#this show is just so incredibly important to me
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max0pal · 15 hours ago
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I can't stop obsessing over this brief scene in TKM where after they come back from Baltimore, Andrew casually opens a protein bar for Neil because his butchered hands can't get the wrapper.
There's something so incredibly important in that small gesture. It is peak romance to me, and so much is said in so little words.
Their nonverbal communication is on a level where they've already been married for ten years. Not a single word is uttered during this exchange. It's so effortless. Andrew sees what needs to be done and does it, because who else should do it other than him? It is possessive in a way, and It's incredibly hot, in my opinion.
It's such a sweet example of acts of service as a love language.
And it's one of those little public shows of affection which are extremely rare for Andreil. I mean, Andrew Minyard, the one with the reputation of a cold, heartless psychopath, sees Neil needs help and just helps him without even needing to be asked??? He just does it like it's the most natural thing in the world, probably not even realizing the significance himself...?? Yes, this is the type of shit I lose my mind over.
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greenwitchfromthewoods · 3 days ago
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back to life. l Joel Miller
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Summary: an attempt to return to normality
Warnings: angst, a little bit of smut (+18), lots of bad emotions, tw: depressive episode; Tommy, Maria and Ellie; violence
A/N: it's a hard time for me. but I found a moment to write this. sorry that I'm still stuck in this series, it's comfortable for me
your feedback is very important to me and I thank you for all the reblogs, comments and likes. 🖤 sorry for all the mistakes
short stories from life. [masterlist]
The next few days were really hard. Joel felt like every cell in his body was hurting him, even though it was you who had been through so much. The wounds were healing, the bruises were fading, but you were quieter and less visible. If it weren't for his willingness for you to take a bath, which Joel thought was the best thing for you, you wouldn't have gotten out of bed at all.
But Joel experienced something else during that time. In addition to fear for you, he encountered incredible human kindness and empathy. The people of Jackson seemed moved by what had happened. Soon, when Joel was on his way to the clinic about his collarbone, an older man who owned a bakery pressed a fresh loaf of bread into his hands and said with a smile that it was for you. 
Mrs. Russo appeared at the door the next evening, bringing with her a few of your favorite dishes. "I guess you don't have the head for cooking now. Take this, she's been enjoying it so much lately!"
Rory and his mother also showed up, and the boy handed Joel a bouquet of the first spring flowers, which he placed next to your bed. The small smile on your lips was worth everything.
Almost every afternoon, Ellie would sit with you, telling you that she absolutely needed help with her homework. Joel thought she was exaggerating and that she certainly didn't have that much to study for, but you were starting to get involved. Evenings were for the two of you, though.
Sometimes Joel would play something on the guitar, feeling your eyes follow his fingers as they struck the strings. He hadn't done it in years, but for you he'd pulled from his memory many of the songs he knew. Or he'd read books aloud. His warm, low voice carried through the bedroom, and you'd listen, clearly soothed by the sound.
Your bubble had to stretch, though, and it happened one evening. Joel came back later than usual, and then he convinced you to go downstairs. He led you out to the terrace and showed you something he had made for you. A wooden bench, very carefully crafted, with ornate armrests and fancy decoration. He had been working on it for a long time.
"It's so beautiful outside. I thought you might like to have your own place." he said, a little worried when he saw the tears in your eyes and your trembling lips. "You can spend time here, bask in the sun, read if you want."
"Nobody has ever done anything just for me." you said quietly.
And before he knew it, you kissed him, so truly. He hadn't felt the real you in a kiss for a long time, and now you were with him. In his strong arms, you were like a fragile creature, but Joel felt happy that you had achieved so much together. He believed that everything would be fine.
From then on, everything slowly began to change. You spent more time outside, and sometimes you went with him to the stables to take care of the horses. After a few days, Tommy and Maria invited you for dinner, and you showed up there too. When the dance was in Jackson, you went together, although you seemed hesitant about it, but Joel managed to talk you into a few slow dances with him.
"I want to take her out of Jackson," Joel stated when he and Tommy met up at the Tipsy Bison for a drink one day, "Just one day. We'll take the easy way out."
Tommy nodded, "It would do her good. Can she handle it?"
"She's tougher than we think. I can see she needs to get outside of those walls, even though she's still scared."
"And you're going to let her?" Tommy shook his head in disbelief, "What did she do to you, bro?"
"I miss her, you know... She's physically there, we sleep in the same bed, we eat together, we live together. But she..."
"I can see it in her eyes. What happened to her changed her... It would change anyone."
Joel took a sip from his glass. He didn't want to tell his brother that you hadn't slept together since then. No, Joel wasn't complaining. Your relationship had never been just about sex. But he still didn't know if he would scare you if he initiated it. You were sensitive and delicate, and although he knew you loved him, you didn't take that step yourself.
That day the weather was beautiful. The spring sun settled in the sky, and the forest and the surrounding area were beautifully green. You walked together, close to each other. 
Joel told you what had changed in the area recently, that the attic in the permanent barn on the other side of Jackson had caved in, or that he had seen a family of foxes sneaking past the camp during a patrol. He spoke as if you had been sick for a week, not completely cut off from life for almost a month.
You felt good, especially since he was next to you, and the care and tenderness towards you emanated from him. You wanted to go back to him, completely, but you weren't sure how to do it. Every day, every attempt, cost you a lot of strength. Guilts of conscience were churning inside you.
"I'm sorry, Joel." You finally said when you stopped at the edge of the forest.
Joel looked at the horizon, trying to see if the area was still safe for you, and turned around, surprised.
"What are you apologizing for, darling?" he asked, taking a step towards you.
You seemed so small to him, as if many things were pressing you to the ground at once, and you were barely able to stay on two legs. You looked at him as if you were about to cry.
"For everything." you finally answered "For having to take care of me. For every day that is so hard for you. I wish things were like they used to be... I don't know if I can. Maybe... Maybe..."
"Don't do that." he interrupted you, approaching you and taking your face in his hands "Stop here. What happened to us, what happened to you, is neither of our fault. But we'll deal with it, right?"
"How? I thought I was strong, but this..." you closed your eyes, and tears flowed from under your eyelashes. Joel patiently wiped them away with his thumbs "I keep wondering... Every shadow, every rustle makes me tremble. I've become nothing but a problem for each of you."
His strong arms wrapped around you and pulled you tightly to his chest. You snuggled into Joel with all your might. His arms were your shelter, the beating of his heart soothed yours. If it weren't for him, you would have fallen to pieces a long time ago.
"You don't even know, silly, how many people care about you and want to help you. They ask about you every day. You're not the problem, but you can't be strong all the time either. Believe me, I know what I'm talking about, because I tried to be. You and Ellie hold me together. Now it's our turn, we won't let you fall apart." He kissed the top of your head and sighed deeply "You don't even know how much I love you..."
It was late when you got back. Your clothes smelled of forest and wind, just like Joel's. You felt tired, but you were also a little lighter, more confident. He saw it in your eyes and promised himself that soon you would go out together again outside Jackson. 
However, Joel was most surprised when he felt your arms wrapped around his waist as he stood in the shower and the streams of hot water washed his body. You clung to his back, so gently as if you were afraid he would push you away. But Joel kissed your hands, and then turned around and looked at you with such love that you had never seen in his eyes. 
So you surrendered to this moment, because you wanted to, because it was him, because you wanted to feel alive again. 
And when you felt his cock moving deep inside you, when his lips caressed your neck, and the cool tiles imprinted on your back - only God knew how much life flowed in you again.
"Sorry, I wouldn't keep you from your work if it wasn't so important."
"Don't worry, the laundry will definitely wait for me." you chuckled as you and Maria headed towards the building that served as the city hall or headquarters in Jackson.
It was already late in the evening, Joel hadn't come home yet, and you were busy with the usual household chores. The following days were somehow easier and you were happy to have your strength back.
You went inside and Maria led you to the back. You noticed a few men in the rooms, who were also taking part in patrols. They seemed strangely tense to you, but Maria quickly drew your attention to herself.
"Listen, this could be an unpleasant experience for you." she said, her hand stroking your arm. "But we have to be sure."
"What do you mean?" you asked, frowning. "Did something happen? Something with Joel or Tommy?"
Maria shook her head, then pushed the door open and nodded for you to enter. It was a dark room and you noticed that the curtains were drawn tightly and the only light came from the lamps placed on the walls. In the middle, three men sat on chairs, they were not residents of Jackson. They seemed strangely familiar to you, but you couldn't...
Someone said your name and you noticed Joel and Tommy standing nearby.
"What's going on?" you asked quietly. "Who is it?"
Tommy cleared his throat. "We've been following them for a few days. We suspect that they attacked you. You, Sam and Anthony. One of them had Sam's private things."
You looked at the men again, now you understood. And they must have recognized you too, because they twitched nervously. Two of them looked away, trying to avoid your eyes, but one of them was staring at you wildly.
"I know that pussy." he muttered, a smile twisting his face covered with thick stubble "I thought you died in the woods. You're a smart bitch."
There was a loud impact, it was Joel who hit the man without thinking. His head tilted back, but after a moment his quiet laughter filled the room.
"Is that your pussy? How was I supposed to know that it already had its owner?"
"Don't you dare talk about it like that!" Joel growled and wanted to hit him again, but Tommy grabbed his arm.
He looked at you carefully. "Is that them?"
"He recognized her!" Joel hissed furiously "That should be enough!"
"I need to know!"
You weren't fully aware of it, as if your body had made the decision itself. Your head twitched in confirmation. That was enough.
"Get her out of here." Tommy ordered.
"Joel! No!" you groaned, but someone's arms grabbed you and forcibly led you out of the room. The door slammed shut with a bang. Even though you didn't see it, you knew what was about to happen.
☆☆☆☆
Thank you for your time.
taglist, i think: @picketniffler @orcasoul @bbyanarchist @o-sacra-virgo-laudes-tibi @somedayheaven @underneath-the-sky-again
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coffeeprincessstuff · 1 day ago
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A casual date ft. Gojo Satoru
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The first time Gojo Satoru walked into the café you work at, you didn’t think much of him.
Sure, he was tall. And ridiculously good-looking. And way too confident for someone ordering the sweetest, most sugar-loaded drink on the menu.
But beyond that? He was just another customer.
Then he kept coming back.
Every few days, like clockwork, he strolled in—always in dark sunglasses, always with that smug grin, always ordering something absurdly sweet. At first, you thought he just really liked the drinks. But then you started noticing things.
Like how he always showed up when your shift started.
Or how he lingered at the counter, trying to make conversation with you when the café was empty.
Or how he never seemed in a rush to leave, even when he had his order in hand.
“You know, for someone who supposedly has the most important “secret” job ever, you have way too much free time,” you remarked one evening, sliding his usual drink across the counter.
Gojo grinned, tapping the side of his cup. “You don’t know that. Maybe I’m incredibly busy, but I make time for the things that matter.”
“Right, and that ‘thing’ just happens to be overpriced matcha lattes full of whipped cream?”
“Exactly,” he said with a wink.
You rolled your eyes but couldn’t hold back a small smile.
Gojo watched you for a beat, then suddenly said, “Hey, you free tonight?”
You paused and turned back to him, narrowing your eyes at him. “Why?”
“Wow, so suspicious! If you’re free, lets go out.” he said.
Your brows furrowed in confusion and said, “Wait. Are you asking me on a date?”
Gojo smirked, not even missing a beat. “I mean, can’t I ask my favorite barista out on a date?”
You raised an eyebrow. “I’m your only barista here. You literally ignore everyone else who tries to take your order.”
“That’s because they don’t make my drinks with the same love,” he said, smirking.
You gave him a flat look. “Love? Babe, I don’t even know you that well.”
“Tragic. But I can change that. One date. Just humor me.”
You sighed, staring at him for a long moment. “Fine. But only because I’m tired of you hitting on me at my work.”
Gojo beamed, grabbing his drink. “Oh, this is gonna be so fun. I know just the place. Meet me after your shift.”
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You should’ve known Gojo’s idea of “just the place” wouldn’t be a normal restaurant.
Instead, he took you to a quiet little food stall in an alleyway—a small, cozy spot lit by dim lanterns, with rickety stools and the scent of freshly grilled food filling the air.
Honestly? You kind of loved it.
“Didn’t expect this, huh?” Gojo grinned as he plopped down across from you.
“Not at all. I thought you’d drag me somewhere flashy.”
“Please. That’d be too predictable,” he said, leaning back. “Besides, Yakitori here’s amazing.”
And he wasn’t wrong.
The two of you ordered a ridiculous amount of food, and Gojo—unsurprisingly—had zero shame about eating half of it in record time.
“You eat like you’re in a competition,” you remarked, watching as he popped another skewer into his mouth.
He grinned. “What! can’t handle a guy with a big appetite?”
You smirked. “I can handle a lot of things.”
Gojo paused, then let out a low whistle. “Oh? Now that’s interesting.”
You rolled your eyes. “You know, I don’t think you actually care about dating.”
Gojo blinked, then tilted his head, amusement flickering in his expression. “What makes you say that?”
“You’re good at this. Too good. But I don’t think you’re actually trying.”
For a second—just a second—the teasing glint in his eyes dimmed.
Then, he laughed, shaking his head. “Ouch. And here I thought I was being charming.”
“You are charming,” you admitted, meeting his gaze. “But I don’t think you let people get too close to you.”
Gojo exhaled dramatically, resting his chin on one hand. “And here I thought this was a date, not a therapy session.”
You didn’t say anything. Just waited. And maybe that was what caught him off guard.
Because for the first time all night, his smile wasn’t cocky. It wasn’t teasing. It wasn’t the usual performance he put on for the world.
It was just there. Small, thoughtful. And real.
“You might be more fun than I expected,” he said, eyes glinting with something unreadable.
You chuckled and said, “I’m a complete package if you just removed your sunglasses and looked a little bit closer.”
Gojo smirked and said, “Careful, or I might actually start liking you.”
You smirked. “You say that like you haven’t already.”
Gojo chuckled, “Damn. You are good.”
And for the first time in a while you felt like it has been a nice date night.
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the-fyre-flie · 22 hours ago
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A Dad!Batman and Shazam au oneshot for this one commenter in particular and also me because I love this concept, hehe! Also I physically cannot keed writing this on tumblr so like if this does well I'll move it to AO3 and write some more Batfam&Shazam...
@spiritdancer9000
This is INCREDIBLY long btw...
-
Bruce didn't know when it started. He couldn't pinpoint the exact moment in time he started treating Shazam differently than the other heros, but at one point or another, he began treating the young man like... one of his own kids. Billy was just a kid himself, but it wasn't like he was inexperienced or powerless. The boy didn't need Bruce's parenting. Yet, the big bad Batman had a soft spot for him.
Bruce adjusted his cowl slightly as he stood from the rubble, grunting in pain as he pushed a large chunk of fallen building out of the way. This fight against a hypnotized Superman was going very poorly. His kryptonite had been sent into the bay, and he was still waiting on one of his various robins or ex robins to answer his distress call and show up with backup. Until that happened, he had to call in Shazam to help contain the alien. Their similar powers meant that while the rest of the Justice League was busy with off planet matters, Billy was the best option to take down Clark. Or at least keep him from causing more destruction. With how many times Clark gets hypnotized or brainwashed, this situation wasn't new or important enough to call back anyone from their missions. They just had to make do and figure out how to break the hypnosis.
"Shazam, can you redirect Superman to the west side of the city? Nightwing will be coming from that direction." For a man heavily bruised, stressed, and in the middle of grappling up to get as close as he could to the dueling supers, Bruce's voice was surprisingly gentle when he spoke to Billy. He almost never raised his voice at the magic infused boy, even in the middle of fights. Tho, once again, Bruce felt like he had to parent Billy. The kid was taking a beating, and he needed a level-headed adult to trust and rely on. Bruce had to be that figure, lest Billy panic, and begin letting Clark cause more damage than necessary.
"I can! I just gotta-!" Billy let out an 'oof' as he was interrupted by Superman landing a sharp hit on his jaw, sending him flying back. The sound was brutal, a loud crack followed by an even louder thud as concrete crumbled around Shazam, the hero leaving a Shazam-shaped crater in the exterior of a building. He groaned as he regained his bearings, floating to Batmans side as Superman prepared a second attack. "Okay, maybe I need a little help..."
Bruce would have chastised the boy for getting distracted for letting Superman get in a blow. That answering was less important than just doing in a moment like that. Instead, he just... let it go. Which is so very unlike him. With any other hero, including his own brood of bats and birds, he would have chewed them out for not reacting properly. With Billy, he didn't even blink, instead focusing on what to do next.
"Grab his cape and get him as close to the outskirts of the west side as possible. I'll keep him distracted."
Shazam flew into action, not one to question Batmans plans. Grabbing onto the cap, Superman immediately shifted to try and grab at the young hero. Only for Batman to begin... threatening Superman? Billy wasn't exactly sure why Batman decided that was the best way to keep the Kyrptonian distracted, but it was working somehow. The more Batman spoke about Lois and Jonathan and all the horrible ways he could take out Clark's family, the more scared rather than aggressive Clark became. For a man of steel, Superman bent easily. Within half a minute, they were touching down in the city limits, Superman not even fighting back anymore, seemingly spiraling, head in hands.
"Why did you say all that stuff to him, mister Batman?" Shazam asked, letting go of the man's cape and joining Bruce's side. As they spoke, Nightwing pulled up, his bike screeching as he came to a sudden stop. He was waving a small thermos looking thing back and forth before tossing it to Batman, disappearing again before he could even be questioned.
"Superman, at his core, is a gentle giant and family man. Threatening or insulting his family makes him depressed. As any father would become if someone like me threatened his son the way I did. I'll apologize to him when he's back in his right mind." Bruce stated gruffly as he unsealed the thermos and waved it under Clark's nose like smelling salts. Usually, he would have been far less gentle with Clark. The alien man could take it. But he couldn't bring himself to he overly violent in front of Shazam.
As the kryptonite was held in front of Clark, he finally snapped out of hypnosis, groggily looking up at Bruce. He squinted a bit, groaned, and stood. Of course, he apologized and offered to help with whatever damage he caused, but Bruce simply dismissed him, telling him to go rest and recover properly.
Sat in a local diner, Bruce watched as Billy stuffed his face with food. They both changed out of their hero persona's, and Billy had been ready to go do whatever orphaned kids do in this day and age, but Bruce had insisted on treating him to food. Bruce watched as the boy rambled and ate, talking about some show he had seen recently. Every time Billy opened his mouth, Bruce was reminded of just how young he was. Just how innocent and alone in the world he was. Bruce nodded and sipped his coffee, Billy almost flinging his waffles as he spoke, the enthusiasm almost contagious. Almost.
"Do you need a place to stay?
Bruce had blurted it out before he even had time to think about the implications. He, Bruce Wayne, THE Batman, had blurted something out. In front of him, Billy was staring, wide-eyed, fork of waffles held up mid bite. It was a long moment of silence before Billy spoke.
"...yes?"
The Wayne manor was quiet. A vast empty building, the echos of their footsteps loud as they made their way through the halls. Billy had to jog to keep up with Bruce's long strides, his sneakers squeaking against the perfectly polished wood floors. As Bruce turned a corner, Billy skidded after him, nearly bumping into a large, scarred man.
"B, why is there a new kid? I thought we all agreed you reached your adoption limit." His voice was almost as gruffs as Bruce's, the scars along his jaw and brow shifting when he spoke. Bruce sighed and placed a hand on Billy's shoulder.
"Jason, this is Billy. He's a... coworker. Billy needs a place to stay. I'm not adopting him." Bruce replied, the man named Jason crouching to match Billy's eye height. He offered a hand, Billy carefully accepting it. They shook before Jason stood, smiling as he walked off.
"You'll probably eat your words by the end of the day. Welcome to the family, Billy."
"What does he mean?" Billy questioned as he continued following after Bruce, brow furrowed as he struggled to match Bruce's pace. Gosh... how did a man so big move so fast?
"Jaylad is just joking around. Don't worry about it." Bruce shook his head as he led Billy down a hall, the sounds of a few boys yelling and video game sound effects getting louder. When they came to a door, Bruce pushed it open, revealing a large game room/theater. A huge TV, a pool table, shelves full of books and board games, and a trio of boys sat on the couch in front of the screen, two of them holding controllers while the third did his best to get in the way.
"Move, Grayson! I need to win and show Thomas that he can never defeat me!" The smallest boy shouted, trying to push the young man out of the way.
"Keep distracting him, Dick! I'm almost there!" The other boy grinned madly as he leaned around Dicks side to get a better view of the screen, his character seemingly ahead of the others in whatever racing game they were playing. After a few more moments of shouting, the race ended, and the boys became a loud tangle of limbs and arguments. Accusations of cheating were thrown around, followed by claims of it being fair game, only to suddenly stop when they noticed Bruce and Billy.
"This is Damian, Dick, and Duke. my youngest, oldest, and most recent." Bruce spoke, and Billy offered a small wave. Why did Bruce have so many kids? HOW did Bruce have so many kids? Why is Damian the only one who looks like him? Is this what Jason meant by Bruce adopting him?
"Another one? Duke hasn't even had time to bask in his newness. He's still got New Adoptee Smell." Dick laughed a bit as he returned Billy's wave, Duke rolling his eyes from beside him.
"Billy isn't being adopted. He just needs a place to stay, and the manor has rooms." Bruce once again corrected. But as Bruce talked with Dick and Duke, Billy couldn't help by shiver at the feeling of someone glaring at him. Damian hasn't taken his eyes off Billy, his stare cold and hard and very judgmental. Yup... that one was %100 Bruce's kids.
"Billy? Let's go." Bruce's voice pulled the boys from the staring contest, Billy quickly following after the man as he left to show him more rooms. When they came to a new door, Bruce gestured for Billy to enter. Inside was a large room, a bed, a wardrobe, a desk, pretty much what you'd expect from a rich family with extra rooms.
"You can stay here as long as you'd like. We have plenty of space, food, etc. With your powers, you can be from here to Faucet in under 2 minutes, so any travel should be fine." Bruce was trying very hard to see like he didn't care too much, that this was all kindness done for a coworker, and not because he desperately felt responsible for the child stood in front of him. Billy was so young, about the same age as Damian, and the kid had nothing. Of course, Bruce had to step up.
"Thanks, Mr Wayne. I... are you certain?"
"Just Bruce is fine. And yes."
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an-idyllic-novelist · 3 days ago
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Vegeta with fem!reader fluffy headcanons
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warnings: fem!reader, established relationship, canon divergence.
Special thanks to @actuallysaiyan for not only encouraging me to write this piece but also providing feedback on the earlier drafts. Enjoy~! :3
divider by @cafekitsune
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Vegeta is not the type of person who will proudly proclaim in front of everyone that he loves you. He’s a Saiyan of few words, but his actions? They speak the truth. And his actions definitely show he cares for your wellbeing when he defends your honor. He’s more likely to do that than anything else remotely romantic.
Go easy on this emotionally constipated man, okay? He might not be as expressive as Goku or the other Z Fighters, but he is trying. He lived most of his adolescent and adulthood as a planet pirate under Frieza’s thumb, where any emotion other than obedience was a weakness until he came to Earth and met you.
As much as he is still learning about Earthling customs, it would make his ego swell like a balloon if you asked him about Planet Vegeta and their customs. He could spend hours telling tales of the distant past, such as the roles of a mated pair in the household and how they raised their young. Going off the planet for a mission for the first time? That was a rite of passage. How do Saiyans show affection? Through their tails, hence why losing it is equivalent to mutilation or severe punishment of the worst kind of crime committed by a Saiyan. Other Saiyans could even see as a betrayal.
Vegeta is not proud of the things he has done in the past. But if some higher being offered him the chance to change everything, he probably wouldn’t take it. Not just because he still believes he doesn’t deserve such an opportunity, but erasing the wrongs he committed in the name of Freiza would undoubtedly remove the possibility of ever meeting you through Bulma. He would not have the life he has now, and he will be damned to allow anyone else who was unworthy of being your mate when the Prince of All Saiyans is right here.
The urge to fight runs through his veins, but that doesn’t mean Vegeta wants to be engaged in combat all the time. Believe it or not, the Saiyan would actually like to enjoy some domesticity with you. Whether it’s shopping in the city or just doing your own thing in the same space, he will enjoy it to the fullest. If Goku comes to bug him every day to train when the two of you decide to move to the countryside for work or preference? The chances of Vegeta getting really annoyed with the clown interfering on his quality time with you are pretty high unless it’s an absolute necessary to prevent the destruction of the universe.
You want to train and become stronger? Get ready because Vegeta will not go easy on you at all. Self-defense lessons? Oh, you can definitely be sure that he is going to at least teach a few moves so you can protect yourself when he isn’t around.
Saiyans are hard-wired to be attracted to strong-willed women, so challenging Vegeta mentally or physically will definitely get his blood thrumming in excitement.
He might act annoyed or irritated when you show him affection, but don’t let it bother you too much; Vegeta craves to be loved just like everyone else, even when there are days where he feels like he isn’t worthy of you. As mentioned previously, he’s emotionally inept. But if you show him genuine affection, respect, and honesty, that he deserves to have some good in his life? You will have a loyal, reliable, and incredibly protective Saiyan standing by your side until death comes for either of you.
He may not look like it, but Vegeta remembers the important things you tell him, like certain events coming up or be aware that you might have to work late on certain days of the week.
Regardless of his experience on the battlefield as a fighter and tactician, this man cannot navigate his way through a kitchen, so please do not let him go near the stove unless he’s being supervised, or your home will go up in flames. Seriously, just don’t.
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Taglist: @uninhabitedsworld-18 @strangepoppy @nasty-redrum @iimidnightx3 @zvmbieb0y @bdudette @boonsmoon @mythoswarrior-23 @jadeprouductions
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gingerteafairy · 3 days ago
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𝐜𝐢𝐥𝐥𝐢𝐚𝐧'𝐬 𝐜𝐡𝐚𝐫𝐚𝐜𝐭𝐞𝐫𝐬 + 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩 𝐬𝐭𝐚𝐭𝐮𝐬
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𝐣𝐨𝐧𝐚𝐭𝐡𝐚𝐧 𝐜𝐫𝐚𝐧𝐞: 𝐜𝐨𝐝𝐞𝐩𝐞𝐧𝐝𝐞𝐧𝐭
Your story with Jonathan began with the classic forbidden cliché: a psychiatrist falling for his patient. You didn't know you were being analyzed since you met him in the lab, but as he took notes on your characteristics, he began to fall for your complexity, your twisted way of being. He constantly showered you with gifts and specific compliments that he knew would get to you, keeping you attached to him. Despite being manipulative, Jonathan is unstable and needy, relying on you far more than you rely on him. He’s clingy, possessive, and jealous, often interrupting your routine just to pull you into a room and inhale your scent, soon convincing you to move into his apartment so he could continue his addiction.
𝐧𝐞𝐢𝐥 𝐥𝐞𝐰𝐢𝐬: 𝐬𝐢𝐭𝐮𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩
Neil is definitely unconventional. You would have a deep and consistent relationship with him for a while, where you were Neil’s first choice to show a new film. Though he was a devoted cinephile, he would never belittle you for your movie choices, even submitting to watching silly mainstream films like Camp Rock, which he affectionately dubbed a "C-rank movie," a typical pun. Though he never formally asked you to be his girlfriend, he would cry in the middle of the night at the thought that one day you might leave him for some hot brainless gym blonde.
𝐥𝐞𝐧𝐧𝐲 𝐦𝐢𝐥𝐥𝐞𝐫: 𝐡𝐮𝐬𝐛𝐚𝐧𝐝
Miller is quiet, to the point of being terrifying in how mysterious he is, but he notices every tiny detail about you. At some point, you stopped asking him about what he did, and he was grateful for that, comforting you with a “don’t worry, leave the problems to me.” Despite all the pampering and affection, Lenny saw you as a strong woman, someone who couldn't be broken by any jewel, and that was incredibly important to him in order for you to be his. His bodyguards would watch you 24/7, with the exception of the bathroom and dressing up time, which was strictly off-limits.
𝐫𝐨𝐛𝐞𝐫𝐭 𝐟𝐢𝐬𝐡𝐞𝐫: 𝐞𝐧𝐠𝐚𝐠𝐞𝐝
Vulnerable, almost pathetic in some ways, forced to marry you by his father, the condition to inherit the company being that he would start a family. Being an emotional person, Robert would soon fall in love with you through your time together, learning that not everything could be solved with money. Still, he’d irritate you to no end, giving you $1,000 “to clear your head somewhere.” He would regret it later and buy you something to try to make up for it. Small steps.
𝐣𝐚𝐜𝐤𝐬𝐨𝐧 𝐫𝐢𝐩𝐩𝐧𝐞𝐫: 𝐜𝐨𝐦𝐩𝐥𝐢𝐜𝐚𝐭𝐞𝐝
Jackson Rippner is dominant to the core, naturally drawn to a submissive girl, whether innocent or entirely attracted to that kind of thing. Being with him felt like walking a tightrope, a thrill for someone addicted to adrenaline. Public displays of affection and embarrassing situations in public places were common, as he used his charm to escape countless situations. Yet, inside his sick mind, he felt something human for you, attaching it to some cannibal analogy to not relate to simply love. It was too committed for him.
𝐫𝐚𝐲𝐦𝐨𝐧𝐝 𝐥𝐞𝐨: 𝐜𝐚𝐬𝐮𝐚𝐥
Raymond keeps track of everything, including friendships, where he keeps track even more due to their frivolous nature. Every encounter is calculated. With you, however, it seemed different—rare moments, of course—and he would dare to spend a few more hours in your company, talking about stress and sharing some human warmth in this messed-up, superficial world.
𝐣𝐨𝐧𝐚𝐭𝐡𝐚𝐧 𝐛𝐫𝐞𝐞𝐜𝐡: 𝐛𝐨𝐲𝐟𝐫𝐢𝐞𝐧𝐝
Jonathan Breech is a case apart. He would treat you as the reason for his life, as you gave him a reason to live after his father’s death. At times, he would catch himself saying self-deprecating things in front of you, but you would quickly reprimand him. He would be upset if you said anything bad about yourself since he saw you as perfect in every way. After the near-death experience, he would want to live life on the edge with you, getting into situations that were sometimes dangerous. That was the most fun part.
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tyrantisterror · 3 days ago
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Wife Goals: Harley Quinn
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Welcome back, fuckers. It's February, I'm in a bad way, let's talk about the unstable fictional women that I pine for, because fuck you that's why. Last time on this prolonged emotional breakdown, I talked about Ryoko Hakubi, the ancient demon space pirate from the Tenchi Muyo franchise. Today, I'll talk about someone I think we all knew would come up sooner or later - I have a whole shrine to her for fuck's sake.
Funny story - I didn't actually watch Batman: The Animated Series as a kid, despite being a child of the 90's. It, Power Rangers, and Gargoyles were the big 90's shows I just sorta bailed on (and I guess TMNT? I think of that more as an 80's show, personally, but I've seen some people lump it into 90's nostalgia too, so...). I just wasn't much of a superhero fan when I was a kid - superheroes were buff athletic masculine guys, like the bullies that picked on me, and they beat up weird-looking dudes who were obsessed with, like, monsters and spiders and shit, which I related to a lot more, so it just wasn't my scene as a kid. I had Godzilla for my hero-worship anyway, and it's hard to compete with Godzilla for my heart.
I did watch Batman Beyond, though, because it came on after Digimon and what else would I do with my Saturday morning?
Anyway, I don't think I actually saw much if any at all of BTAS until my teens. Pop culture being what it was, I was still loosely aware of Batman and his gallery of rogues, so I knew of Harley Quinn by that point, but I didn't have any particular fondness for the character yet, and even after watching some episodes she wouldn't become important to me until, like, after college.
And to understand why you kind of have to understand what was going on with Harley Quinn at the time. So, ok, Harley debuted in Batman the Animated Series, an exceptionally well-done adaptation of Batman that is specifically noted for taking the superhero comic world's devotion to maintaining a status quo super seriously. And by that I mean that essays have been written on the sort of Calivinist nature of morality in Batman the Animated Series, where if a character is a supervillain, then nothing they do, no matter how well-intentioned, will EVER allow them to break free of being evil. Poison Ivy wants to leave villainy behind and be a mother? Well, because she is Inherently Villainous, she can't help doing it in a way that involves mind control and gene splicing and crimes against humanity. Mr. Freeze wants to save his wife? Well, there's no way he can ever progress that goal without harming people with a freeze ray, and also every evil scheme he concocts to reach that end - a noble goal, mind you - will be foiled, leaving his wife still frozen on the brink of death. If you are a villain in BTAS, you will always, always, ALWAYS be a villain, no matter how hard you try to redeem yourself. The status quo MUST be maintained, no matter how tragic your situation is.
Which adds a meta-textual layer of bleakness to the already incredibly bleak life of Harley Quinn. Harley is a psychologist who fell in love with her patient, and said patient happened to be the Joker, i.e. one of the most notorious supervillains of all time. She turns herself into a supervillain to impress him, throws her career in the toilet in the process, and ends up being used as a disposable tool and punching bag by said villain over and over again. Harley suffers horrendous abuse from the Joker, commits horrible crimes to gain his favor, suffers terribly when she's caught by Batman, and basically repeats this cycle over and over and over and over again.
Because the status quo must be maintained, no matter how bleak your situation is.
It should be noted that, in the (intentional or not) Calvinist nature of the show, Harley's misery is clearly intended to be a direct result of her flaws. In Batman the Animated Series, pre-villain Harley is explicitly stated not to be a good psychologist to begin with - she was not smart enough to earn her degree honestly and slept with her teachers to raise her grades. Never ethical or talented, it's kind of treated as though her situation is her own fault for not growing as a person like she should have in the first place, which, uh... I don't think that element aged well at all, honestly.
But, luckily, Harley proved popular enough that the Batman the Animated Series take on her didn't remain the ONLY take for very long.
In fact, Harley's popularity grew so big over time that by the 2000's she got her own solo series, which came with a big problem to solve: how does Harley Quinn, a character who revolves around the Joker, who in turn revolves around Batman, work as a character without the two characters she was designed to orbit around? She's a moon, not a star, how can that work?
Well, Harley had to change, and that meant the status quo had to change.
Harley breaks up with the Joker and tries to, well, not go legit necessarily, but be a more low-profile kind of supervillain so Batman stops punching her in the face so much. More mischief and misdemeanors and less murder and manslaughter, and when she does kill someone it's, like, a serial killer or assassin, so basically fine. Because her relationship with the Joker is, like, the PICTURE of an abusive relationship, Harley becomes this picaresque figure, escaping from her chains to run free and rampant, and inviting us along for the ride.
And with that independence as a guiding theme, Harley got retooled a bit. She's always been a cheerful goofball, so it's not really out of character for her to help people now and then, albeit in a chaotic, mayhem-filled way. And hey, she has a degree in psychology - what if we just ignored the original intent and presented her as legitimately good at it? That brings a new sort of pathos to Harley Quinn, if she was a genuinely talented and dedicated person who stumbled once and paid severely for it - and it makes us invested in her quest to find some way to pull herself together after falling so hard.
And... that's kind of sympathetic, isn't it? It's hard to screw up worse than Harley Quinn did, it's hard to ruin your life more than she did, and yet here she is, still trying to pull it together in spite of that. She lives in a town so dark and depressing it has "Goth" in its name. Her ex-boyfriend is a killer clown who is infamous in-universe and out as one of the most cruel and monstrous villains of all time. Her resume consists of "psychiatrist who slept with her patient" and "moll for the most notorious serial killer alive." In many continuities she has permanently dyed her skin chalk white. You simply cannot fuck up worse than Harley Quinn has.
And yet she keeps trying. There's something heroic about that.
Harley has been beaten and abused by the man she gave up everything to be with, and yet she keeps trying. She is hated by most of the world because of her villainous past, and yet she keeps trying. She can never, EVER go back to the life she had, to the career she went to college for, to the stable, normal life she at one point wanted, and yet she KEEPS TRYING. She lives in the world of superhero comic books, where any significant change to the status quo is (almost) ALWAYS undone, where character development is considered a mistake that has to be unwritten, where redemption is impossible because once the narrative decides you're a villain that's what you will (almost) ALWAYS be...
And yet. She keeps. TRYING.
In a world that is determined to treat her as a punching bag, Harley finds a reason to smile, to hope that life will get better, to laugh and try and find love and happiness and joy. And her hope was so strong and so infectious that it changed the status quo. Harley being the Joker's punching bag hench-girlfriend used to be all she could aspire to be, but now? That's just her origin story, and she's become so much more than that.
She's a mess of Red Flags, an absolute fuckup of a human being, a terrible person, but goddammit, she is TRYING to be better, she is trying to make herself a good person, she is trying to make the world smile, and through all the shit thrown her way, she still believes in love and happiness. I don't just like Harley Quinn or crush on her the way I do with other fictional characters - I'm inspired by her. I strive to have some fraction of her resolve, her determination, her steadfast will to survive and thrive. Because if she can make it, if she can laugh so loud that the immutable law that is Comic Book Status Quo will bend for her, then dammit, any of us can do it.
...
Plus she's a hot lady in clown makeup who wears leather jackets and skin-tight acrobatic tights, I mean c'mon now almost everyone's down for that on some level
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kingofterrors · 3 days ago
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Severance - two in one
With the developments in the Mark S / Helena relationship in 204 we've seen the debate begin to really hot up regarding the ethical questions of having two people inhabiting one body - what that means for bodily autonomy, consent and freedom. All of which are nuanced and complex, and despite how hard we might want to boil them down to a binary good/bad explanation, I don't think it's actually possible. These questions are way too big for that.
But one reflection I wanted to offer is around the conscious / subconscious dichotomy presented in the show. Ben Stiller, Dan Erikson, and all of our actors talk about how both the Innies and Outies share a subsconscious. That this is where things bleed through - and Irving B's dreams are the key example of that. When he falls asleep in the office, these are the moments when elements from his Outie life bleed through - most catastrophically (or wonderfully depending on your perspective) in 204 following a full night of sleep and that incredible nightmare that pushes him into action. The subconscious could also be understood as the seat of instinct, personality, and drive - and again, we see this reflected in the behaviour of both Innies and Outies.
However, alongside this conscious / subconscious separation (in which we might better describe the status of the severance procedure as creating two consciousnesses in one person), we also have an memory / emotion separation. Petey talks about Mark S coming into the office with red eyes. He describes the process as "you carry the hurt with you, you feel it down there too. You just don't know what it is." So the concept is that severance cuts out memories - specific ones to the person, not the memory of which US states are which, or how to tie their shoelaces - but not emotions. So emotional hurt is carried from Outie to Innie and vice versa. But this also will extend to other emotions - love, fulfillment, satisfaction.
This rings extremely true to me as someone who works with elderly people, and often people with dementia. This is only a very superficial description of how some dementias can work, but in general terms these people are increasingly cut off from their memories, firstly short term memory, and then those longer term memories all the way back to forgetting how to die their shoelaces. This is why you might speak to a person who can't remember what they had for breakfast, and yet can remember in crystal clarity the picnic they had with their brother when they were seven. For these people, similarly to our fictional Innies and Outies, emotional memory isn't similarly cut off. These two parts of the brain are separated already. The hippocampus (memory) is separate from the amygdala (emotion), and feelings can be retained while the source of those feelings are forgotten.
This is one (of many) reasons why it's so important to continue to support, visit and love those we know who have dementia. Because although the source memory may immediately fade, the love remains. The feeling of safety and stability stays.
I just love that we have a show out there right now doing what Science Fiction can do best, exploring a real world concept in a fictional world that allows a new perspective on that exploration.
So severance might be:
Two identities / one person
Two consciousnesses / one subconscious
Two memory stores / one emotional core
Or an interesting combtination of all three. And the core question remains of course, as it always has, 'what makes a person'?
Bring on the nuance.
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thecaptainamore · 6 months ago
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I have no clue what’s actually happening with all of the Book of Bill stuff but I just absolutely love seeing people’s hypotheses and the fandom being so alive GAHHH
I’VE MISSED YOU GRAVITY FALLS
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luna-loveboop · 11 months ago
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I want. Four to get appreciation. Because
Four gave a ton of unnoticed help when Twilight was injured
The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal
But Four did something that no one else really thought of to help- He took care of Twi's stuff
From the beginning he told Twilight to not worry about them
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So Four took care of pretty much everything but the others (that Sky and Wars handled)
He took care of Epona
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Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her
And for Epona, a horse so attached to her human, having some company can help so much for reassurance
He took care of Twilight's stuff
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He got Twi's shield- his bags and equipment, and organized it into one place
And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.
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Also- because of his placement in this scene
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I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything
And he did housekeeping!
Wars payed for the inn, so Four took care of the inn
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Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in
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Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn
Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn
Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious
There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future
But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way
Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things
No matter what develops in the future- this amount of care shown is important ya know?
.
Art and comic from Jojo @linkeduniverse au :)))
#epona is so important#Lu four#linkeduniverse#linked universe#I work with horses and#Epona is INCREDIBLE- she's extremely attuned to humans and emotions. she doesn't scare easily and can keep her cool in a fight#but it's still super stressful to suddenly be in a fairly large and populated town- separated from her person#and for such an empathetic horse? Four going and TALKING to her- gently petting her nose and just being near her#means so so much! that literally matters so much to a horses mental state in a foreign situation- just having company#he checked on Epona and gave her company like !!!!!! it's so considerate and means so much for Epona! Four I love you !!!!!#uhhhh yeah!#with the food- I don't think the innkeeper would have free/complimentary food out- but wars wallet def had it covered#then wild showed up with potions in a cooking frenzy- but four was still shown with food behind him- he thought of everything#I don't know what's gonna happen with the shadow crystal and stuff. but no matter what happens in the future- this matters.#he did a ton of small things no one else thought of it matters he cares so much didjdkdksjfjj#I have a lot of posts I'm making/editing and trying to get to. I'm just a little gal trying my best :/#so many ideas and so little time... I love you guys and this fandom so much :))#(if I said anything off or offensive let me know... I'm always nervous about that but I want to hear from you if I'm wrong)#(also you are so so cool and valuable don't forget that ok? I love you and you are important)#:)
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mourn-and-watch · 1 year ago
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no but essek's abnormal behaviours in the last arc and especially in episode 140 are my roman empire. which is ironic because aeor is something of a roman empire itself. but in all seriousness, it was the episode that made me realise i love essek and his development so much and it kinda summarised it even before caleb's epilogue.
and i mean the "it's not fair" scene specifically. it's like, an epitome of his whole character progression from a person who put An Objectively Important Goal above all else without hesitation to someone who can't help but care for people around even more than his goal, no matter how big and relevant it is.
the mighty nein - and he alongside them - pretty much saved the world and freed an ancient city from thousand-year-long suffering. they defeated nine extremely powerful menacing entities who managed to stay out of everyone's sight for years and were so close to achieving their goal and dooming exandria in the process. they did the impossible and became heroes and somehow, they survived, even though they had bidden farewells a couple of hours ago because they had already understood what they had been facing. and nevertheless. they made it.
and none of them was celebrating.
mighty nein are basically essek's only friends. he knew them to be very unusual people, to put it lightly, loud and stubborn and completely inescapable once they consider you to be one of their own. and they showed him so much kindness and put so much faith in him, they were here playing the most atrocious music ever and digging clay in his backyard for a spell they invented just to help one of theirs and asking him if he could bring them pastries the day after they found out he was lying to them and had started a war. they were chaotic and weird and sometimes unbearable but most importantly they were carrying so much hope with them all this time - a hope they could end the war, a hope they could stop the angel of irons cult, a hope they could get better, a hope he could get better, and now, finally, that they could save their lost friend.
and that hope shattered, just like that, the moments after they'd already made the impossible. they saved so many souls - and then could not get back just that one.
for essek "my intentions were never good they were important" thelyss it just. shouldn't have mattered. they won. it could have been worse. people die and when they die they rarely come back. they should've been happy everyone else barely made it alive.
but for some reason, mighty nein being so defeated after they saved the world exposed him to that overwhelming feeling of injustice and unfairness. and i mean, there were many things essek considered to be unfair, but when i watched his first appearance and his interactions with mighty nein later on til their reunion in aeor arc, i wouldn't dare to guess that one of the things on that list would be something that personal. and personal not even to him.
the thing is, essek didn't even know who that guy was. why mighty nein cared about him so much. he had an idea, i guess, that he was their friend once, or someone in that body was. it was also a person who wanted to unleash a terrifying horrific aberration onto the material plane. it was a person very dedicated to killing essek and his friends - and they still didn't take any pleasure in fighting him. essek didn't feel strongly about lucien or molly, because he never knew them.
i don't think he mourned his death and failed resurrection. he mourned mighty nein's hope, the one they put in him when they had no reason to, the one they offered yasha in the cathedral and the one they kept after the spell for veth failed and the one they carried til the very end because they wanted it to reach molly. they had saved people with this hope. they had saved nations. they had saved the world. but they ended up feeling like it hadn't even been worth anything.
how desperate would it feel, witnessing people who for some reason always saw good in you when they absolutely shouldn't, who made literal miracles out of nothing, who ended wars and fought gods and tricked the hags and freed cities from horrors beyond anyone's comprehension purely because they thought it was the right thing to do and also loved their friends this much, silently crying over a dead body they couldn't bring back to life? how desperate would it feel to realise that with all your knowledge about time you dedicated your life to and threw away any principles for, you can't undo this? no one can. some things are left to fate alone and this time it wasn't kind to them. no matter how much good they did, they still got slapped in the face.
and it was, i think, such a genuine moment of empathy. like, essek is the character who prefers to put up a facade and act distant and self-composed but this time he just. walked away unable to watch this. the could only say to fjord that it wasn't fair. even when he was caught off guard in nicodranas he was able to explain himself and his motives to an extent even though he was a nervous wreck whose extra important plan went to hell the second the only people he cared about appeared. this time he had nothing to elaborate on. it just wasn't fair. it wasn't fair his friends didn't get what they wanted the most. it wasn't fair he couldn't do anything to make it right.
it is such a sad and beautiful and even cathartic scene because it is about person who started a war that destroyed so many lives - and then met this ragtag group of weirdos who saw a lonely stand-offish guy and said "hey, let's be friends!" and didn't even wait for him to answer. he saw them being serious and calculated and he saw them being ridiculous and extremely stupid, he saw their mistrust to outsiders and their loyalty to each other, he made spells with them and paid a visit to their hot tub, he ate their stale pastries and drank their hot chocolate mixed with whiskey, he was welcomed amongst them and in their wonderful home, both in xhorhas before they even found out what he had done and in the tower when they already knew - and then, he saw them mourning their loss, defeated and helpless, and he, a person who believed there were things more important than whole nations, let alone just one life, couldn't help but share the pain they felt. a pure display of compassion from someone who detached himself from it, who didn't believe he could grow into a better person capable of it again, but became one nonetheless without even realising it
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ananke-xiii · 8 months ago
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averlym · 1 year ago
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ghostwriter (their grandma would tell them she'd lose half her soul)
#or smth smth. having a lot of Thoughts. anyways here's the piece i've been working on and sometimes u have to just say Done#there's a lot of thinks but i am maybe a bit tired and so tmr i'll come in and add all the Tags that i'd personally want to get from myself#maybe i'll reblog the extras tmr too. this is an incredibly self indulgent piece + it probably deserves a tag ramble essay or smth#ig for now we see how it stands for itself + in the meantime:#adamandi#beatrix valeria campbell#hello!! i'm back with belated tags yippee!! alright so for funsies i'm going to make it sound like i'm going bonkers over this :3#the eye shine... the glowy eye... it's like phaethon shine but also smth about eyes to windows to the soul and like#there's two beatrixes here! half the soul. lost part doing things specific to the phaethon and here it's portrayed as tearing off her name#because that's really; truly; when it all starts!! also notable for the ghostly beatrix is i did it more painterly and cloaked in shadow and#fading into the bg. i think i was super duper specificish about where the glow comes from! front lighting back lighting beloved!!! like help#let's put it this way- beatrix face always glowy. important parts of paper also glowy. it's just that different elements are turned away#from the viewer by each beatrix!! also also. let's talk about the very gently implied blood and red etcetera#like the red string is canonical and i love personally the whole red strings of fate thing even though it's not Here Applicable exactly but#that definitely was an influence! and also the blood in the bg... i'm starting to think this is a recurring trend. but anyway shadowy bea#the other strings hang while the red string loops!! so like that one string feels almost alive. it's a sort of whimsical i put on the same#as metaphorical glowy eye!! also also the eye is lowkey influenced by the whole idea of Eyes and Spotlights within the show and also glow#as in power as in heyyy you ever think about writing as a visual medium huh#speaking of writing!! there is no beatrix thingy complete in my head without text sorrry but the black text overlays are always so >>> to me#and in the sense of art styles and overlays shoutout to all the black crosshatching outline thingys because For Some Reason in my mind#of all the characters beatrix feels like the bnw ink printed illustrations you get in books idk#fun fact! i spent so long rendering this and that was fine i liked it! but then trying to figure out text to go on the papers was a Thing#i tried to do. but then gave up on! sometimes i have to pick my battles and graphic design is indubitably Not my passion bc Fonts#fun facts about this is i Actually did start with a quick sketch in mind and there's been so many changed elements. in the og the front#paper for instance had 'ardess murders' written on it and the back one said phaethon interviews.. i like the nominee list better it feels#more narrative-esque and less passive than her just holding her writing.! other elements that got discontinued were that#front beatrix was supposed to blur into the other ghostly beatrix but i couldn't do it without sacrificing clarity so... no... no blurry#oh and the red string morphing at the ends to smth more abstract was always there from the start!! og had more floating papers#and also a silhouette of vincent and a scalpel bc 'one who pulls the strings' but that (pun intended)! got cut (hahahahahahaha) (sorry)#used also to be a lot of print room clutter but that got cut to bc compositionally i made beatrix larger (learned lesson from last art)
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roboyomo · 5 months ago
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about to go sleepyy but. Insane Kenix Thoughts (Again! An Another Time!) (How Many Fucking Times!— ^_^)
Something about Kenix comforting Sora the day she joined the sins crew while she was full on crying and confused at everything surrounding her. Something about him Resonating with a child's helplessness, offer a warm embrace to hold onto. Did you see your own past self in that girl? The days where you were left all alone in the dark, being able to only weep and wonder why everything around you was like this. Yet you had no one's shoulder to cry onto. You had no one by your side, and now you have decided to be that someone for an another lost kid. Have you seen your own desperation in that child, wanting to help her because deep down you know how scarring this situation is for her? To seek comfort despite the unknown environment, because you wanted someone to let you know it is safe?
Have you wanted to save someone from what you had to endure yourself because you just knew how deeply terrifying it must all be to experience such loneliness at a young age? Have you just wanted to not let someone else go through what you had to? Have you just wanted to show the lost child that compassion that you didn't get yourself when you needed it the most.
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katierosefun · 2 years ago
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okay so now that i’ve officially finished watching leverage i just want to say that maybe i’m obsessed with this show on multiple levels and something about how it hits so many itches in that it’s about found family and it’s about fucking over bad, rich guys (no billionaire bootlicking in this show! and i fucking love it) and it’s also about how sometimes the bad guys are the only good guys you get and it’s also about how we are all stronger together it’s about how at the start of this show, we have all of these characters who are largely used to working alone and being alone and yet the show concludes that ultimately, we are better when we are together and by being together, we might be able to leave something behind that is bigger and brighter for the next people in our generation and no man is an island and no person is meant to beat goliath on their own or whatever
#caroline talks#leverage#not to be like. emotional but.#i am emotional actually!#i'm just. i get emotional thinking about all of the characters#and just how complex they are#nate with his alcoholism and his rage against the world and how he's arrogant and angry and sad and yet i think he cares so much#he cares so much about his team even if he can be a bit of an ass#sophie who adopts a million personas at the blink of an eye and yet has her own loneliness about who actually knows her#parker who keeps herself closed off bc y'know trauma in the foster care system and yet she learns to express herself and trust people#eliot who resigns himself into thinking that he's a monster and yet he starts to do some good and just. winds up protecting everyone in his#new family which. MAN i can't express enough how much that storyline means to me too#like when is a monster not a monster? / oh when you love it or whatever#and then there's hardison who's so incredibly bright and warm and can talk his way out of most situations#and then he hits a wall when all that brightness and wit and intelligence still might not get him out of a scary situation#and that's. that's when he needs people too. that's when he needs his team#and like. there are so many important points in this show#but like one of the ones i like to think about.#is just like. that you could be incredibly good at whatever it is you do#but you need people. you need a team. you need to trust others and together you can do amazing things#individually they're great#but together they're unstoppable and i think about that a lot#no man is an island and it takes a village or whatever!#also unrelated but i also find it a little funny (i'm sorry) that i finished leverage literally the night the implosion news came out
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theimpalatales · 11 months ago
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James Acaster || Comedians
Buy me a ☕️
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