#this somehow fits her so well

[amarcia]

BARRISS BEING INTO ANCIENT HISTORICAL BATTLE REENACTMENT ??? HELLO??

[surreal-duck]

some business to take care of

[littlebittyhollowbugs]

We'll be fine from epic the musical, but it's Hornet and Ghost.

[liquidstar]

sleepovers save money on hotel rooms while on missions 👍

[twanettee]

[notimeliketoday]

Northern Crater Illusion (Tifa version)

I know people's been saying something about this part in like forever especially in the OG but I finally get the courage and spite to write my own take. That's what I get staying on twitter I guess.

(You best believe I will post this there but on concentrated amount - character limit is only the blue checkmark's friend on that island.)

Most specifically I want to have a closer look on how Sephiroth pulled his attack using this *truth* that he and Tifa share and how this translates to Tifa's own personal conflict with Sephiroth himself.

Yeah, got so tired in that Sephiroth hates Tifa because of her interference to his plans for Cloud and the only one who can fix him takes.

No, fam. That's what the Rebirth seem to imply to y'all but Sephiroth already hates Tifa in OG separate from Cloud. (Or does he?). Heck, him leaving his Masamune beside her father's corpse is a literal taunt daring her to go after him and use his weapon to inflict damage to his person. This is before Cloud made himself known by stabbing him due to his own grief by the way.

Even with all this, we see he doesn't really seem to care to remember the name of who killed him until Cloud had to point it out in Junon.

CLOUD had to point it out. His KILLER has to tell him his name just to make him remember.

Tifa though?

Getting talked to so intimately with faux kindness - the very same treatment he now shows Cloud in Rebirth, imagine that.

Now let's also remember that this is the OG and therefore any trappings of Rebirth's new plot doesn't exist here because this is the beginning of it all.

Anyway, I revisited this scene because of an itch urging me (it's the spite) and a thought suddenly occurred to me.

If we remove Cloud's side and trappings in that part of the illusion (basically all things Cloud) and look at this from Tifa's perspective as a standalone thing for her own character, it paints a very clear picture of Sephiroth attacking her.

People always miss this because Cloud once again overshadowed Tifa's own trauma and unresolved conflict with Sephiroth as the one more openly attacked in this scene.

Let's look at Sephiroth's lines:

The lie has been set. Obviously Tifa won't let this unanswered if she could help it. So this is her response:

With Sephiroth's response to this being the first images I posted above.

It's been made clear how extremely pressured Tifa was at this scene especially when Cloud reveals he hinges all his faith in her while suffering her own trauma again AND attacked by their enemy.

It wasn't just Cloud Sephiroth gaslighted in this scene.

That's what this part is trying to show us and regardless of who gets attacked here the outcome is the same: Cloud is just an illusion created by Jenova using memories of people, most especially Tifa.

Sephiroth doesn't hide his attacks to her at all and it astounds me how everyone who played this game back then believed only Cloud was dealt a great mental blow. (Most of y'all are kiddies I guess that also tracks.)

Tifa actually had it much worse!

She was so overwhelmed from it all she accidentally made the wrong move of answering Cloud in the negative:

When I said she's under tremendous pressure it isn't just because of reliving her trauma and carrying the burden of Cloud's mental state alongside her own increasingly damaged psych.

It is the fact that Cloud wasn't the only one relying on her affirmation - or lack thereof - to validate which one was speaking the "truth". Sephiroth was also using her to confirm his claims and he knew very well he's got the upper hand to the "truth" she has known, all the while gaslighting her that it IS the only truth. There's even a picture to prove it!

This is not the picture but this is also that picture.

Of course, Sephiroth made sure to include her into the story. She's not part of it simply because she was there but because according to his statement..... her memories are part of Jenova's knowledge used to make *Cloud* - the failed clone.

The Cloud who by Seph's own words is just a construct of Hojo after Nibelheim's burning. A clean slate born from collective memories thanks to Jenova.

The sheer implications behind these statements are our clue to the underlying conflict that exist between Tifa and Sephiroth outside of Cloud. That the hatred is not a one-sided thing, and just because it isn't readily understood why it exist doesn't mean it isn't present.

Sephiroth drives the knife further to twist the mental wounds even more. Tifa being the one to carry the most burden of all:

Now here's a pretty interesting thought: a girl who is just plain ordinary is important enough to have Jenova's effort in molding a clone after her own desires - her childhood friend. Sephiroth is basically admitting he's got one special clone just for her. (He even gave her one in Remake but that's a slightly different story).

Ignoring the fact that Cloud is not a construct it still makes you wonder: why use her for that lie? Why her in particular?

(We are using Tifa as our center focus for this so I'm going to exclude the "she's Cloud's childhood friend reasoning. This is not about him.)

Then it can be answered if you look at it as his own way of tormenting Tifa - using a clone imbued with her memories.

A mutual on twit said that maybe because she's the one who the group trusts the most, however more than half the party wasn't there yet when *Cloud* (who Sephiroth consistently claims is just his clone) appears in front of her on that bench.

AVALANCHE as it was at that point doesn't have anyone else with a connection to Cloud.

So it goes to show she is the target of said clone's manifestation.

That is, if we believe the lie Sephiroth weaved and take it as he said it at face value, which definitely is what his claim would be to Tifa who can't refute it, especially because apparently *Cloud* really did show signs of "clone behavior" when they first met but the tech limit back then doesn't show us how it should be like to its fullest extent.

(As someone points out here: https://www.google.com/amp/s/hartofhearts.tumblr.com/post/665525778591694848/the-implications-of-tifas-familiarity-with-marco/amp) My phone isn't cooperating 😭

How could she when his "truth" matches exactly everything she knew five years ago? How could she say he's wrong when Cloud's behavior was suspect when they met for the first time in years after Nibelheim (and for her part after he left for SOLDIER)?

She tried refuting but it's clear she has her own doubts about him as well, as she couldn't continuously defend Cloud from Sephiroth's persistent claim about his current identity.

By gaslighting Cloud he doesn't exist, he also gaslights Tifa into thinking her real childhood friend is gone and it's all just in her head now.

Sephiroth KNEW so well she wanted to see Cloud five years ago but didn't see him and use that to his own advantage. It's why this is so effective a gaslight to both.

As far as Tifa knew, the last time she saw Cloud was when he left to join Soldier. This Cloud's fate is unknown to her, maybe he died or maybe he forgot about her and all such insecurities Sephiroth could use with that solidify his claims that he was all " Aw, poor Tifa. Waiting for someone who never came. Here, Jenova's made you a clone with your memories of that boy to play with you."

That's what it looks like if we only see this scene through Tifa's eyes.

Again, taunting her in the same vein as when he first did leaving Masamune besides her father's body.

Why would he do so if Tifa didn't caught his attention in the first place?

Sephiroth is clearly playing around with her and toys with her emotions just as clearly as he attacked Cloud.

He just couldn't break her like he could him no matter how hard he tried because Tifa's mental fortitude is so strong.

[scrybeofvibes]

i’ve been playing miitopia recently with the scrybes as my characters and it’s been SO MUCH FUN, could not recommend it more

[josecariohca]

.

[whitmore]

i also think the reason courtney’s arc always gravitates around teams and family and community themes is because stargirl is by nature a social creature; stargirl is created out of courtney’s yearning for community and understanding—something she feels she left in california, something she feels she (courtney whitmore) can’t have anymore, but an alternate version of her (stargirl) might be allowed to. and it’s kind of sad actually because if they’re not shoe-horning her into some romantic relationship, her emotional development over any given arc always follows this pattern where courtney (as courtney) feels like she can’t rely on anybody and everybody relies on her (as stargirl) and always ends with her learning to rely on someone but this narrative cycle also never ends. it repeats forever and ever. this is the only emotional plot they write for her (outside of giving her a love interest, which i could argue is just the same thing in a different font but w/e)

i don’t know when this post got so negatively charged actually i apologize i think it’s fascinating how stargirl is inherently a social creature because she was born of courtney’s need for community but i am also tired of seeing her go through the same emotional developments run after run because there are so many interesting narratives and developments that could be done with her and it feels like every issue and run just goes through the same motions. which yes. that is in fact just what comics are like i suppose. still i’d like to see something new and interesting with her. i think it’s possible that because of her genesis and the inspiration for her as a character there’s a sort of fear to take any risks with her, resulting in this endless loop of same-shoe-different-foot stories

moreover on the relationships arc point i do think it’s interesting how her love interests always fall for stargirl first, and it reinforces this ‘stargirl gets what courtney can’t have’ theme; mainly interesting because courtney sees herself as so enmeshed with stargirl that it’s rarely introspected on in any meaningful capacity and yet it’s so blatantly prevalent throughout her narrative. not to tie it all together in a neat little bow but it’s also because she’s rarely given room to be introspective; between the fear of tarnishing the memory of a real life woman and the inherently socially hungry creature that is stargirl, her arcs and narratives are almost bound to fall into the trap of being more about stargirl’s companions and the people she rescues rather than focusing on developing or even embellishing her as a character in her own right at all

[smile-files]

(looking at inanimate insanity under a microscope) hmmmm i know there's a moral orel au in here somewhere......

[serendipitous-mage]

......... who's gonna tell him ... .. ill do it @markiplier

[marklikely]

the results of that "is fanfic a book" poll have shown me one thing and its that this site never graduated past that absolutely insufferable phase in 2013 where everyone acted like every book is the single most sacred thing on earth

[someoldfires]

my tomshiv x mitski thesis is as follows: shiv about tom is Goodbye my danish sweetheart, tom about shiv is I want you, and they are both Me and my husband about each other

[like-sands-of-time]

I wonder what ani and padmé would have been like as parents to Luke and Leia, and later grandparents to Ben. Like I don't have any great developed thoughts on that whole au concept I just do love the thought. Ben has so much impressive family, and a lot of uncles and aunts to look up to. If a lot of things had gone a lot differently, idk how, and padmé and ani got to grow older and stronger together, if Ben were to have his grandfather not only as a legend but as a person to hold him and tell him stories, I wonder what that would have been like.

[theinfinitedivides]

said a prayer for Jjong today.

[shimzus]

【直接的性格】        BLUNTNESS AND DIRECTNESS

kiyoko is one of the more blunt characters in haikyuu , evident by the way she refuses second-year tanaka’s proposal , humbles the third years during their shrine visit by informing them that a prayer to the gods won’t grant them a victory at nationals , explains to sugawara that she has no intentions of marrying him when she tries to steady his hands with her own , and constantly rebukes tanaka and nishinoya’s outlandish requests to be spanked/scolded. 

this blunt character is unique , not only as a character trope , but also in cultural context. directness is viewed as a negative attribute in japan since it can be conceived as abrasive and self-centered—— and it’s especially considered a negative trait for women. in a lot of ways , japan is still conservative about femininity , and women’s behavior is certainly not exempt from scrutiny. most women in media and in trends exemplify youthful cute charms ( girlish femininity , innocence , kindness , etc. ). 

it is rarer to see mature and “sexy” styles , especially those that also involve blunt and direct personality types. part of the reason that kiyoko isn’t criticized for being blunt is because she’s attractive and able to suit this style. other haikyuu characters who go against the natural grain like ushijima and tendou don’t have the same sort of social “clout” that a beautiful high school girl does , so their directness is considered a fault. tendou isn’t conventionally attractive and he’s a bit of an otaku nerd ( which isn’t a problem in today’s high schools , but in a private high school 10 years ago could easily have been an isolating factor ) , and ushijima is attractive but a jock-type who doesn’t have the same social fluency as other students ( since he focuses mostly on volleyball and might produce very one-note conversations ). kiyoko may be blunt , but comparatively she doesn’t have anything that ostracizes her from fitting in. she simply chooses not to engage with people at times.

of course , if she weren’t attractive , her bluntness would be considered a fault. it’s simply because she was lucky enough to be beautiful that her direct personality isn’t considered “abrasive.” instead , it lends her character to the onee-san trope ( a mature , no-nonsense , cold woman type ). being beautiful and blunt effectively elevates a woman to some goddess-like level. it may be because onee-san types are somewhat “rarer” to find—— not only is beauty “rare,” but a woman who isn’t the average girly/cutesy type is also “rare.”

however , i think it’s easy to lose sight of the fact that kiyoko isn’t completely cold-blooded and unfeeling. her behavior with the team may make her an onee-san type , but with other characters and other teams , she’s not quite the same. rather than directly refusing others , she adopts a technique of disregard or avoidance. she ignores oikawa who tries to talk to her , rather than confront him—— a person she doesn’t know—— by saying she has no interest in him. she also avoids talking to the players on other teams at the training camp in tokyo who are ushering to try saying hello to her , by instead chatting with the female managers she’s more comfortable with. 

when she does have to interact directly with someone , she’s polite and indirect. terushima stops her in the hallway at the spring interhigh and rather than be blunt or ignore him , she uses the typical japanese style of deflecting ( which is considered more polite ) and explains that she has people waiting for her. in japan , people understand an excuse like this to mean that she’s not interested and to signal that she’d like to break away. 

also , the way that she interacts with yachi and the other female managers completely contradicts the notion that she’s cold and blunt. tanaka and nishinoya even ogle that she’s chatting a lot , smiling , and having lots of “girl talk” with the other managers , which means that she’s not the sort of solitary person who blocks everyone out.

at face value , an outsider would see kiyoko’s behavior of being quiet , enjoying time to herself , and avoiding/ignoring interactions with people she doesn’t know as being very onee-san-esque. it’s easy to label her as an onee-san because of her outwardly expressed behaviors , in conjunction with the fact that she also doesn’t fit neatly into the cutesy girly trope. from my experience , most japanese women are sorted into these two categories ( the third might be somewhere in the middle , like the “girl next door” type , though that tends to lean youthful and girly too ). but this trope is , of course , just a shallow label and doesn’t hold any weight when considering the spectrum of kiyoko’s social styles. it may just be because most people don’t end up talking to her that they view her this way.

in my portrayal i try to emphasize depth in her personality—— her humor , her tendency to take care of others without being asked , and her thoughtfulness that may not fully manifest as words or actions beyond simply her own ideas. i do think that she’s more blunt and direct than most people. i think she’s not afraid to speak her mind , and to do so concisely—— which isn’t common in japan. i think it makes her a unique character when compared with others in the series. however , i don’t think it’s the one and only aspect of her personality , nor do i think it should be emphasized as the encapsulation of her personality. it’s just one element , and clearly one that she disproves by her proclivity for disregard and avoidance , and her ability to have friendly , sensitive , and supportive conversations with other characters.