#this reboot has done nothing but impress me

[meowymeow60606]

I’m not obsessed with him…

IM NOT OBSESSED WITH HIM!!!!!

[blueishspace]

Hero, Villain God 13

(Prev) (Next) (First)

*Grian's pov*

It is Boogeyman to call you to his lab this time, exciting! And unexpected coming from him...apparently there is something he has been working on for a long time...

... You are a bit curious, you won't lie about that, he might be a mortal but his level of mastery over machines means that whatever this project may be It's going to be something big. Something new. Something special.

And then he shows you a tv screen... Perhaps you have overestimated him... Mother Spore is not impressed by this display.

"A... Tv screen. How fascinating."

He looks at you, then at the screen, than back at you.

"What! No! It's what's inside the screen that matters!"

"...""I present to you, G.R.U.M!"

"...Grum?"

"Yes, it is the very first true artificial intelligence"

What does he mean by that? Does he perhaps believe to have created true life with nothing but machinery? If true then that would be quite a big discovery Indeed, you recall your disappointment.

"Are you going to show it off?"

"Yes! Here it comes!"

...

The screen goes bright for a few seconds, text appears and... It shuts down... The disappointment is creeping in again.

"What!? No! No! This can't be happening!"

...

"Come on!"

"Is something...amiss?"

"It's... I don't know, something must have been wrong, did I make a mistake? Did I miss something?"

You could swear you heard him say a quiet fuck which is something you didn't think Mumbo was capable of.

"I see... Perhaps you could try again tomorrow"

"That's not how it works, It's just going to do the same"

"Will it cost you too much to do so?"

"I ...guess not?"

"Then why not try? ...For me."

You drag your index finger onto his cheek and his chin, you can feel him become warm at the touch.

"... If you insist Mother Spore"

"Thank you, I have a feeling it will work Boogeyman"

Boogeyman leaves soon to sulk... You convinced him to not trow out everything for a reason...

You felt a fragment of a soul in that machine, life created from nothing by a mortal is something you did not think possible, still It's not refined enough...probably won't be in his lifetime and that is just such a waste...all you need to do is give a little boost to it.

You grab the machine, you place your hands around where you know the processors of the machine to be...powers flows trough your arm like lightning to the point the skin and muscle begind to turn to dust and you are forced to stop feeding the machine power in order to regenerate the arm...

The machine buzzes at it fills with divine energy and something changes.

You have never done something like this before so this will be an experiment. A very interesting one, what would happen if you were to fill a being made of mechanical parts and software with unfiltered and pure divinity? Well, only time will tell.

And you have a name for it too, G.R.U.M.B. just doesn't sound right...

"Welcome to the world Grumbot"

Booting up.

An update has occurred.

Reloading.

Rebooting.

Name has been updated.

Name has been set to Grumbot.

Reload has been successful.

System is back online.

Status has been updated.

Status has been set to Machine god.

Hello world

:)

End of chapter 3

[incorrectsmashbrosquotes]

Duke Poolem and Doomguy: Road Trip

ALERT! SPOILERS FOR DEADPOOL AND WOLVERINE! YOU HAVE BEEN WARNED.

(After Galeem’s attack, the Doom Slayer has reluctantly teamed up with Duke Nukem under the impression that Master Hand can reverse the damage the demons have done to his world. After a long series of events, the duo have found themselves driving through a devastated forest, Doomguy in the driver’s seat)

Duke: (doing finger guns out of sheer boredom) Pew pew pew, boom, pew…

Doomguy: Stop that.

(Duke stops, but it only keeps him quiet for a few seconds)

Duke: So, where’d the armor?

Doomguy: Oh, Christ…

Duke: Did the Night Sentinels make you wear it? They are not your friends, I’ll tell you that much. Friends do not let other friends leave the house looking like an edgy-reboot LEGO astronaut.

Doomguy: Would you stop talking about the fucking suit?

Duke: Okay, geez! I’m just tryin’ to bond a little–

Doomguy: Yeah? Then talk about something else.

Duke: Alright! (sighs) So, if they can fix your world, what’s the first thing you’re gonna do when you get back home? Some rubbing alcohol shots, maybe a wiper fluid chaser?

(Doomguy starts to answer, but then stops, having realized something about Duke’s word choice)

Doomguy: (with a slight snarl) What did you say?

Duke: I said when you get back, what’s the first thing you’re gonna–

Doomguy: Before that.

Duke: (long pause, having realized his mistake) …If they can fix your world– (Doomguy suddenly slams on the breaks) Oh fuck…

Doomguy: What do you mean, IF?!?!

Duke: Look, I didn’t mean–

Doomguy: You lied to me, you don’t have a fucking clue if they can fix things, don’t you?!

(before Duke can respond, Doomguy suddenly stabs him in the thigh with his Doomblade)

Duke: AUGH! FUCK! FUCK! I DIDN’T LIE!

Doomguy: YOU LIED!

Duke: NO! I MADE AN EDUCATED WISH! (enraged by such a stupid justification, Doomguy twists the blade) OW! FUCK! Look, I did it because I need you! (he produces a photograph of his friends, all of whom were turned into Spirits) I don’t know a damn thing about saving worlds. Why would I even care? My whole world is right here in this picture. It’s only nine people and I have no idea how to save it alone. I know how to fuck people up for money, but you! YOU know how to save them!

Doomguy: …Did you just say… you made an educated… fucking… wish?

Duke: Oh, I’m sorry, have we met? They call me “Merc with a Mouth”, not “Truthful Timmy, the Blowjob Queen of Saskatoon”! (Doomguy yanks the blade out of his leg) AUGH!

Doomguy: (absolutely seething) One more word, please. Just one more fucking word.

Duke: …Gubernatorial. (Doomguy raises his fist, Duke flinches in response) EEK!!!

Doomguy: (sighs and lowers his fist) You know something? You’re a fucking joke. No wonder the Smashers didn’t take you, or the All-Stars and they’ll take fucking anybody. I mean, you are a ridiculous, immature, half-wit moron. I have never met a sadder, more attention-starved little prick in my entire life, and that’s saying something because I’ve been alive for over two-hundred fucking years. I’ll tell you, that evil lightbulb was right about one thing, you will never. Save. The world. You couldn’t even save a relationship with a goddamn BAKER. And motherfucker I wish I could say you’ll die alone, but it’s one of GOD’S BEST JOKES that you can’t die! EXCEPT IT’S ON ALL OF US!!!!!

(and then, the impossible happened… Duke was speechless. He just stares at Doomguy, shocked and seeming to have been genuinely hurt)

Doomguy: What, you got nothing to say to that, mouth?!

Duke: (his face settling into a determined and rage-filled glare) I’m gonna fight you now.

Doomguy: (laughs derisively) Oh, are you–

(Duke suddenly punches him in the face hard enough to cause a nosebleed. Doomguy stares at him, genuinely shocked for a few seconds, before roaring and responding in kind. The resulting fight, taking place entirely in the car mind you, lasted an entire night. By the time the Smashers found them, both of them were unconscious, except Duke was tied up with the car’s seatbelts)

[the-mspfa-200-favourites-project]

Heinoustuck

HAHAHA… DID YOU REALLY THINK YOU HAD SEEN THE LAST OF HEINOUSTUCK? A GOOD SONG NEVER DIES, AND THE SAME IS TRUE FOR ANY AU, ESPECIALLY IF THAT GOOD AU IS NOSTALGIC ON SOME LEVEL. Welcome to 2022!!!!!!!! Welcome to Fanadventure #200, and welcome back…to the gloriously hideous tale of Heinoustuck (note capitalization).

So I guess I should explain what official Homestuck content is doing in 2022. Suffice it to say, nothing. There is just radio silence, and in fact, this is the very first time since *2009* that we have Radio Silence from What Pumpkin or Andrew Hussie. No new releases, no new games, no new upd8s. Just. Silence.

But enough about those gloomy, dismal views on the state of the official material of the franchise! Let’s talk about a gloom, dismal webcomic instead. Yes, it’s the return of everybody’s favourite AU that simply will not die, HEINOUSTUCK. And this time, like all good horror franchises often become, it is getting a REBOOT AND REMASTERING. Which is good, because I didn’t quite like the second version of Heinoustuck, although I did like the first version quite a bit, which I guess is another parallel to Horror Movie Franchises. Anyways.

This is where my poor memory fails me yet again, because I literally cannot remember how the original Heinoustuck went besides vague memories of the broadstrokes, and I really wish to compare these two, because right now I’m sitting here thinking “was this always this bland?” Well, I mean, it’s grim and dark and stuff, and it’s doing an alright job of keeping the story on track, but…yeah. I guess I had lower standards back in those days…those halcyon days, 2 months ago. I do think the art has somewhat improved, but I think that might’ve come at the cost of animation, which I remember from the original being pretty good, all things considered. Okay yeah it definitely came at the cost of animation, because I seem to remember there being a scene where John is pressed up against the door and being impressed by how it communicated his emotional state by simply how heavy he was breathing. And this…does not do that. Instead, it just kind of wiggles John’s arms up and down? Which I guess does the job done but…idk. Maybe I’m just too blinded by nostalglia, but this, whilst better than whatever the heck the second henioustuck was, doesn’t quite live up to the glorious heights of “idk it’s pretty good I guess” of the original fancomic. I mean, a reasonable substitute for the modern era, but…yeah.

[deadaccount1211]

Disventure Camp All Stars: Thoughts and Opinions

I was scrolling through TD Twitter while eating my lunch and I noticed this. Disventure Camp might be getting cooked idk.

Disventure Camp is similar enough to TDI. So I decided to post my thoughts on here.

James- Absolutely terrible in DC2. Somewhat tolerable here. "Listen boytoy" was a funny line.

Lake- One of the few decent-ish characters from DC2 that did absolutely nothing here. Felt like she was just added to have a shock value elimination.

Miriam- Expected early boot but respect for going down swinging.

The Remaining Players:

Aiden- Boring asf in DC2. He's okay here. Not really rooting for him but he exists.

Ally- Abysmal in DC2. Okay here. After finishing ep 1 of DCAS. I hoped that Ally and Hunter would be the "toxic couple". Something like Chase and Emma from the reboot. But they seem pretty chill so far so that's disappointing.

Ashley- One of my faves from DC1 and she's still good here. I like the friendship she has with Jake. I think it's a little dirty that out of all the Disventure couples. Her relationship with Will happened off screen and got like 0 development. Maybe they should've just saved Ashley and Will for like an underdogs season? Idk.

Alec- The goat. The Alecmeister. The head honcho the villains alliance. I hope Alec getting all this screentime isn't a fakeout and he genuinely makes it far. If he does win, he needs to spend some of that money on therapy, lol.

Connor- I don't really get the hype. He's ok I guess. I wonder what was that card that Miriam gave him?

Ellie- Her move to get out Lake was impressive. But after episode 4, I could easily see Tess switching sides to Aiden and Tom. Ellie's gonna need that villain alliance to come in clutch.

Fiore- Getting that TDA Heather treatment. I hope since she's not the main villain anymore they actually give her a little bit of development. I've seen some ppl don't like the fact she's getting bullied. But I personally find it amusing.

Gabby- Hasn't really done anything interesting or entertaining so far. Then again it's only episode 4. Maybe she'll be better down the line.

Grett- I think her and Yul will be the toxic couple. Hope they both go far.

Hunter- Him bullying Fiore is funny. Other than that, eh.

Jake- I hope he goes off the deep end and enters his evil incel arc. Then like midway through the season he gets over Tom and they become enemies who used to date. Could be peak.

Riya- Her whole arc of pretending to be mean for the cameras and the whole persona she puts up is cool. Reminds me of what they did with Julia in Reboot S1. But here it feels a bit more serious.

Tess- Literal NPC. The Rematch Nichelle of this season. She needs to start doing something quick.

Tom- He's being a dickhead to Jake. But Jake is part of the reason he got eliminated so understandable.

Yul- The closest thing Disventure Camp has to a comedic relief character. NEEDS to go far. He seems to be a mixed bag, since I've seen some ppl dislike him because of his racism. But I personally view it like this, no one agrees with what he's saying and he usually either gets called out or physically hurt for saying it. So I don't have a problem with it. Shows need assholes. He's like an Eric Cartman type of character.

Bonus Notes: I predicted a Miriam elimination for Ep 2 and Ep 3. Then I tried to switch things up and predict Riya going home for Ep 4. Should've just went with my gut.

Prediction for Episode 5: Based off their convo, I think Ally and Hunter are gonna team up with Fiore. In which case, I could see Ashley going home since she's a bigger threat and one of Fiore's biggest haters.

[onewomancitadel]

Dragon Age: The Veilguard Spoilers: Beware:

Ok, honest feelings, I actually find the writing so awful (from both a structural perspective to the atomic dialogue level) I have not been able to sit through a playthrough of Veilguard let alone hold onto any intention of playing it myself. There are brief moments of joy when Solas is onscreen and allowed to be a character. Broadly I find the resolutions of his character clunky and genuinely question my own interpretation of the lore at some points whilst long-held fantheories are confirmed, so it feels sloppy, and doing what it can where it thinks it needs to do things - it has the fingerprints of a disaster crew. The fact that many major revelations are relegated to idle side content where I have to listen to the most uninteresting and banal characters possibly conceived offer their thoughtless and heedless commentary almost as if directed at me is a monumentally bad idea obviously a product of trying to reconcile a reboot answering questions to a fifteen year old franchise.

And that there is the real struggle. I would think that any competent writer would recognise that this is an impossible task and most of the PR surrounding the game has tried to cover up this fact (including the fact only three choices carrying over had to be leaked and was a disaster when it was; reasons I never listen to what creators say ever). I don't intend to point the blame anywhere - whether it's brought on by internal mismanagement or external mismanagement is not a fallout I want to examine - and the fact that they delivered a mostly complete game on release is nothing short of miraculous. As a technological achievement it can be viewed impressively. If we turn our face to the new desired audience - many casual players are enjoying it - they got what they wanted.

I just don't necessarily think this is the way and I don't think casual enjoyment is in inherent conflict with a thoughtful story and a unique identity. You can eat your cake and have it too. Honestly I wonder how much this really is about damage control when it's fronted as a plea against a series becoming dumber.

The writing strikes me as tonally inconsistent not just with the DA series but with itself: it can never quite strike the right tenor, find its identity. It might register as passably good to somebody who generally does not pay attention to dialogue or structural questions of a story or consistency; if your attention to narrative is "character say thing, big thing happen, wow, character say another thing, very interesting, wow character sad?" then it gets the job done in that respect as a simulacrum of how story should function - and it feels just like that - story as simulcrum, companions as simulacra, like a bad parody of a role-playing game. Its greatest crime is that it doesn't believe in itself, or it can't believe in itself. It has fluttering personae it tries and fails to adopt - and for whatever people point to as its failing, that it's too direct, that it's clumsy, millennial, commercial, not fantastical, too casual, short, aborted, rushed, not Dragon Age, not serious, not mean, no conflict - these are descriptions that don't quite get to the root of the problem: I don't know what Veilguard wants other than you to believe that it's supposed to be a good story. This is why so much of it is compromised. Even right down to the things that should cater to me. Whom can you possibly win over in trying to win over everyone? If you want to be loved, you have to be prepared to accept hatred. I think this is why the series' apparent flaws have been smoothed over; this is why you're not allowed to hate the characters because they want you to love them; this is why there can't be evil, because evil is uncomfortable and sometimes it has no simple solutions.

But by no means is this a professional review or an opinion that should shape yours; mine's not enough to wreck anybody else's enjoyment. I write this from the domain of my Tumblr blog where for many years I have on-again and off-again ruminated on the dinan'shiral, and so really just want to emotionally close that chapter. I have seen all the endings, I've watched most of the cameos, I've seen most of the companions and their storylines, certain sidequests aforementioned, and parts of the main story including the beginning and last quests, but not the front to end as one complete body, and so it makes it difficult to criticise structurally and in terms of pacing as a comprehensive narrative - most of all I do not want to be disingenuous as certain members of a certain fandom I am a member of are in the manner in which they critique a show that they do not watch because they regurgitate opinions of others. Mine has been formulated in independent rumination, and I've sat on it a while to see if my feelings change. The fact I physically cannot stand to watch anymore is the reason I wrote this post.

I did notice that parts of the story feel rushed and even sometimes the editing is weird, and the fresco memories are completely bizarre given they're such huge confirmations (!), which is not the end of the world considering video game writing and RPG writing is allowed to be pulpy and a bit weird, but this doesn't feel like it has a consistent tone of singular weirdness. The companion writing - toothless, forgettable, anodyne, pacifying, childish - has of course at length been remarked upon, and many of my posts about bathos have been implicitly directed at it. I played Johnson & Friends music over companion conversations - any children's show would do here - and it did feel about as complex as Johnson and Diesel arguing with each other.

It feels catered towards an audience who views narrative conflict as offensive (because they're unfamiliar with the body of narrative convention), which I find hilarious considering this is the very audience that hates Solas' guts but are forced to play a game where he survives in every single ending. I am ideologically consistent in that even if I get what I want, I want it to be narratively consistent, and honestly I am just really numb to the Solavellan ending. I don't care. But it is promising at least to see a group of writers who did not commit to death-by-redemption. But on the other hand, I also wonder how much that has to do with the fact that the ending is extremely cheap and clunky, and there isn't room for a Solas boss fight because it wasn't in the budget, and this way you get different endings that roughly play out in the same manner.

I cannot stop laughing every time I remember the "dead all along" companion. Dumbest twist ever. Hilarious. Completely campy. The horror of a blood magic meat puppet cannot be expounded in this story. Nothing is allowed to hurt. It doesn't fucking mean anythinggggggg.

As an actual game I have accepted that I'm a weirdo who hates particle explosion games. That was never going to appeal to me. Ensnaring my actual narrative attention with Solas was just cruel though. I liked DA, I liked some RPG's, I thought that they were fun and unique storytelling experiences even if they're a little silly - sometimes you want that pulpy experience - but maybe my cold comfort is watching game reviewers say Solas was their favourite part even when they didn't like anything else. 🥰

Steals your dagger. That's the end of the post; I just cut it off. Wait! Wait! Arrakis teaches the attitude of the knife―

[e-wills-afterhours]

Pretentious Coffee, Chapter 3

Pairing: Hiccstrid

Rating: 18+

------

Astrid was sprawled out on the living room futon, brow furrowed at the ceiling. Midterms were over and she had survived them somehow; there had been no explosions; lightning hadn’t struck her; she had not fallen off the face of the Earth and floated into some abyss of academic Hell. Saturday had arrived with its merciful respite. Pajamas and hot cocoa would sustain her now, not anxiety, sleep deprivation, and flash cards.

Her plan for the day involved slowly fusing to the cushions and her greatest concern was whether or not she’d take shower. Maybe, if feeling especially daring, she would forego leftovers and order a pizza later—that was living on the edge the weekend after exams.

Her phone buzzed. She knew who it was, but she ignored him as she had done for the past two weeks.  She was amassing a library of text messages she wouldn’t read.  There was nothing that could be said to smooth things over; no salve for the burn of a nasty breakup. She did not want to think or feel. She wanted to reboot her brain with twenty-four hours of thoughtlessness.

She sighed, absently bouncing her heel again the armrest as Ruffnut emerged from her bedroom, hair in a tangled mass of blonde and glitter. From where Astrid lay, she could smell the booze and a hint of stale cigarette smoke emanating from her roommate’s clothing—the same outfit she had left the dorm in the night before. The same outfit she had, apparently, fallen asleep in.

“When did you get in?” Astrid asked, wrinkling her nose.

Ruffnut shuffled to the fridge, squinting into the light as she opened the door.

“Dunno. After two, I think,” she grunted, grabbing the milk carton. She unscrewed the cap and start chugging.

Astrid rolled her eyes and sat up. “I still don’t understand how that’s fun.”

“You’re such a square. All you do is study, workout, and sulk over what’s-his-face,” Ruffnut retorted. She wiped her mouth on her arm and glimpsed Astrid over. “I think this state,” she gestured to Astrid’s lounging, “is an improvement for you.”

“I don’t sulk,” Astrid muttered, rounding her shoulders. She gazed out the window at the snowfall because her eyes were more honest than her mouth.

Ruffnut snorted. “You glare at your phone every time it chimes, like it’s his dumb voice.”

Astrid huffed but said nothing, glaring down at the phone in her hand like it had agreed with the other blonde, betraying that owner-device confidentiality. Part of her passionate temper was the tendency to be obvious even when she tried not to be. “Fine” was never fine. “I’m not upset” was often code for “just about ready to throttle someone”. Everyone close to her knew it, so only her complex, innermost thoughts were truly hers.

“He won’t stop texting me,” she admitted. “I haven’t responded. I want to change my number.”

“You won’t though,” Ruffnut said, grabbing a banana. “Like him, you can’t stand to leave things unfinished.”

“When did you get so insightful?”

Ruffnut took a bite of the banana, talking around the mouthful as she chewed.

“We’ve been friends since the tenth grade, Astrid. You’ve been with the same guy the entire time, so I learned a few things. You guys were never gonna work. Too similar. Really, it was like you were dating yourself, but with a penis.”

“You believe that ‘opposites attract’ nonsense, then?”

“I believe you shouldn’t be dating yourself—even if he is attractive,” Ruffnut answered, in another stroke of her unorthodox, unintentional wisdom, “even if he has aforementioned penis, which I’m assuming is as impressive as the rest of him.”

“Okay, fine. If you’re so knowledgeable, why are you still single?” Astrid retorted, folding her arms.

The other blonde laughed. “Because I’m knowledgeable.” She shoved the rest of her banana in her mouth and chewed it quickly, swallowing the mash. “But you like the punishment of monogamy and commitment.” Ruffnut contorted her face in disgust. “So, I’m going to help you out and give you some advice.”

“Oh, I can hardly wait,” Astrid droned. “Please, open my eyes to the world of binge drinking, blackouts, and puking in strange toilets.”

“Come out with me.”

“Noooo—“

“Come out with me,” Ruffnut insisted. She plopped down beside Astrid on the futon, overwhelming her with the stench of sweat and alcohol. “Tuff and his housemates are having a party tonight. Get tipsy—not drunk—enough to give zero shits about anything. Fuck a few random guys until you forget Mr. Tall, dark, and douchey. Then, start over from ground zero.”

Astrid inched away from her, eyeing her skeptically. “Ground zero…of public drunkenness and casual sex?”

Ruffnut nodded and stared her down with bloodshot puppy eyes. Everything in Astrid’s rational brain told her that her roommate’s idea of a fun party would not end well—it would probably end in another hangover that even coffee, water, and a lanky, sarcastic barista couldn’t fix. So much for useful advice. Hard partying wouldn’t solve her problem, only smother it under a bunch of potential new ones whose names she might not recall in the morning. She didn’t need cheap beer to get over her ex. She certainly didn’t need a superficial list of conquests to feel empowered.

But blaring music and the anonymity of a cramped house full of strangers had some appeal: she could fade into the corner with her drink—one drink—and it could be a needed change of scenery. It certainly beat lying around pretending she wasn’t thinking about unread texts and seething over things she couldn’t change, and words that had been left too long unspoken.

If nothing else, Astrid could at least do Ruffnut a solid and make sure her roommate got home safely, with all of the articles of clothing she had left the dorm with.

Astrid didn’t want to cut loose like the weekend before. That had not had the most favorable outcome, but perhaps there was some merit to stepping out of her comfort zone? All she had known for the past four and a half years was to keep on the straight and narrow. Wasn’t college about reinventing oneself and trying new things? Maybe undergrad Astrid was a bit square? Maybe that had contributed to the dissolution of her relationship?

Maybe undergrad Astrid actually liked parties—if she could ever allow herself to like them…

“Fine,” she relented. Ruffnut squealed and clapped. “I’ll come with you tonight. I won’t get drunk though—someone needs to drive us back here. I refuse to stay the night in some strange place with strange guys.”

“Okaaaay!” The other blonde sang, skipping towards the bathroom to shower, or so Astrid hoped; Ruffnut desperately needed one.

As the door shut, Astrid called out, “But I’m definitely not sleeping with anyone!”

[blackdigitalrose]

Digimon Series Rankings!

Because I can and because I've really done nothing but comment about Ghost Game, it does give a slight misleading impression on where it stands. So in brief, I may go into more detail down the line, we'll see how I feel out the blue one day. Worst to Best of all 10 Digimon series.

(got to keep up that suspense XD)

And yes, Dubs are going to be a factor, I haven't watched both Sub/Dub of all shows.

10 - Xros Wars This is solely by default because it is the only series I haven't watched, I don't have much inclination to either. Digivolution method really can make or break a show and Digimon lego sets with no actual way to gauge power besides from more sets you stick together the stronger you apparently seem to be, does not hold much appeal. Plus what I've seen of X7/X8, it just looks so messy. Although, I'd like to be able to weigh in on the Taiki debate, some say he's one of the franchises best Goggle boys, others say he's too perfect he's not interesting.

9 -Digimon 2020 For a modern day reboot it had all the action, zero the charm or personality. Those snazzy, action filled fight scenes mean nothing, when there's no story, no characters and just flat out laziness all-round. The Diaboramon movie got rehashed 3 times. The significance of the crests forgotten until a rag tag added on arc at the end and even then they weren't really earned. Izzy just ruined everything, unless you were Matt and Tai, you were basically useless and Tai… I could rant about this series all day, it ticks me off so much!

8 - Frontier This is one of many examples of Digimon not being to do the long run story, a tolerable first half, an unbearable second half full of holes and flaws, it makes you wonder if multiple teams were writing eps apart from each other. This series wrote itself into a corner it could have wrote itself easily out of but chose not to and suffers greatly for it. There is so little to actually talk about in Frontier, none of the cast are actually likeable, not to the extent that you can really get behind them. The only one you feel for slightly is twin 2 but they don't do alot with him after. The only thing it has going for it is the Intro's both sub and dub are amazing!

7 -Tri Such a strong first half, first 3 vols, amazing! Stakes, emotion, understandable dilemma's occurring from being so much older and once more they fail the landing. Tai never got is pay off over his fears. Matt's future plans literally come out of nowhere. Mei and Meicoomon out stayed their welcome so quickly they got in the way in the second half. However, the biggest crim is Daigo and Maki and what we could have had as the first Digidestined team… their partners being the four sovereigns actually makes so much sense! They won but failed, there was an amazing story set up to be told there and they just went, nah, bin it -.-'' Abridged Daigo though is the most relatable character ever and hilarious to boot

6 -02 Let's be honest, this series, I couldn't care less for and some one punch Davis! (He's not so special anymore mind you.) However, despite the not so exciting team, it had it's moments, the Wizardmon ep was very touching, the idea of passing to the next gen, with the originals to help guide them, nicely done with the right mix of original and new but what really gives it, it's place and you all saw it coming. The Digimon Emperor arc! Such a good villain, the contrast against the team, against Wormon, the ongoing subplot over Chimeramon and then our Digimon Emperor gets turned back to normal and show becomes so boring and with more holes in it than swiss cheese.

5 - Appli Monsters I did put this off, I was one of those people… however, I was pleasantly surprised. This show is quite solid, all the characters get their own arcs, the story actually has progress from start to finish, the end boss narratively is good as an actual end boss, it couldn't have made a stupider play if it tried. With social commentary right on the nose, it was a show definitely released before it's time, if they tried it now, I think it would have done a lot better as it would be so much more relatable to people. Why only 5… well, there's nothing that overly stood out; like a moment or ep that is a must re-watch. I watched it the once and haven't gone back to it.

4 - Savers Savers has so many of my faves, my fave digivice in the IC, digivolve style with Digisoul, fave rivals with Masaru/Tohma (love me some two halves of the same coin), some of the best looking Megas you'll ever see, even my fave mon is from this series! Looking at you, you double agent, traitorous, snarky scarf! This series even has the best villain, well human anyway out of all series and the best part, he remains a prick and gets no cheap redemption! Just a guy you love to hate. The downside, like so many others, the doesn't stick the second half. I mean it's alright, no where near as good as the first half and becomes too much of the Masaru show for my liking. (And no, I don't dislike the Digimon punching gimmick per se but it is overused and gets ott in parts that kind of takes you away from it.)

3 - Ghost Game This actually took some serious debating and the bottom line, what do I just openly go and re-watch and despite it's many, many flaws; Ghost Game was just so much fun! It lived up to it's reputation, it gave you horror, surprise, creepiness, you did run through the emotions with it. The major selling point though, it has to be the cast. Tamer and Digimon alike, all 6 are just so likeable with great dynamics and you don't get to say that about many. I also like how Hiro, Ruli and Kiyo represent the three common reactions to the paranormal, the sceptic, the enthusiast and the fearful.

2 - 01 Surprise! Or not potentially and yes, this is heavily the dub, fight me, it's amazing! No bad will be said about dub Apocylamon. Nostalgia likely plays a part in it to but all our digidestined team a great, they all get little arcs and for the most part, all get to play a part, even at the end where only two get megas, however, narratively this works. The story has good progression, in character and difficulty, there's obstacles which don't seem to impossible for kids to tackle, stuff actually feels earned and the villains are just as memorable as the heroes. To top it all, it's such an easy series to just re-watch from any point.

1 - Tamers Ha, yes, I am one of those to. I stand by it, this is peak storytelling for Digimon. What starts off quite light, becomes mature, gritty and a real good coming of age story despite still being kids. Our main trio all get good character arcs, they bounce of each other well and a bonus point for at least trying with the card game. why yes, I do consider Rika as the rival in Tamers, it just makes more sense due to conflicting beliefs about digimon with Takato On the other hand, it's End boss is by far the worse on so many levels but also contains one of Digimon's best character arcs with Impmon. With Tamers, I could only plan to watch one or two eps but before I know it, I'm half way into the series again and still not bored of it.

And this really didn't stay as short as I initially intended ^^;

[glapplebloom]

Not as much as I could, but this is a slow burn...

Master Research Link

What I’ve learned...

Ugh... #31 really makes me not want to live in Townsville. So easy to blame the girls despite the obviousness that they never did those things. It is nice to see Mojo go Trick or Treating with the girls though. #32: Welp, Catwoman would steal the pants off of everyone if she was in Townsville. Meanwhile this Cat Burglar got a crush on Professor. Honestly, she’s probably the most non-Powerpuff Female to have a good development other than Keene.

So Mojo made a mini him in #33. But the real highlight was the Fuzzy/Mojo feud. There was comic exclusive villains like Spelling Bee (whose entire gimmick is she spells what she wants done) and Frog Master (whose reason for being a villain is he’s crazy) HIM basically had all of Townsville under his control in 36. And Sedusa finally does something in that same issue with Mind Controlling Lipstick. Though the Bikini Sisters in the Reboot do this better. For starters, it doesn’t wash off.

Remember Ace being a member of the Gorillaz for a hot minute? Turns out in #37, he was part of a boy band with the rest of the Gangreen Gang. 4evRGreen. And in the second story, HIM creates a music band so popular, even the girls love their music. A big weakness of the original series is that for a good number of times, they seem to act like one person. Like this issue, they ALL like the Slayhems. Even Blossom and Bubbles who you would think are not into Horror Metal. 

Issue 38 has them idolizing a TV Superhero. It is cute to see Buttercup being too nervous to talk to them. I know that feeling. But when a real monster shows up, they are Marks and think Tess could handle it. Tess, meanwhile, does nothing to suggest she believes she’s real. She’s a celebrity playing a character and playing the role while signing autographs. She does not deserve this. 

So Issue 41 has Buttercup obsessed with Garlic. Like super obsessed. It also has a Giant Monster capable of absorbing people. When it does the Powerpuff girls, it has all their powers, but also their quirks. Issue 44 promises the Talking Dog fighting the Talking Cat from that one episode. It better live up to that promise. Dog Chunks... Now with more dogs... DUDE! WTF!!! And the fight lasts for at most 2 pages. 

Best Feat I found... 

From Issue 34: The Monkey’s Paw (or Tragic Marker). A weapon so powerful it can rearrange the atomic structure of an object to something else all by spelling it. That is frikkin impressive!

Next Time...

If all goes well, all the DC Comics would be done.

[sparrowsabre7]

Transformers: Rise of the Beasts Review SPOILERS

Just got out of the cinema and needed to get thoughts on digital paper.

It's a really enjoyable watch. It manages to tread the balance between the more heartfelt, but action-light, "Bumblebee" and the more shooty-bang-bang Bayverse films. To quickly touch on that: while - Unicron aside - there's nothing really explicit that prevents ROTB from being part of the Bayverse, but it ultimately raises more questions if it is. They do throw a cheeky put down to those who might like to think so though by directly referencing Mark Wahlberg's intention to become an actor. While it wouldn't be the first film to reference an actor that was also in the same series, it does feel like a deliberate attempt to put a nail in the coffin of the "not a reboot" theory.

The film opens with a neat prologue, as I think every Transformers film has, this time narrated by Optimus Primal, rather than Prime, giving a quick introduction to Unicron and Scourge, also providing a devastating look at what they can do. This sets the tone for the film moving forward, as well as indicates it's approach to its plot. The stakes are clear, everyone's motivations defined, and the interpersonal relationships are what hold the film together.

It speaks to ROTB's strengths that it is a trim two hours and maintains a consistent pace throughout, it doesn't linger too long, nor rush through and manages to maintain momentum even when they start to delve into the macguffin search.

The film also gives perhaps the highest percentage of bot screen time across the franchise. Mirage and Optimus take the lion's share of the screen time, Bumblebee (rightly) is given a bit of a rest this film, with Mirage stepping into the human best friend role. Pete Davison voices Mirage with an infectious humour and manages to avoid forcing the comedy angle too much. Optimus by contrast is more brooding than ever, unsure of himself and much less friendly towards humankind. Each of the remaining Autobots get time to shine too and are fleshed out well enough to be more than just action props. Sadly the same cannot be said for half the Maximals. While Optimus Primal and Airazor are given a fair amount of screen time and feel fully realised, Cheetor and Rhinox have less than a literal handful of lines between them.

"Beast Wars" fans will likely be disappointed by their all too brief action sequences, but Primal is definitely done justice in terms of his character, getting a few reflective moments with Prime. The wonky time travel aspect of "Beast Wars" is retained as well, surprisingly, though paid only brief lip service - Primal confirms he is named after Optimus Prime and thus comes from Prime's future, though via the Transwarp key (aforementioned macguffin du jour) the Maximals travelled back in time to early Earth history. Aside from this and Primal's cry of "Maximise!", however, there are no sly nods to "Beast Wars" and anyone looking them will be sorely disappointed. That said, they are treated with far more respect and time than the Dinobots in "Age of Extinction" and are at least more than mindless brutes.

Despite my 90's kid gripings, the action sequences are still very impressive and while the final battle against hordes of enemies feels less personal than the smaller scale skirmishes, it does provide a lot of fan-pleasing moments.

The human characters also surprised me. What struck me straight away was the benefits of having black and latino actors as the leads. The shift in perspective is immediately apparent: Sam and Charlie from the Trilogy and "Bumblebee" respectively both need a car to gain independence. Anthony Ramos' Noah needs a job so he can pay his brother's crippling medical debt and also try and keep a roof over their heads. Dominique Fishback's Elena is desperately trying to keep her job as an intern and fighting for recognition while her (white) boss takes credit for all her work. The dichotomy of circumstances is clear and having characters who are actually struggling just to get by, rather than "first world problems" makes for a more compelling narrative, to the point where midway through the movie, Noah and the Autobots' goals end up at odds. It's a move that makes sense for the character as well as creating real reasons for division. Optimus doesn't trust Noah, so why should he trust Optimus? The ultimate (cliché) message of the movie comes down to the importance of overcoming differences to work together using the arc words straight from G1 "Til all are one".

It's cheesy and a bit on the nose, but it works in its favour, a sentence that more or less sums up the film as a whole.

[hourglassian83]

Good morning!

The General is here. The wound: I started to get an headache and then I took some extra strength Excedrin at 1000mg with 65mg of Caffeine.

I am good! Although, I am not impressed!

Anyway, Joe.

Truth time. I had been seperated from Joe for 10 years now. I am very close to my twin and never stopped loving him. However, over these years I had to prepare myself for possiblity of his death or never seeing him again in life. I have mourned him many times. It got to point when met Jeremiah that I had to come full terms with him.

Then again recently.

Although, my heart hurts, I cannot mourn him same as if was to find out while I still live with him.

I believe I already done the tradgic death bit. With Johnny, I only knew him for a short while, but I had instantly loved him. That love was enough to break my mind, but again, mourning him as been different.

I don't want to cut down how I feel about them or their deaths, but my mind is already certain stages. If that makes any sense.

Joe's death will hurt me. I will cry from time to time. But I can't do it the same way.

I don't want come like heartless because that's not what this is. It just the time and the distance has prepare for these moments.

I think if I was to experience their deaths full blast. That might had ended me.

Instead of being hit full swing, I got time instead. I don't know if this makes sense, but it's just how it has gone for me.

----

One of the strange that had happen a day or two before I found out about Johnny's death is Joe's FB account came online. I then had some recalls back to the abuse as babies. I went into a full swing panic mode and started call Debbie's phone line and Shoprite to see if he was still working there.

Nothing. Then I get back online and his account is gone. I thought Debbie had told him to get off FB because I was contacting them again.

That phone line gave away what the police were doing. I knew the government had the line. It drove me nuts. Debbie always had an answer machine. The one she had was a keeper. She would not get rid unless it broke and if it broke she would have another one. Hands down, she would have the answer machine.

There was no answer machine and yet that line existed. I did think the number might had be transfer to someone else but I called that fucking for 3 months straight every fucking morning.

Their attempt to make them vanish without trance was very thing that made held on like no other to the face that government involved.

Now, the day after I had found about Johnny's death. I went into a tail spin. I was flipping through the online dating profiles and for some reason they started this chain reaction to things that related to each of my siblings and I had to go search done "their facebook accounts".

The accounts I found did connect, but because obvious differences too I took it that my siblings were in some witness protection program because of the nature of my family.

One account through me off because this person look like Joe and I thought he had gotten help.

I had another McDonald insanity moment, but I like I said it was on the down low. Barely there.

For 3 months I talked into these account, but mostly Joe's account where I was talking out my family trauma. I never a got response back until for some reason I decided to contact a few people off of this person's friends list and found out the truth.

The thing about this, if it didn't happen, I would have lost my mind. But by making up some pretend scenario where hope was involved and I am at least talking about the trauma actually saved my mind.

Once came out of it. I had fully accepted situtaton enough to move forward. The same thing happened the psychosis. The next day at the hospital it was like breath of fresh air had hit my mind.

So, I think sometimes you have to lose your mind to regain your mind. I had gotten rebooted twice in this case.

I don't regret what happen and it has given the opportunity to wonderland it and come to understand as much as I can.

Hope is everything. Let me tell me you what. Hope saves you, even when you go crazy crazy, it still helps you. It helps bring in the sanity per say. If I didn't have hope.... BOOM.

The accounts. If I was to line it out, it makes sense. I swear, it did, it really did, but no. That's the thing here.

Wait a second. Is that how insanity gets you? It somehow does make sense to you? Coz again if I was to line it out, it does make sense to why I thought that. It wasn't blue to red. It was blue to light blue. You see what I am talking about?

Then there was the government and Debbie's line which is true, they have line.

So you tell me. But I got a new area here for wonderlanding.

I am just glad though that I had hit that level and yet, not turn into a monster. Just an idiot!

Alright, that's it for now.

[nerdyenby]

My top ten favorite season of ninjago (don’t hate me)

[Note that I’m not ranking DRs2 yet, as we’ve only seen the first half, but I fully expect it to make this list]

Dragons Rising season one: Energy

Prime Empire (fight me)

Master of the Mountain

March of the Oni

Tournament of Elements

Secrets of Forbidden Spinjitzu

Rise of the Snakes

Skybound

Posession

Crystallized

Obligatory reminder that that’s just my opinion

And for those of you who like confusing numbers, here’s the same information but listed objectively worse:

16

12

13

10

4

11

1

6

5

15

Now, I’m not going to try to justify my placements because we’d be here all week, so instead I’ll explain why the seasons that didn’t make the cut just don’t really do it for me

Legacy of the Green Ninja: the first half of this season is back to back bangers, but I just entirely lose interest when it comes to the actual dark island stuff. Idk why it just cannot hold my attention.

Rebooted: a fine season. It set us up beautifully for s4 and gave us a lot of incredible characters (Sensei Garmadon, Borg, Pixal), but it just messes with my sense of this universe so badly. That’s only kind of a complaint — because I actually find it super interesting to try to explain away — but it is majorly distracting for me personally and kinda just seems like poor planning. While this season did a great job with Pythor and managed to get me to kind of care about the Overlord, the nindroid army is woefully underdeveloped. Zane defends Pixal, saying she was just doing as she was programmed, but the same is true for literally all of them and we never even stop to entertain the notion that these nindroids also have the capacity to be, you know, people. That’s all pretty nitpicky tho, my real issue with this season is the stupid love triangle. Not to mention how forced Pixal’s existence is and how bland she is at first. I absolutely adore her as a character, but rebooted was just like “here’s a woman. she’s hot btw,” and I don’t really vibe with that.

Hands of Time: over hated imo, I feel like if the animation wasn’t noticeable worse than every other season we would all appreciate it a lot more. I think it actually did some really cool things, but you kinda lose me with the vermillion. Literally why are they there? The bad guys need lackeys, yeah, but why snake hivemind warriors? Idk, felt random and out of place. I feel like they could have also done more with the conflict between the Time Twins. Like they fundamentalists disagreed about what an ideal world looks like and they argue about it all the time, but they still work together like nothing happened? Anyway, all my complaints are fairly minor for this season, it’s just not much of a stand-out.

Sons of Garmadon: ninjago didn’t know what to do with itself after the movie came out and you can tell. They went more serious with the plot but the humor feels way more childish. It still hits most of the time, but it just feels off. I’ve come to like Harumi and her arc, but I feel like this season really suffers for it’s focus on her and Lloyd. It just lacks a lot of the team chemistry that makes ninjago ninjago imo. It’s all about Lloyd and the others are just kinda there, something that ninjago has impressively managed to never fall into before. What makes this series special to me is how it handles its characters and their dynamics, they all feel real and important, both to each other and to the story, but you could just say “yeah everyone’s dead” and the plot could more or less function as is. I do love what they did with Pixal tho.

Hunted: idk, it feels like they started to correct the whole issue I just talked about where none of the characters other than Lloyd matter, but the disconnect just doesn’t really do it for me. I’m fairly into the resistance plotline, and I’m kinda here for the First Realm shenanigans, but it’s just not really a stand out. S9 is always where I lose interest in my rewatch and I’ve never been able to figure out why. It does wonders for Lloyd and Nya’s relationship, and I am always here for lore, but otherwise I just kinda don’t care that much.

Seabound: she’s solid, it just doesn’t really stand out to me. Obviously having a Nya season is huge, but otherwise it’s just ninjago. That’s a good thing, but it also means it doesn’t stand out. I don’t really like Maya’s arc, and I’m really not a fan of how they just shoo Kai and Cole off to do a whole lotta not much. It felt so forced and unnecessary when s13 did a fucking superb job of keeping the rest of the cast busy and having it be entertaining, however I do recognize the real-world reasons at play so I don’t hold it against them. It does detract from my experience tho, and the rest of the season isn’t memorable enough to recover from that for me personally. Also it’s super shitty that they kill Nya off as soon as she gets to be the main character, they hate women so much and for what.

[thedaveandkimmershow]

It's Linzy's birthday today and what I shall forthrightly and adamantly avoid is to post pictures of when she was a newborn or when she was a kid.

She's 26 years old, for crying out loud. I shoulda stopped doing that more than a decade ago. 😐

I shall also forthrightly and adamantly avoid making today about the missus 'n me. Because, you know, we've got stories. Stories that are still easily accessible right at the tips of our fingers kinds of stories.

I could tell you one right now about the day Linzy was born...

But I'm not gonna.

Instead, I'll point out how we still feel what our twenties were like. And we can very much see through Linzy's eyes what they're like right now.

In many ways, her twenties and our twenties aren't that different. At the same time, they're nothing like each other. They couldn't be more different.

By which I mean to say that the fundamentals of being a twenty-something haven't changed whilst the environment in which present day twenty-somethings exist is breathtakingly, profoundly different.

Profoundly different.

They're basically living a reboot.

As if the cast of a Western film classic like "High Noon" was reimagined into the middle of a Science Fiction classic like "Blade Runner".

Same people.

Wildly different environment.

And oh yes. They're also living a fiercely different story.

If you don't believe me, God. Just look around. Because this, all around us, is a fiercely different story.

So when we say we're proud of our daughter... it's because we know her story.

From Day 1.

We know her, we know her story, we know the cast of characters who've taken the stage with her (all manner of heroes and villains), and we know the world she's navigating.

And yes.

We remember the twenty-something gig.

So when we say we're proud of her, we say that with the full knowledge of having done the twenty-something gig and recognizing what that's like today. Right now.

This very moment.

With that in mind, we're impressed as hell by her relentless pursuit of her music career. Her dreams. We're impressed by the unimaginable work that goes into being in two successful bands and performing to packed audiences. In fact, by this time next month, one of those bands, The Little Lies, will have performed in front of an arena filled by a crowd of thousands at a Kraken game.

Did not, by the way, see that coming.

Really did not.

In many ways, we're still her first audience for song demos. At least we like to think we are.

We're probably nine and ten on the list 'cause she's got a lot of friends who are professionals in the local music community.

Aside from those demos, I thoroughly enjoy kicking ideas around with her when it comes to her Dream Patrol brand, the wing of her creativity reserved for the techno/pop/cinematic/layered vibe she does so well. It's also a completely engaging exercise to talk about the difference between one of her songs produced as a Linzy Collins production versus a Dream Patrol production. And then imagining what a live Dream Patrol show looks like.

It's her future actively being written before our very eyes.

You know?

Linzy's always been a hard worker which, I admit, I hate how that doesn't sound like one of those cool things of which to be proud. But in Linzy's case, from learning to play the piano, the guitar, the clarinet, the trombone, the cello... to interior and exterior house painting to filing to spreadsheets to high-end home cleaning with an agency... to putting bands together to the DIY nature of being a band in the PNW handling everything from songwriting to arranging to producing to recording to sound mixing to cover art to marketing and promoting and rehearsing and rehearsing and...

Rehearsing.

Maybe "hard worker" isn't the way to put it. Maybe "relentless master of her pursuits" works a little better.

Okay. A lot better. 😁

Because while she has the whatever it is people have inside them that keeps then going... she also has the bandwidth, the intellect, the emotional IQ, the verbal skills, the professional vibe, the work ethic, and the sheer creative prowess to prevail at something that was barely a dream once upon a time that's now an actual, paying, honest-to-God career with plenty of success behind her and plenty of room above her to keep reaching ever upward propelled there by her solo work, her band work, her Dream Patrol work, her production and songwriting services, and so on.

All that atop the reality of living in a major urban center, in her twenties, in today's world.

The challenges are intimidating, of course. I won't lie. They're suffocating, sometimes demoralizing at times. Not just for her but for anyone pursuing the life she's choosing, this passion she's following, this craft she's absolutely mastering alongside the community of professional musicians she calls friends, collaborators, bandmates, and badass gifted artists.

It's a helluva thing to watch, this life she's challenging, this career she's building. And yes yes yes. Of course we're proud. Of course.

But it's also exciting as hell.

☺️😎🤯🥳❤️

[fandom-junk-drawer]

The Witcher Headcanon - Adjustments

Okay, but imagine Geralt knowing how to do adjustments on his joints and spine, but never mentioning it to Jaskier...

until Jaskier starts complaining one day about how his right hand and fingers have developed this strange ache

It's a strange 'nervy' pain and it starts in my wrist and shoots down my thumb and first two fingers

Geralt 'hmm's and examines the proffered limb

He presses a thumb on the top of Jasker's wrist, moving it around and feels some movement

He adjusts his grip, squeezing and pressing the metacarpal of his thumb along the top of the joint. He starts casually wiggling the wrist, bending it up and down

Jaskier is confused

I don't think that's how you shake hands, Geralt. Hahaha-! Oh, that's a little tender...

And what's that little clicking sound? Why is it doing that? Is it arthritis? Do you think I'm starting to get arthritis? It's arthritis, isn't it? I'm too young to have arthritis!

Oh, god, don't tell me it's broken! It's not broken, is it? Geralt, tell me it isn't-!

Geralt bends the joint down, then quickly snaps it back up with a whipping motion. There's a loud crack! and Jaskier's soul just about leaves his body

"It was just misaligned. Should feel better in a day or two." Geralt rumbles, then just walks away to putter around their camp.

Jaskier is left standing, stunned, while his brain tries to reboot whatarewords.exe so he can ask himself what the heck just happened

Jaskier gets an unwanted crash course in Cervical Spine Adjustment 101 barely a week later while he's staying at an inn while Geralt works a contract

The Witcher knows something is wrong with his bard's neck the minute he walks in the door

Of course Jaskier insists that he's fine

No, nothing is wRoNG! It's perfectly normal for a human to have to turn his entire body to look at someone

No! I didn't fall off a table while playing a set yesterday - I don't care what you heard on your way back here - I just slept wrong!

Hmm (translation: Go ahead and be stubborn, I can wait.)

Geralt doesn't press the issue further.

Once most normal humans hit their 30's, getting out of bed suddenly became a full contact sport

Jaskier very well might have come out of the fall unscathed, and could very well have put something out getting out of bed, but Geralt knows this is not the case

Jaskier makes it two whole days before he finally caves, the pain having spread up the back of his head to his ears and behind his eyes

Geralt is kind of impressed with his stubbornness

He instructs Jaskier to lay on his back across the bed then grabs a small towel and pulls up a chair so he can sit and support his head and neck in his hands

He starts gently manipulating Jaskier's head and neck

Ow! Owowowowow-! Geralt, that-! Owwwwww! F***, that hurts!

Geralt feels the tension in Jaskier's neck and 'Hmm' s, then loops the towel under his neck and starts gently pulling back

Jaskier has a sudden flashback to when Geralt adjusted his wrist, and his brain starts showing him horrible images of Geralt grabbing him by the head and snapping him like a whip

Geralt rumbles at him to relax, he's just putting traction on his neck to take the pressure off the nerves and stretch the muscles

The second he feels the bard relax, Geralt gives a short sharp yank

The rapid fire series of pops is drowned out by Jaskier's undignified shriek

Geralt has to jerk his own head back out of the way as the startled bard abruptly sits bolt upright, holding his neck protectively

Pale and visibly shaken, he starts spitting colorful and creative expletives and epithets that would have had Lambert scrambling to find parchment and pen to take notes with

Once the gibbering dies down, Geralt tries to get him to lay back down so he can finish adjusting him

What do you mean "NoT FINiShEd?" You mean there's-there's more? No. Nonononono, I'm quite done, f***youverymuch!

Geralt: put upon 'Hmm'

The Witcher rummages in his pack and hands the shaken bard a potion, telling him it's for the pain, and to help relax the muscles in his neck

Ten minutes later, the sedative has Jaskier almost back to his normal chatty self, aside from the slurred speech and unfocused gaze

Geralt checks Jaskier's neck while the bard cheerfully mutters random raunchy song lyrics, and makes inappropriate jokes

There's still some tension in Jaskier's neck, so Geralt rotates his head to the side, gives a quick twist, then rotates it to the other sides and repeats the movement

There's a tiny, delayed 'ow' from Jaskier, followed by a giggle

If you wan' ed t' pull me off, you shoul' a bou' me dinner firs

Geralt rolls his eyes and leaves Jaskier to sleep the potion off

They leave town as soon as Jaskier is fit to travel, and now that he's had time to process the experience, Jaskier is utterly fascinated with this 'witcher-y craft.

Geralt finds himself bombarded with questions about the practice

Jasksier begs him to teach him how to do it

Geralt thinks it over, and finally agrees. It would be beyond helpful to have an extra set of hands that know how to do adjustments, especially when you regularly engage in activities that tend to lead to displaced bones

He starts teaching Jaskier the basics

Winter finds Jaskier at Kaer Morhen, dividing his time between composing new ballads, and becoming the first bard to learn a witcher-y craft

[hotwaterandmilk]

Have you been watching the new Tokyo Mew Mew anime? If so, what do you think?

Hi, thanks for the question! Yes, I have been watching Tokyo Mew Mew New, but I don't have a lot of insight to share and I think a lot of that owes to my age and overall interest level in magical girl titles post-2000.

TMM was a formative magical girl series for many young people in the early 2000's. However, when it was being published in Nakayoshi I had stopped buying the magazine regularly and basically moved on to other things, so for me it really didn't leave much of an impact.

The original anime adaptation left even less of an impression on me because 2002 had things like RahXephon, Princess Tutu, GitS:SAC, Witch Hunter Robin, Gravion, and all manner of other anime that I focused more of my energy on obtaining (and back then, boy did it take a lot of energy to get fansubs).

What I'm trying to articulate is that Tokyo Mew Mew is something that I've watched and read, but due to my own circumstances it has never been a stand-out title in my mental map of anime/manga. So coming to Tokyo Mew Mew New I really didn't have many expectations and now that I've watched it... I still don't really have any strong feelings either?

Why the long face? Horsie DNA?

I think overall the attempt to be true to Ikumi Mia's updated designs is admirable, everyone looks good when they're in key scenes. It does feel as though the animation slips "off" throughout these first 3 episodes and is operating within a particular budget though. The animation here is hardly comparable to the awful magical girl reboot animation we saw in Sailor Moon Crystal's broadcast version, I do think that the fact TMMN looks decent most of the time makes those moments of off proportions or long faces stick in my mind more than, say, the first anime adaptation (where everyone looks wonky all the time and nothing matters).

This looks cute, 0 notes.

No shade to the artists, I feel like Ishino Satoshi has done well returning to these characters he clearly feels passionate about designing for animation and the animation team is really working hard. And I absolutely LOVE that they kept in all the ridiculous expressions from the manga. It's just this anime is a mid-level project from Yumeta Company and Graphinica, neither of which are fantastic studios. Still, the passion is there and I respect the team for doing their best. Natori, the director, is very average in my opinion though, there's nothing that stands out much about his work here (so many of the shots etc. reflect the manga which is good but also not overally inventive or challenging for viewers).

When looking at the approach to the story I really respect that they went with the changes Ikumi helped develop before her death. I know a lot of people want anime to be 100% accurate to the original manga and that's definitely an opinion plenty share, but I appreciated that they went with something different here and respected the way the original creators wanted to change their work after 20 years. It's a gamble to do something like that and I think it pays off, it changes things up a little but feels respectful to the vision the creators wanted so yeah.

TFW the DNA hits

In saying that though, damn I wish they changed some of the crappier aspects of the series. The lack of consent re: The Mew Project's DNA Digivolving sciencemagic is something that could have been adjusted quite easily here, but they opted to keep it basically the same. Hey kid, you're part animal now go fight. Ryou grabbing Ichigo's face like she's a fucking bread roll. Ichigo just bleating on and on about romance and first kisses. Minto now kind of stalking Ichigo to set her up for the DNA digivolving sciencemagic knowing what she’s in for and not giving her the chance to make an informed choice on her own? Idk man, I feel like a lot of this could have been changed to be less icky quite easily without impacting the characters or scenario too much. Maybe that’s just me.

:) gonna get u filled with hot DNA

Umm what else? It's all very rushed (I mean 12 ep season, no shocks there) and while that's very much on par for the course I still feel like if you had no background with this title whatsoever it would be difficult to get invested in these characters at this point. Rettasu is the one with the most background given in these first few eps, Minto remains a cipher, Ichigo’s character is extremely tied to Masaya’s and Bu-Ling is monke hehe acrobatics. There’s no meat on the bones of these introductory episodes.

So she was made of chimps!

Not a criticism of TMMN specifically though, I should point out. We only just saw the exact same INTRO INTRO INTRO INTRO INTRO thing happen in the Majo Kaitou LIP☆S manga recently where it felt like having a cannon loaded with a new magical girl pointed at your face every chapter for the first half dozen months of serialisation. I get why they do it, got to get those girls introduced and all the little trinkets out there for kids to latch onto, but it still makes forming an attachment with adaptations like TMMN a little tough if you don't already know that there's more to these girls than what is shown ever so briefly in these first few eps.

Hey, I just met you and this is crazy. But who are you, and why we dressed all same-y?

The seiyuu are fine, I think they all sound about right for each character. The one area where TMMN does nothing for me at all though is the OP/ED, they’re extremely generic and while the ED at least gets close to recapturing some of the spirit of the original ED, the OP is just... put the nonsense lyrics aside and it could be for almost any generic series airing right now. There’s nothing that makes it stand out and that’s a shame, because if you’re forming a seiyuu group for a show at least give them some decent bangers (Franchouchou, for example, objectively rules and they’re a seiyuu group formed for a random anime so... it’s doable).

I think at the end of the day if TMM was a series that meant a lot to you growing up, you’ll appreciate revisiting the tale in a modern adaptation. Yeah there’s always plenty to nit-pick, but it’s rare to see shoujo anniversary adaptations like this and I’d love to see more titles get a chance at a redo so I hope TMMN does decently for those involved in its production. The loss of Ikumi Mia before this adaptation started airing has definitely put a sombre spin on things for me, but knowing how much she wanted this to succeed and how much she cared about this series made me watch the episodes going, “This isn’t for me but I’m glad other people love this and are having fun.” And ultimately that’s my take on the whole thing.

:)

Is it going to reset the magical girl genre? No, I don’t think so. Does it do anything shocking and new? Not particularly. Is it comforting for adults who have grown up in the past 20 years to watch something that cares about the environment and is joyful about life even after *gestures at the world* ALL THIS SHIT? Yes, and I think there’s value in that even if I’m a bit too old to have the same level of investment as people in their 20s.

[wesavegotham]

Honestly. In main continuity, I feel Bruce shouldn't get married at all or even have a biological kid like Damian or Helena. Cuz marriage & fathering kids bring unnecessary soap opera elements to a grounded pulpy crime detective fiction format. Yeah, Damian had a cool arc with Dick in the Morrison run, but his continuing presence had sidelined other characters like Tim & Cass. Sigh...Im gonna get so much pushback.

Dick should be the one that gets married. I really wished that his wedding with Starfire wasn't derailed last minute. It would make more sense cuz Dick is more involved with the soap opera drama due to his time in the New Teen Titans.

just make know so when out there

Er...did you send this to the wrong blog perhaps?

Because while I agree Bruce shouldn't get married it's for different reasons than you. Batman's story is written to go on forever (like a classic soap opera) and even if Bruce got married to idk Catwoman, sooner or later it would only end in divorce, death or retcon anyway and then the batcat fans would whine even louder that the two people with huge committment issues and incompatible lifestyles aren't together forever. As if all of Bruce's romances (including Catwoman) weren't designed on purpose to have an expiration date and not work out. Like most relationships in soap operas.

But why are you writing to a Damian fan's blog that you don't think Damian should exist?😅 I don't even get why you lump Damian and Helena together, while Helena was implied to have grown up in a rather domesticated way on Earth 2, Damian is a completely different case?

I don't see how Damian brings "soap opera drama" to Batman that Bruce didn't also have with his adopted kids. My impression from older comics is that they were even more soap opera like because they had a stronger focus on relationship troubles and stuff like "might Bruce lose custody of Dick/Jason?" Getting a story in which Bruce and Damian's relationship is the A plot and not the C,D or E plot of an arc is damn rare.

Also, grounded pulpy crime detective format? Pulpy, okay, but I wouldn't call Batman grounded or even a detective format most of the time. Only a small amount of Batman stories are actual detective stories and he's dealing with aliens, magic or gods all the time and has done so for several decades now. Let's be honest, it's more an action/adventure story with soap opera like relationship drama that borrows some noir detective aesthetics.

Also, yeah, you're going to get pushback for saying stuff like Damian caused characters like Cass and Tim to be sidelined. Because you're wrong. DC has never sidelined Tim, they just started treating him more like everyone else. That's not the same🤦‍♀️

The evil Cassandra arc started before Damian's introduction (during a time when DC wasn't even planning to make Damian into recurring character, he was supposed to be dead after the Batman and Son arc) in Tim's Robin book. Damian had nothing to do with that storyline, if anything Cass was treated badly to give Tim a story.

Or are you talking about stuff like Steph and Cass getting erased in New 52 and believe that it had something to do with Damian? You, know, the character DC killed off two years into the reboot like they had planned to do since the start? And who has since been kept far away from the batfamily? During DC Rebirth Damian wasn't even under the control of the Batman office, the Superman office had him. And the Robin solo DC gave Damian that started with a tournament arc that some whiny Cass stans thought should have belonged to Cass? Guys, Robin 2021 is a book that only existed to do some damage control after DC absolutely destroyed the character in Teen Titans and to launch two events, Shadow Wars, which was more a Deathstroke Inc vs League of assassins story than a Damian one and Batman vs Robin, which so far is pretty much just a Batman focused story.

No idea why you talk to me about what to do with Dick, I never cared that much about him.

No idea what you're even trying to tell me with that last sentence.

Anyway, if you really feel the need to blame a character (and not simply DC) for how Cass was treated you should probably look more towards Tim or even more likely Barbara. Since it was DC deciding that Barbara should be batgirl again that probably got Cass erased in New 52. People who seriously think Tim is being sidelined in favor of Damian are simply delusional and entitled, sorry. Like how spoiled do you have to be not to see how many damn chances DC has given Tim time and time again. DC loves Tim.