#this show and fandom has been making me anxious all the time
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thecooltranschaton · 3 months ago
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is good to have this account because i dont feel so pressured like in my main one, maybe i can post my ml opinions more free here without the fear of being kicked out of the fandom
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eumppattv · 7 months ago
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⋆ ˚。⋆୨୧˚ ✧˚ ༘ ⋆。˚ only for you
ᝰ.ᐟ pairing: riize x reader! fluff and slight angst ₊⊹
ᥫ᭡。 sides riize only show to you, their love ⋆౨ৎ˚⟡˖ ࣪
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𓍯𓂃 shotaro- his serious side
although shotaro can be pretty hard on the guys during practice, he usually reverts back to his smiley self almost instantly. his seriousness with you is a different kind, one that lingers. you’ll be at home, and find him working at his desk. he will talk to you about what he’s working on, what needs to be improved and so on. you love see him serious about his work, and also see him be serious when it comes to your relationship.
𓍯𓂃 eunseok- his jealous side
let’s be honest, eunseok is unpredictable. you never know which version of him you’re getting. still, he’s usually pretty calm and collected. that’s why him getting jealous is always a shock to you. his usual calm demeanor is replaced by his need to keep you to himself. you’ll be talking to a member, and all is well until you’re alone. that’s when he will confess he was jealous, a pout adorning his face.
𓍯𓂃 sungchan- his anxious side
sungchan is playful, carefree and relaxed. you often find yourself flustered by his words and actions, with his confidence being his best trait. although teasing you is his favorite pastime, sungchan also finds comfort in knowing he can share his fears with you, without judgement. with you he can let the mask he puts on go, even if it’s just for a couple minutes.
𓍯𓂃 wonbin- his romantic side
wonbin can be very shy at times. to others it seems that you aren’t even close, and they wonder how you make your relationship work. but really he is just private, and behind closed doors he is as romantic as they come. he will often buy you flowers, and organize date nights. he will write you letters, songs, and send you romantic messages every day. that’s how he shows his love for you.
𓍯𓂃 seunghan- his insecure side
it’s true that seunghan never misses an opportunity to tease you. plenty of “you like me so much huh” and “you think i’m so hot” have been exchanged. but what he doesn’t let others see is the moments where he doubts if you really do love him. when he doubts if he’s the right fit for you. really he is just scared that one day you won’t be around, so he will put so much pressure on himself to be perfect. in the end, he knows you accept his confidence and his moments of doubt.
𓍯𓂃 sohee- his quiet side
if there’s anyone who can brighten your mood, it’s sohee. his loud energetic personality can make anyone’s day. but with you he can relax, and not have to worry about being the mood maker. afternoons are spent laying down on your phones, not thinking about what to say or what to do. with you, sohee can bask in silence- no expectations, just peace. and although he can be shy with others, the silence he shares with you isn’t one of awkwardness, but of love.
𓍯𓂃 anton- his loud side
everyone knows anton as the soft speaker, always teasing him about it. while he always shows that side of him, with you it’s different. he’ll let himself get loud when he’s teasing you, or when you’re competing against each other- mario kart gets intense with him. he’ll also be loud when he’s calling out to you, whether it be at home or at an outing. he truly lets loose with you, showing you how much love he has for you.
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ghoastixx · 3 months ago
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Yandere!Hannibal and Yandere!Will Graham, who are obsessed with the survivor of a serial killer, who has resurfaced again. So the reader needs to go into some kind off protection and now stays at Hannibal‘s with Will visiting regularly and Hannibal comforting her?
Yandere!Hannibal & Will Graham x gn!reader
synopsis above
Notes: Okay okay okay... as someone who used to read A LOT of yandere fics, i'm flattered to be writing one for such a thirsty fandom. But, I must admit, this is my first time actually writing one. So bear with me please. Also, YAY!! A WILL GRAHAM REQUEST!!! (I'm a stereotypical will graham lover boy) I do love writing edgy insane will graham :3
Author notes: Mentions the "ghost face" killer... sorry y'all at the end of the day im not original and scream 1 holds a dear dear place in my heart. Will is sort of creepy in this. Reader is broken but trying to heal, will and hannibal ruin that. Reader sort of takes Margot Verger's place in a way? Reader is a bit shallow and emotional, sorry chat.
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The nightmare started two years ago. The ghostface murders happened every year or so; ever since that massacre in Woodsburrow when it all began. They popped up all over America. It wasn't a shock when a new copycat showed up in Maryland, Baltimore. A shame...sure. A shock? Not as much.
You weren't very worried. You lived a relatively boring life, a safe life. You were not final girl material. Well, that's what you had thought before someone in a ghostface mask stabbed you on the walk home from work.
You remember how exhausting the press was when you woke up alive, how nauseating the treatments were, how tedious the whole stay was. It was all boring and you were scared. Your face was all over newspapers, magazines, blogs, what if he came back to finish the job? The fear was too much, you fell into a deep pit of self pity and anxiety... One particular article though.. tattle crime. It pushed you over the edge.
People around you could sense the distress, you were referred to a psychiatrist upon your release. A Doctor Hannibal Lecter.
The first session had gone well, in your opinion. Of course, you hadn't been the most open of patients, but he was so patient with you, he was so understanding. You couldn't see how fond of you he actually was.
The first time you had walked into his office, he was amused. You had been the talk of the news, lately, and here you were now. Sitting in his office. You were interesting. A normal person, someone who had never really been bothered by much.. now utterly shattered. A beautiful vase put to waste, he would be the gentle hand to put you back together.
You met Will Graham almost a year later.
Your appointments were always right before Will Graham's. Of course, you didn't know that, but he did.
You had just finished up a session with Dr.Lecter, gently closing his door behind you, you were met with a shorter man looking intently at you. He had dark curls and his glasses were clinging to the edge of his nose. You stared back at him for a moment. He wasn't making direct eye contact, but he was looking.
"Excuse me...can I help you?" you murmured, a bit freaked out. He shook his head, snapping himself out of it.
"I'm sorry- are you Y/N L/N?" He asked, he had a nice accent that you couldn't place. You sighed, crossing your arms.
"Yes, what of it?" your annoyed tone made him look away from you.
"Nothing-I'm sorry- I just went over your case in my lecture this week,"
"Lecture?"
"Yes, I'm a professor."
"Oh.. what class, if I'm allowed to ask?" He smiled, shaking his head a bit,
"You can ask. A criminal analysis class." you nodded.
"That's very interesting Mister..."
"Will Graham."
You two began seeing each other a lot more while switching roles in Lecter's chair. Friendly smiles, waves, anxious nods.. and then Hannibal started to get into Will's head. His intentions turned to the computer. Researching about you. He reassured himself, he was just doing his job. Researching victims. Until he brought you up in a session.
"What seems to be on your mind Will?" Hannibal asked patiently.
"One of your patients." This caught his attention,
"Which one of my patients would this be?"
"Y/N L/N." Will leaned back in his chair, spreading his legs out. Hannibal straightened up.
"Y/N, I see." His voice was a bit firmer now. He had grown protective over you. Possessive. "what of them?"
So Will began talking about his newfound obsession with you. This pleased Hannibal just a bit, the idea that they both could have you.
So, with Hannibal's nonverbal permission, Will started to get more involved in your life as you both slowly started to succumb to Hannibal's manipulation.
Everything was going swimmingly. That was until you got a notification on your phone during work today.
"Ghostface killer resurfaces after two years!"
With trembling hands, you clock out and immediately go to your car. You sit in your locked car, shaking. As soon as you read the article, you turn off your phone, putting it in the console. You start driving.
You knock on the lavish door, your skin pale and your body shaking. You're so cold. You begin pounding on the door..faster.. why can't he just come out faster?
The door swings open, you almost hit the taller man in the chest. He was wearing a vest and a white button up shirt, dress pants. He had just gotten off work. His eyes held annoyance, but when he saw your rather fragile state, his face grew concerned. He ushers you inside, his firm arms around your shoulders, leaning your shaky form to a sofa. Sitting you down and making you explain to him what's wrong.
"He- he's back Hanni. He's gonna come back after me-" you manage to cry out, his hands softly going through your hair.
"My dear, you're okay.." His phone rings, which makes you jump. He glares at it before seeing it is Will. He answers it, a very frantic voice picks up.
"Hannibal- I can't get ahold of Y/N-"
"Will." he all but chided. "Our love is here, calm down."
"I'm coming over." he stated before hanging up. He sounded frustrated, which just scared you even more.
A few minutes later, a disgruntled Will walks in, immediately coming up to the sofa which housed you clinging to Hannibal for dear life.
"Y/N- I tried to call you- I was so worried." Once he saw your expression, he toned it down as he sat next to you. "Pup..it's alright, we're here."
Both men frowned when you shook your head. "No! He's back for me- he's gonna get me."
Hannibal responded with a 'tsk' sound, still playing with your hair. "My love, he will do no such thing." Will hummed in agreement, rubbing a hand over your back. "You'll stay here with Will and I, we'll keep you safe and sound."
Will was pleased when you caved into the demand, he honestly thought you would've denied it quicker. Both men dotted over you before pushing you to get some sleep. Sandwiching you in between them. Will waited til he could hear your soft snores before looking at Hannibal with a bit of a glare.
"I told you it wasn't a good idea." Hannibal looked at him with a false innocence.
"What wasn't a good idea, Will?"
"Poking the killer. Getting him to want to come back."
"It will all work out..we just had to..scare them into submission. You see? Hasn't it worked."
Will sighed a bit, "Yes..I still don't like it very much though.."
"Nothing will happen to either of you, Will. I wouldn't allow it."
Will did stop talking, not wanting to wake you. Besides, he knew Hannibal had a point. They did have you to themselves now.. and if everything went to plan.. you wouldn't be leaving.
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trinittyy · 1 year ago
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fic recs
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just a little assortment of my favorite works to keep track of them and also show love to the respective writers.
note - a majority, if not all, of the following works contain dark content that some could find triggering. tread carefully.
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divider by @firefly-graphics
toxic affection - @love-toxin
warnings: harassment, bullying, some violence, forced relationship
pairing: yandere!bakugou x reader
literally unashamed to say that BNHA fanfiction is what brought me to Tumblr
but this was one of the first I found and it's epic
what's your escape - @gotnofucks
warnings: obsession, possessive behavior, non-con
pairing: dark!sherlock holmes x reader
the man is disastrously down bad for the poor reader
she was so witty and clever but in the end, he got what he wanted in the most satisfying way
infatuation - @darkficsyouneveraskedfor - masterlist
warnings: mentions of stalking, obsession, non-con
pairing: dark!clark kent x reader
poor girl didn't have a clue or a chance in the world to escape this man
sidenote: I can't add Roo to the recs without mentioning just how talented she is. She was the first proper introduction to dark fics in the Marvel fandom and I've been hooked ever since. The amount of detail and dedication that goes into her work is noticeable and she's a talent that deserves recognition. It's one thing to make me like a fic or two of my favorite Marvel men but another to have me thirst over shit I didn't think I'd like.
naughty ransom holiday tales - @jtargaryen18
warnings: kidnapping, non-con, dub-con
pairing: dark!ransom drysdale x reader
guilty pleasure series
hate to love ransom but I can't help it
what the king has - @sincerelythedarkside
warnings: dub-con, character death
pairing: soft!dark steve rogers x reader
royal au
love me a good jealous steve
plot twist shocked the shit outta me
smut was out of this fucking world
love bites - @cherienymphe - masterlist
warnings: character death, jealousy, non-con
pairing: dark!steve rogers x reader, peter parker x reader
modern vampire au (what's not to love there)
this actually made me cry like a bitch
ongoing series
sidenote: Seeing as Cherie will be on this list many times, I have to say it's difficult not to add every piece of work on this list because while some writers have a magnum opus, everything she writes is a work of art. Her range and the backstory she puts in her characters make each story feel like a movie I just can't get enough of. Will forever love her writing.
kryptonite - @cherienymphe
warnings: non-con, obsession
pairing: dark!bruce wayne x reader
the build-up and tension gave me actual chills
trailer park babydoll - @mypoisonedvine
warnings: dub-con, infidelity, age gap
pairing: wayne munson x reader
guilty pleasure fic
absolute filthy smut
wrath of the dragon - @straywords
warnings: non-con, chasing
pairing: dark!daemon targaryen x reader
yet another down bad man
overdue - @darkficsyouneveraskedfor
warnings: creepy curtis, non-con, obsessive behavior
pairing: dark!curtis everett x reader
there's little to nothing i love more than a good ole broody man with attachment issues
anxious - @syntheticavenger
warnings: stalking, kidnapping
pairing: dark!peter parker x reader
tasm peter
cutest in a way lol little fic
the dream that got away - @dotieeee
there's not nearly enough dark fics ft my fave peter so I love this one
warnings: dub-con, non-con, manipulation, controlling behavior, obsession
pairing: dark!morpheus x oc!mera
probably the first dark fic about morpheus
each chapter was a masterpiece
and i still haven't seen the show lol
thanks for the invite - @syntheticavenger
warnings: non-con, bitchy friend behavior, implied drugging (i think), oral (f receiving), slight bondage
pairing: dark!lloyd hansen x reader
a funny little unhinged lloyd fic
rsvp - @syntheticavenger
warnings: dub-con, hide and seek, exasperated bodyguard, exhibitionism (a bit)
sequel to the fic listed above
lloyd is still unhinged and reader is still suffering
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bluegiragi · 2 years ago
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hello! i'm gira, i go by she/her, and i've been making fanart for the cod fandom for about four months now :) the majority of that time's been spent on the soapbox saga, which is sort of just what i call the very plot-ridden porn comic featuring ghost, soap and konig. and recently i've been working on the monster 141 au!
i'm here to address the reasoning behind how i assigned certain monsters to certain characters, particularly the POC characters as well as accusations of racism regarding me neglecting gaz in all my art :) whoever you are, if you're reading this in good faith, i thank you! i earnestly never intended to make anyone feel uncomfortable from my work.
The Monster AU
i won't post the blog who brought this issue up mainly because, (realistically speaking) i think people might go after them and spam them with hate so I'm paraphrasing here. but basically..."how come all the POC in the Monster AU are assigned animal-associated monsters? Comparisons to animals can be incredibly demeaning when it comes to minorities".
I completely agree! But earnestly, I think my desire to assign every character a 'monster' that was relevant to their culture overshadowed the part of my brain that would've raised red flags about this sort of thing. There's the argument here that I could've assigned these characters cooler monsters such as Price who is a dragon, and Ghost who is a wraith, but I wanted to be respectful of all the minorities in the COD cast by giving them creatures that reflected their culture and personality.
ALEJANDRO - NAGUAL
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In the Monster AU, Alejandro is a nagual, which is considered a guardian spirit in Mesoamerican culture. Typically, it's said that the nagual is the shapeshifted form that powerful men can transform into in order to do evil (although that doesn't apply in this case, Ale's a heroic lad), and can come in the forms of a jaguar, deer, dog or bird. I chose a jaguar, since it seemed to be the most common form of nagual depiction in the resources I was looking at. The 'panther mode' isn't pre-established as part of nagual mythology, but since most panthers are just black jaguars, i thought the association wouldn't be unreasonable.
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I chose Alejandro to be a nagual because it's so in character for him to be protective of his home. The idea of him being a literal guardian spirit for all he considers his just made sense to me :)
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RODOLFO (RUDY) - CADEJOS
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In this AU, Rudy is the vessel for two cadejos, which are legendary dog spirits popular in the mythology of Central America, parts of South America and Mexico. Historically, they've been known as psychopomps (guides to help humans into the afterlife following their death) but modern interpretation has shifted to depict them as the good guardian dog and the evil attacking dog respectively.
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A lot of the minute information about the cadejos tends to differ depending on the source. Like whether they're actually two separate dogs, or they're the same dog just in different 'modes', or how big they are. My personal depiction of them has them sized as normal dogs (although their spirit nature means they can move into small spaces pretty easily by just becoming immaterial temporarily) and as separate spirits that have been passed down through Rudy's family generationally.
I chose the cadejo for Rudy because although I wanted to include him in the Monster AU, i still liked keeping him as a character who was a bit more 'human' than Alejandro. I think Ale needs Rudy to hold him back sometimes, and having the two cadejo definitely helps with that. Sort of like how cheetahs in zoos have therapy dogs growing up because they're so anxious all the time! I think it also does a good job of showing Rudy's two sides as well, like he's a softie who just wants to protect those he loves, but he's capable of a lot of violence too.
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VALERIA - GORGON
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Valeria is a gorgon which, admittedly, is not part of Mexican mythology. However, I was put in a bit of a bind here, since my research didn't really reveal to me a monster in Mexican culture that I thought would suit Valeria's vibe (manipulative, elulsive) and I just felt like a gorgon would be perfect for her. Medusa's myth has her being continuously demeaned by the men in her life and is a symbol of female empowerment, which I thought was a great reflection of the implied reason that Valeria left the army was due to internal sexism. There's also the perfect parallel of how anyone who sees El Sin Nombre's face dies, and Medusa's whole 'turn you to stone' thing.
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I thought i could compromise by making Valeria a gorgon but her hair would be Mexican black kingsnakes but...turns out they're actually not that dangerous. Some people even keep them as pets! So I decided to keep the visual, but make her a pit viper, a subfamily of vipers found in the Americas as well as Eurasia.
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HORANGI - HAETAE
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Horangi is a haetae (해태) which is a beast in Korean mythology that typically comes in the form of a horned lion or dog. It's prevalent in a lot of cultures in East Asia actually, although it goes under different names depending on the region - kaichi for Japan, xiezhi for China. I made Horangi a tiger variant on the creature because...well...'horangi' means 'tiger' in korean. It just made sense to me to put that little twist on it.
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Typically, haetae are seen as spirits of judgement, that decide on innocent and guilty parties in disputes and punish the latter. It's also considered a guardian against fire (hence the fire immunity and cloud manipulation powers I gave him).
GAZ - HARPY
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Gaz is a harpy which, I won't lie, was purely inspired by the fact that he seems to keep falling out of helicopters. But it's also because...yeah, I did neglect Gaz in the soapbox saga. But I think I neglected...everyone in the soapbox saga who weren't directly involved in the main ship. I sort of just tunnel visioned on the main three, so my exclusion of characters isn't just limited to Gaz, it was included Price, Laswell, Alejandro, Rudy, Graves etc.
I just want to make clear that my treatment of Gaz in particular isn't reflective of any inner preference against him. And to make good on that, me assigning Gaz wings of all things was to help me spend more time on him in the Monster AU! I think the contrast between Gaz being an upstart harpy, and Price being a one-winged dragon has a lot of potential as a mentor/protege relationship (and perhaps even something more) and it's why I assigned this monster to him. I really wanted to establish a connection upfront, but just making Gaz another dragon felt cheap - the harpy thing felt a little more in turn with his character :)
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I really hope this cleared up any remaining frustrations with my designs for the Monster AU. I hope you can see that I never meant anything demeaning by assigning these monsters to their respective characters - in fact, I earnestly tried to go out of my way and be respectful to their backgrounds.
In any case, if you have any more questions I'd be happy to answer them - I'd just ask you to please ask politely :)
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vidavalor · 16 days ago
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I've had to disconnect from my dash because of all the negativity; I honestly do not get why people are acting like a semblance of justice+a movie is the worst thing in the world?
I'm mourning for the full six-episode season we lost because ng couldn't pass the utmost basic sub-zero bar for not acting like scum and of course I wish amazon had kicked him out and then sprung for it anyway (and honestly, as long as you're blaming the right person, I think it's fine to feel upset? We deserved better, the cast and crew deserved, Terry deserved better, and this one guy ruins it for everyone because the bar was buried six feet deep beneath the ground and he still managed to go lower, and that does suck, and it is miserable and unfair, so take a moment if you need it 🤷‍♀️) but let's face it, we got off lucky. Arguably, considering this was a standalone novel from the nineties, that then got made, in one of the best book adaptations I've ever seen, into a limited standalone tv miniseries (and, again, emphasising the standalone here, so even if it all goes to hell in a handbasket, we'll still always have S1 and the book; people have been ignoring the Jurassic Park sequels for nearly three decades), and then got a surprise sequel, we were pretty lucky the whole way through.
And regarding the whole what if it's bad thing, I was always going to be worried: I was anxious long before this shit went down, and I was anxious before S2 and even S1, as well. It's not like we ever had any guarantee it was going to be good beforehand either, and at this point, knowing what we do now, I'm not at all sure I'd have trusted ng to write this anyways. So while, yeah sure, I'm maybe a little more anxious now, I trust Michael and David with these characters and I trust Rob and Rhianna with Terry's legacy and story and that they wouldn't have fought so hard for this ending unless they planned to keep fighting and thought they could pull it off. Isn't the problem with this kind of thing normally that what happnes is the creator who cares deeply about the work gets pulled in favour of someone out-of-touch who cares not a jot about the story and needs to leave their own grubby fingerprints all over it? More the other way around here, no?
Anyway, what I also wanted to say was that I really appreciated your 'think of it as the final two episodes of season two' (and all your takes on this situation so far, very level-headed and optimistic, thank you). I mean, you're right, and it's hardly wildly out-there for a series to finish on a feature-length special, and although the filler material in S2 and the compression of S3 maybe means it doesn't exactly resemble what the second book would have been, it was only ever meant to be two books. (Don't get me wrong, I enjoyed S2 and was very glad to get it, even though I am a book/S1 fan and also had the most fun in that time fandom pre/post/around the time of the S1 release, but why does it exist? Ego? You can't tell me you couldn't have fit the important parts of S2 into one season with the S3 plotline.)
Basically, I'm grieving the could-have-beens (imagine if he'd been exposed way earlier and the TP estate had had control of this whole production from the very start!) and I'm a little worried that that hurt'll stick around no matter how good S3 is - which I need to fix, because that's more power over my favourite show and what it means to me that I want to give anyone, let alone someone like that - but at the end of day, I do think it definitely can be done with what we have, and I'm choosing to be hopeful it'll be done well, because, well, why wouldn't I?
(I will say this hasn't been great for my faith in humanity, because I really want to believe not all men are shit and some of them are making it very difficult right now, but that's an entirely different problem and so far believing most people are mostly good has always prevailed in the end so. y'know. we'll get there. might reread discworld, that's always good for that.)
Sorry for venting all this at you! I just kinda felt the need to write it all down once to get it off my chest... have a snack on me? I'm partial to cherry tomatoes, green melon and mandarines at the moment (I stop eating salads in winter, which means I default to eating even more fruit) but I can also offer homemade baked goodies fresh from this morning? 🥧
Hi there. 💕 You are welcome to vent away & thank you for the delicious-sounding snacks and kind words. I'm glad my posts on the movie boosted your spirits about it. I agree with and can relate to almost everything that you said here so assume that anything that I don't address just has a 'yes, absolutely' nod happening. 🙂‍↕️
The one thing I want to touch on here is S2 and this idea of it being "filler" that you mentioned that I think might not be quite accurate. I think you (and anyone else who reads this) might feel more enthused about the idea of a good ending in 90 minutes after reading this so hopefully this'll be another way that I can help?
On why S2 is really the whole story and actually had a lot more going on in every way than S1...
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Ok, I'm going to explain something that drives writers like myself bonkers 😂 and that is how some readers or viewers of fictional stories mix up plot and story.
Nothing grinds our gears than reading things like "filler" and "unnecessary subplots" because, while everyone is within their rights to have an opinion on written works, 95% of the time, the person who says phrases like this isn't talking about the quality of the work but of its very existence. They're saying "why did we have to read/watch this? it didn't connect to anything" and that's where they are very, very, very... argh, just tell them, Crowley...
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...thank you, dear. Right, so, why is it wrong?
Because what many people who don't write don't understand about subplots and more character-driven story arcs is that the writers sat down and decided to do that stuff for very, very specific story reasons. Readers and viewers mistake plot for story. Plot only exists in service of story and, so, all plots exist for a purpose in the story. They're all relevant. In fact, the stuff people usually label as "filler" in a story is really exactly where they should be looking to figure out what the story is saying. If you're big mad about all this time you spent with Maggie and Nina in S2, I'd say you might not still understand what S2 was about because you won't understand Aziraphale's story without understanding both Maggie and Nina's struggles in S2, for example.
A story is the whole, overall thing. It's the meanings, themes, and messages in the work. It's what's being said. It's the ideas being put forth by the piece. It's what it's about. It's different from plot, which is just the stuff the writers are making the characters do or not do in order to tell the story that they are looking to tell. Story is the art; plot is a tool used to make that art. Fiction writers can come at their story from almost anywhere to convey what it is that they are trying to say so there is meaning in the fact that they are choosing to tell their stories the way that they are telling them. They came up with these ideas for reasons.
When you dismiss stuff as filler, you're saying that it's lesser than more in-your-face and bigger plots (when, often, it's very much not), and you're telling a writer how they should have written their own story-- most of the time, without even fully seeing the ending of that story or giving any consideration to why it is that the writer wanted you to read or watch the stuff you're saying wasn't necessary. I'm not arguing that every story is perfect but you aren't getting anywhere near close to being able to evaluate a story if you're not willing to dive into what you were given and consider why it was that you were given those things and what they might mean.
Until the main question that you're asking about every single aspect of a story is "what is this saying?", you're not really fully engaging with a work. You won't get there by dismissing what the artists are telling you is important.
The secret sauce to interpreting fiction are subplots, actually. They exist to help highlight the themes of the main story, often in a slightly more direct way. If you want to understand Good Omens, starting with Ineffable Bureaucracy is actually one of the best ways to get at the core of the themes of the story. It's far from wasted time in the story.
There's actually a funny nod to the importance of subplots in 1941 when Aziraphale references Sophocles, the playwright who basically created the concept of the supporting character whose story mirrors and parallels the main character(s). The mention of Sophocles shows up in S2, the season that brings Gabriel more fully into his purpose as exactly that.
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The reason why S2's plot is centered around the honestly pretty easily solvable mystery as to what's happened to Gabriel is because Gabriel, from the get-go, has been the entire story distilled down.
If you follow nothing but Ineffable Bureaucracy in Good Omens, you're going to be closer to getting what it's about and where it's going and what its end game is than you are if you are dismissing it as wasted time when we only have few episodes left. If you haven't yet seen the secret wisdom in Jim-- not to mention understand that Jim and Gabriel are the same person-- then you're probably wigging out more about the movie.
You likely think that S2 was wasted on stuff like Gabriel, or Maggie and Nina's romance, when they should have been getting to Armageddon and The Second Coming already!
You haven't yet noticed that Armageddon has more than one meaning in the series.
It's not always the literal destruction of Earth but also a person's own life crisis. We are all worlds of our own and those worlds can be put at risk if we don't let others in and take care of ourselves and those around us.
When you realize this, you can start to see that S1 goes hard with a freight train of plot all over the place that is related to Armageddon in a more Biblical, apocalyptic sense while it establishes its universe for us but that, once we know how it all works, we can get something like S2... a time where we can step back and start using Armageddon in the more figurative way that the story is also presenting it.
We need to because the story isn't about Heaven or Hell-- it's about being a person. S2 is emphasizing the deeper aspects of the themes and rolling that out at a pace more in line with a person having a few days of inner crisis. When you see that Aziraphale's crisis is the point then you can see how S1 can be about The Four Horsepeople riding to the end of the world and S2 can show War (inner conflict), Pollution (mental health issues), and Famine (symptoms of the other two; lack of food and pleasure and connection; self-starvation and self-denial) as a mental health crisis.
The point is that if you're thinking these characters need to come together to overthrow Heaven and Hell and get to the South Downs Cottage and there's no time slajdflkfwjlkejlje!?!?, then you aren't realizing that not every revolution involves guns and bombs.
People all over the world can start a love train that's far more effective. You might think a subplot about The Hellhound and The Ginger Cat learning to play nice and that they have a fuckton in common and should maybe bury the hatchet and just become eternal bffs already is filler but Crowley and Gabriel aligning is set up for the end game. It's strength in numbers and finding peace and family. They can't overthrow Heaven/Hell without help and Gabriel is the Supreme Archangel. They literally will never have a South Downs Cottage ending without a plot that helped Crowley and Aziraphale see that Gabriel and Beez are on their side.
This is the revolution in Good Omens:
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It will take all the characters coming together to overthrow Heaven/Hell and set up something new for us to get a happy ending and we absolutely will. S2 is Gabriel-centric because Gabriel is the key to all of the characters getting a peaceful ending and because he's a split-directly-down-the-middle mirror of both Crowley and Aziraphale. In a season that is more about Aziraphale's inner Armageddon than about an external threat, Gabriel is vital to telling that story. The plot of S2 is every bit as important to the story as S1. I'd argue that it's even more important because takes the time to go at the themes in a slower, deeper way. It needs to because it's a story of a fall that sets up for a story in S3 of a recovery from one.
Good Omens is the absolute perfect combination of a show that is both very, very detail-oriented and full of depth while also being, secretly, an incredibly simple story. I do not mean simple in a negative way but in a chef's kiss sort of way. Simple in a tight and elegant sort of way. This is something that I think some people might not see when they're theorizing but it's something to keep in mind ahead of the movie. Not just because the movie is shorter-- this would have been relevant if we were having a longer S3, too.
Good Omens has a very engaged fan base that looks for the details, yes. *raises hand* I'm one of them lol. And there will be plenty to pour over in the movie, but... the big thing to keep in mind is that your theory needs to be something that is simple, that can be explained in under a handful of scenes, tops, and that is focused on where Aziraphale's story arc is going above anything and everything else.
If you're beginning with time loops and the birth of a new antichrist baby, I'm telling you from ages of experience reading and writing stories, you're going to be way off. If you are over here composing theories of the story that you are arguing are correct and this theory involves, idk... *makes something up* Crowley is really Elvis and Elvis is really The Bentley and when a rainbow hits Whickber Street at exactly 4 minutes into the new season, Satan will be revealed to really be Jesus, I think maybe you might be missing the point of the details that the show has given already. Like the plot, these details exist to reinforce the themes of the story. Story beats everything else-- it's what this is all about.
And what Good Omens is about? Is best summed up by Michael Sheen, in this single sentence that I really, really agree with and have paraphrased more than once in posts:
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Good Omens is about the business of living. It's about the human experience, which is the experience of being a person. Everything related to Heaven and Hell and good and evil and Armageddon and supernatural things is plot that only exists to highlight a story about the complexities of being a person.
The supernatural is human and the human is supernatural.
That is what Good Omens is about.
While Crowley and Aziraphale are built as two halves of a whole and are both main characters, Aziraphale is the main character from a technical, story perspective, because he is the character whose story arc is driving both the plot and story forward. He's heading for a happy ending with Crowley in the South Downs by the end of the film. If you're making theories, start with what kind of plot would truly get him there and still fit with all of the themes of the story.
This 'it's about being a person' business is why if you look at S2 as filler and not as a season that is exploring the continuing themes on a deeper level, you're still worried about things like there being no time in a movie to show the story of a new antichrist kid being born or how they're going to fit the whole Second Coming into the movie. You don't yet see that Aziraphale parallels Adam and that being an antichrist is basically just being a person and that Aziraphale is presently the antichrist in the story. There is no antichrist child yet to be born. They won't be cutting it because it's not the story.
Armageddon since S2 has been Aziraphale's own personal one and the story from the end of S2 on is now how, if all the other characters can't come together to help him, it could also trigger Armageddon of the S1, Earth-destroying kind. It's tying a more literal Armageddon into a more figurative one. Because this story is about being a person so Armageddon is just metaphorical for going through a mental health crisis and shutting people out.
This story's themes include that every person matters and we all have to let others in and look out for one another. That there's strength in numbers. That found family and adopted family is as much family as biological family-- often, even more so. That labelling and categorizing people is bullshit and you should always open the cover and read the first sentences of people and help people whose stories begin with the same letters find one another. That it might be surprising who has things in common. It's about all of Heaven and Hell versus all of humanity, in the sense that ideas of being a perfect angel or being seen as an evil demon are concepts felt by human beings that get in the way of peace and healthy, happy living, but that fighting them is a common, human struggle, regardless of from where you come.
If you are too focused on the religious plot being the center of the film, you haven't yet seen the meaning of why the end of S1 was an eleven year old kid saving the world by telling off the bio-dad that was never there for him. You might be one of the people who thought this a silly, anti-climatic ending to that story, and don't yet realize that this is the entire story in a nutshell.
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Adam can only reject Satan and keep the darkness at bay because he is surrounded-- here, literally-- by a family that supports him. He has good people for parents and was lucky enough to grow up with resources that all kids in this world should have. He has an absolutely terrific group of friends. He has this witch lady and her boyfriend and these two gay uncles that just showed up out of nowhere 😂 and his human incarnate self has what it needs to make it through this crisis, in this moment, even if he'll probably have others throughout his life, just like all of us. He's not evil incarnate and he doesn't have to be perfect-- he's just a person.
Aziraphale tells Adam this but struggles to see himself in the same way. That's what S2 is about.
S2 is about that other kid who, like Adam, breaks the season down into a single line of dialogue, David Tennant's apparent favorite from the season:
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Jemimah knows who she is and she is happy to claim ownership over her art and contributions to the world. She's living her life with excitement and enthusiasm in a way that gets more complicated as we become traumatized adults. Crowley and Aziraphale struggle with this. They have been making a life together on Earth for thousands of years and each struggle, in their own ways, to truly accept that they are people who are allowed to have a life because they struggle to accept that they are people, just like everyone else.
Their story is about getting to a better place with that. That's really all Good Omens fundamentally is. That's why their ending is going to be to go live in a little cottage together that isn't a business that covers up an angelic embassy that covers up a secret love den. It's just their house-- theirs together for the life they're going to live openly together.
If you want some peace with the film, I'd advise throwing over your theories about The Second Coming and Armageddon needing to happen and antichrist kids and how Jesus fits into everything. Jesus in Good Omens is Crowley romancing Aziraphale at the crucifixion and Aziraphale using what Jesus said to Crowley to reject temptation as invitation to fuck him. I thought Jesus in a single scene or less was the most likely thing for S3 and the same holds for the movie. It's not the story. The only time The Second Coming is mentioned in S2 is by the villain and, to get there, Earth would have to first be destroyed. It won't be.
If the story is about being a messy human walking the Earth and we're in the end game now, then the story is about Aziraphale and only Aziraphale. Everything-- everything-- will be in service of Aziraphale's story arc. We already had just a few episodes with S3 and we now have even less time but the way this is going is still the same. The story is Aziraphale's fall and the other characters coming together to challenge Heaven to keep Aziraphale from eternity in Hell. That's how Armageddon is stopped this time around-- overthrowing Heaven with Aziraphale's fate as the motivation to take on The Metatron. It's nothing to do with Jesus. It's everything to do with Aziraphale.
When you see that, you can see how feasible that is in 90 minutes, with plenty of time for things like 1941, Part 3 and other flashbacks.
I think, when all is said and done, you might wind up appreciating S2 more after the film but you can get there already if you start looking at it less as meaningless fluff and start asking why it is that we were shown this story, in this way, and what that can tell us about the story we're watching.
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wingzie · 5 months ago
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The Definition of Jikook: Through Others Eyes
“Becca, how would you define Jikook?” In the last few months I have been asked this several times. And not by Jikookers. Since my bad experiences with offline events, I decided (in typical “me” fashion) to just throw myself out there and keep moving forward. This included joining more Twitter GC’s or Discord Servers and going to more offline events. In one of the most recent events, I lived locally and wanted to help. Therefore, I offered to escort some anxious Army from the train station to the venue.
Anyway, I was still cautious about going and, though there were a few odd moments, the event went really well overall. Something else kindled during this event that I did not expect: The desire to talk more about jikook. Before, even mentioning Jikook as a unit and not as Jimin and Jungkook was almost seen as a taboo. Especially compared to the other units that we are familiar with. Due to me no longer giving a damn and using my main twitter account, people relating to the event knew who I was and they had questions. Very interesting questions. About Jikook. About their enlistment. About the travel show. This was a pleasant surprise and it shocked me that some of these people already knew quite a lot without me telling them anything. Including some information that I thought was only in the Jikook circles. I asked one person why they didn’t talk about Jikook as much on Twitter and they said because they were scared with all the shipper fights. Which is quite valid really. If all you see whenever Jikook is mentioned is constant fighting, then you would distance yourself. It made me realise something though: 
Even if someone isn’t talking about Jikook. They are still watching and are very much aware of what is going on.
Sometimes we amplify the wrong things and we give the loudest voices to the negative comments. When I do the Live Reactions series, I will sometimes have hundreds of positive screenshots to go through and then(somehow) pick twenty-five of them for the thread. It was really interesting to see so many people talking about Jungkook going Live whenever Jimin went overseas or about the travel show. It also reminded some of moments that were sadly forgotten about.
This touches on something else too. Our traditions as a fandom have somewhat changed. With the removal of the social media awards, we no longer boost BTS’ history like we used to. Elon has also changed how we find content, with the removal of “moments” and advanced searching now being really difficult to find things. There is still hope though. With Jin’s return, it was lovely to see so many asking about Jin as a person or how Festa would work. Sharing old memories and watching Bang Bang Con together added so much value to our experiences together as a fandom.It’s something we should treasure. 
BTS have shared so much with us and it’s why I’ll forever be thankful for archive accounts. With every post or comment shared with others, we encourage them to learn more about the members or to watch content they may not have seen before. I experienced this myself when I mentioned Bon Voyage to someone who didn’t know what it was. They had only watched “In the Soop” and were excited by the concept of the members going abroad together. I hope they enjoy it!
Going back to Jikook, I have seen an increase of positive engagement surrounding them. This includes in both online and offline spaces. It makes me excited for when the travel show comes out and the conversations it will create, with so many already floating around. When I am asked how I define them myself, I try to turn it around. It doesn’t matter what I think about Jikook or how I define them. That should be obvious by my account. What matters is how others do and the respect that it holds.
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queen-haq · 9 months ago
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Fic: Never You - (Penelope/Colin) Part 1
Rating: R
Fandom: Bridgerton (TV show)
Spoilers: S3 scene released yesterday.
Summary: They may have been friends once but his callous words decimated their relationship. Determined not to have anything to do with him, Penelope is ready to move on. But Colin isn't giving up, not at all. Friends or not, they are connected for life - and he intends to remind her of that.
Excerpt:
“You would hate me for not wanting to court you. You would be that selfish?”
“Of course you would think that.”
“What else is this if not punishment?”
Part 1
Penelope stared out at the pond, her last conversation with Colin still running through her mind. I miss you. Few months ago his words would have sparked incredible joy in her but hearing his smug confession last night had elicited nothing but rage. Even now an explosive anger threatened to burn her from the inside out - but she reminded herself to stay composed. Losing her calm over Colin Bridgerton was simply not worth it, not when she had far more important things to worry about.
“Penelope. How are you?”
Hearing Lady Violet’s voice from behind, she turned around to greet the older woman. Except she wasn’t alone. Of course not. Behind her stood most of her family, Colin and Eloise on one side, Gregory and Hyacinth on the other. Penelope quickly shifted her gaze back to Lady Violet. “I’m quite well. How are you?”
“You haven’t paid us a visit in a long time.”
Penelope sensed the scorn vibrating off of Eloise in waves, but she ignored her former friend. Even though her soul ached at the loss of their friendship, a part of her had already grown resigned to their new reality. “I’m afraid country life has kept me busy all these months.”
“Well, you’re back now. I hope to see you at the house more often.”
There was no mention of the falling out with Eloise, nor did Penelope expect there to be. Especially with Eloise pretending she no longer existed. Her eyes roamed over to her friend, only to be ignored. Inevitably her gaze slid over to Colin, and she suddenly found herself the recipient of his intent focus. Somber blue eyes penetrating her through to her very core, making her rattled and anxious and breaking down the very calm façade she worked so hard to build.  
Throughout their entire friendship he’d always been sweet and funny, filling her dull world with hope and color, but the night of her mother’s ball she’d seen the kind of cruelty he was capable of. It was a side of him that she never wished to see again. And feeling his piercing gaze right into her soul, in a way he’d never looked at her before, reminded her of how much of a stranger he really was. “Forgive me, Lady Violet, but I must take my leave. Mama shall be waiting for me.”
She quickly walked past the group, breathing a sigh of relief at no longer being under Colin’s scrutiny. Her relief, however, lasted only a few seconds. Because almost immediately Colin was striding alongside her.
“Pen, we need to speak.”
“I have nothing to say to you.”
“Then I’ll do the talking.”
“And I’m not interested in listening.”
“Too bad. Because I’m not going anywhere.”
She cursed his long legs, because while she struggled to keep up the fast pace he seemed to glide along the path without much effort. Short of running away from him, which would surely cause a scandal amongst the crowd promenading, she had no choice but to keep walking.
“I’m sorry. Truly.” His voice was soft, velvety like butter, like he’d practiced the words many, many times in preparation for the performance of a lifetime. “My words that night-”
“Do you know that I read your letters over the summer? Despite my anger, I still read them.”
An unexpected rawness laced his voice. “Why?”
“Because I needed to know. Would I recognize that insincerity in your words now that I knew the truth about your disdain towards me. And do you know what I discovered?”
She finally turned to look at him, and just for a moment the world stopped. Like it always did. His eyes were bluer than the sea itself, a symphony of agony and need, beckoning her towards him. She suddenly found it difficult to breathe, her heart caught in a whirlwind of chaos.
“Tell me.”
It wasn’t a request, nor a plea. It was a demand. As if he was entitled to her thoughts, her heart. Her very soul.  Well, damn him. Damn him for playing her for a fool. And damn herself for ever loving him. “You are an extraordinarily talented writer, Mr. Bridgerton. So good in fact that I woulld never have guessed your true thoughts if I didn’t hear you utter them myself.”
“That’s not fair. It was one night, Pen! One night! When I was drunk out of my mind and said something foolish. Are you really willing to give up on me after years of friendship because of something so small?”
“Yes.” Her response was quick and resolute, surprising even herself.
Stunned, Colin stared back at her. “Yes?” The tremor in his voice was unmistakable. “You don’t mean that.”
“Don’t I?”
The change in him was sudden and abrupt, taking her by surprise when he moved swiftly to block her path.
The blues of his eyes were so dark they bordered on brown, a storm brewing in them. Staring back at her was a man she didn’t recognize, different from the boy she grew up with,and the man who humiliated her without a thought. This was a stranger in front of her, anger etched on his face, jaw clenched with tension.
“You would hate me for not wanting to court you. You would be that selfish?”
“Of course you would think that.”
“What else is this if not punishment?”
She didn’t think he could hurt her more, but he managed to do it nonetheless. “I never expected you to court me, Colin. You don’t love me. I’m quite aware of that. But you could have told them there was nothing between us. You could’ve even said I meant nothing to you. Instead you mocked me, derided me so you could look good in front of your peers, and that makes you someone I never want to associate with.”
 “I made a mistake, Pen.”
“Miss Featherington,” she bit out through gritted teeth. “That is who I am to you from now on. Nothing more.”
“So that’s it? I make a mistake and you erase me from your life just like that?” He snapped his finger angrily. “Are you so fucking perfect that you’ve never wronged anyone?
They’d been standing still for far too long, their conversation growing more potent every second. All of a sudden she was acutely aware of glances in her direction, people’s eyes sliding over her and Colin, and she realized how dangerous this was. Risking her carefully crafted plans for a few heated moments with him was idiotic. “People are staring at us, Colin.”
“I don’t care.”
“Obviously.” She offered a small smile at the couple who walked past her, trying to appear amiable. “You may not be concerned about my reputation but I am. And I would appreciate it if you stayed out of my way.”
“I’m not willing to give up on our friendship like you.”
His snarky words drew her gaze back to him. “Walk away, Mr. Bridgerton. Let me be.”
“And if I don’t?”
The hint of menace sent an unexpected shiver down her spine. “You would not be the gentleman you claim to be.”
“Perhaps I’m not. Perhaps everything you’ve accused me of is true.” He took a step closer, eyes shining brightly. “Maybe I am cunning and cruel. What then?”
Her heart pounded in her chest. “What is it that you want from me?”
“Forgiveness.”
“Fine. You’re forgiven.”
“You’re lying.”
“And you’re being rude.”
Eyes locked, they regarded each other intently. She didn’t understand what he was doing, why he was behaving this way. Why his stare seemed to be all consuming, studying her, trailing down to her mouth when she licked her bottom lip before drifting back up again. He’d never behaved this way before, A complete stranger in every way. “If you ever valued me as a friend, you would do as I ask.”
“I could say the same. If you valued me, you wouldn’t cast me aside.”
“You can not force me to continue this.”
“Would that be such a hardship? To move past one mistake and leave it behind us?” Desperation brimmed from him, he swallowed audibly. “I may not wish to court you but you are important to me. You’re my dearest friend. I can not envision a life without you.”
She exhaled a long, drawn-out breath. “You must.”
His lips twisted into a cruel plea. “Why?”
“Because I am to be married, Colin!” Instantly she regretted her words, hating herself for letting him provoke her. Yes, it was the truth, a plan that had taken months to carefully develop and plot – and now she’d ruined it by announcing it too early, and to him of all people!
“What?” He faltered back, stunned by her words. “You’re engaged? To whom? Why-”
“All you need to know is that my future husband and I have already discussed the matter and he wishes for me to have nothing to do with you. So goodbye, Mr. Bridgerton, because this the last time you and I will speak alone.” She stormed away, before he could stop her.
To be continued...
A/N - Um, thoughts? Feedback is always appreciated. I'm liking the idea of Colin and Penelope going head to head over the destruction of their friendship :)
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mysewingadventures · 2 months ago
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Making the ✨Lioncourt Gown✨ (Part 1/4)
Shoot, it's been like two years since I last posted, apologies! I’ve been incredibly busy with uni and life in general, taking care of my mental health, it’s just been a very stressful time lately. I haven't really worked on anything worthy of posting in the meantime, only minor things and one dress I rushed and it didn't turn out well anyway. But, since Halloween is coming up and I don’t feel like wearing the same thing for the third time in a row, I thought it was the perfect excuse to try and make something new and the other day at 2am I fell down a rabbit hole and came up with an idea I’m completely obsessed with.
So recently, (in case you couldn't tell by the title haha) I’ve been really into Interview with the Vampire (the TV show), and there’s this one costume that’s so iconic it immediately caught my attention: This Lestat outfit.
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I feel like since this blog isn't fandom related I need to explain myself to those of you who are just semi-familiar with IWTV. Maybe you know Lestat as essentially the villain of the story and are wondering why on earth I'd want to make an outfit inspired by him. The answer is quite simple and not actually deep at all: I just thought it'd be a fun project. I'm very well aware of his personality and would not want to be in the same room as him in real life haha. But he's such an interesting character to watch on screen (they all are, in my opinion). Anyways-
This outfit is from a scene that takes place in the 1790s and now, I’m unfortunately not too versed in men’s fashion so I can’t quite comment on its historical accuracy (and also it’s worn in the context of a theater performance so it’s bound to be more flashy than what people would have worn on the streets), but the way the lapel is shaped just screams redingote to me, and since I've always wanted to make a redingote I'm going to make a redingote version of the costume!
For reference, here's what a c. 1790 redingote looks like:
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This one has a normal button closure but redingotes were also often double-breasted (which is what I'm going for), taking inspiration from men's fashion. These were often worn to ride in - hence the name, redingote - riding coat.
Maybe this is the point where I should mention that I'm not going for perfect historical accuracy for this project. It really is just a fun project to try to approximate something as seen on a show to an actual historical piece of clothing.
Here’s a super quick sketch I drew to check if the colors looked good together, and I have to say, I’m sold 1000%.
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I am so excited to wear this when it’s done, but also a bit anxious because for starters, I’ve never made a redingote before, and the dresses that I have made all have issues with the sleeves because apparently, I can’t sew sleeves correctly. So this time, I really want to make sure it all fits properly before I sew it and take my time with it to make sure it ends up being something that I love as much as I love the idea of it.
This time, I tried something a little different with my mockup - usually, I’ll draft a pattern on paper, then cut out my mockup and sew it, but this time I decided to make the mockup by draping the fabric directly on the mannequin that I dressed in my stays and a bumroll, making sure I had the correct measurments, and it was a complete gamechanger. It fit right away with minimal adjustments, and I was also immediately able to check how the fabric falls, if it needed to be on the bias or not, etc. I ended up doing everything on straight grain which is technically not 100% correct as the front piece needs to be on a slight bias but it seems to work for this piece so let’s hope the fabric doesn’t wrinkle! I’ll also be adding boning so I’m hoping that’ll additionally keep it all straight and even in the front.
Once the mockup was completed, I went on the search for the right fabrics and got these (the skirt fabric, the buttons and the tape I ordered online and they've yet to arrive!):
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The black base fabric and the blue one are cotton, as will be the skirt. The details are satin! I spent a long time at the fabric store trying to think of the best way to do this and it does look like the details on Lestat's outfit are maybe velvet, but I was afraid it would look a little too costume-y and cheap, so I ended up going with satin in the end.
I pinned the fabric mock-up onto the lining fabric (just a white Ikea bedsheet), added 1,5cm seam allowances where needed cut out the lining first, then placed the lining onto the black base fabric and cut that out as well.
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I needed to lay the pieces down this way because I bought 2,5 meters, and I'll need 2m for the outer skirt alone so there's not a lot of space left, as I'll also have to cut out the sleeves from that fabric. I then sewed everything together.
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And then I noticed I'd made a mistake - the lining for the front panel was supposed to be blue. Welp, now it's white, and I also realized I didn't have enough blue fabric to do the collar AND the lining, so I went for a fake lining for which I cut out two blue triangles to be slightly bigger than the lapel
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and stitched them to the lining layer so the seams wouldn't be visible on the black outer layer. This was the result:
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Pretty happy with it! Next up, even though I don't have the beige tape yet, I decided to cut out the color panels in the front and already pin them down. After some trial and error, I decided to go for 15x4,5cm triangles and calculated the size needed for the shorter ones (9x7,5cm), cut them out of the satin (which, let me tell you, was so finicky it ended up being the most difficult part of it all) laid them down and fastened with pins.
This is what I have so far:
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Looking at it in the picture, I'm worried that the color panels take up too much space in the front. It looks like that in the original picture, but in my sketch I made everything a little narrower. But I was also scared of pulling on it too much because the panels are just pinned to the fabric. Some parts are sticking out over the black base layer which maybe also makes it look wider than it really is, I'll cut it to shape once I have the tape and have a better visual understanding of what it's going to look like.
Next up will be the collar/yoke and the dreaded sleeves and possibly the boning. I should do the boning before I attach the beige tape. I am realizing as I’m writing this that I should’ve done the boning before pinning down the colored panels as they’re supposed to cover it. Oh well. It’s fine. Either way, I think it already looks super cool and I can't wait to see the finished product!
Part 2 | Part 3 | Part 4|
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antimony-medusa · 1 year ago
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Okay this is 100% discourse, so maybe avert your eyes if you don't want to see me wail at the heavens, but for a fandom so anxious about boundaries, we haven't actually been very good in practice at respecting the actual stated boundaries the streamers put down, and I think it shows what we're actually policing, which is not things to make the streamers comfortable, it's stuff to make us comfortable.
This ranges from inventing new boundaries for people (you can't use neopronouns for ranboo, their pronouns are he/they; there's no boundaries on dark content for streamers so obviously we have to invent and enforce dark sbi rules ourselves) and then harassing people based on those boundaries that we just made up, to ignoring the actual things that the streamers said if we don't agree with them (cc!dream said he was uncomfortable with gore art back during the revolutionary war/exile but he's a villain, right, so we can just do whatever we want with the character, right?) and just doing whatever we want.
This is a recurring problem, with people violently policing boundaries that the fandom has all agreed on, to the point of doxxing and harassment and death threats, and ignoring boundaries that they have decided "don't make sense".
Like here's the example I put in the tags earlier, which is Technoblade related. Everyone knows that family dynamic is great and shipping is a no-go, right? But if you actually go looking for the clips, (or listen to streams in the background recursively while you're doing other things), you'll find that what Technoblade said about shipping was that it was "kinda cringe" (I think the list of things he said was cringe included reading percy jackson books and talking like you're better at video games than you actually are), and he was MUCH stronger in saying that he didn't like family dynamic in canon, saying that he didn't like it, that it was non-canon, and he'd never betray his family like that.
But if you look at the entire "found family" tag on Ao3, 19,860 stories, Technoblade is tagged into 29% of them. That's 5,760 fics just blowing right past what Technoblade said. Boom. Taking that character from his political anarchist setting and setting him right down in a royalty au w. younger siblings.
Because obviously a family dynamic isn't actually going to hurt someone's feelings or make them feel weird, the fandom has agreed, so what he must mean was that saying that family dynamic was actual literal canon is the only bad thing (I have been clotheslined by family dynamic written into stuff tagged as "canon compliant" multiple times as well,) and we can continue with the fun family stuff, right? Because someone saying they don't like family dynamic doesn't make Sense, in the way that I like it, the fandom has agreed, so we can just ignore that clip. Honestly I think that a ton of people have no idea that Technoblade ever said anything negative about family dynamic, because that clip is never brought out or talked about. I literally only know about it because I've watched that stream.
Meanwhile, the much less firmly stated boundary when it comes to shipping is absolutely doubled down on and brought out to justify mobbing people off the internet, because everyone already knows that shipping is bad and terrible and tainted and horrible to do and we don't like it, so even the slightest indication that it's out has to be grabbed and used to police people. So that everyone can be very to sure themselves that what they're doing is not weird, and the streamers are okay with it, and if I showed them my fic they'd say they liked it.
They're not going to give the Ok to your fic, because the fic isn't FOR them, and it shouldn't be. It's for the other weird fans who can't stop thinking about the block men characters, it's not for the actors. The actors have their own lives, leave them alone.
To be clear, I am not saying that we should stop writing family dynamic to respect Technoblade's feelings. Among other things, I don't think he's checking his character tag on Ao3 right now. But like, I've talked before about the way that boundaries culture ends up working in practice, and how constantly bringing problems up to streamers just ends up showing them all the things that are the most weird to the streamer. You only have to look at what most of Benchtrio has done in terms of boundaries, which has been transitioning from very explict boundaries with details on everything to just saying "just use your manners," stopping answering questions, and telling people to actually think about what they're showing the streamer instead of expecting someone to weigh in on it for them.
But even when it comes to the boundaries that we do have, that we know about, the way people enforce them seems to be less about actually respecting what the creators like, and more about making sure we're morally pure and never have to see something that we personally don't like, and we don't happen to have any of that nasty boys kissing content in our work, because we all know that's terrible. (And as someone who's seen crackdowns on LGBTQIA content several times, that certainly has unfortunate overtones.)
As long as it's all kept away from the creators, I really think that fluffy cuddly family dynamic and kissing fic and hardcore whump all falls into the category of "not for the creators, they might find that one weird, but you do you". Like keep it away from the streamers, use your brain, but like, it's all a bit weird and for fun. Let it be weird and for fun in a secluded part of the internet, keep it away from the streamers, tag your shit for people who don't want to see it, and go to town.
So just like, I really think that "creator boundaries" should be more about using your brain as to what you show the streamer, and less about harassing someone off the internet cause they drew kissing art.
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wisyhana · 23 days ago
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I've been doing a lot of thinking lately
These past months have been, I don't want to say, rough, but I had to confront too many issues I have to deal with constantly. Some of those issues have to do with social media and fandoms.
Attention has become one of the most delicious traps. Being more known and people wanting to talk to me—all of that is amazing, and I appreciate it to no end—but I noticed that I'm not made for that. It's not that I don't like people; I unconsciously make it a big deal when it's just a simple interaction. It takes a big bite of me, and I start getting concerned about those around me. I can't stop thinking about how to fix things and take control over stuff I have no clue or power over.
Interactions in fandoms are some of the weirdest to me. I don't enjoy how people think, all those anti-pro shipping, all those odd names and tags, caring too much about what others will think of my opinion, and how people get so personal about ANYTHING. I'm not made for that. I don't want to care for these things, and the more I interact with the fandoms, the more I get influenced by them. And it makes me anxious, extremely anxious.
I have to stop myself.
The attention from others is excellent, but I keep ignoring my only and most important fan: me.
I need to feel fulfilled and complete with my own contempt. I can't keep looking for someone else to need me.
For that, I'll make some decisions, and that is starting to take a step back. I'll only show up on social media to share my art and recent works. I'll have to stop some interactions for my own sake, so notifications will be turned off.
I don't want to act like I'll disappear or not care for people anymore. That's my big issue, I care way too much. And it pains me; it makes me feel guilty that I'll practically ignore some people just because I need my space.
But I'm tired of running to people and asking if they need my help. I don't need to be needed; I need to heal.
This is not a goodbye post; it's simply the artist in me who wants to keep enjoying art and working for others while I enjoy my life as the person I am. Social media is my workplace, so I have to find a place where I can be a simple person.
So, if you ever want to talk to me, to the Wisydora who loves Yugi and Gandora, I'll be on Discord. My replies might take some time and take me forever, but please remember it's nothing against you; I'm simply healing.
And if I owe you something, PLEASE LET ME KNOW. My memory has been awful, and I keep forgetting important stuff.
Love y'all, I always do!
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sherryfortheoldlady · 1 year ago
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I don't think I've ever loved a fandom more than I've loved this one.
I've been in quite a few fandoms, and they all, in one way or another, had a negative emotional impact on me, until I got into the Good Omens fandom.
Being in this fandom is like being in a safe and cozy bubble, where no harm can get to you, and you feel secure and happy and reassured that the bubble will never pop, and you feel like everything is okay, you're okay, you're happy, you belong.
I love so many things about this fandom. I love how everyone is always nice and respectful towards other fans and actors and writers and just everyone. I love how almost every fan has a different theory/headcanon for a certain thing, yet they're so accepting and encouraging of other peoples' headcanons and loving of it even if it's completely different from the one they have.
I love how a Good Omens fan is the #1 supporter of another Good Omens fan, and yet they're also their #1 enemy.
I love how everyone always says that Good Omens fans have one goal in life and that is to make other Good Omens fans miserable, and yet everyone knows it's just a joke and they actually love every single bit of art and writing and poetry and eat that angst up happily because it's somehow the most beautiful thing ever.
I love how Neil Gaiman takes time to answer our questions and never makes us feel silly for asking them. Moreover, I love how he doesn't always make everything canon, even when fans ask if something is canon or not, and leaves space for our imagination to make theories and headcanons and enjoy setting endless possibilities.
I love how both him and Michael Sheen interact with fans online. I love how Michael replies to pieces of fanwork and fans' stories and tweets and how he's always so supportive and enthusiastic about it all.
I love how Michael and David (mostly Michael) jump at every opportunity to talk about how Aziraphale and Crowley are in love, how much they mean to each other, how much they care, how they're the Yin to each others' Yang.
I love how Michael, David, and Neil are always so so so nice when interacting with fans (both online and irl) and how they always make us feel appreciated and loved. I love how they 100% support all fanwork and fan fictions and never spoke horribly about people who make them but instead encouraged them because it just shows how much people love the show and how much it actually means to them.
This fandom is the one place where I've felt safe to share my thoughts online without the fear of being attacked by other people for having different views than them, and I was anxious with my first post, but now I'm always excited to post something or just see what's new, knowing that I've found a place where I won't be criticised or judged for what I enjoy. A place I feel safe.
I genuinely love this fandom and everyone involved in it so so much. Please never change you all are amazing<3
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bamboobooshark · 1 month ago
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BUCKY BARNES X READER
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“It’s been a long time.” || 870 Words || P.G. 13 Rating (For Language) || Fandom: Marvel (Avengers)
Author’s Note : I know I’m so behind on fictober, but I finally have a day to mostly sit back and write a little. I can’t promise I’ll be able to keep up with all the prompts however there will be a free week I have to write! Like my first angst piece, this won’t be as perfect or sad as some may expect. Let’s just hope I do better as I get more experience!
CONTENT WARNINGS: Lack of personal care, educational struggles, sleep deprivation, altered timeline, able bodied Reader, crying, momentary profanity, denial, non-verbal Bucky, somewhat beta read.
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College has been a pain in the ass lately. Each class has you in complete shambles. It’s been an endless cycle of lecture, take notes, study, and fail. You don’t know what you’re doing wrong; you don’t know what you’re missing. You’re trying your absolute hardest to keep your grades where they need to be. You’ve been saving and paying and working endlessly to get where you are now. It’s not the time to give up. Even if your clock reads one forty-two, you have to keep pushing.
Right now you’re working through a study guide for calculas that you made with a few of your classmates. The numbers, letters, and symbols are all smudging together. You can’t tell if you don’t have the mental capacity to comprehend what’s on your laptop screen or if your eyes are going blurry from the lack of taking care of your needs. You choose the latter because you think you hear a knock at your door. Unless you’re hallucinating or have a stalker, there’s no way someone is at your door this late at night. To reassure yourself that nothing’s wrong right now, you tilt your laptop screen down and quietly make your way to your door. You cautiously look through the peephole and have to do a double take.
No fucking way.
Is Bucky at your door right now? How did he find you? How does he know you live here? Did he assume you were awake, or had he been watching you? Thousands of anxious questions raced through your head. You took a minute to stare at him a little longer. It didn’t take you too long to realize his eyes were red and watery, so you immediately opened the door. He stood there—still, but still as gracious as he had been. His eyes were piercing through yours as if he knew you’d been standing there. You smiled softly to prompt a greeting from him. He was silent. His stillness, his silence, and his lack of emotion were unsettling. Last time you’d seen him, he was in the same state he was right now: crying with red eyes. The only difference was his screaming and fighting to get to you. Neither of you could process the fact that the other was physically here. “Bucky,” you said dryly. Not as a greeting nor a question. The two of you continued to share a gaze for a while. You mentally begged that he would say something, but he didn’t. You didn’t have the courage nor energy to start verbally pleading to him to speak, but that’s what was necessary. “Bucky. Why are you crying?” you asked gently before reaching out and rubbing his bicep up and down. He started to let his tears break from his eyes. His throat released silent chokes and sobs all from one question. You weren’t going to tell him that everything is okay and that he didn’t have to worry about anything because you knew damn well something was up.
You urged him into your living space, tightly locking the door behind the two of you. The second you led him to the couch, he slumped against it pitifully. You looked at him with my most worried expression ever. He grabbed and pawed at your arms desperately. “Talk to me, Bucky. Hell, show me. I don’t care. Please just help me understand,” you said softly while holding him close to your chest. He continued to hiccup and sob in your arms as he attempted to show you what he wanted or needed. He pulled away from your chest and placed a metal hand over your heart. There wasn’t space in your heart to try and pry him more about what happened; you instead attempted to guess what he needed. “You want to listen to me breathe? My heartbeat? Your chest hurts?” you guessed as you shifted. You laid your lower back against the armrest of your couch, and Bucky slung his legs up so his feet hung over the other end. Without a word, he quickly latched his arms around your waist and pressed his ear to your heart. “That’s it,” you cooed in hopes he was being soothed. Despite holding back tears of your own, you tried your best to breathe steadily to not disturb the man on top of you. His heavy tears left soft, wet stains in the fabric of your shirt, but you could care less about the cleanliness of your shirt.
He continued to cling to you for so long that the two of you had fallen asleep together, and when you woke up, he was still holding you just as tightly. His soft blue eyes looked up at you as he pressed a gentle kiss to your abdomen. “I’m sorry if this was too much,” he began to apologize. “It’s been a long time since I saw you. My first thought was to come find you,” he confessed, though you were confused by what he meant. “I have so much to explain,” he sighed in time with you before you ruffled his hair. “Don’t worry about it, Bucky. I’ll be here to listen,” you reassured him, shifting to kiss his forehead.
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bronx-bomber87 · 2 months ago
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Happy Wednesday my lovely readers :) We’ve reached the episode that rocked me to my very core. Honestly haven’t been this attached to a ship in a very very long time. Years passed without this level of attachment. Bringing out sides of me I didn't think existed. Like doing reviews. But our ship is something special even when they rip our hearts out. I blame Eric and Melissa LOL They are INCREDIBLE in this episode. The both of them. Brought their A game and then some.
This ep legit affected my mood for 3 weeks no joke and utterly destroyed me. I needed extra days to decompress before did my mini. The fandom was so lovely about that too. Love this fandom so much. I still don't know how I got that out tbh lol Also God Bless my bestie D for going through that with me. I got to watch it early that day which normally didn’t get to. Was usually after work. I remember D wanted to stop me but didn’t cause she couldn’t tell me why..
I had to go to a company meeting after and pretend I wasn’t devastated. Be a positive fun leader when inside I was dying. I did a good job my team had no idea lol But damn that was tough. Never been happier for a 3 week break than after this one. We all needed it. Let us begin. And thank you all again for going through this heartbreak with me. Gif count was rough for me so I fit in everything I could and made a ton.
6x06 Secrets and Lies
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We start out with Lucy looking as stressed and anxious as we’ve ever seen her. Laying in bed but most definitely is not resting. The brutal toll this situation has taken becoming visible. When Tamara asks how stressed she is from 1-10? Lucy answering 19….Ooof....Could not be more relatable if she tried. When I get this laser focused I too am a nineteen. Her person has been radio silent for days. Her last contact with him was a massive knock out drag out fight.
This is the most time they’ve spent apart since they got together. Like I stated last review other than 6x01 they've scarcely been away from one another. Her UC mission in 5x21 yes but doesn’t really count. They talked every single day. So it’s truly the longest they’ve been apart. No wonder she is at a 19. Poor Lucy. Kills me. Such a wreck without him. Tamara asks if Tim is still ghosting her? Lucy tries to defend their situation. Not well but she sure tries lol
Lucy is barely keeping it together and it shows. I love that we get a shot of her pin-up board from that BTS video. The cupcake poster hehe Hopefully that makes a triumphant return in s7. Tamara doesn’t want to add to her stress... But let's her know she wants to move out. With friends from school. Worst timing ever. It makes sense but the timing is horrendous. Lucy takes so many hits this season. It’s almost worse the second time around somehow.
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This time Lucy goes to an actual adult about Tim. Not useless Nolan who was painfully inept for her. Couldn’t fit it in but we see her touch her tattoo when she approaches Angela. *heart clutch* I love Melissa for doing it every time though. So subtle yet impactful. Nice little mini gut punch to start the scene. This was the right call though. If anyone knows Tim like her it’s Angela. Lucy asking if she should alert Grey? Honestly she should've but here we are. That would've been a whole other set of problems though...
Lucy feels like she’s going insane so Angela validating her helps. (at first) You know she finds this behavior of his incredibly alarming. We can see the immediate worry painted across her face. That’s her brother. She loves that man like he’s one. What sucks is that, even though Angela is empathetic, she doesn’t fulfill the needs that Lucy is going for. Which is reassurance and 'Hey let’s do this together.' A united front. Hoping since he is acting off Angela's reply would be 'Let's find out why as a team.' She is protecting her but Lucy is in a heightened emotional state and doesn't see that. Only see's being shut out further from Tim.
Angela plays her cards very close to her chest. Like a good detective would. Sadly Lucy wanted more solace than just ‘Trust him.’ That’s all she’s been doing for days. Poor woman is going out of her damn mind with worry. Even tells Angela as such. The reply she gets back not what she wanted… She wanted her detective gut and friendship. Unfortunately she just gets the former. That short lived validation she got earlier dying off quickly. Lucy is so damn upset when she takes off from the convo. Knowing if she sticks around she’s going to cry on shift. My damn heart. Melissa be killing me. Holy hell.
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Angela scaring the crap out of Tim is hilarious. Serves him right tbh. This episode had me so upset and twisted, I couldn’t even enjoy scruffy Tim in a leather jacket. You know something is wrong when I can’t gawk over this man. Angela has zero trouble finding him. Because well it’s her. This is why Lucy enlisted her. She needed the best to help her. Such best friend behavior from the minute she enters his car.
Drinking his soda, calling him out, and asking WTF is going on? I adore her brazen bravery. This is why we love Angela Lopez. Willing to get herself fired for him. That she can take the hit not Lucy. I mean she’s not wrong….Angela could easily live off Wes. She would hate it but she could. It's a more viable option. Says it can be ‘Wine o’clock for her.’ LOL I always enjoy them. More of them in s7 please writers.
Tim doesn’t argue with her reasoning. Starts to explain the whole Ray debacle. Why he can’t just let him go. What he has on him. That he needs to catch him in a new crime. So he has reason to actually arrest him. Once Tim fully explains Angela just replies. ‘I’m in.’ Tim is shocked because of course he is ha Even though she is his best friend he can't believe has his back like this. Oh my broken boy. He double checks and asks if she’s sure? Her reply being the absolute best. ‘Yeah. I got your back boo.’ Hehe Lucky she’s your best friend my love.
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We rejoin our bestie duo at the docks. Scoping out Ray on whatever back door deals he’s doing. She is studying Tim hard in this scene. It’s the best. Angela tries to impart some logic to Tim. Saying he’s followed Ray for two days and nothing. Asking how long he’s going to do this? Tim replying the most Tim Bradford reply. ‘As long as it takes.’ Angela is on her game today and doesn’t let him get away with it. Saying he’s just going to walk away from his job? From his relationship with Lucy? All to arrest a guy he hasn’t thought about in over a decade?
Something isn’t adding up for her and she is letting him know it. Angela gives her patented look. Knowing it’s something more. There’s a reason she’s such a good detective. Woman knows how to get to the root of things. Tim has only given her surface info at this point. Definitely not enough to justify this crusade he’s currently on. Let’s him know Lucy would understand why he lied on the report. She would even commend him for it really. We know she would. She love his soft heart so much. Tim agrees and says she would still get in trouble for knowing and not reporting him to IA.
A risk she would gladly take if you’d let her Timothy… It’s here Angela digs a little deeper. He gets a second stare. Tim finding it aggravating and telling her as such. Angela let's her next truth bomb drop. Saying he’s doing it to protect himself as much as her. That there’s something he’s not admitting. Mic drop. Nailed it and Tim knows it but won’t entertain it further. Has him dead to rights and he knows it. We then get the glorious BFF line. Like it or not she is. lmao Has your number just like your girl.
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We return to Angela’s for Tim to break our hearts some more. Theme of this episode. One punch after another. Literally no time to breathe unless you check out during the other SL's. Which I did tbh.... They’re alone so she probes Tim further. Knowing that it has to be so much more than a report. He wouldn't let Ray get under his skin like this if it was that shallow. That he's bearing the weight of something on his soul. Tim gives in and begrudgingly explains what happened. That he had been squad leader most of his tour. That he was looking to move up to Sergeant First Class. Only caveat was he couldn’t have any rampant criminality in his unit.
Ray was in the way of this. Tim decided to keep it within the squad if they caught him themselves. He did an unsanctioned mission… Oh Timothy….He explains how Ray called in an air strike on them. Did this the minute he knew he was trapped. Schmuck would rather take them with him. Such a cowards move. The way Tim describes the air strike. Ugh my heart. His eyes filling up as he depicts how the world imploded around them. Eric is a master of emotion here. So expressive. Looks like he is right back there, with the most haunted look on his face. He thought he was going to die. Being so vulnerable I wanna hug him.
He and Mark were lucky though. The Humvee took the hit for them. But Henderson and Coyle were ripped apart….Ugh and now we see what he’s been bearing. That he led his men to their deaths. Their loyalty and faith in him had cost them their lives. All because Tim was in pursuit of a promotion. For personal glory. Explains why he wouldn't praise himself or take awards pre-Lucy. Or advance his career before her either. He didn’t feel he deserved anything good. Because the last time that was important to him, he got two of his men killed. Imma go cry now.... My poor broken boy. The PTSD is so real.
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Eric continues to rip my heart out. Telling Angela there was so much blood. I can't imagine seeing that. They for sure thought Ray was KIA. No way he survived. It’s the way he catches his breath, tears in his eyes in this next part. I'm so upset for him. The way he points at himself when he says leadership. The failure and shame he feels for what he did. When we found out it would be his military background I was excited. I knew it would be dark though. Whatever this was. But my god. I wasn’t expecting it to be this. But makes perfect sense why he’s kept it from Lucy. He can’t bring himself to forgive what he did. How could he expect Lucy to? To still look at him like he’s the same man she fell in love with?
The deep rooted shame is evident in this scene. This is quite the weight to keep on your soul. One I’m sure he’s never told anyone. Not even Isabel about I bet. My guess is he buried it once he was state side. Like most do with trauma. Hoping it would never resurface. Sadly not how trauma goes... The way he tells the story it’s for the first time. You can tell. He’s right back there re-living it all. This scene gives us so much insight to Tim as a person. Why he is the way he is as a cop. As a person. It explains why he lost his damn mind in 2x01 over Lucy falsifying the report. Probably brought him right back there.
This is a very revealing scene. It makes sense why he shoulders things alone. It’s punishment for what he did. Doesn’t think anyone could love him enough to shoulder it with him. That breaks my damn heart. This ep makes me so emotional. *sad sigh* Nothing scarier than the person you love seeing you at your worst. With his background of abuse, it makes sense why he’s hidden this from Lucy. He doesn’t feel worthy of the comfort she would bring him. Only shame that he made a mistake. Tim is very self loathing and this is why. Coupled with his childhood it makes so much sense why he is the way he is…This one is emotionally heavy af. All his unchecked trauma barreling through like a bullet train in this ep.
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Lucy arrives home and Tamara is there to take care of her. Saying she ordered pizza. I love this. She needed this. Lucy leaves the room to drop off her stuff. We hear a knock at the door and it’s Ray.... Earlier he scanned Tim’s vehicle and got Lucy’s address. Which made me sick to my stomach. I knew him grabbing it was going to end this way. Best way to get to Tim is through his heart. When Tamara opened the door and it was him..The hairs at the back of my neck stood up. Tamara calls out for Lucy. She emerges and goes into protect mode right away. Eyes on Tamara first but also hating her gun is locked up.
Heart was in my damn throat the entire time. Lucy handles herself like the bad ass we’ve all come to know and love. Commend her for keeping herself composed when she was terrified. I also adore her not putting up with any of his scare tactic BS. Her line about the only call she’s gonna make is for the ambulance. Like hot damn Lucy. Way to protect Tamara and yourself. It's true she could take his scrawny ass easily. I long to be the confident BAMF she is.
Doesn't hurt she’s still got the rage burning from being in the dark. So not only is her life being threatened now Tamara's is. This is Lucy's FINAL straw. It’s now bled over in the worst way. Not only that but she still has no idea what’s going on. We can see that mama bear come out loud and proud. It’s one thing for her to be involved it’s a whole other thing with Tamara dragged in. This is what pushes her to reach out To Tim. To cut his crap. Whatever this is has now endangered an innocent life. One she loves fiercely and will die to protect.
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Lucy RAGE calls Tim and unleashes hell. As she should… Demanding to know where his ass is. Tim knowing he can’t hold her back any longer. So he lets her know. I mean Lucy is million percent done with this crap now. With his behavior, him cutting her out, all of it. So very very done. Rightfully so. I do love him answering ‘Hey, what’s wrong?’ Knowing she wouldn’t be calling unless something was. He for sure would’ve dropped it all to go to her.
But she was way too pissed to see that fact. She shows up like a bat out of hell. Biting his head off immediately saying 'Does she look ok?' No….she does not. Forever love Angela escorting Tamara out of the room. Mom and dad about to have it out so let's go. The concern all over his face kills me though. This was the last thing he wanted to happen. The very thing he was striving for by shutting her out backfired horribly. Not only did he endanger her but Tamara too.
It was Lucy’s final straw and she is showing it. These were the types of fights that are needed though. As much as this hurts she is fighting him to save them. Because he is worth the bother and effort. Just like he stated in 5x08. Asking why her and Chris never fight?They’re fighting against each other to protect one another it kills me. Also you know your ship has chemistry when even their fights are lightning in a bottle goodness. Just as amazing as their happy stuff. I can't speak enough to their fantastic on-screen chemistry. Even though this fight is fiery and hurts to watch it's hurts so good to watch them hash it out.
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Tim explains who Ray is and Lucy don’t give a single fuck. It’s not who he is that has her raging. It’s him cutting her out that is. I love the movements Melissa does in this scene. I know she had an interview about her being mad. Thinking she was awkward. It wasn't at all. Was so real. I think she nailed it. Her body language is on point. How she stamps her foot. Shouting how who Ray is doesn’t explain why he iced her out. At all. She is VIBRATING with anger. Yelling at Tim to stop protecting her. Which he won't. That is like asking him to stop breathing tbh. He would rather die than not protect her. Ugh his reply of ‘ I can’t. I won’t.’ They’re at odds with the deepest part of their souls. Of who they are.
Tim will never stop protecting her. Just as she will never stop trying to help him. Been in her DNA from the jump. For him to not let her is just as painful as Tim not protecting her. *sigh* This is where their intense need to protect each other backfires so badly. Sounds romantic and sometimes it is. But in these type of moments, it shows the cracks in their already fractured communication. It real though. Communicating is HARD. Especially when you both come from abusive homes where that wasn't taught. If you aren't taught healthy communication you're just not going to do it. Simple as that. It's like a muscle that never gets used. Then when it does it feels so unnatural and painful.
These two are going to be the death of me. Hell they already have been. They have so much to work on in s7. It’s insane. I'm excited for it though. Lucy then brings up how Lopez was read in but not her. She is HIS PERSON. If anyone should be read in it’s her. Consequences be damned. Yeah Angela does have less to lose but that is NOT the point. Tim is clearly not getting that fact. I adore Lucy grabbing his hands during the end of the scene. Mirroring back she 'Can’t and won’t' not help him. Telling him she is over being to good girlfriend. He’s going to let her in NOW. Oooh lord. You Tell 'em Luce.
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Their OP to foil Ray goes off without a hitch. Tim tells him it’s over. That there isn’t an air stroke to save him this time. Ray tells Tim ‘I am the air strike. I’m about to blow up your whole life.’ *grumble* It’s so true on many many levels. Watching Tim be so stoic in his IA investigation kills me. Wish could've fit this in. Eric be out here again making me emotional af two eps in a row. You can see the tears in his eyes but the rest of him is controlled. That military background of his coming in clutch.
it pains me to watch him lie and have it destroy him. I remember I saw people saying how could he lie? That’s not like him. Um no. This is very like Tim. Not to lie but to protect those he loves. If lying protects Lucy and Lopez that’s what he’s going to do. He has a history of being a little gray for those he loves. Isabel is a good example of that. All that went down with Detective Murphy was similar to this. ‘Some things matter more.’ Once again rings true with him. Tim is believed over Ray. Because even if Tim doesn’t want to believe this he is the better man.
Better reputation and Percy closes the investigation. Have missed him. But whoever he’s around it’s not good. Love the actor though. What happens after is rough to say the least. Never seen Grey as disappointed in Tim as he is here. Reprimanding him and having to report him to Pine SUCKS. R.I.P. Metro Tim. I loved you so…It’s killing Tim to have Grey look at him this way. Deeply respects him and to be scolded by him cuts him. Just dismisses Tim without further comment or fight….
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God almighty the song playing in the background. I don’t even remember it. I only watched this scene once. I think I blacked out a lot in this moment. The immense shock rocked my system. Suffice to say it’s beautiful. The piano, the haunting oohs and lyrics are the perfect backdrop to this devastating scene. I felt this building anxiety watching this scene. Waiting for the hammer to drop. When she pulled him into her arms *phew* It was first breath I had taken in nearly two episodes. These eps had me on the razor's edge of sanity. I love her waiting outside for him and instantly pulling him into her arms. Just like Tim did for her in 5x22. I'm fine.....Imma cry as I write this. Horse heaven playing in my ears right now. Adding to my emotional state. These two getting me all weepy.
I’ll be honest I thought if a break up was coming, it was coming from Lucy the first time. Which is why this devastated me like it did. Having the full season in hand now. Makes total sense it’s Tim. At the time I thought would be her. But that wouldn’t be like Lucy at all. After everything he put her through. The secrets, the lies and shutting her out. She had every damn right. But she loves this man unconditionally. So unconditionally. Everything Lucy does in this scene is a reflection of that unconditional love. There to pick up his broken pieces despite all of that went down. Look at her in those gifs above.
Especially that second one. First time she took a breath too. So grateful to be here for him in this moment. I truly thought ‘Oh. Maybe we’re ok... She’s hugging him.’ Encasing him in her arms. Trying to absorb all of his hurt. Supporting him the way he sought out days previous. Gently cradling him against her. It's the tender way she nestled her fingers at the back of his head that gets me. Tapping into some ship crack for me there. *phew* Honestly thought with her being there for him they would make it out unscathed. I truly did. The chemistry from this hug is unreal btw. Tim doesn’t feel worthy in the least. The way he slumps against her. Doesn’t really hug her back like normal. Can't see Lucy is so willing to absorb his hurt and pain. To love him through this. This hug is beautifully tragic.
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Lucy releases him and he looks as broken as I’ve ever seen him. 4x09 x 1000 tbh. He shirks away from her. Hands in his pocket. So disgusted and ashamed with himself. Something l've learned in Pilates is posture and the importance of it. When you stand tall and at full height. You are confident and sure of yourself. When you are slumped it presents a lack of confidence, shame, and feeling unworthy. His posture is screaming that. Like he feels he shouldn’t even be in her presence right now. He crushes me with how he says he lied about everything.
Then sarcastically almost sardonically follows it up with ‘But hey it saved my job….’ The amount of disdain in his voice is gut wrenching. The whole reason he was in this Ray mess was to further himself. To keep his career intact. He saw a promotion and went for it at all costs. What he just did lying to IA was to be that same man again. (In his mind) To put his career first over what’s right. Risked people's lives again as well. People he loves. Sickens him ten years later he’s doing the same thing all over again. Even though it's so different this time. There is still nobility in it with saving Lucy and Lopez. But this man can't see that right now. Doesn't see any good in this situation or himself.
Lucy does her best to sympathize. Telling him it was an impossible situation. If it had been her she would’ve done the same thing. Thing is if it had been for Tim yes she would’ve without question. But he can’t see the forest for the trees atm. He is drowning absolutely drowning in his self-loathing. Tim continues on with the painful self flogging. Telling her she would’ve never been in his position. Putting her on a pedestal while he makes himself very very small. That OTP line from 6x03 from him 'You could never disappoint me.' That is true. The problem is he doesn't realize he could never disappoint her either. Tragically Tim doesn't view it that way. Only sees he's not worthy.
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Lucy once again tries to pick up his pieces. Telling him he thought he could handle it. He was wrong but made it right. It’s like she can sense him pulling away in this moment. Doing her best to calm his fears about himself. Trying to do what she’s always done in years past best. Build him up. Soothe him. Sadly she isn’t gaining an inch of ground with him. He is stuck in how he feels and there is no budging him. Tim is morose saying he wishes it was that easy….We can see the incredible amount hurt on his face. Telling her he just lied to two men he deeply respects. He is coming undone rapidly and Lucy can see it. I adore her putting her hands on him. Trying to right his ship.
Ground him to her in this moment. Because once again it's something she’s done so well in the past. Tim is spiraling so hard he can’t see her gesture for what it is. Tells her he just betrayed everything he thought was right about himself. *heart clutch* Lucy can’t stand him talking down about himself. Tries to interrupt but Tim won’t allow it. Lucy graciously nods and lets him get it out. Especially when he tells her how hard this is for him. She is so wonderfully understanding it makes my heart ache. Tim feels like he is a bad guy. Thought he had gotten past this and was sucked back in so easily. Truly believed he had become a better person since then. (He has) Ray was right he was gonna blow up his entire life.
He just exposed Tim for the fraud he already felt he was. Bringing his greatest sin to light. Bringing up feelings of not being deserving. Of inadequacy. His abuse background pulling into the station and not leaving. Tim is back to a place of massive self loathing. Saying he has been lying to himself for years. Thinking he’s gotten better when he hasn’t. To him he reverted back to the man he thought he left behind. Not only that he put his person. The woman he loves at risk to cover up his past. To cover up his shame. It’s hitting him like a freight train of terrible realization. Continuing on to say he can’t go back to the way it was. I was hopeful when he said ‘Right now.’ Then followed it up with maybe never….
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Lucy had been nodding along. Being so wonderfully empathetic and understanding. She was with him till he said that. Then she is hit with her own terrible realization. He’s leaving her. She is losing him. In the same parking lot where he told her to take a risk. Where she expressed her concern over losing him if they did. Worried about losing the most important relationship in her life due that risk. The same spot where he told her 'Unless it is.' A giant stab to our collective shipper hearts.
It's why Lucy is in a state of utter shock. As we all were tbh. She shakily asks him if he’s breaking up with her? When he said I’m sorry. I remember having to pause. Freak out and cry. I recall chanting ‘No no no….’ To myself repeatedly. My dog was very alarmed. Because I was distraught af. I couldn't believe this was really happening. My happy place was being decimated before my eyes.
Look at the range of emotions on Tim's face before he delivers that line though. Eric you why you doing this to me? They blow this scene out the damn water. it's so visceral. and raw. He looks like he's about to have a breakdown before he delivers that line. Battling with himself about it. There's a desperate need to want to stay with her. But his self doubt and hatred wins out knowing he isn't deserving. Do I think he came out thinking he was going to do this? A little. I think the more he spoke about it and himself the decision was made. He wasn't going to be be talked off this ledge.
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The way Lucy replies after this rips my heart out. This break up feels like death by a thousand paper cuts. Months later and this hurts just as much as the first time. Lucy doesn't hold back in the least. Telling Tim he doesn't get to do that. Her line about using it as an excuse is so spot on. This Ray situation has hit VERY close to home for Tim. An insanely sensitive subject for him. It's rubbed against a wound that never really healed properly. Just was buried in the back of his mind.
He doesn’t have the capacity or emotional maturity to handle it. So he ejects out as a coping mechanism. Lucy calls his ass right away for it. It’s so painful to her that he is doing this excuse. Because it feels like a crappy cheat to them. To her. It's truly a cop out and our girl deserves better than this. Especially after all they’ve been through together. All that rapport and trust they’ve built over the years. It’s an insult to who they are as a couple and the relationship they’ve developed. Sadly that all vanishes in this moment. It’s stunning Lucy and straight murdering my feels.
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Her ‘That's not okay.’ is a dagger to my shipper heart. The way she continues to repeat herself cause she's in shock. Ugh.This goes down as one of the most painful breakups I've had to go through. Lucy is so upset he is going this route. Melissa had a great interview (quite a few actually.) About the lie line and using it as an excuse for Tim. She noted Lucy is upset cause how he’s acting isn’t them. That they get to have these conversations. Not only have them but recover and grow from them. It’s what she expecting from him in this moment. It's what she expected from his 5x08 Mantra going into this relationship.
She is telling him I’ve got your back. I’ve got you. What are you doing? What happened to ‘Unless it is?’ Lucy continues to vehemently disagree with him. As she should. The worst part is Tim says ‘I know.’ Like he knows what he’s doing is wrong. Knows to eject after everything isn’t ok. Yet he can’t stop himself. He is not emotionally mature enough to handle this conversation properly. Also too blinded by his own self-hatred to see the unconditional love she is showing for him in this moment. God this is painful.
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Tim then comes in with the breakup line of ‘You’re an incredible person.' Lucy can’t believe this shit . She really can’t. That Tim is is doing this to her. To them. Even though Tim is being genuine with his statement. You can hear it in his voice. Doesn't do anything to soothe the wounds he's causing. Once again Melissa crushing it with the upset body language. The mannerisms are so on point. Maybe it's because I'm Italian and I use my hands when I'm upset. I do exactly what she's doing. Why I appreciate it so much. It's so real.
It's a cop out what he is doing. 'It’s not you it’s me' schtick. We see the anger building in Lucy. She can't even look at him in the second gif. For him to toss away what they have is painful enough. To do it based off a cliched excuse is destroying Lucy. Thinking what they had was worth so much more than this. Thought they worth the nasty fights. No way she knows fully what happened or she would figure out why he's really doing this. That’s what makes the rest of Lucy's replies so god damn tragic. She is trying to hold onto him for dear life. But is only being pushed away in return...
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Tim continues to push forward with this breakup. Letting her know she deserves better than him. It's SO much deeper than that but it's the only way he can convey it right now. Her ‘Oh my god…’ This is her worst nightmare. Her biggest fear come to life. This is why she hesitated starting this relationship. Why she was so afraid of risking her most important relationship. It's unfolding before her eyes and she can’t stop it.
Like a bad dream she can't seem to wake up from. We all wish we could...Tim has never felt worthy of Lucy’s love, light or praise. This reaction just proves that. It's been building for a long time and this is the final result of it. It’s not logical but a trauma brain rarely is. The amount of emotional and physical abuses he endured growing up left it's mark. Has him truly convinced Lucy could never love him knowing what he did. Tim feels he does not deserve her comfort, support or love.
Punishing himself and denying what he need most because he feels unworthy. Thinks he has made a mistake so grave there is no coming back for him. No way she could love him if she knew. So he like Angela stated earlier Tim is protecting himself. Pains me to watch. Now as I've said before it's not to excuse but to explain his side of it. I understand why he's doing it even if it's fucked up.
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He doesn't give Lucy much more than she deserves better. Tells her it's why he's walking away. This man feels so undeserving of the love she has to give. In his mind he thinks he’s doing her a kindness. To separate herself from such a shameful and broken man. That she could do better than him. To Tim he made the biggest sin and can’t live with himself about it. He can't envision a world where Lucy would love him through it. The tragedy is she already was in this scene.
Lucy isn’t hearing any of it. Full on panic spiral that I shared in this moment. Her ‘Don’t do this. Why are you doing this?’ Is the most soul crushing part. She can feel him slipping through her hands. Like sand rushing through her fingertips. She can’t hold onto a grain of him. Can only stand there as he gives up on them. His face in the third gif...Knife to my soul. *screams into a pillow* It's killing him to walk away from her. Eric and his expressive eyes has me bawling. The quiver in his bottom lip as well. Gah it hurts to watch them both in so much pain. It’s the way she pulls away with one hand, but is clutching his other hand for dear life, that really gets me in that last gif.
Asking him once again why are you doing this? I shared that sentiment in this moment.. Tim stands firm in his decision to end them and rip all of our hearts out. Eric had a great quote about how Tim handed this whole thing. ‘He is impulsive and he reacts instead of thinking things through. And it can come out as a bit too strong.’ He feels he is a burden Lucy therefore he is removing himself. Not thinking about the damage it’s going to do to her. The immense regret he’s going to feel when he regulates a bit more.
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Something therapy has taught me is we are ruled by our nervous system. Anxiety, stress, fear etc Tim’s was haywire in this moment. All of them going off at once. Not thinking clearly. Acting out of fight or flight. He took the flight option unfortunately. The tragic way he grabs her head and gives her the saddest head kiss. Shattering all of our hearts in the process. It’s the devastated look on his face when he strokes her hair and takes off. One final gut punch from him. It's like he’s leaving behind his greatest treasure and can’t bear to be around it any longer. Lucy is clutching to him until he departs. *snifffle*
The man actually thinks she is better off without him. Truly believes that. Even if Lucy had succeeded it keeping Tim, this would've reared it’s ugly head again down the road. This breakup ruined my friggin life. I kid you not. They were my happy place. My consistent happy place. And now that was gone. It affected my mental health a little too not gonna lie. I think I was in mourning for three weeks. Honestly I still am. Low key will be till they're fixed. Those three weeks were unbearable. But also needed. Thank you again to my bestie D for being my mourning partner through out that. Kept me sane.
That being said I think this will push them in the best direction. A healthier and stronger one. I truly believe that. I recently broke up with a friend who I had been friends with for ten years. It was very hard on me but time. Boundaries were being pushed and it wasn't healthy anymore. My therapist pointed me to a wonderful book called ‘Goodbyes and good boundaries. ’ While It helped heal my heart it also has really good pieces in it. Stuff made me think of this very ep tbh. Sure that wasn't her goal LOL But my brain is always in a Chenford state of mind in some way or another.
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First one that made me think of them. ‘Health cannot bond to unhealth.’ As much as it wasn’t fair for Lucy. And god it wasn’t after everything else this season. Tim was in such a radioactive state staying with her wouldn’t have worked anyway. He was radiating turmoil. Lucy can do a lot for him but not this. He NEEDED therapy so much. There are things you learn in there that only your therapist can help you with. He was unhealth and Lucy was trying to keep her empathetic healthy self to him. It was never going to work. Not unless Tim put in some work. Which he couldn't at this point in time.
“Relationship often die not because of conversations never had but rather conversations needed but never had.” Another good one made me think of them. Tim was not ready in the least for the adult conversation required of him in this moment. Or their entire relationship really. They both danced around the issues a lot. 6x02 closest we got. Even then it was one sided. Thus them dying in this moment. Despite Lucy’s damndest to keep them afloat. Remind him of what they’re fighting for. Of why they started this. This breakup was painful af. Despite how this wrecked my world it’s going to be good for them in the long run.
I will say Lucy in that last gif was all of us in that moment. It was a soul crushing moment that decimated this fandom. Still blows my mind Melissa and Eric were surprised just how insanely devastated we were. Why they did those lovely posts during the three weeks. To thank us and to hold on. Growth is coming. They’re going to be even better after this. Doesn’t mean this didn’t hurt like a SOB and won’t long after they reunite. Curse you Eric and Melissa. You are incredible to evoke such emotions out of us all.
Thank you for going through this with me again. It wasn’t easy but they always worth it. Appreciate any and all comments, likes or reblogs I get. I shall see you all in 6x07 :)
Side notes non chenford
Balian doing the creepy bed thing again. Just have to note that.
Also can’t believe they didn’t end the ep with their breakup. There is a whole minute or so of I don’t give a shit after that scene. I was so distraught they could’ve had Nolan walk into a wall and I wouldn't have noticed.
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waddles-ex-machina · 15 days ago
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Hiiii! So, I just started interacting with the fandom I realized there's a lot of Johanna x Kaisa shippers (Sketchbook is the name ship?), and I wanted to know what's the appeal of the ship cus it never occurred to me to ship them lmao
Anyway, all in good faith! Thank you if you answer it, but it's fine if you don't!
Hello! Welcome to the fandom!
That’s a totally fair question, I’ve been a sketchbook shipper for years so to be honest shipping them is just second nature to me now, but let me uhhh try and remember some of my (and the rest of the fandom’s) reasoning. gonna put this under a cut bc it got kind of long I’m sorry 😭
Soo my favourite reason and the thing I never shut up about is that Johanna and Kaisa fulfill VASTLY different roles in Hilda’s life and in the show itself - Johanna is coded to be this very safe stable character for Hilda who isn't all that into her adventures (I know she breaks out of this image later in the show, but it’s still a big part of her character. like. for the most part she just wants some peace at home with a cup of tea please) and Kaisa is there specifically to enable Hilda’s adventures and point her at the dangerous thing. and character dynamic-wise, this is just. very funny. POV you’re a single mother just trying to see her child to the next birthday and the weird lady at the library keeps giving her books that can raise the dead. they’re at such odds by design that it sets up a ton of potential for how they could start off on the wrong foot (enemies to lovers babeyy) or have to try and meet each-other in the middle. and they’re both involved enough in Hilda’s life that it really feels like only a matter of time til they get thrown together by one of Hilda’s shenanigans
also, design and personality-wise they have an “opposites attract” kind of vibe I think? for instance Johanna is outwardly very friendly and a bit of a people-pleaser, but takes absolutely no shit when Hilda is in danger, and Kaisa puts up this dark mysterious persona, but deep down is quite insecure and anxious (and also more caring than she lets on - you can tell she’s also got a bit of a soft spot for Hilda when the kid isn’t actively trying to steal swords) so it’s fun to imagine how Johanna and Kaisa’s personalities could play off each-other when they have such different outward appearances but are more similar deep-down.
Theres also some fun angst reasons off the top of my head:
Johanna has had absolutely nothing but bad experiences with magic and Kaisa is an actual witch, and is partially responsible for some of those experiences (tide mice, etc). you can spin like 1 million scenarios out of this and people already have and it's great bdhsgdjh
Johanna has spent most of her life being abandoned by the people she trusts (her parents, Anders) and Kaisa has been shown to (unwillingly) shut people out and withdraw for fear of not being good enough. You could read them as both having difficulty trusting and maybe being able to help eachother through their insecurities together
to steal a very good point I saw @the-hilda-librarians-wife make a while ago, they’re both outcasts in their respective communities - Johanna struggles to fit in with the other parents and isn’t shown really having any friends in the show, and Kaisa gave up being a ‘proper’ witch to be the keeper of the books, and the other witches clearly look down on her as a result. They lead vastly different lives, but do have similarities that they could connect over and support each-other through.
ALSO - now we know Johanna is also magical and lost a part of herself from having her memory wiped - there is that potential for them to find the things that they’ve been missing in eachother. Kaisa deals with all kinds of magic shenanigans as her day job and could arguably do with some peace and someone to lean on, but she isn’t shy about magic/danger/any other weirdness. Johanna has an adventurous side that was repressed along with her childhood memories for years that still feels very distant to her. They could help bring these things out in each-other and bring a bit of balance to each-other’s lives.
And, coming back to what I said about them having different roles in the show, it’s just very fun to picture them as a co-parenting duo for Hilda. normal mom & chaotic mom. Hilda would be absolutely unstoppable
Finally, imo Kaisa is absolutely a lesbian (years ago I made a joke post on here saying smth like “did the Hilda team know they were making a wlw icon here” and someone from the team replied with “yes” JDKHSJ) and I’ve been in the fandom long enough to know the effect that Johanna has on those, I rest my case 😌
I hope that explains it kind of!! also if anyone else has any other points to make for why they like the ship feel free to add on!!
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thefangirlfever · 9 months ago
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I needed to make a post about this because...well, the title says everything.
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First of all I would like to say that I'm feeling a bit anxious sharing my thoughts about this. I don't know if I'm the most qualified to talk about this but it has been bugging me.
I know a lot of people have already discussed the way Miguel, a POC and a latino man out of all people, has been oversexualized to a point that it feels fetishy and a bit concerning sometimes. I think we can all acknowledge this and that already gives us a lot to think about.
But what I think is really interesting is that not only is Miguel an intentional thirst-trap, he is a thirst-trap created mainly by a team of male producers/ writers. From what I read, the people in charge of his character design were men (I want to say that I am by no mean attacking anyone who worked on this movie. They did an amazing job and I am just sharing my thoughts, not saying they are bad people for this choise or anything. Thank you).
And I find this very telling. Because when I first saw this headline, I thought "Oh finally, women have been given the chance to freely thirst over a male character the same way men do." And I think it was a big mistake from me to think this way. (First of all, there are also men and non-binary simping over him). Because, let's be real for one second there, do we really want to thirst over characters the way men do? I have been an anime fan for years and let me tell you, the way a lot of men/ fanboys view female characters is simply gross (I know, I know, not all men). It's also something I noticed in comics and video games. Like, have you seen the outrage when a video game studio wants to propose female characters who do not look like what some p*rn addicts imagines women are?
My point is that Miguel has been created not with the female gaze in mind, but with the male gaze (and it hurts to say this). That's what I got from reading the part of the interview. The emphasis on his butt, the overly masculine, muscular body... Miguel was created not by following what women like in men but by what men imagine that women like in men.
This is also something we can see a lot in various medias over the last years, especially in the romance genre. The way some "desirable" men are depicted do not fit what women seek in a partner but what men imagine women want (ofc every woman has different criteria when it comes to this). I think it's very blatant when you compare medias written by and for women like Shonda Rhimes's shows, Bridgerton, Outlander... and medias written by men. So, in the end, I think that Miguel has been created with that in mind "Let's make a big, tall, dark and broody, muscular matcho man. That's what the female public wants." (ofc it's never as simple as that but you get the idea).
So... does this mean that it's bad to simp/ thirst over this character? Surprisingly I'm going to say no and I even think that it's important that the women in this fandom keep making content around Miguel! Because when we write fanfictions, draw fanarts of him... we are now picturing him with a real female gaze and that's what brings even more complexity and depth to this character.
I have seen so many interpretations of this character since I joined this fandom and a lot of them were really cool/ beautiful, showing just how much people love this character. When you think about it, it's crazy that a character who only got 15 minutes of screen time can have such a strong effect on a fandom, meaning that he is more than just a thirst trap. I genuinely think that the content created by the fans gives this character his humanity back (because, yes, being sexualized to no end deshumanizes a person. Go argue with a wall, thank you very much). I've seen so many tender, soft but also funny depictions of him making him more than just some ass shots on the big screen. And even on the NSFW corner of the fandom, some people out there are really making him more than just this "feral beast" that we have been sold by giving him back his tenderness, his sensuality...
So, yeah, take this headline with care and think what you want of it. Those were just my thoughts. Feel free to disagree, tell me if I got something wrong or just leave your thoughts under this post because I'm genuinely curious of seeing other fan's opinions. I apologize for the mess of this take.
And now I'm going back to sleep.
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