#this quote left like it was made for her

[scnguineus]

( insp. )

[eloquentsisyphianturmoil]

Finwë: *wife dies*

Finwë: Guess I’ll marry my political rival’s daughter

Fëanáro, later: *fucks up*

Finwë: bye wifey I’m moving in with my precious deluded boy in his exile

Finwë: *gets murdered*

Fëanáro: O King of Vanyar wilst thou not raise thy bastions against the black foe

Ingwë:

Ingwë: *gestures to vengeful wreck of his daughter* no

[boilingrain]

There’s something silly to me about Bluestar x Yellowfang

It’s just “yeah Firestar’s moms should date”

Old women with tragic backstories and the very orange boy they separately adopted

[frogspawned]

pet peeve is when a story tells us something is aberrant, but it seems to matter more about who does the behavior than the behavior itself. rorschach in snyder's watchmen isn't going too far; we watch nite owl and silk spectre ii snap necks and arms with gleeful, loving abandon, in slow motion no less, while they lecture the audience about rorschach's violence. heroes frequently torture the plot contrivance out of a villain and then moralize to the camera when the villains do the same. indominus rex's killing spree doesn't shock or appall me; all the jurassic world dinosaurs act like mindless killing machines, and the camera lingers, rapturous, on their cruelty. it's not an outlier. there's nothing interesting about it beyond as a set piece.

in a better script, the indominus rex would have had pathos; a chimera made for entertainment, for profit, stitched together with no regard for itself and placed in a lonely box. a freak among freaks. of course it would be mad. but the film wasn't interested in it as an animal, or a character, only as a moving piece of scenery for people to scream at or breathe tensely while it can clearly smell and reach them but doesn't, because it isn't a character and doesn't have motivations.

it's just sort of boring, i suppose. it tries like all other empty drab things do to cover it with bombast and roaring and soaring brassy scores but it's just sort of dull. a sprawl of nothing.

conversely peele's nope is a transcendent monster movie, imo, because it thinks about the the whys and hows, how jean jacket perceives the world, how the world perceives her, and lets that shape the narrative as much as jupe or emerald or gordy. they consulted biologists and behaviorists, digging into the meat of it. the creature as a camera as an animal as a device. nope has layers. it takes its own insane premise seriously, and has something to say, and is a goddamn good movie. i forgot where i was going with this.

[wonder-worker]

"The feast of the Nativity of Saint John the Baptist being appointed as the day upon which the coronation of the king [Edward V] would take place without fail, all both hoped for and expected a season of prosperity for the kingdom."

-Excerpt from the Croyland Continuator / David Horspool, Richard III: A Ruler and Reputation

Even though Edward IV’s death was unexpected, after twelve years of peace there need not have been too much of a sense of foreboding about the succession. The great dynastic wound from which the Wars of the Roses had grown had not so much been healed as cauterized by the extinction of the House of Lancaster. There was no rush for London, as had happened in earlier, disputed successions. The royal party didn’t set out from Ludlow for ten days after hearing the news of Edward IV’s death, while Richard took his time, too. And the new king had [his mother the dowager queen and] two uncles to support him: his mother’s brother, the sophisticated, cultured, highly experienced Earl Rivers; and his father’s, the loyal and reliable Duke of Gloucester, to whom Edward IV had entrusted unprecedented power and vital military command.

... [Richard of Gloucester] had achieved his goal by a mixture of luck and ruthlessness, and if he made it appear, or even believed himself, that destiny played a part, this only made him a man in step with his times. Modern historians have no time for destiny, but sometimes the more ‘structuralist’ interpretations of the events surrounding the usurpation can come close to it. When we read that ‘the chances of preserving an unchallenged succession were . . . weakened by the estrangement of many of the rank-and-file nobility from . . . high politics, which was partly a consequence of the Wars of the Roses and partly of Edward IV’s own policies’, it is hard not to conclude that an unforeseeable turn of events is being recast as a predictable one. But without one overriding factor – the actions of Richard, Duke of Gloucester after he took the decision to make himself King Richard III – none of this could have happened. That is, when the same author concedes ‘Nor can we discount Richard’s own forceful character’, he is pitching it rather low*.

Edward IV had not left behind a factional fault line waiting to be shaken apart. Richard of Gloucester’s decision to usurp was a political earthquake that could not have been forecast on 9 April, when Edward died. After all, Simon Stallworth did not even anticipate it on 21 June, the day before Richard went public. We should be wary of allowing hindsight to give us more clairvoyance than the well-informed contemporary who had no idea ‘what schall happyne’. This is not to argue that Richard’s will alone allowed him to take the Crown. Clearly, the circumstances of a minority, the existence of powerful magnates with access to private forces, and the reasonably recent examples of resorts to violence and deposition of kings, made Richard’s path a more conceivable one. But Richard’s own tactics, his arrest of Rivers, Vaughan and Grey, the rounding up of Hastings and the bishops, relied on surprise. If men as close as these to the workings of high politics at a delicate juncture had no inkling of what might happen, the least historians can do is to reflect that uncertainty [...].

(*The author who Horspool is referencing and disagreeing with is Charles Ross)

[nosferatufaggot]

SORRY WILL NEVER GET OVER IT!

"Do you think I care for you so little that betraying me would make a difference?"

RRRRRRRRRRRRRRGGGGGGGGGGGGGG!!!!!!!!!!!!!!!

[acourtofquestions]

Kingdom of Ash Chapter 51

He didn't care, didn't marvel that he was soon to be airborne on one of those incredible beasts. Didn't care that tomorrow, they would all take on the dark army gathered beyond.

He'd fought in more battles, more wars, than he cared to remember. Tomorrow would be little different, save for the demons they'd slay, rather than men or Fae.

Demons like his former queen, apparently.

He had offered himself to her, had wanted her, or believed he did. And she had laughed at him. He didn't know what it meant. About her, about himself.

He'd thought his darkness, Hellas's gifts, had been drawn to her, that they'd been matched.

Perhaps the dark god had wanted him not to swear fealty to Maeve, but to kill her. To get close enough to do so.

Lorcan didn't adjust his cape against the gust of frigid air off the distant lake. Rather, he leaned into the cold, into the ice on the wind. As if it might rip away the truth.

There was no fear or pity on her face, her black hair gilded by the torches and campfires. Of all of them, she'd mastered the news with little difficulty, stepping up to the desk as if she'd been born on a battlefield.

"I didn't know," he said, voice strained.

Elide knew what he meant. "We have bigger things to worry about anyway."

He took a step toward her. "I didn't know," he said again.

She tipped her head back to study his face and pursed her mouth, a muscle ticking in her jaw. "Do you want me to give you some sort of absolution for it?"

"I served her for nearly five hundred years. Five hundred years, and I just thought her to be immortal and cold."

"That sounds like the definition of a Valg to me."

He bared his teeth. "You live for eons and see what it does to you, Lady."

"I don't see why you're so shocked. Even with her being immortal and cold, you loved her. You must have accepted those traits. What difference does it make what we call her, then?"

"I didn't love her."

"You certainly acted like you did."

Lorcan snarled, "Why is that the point you keep returning to, Elide? Why is it the one thing you cannot let go of?"

"Because I'm trying to understand. How you could come to love a monster."

"Why?" He pushed into her space. She didn't balk one step.

Indeed, her eyes were blazing as she hissed, "Because it will help me understand how I did the same."

Her voice snagged on the last words, and Lorcan stilled as they settled into them. He'd never ... he'd never had anyone who-

"Is it a sickness?" she demanded. "Is it something broken within you?"

"Elide." Her name was a rasp on his lips. Lorcan dared reach a hand for her. But she pulled out of reach. "If you think that because you swore the blood oath to Aelin, it means anything for you and me, you're sorely mistaken. You're immortal-I'm human. Let us not forget that little fact, either."

Lorcan nearly recoiled at the words, their horrible truth. He was five hundred years old He should walk away—he shouldn't be so damned bothered by any of this. And yet Lorcan snarled, "You're jealous. That's what truly eats away at you."

Elide barked a laugh that he'd never heard before, cruel and sharp. "Jealous? Jealous of what? That demon you served?" She squared her shoulders, a wave cresting before it smashed into the shore. "The only thing that I am jealous of, Lorcan, is that she is rid of you."

Lorcan hated that the words landed like a blow. That he had no defenses left where she was concerned. "I'm sorry," he said. "For all of it, Elide." There, he'd said it, and laid it out before her. "I'm sorry," he repeated.

But Elide's face did not warm. "I don't care," she said, turning on her heel. "And I don't care if you walk off that battlefield tomorrow.

"I have never heard Lorcan apologize for anything. Even when Maeve whipped him for a mistake, he did not apologize to her."

"And that means he earns my forgiveness?"

"No. But you have to realize that he swore the blood oath to Aelin for you. For no one else. So he could remain near you. Even knowing well enough that you will have a mortal lifespan."

The birds shifted on their feet, rustling their wings in anticipation of flight. She knew. Had known it the moment he'd knelt before Aelin. Weeks later, Elide hadn't known what to do with it, the knowledge that Lorcan had done this for her. The longing to talk to him, to work with him as they had. She'd hated herself for it. For not trying to hold on to her anger longer.

It was why she'd gone after him tonight.

Not to punish him, but herself. To remind herself of who he'd sold their queen to, how profoundly mistaken she had been.

And her parting line to him ... it was a lie.

A disgusting, hateful lie.

Elide turned to Gavriel again. "I don't—" The Lion was gone. And for the cold flight over the army, then over the sea of darkness spread between it and the ancient city, even that wise voice who had whispered for the entirety of her life had gone quiet.

[dragons-and-yellow-roses]

Sat down to write (it's 1:40am, I should be asleep) for the first time in almost a year because I very suddenly got the motivation, I sat down in front of a blank document and just thought, "Huh. How do you write?" (I used to think I was going to do this as a career)

[itspileofgoodthings]

me to Nina yesterday: explaining how due to a headache and exhaustion I wasted away the end of my afternoon just watching Ryan Gosling interviews

Nina, instantly sympathetic: and I completely understand that, a valid thing to do

[infizero]

with my kriselle ideas its like. kris has some weird little romantic queerplatonic whatever the hell crush on noelle and has kind of had said crush since they were little. but they dont rlly feel the need to act on it? or more like after shit Happened and they grew apart they felt like they couldnt/shouldnt.

and so in snowgrave when kris is forced to do all this stuff to noelle they feel terrible not just in general but in a VERY specific way bcuz on some level they do actually like her like that. and they are obviously not enjoying any part of this but there's still that deep guilt about the fact that it's happening at all. esp since noelle is very clearly into susie (in this scenario i think noelle also has similar weird feelings towards kris but she doesnt rlly show it so kris wouldnt know that) so kris feels really gross about this whole thing even tho they're not in control

and then of course this all comes with an asterisk reading "THIS IS AN INTERPRETATION OF THINGS AND I VALUE THE REALITY OF THINGS AND KRIS' TRUE FEELINGS ABOVE ANYTHING ELSE AND AS SOON AS ITS MADE MORE CLEAR WHAT THOSE FEELINGS ARE I WILL RESPECT THEM I WILL NOT FORCE MY WILL ONTO KRIS AND NOELLE"

[widevibratobitch]

so turns out i had a pretty fucked up childhood??? insane. gotta love therapy

[bumblingbabooshka]

Seska in ‘state of flux’ literally acting for her life you gotta love her

[glamfellens]

.

[ziggysgender]

personally i think the quantum leap finale is subjective because of the entire premise of the show

[persefoneshalott]

pov: you go from Still/The Neva Flows (Reprise) to Finale

[savior-of-humanity]

Not related to anything on this blog but I’m in a homebrewed Lancer campaign rn and fuck you, no context ANGST!!!!!!!!!!!!!!!