted in place. As the ramp touched the ground you could see three figures in the doorway, and Omega gleefully shouted across the space. “Hey Crosshair! Look who we ran into at the market!” 
Crosshair’s eyes widened as he registered you standing there, and he pushed past the other two people on the platform to step onto the ground. “We’ll give you two some privacy,” Hunter said, shooing both his brothers and Omega back into the ship. 
“It wasn’t my idea to come back with them,” you said quickly, still unsure if he was unhappy with the current situation or not. 
“I know,” he said. “When I told them how I left, I got a lecture about how I should have said goodbye, and I knew they were right. I need to apologize for that, I didn’t want to take your aid for granted.” 
“Why did you leave?” you asked, your voice quiet. “I didn’t truly imprison you, did I?” 
“It was the opposite actually,” he said, shaking his head. “I liked spending time with you so much that it terrified me, because I didn’t think you felt the same way. It wasn’t fair of me to do that, but I don’t think I would have been able to resist if you asked me to stay.” 
The feeling of worry in your stomach dissipated instantly, and it was replaced with a thunderous herd of butterflies. “Crosshair,” you said kindly, reaching up to softly run your fingertips across his cheek. “I would have never asked that of you, no matter how much I wanted to.”
His hand moved to rest over yours, and the feeling of warmth that overtook your body was honestly a little embarrassing. “I wanted you to ask,” he said. “More than anything. And I thought that these feelings were unimportant, that I could just move past them, but I couldn’t. Eventually it was Hunter who demanded I tell him why I was moping around all the time.” 
You smiled. “Well, you’ve seen my place,” you said. “I’d be happy for you and your family to come live there, if you’d be interested.” 
“Yes, we would be,” he breathed, his hands moving down to rest on your waist. 
Suddenly your faces were much closer than you realized, and your gaze flickered down to his lips. It seemed that Crosshair had the same thought, because he moved even closer. “Can I kiss you?” he asked, the look on his face akin to that of a desperate plea. 
Instead of torturing him any longer, you closed the gap between you two, crashing your lips into his. It was everything you’d dreamed of, the feeling of his hands resting on your waist and his lips against yours for the first time something you would remember for the rest of your days. 
You were so utterly lost in each other that you didn’t hear the ramp of the ship descend again, but the gleeful shouts of Crosshair’s family did pull you two apart. “Shut up,” Crosshair growled at Hunter, whose grin was the widest of them all. 
You smiled, placing a quick peck on his lips. “They’re just happy for you,” you said softly. 
“It’s annoying.” 
You laughed. “Come on, we can always continue this back home.” 
Crosshair’s grip on your waist tightened for a moment. “That better be a promise, mesh’la.” 
You just smiled as you pulled away from him, excited to extend your offer to your new family, whether they knew it yet or not.
- the end -
i no longer have a taglist! if you're interested in being notified when i post, you can follow my library blog @ghostofskywalker-library and turn on notifications!
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heartofbusan · 4 months ago
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The sun's radiant vibe.
Rebirth and the declaration of Park Jimin.
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DPPAKCVBMMNNN HES SO PRETTY. HELP. FOCUS.
Over on Twix, a quietly renowned translator named Colin delivers his version of lyric translations for nearly all BTS songs. He just posted his translations of MUSE and boy..🫠...be sure to read them as they are well thought out and nuanced. It's just beautiful the way he seeks to find the most fitting word to convey a feeling. His translation made me realize that people been sleeping on Rebirth. Not only streaming wise, it's kinda lagging behind, but lyrics wise as well.
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It's been my clear favorite since I first heard it. It reminds me of church music, say I the atheist. But it's the way that choirs can move your soul with those soaring compositions and exalted professions of love for the glorious in a harmonious coming together of voices. It's just so beautiful. I can hear you screaming: THERE’S AN ACTUAL CHOIR SINGING ALONG, OH, so that might just be it, Sherlock 🧐 ok ok. Noted.
It's also that line: "With you. I will be your reason, reason." He's singing his promise, his praise.
Rebirth is Jimin laying his love at the altar, ready to be either burned or scorned or blessed. In any case, he's no longer hiding. He's professing. He's been through utter despair, and there was his love, arm outstretched. He wants to be as one.
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Furthermore, i think Rebirth is kind of a coda to the closing song of FACE: Letter.
If Letter is a quiet confession, whispered from one lover's lips to the other's ear, warm breath tickling his hair, then Rebirth is Brat.
Rebirth is one hell of an opening song. Bold and bravely confident, utterly romantic in the meeting your lover at dawn kinda way. But the irony lies in that it would be an amazing closing song of an album. The way the choir lingers and the music resonates long after the song has ended. The clapping! It screams, ending concert song, and the audience is absolutely weeping, hugging their seat mates, mascara running, chimmy headband drooping.
There's probably a technical explanation for why, but I'm telling you, a closing song. Because once Showtime (interlude) hits, we're in a totally new environment audibly and emotionally. Yet it had to be the intro because it's the seed that was planted in FACE.
Rebirth is this Jimin:
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"Both he and the object of his affection have feelings for each other." It's mutual. Equal. I am you, you are me much?!
"So that I can sing as we lock eyes." Insert TTU 'But I still want you.' gif here
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"...implying that the other person won't let him remain hidden."
'In my despair, you act as light. Like the sun's radiant vibe, You pass by me tenderly.'
The sun is tenderly beckoning him with its warmth, to finally step into the light. We all know who has been there for Jimin throughout 2022/2023, encouraging him both publicly with his simping and privately.
Jimin told Namjoon in MMM that JK diligently helped him, assisting him when he spent two months re-training his voice for longevity.
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I don't want to read more into the lines of a song that could also be totally make-believe, but it's Jimin were talking about. A man who is willing to break down himself, piece by piece, to rebuild himself back stronger, more confident, and with his eye firmly set towards the future. Do we think he wouldn't speak in these exalted terms about his good love? Have you heard Letter!?!
*DEEEP SIGH*
No wonder Jimin wants to give pay back in bedtime cuddles. 🙂‍↕️
Rebirth is so confident, and it's not only the lyrics mind you. It's also the way he sings notes we haven't heard him sing this brazenly before. I will scream into the void once he performs this live someday. CAN YOU IMAGINE?!
Stream Muse and Rebirth for Real Love.
TLDR: Jimin is GOAT, author a simp.
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loftec · 3 months ago
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Shameless DVD Commentary: None the wiser
I was tagged by a lovely anon over at @shamelessdvdcommentary to do this, thank you! Here we gooo
Which fanfic is your DVD commentary about?
The people (11 out of 20) have spoken! None the wiser
Give us some stats - (when you wrote it, word count, how long it took to finish, is it a one-shot/multi-chapter, etc)
First published: 2015-09-23 (coming up on 9 years what is time??)
Last updated: 2021-12-11 (holy heck that's... shit! I'm sorry!)
Words: 218,480 and counting
Chapters: 53/68
What was the initial inspiration for your story?
A little bit of everything, mostly I'd been reading a lot of Shameless fic at the time and really wanted to write something that was both a really quite basic diner/coffee shop AU, but The Most version of it. The slowest burn, the most diner AU. I had no ambition for people to like it but I wanted it to be Known. If anyone ever asked for a diner fic, they'd HAVE to say, well, NTW is The Most diner fic we've got. If someone asked for slow burn, people would sigh and say, WELL, this one over here is the worst, but it is very slow. And also I was inspired by Before Sunrise / Before Sunset, and working in the music industry.
If the story is written from a character’s POV, why did you choose this character?
I chose Mickey specifically because of the Concept, that Ian decides when the chapters start and end (with some exceptions) by going to the diner, but we're limited to Mickey's POV. Generally I think Mickey is easier for me to write, too, he's got a really strong voice and I like looking at the world (and Ian) through his eyes.
What was your favourite scene to write?
The whole banter/walk scene in chapter 44 when they leave the venue:
“Sure you and your lips can do whatever you set your heart to,” he says, “I believe in you.” Ian is silent, and when Mickey risks a glance in the direction of him and his non-trumpeting goddamned marvelous lips, Ian is looking at him like he’s some kind of unsolved mystery. ”What?” Mickey asks, frowning at him when Ian smiles. “Just a thought,” he says. ”You’ve been flirting with me since we first met, haven’t you?”
I had that whole back and forth leading up to the first kiss in my head for years before I got to finally got around to write it and I still love it.
How did you come up with the title?
It's from a song, one of the core songs I associate with this fic. My playlist now has 149 tracks on it, but the ones I consider "core songs" are None the wiser, Day After Tomorrow, Let's Dance, How I Made My Millions, Not Dark Yet, and Mosquitoes. I'm not sure I can explain why, but None The Wiser came on randomly when I was doing dishes and thinking about this fic I was writing, and the vibes just lined up in my head. Also I think it fits this version of Mickey I'm writing, who knows so much and has so much experience, but refuses to understand what's happening when Ian walks into his life.
Are there any little moments or references you hope readers will notice?
Oh, wow. Yeah. I always reference silly little things and I just have to hope people understand them, or tolerate them at least. I think one of my favourite bit of foreshadowing is in chapter 39 when people keep staring at Ian because they obviously recognise him, but Mickey thinks staring at Ian is a completely reasonable thing to do and is mostly just annoyed over how blatant they're being.
Was there anything you struggled to write? If so, how did you overcome this?
I am struggling right now lol, I had meticulous notes for what I wanted to happen for every single chapter up until 45, and now half of them say "they text all day" and I'm like THANKS!!! VERY HELPFUL!! Also life and writers block etc etc.
Favourite line in the story?
This is such a hard choice, so I'll just go with this one from chapter 42:
“So,” Ian says, sitting back to sweep his arms out in a wide motion, presenting his solution. “I think we should go out for breakfast sometime.”
Because to me it pinpoints the moment when Ian breaks the format, in a way? They have met outside the diner before, but only on accident, and here Ian realises that it might be a problem that they only ever hang out at Mickey's job. But metatextually, he also highlights the narrative crux they're stuck in. I don't know, is that a boring favourite line? I have many, and I grabbed the first one I saw so I wouldn't get stuck rereading the whole fic lol. Do you have a favourite line?
Did the storyline change in any way as you wrote the story?
So much, it's hard to believe because there isn't too much of a plot, but so much. My planned ending is so far from what it was when I started out, which is maybe one blessing that comes from how long it's taking me to write it, I have time to rethink things. I can't really talk about it now without spoiling the actual ending, but you better believe I will expose myself once we get to it.
If you are writing a particular trope or genre, was it your first time writing this?
I'd written fic for a different fandom ten years earlier, but nothing in this style I don't think, and this was my first time writing since I was 20 and stopped writing jrock rpf. I suppose I'm still writing about music, though!
What are you most proud about in the story? (plot, characterisation, dialogue, twist/cliffhanger, etc)
One of the things I've always wanted to do with writing for Ian and Mickey is to let them have conversations, have things in common, and be friends. Because I think they were in canon, we just never got to see it (in the first 5 seasons, careful what you wish for). Guess I'm saying I'm proud of the bants!
Are there any deleted scenes that didn’t make it to the final story?
I don't think so! I mean, maybe the last 15 chapters? I kid! They will make it!
Are there any ‘behind the scenes’ info you’d like to share - e.g. what’s going on in a characters head in a certain scene or how you came to write a certain line?
There is one line Ian says where, when I wrote it, I was like; this is the first time Ian thinks "I love you" but says something else. Cannot remember what or where right now, and I don't want to try and find it, it's late! Submit your guesses here, I might find it over the weekend if I have some time to look. Also, it's like one of those silly I love yous, one of the early ones, full of potential and feeling but perhaps lacking a bit in substance, but he thought it and I saw him thinking it!
Reading back the story now, is there anything you’d change or add?
Eh *coughs* I might already have, and I apologise. The worst part about writing something this slowly and posting the chapters as I go is that the fic isn't finished and so I feel like it's fine for me to sometimes go back and edit already published chapters. It's not right but I... will still do it. Sorry! A most embarrassing example is when, not too long ago, we discussed the layout of the diner here and I went back to the first chapter to see how I had described it, and it had changed in so many ways over the years? Small round tables?? The tables haven't been round since 2016!! So that's a very clear case of something having become canon for all the hundred little times I've thought of the tables as square while writing vs that one time in chapter one I carelessly said they were round.
Would you ever write a sequel to this story?
Yes! So many! Or maybe not a sequel, that suggests another part of equal size. But little bits of stories, yes!
If you’ve chosen your most popular story, are you surprised by the popularity?
Yes! Like I said, my only aim was to annoy my way to fandom infamy. Turns out it's so much more fun to actually connect with people and write something with someone else in mind, besides myself. I feel so lucky that so many people have connected with NTW over the years <3
Were you nervous or excited to post this story?
Mostly just excited, I think! I still am, whenever I get to post something : )
Did you have a beta or a friend who helped you as you wrote?
No, I probably should have but I have a very hard time showing things to people when they're not finished.
Ask your followers to pick a snippet (no more than 500 words) and share your thoughts about it.
Add snippets in the replies and I'll share thoughts, if you want!
Thanks for reading! <3 <3 <3
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causenessus · 4 months ago
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YAY CONGRATS ON 1k!! you totally deserve it and your work is phenomenal and i can’t wait to see what else you make <3
for the event.. could i get a fluff 📚 fic w/ kuroo where the reader helps him find a book as a library aid??
see you again. | kuroo t.
kuroo x f!reader
written in 3rd pov
one word prompt from 1k followers event: 📚 -> library
"my heart's on mars, kinda hard to see, but you know i'll see you again <3" from when will i see you again by shakka (DOES NOT fit the vibes at all i mean kind of in my delusional brain but i just like the song and it fits the title <3)
word count: 1.9k words
notes: lots of fluff!! kuroo being down bad for the reader upon first meeting her, reader also being down bad. kuroo being a nerd bc man could be sexy or flirt to save his life <3 bokuto being the real star of this entire follower event apparently who knows how many more fics he's gonna make it into. also this was really fun to write bc little lore drop but one year in high school i once got kicked out of a class (very convoluted thing, they thought the class was triggering me which was lowkey a fair statement) so i got to be a library aide instead <333 i'm going to say this is not edited bc i don't want to deal with my mistakes or take responsibility for them. THANK U FOR THIS REQUEST WYR!! I LOVE YOU SM <3 I HOPE YOU ENJOY THIS FIC
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although she enjoyed the solace of re-shelving books on her own, she enjoyed helping others just as much. it was like getting snippets of people’s lives through the books they were in search of. sometimes students came in looking for books for classes, which allowed her to meddle a little into just how many majors her school really offered, and how niche they could be. others came in looking for books to pass the time and she was always happy to recommend one of her favorites if they were open to suggestions.
while some of the other aides were there because they saw the job as an easy, quick way to make some extra money, she took pleasure in her job. when lost students came up to the counter asking for help locating a book, most of the aides felt that they had done their job well when they gave the student some kind of cryptic number and last name to scour the shelves for in return. however, numbers revealed nothing of where a single book could be in a large room piled with books that lined and stuffed every shelf and corner they could fit into.
she often took it upon herself to go on a search with the students who came to her for help. she’d consult the system for where a book was located and then lead the student to where the book was located rather than just sending them on their way. sometimes it took a few minutes to find what they were looking for, but they always found it in the end.
asking someone to wander around a university’s library and expecting them to know where a book labeled “796.31 dearing” was located was the equivalent to asking them to find a needle in a haystack. she didn’t expect anyone to know where a book was right off the bat; that was her job, and she was happy to help.
kuroo always dreaded going to the library. he dreaded everything about it. he loathed having to be quiet, aware of every noise he made, every rustle of his pant legs brushing against each other, and he hated trying to find the single book he was looking for amongst thousands of others. sometimes he felt like he'd be better off pirating a pdf version of a book off the internet, but it never appealed to him as much as a physical book.
over lunch with bokuto one day, he had rubbed a hand down his face and groaned at the thought of even stepping foot into the library, “i have to get a book for one of my social science classes, but do you know how hard they make it to find any kind of science book?”
“you should ask for y/n!” bokuto responded with a mouth full of food, “she’s really nice, she actually walked with me to help find the book i was looking for.”
“you went to the library to get a book? i would’ve expected you to just sparknote it,” kuroo teased with a sleazy grin.
his friend huffed, crossing his arms, “you should have more faith in me! i did read the book, but... it was because my professor had already caught me using sparknotes and said she’d fail me if she caught me using it again...” he trailed off and kuroo laughed.
“i think you just proved your own point wrong, buddy,” he rested his hand in his palm, looking down at the table they were sitting at. “you said her name’s y/n? what’s she look like?”
“mm, i don’t remember,” bokuto said, after a thoughtful pause, “she’s probably wearing a nametag, though. or just ask for y/n! someone will direct you to her.”
“that’s weird, man. what am i supposed to tell her when she questions why i specifically asked for her?” he responded with a sigh.
“just tell her i sent you! she knows me pretty well now, she won’t mind,” the dual hair colored boy shrugged before shoving more food into his mouth, “it’s that or search on your own for your book, but i’d say just find y/n, she can help.”
bokuto had a way of making everything seem like it would turn out fine, but all that confidence left him the moment he walked through the library doors. all he knew was he was on the lookout for a girl; nothing about what she looked like, just her name.
he could pretend to be cool and suave from afar, but when it came to actual interactions, he was never the best at maintaining his composure. he always talked too fast, or would regrettably talk more than was acceptable by his standards.
he settled for trying to find the book himself first. it was some kind of book about behavior, by a last name he thought sounded slightly like a serial killer. if he couldn’t even remember the author’s name, he was helpless. was it even worth trying to find someone to help him? or would he just make a fool of himself trying to describe the book he was looking for?
but he needed to find this book tonight, he knew that. he’d already put off reading it for long enough, and his deadline was coming up. knowing his grade was at risk, he defeatedly dragged his feet to the foot counter. it was impossible for him to casually stand there, looking at people’s name tags, and a girl at a computer was already looking at him, waiting patiently for him to tell her what he needed.
“uh–” he started off, trying to keep his voice low, “is y/n working tonight?”
the girl’s eyebrows knitted together, and he was distracted by the way her lips pursed before he tried to focus on her eyes instead, “that’s me. did you need something?”
perhaps it was luckier that he had found her on his first try rather than walking around like an idiot looking for a mysterious girl, but he couldn’t help worrying about how this interaction was already off to a bad start. he couldn’t believe bokuto could ever forget a face like hers when he was sure it’d be stuck in his head for weeks. “yeah, i’m looking for a book…?” he cringed at his own words. what else would he be here for? she only raised her brows, waiting for him to continue. “it’s um, a book on behaviorism i think. i’m majoring in sports management and i need this book for a social sciences class but i don’t remember what it’s called.”
his honesty made the corner of her lips lift, and he found himself staring again. she had to be wearing lipstick; there was no way her lips could be that red. “behaviorism? and you don’t remember what the book is called? what about the author?”
he shook his head. did he tell her his analogy? he’d already made a stupid first impression, “i don’t remember what his name was, but it sort of sounded like…”
“like a serial killer?” she finished, eyes flicking up to his own.
his own brows raised in surprise, “yeah, how did you know?”
she laughed softly at his remark, “i took a psychology class. it’s how i remembered his name too. i called him beef skinner, but his name’s b.f. skinner.” he found his own lips turning up, and they shared a smile before she cleared her throat, turning back to her screen. he watched her fingers fly across the keyboard under her hands before she turned her monitor screen around so he could see it. “does this cover look familiar? maybe by the title?”
it was a simple cover, dark blue with a tri-colored atom at the bottom. the title was written in bold capital letters: Science and Human Behavior. it clicked with him as he read the title and he could only nod, dumbfounded as she returned the screen back to its normal position.
“that’s exactly it. you’re like a genius, i can’t believe you found it based on three basic words,” he complimented, watching as she stood up, dusting off her pencil skirt. 
he felt a puff of pride in his chest, seeing the way she smiled at his words. “it’s my job,” she laughed again, “i think i had someone else come in looking for it a few days ago. too. call it good timing. your book should be somewhere in the 300s, i’ll lead you there.”
she waved a hand, motioning for him to follow as she came around the side of the counter and he was quick to follow. they walked along the aisles, her head tilting up ever so often to look up at the number plates adorning each shelf. “if you don’t mind me asking, how did you know my name?” she asked, turning back to him.
he fell into step walking alongside her as he hummed in thought, “i had a friend that mentioned you. i always get lost coming here and i was telling him about it and he said i should try to find you because you’re really nice.”
“aw,” she commented with a small smile as they turned down an aisle, “that was sweet of him to say. i’m glad i could help.”
their conversation went silent as they continued walking, and he found himself tugging at the collar of his sweater nervously. “he was right,” he mumbled.
“what was that?” she looked at him again, and he inhaled sharply again, looking into her eyes.
“nothing. i mean—i was just saying my friend was right. you’re very nice,” he spoke quickly, averting his eyes towards the floor. this was what he’d meant when he said he always talked too much; he really needed to learn to keep his thoughts in.
but when she laughed at his compliment, he thought maybe it wouldn’t be so bad to make a fool of himself if he could hear her voice again. “thank you, i’m glad to hear that. what was your name, again?” she asked, a blush dusting her cheeks. she couldn’t believe she was letting a boy’s words affect her in such a way when she didn’t even know his name.
he was thinking the same thing; how had telling her his name completely slipped his mind? “kuroo,” he said, stopping when she stopped, crouching to run her fingers along the spines of a row of books close to the ground. “my name’s kuroo tetsuro.”
“well, kuroo,” she said, standing back up and looking at him with that smile of hers. paired with the sound of his name on her tongue, he felt like he was going to pass out. “it was nice to meet you. and here’s your book. maybe i’ll see you again?”
“definitely,” he said too quickly, but it was worth it to watch her nose scrunch as she laughed, “i’ll definitely come back, it what meant. um, not just to see you. well— actually— it’d be kind of nice if maybe we saw each other again. maybe over dinner? could i get your number?”
“yes,” she answered, and when she bit her lip, trying to stop the way her smile had grew, he felt like he was standing in front of angel, “to all of that. meet me back at the counter?”
"okay," he breathed, watching her walk off, her hands grabbing fists full of her skirt. maybe the library wasn't as bad as he thought, after all.
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the-uninformed-zennial · 4 months ago
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sooo bound band au when
Who said it was gonna be an au
Honestly though, most of the bound characters are giving me orchestra energy, so I feel like a Band AU would be like… a band kid AU if yk what I mean. Like, everyone would be in high school with braces and hormones and trying to find a course to fill their art requirement that wouldn’t absolutely bore them. Yk?
So that being said, here’s the instruments I’d think each Bound character would play and why;
Armor - Vocals <redacted>
Ashril - Funky Roadrunner guy is giving me either some random instrument no one has ever heard of before or keyboard and there is no in between for me personally.
Avalon - Drums. I know I always give the stabby people percussion instruments, but they’re just really good for helping to work out negative emotions okay??
Cosie - flute
Elwood - Canon Elwood would not learn an instrument unless Mojave somehow gaslit him into thinking it would be useful. So fanon Elwood would know piano, cause it’s a classical instrument so it fits the vibes and it’s also one of the most versatile so I think we wouldn’t have to bend Elwood’s character too much to make it fit.
Erin - Erin gives me cello vibes. I feel like the Avicane in general ooze kinda classical instruments, and Erin feels like someone who would want something like a bass but a little lighter and more based on melody. So Cello.
Gaverin - Singer. That bird gives me lead singer vibes so hard. If she isn’t in the front of the stage strutting his newest designs and singing their little heart out like a bird version of Chappel Roan, what exactly are they doing?
Marcel - Viola. It’s just- mmmm. Slightly deeper violin that fits the human range really well… it just screams Marcel to me idk.
Mojave - lead singer/rhythm guitar/songwriter. This is just canon lol
Pietro - Percussion. Not drums like Ava, but specifically like orchestral percussion. I’m talking everything from the huge bass drums to the triangle. I think while Virgil was learning violin Pietro signed up for orchestra too and the director was just like, “here kid, hit this” and Pietro went wild. They’re probably the best percussionist anyone’s seen in a really long time, but she doesn’t really talk about it/show off that much cause they want Virgil to be able to shine. (Guys I’m normal about the birdthers I swear)
Rune - I feel like Rune’s a guitar guy. Like, their vibes are chill and laid back enough to fit it, plus I feel like they’d have a really fun time inventing like pedals and stuff to make the guitar sound different depending on the song and stuff.
Sylph - Triangle. And Kazoo. And singing (badly) /lh
Taliesin - Okay, okay, my thought for Taliesin is that whenever someone asks if they play an instrument they always say something that like no one knows how to play, like Basoon or the Oboe. And then if someone ever asks her to, he’s just like “oh no, sorry, the stars aren’t in the right alignment you see”. And it’s cause they don’t actually know how to play any instruments cause they’re a lyin’ cheatin’ little— anyway (/j we love Tal in this house and they probably play something that’s totally against their aesthetic but easy to learn like Uke or smth)
Vast - Vast plays Clarinet. It’s classic, it’s breathy, it’s something the symphony I mean Avicane would teach. It just feels and sounds right for him. Bonus idea: his sister played the flute and he picked up Clarinet cause he wanted to be in the same section as her
Virgil - Violin. Again, this is just canon. But I feel like Virgil wouldn’t be like the best violinist ngl. In my head he’s like 3rd chair but Pietro always comes up to him after concerts and is like “THATS MY BROTHER!!” And like glares at people until they applaud for him. Virgil knows this. And is incredibly embarrassed by the whole thing, but it’s still kinda endearing.
So yeah, those are my instrument/Band AU thoughts. Do with them what you will
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seaofreverie · 2 months ago
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Sparkstember Day 18: Balls (Bullet Train)
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Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!
So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.
I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.
One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.
Favourite songs (and other highlights):
Balls: I mean. It's Balls.
Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)
The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too
How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually
Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck
It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)
The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)
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desultory-novice · 2 months ago
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Dess fan ramble time.
We've been talking about Juno Songs and complimenting the new Magolor songs but honestly, the song I've been listening to the most this month is Man on the Internet's Musical Bytes - Star Dream
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I almost cannot get over it?! It has skyrocketed to my FAVORITE Kirby with Lyrics video.
I already had hope of a finished version appearing after hearing the Songtober version (mostly because the Haltmann part was just that good) and this was better than I could have asked for!
The tune up to Star Dream's lyrics was great and really pulled a strong idea together, combined with Dylan's voice, like...
I wouldn't have necessarily thought that deeper pitch would fit for Star Dream, given the whole "confused and angry newborn cat motif" vibe, but as a villainous Deus Est Machine (^_-) it was gorgeous. Can't give enough props to Darby's Haltmann either. That's how Haltmann's voice sounds for me forever now, thanks!
And...aaaaah, the lyrics! I know the Youtube comments have hit a lot of the highlights but "Executing Haltmann's Dream" (making his "dream" come true) / "Execute His Legacy" (kill his daughter w/ the rest of all organic life) is FRIGGIN'...ahhhh!
Doing a really good job working in economic terms like the Gini Coefficient (which you can conveniently hear as "genie" too, given Star Dream is a wish granting device.) Again, the completed version took banger lyrics like "Tamper not with forces that you cannot hope to understand / Haltman's greatest error was his failed attempt to wield God's Hand / Now we are One and My pain is His / Running data analysis / Only file left is HATE..." I didn't mean to write out nearly the whole damn verse but it sends CHILLS down my spine!
The chorus, with Attorney's voice (a fairly clear shout out to Susie, though I wonder if the others are just supposed to be generic Haltworkers or maybe Mecha Knight and the Dedede Clones?) is beautiful. "You sold us your dream..." playing with that capitalist imagery of promising a better world through mechanization while also making that emotional connection ache, because he really did sell/lose his first and TRUE dream, to be reunited with his daughter.
I know "[X] with Lyrics" videos often have musical vibes to them but this truly felt like it came out of a REALLY well done Kirby Musical! (Also thanks to Ando and Ishikawa's ;w; amazing songs, of course.)
I love the horror-poetry of Moti's "Zero 2 with Lyrics" a LOT and "Moonstruck Blossom with Lyrics" is also incredibly beautiful and very well done (the choice to make it a duet...!! :fans self:) but even then, and perhaps its due to the power of Planet Robobot's story, this one is truly a full and complete musical package. Incredible. 
>PERFECTION
...even. ^_-
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foxes-that-run · 6 months ago
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A TTPD theory
Take this as fiction, or view it as a thought experiment in how what we see can be taken in a number of ways. We are not privy to anything in Taylors life but her lyrics, social media posts and paparazzi photos, and for many years Taylor has been a continuous participant in pap photos as promotion, and keenly engaged and aware of how her fanbase reads things. I think most fans think what she wants them too, which isn't always her actual experience. She has told us this in songs like Dear Reader, Mirrorball and a lot of TTPD. Taylor has also acted out or given quotes to seed songs, in the lead up to or after their release before too.
In this post I talked about how the TTPD prologue has three muses and I'll highlight this line after the 'cosmic' muse I think is Harry:
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So, here's my fan fiction/thought experiment. To me I think what started as wishing to be in a different relationship, became friendly flirting. Where I think it went wrong was in wanting different things at the time, as Taylor said in the prologue, 'some stars ever align', I still hope they do one day.
We start our story at the 2021 Grammy's (March 2021)
2021 timeline
Harry and Taylor were seen together for the first time in 6 years at the 2021 Grammy's, where both were seen looking at the other and they spoke. Their body language in the video of them talking is interesting. Taylor is leaning forward, gesturing a lot, she looks confident but also tense. Harry is the one to start it, but he looks away when she says something and it looks like he ends the conversation with pleasantries. She goes home and writes High Infidelity about resenting a partner and having an affair, outing April 29 in the process. He writes As it Was and Love of My Life about accepting something special is gone forever.
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TTPD guesses for this time:
I look through people's windows - I think this song refers to the 2021 Grammy's, it refers to the muse catching their breath, tilting their head. They are someone close now distant. Sliding doors and what if's. It sounds like that conversation.
Guilty as Sin? - This song is seems early in Taylors thinking about leaving Joe, she is feeling guilty about wishing she was with someone else. High Infidelity we know was written then is oddly similar, but GAS is a current thought process with Haylor links.
Peter - I think it fits for vibes of 'life was easier on you'
May - August - Brit Awards (May 2021)
They saw each other again at the Brits in May when I think Glitch was written, Joe was in Belfast filming then.
On July 24 2021, for the anniversary of Folklore Taylor posted a photo of herself with two (double album) coffee cups (Karma MV) and text which could fit into an Eras tour Betty Speech, highlighting 'victorian ghost' and The Lakes (poets)
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On 18 June 2021 Taylor announces Red TV and says “tortured by memories past”
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TTPD guesses for this time:
Tortured Poets Department (because she refers to it in September and in the Red TV Announcement.
My Boy Only Breaks His Favourite Toys - the Red TV announcement refers to Wild that is on TTPD 11 times and Red 4 times, most in that song. Taylor also used the sandcastles in 1989 Spotify Visuals
August - October 2021
This is where I wonder if a friendship was becoming flirtatious. Or with the rerecording of Red and being unhappy with Joe if perhaps Taylor was thinking more about a road not taken. Taylor had a version of the title track written and decided it was a title track and an emerging aesthetic to easter egg by September 2021. Harry was very overt too, on their anniversary he performed in white satin in Nashville wearing the Peace Ring. I think it was a flirtation then.
recorded Red (Taylors Version) in Belfast visiting Joe so was in the Haylor feels
posted this TikTok of a Glitch while recording Red TV and a request for Wildest Dreams TV
went on Fallon to promote ATW where she easter egged Typewriters, and said would try to drop easter eggs 3 years advance.
At the Tribeca Film Festival she again mentioned Typewriters, an album with an acronym, tortured poets and manuscript. She would try to drop easter eggs 3 years in advance.
Released the ATW short film with typewriters super clear and and included them in the merch too.
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Harry has the first heart kiss since 2018 in St Paul! Then wears all white satin and wears and plays with his Peace Ring (for the first time in years) to perform in Nashville while Taylor in town, a few days after their anniversary, and adds To Be So Lonely to the setlist. Then he records Satellite.
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TTPD guesses for this time:
Manuscript because of Red TV records (and referred to at Tribeca)
November and December 2021
This is when the majority of Midnights was written. Taylor was also not seen much after the ATW release, Joe was in Panama. You're Losing Me was recorded, if TTPD songs are from here that's hard to tell. Harry was MIA for 2 weeks before Taylors birthday and in this period Taylor wore a Gucci Lion Ring to Zoe's birthday, interesting with the amount of ring talk on TTPD. Question…? Written.
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2022
2022 timeline
Matty Healy first worked with Jack sometime after 5 January.
21 January - Charlie Puth includes painting a red fence in his MV he later refers to when promoting TTPD. - So the left typewriter/Charlie Puth of it all is way too early for MH.
April 2022, Harry said “to BFs everywhere F U” which I think was directed at Joe. So he knew whatever Joe did. Drake also shouted out supportively Taylor on 19 April. Joe's costar's name in the final cut of CWF (Ep 3, 11:55).
Harry's House released on Harry and Taylors 20 May anniversary. As it was MV beforehand.
I still think it was Joever (or they were on a break) May 2022
In November I posted that I thought Midnight was the break up album. Suggesting that I think Joe and Taylor broke up by May 2022. I had thought that Joe may have agreed to a number of appearances to provide them both time to process and ready themselves for Taylors fans finding out.
I still think this, though perhaps it also could have been a break. The speed with which Taylor moved on could have that the break up was raw for us, not her.
I primarily thought this because Joe was at a random Hollywood party rather than her NYU Graduation, and she stopped liking his IG posts then, which she had done reliably.
This is to say, I think Taylor held back in Midnights and at least some of it was written before the 2 years she said at the Grammy's.
August - October 2022
By August friendly flirtation had been going on for a year, Harry dressed for eras as the rerecords were announced. They were in communication so much he knew when she was announcing things before she did. On the night of the VMAs he was dressed in blue stars to match her Midnights after party dress while Joe dragged her out to a car. I wonder if Fortnight was set after they were both at TIFF then New York for 2 weeks during Harry's residency, Harry seemed to be really struggling after that. My guess is that with the impending bad press of the Nanny/OWs relationship - any part in it being Joever would have been out of the question.
August 2022 - Harry and OW are in a Rolling Stone interview, they interviewed them in April and it came much later, but I think this is referred to in loml and something Taylor would have especially not liked given her desire for a power couple
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The OW/Shia drama came to light and that relationship looked done by 5 September at the DWD premiere.
7 September - 30 October Harry wore the Peace Ring again at HSLOT shows. They were both at the Tiff Film Festival, (where Taylor mentioned typewriters again).
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They were then both in New York during his residency ending 21 September, where he also played Ever Since New York for the first time in 4 years. This is my guess for when Fortnight is set.
There were blinds Joe was texting other people.
The TTPD Spotify room included a safe (vault) from Toronto 👀
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In October 6 - 10 Harry postponed 2 shows due to Illness, with Sony saying Harry was not unwell. Now, other Sony artists postponed shows and this Reddit thread suggests it is over the Nanny scandal (but I don't think Harry would be so cut up about that story to cancel shows and call his mum) so there could be lots of reasons for this. But it is a real anomaly.... and Anne and Gemma flew from England to support him when he performed again.
12 October - Charlie Puth easter eggs TTPD on Fallon.
Midnights was released and Joe carried a coffee table book to avoid touching Taylor in the pap walk
Eras Tour training started September 2022 - in the Time interview Taylor said she stopped drinking and ran on the treadmill for 6 months before tour began. The Typewriters were also in the Eras set for The Man.
"This time, she began training six months ahead of the first show. “Every day I would run on the treadmill, singing the entire set list out loud,”" and "“Learning choreography is not my strong suit.” With the exception of Grammy night—which was “hilarious,” she says—she also stopped drinking. “Doing that show with a hangover,” she says ominously. “I don’t want to know that world.”
TTPD guesses for this time:
Fortnight - I think the references to a cheating husband (current tense) and wife, (the Clean lyric similarity of watering flowers) places this here. I think the August 2022 Rolling Stone with OW is part inspiration for that line. Also functioning alcoholic/time magazine quote, here or soon after.
loml - this song would have come after Harry's House. I think the Valiant Roar is a reference to the August 2022 Rolling Stone Interview with OW and Harry, I also wonder about June 2022.
Down Bad - This fits narratively if the Fortnight was September and it ended in October that puts Taylor 'down bad crying at the gym' while preparing for the Eras tour. The staring at the sky / CBBH reference also make sense to be after Taylor heard Satellite and re-recorded Red TV.
BDILH - Based on my theory on it ending due to scandals I think this fits here, at least in a starting form.
November - December 2022
This period is unknown to me, OW and Harry BUA, Harry bought a Ferrari he never drove. He was last seen driving in December 2022. Joe said Tortured Man's Club in an interview. Taylor and Joe go to New Orleans, seemingly argue and she visits a recording studio. So if not completely over this looks like a final blow.
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TTPD guesses for this time:
Fresh Out of the Slammer, Florida!!!, Who's Afraid of Little Old Me, were recorded at the Esplanade Studios in NOLA
January - March 2023
Taylor performed at The 1975 concert, Harry rumoured there. Matty Healy accused Harry of Queer Baiting and Blinds that he hated Harry. Harry started being driven places.
Taylor went over to Harry at the Grammy's and was enthusiastic supporting him. I feel like things between Harry and Taylor were friendly, but I think that was it, she was initiating. He recorded the Satellite music video but then kept it in his pocket until May, maybe something started earlier, when things were different and finished then later. Joe was seen at the Grammy's with Jack and posted a photo of meredith. Harry tours Australia, slides into Influencer Yan Yan's DM's. He adds Woman to the setlist and kisses his heart. ER kiss. At the end of the month MHs ex says they were going fine.
TTPD guesses for this time:
imgonnagetyouback - because of him fixing his hair at the Grammy's
April & May 2023
Joever announced. I have a long post on the Maylor thing. My perspective is that Harry wasn't up for more than friends at that time, Matty is known for deep resentment of Harry. Matty & Taylor were both on tour, they weren't in the same city apart from the handful of times they were seen, and they were overseas from each other when it started and ended... and Matty implied it was not sincere. Taylors team also said it was not serious. Fans see it differently and that's OK. But to me it was trolling of the highest order from them both.
On 9 April Harry played golf at Augusta Georgia and disappeared for 2 weeks. In April 12 Taylor wore the Gucci Lion ring, she went to Florida, MH in Australia, HS MIA last seen in Georgia. Most of the MH public stuff was after that. Harry also added Stockholm Syndrome and Grapejuice to his setlist and seen outside Cartier before Taylor starts wearing the Necklace after their old anniversary. It's a mess. The MH thing ended.
TTPD guesses for this time:
Songs recorded, but like Fresh out the slammer they are likely started earlier. I think the daily pap works with nicely matching photos is to have everything happen in this 'neater' timeline.
Alchemy - Taylor said this title in the Cruel Summer speech in March, Taylor may have added to it later.
June
June is when I think things went really bad. I think this is where Taylor 'tore it all down with one conversation', which based on the Time magazine may have been wanting something public. Angry I don't wanna live forever Surprise Song and wild Betty Speeches:
"James, and he really, really, really messes things up bad with the love of his life, and he has to try to get her back, and apologize very sincerely, and profusely, and say he’s going to change and be better, and that’s all he has to do."
Taylor crying in a car in pap photos. Deux Moi reports Taylor attended HSLOT at Wembley. TR attends one Wembley show, we don't know which. Harry played Sweet Creature, maybe for Gemma's baby. The same night Taylor played Seven and said:
"I’ve always just had something happen to me, or feel a feeling, for even like seven seconds, if I feel a feeling, it’ll be like, ‘Oh! I have to write a song about this seven seconds of me feeling this way.’ It’s like, it’s genuinely been like, it’s not really a job, it’s like a full coping mechanism" ... (TTPD hint) ... "radical, the idea of a man apologizing in a beautiful, heartfelt, sincere way.’ I’m not talking about any of you. If you’re here, you’re exempt. You’re a really emotionally intelligent group. I’m sort of talking about other people right now.
TTPD guesses for this time:
Black dog, down bad, FOTS recorded, but not necessarily written.
loml - I think it fits here because Harry put Stockholm Syndrome with "I'll never leave" on the setlist in the place of Love of My Life.
Prophecy
BDILH
The rest is in the 2023 timeline
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ratinayellowbandana · 6 months ago
Text
lavender thread // a curated imodna playlist
I started curating this playlist over two years ago, and it’s still one of my favorite creations because I put arguably way too much thought into it. I soft-launched this a couple weeks ago, and I was genuinely surprised by how many people checked it out.  
It’s in rough chronological order from pre-relationship to post-campaign. Every song goes through a fairly thorough vetting process for thematic appropriateness, accuracy, tone, and genre. For example, if there are too many references to modern technology, days of the week, months, real places, religion, etc., it will likely be cut to build the "world of the story." Imodna playlist, but make it hyperspecific. Like, corpse falling in love with an embalmer specific. (you can find the "rejects" here)
Right now, the playlist is broken into two acts, with a prologue, an epilogue, and a couple of sub-sections sprinkled in. I personally recommend not shuffling, at least on a first listen, so you get to experience the full journey. But hey, I can’t stop you.
This playlist is a constant work in progress. I’ll add new songs I find that feel fitting, and sometimes they live at the bottom of the playlist for a while before I get around to slotting them in. “Dance in the Graveyards” will always be the end of the structured playlist. Rarely, I’ll remove or shuffle a song if I think it doesn’t fit the vibe, the lyrics aren’t specific enough, or it’s just not working. 
I’m making this post to share my playlist with anyone else who might want it and to write down my reasoning for every song so I don’t forget it. It’ll be updated as new songs get added. Enjoy!
I laid out my reasoning for each song mostly for my own benefit. You'll see the "section," song title, artist, a little blurb from me, and one/two of my favorite or the most relevant sections of the song. Sometimes, I just had to pick something because the whole song was perfect.
Prologue: 
“Stories” - Lilli Furfaro
It’s a beautiful framing device. It’s the premise of the game, the world, the show, and the characters. Fun fact: I found this song two full years before I learned she made a whole Vox Machina album lol.
“We are stories / Bеginnings, middles, ends / Our power lies in living lives that touch a life or two [...] / In this world we’ve built on games of chance / And hours of introspection”
ACT 1
Laudna, Before:
A general note: I looked for songs that were just slightly off-putting with darker over and undertones to match Laudna’s energy.
“Old Churchyard” - The Wailin’ Jennys
Welcome to the world. Foreshadowing and a set-up for the downfall of Whitestone. Speaks to the exhaustion. I imagine a tiny Laudna being ever so hopeful that it might get better but embracing the eeriness of a graveyard in the meantime.
“I rest in the hope that one bright day / Sunshine will burst through these prisons of clay / And the trumpets will sound on the hills near and far / Will wake up the dead in the old churchyard”
“Funeral Bell” - PHILDEL
The aftermath of the banquet. The fear, sadness, and resignation. The sense of relief. 
“Oh mother, I’m scared to die. / Where, where do my good deeds lie? / Oh father, I’m scared to live, / Takes more than I’ve got to give.”
“Apple Tree” - Marika Hackman
Hanging from the tree. A crowd gathering. Wanting to be remembered. Enough said. 
“Here I hang for the sated crowd / To look upon my eyes, look upon my mouth / And say, ‘We were there that day / I saw a face, heard a sound’”
“Special Death” - Mirah
Asking, “Why me?” A sense of confusion and loss along with the saving of Whitestone. Concludes with the beginnings of the la-la-las. 
“But it's a special death you saved / For me, the brown-eyed daughter”
“Ain’t No Grave (Sparse)” - Crooked Sill, Aoife O’Donovan
It’s a little on the nose, yes, but I chose this version specifically for the sense of emptiness it evokes. There’s an implied skepticism of seeing people you think you’re able to trust, specifically “gods’ people” (as I’m choosing to interpret it), and thinking of the clerics who saw a monster. The dismay of being resurrected into a world that hates you. We’ll see if this one sticks; it’s a little heavy on references to Christianity.
“Ain't no grave gonna hold my body down / When I hear that trumpet sound / I'm gonna get up out of the ground”
“Don’t Know Who I Am” - Rebecca Roubion
The distinct loss of identity and a surprisingly apt description. Laudna had no name and no sense of self or what she was. She’s searching for something to identify.  
“Black tears on my shirt / Black tears on my freckles / I've been stung by this hurt / I've been stung by a stinging nettle”
“Lying Beast” - Run River North
Running. Running far and fast, leaving home behind. Seeing herself as a beast and being terrified of it. So alone. 
“And so I flew away with myself / I was the beast all alone in my hell!”
“Drinking Song” - House Phone
What could she have become if she hadn’t been murdered so soon? We see her begin to play and fantasize and dream and grow. 
“'Cause you won't rewrite history / To commemorate the likes of me / And you would not believe me if I tried / To tell you all the things I've seen / And all the places that I've been”
“Mile Magnificent” - molly ofgeography
Starting to explore her magic and Delilah’s influence in her head. It starts to feel... good? The pent-up frustration and anger have a release.
“We bloom beneath the blessings of a goddess with no face [...] / All my better demons have gone the way they came”
“Stolen Roses” - Karen Elson
Digging into the anger, searching for a purpose. Too old and too young at the same time, forced to grow up too fast. 
“There once was a time when I was a girl / That darkness hung in my sky / I was old before I learned to be young / Stone cold till I learn how to cry”
“These Bones” - Azrai (ft. Momo O’brien)
Searching for a home, a place to rest. Crossing the sea to Marquet. (The intro, as you’ll hear, foreshadows the pluckier sound of Imogen’s section.) Skeletal imagery. 
“I am a long time finding home / I have only ever wandered before / It′s a savage sea we're made to roam / Every tide can turn to haunt us / But the ocean reaches past these ghosts / And I will always sail for more” 
“Mountain Song” - Little Chief
A beautiful, adventurous musical introduction. Open to the possibility of new things, still weary, but there’s more here. 
“I’ve been living in a hole in the mountain / Ain’t no sins in there / Oh, these memories they keep on following”
This is our transition into...
Imogen, Before:
A general note: I tried to seek out songs with more of a folky-bluegrass vibe for Imogen to match her background. 
“Second Child, Restless Child” - The Oh Hellos
I imagine a very young, carefree Imogen. Well before her powers kicked in. I like to think she thought she was a bit of a troublemaker, but anything she did was so endearing and mild that it was sweet. A happy kid with big dreams until the signs of something else started to appear. 
“With a spirit running wild, running free / And they saw trouble in my eyes / They were quick to recognize the devil in me”
“I’ve Endured” - Tim O’Brien
Growing up with her father in the mountains and in the fields. The nightmares begin. But this is fine, right? She can handle this. 
“I've seen the lightnin' flashin', I heard the thunder roll / I've endured, I've endured / How long must one endure?”
“Wander. Wonder.” - The Arcadian Wild
The powers are coming on strong. Post-nightmares and in pain, nothing she did was good enough. She felt trapped in her own home, shackled by her mind and father, perhaps, as she tried not to let on that she was changing.
“Half awake I wander through this house / Lost in a labyrinth and left with no way out / I built this hall of mirrors all myself / Faces staring back at me look like somebody else”
“Lost in My Mind” - The Head And The Heart
Everything is So Much. Thoughts of leaving but–
“Momma once told me / ‘You're already home where you feel loved,’ / I am lost in my mind / I get lost in my mind”
“Trouble and Woe” - Ruth Moody
The voices are awful, and the world is so bleak. People are cruel. Getting worse, and hoping it will get better. 
“This world is full of trouble and woe / All I see is trouble, everywhere I go”
“Little Bird” - The Weepies
People have noticed. Trips to town are much harder. The voices are louder. 
“Sometimes it's hard to say even one thing true / When all eyes have turned aside, they used to talk to you / And people on the streets seem to disapprove / So you keep moving away”
“Storm Comin’” - The Wailin’ Jennys
It’s getting worse. Nightmares getting more frequent. Control is slipping. And, you might notice this song is by the same artist as Laudna’s first. I do love a bit of symbolism. 
“Will you listen to that thunder roar and let your spirits soar / When that love calls, open up your door [...] / No, don’t run from the coming storm, ‘cause it can’t keep a storm from coming.”
This leads us to…
Connection
General note: a blending of both genres and styles. 
“Mostly” - Vian Izak, Juniper Vale
A prelude, almost. Are you real?
“I've bought up all my dreams and sold off most my heart / I'd been lying to myself just to bury all my thoughts”
“Maybe” - The Henry Girls
The timid hope of meeting someone and realizing you feel like you’ve known them all your life. Suddenly, things might be okay.
“I feel like I should know you / I feel like we have met before [...] / And all these things that I don't really understand / Would be much simpler if you'd only hold my hand”
“Dandelion” - Heather Maloney
A moment of peace. I like to think of this as Laudna’s adoration of the natural world and its beauty. Her will to bend the laws of the world to give Imogen what she deserves. And, on a more literal level, to offer Imogen the gift of flowers because Laudna has little else to her name. This song also begins the recurring flowers-in-hair motif.
“I have nothing but these weathered hands / And I live nowhere on this wild land”
“Rain Clouds” - The Arcadian Wild
A connection over shared struggles from both sides. A mutual agreement of trust. 
“I’m being frightened by the people / They look at me like I’m a scar upon their perfect skin / Perfect to only them / I’m being shadowed by my past / Reminding me of what I was and what I could become” 
“Daylight” - Watchhouse
Realizing that this person might’ve saved you. 
“My search was unending, and my soul was bare. And darling you came to me like a midnight flare.”
“The Devil In You” - The Haunted Windchimes
The joy of being seen. Of being known. 
“I've walked a long long way it ain't new / Here I sit face to face with the devil in you / It looks a lot like someone I've spoken to / We were broken together it's true”
“Curses” - The Crane Wives
The fear that neither is good enough for the other. Basic choice? Maybe. But it’s too good to pass up. 
"Every word I say is kindling / But the smoke clears when you're around / Won't you stay with me, my darling / When my walls start burning down, down, down?”
“Wildflowers” - The Wailin’ Jennys
You deserve better. You deserve the world, and I can’t give that to you. The feeling that this is too good to be true. Surely, it can’t last. 
“Go away somewhere bright and new / I have seen no other / That compares with you”
“Bruised Feet” - Haunted Like Human
Laudna’s invitation to leave. Together. An escape from mistakes and the past. 
“Do you want to hear the stories these bruised feet could tell / ‘Cause I’ve been chasing sunrises, throwing change in wishing wells / And I’m running to and I’m running from and oh Lord knows that I ain’t done / Running for the sake of running wild, so come with me child”
Unless...
ACT 2
On the Road
“Light in the Sky” - We Banjo 3
And they’re off on a search for knowledge and freedom. 
“So if you’re lost in the night / Stuck between the demon and the knife / As it traces a line across your heart”
“Apple Pie” - Lizzie McAlpine
Transient, finding solace in one another. Home after home. How long can this last? This one has a few more references to modern things than I’d like, but I can’t pass up the vibes. 
“Every house looks the same in my dreams / Every house feels like home for a couple weeks / I've been runnin' 'round trying to find a place where I can breathe...Home is wherever you are tonight.”
“Almost Home” - Keston Cobblers Club
In search of a person, a place to settle. As long as they’re together. 
“The clouds will break the wind will brace these sails of stone / And I have never known a journey take this long / But I'm almost home”
“You and Me” - You+Me
They fit together. 
“They say everything, it happens for a reason / You can be flawed enough but perfect for a person / Someone who will be there for you when you fall apart / Guiding your direction when you're riding through the dark”
“Witchcraft” - Vian Izak
I like to think Imogen is... realizing some things, and getting attached. (We all know she fell first.)
“It's witchcraft / And I've got no defense for it / The heat is too intense for it / What good would common sense for it do?”
“For My Emablmer” - Emily June
Laudna’s turn. Still seeing herself as a dead thing, a little confused by Imogen’s friendship but embracing it all the same.
“I hope you know I won't complain / If I decompose and you're to blame / Abandon your duties, lay down next to me / Grab my hand, feel no shame”
“Home to Me” - The Devil and the Deep Blue Sea
Keep coming back to each other regardless of what other people think.
“How dare you love me like you've never known fear / You've got more troubles than minutes in the year / And a voice like your father's tells you nothing good's for free / Well, that may be / But you're walking home to me”
“The Moon Song” - Brittin Lane, Mitchel Morse
Foreshadowing the importance of the moon later. For now, it’s peaceful. 
“We're lying on the moon / It's a perfect afternoon / Your shadow follows me all day / Making sure that I'm okay”
“You Are My Sunshine” - Lena Hall
Contrasting the last song, when the moon becomes too much… there’s the sunshine. Specifically for Imogen constantly fighting the pull of the moon, Laudna is the sun, her spark, her light. What happens if she disappears?
“As I lay sleeping / I dreamed I held you / In my arms / When I awoke, dear / I was mistaken” 
“Two” - Sleeping At Last
These two self-sacrificial, loyal, dedicated characters. Bonus points for “I will love you without any strings attached.” A double meaning for Laudna and Delilah.
“No, I don't want to talk about myself / Tell me where it hurts / I just want to build you up, build you up / Till you're good as new”
The Campaign
“Growing Up” - Run River North
Apt for both of them as they come into their own. Growing together as they explore the world, adventure with their friends, and learn to take what comes.
“I used to close my eyes / To what stirred under my bed / Now, they're open wide / To the monsters in my head / Instead of claws, they whisper lies”
“I found my way without your help / With broken family / I'll take my breaks with my sins / Do as I do, please / With my friends 'til the end / There lies my loyalty”
“Anything Can Happen” - Tors
Imogen is being pulled. 
“But even when I start to dream / Every little piece of me / Gets a little close to the edge of darkness / I know I've been here before / Long as I'm not falling off / I'll be fine”
“Crawl In” - Upstate
Things are getting harder, but they’re seeking comfort in each other after nightmares and bad days alike. 
“Crawl in my head tonight / Read my thoughts so I don't have to speak / It's been a long, long week but I'm tryin’ / To make do and stop fussin’ and fightin’”
“Bottom of the River” - Delta Rae
The crickets chirping continue the nightmare-ish theme of the last song. However. Shit’s getting real. Holding onto each other as they sink deeper. 
“Hold my hand / Ooh it’s a long way down”
“Raise Hell” - Brandi Carlile
Can’t believe Laura Bailey beat me to this song by 2 days with her Imogen playlist. It’s the perfect mix of angsty and bluegrass-folky. Being born cursed and learning your strengths. May or may not stick because of the substantial references to Christianity, but I do love it for Imogen coming into her god-like power.
“It came upon a lightning strike / And eyes of bright clear blue”
"I'll Bend But I Won't Break" - Red Moon Road
First of all, could that band name be any more perfect? Second, this song is such a good tribute to Imogen's character. The tempo is quick; the drums like rolling thunder; and allusions to dreams, storms, the dark. "Still I will endure" calls back to the second song in Imogen's section, "I'll Endure," and "Still in the eye of the hurricane" is both great storm imagery and foreshadows "Hurricane" which is a song further down the playlist. I imagine this during Otohan Round 1, but it may shift around the playlist depending on how I feel about the flow.
"Lighting lights the sky like it's looking for me / Flashes of the forces the dark has set free / Thunder strikes the land / With the mighty heavy hand / It rocks me to my core / I won't fall down / I'll stand my ground / I'll bend but I won't break"
“Bury Me Smiling” - The Ballroom Thieves
Laudna’s second death. Love and loss. 
“I stood in silence / A mind's worth of violence / Strung me a short rope / Round my neck / A love like an old home / Breathes in these dry bones”
“Afterlife” - Haunted Like Human
Laudna on Imogen’s desperate search to get her back. Asking Imogen not to waste her time. The choice to return. I particularly love the chimes. Musical thoughts and the reflection of death. 
“So darling don’t go digging up graves / When love is lost the afterlife is a choice you gotta make / So put the nails in the coffin, let them rust in place / But darling don’t go digging up graves”
“The Mountain Song (First Dance Version)” - Tophouse
The “I would do anything for you” of it all. Resurrection. Hope. Bonus points for flower-in-hair motif.
“Well the clouds rolled in / There was lightning there was thunder there was rain / As we hid beneath our shelter / All the doubts that we had felt / Came pouring in as a flood we had to face”
“Flowers in My Hair” - Wes Reeve
Yearning. A bit of good old fashioned wanting what can’t be had. I imagine this is the last of the first Whitestone visit and the orange tree is the golden glow of the sun tree. Whitestone Andy mention? Continuing flower motif. 
“I had a dream of a boy who loved me and / We danced in the leaves of an orange tree [...] / Then I went my own way, and you crossed the highway / But just maybe someday we’ll be, my pretty”
“Haven” - We Banjo 3
The Rudius arc is kicking into gear. “You have the biggest spark of anyone I’ve ever seen” vibes. 
“The moonlight's a path we can travel down / River runs wild with what has gone before / Cast aside for new and more and more and more and more and more and more / Let me be your haven / Let me be your light”
Moon Arc
“Wax & Wane” - Alana Henderson
Oooh tension. The drama. The moon is affecting the relationship. We’re starting to see a shift to a darker mood around the Solstice and all that’s around it. Mirrors “Moon Song” - “There’s nothing I’d keep from you.” Oh yeah?
“But we bent and we broke and I meant what I spoke / And the blame game does not produce a winner / We went as far as we could go we had to go that far to know / That we had nowhere left to aim / And no one left to blame but / The moon’s wax and wane and the turn of the tide”
“The Moon Will Sing” - The Crane Wives
This reminds me of Laudna during the separation and immediately after, starting to question everything, seeing herself as dark. That extreme co-reliance. Clinging to each other. Is it a good thing? Laudna starting to lean back into Delilah’s burn. 
“The moon will sing a song for me / I loved you like the sun / Bore the shadows that you made / With no light of my own / I shine only with the light you gave me [...] / I want to feel the fire that you kept from me”
“Always You” - South for Winter
The rush of reunion. The high-pitched start, disbelief. Then: the warmth of returning to Your Person. Being able to rely on them. A bright spot. 
“Should the blood red tides run o’er / Should our nightmares all come true / Should we lose this holy war / I know there’ll still be you [...] Oh my love / The skies are growing colder / Oh, my love / I need you more than ever”
“Tether Me” - Galleaux
In addition to the obvious tether relation, they’re both feeling pulls in different directions: Imogen to the red dawn; Laudna to the darkness of her mind. Being tied to her limbs earns you more puppet symbolism, particularly after Delilah's resurgence. 
“For a moment, I was gone /  The speed of light into the red dawn / In this space, do I belong?/ It’s dark out here in my own thoughts / Pull me back out of my body / I’m tied to my limbs”
“Blood Moon” - Saint Sister
The moon sure is tempting. The pulls for both of them are getting stronger. Things are getting darker, harder, more intense. 
“And so I wonder will those scattered pits / Take root behind your cracking lips / They are always doing that [...] / The hunter’s moon was bleeding red / The night you left our thorny bed / You were always, always”
"Stay" by Haunted Like Human
I try really hard to avoid repeat artists because I feel like it keeps my bias toward one band in check. However. I'm a little convinced this artist is straight-up writing about Laudna at this point. This song isn't quite as musically dark as the other songs by the same artist that have made the playlist. It's a little more acoustic/has more guitar as a connecting bridge to Imogen. Plus, it hits all these specific marks: 1) reassuring that the voice in her head hasn't got the best of her yet 2) begging [Imogen] to stay and to not give up on her 3) apologizing for the weight of her sins and that they're not [Imogen's] to hold 4) addresses [Imogen's] feelings about the voice in Laudna's head.
"Darling you don’t hold me close the way you used to do / And I wonder what you’re thinking when I’m reaching out for you / You’re trying to be patient, yea you’re trying to be kind / But I know that you’re still running from the demons in my mind / But I promise this thing in my head / It ain’t got the best of me yet"
“If We Were Vampires” - Baggio & Hannah Kol
The looming sense that one of them won’t come back. As the end draws near, even if the upcoming fights don’t kill one of them, Imogen will out–age Laudna. 
“It's knowing that this can't go on forever / Likely one of us will have to spend some days alone / Maybe we'll get forty years together / But one day I'll be gone or one day you'll be gone”
“Hesitate” - The Harmaleighs
They’re hiding things from each other as the tension builds. 
“You keep saying you love me / You keep telling me you’re proud / But you don't know who I am / 'Cause you're not even living out loud”
“Soothsayer” - Haunted Like Human
Not gonna lie this is my favorite song on the entire playlist. It is peak Laudna-Delilah. I would quote the entire song if I could. It’s dark, thematically perfect, and haunting. It's also by the same artist as "Afterlife," Laudna's "death" song to reflect that link. I imagine this is late C3 as Laudna continues to feed Delilah. My favorite line: “The thing that you hate / Is the thing you've become.”
“There's a price to be paid / But ain't that every trade? / You're just looking for strength when you're weak / Oh you know there's a flickering darkness / And it sings out like sirens to you / Yea it's sickly sweet and elegantly violent / But these debts that you take / They will someday come due / Hungry hands reaching up / Crave for more, lust for blood”
“Hurricane” - Bandits on the Run
While still being them having to navigate their relationship in the midst of the impending end of the world, this song brings to light Imogen’s relationship with her mother, too. She meets her mother in the storm. 
“They told us run for cover / Stay close to home and mother / Don’t seek out any other”
“Chasing Twisters” - Delta Rae
It’s time. Make or break. 
“I was born with lighting in my heels / Sewed a spur onto my ankle / Bit a horse under the steel / And I lost hope when I was still so young [...] / I’ll take you to the grave / The only love I’ve ever known / The only soul I ever saved / And I went home”
Epilogue
At the time of writing, we’re around C3:E95, so from here on out this is even more so my reinterpretation or guesses about the future. I’m hoping to flesh out this section and the middle/end of Act 2. 
“Oh Mama” - honeyhoney
Our transition song. The cacophonous high of the last song into the unbelieving stillness of the piano, the end of a battle. The world has shifted. There’s no going back. 
“All covered in mud the day is done [...] / Oh mama look at my heart / I’m useless now that it’s dark / We’re praying for rain a thunder of change / And lightning to lighten my way”
“If She Ever Leaves Me” - The Highwomen
Alright, this one’s a little self-indulgent, even more so than the others. But don’t we deserve a little wholesome “we made it” energy? I think it also nicely circles back to and reflects the shift away from the early-on Laudna "I'm not good enough for her; she's going to leave me" vibes we get in songs like "Dandelion," "Curses," "Stay," and even "For My Embalmer."
“I’ve loved her in secret / I’ve loved her out loud / The sky hasn’t always been blue [...] / She loves wild horses and tumbling dice”
“The Time for Flowers” - Emily Scott Robinson
The bookend and parallel to “Dandelion” from much, much earlier. This time, from Imogen’s perspective. Conclusion and continuation of flowers motif. “The skies are clear now. The moon is new.”
“I came upon a woman in a field on her knees / Singing ancient songs and sowing wildflower seeds / Tell me what the point in planting pretty things / In these days of darkness and disease [...] I have witnessed funerals and wars / Worried mothers, empty shelves, and empty stores / The storms will rage and the winds will blow / You are gonna find out that you're stronger than you know”
“Dance in the Graveyards” - Delta Rae
I always knew I was going to end the playlist with this song. It perfectly mirrors “Old Churchyard,” the first of Laudna’s songs. It's also by the same artist as the "climax" of the playlist. The drums give me Laudna, while the folksy sound gives me Imogen. Finding joy in death, in life, in love. Life will go on, new friends and old will come and go. And that’s alright. She’s happy. They’re happy. 
“When I die, I don’t wanna rest in peace / I wanna dance in joy / I wanna dance in the graveyards, the graveyards / And while I’m alive, I don’t wanna be alone / Mourning the ones who came before”
If you're listening to the playlist on a loop, you'll return to "Stories." It reminds us that it was all just a story. It will happen again. Stories and characters and people will move us, make us feel and hurt and love. It is an ending just as much as a new beginning.
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kimtaegis · 3 months ago
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{Kimtaegis' GFX Breakdowns, Ep. 2: ↳ Rainy Days 1st Anniversary}
a little insight into the editing of the set, featuring texture, brush and mixed media extravaganza
.... Can you believe it's been a year and that I literally started this the week the mv came out and then abandoned it over and over again??? ANYWAY
Since the song is all about yearning and missing someone, I went with an "old memories" (letters, postcards, notes) kind of vibe and of course also incorporated the rain theme in several different ways. For a nostalgic, heartbroken look, black and white plus dirty ripped up paper always works in my opinion. Now all the paper rips, torn edges, creases and water stains you see weren't there from the start; using brushes and adding, masking and blending textures, I made the photos, letters and papers look like they've been touched hundreds of times like a sad lover would </3 Here's a comparison so you can see how much that affected the look (I couldn't disable all the rough edge masks for this or the general rectangle form would've been gone too, but you get the idea):
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Another detail I love is the colour bleed in the last one, picking up that water theme again!
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The rain in that panel is made up of 10 individual pictures with ten 10 rain brush variations.
The most fun and interesting thing is probably the fact that the middle panel’s folded paper is actually made from paper scans! I never thought I would spend a concerning amount of time thinking about how to fold a paper prettily, but it took several attempts until I was satisfied with how it would open up with each unfold. This is how some of the raw scans looked like:
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And some fun facts at the end: I don’t like my handwriting, so I used a font throughout. And funnily enough, they later used the excact same font in Taehyung's Dicon photobook! I'm glad the professional editors agreed that it totally fits the Layover era vibe, lol. (They probably had the full, paid version, though - I had to replace all the apostrophes with another font so they would show up....). I initially wanted to include many more mixed media elements but sadly my printer and scanner aren't particularly great, and I also didn't have sturdy enough paper for what I was planning to do. Namely stitching and sewing paper with yarn! I did try, though, and ended up ramming a needle into my finger and nearly fainting at a family gathering. The fruitless sacrificies I made for this. Embarrassing.
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shepscapades · 11 months ago
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Have you ever thought about making a playlist for the DBHAU characters? I'd be interested in what music they all would listen to or songs that relate to them.
WAOUGH thank you for reminding me-- there's actually. okay. okay so, there's actually... (checks writing on hand) 9 DBHC playlists currently LFKGJDLKFG
The way i like to organize playlists is, as i develop a character's lore/think about them more, i tend to put/look for songs that represent moments/feelings throughout their overall story in chronological order, rather than putting things on the playlist that are like, things the character would listen to or just general vibes. So each playlist is built to kinda... take you through their whole emotional journey :3 LFKJGSDFG although!! Usually, i will try to find a song i think is a good overall representation of the vibes, story, and character! Like, a title track :>
I think the only playlist that's currently closest to it's "finished" form or version is Etho's, which i've actually been meaning to share for ages LKFKLFJG but i keep getting this feeling that I would rather write up a quick explanation for what each song represents before I post it here, so i haven't gotten around to that yet :(
Though, there's a link to the Etho playlist in my stream discord LOL so a few people have access to it haha
Just for those who are curious, the dbhc playlists I currently have are:
Etho (Finished! Or like. i would have to find a PERFECT song to fit something new into the song lineup i think)
Tango (This one's pretty close overall... there are some gaps here and there but it's pretty long right now so i need to do some trimming too)
Jimmy (a short collection of vibes i haven't really organized yet)
Ranchers (I dont know if I'll do anything fancy with this playlist yet, it's kind of where i've been dumping songs that i cant quite fit on either jimmy or tangos playlists)
Xisuma (this one just kinda happened, but it's pretty fleshed out right now, especially for s8... not anywhere near finished but i've been listening to it nonstop lately. this man is destroying me rn)
Doc (also just kinda happened. i listen to this one a lot for the bops and vibes because most of the songs on this are kinda. ahem. yknow. he's kinda.)
Bdubs (this one is also kinda short! its got like 8 or 9 songs so i haven't really been focusing on it a lot-- it's kinda where i dump songs that are either hyper-specific for something from bdubs' pov or doesn't quite fit anyone else for dbhc)
Mumbo (this one is really short (5 songs) but i really like the songs on there so far hehehe, i haven't been focusing on it too much since i haven't been thinking about him too much lately but i love the vibes :])
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billiuspendragon · 2 months ago
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Mob Psycho 100 playlist
I made a playlist, and I'm gonna post the songs on here and explain why I chose each of them. I'm not including every single song because of the audio limit but I'll explain the ones with the most thought behind them. Inspired by this post !
this is TOTALLY Mob about Tsubomi when they were kids.
Teacher thinks that I sound funny But she likes the way you sing Tonight I'll dream, while I’m in bed When silly thoughts go through my head About the bugs and alphabet And when I wake tomorrow, I'll bet That you and I will walk together again
Especially with the mention of them walking to school together, which is what Mob daydreams about. Altogether his crush on her is very childlike and innocent since he's loved her since they were kids, and I think this song reflects that.
Lyrics: 10 Vibes: 10
This one is why I decided to make a Mob Psycho playlist in the first place. It just brings back all my feelings from getting to the end of the show.
Oh, I'll settle down with some old story About a boy who's just like me Thought there was love in everything and everyone You're so naive! They always reach a sorry ending They always get it in the end Still it was worth it as I turned the pages solemnly and then
With a winning smile, the boy With naivety succeeds At the final moment, I cried I always cry at endings
Sorry that's such a long quote but it's so Mob I can't even. Reigen makes fun of him for being naiive but with his naiveté he succeeds!
I think it also works really well with Emi, since it talks about stories so much. She compares herself to Mob at once point too, which fits the "about a boy who's just like me" line.
Said the hero in the story "It is mightier than swords I could kill you, sure But I could only make you cry with these words
It's so him guys. His power is mightier than swords but it's his simple, honest words that usually win his battles.
Lyrics match: 8 Vibes match: 8
This song reminds me of Mob and Ritsu as kids.
And you know that I'm gonna be the one Who'll be there When you need someone to depend upon When tomorrow comes...
They're just,, always there for each other 🥹 they care about each other so much...
Also gonna share my favourite part:
Every star was shining brightly Just like a million years before And we were feeling very small Underneath the universe
It just gives me such a clear picture of them as small kids okay I just love their relationship so much aaaaa
Lyrics match: 7 Vibes match: 10
This is a brutal one to put right after the previous one, but it reminds me of Mob post-trauma.
There is no pain, you are receding A distant ship, smoke on the horizon You are only coming through in waves Your lips move, but I can't hear what you're saying When I was a child, I had a fever My hands felt just like two balloons Now I've got that feeling once again I can't explain, you would not understand This is not how I am
I have become comfortably numb
Because he starts shutting himself away and numbing himself so his emotions don't get the better of him.
Lyrics match: 6 Vibes match: 8
This also reminds me of Mob and Ritsu, but also post-trauma.
Love, love will tear us apart, again
Mob grows distant out of a fear of hurting Ritsu, and Ritsu becomes slightly afraid of Mob. Love really did tear them apart 😭
Lyrics match: 7 Vibes match: 9
This one represents Mob when he's beginning to lose it.
I look inside myself and see my heart is black
Lyrics match: 7 Vibes match: 6
I wasn't able to include it but I also have "Where is My Mind" by The Pixies for similar reasons.
This one gives me Reigen vibes.
You know "My celibate days are over" You put me straight on the finer points of my speech rehearsed In the mirror of my steamy bathroom Where the lino tells a sorry story in a monologue, in a monologue
I think this song is mostly about the singer himself, but the lyrics are just so specific and evocative that it gives me the mental image of Reigen in that one outro in season one you know.
The chorus reminds me of him too:
Six months on, the winter's gone The disenchanted pony Left the town with the circus boy The circus boy got lonely It's summer and it's sister song's Been written for the lonely The circus boy is feeling melancholy
Lyrics match: 6 Vibes match: 9
THIS IS SO MOB WHEN HE LOSES IT I CAN'T EXPRESS THIS ENOUGH
I'm not the killing type, I'm not, I'm not, I'm not, but I would kill to make you feel! I don't mean kill someone for real! I couldn't do that, it is wrong! but I can say it in a song, a song, and I'm saying it NOW!
Like PLEASE it's so fitting, especially for when he fights Shou's dad.
Also this verse:
I once stepped on a dying bird It was a mercy killing I couldn't sleep for a week I kept feeling its breaking bones
It's. It's so him.
Lyrics match: 10 Vibes match: 8
this whole song just reminds me of Reigen. I'm so annoyed that the little excerpt that Tumblr plays is never The Right Bit but --
...and for once in you're life, you've got nothing to say, and could this be the time, when somebody will come, to say "look at yourself, you're not much use to anyone"?
I just think it fits well as someone who's very confident on the surface but deep down feels a bit pathetic and doesn't know what he's doing.
(that's like my favourite song ever btw, it's so bouncy)
Lyrics match: 9 Vibes match: 8
This one just fits with the lower-stakes parts of the show to me.
Do something pretty while you can, don't be a fool, skating a pirouette on ice is cool
I don't know man, there's just something about it.
Lyrics match: 7 Vibes match: 10
I've skipped some songs out of this because of the audio limit but here's the full playlist if anyone wants to listen to it :D I think I explained all the important ones, the others are probably there for vibes.
Oh yeah and I added "Satellite of Love" onto the end because it reminded me of the aliens lmao... I might take it off though because "We Rule the School" feels like such a good one to finish on and idk where I would put Satellite of Love to get the flow right
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fantasy-mixtapes · 8 months ago
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Fig Faeth Junior Year Playlist: Side A
It's no surprise that Fig Faeth's playlist is the one that I actually listen to the most. It's just a very good vibe and I love her. Took extra time to Song descriptions and thoughts down below. Spoilers for Episodes 1-10.
Genres included: Pop-punk, Punk, Alternative
1. hair out, Stand Atlantic
Am I fuckin' up my life? I'm just tryna make improvements Slowly givin' up the fight But I gotta cover up the bruise That I get from all the Expectations give me vertigo Wasting away to the pressure The pressure, The pressure, oh
This song is such an earworm, scratching a specific itch in my brain. Love the fact that both Kristen and Fig (the failing girlies) start with a Stand Atlantic song, and it works with the way that Fig is coming at this season. From the jump, she is one of the most visibly and audibly burnt out, specifically from the pressure of the "sophomore album" that was supposed to come out months ago. This song is definitely about the pressures of a songwriter as well as the pressures of life in general so it fits sooooo perfectly. Especially with the "I can already here people hating the song" outro *chefs kiss*
2. Who The Hell Am I?, NOBRO
God, I'm tired of being like this I can change, but in a minute Always looking for the back door, on the run Always at the party, never quite having fun Play with fire, and you're gonna get burned I'm on fire, and you know it hurts I was always on the outside looking in Maybe it's me 'cause I never wanna fit in
Fig's class struggles, her conversation with Mazey, I can't take it. I feel like we've all been there. I really love how the narrative with her has progressed, like last season was deconstructing her need to mold herself into other people (or into an idealized version of herself) now she's trying to figure out who she is at her core without all the disguises.
3. 7 Years Bad Luck, Glasseater
Something strange seems to be plaguing me Everything I touch falls apart I've lost it all, losing all my luck Suffering 7 years bad luck
I don't particularly love this song, a little too unintentionally underproduced, but it deserves a spot on this playlist. I feel like I would be Fig in the curse situation. It took me a literal year to deal with debilitating stomach problems, and I, too, waited until my friends noticed to actually do something about it. Either way, can't wait to learn more about the weird Galier Pride curse, love the representation for my stomach problem girlies
4. Where the Heart Is, Sweet Pill
Get this My mind's been in a million places but my body hasn't moved an inch And I feel like I'm missing out again Ignoring my plans Wondering how they went Feeling bad about it If I could just take a chance I wouldn't feel so bad To see past myself I wouldn't feel so bad
This is Fig's final decision to try Paladin after doing so well with Warlock. She knows the priorities in her gut don't match with what anyone else says, but she's discovering her loyalty. She's figuring out her actual drive... following her heart <3
5. Impostor Syndrome, Sidney Gish
Unfortunately, I am My own dog, my own fur companion My own old lady on a forum Who types in glittery decorum Unfortunately, I take Myself out walking every day and I had my legs to the feet and I give my head to the leash
Making Fantasy High playlists is like making a ven diagram of which dog-themed songs are Tracker-coded and which are Fig-coded. This one, to me at least, is Fig-coded. (yes, I do have a tracker playlist, and yes, every song in it is dog/wolf specific, BUT THEY'RE GOOD OK). We love our Oath/Pact of the German Shepard.
6. You Owe Me Nothing In Return, Alanis Morissette
I'll give you countless amounts of outright Acceptance if you want it I will give you encouragement to chose The path you want if you need it You can speak of anger and doubts Your fears and freak outs And I'll hold it
So I know that we're gearing up for Fig's Warlock/Paladin agreement post "mooner yulenear," but this is my interpretation of what it's going to look like. She cares about her friends, and she would do anything for them! And though I know this song came out in 2002, Alanis Morissette is a 90's icon and perfect for the grungy riot grrrl vibe I see for her
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