#this really isn't funny

[whatev-i-guess]

Demon!Ghost: Your soul tastes bitter. Soap: Then stop nibbling on it... Demon!Ghost: But I am hungry. And you know what they say: Beggars can't be choosers. (╹ڡ╹ )

[poorly-drawn-mdzs]

License to Kitty.

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[captain-krow-drozdov]

Danny Is An Alternate Version Of Ra's Al Ghul And Flash Already Called Dibs On Adopting Him

Danny In All His Sleep Deprived Slightly Scuffed Up From A Fight Glory Is On His Way To Clockworks Tower To Hopefully Get A Nap And Maybe Some Homework Done When A Natural Portal Opens Up In Front Of Him And Proceeds To Unceremoniously Drop Him In The DC Verse Just Outside Of Central City Before Promptly Closing Leaving A Tired Danny Behind In A Run Down Abandoned Parking Lot.

It's Times Like This When Danny Regrets Putting Off Learning How To Make His Own Portals, Cause Now He Is Very Much Stuck For The Foreseeable Future And He Has No Idea Where Or When He Is. Luckily For Him However Central City Isn't Too Far Away, Unlucky For Him However Is That Once In The City He Realizes This Isn't His Dimension. He's Pretty Sure He'd Remember Something Called The Justice League.

So What Do You Do When Supernatural Bullshit Fails You? You Fall Back On Your Mad Scientist Roots And You Make A Portal Gun. So That's Exactly What Danny Plans To Do.

Unfortunately Staying Alive And Building Questionably Safe Portal Technology Requires Money And Supplies, So He Ends Up Wandering From City To City Doing Odd Jobs/Fixing Up Busted Tech For Cash Or Unwanted Electronics For His "Operation: Get Home" Needs. This Obviously Ends In A Few Superhero Encounter Shenanigans.

Though He Always Ends Up Back Near Central City, Both On The Off Chance The Natural Portal Will Open Up Again And Because Out Of All The Superheroes That Apparently Exist In This Universe The Speedsters Are His Favorite (Red Robin Is Solidly His Second Favorite Ever Since The Gotham Vigilante Gave Him A Large Coffee Filled With Enough Caffeine To Kill A Man).

Unbeknownst To Danny However Is That Every Hero/Vigilante He Has Encountered Has Come To At Least One Of The Following Conclusions; 1. Run Away Meta Who Is In Desperate Need Of A Good Meal/Adoption Bait. 2. Possibly Red Robin/Tim Drake Clone 3. A Good Kid But Could Possibly Be A Future Rouge If Left Unsupervised. 4. Did Bats Get A New Kid And Why Is He Here?

All Flash Knows Is That He Saw The Kid First And Therefore Has Dibs. Suck It Bruce.

Fast-forward A Few Months And Danny Gets Hurt During A Rogue Attack While Trying To Help Some Civilians Get To Safety (Old Hero Habits Die Hard (Ha Die Hard) And All That Jazz) And He Nopes Out Once Everyone Is Safe And When The Paramedics Are Busy With Other People Unaware He Left A Blood Sample Behind.

One DNA Test Brought To You By Paranoid Bat Concerns Of A Possible Red Robin Clone Later And They Find Out That Dannys DNA Matches One Ra's Al Ghul.

They Now Think Danny Is An Escaped Ra's Al Ghul Clone.

Memes For The Vibes:

[seawaveleo]

i'm he's -> <- he'm i's

[benevolenterrancy]

honestly. if you decided to create giant fucking corpse-head-spiders to populate your world with then this is exactly what you deserve.

[vonkarmic]

[ID: A screenshot of Disco Elysium dialogue, edited to read: Racist Lorry Driver - “You sad little pervert.” Authority - Don’t give him power over you. If you back down from this, you’re proving him right. Rhetoric [Medium: Success] - Even if he is right, you can still recover from this. You have ample time to come out of this conversation on top. Composure [Challenging: Failure - Without even thinking, the words leave your mouth 1. I'm happy big and sexually normal End ID]

[fox-guardian]

starting to feel like part of the reason that Sam and Celia's romance thing feels a little off rn is cuz like. what do you mean they're actually dating. he asked her on a date and she said yes. and it's working out so far. it's chill and fine. what do you mean they're not pining for 4 seasons, not communicating, and then getting together only after one of them walked through hell to drag the other out and make sure they know they're loved and wanted. they haven't even patched each other's wounds yet hello. aren't y'all moving a little fast.

[flowersandfashion]

hot twink is tied up and penetrated

A Collection of Homoerotic Paintings of Saint Sebastian

Carlo Saraceni, c. 1610 /// Nicolas Régnier, c. 1620 /// Guido Reni, c. 1625 /// Nicolas Régnier, c. 1625 /// Louis Finson, c. 1613 /// François-Guillaume Ménageot, c. 1760 /// Guido Reni, c. 1615 /// Nicolas Régnier, c. 1620

[wilteddreamsofbaldursgate]

Overindulgent father Astarion who tells his children they’re allergic to any kind of jewellery that isn’t made of the highest grade Dwarven crafted gold. 

It’s not even because Astarion might have a certain aversion to silver, no, he just raises his children to have standards, thank you very much. 

And it doesn’t end with shiny things, oh no… 

The Ancunín brood is known to be dressed in perfectly woven cotton, silk and soft leather clothes, no matter the occasion.

They’re seen playing with expensive toys, reading artfully illustrated books that certainly belong behind thick glass, not in children’s sticky hands. 

There’s even talk that one of the children is not as naturally inclined to music as his parents claim him to be, surely his lyre must be enchanted—the instrument certainly looks extravagant enough! 

And then there’s always this air of effortless haughtiness surrounding the Ancunín children whenever their nannies and servants are parading them through town as if they were perfect little dolls; objects to show off the wealth their parents acquired in quite the mysterious ways. 

So, it’s no secret that Astarion and Tav are pampering their children—some might say they’re even spoiling them rotten. 

And maybe they are, especially Astarion.

But he doesn’t see why he should raise them any other way, nor does he want to.  

When it comes to his children, Astarion has his own standards, and as long as Tav agrees with him nothing really matters. 

Because, these people, they don’t know anything about the Ancuníns. 

They don’t know that it’s not unusual for Astarion to wash out dirt and mud and strawberry stains from comically small finery, leaving behind only the memories of a day spent playing in the garden, chasing after ducks, picking flowers, lazing in the sun…

That any holes and tears the children’s clothes might suffer are quickly mended, making them look as good as new in no time. 

Nor do they know that Astarion doesn’t mind fashioning a brand new dress to match that of a favourite doll, either. Or to embroider a pretty vest with the likeness of that stray cat the children seem to adore, although their father would rather they don’t touch the mangy animal. 

No, those people know nothing at all...

“Not tired!” Astarion’s youngest cries; the vehement denial of her father’s earlier accusation is cut short by a telltale yawn.

The room still smells of fragrant lavender oil and peaches even when the bath water has already grown tepid, just one or two degrees above what Astarion would consider too cold to be enjoyable. 

Amused, he raises an eyebrow at the protesting toddler before he lifts her out of the copper bathtub with little effort. 

By now, he knows every step of this game.

“Tut-tut, my dear child, what did mama and I say?” Astarion kneels, quickly wrapping a soft towel around the child to keep her warm. “We only tell lies outside of this house.”

Unfazed by her father’s gentle scolding, the girl crosses her arms that haven’t yet lost their puppy fat across her chest, reminding Astarion a little too much of a very displeased Tav. 

Suppressing a sigh, he leans back to consider the pouting child, wondering what could possibly be upsetting her this time—the list is growing longer by the day, after all. 

“What’s the matter, dear?” Astarion asks gently, hoping it’s something easily fixable as it’s growing rather late. 

“Want apple!”

Decades ago, Astarion might’ve rolled his eyes—he knows exactly which stupid apple the child wants, it’s been haunting him all day—but once he started to treat his children’s problems as if they were his own, his life has grown somewhat easier. 

“Why, let’s get an apple on our way to bed, then. Would that be alright, Your Highness?” 

The girl promptly nods her head, allowing Astarion to pat her hair dry before dressing her in a clean night dress. 

She rests her cheek against her father’s shoulder as he carries her first to the kitchen to grab a fragrant apple and a knife, then to her bedroom where they settle on the cosy window seat, just like they do every night.

Soft moonlight is pouring through the windows; the child giggles at the way the knife’s blade is catching the silver light as Astarion peels and cuts the apple into even pieces.

“Here you go,” he finally says, giving the slice of apple one last examining look before surrendering it to the impatient little hands reaching for it. “A sweet treat for my little sweet. Doesn’t it taste so much better when we don’t eat it off the floor, darling?” And when it’s not crawling with ants…

The appeased toddler nibbles at the juicy fruit as Astarion carefully combs through her still-damp curls. 

Her hair’s getting long, he notices, knowing that taking care of it will become more time-consuming each day. 

Once, Astarion would’ve thought this task tedious, brushing out hair that’s not his own, oiling and braiding it for no other reason than knowing his children enjoy him doing it. 

But that’s why he loves doing it in the first place, he supposes.

Astarion can tell by his toddler’s heartbeat that sleep is about to claim her. 

The half-eaten slice of apple is still clutched in her little fist as he cradles the child to his chest, slowly rising from the window seat to put her to bed. 

He’s just about to lay the child down that the fruit drops to the floor, his daughter’s tiny hand clutching at his shirt instead.

“Thank you, papa,” she mumbles, more asleep than awake.

Astarion pauses.

He breathes in the clean, yet unique scent of the little girl that is forever engraved in his brain, the same way he knows under which exact constellation she was born. When she took her first steps, what her first word was. Soon, he will have to memorise her favourite colour, and what she likes to eat when dirty apples won’t be that appealing anymore. 

By now, Astarion knows this game by heart, knows that with every year that passes, he has something new to learn about his children.

And sometimes he wonders what it’s like to grow up with clean bed sheets and full bellies. Sleep filled with naught but warmth and happy memories. Ever open doors and tears that are dried by tender kisses. Living in a house where mistakes and anger are welcomed, safe. 

He wonders what it’s like for his children to know that their father’s love comes without conditions. Not now and not ever. 

Sitting down on the bed, Astarion holds his youngest a little closer to his chest, unwilling to let go of her, yet. 

He’s often accused of spoiling his children when most people can only just grasp the very surface of his love for them, the bare minimum of what he feels for his one and only, precious family. 

These baseless accusations are as unimportant to Astarion as the people voicing them.

He’s raising his children to have standards, wants them to take their father’s love for granted, to accept nothing less but pure devotion.

It’s the only way Astarion knows how to love them, the only way that comes most naturally to him. 

Astarion looks down at his little girl, now fast asleep, a gentle smile tugging at her lips. 

After all these years—all these children—he’s still in awe watching them sleep in his arms as if no harm in the world could ever befall them.

And it won’t—not if Astarion can help it. 

“No, thank you, my heart,” he whispers, pressing a kiss against the crown of the toddler’s head. 

When it comes to his children, Astarion holds himself to the highest standard.

[transrevolutions]

things you can tell people if they ask you about the scars on your face:

- "large scale worm attack" - "clowns tried to steal my skin but I got away" - "nearly got overtaken by the evil fog" - "cursed door incident" - "the angles cut me when I try to think" - "a cop bit me" - "gym membership went horribly wrong" - "rock concert went horribly wrong" - "got stuck underground for eight months" - "the last girl I kissed was reallyyyy hot. literally" - "stared at the void (it stared back)" - "got rid of the death vines but at what cost" - "ask me again and I'll give you fucking vertigo" - "I saw too much and now I bear the marks of my hubris" - "the spiders. they want out ::::)"

[dogmaz]

[Skullduggery - 1983]

[forgettable-au]

Does Flowey exist in this au?

Yes, he does.

Everything's pretty much the same when it comes to the regular story in this AU. It's just the past, especifically Papyrus' past (wich we don't know much about to begin with) that changes

Actually Flowey is one of the main characters in the story! (the main story of this au is divided between the past before the game and a post-pacifist timeline:D)

He and Papyrus will have a fun dynamic

-some thought I had in tags behind the keep reading

Srry for the spelling mistakes in here but I can't go and fix tags because I would end up erasing everything😭tumblr struggles

[ducktracy]

if you find yourself asking "how shall i spend the next one minute and 52 seconds?", i implore you to turn to the Wansa-kun opening for the most joyful way to fill the time. isn't this wonderful

[daily-sifloop]

Kisses!!! Please!!!!!! They deserve it

day 11: behind the scenes

[oblique-lane]

"Just a bunch more biblical paintings then I'll go back to drawing yaoi" Or you can do both, renaissance style, Michelangelo or Raphael I honestly forgot who drew those naked men on the Sistine Chapel's ceilings ok bad joke aside: I'd love hearing more about your headcannons, specifically about the childhoods of the characters (ranging from the mercs, to Miss pauling, the Administrator, hell anyone you have ideas about!)

Childhood headcanons... How did you know I've had something about that on my mind? Alright, let's talk about...

Little Sniper

(Lots of trigger warnings ahead, check tags!)

Mundy was obviously an unhappy child. When I imagine the surroundings he grew up in, I see miles and miles of empty landscapes, dry yellow grass, unkept barns destroyed by rust and a deep choking sense of loneliness.

The closest neighbour woul be so far away you better bring a bicycle with you if you want to visit. School and Church were the only places to go, which were also very far away. No kids his age nearby. And even if there were peers at school, no one wanted him anyway.

Mundy was "weird", he didn't quite understand other kids' jokes, didn't get what was so fun about what everyone else enjoying to do; he was weaker, always loosing in close fights; he didn't even look very local for whatever reason. Even if he tried to get along with someone, it either ended up with him being ostracized or with him experiencing the greatest boredom imaginable. And the kids quickly picked up on his "difference", making him an object of bullying.

It started with making fun of everything Mundy does, his habits and speech patterns, his morals and ideas... Which wasn't anything too big for him but it was still very annoying and upsetting, he grew to hate school very quickly.

Coming home being exhausted from this kind of socializing, no one would really comfort him. Being very little, he used to tell on his bullies to his parents, telling how hurt he was by their words... And it would only made a mess in his family.

Overreactive mother: "Poor baby, I'm so sorry, I'll tell their parents to stop being mean, my little little baby, maybe we can go homeschooling..."

And a strict father: "Are you a man or what? Yeah, he will end up a bloody baby if you keep spoiling him like that! Suck it up! Of you can't stand for yourself, no one will. At this pace you'll end up a nobody, with no home nor respect from the world".

Mundy didn't want to be neither a baby nor a disappointment. He figured that sharing his feelings with parents wouldn't be that good of an idea, they won't understand anyway. And also that he must fight somehow.

If he can't win in close fights, he thought, he could hit them from a distance: throwing small rocks at the bullies from up the tree...

–He was punished for that. For some reason, every time Mundy fought back, he was scolded by the elders, who for some reason always believed the bullies that HE was the one starting the fights. They forbid him to fight back. He closed his feelings shut and stopped paying attention to almost everything around him.

Why was it like that? Why was he so different from other kids, why couldn't he understand them? Why couldn't he understand anyone in this world? The world was a mess of unspoken rules and suffering, overcoming oneself, pain; he couldn't fit in. He was always on the wrong even if he didn't do anything. He felt like an outsider everywhere he went.

Sometimes he wondered if he was born into a wrong family or that he wasn't a human at all. Looking at the night sky, he was thinking about aliens, maybe they would come to him someday and take him to the planet he truly belongs, being accidentally swapped at birth. Maybe then he will be happy, he will leave this sickening place and finally start living. He thought about dying, too.

He started to spend a lot of time in the forest any chance he got. He was alone here, unwatched, somewhat free. It was easier to breathe here. He was alone but it didn't feel worse than being with those people. He played by himself. He started to believe that he actually liked loneliness.

As Mundy and his peers grew older, the kids started to become more and more savage, thanks to the hormones and age crisis. Bullying intensified as those kids started to feel the need to assert themselves. Mundy was maliciously beaten (he fought back as much as he could and even win sometimes, but the beating only got worse each time). They used any chance to humiliate him.

And each time after that Mundy would take the knife or his father's shotgun and go to the forest to take his anger on animals, "hunting", since he couldn't do anything to fix the root of the problem.

He would hunt for something small, like birds or feral rabbits so he could butcher them and cook on fire to eat. At moments like this he felt like a beast, and somehow it was the most pleasant state for him to be in.

There were no words available to form his pain into, so the pain came through violence. The more violent his abusers became, the more violent he was at his "hunting". The more he felt his father's gaze piercing him with disappointment, the sharper his knife movements would get. Sometimes he would let the bodies to just rot like that, completely butchered in a very non-culinary way.

(Maybe someday he would lure one of those bastards to the forest and kill him the same way and blame it on an animal attack)

And at some point... His classmates would came up with something that would cross all the lines of forgivable. Somewhere there was the peak of what they could do. Something beyond.

There wasn't a known way to him to deal with that. No known words. Everyone would be so grossed out of him if they knew. He was beyond disgusted with himself, too. What was the point of living now?

That day he would shot a wild boar, take his machete out and cut it open, butcher it the way his father would when they wanted a pork dinner for the night... And reached to its heart.

The heart is where the love is stored, right? That's what people say when referring to this "love" he'd never seem to know. A dark read bloody organ that feels like sponge inside of thin rubber. There's something about this that Mundy lacks. He has a heart too, it's pulsating inside him, but for some reason it was unable to produce the "love", a very necessary fluid for a human body. He wondered if it's sweet. He wondered if he was even able to taste it.

He took a bite... And realized what he was doing.

He was, indeed, a monster.

When he went back home, later than usual, he would be met with his father's gaze. He was always throwing gazes, for every occasion, Mundy was used to feel small and guilty under them. But this time... It felt somehow much more personal. More disturbing.

His father looked at him as if he was a dirty little creature, a rat, a maggot. He looked at him the way one would look at a criminal who wronged their whole family. He looked at him like he knew.

His father didn't say anything that day and it wasn't brought up ever again.

Mundy was indeed a monster who was utterly terrified of this though. He didn't want to be one. He made a promise to himself that everything he does will be morally justified, he promised himself to become a good... decent person. He would earn his place in the world, even if his father, everyone else denies it.

It gets blurry at this point. Sniper doesn't really remember his life before about 17, when he was finishing school and starting to work on his sniper licence. For some reason he always knew he would be good at shooting and killing. When remembering his home, Sniper would recall the smell of grass, mother's cooking, the warm sun, and a steady life he had. He knew it was boring, but it still somehow felt like home. Home he felt was lost somewhere he didn't remember.

Either way, he was always a loner.