#this post was translated for your reading convenience | Explore Tumblr posts and blogs

babeyun · 6 months ago

Text

what’s the 411? ✩ masterlist

as the queen of hip-hop soul, mary j. blige, once said...what makes you different from the next guy? seen ya last week and you couldn't even speak, you try to play like mister all-of-that, but now you want to come to me with some chit chat?

...in other words, welcome to a mashup of romance: untold by enhypen and some of my favorite mary j. blige songs. random combination, i know...but just trust the process.

✩ general warnings: fluff, angst, possible suggestive themes/smut for hyung line (and if so, it will be tagged individually.) potentially darker themes? warnings for individual fics vary, please read them accordingly before proceeding.

✩ series playlist: what's the 411? ✩ enhypen [spotify]

✩ join the taglist: requirements | taglist

✩ posting period: teasers at any point, full fics tba!

✩ without my baby - yang jungwon ✩

now playing: be without you by mary j. blige | hundred broken hearts by enhypen.

✩ synopsis: he's always kept an extra pair of your socks and shoes in his work bag, just in case it rains before he gets to you - and you've never felt so cold walking home in the rain.

✩ pairing: convenience store worker!yjw x waitress!reader

✩ genre: exes to lovers | second chance love

✩ teaser! | read here!

✩ bring me paradise- lee heeseung ✩

now playing: everything by mary j. blige | moonstruck by enhypen.

✩ synopsis: the tumultuous ups and downs of your relationship were what made it worth it to heeseung. seeing the aftermath of a fight, the solutions you two would come up with - it meant the world to him. so why are you giving it up?

✩ pairing: bakery owner!lhs x restaurant owner!reader

✩ genre: strained lovers au | forged by fire

✩ teaser! | read here!

✩ bring the fire- park jongseong ✩

now playing: my loving by mary j. blige | paranormal by enhypen.

✩ synopsis: you cater to the people despite not being too fond of the whole wedding thing...and your best customer just so happens to plan the whole wedding thing.

✩ pairing: wedding planner!pjs x florist!reader

✩ genre: opposites attract | friends to lovers au

✩ teaser! | read here!

✩ if i could live - sim jaeyun ✩

now playing: you bring me joy by mary j. blige | royalty by enhypen.

✩ synopsis: he has written thousands of words just on the smell of your perfume, just like you have written dozens of stanzas just about the way he looks at you.

✩ pairing: writer!sjy x poet!reader

✩ genre: 'you're my muse' au | secret admirers

✩ teaser! | read here!

✩ diamonds, furs & you - park sunghoon ✩

now playing: deep inside by mary j. blige | your eyes only by enhypen.

✩ synopsis: nepotism has played a huge role in your life. from birth, you'd had it all handed to you - so you don't understand why he's any exception.

✩ pairing: model!psh x fashion designer!reader

✩ genre: enemies to lovers au | personal growth

✩ teaser! | read here!

✩ same old metaphors - kim sunoo ✩

now playing: no one will do by mary j. blige | highway 1009 by enhypen.

✩ synopsis: everything with sunoo has always been easy - from sharing meals to sharing secrets, you had no inhibitions. everything with sunoo was easy - including ovesharing.

✩ pairing: film student!ksn x theater student!reader

✩ genre: best friends to lovers au | forced proximity

✩ teaser! | read here!

✩ as you are - riki nishimura ✩

now playing: take me as i am by mary j. blige | brought the heat back by enhypen.

✩ synopsis: your cheeks always hurt from smiling, but you never cease to flash one at him after a game. after graduation, you find yourself holding onto a sliver of what could have been.

✩ pairing: cheerleader!riki x cheerleader!reader

✩ genre: high school sweethearts au | first love

✩ teaser! | read here!

402 notes · View notes

rassicas · 3 months ago

Note

Is this true? Showed my friend your recent blog...

I don't think that's necessarily true... let me gather the Phone Lore I could've sworn I'd translated and posted this one excerpt from the artbook but I guess I didn't?

Chunky and User-friendly Sea Cucumber Phones The worldwide craze of this mobile device all started with the youth of Splatsville. At first, the many antennas made it troublesome to use, but the “seriously, you can get a connection anywhere,” level of communication quality led to its rapid increase in market share. With its enhanced functionality in conjunction with the lobby, it has become an indispensable device for battles. (The Art of Splatoon 3, page 151)

The phones were also asked about in the april 2023 dev interview with Famitsu

---Is there any reason why there are so many Sea-Cucumber Phone users in Splatsville? Inoue: Those phones, the sturdiness and the strength of the antenna, which can be connected anywhere, make it suitable for the Splatlands, so it has a significant share of the market.

What we can gather from this is that connection out in the Splatlands is Not Great, and without Grizzco's influence, the phones were already super popular.

This reads more to me like "use your device that you already have to conveniently find a job!" rather than "buy this phone." I feel like i've seen job hunting service ads in japan that look like this.

#asks #splatoon lore #splatoon translations #sea cucumber phone #splatoon 3 #grizzco

161 notes · View notes

meichenxi · 6 months ago

Text

UK accent bias, discrimination, minority languages and the question of the 'default, normal' english speaker

today I came across something overtly that is usually a covert problem, and I wanted to take a chance to talk about the questions it raises about what it means to be 'normal' and speak 'normal english' in an anglocentric, global world.

let's start at the beginning. I was aimlessly googling around and came across this article, discussing ergodic literature:

I hope that you will see what angered me right away, but if not:

brogue? inaccessible, insufferable brogue? that is so difficult to read you might want to relieve your frustrations by harming a housepet, or striking a loved one?

what????? the fuck??????

my dearly beloathed. this is not a made up sci-fi language. this was not written for your convenience.

this is the glaswegian dialect.

this is how it is written. scots, which is very similar to this, is a language whose speakers have been systematically taught to change and hide and modify their speech, to not speak it in the classroom, to conform. this is NOT comparable to any of the made-up dialects or ways of writing in cloud atlas or any other specularative fiction. the suggestion of ir is deeply insulting.

(the line between various 'dialects' and 'languages' I speak about here is by definition sometimes political, sometimes arbitrary, and often very thin. what goes for the glaswegian dialect here in terms of discrimination goes for scots in general - which is, in fact, even more 'inaccessible' than glaswegian because it has a greater quantity of non-english and therefore non-'familiar' words. speakers of different englishes will face more or less discrimination in different circumstances. caveat over.)

you can find it on twitter, in books, in poetry; and more than that, on the streets and in living rooms, in places that this kind of england-first discrimination hasn't totally eradicated.

an imporant note - this book in question is called Naw Much of a Talker, and it was written originally in Swiss-German and then translated into Glaswegian to preserve similar themes and questions of language and identity. rather than detracting from anything I'm saying, I think the fact this is a translated piece of fiction adds to it - it has literally been translated so it is more accessible, and the article writer did not even realise. it also highlights the fact as well that these are questions which exist across the globe, across multiple languages, of the constant tension everywhere between the 'correct' high language and the 'incorrect, backward' 'low' language or dialect. these are all interesting questions, and someone else can tackle them about german and swiss german -

but I am going to talk today about scots and english, because that is how the writer of this article engaged with this piece and that is the basis upon which they called it 'insufferable brogue', the prejudice they have revealed about scots is what I want to address.

so here, today, in this post: let's talk about it. what is 'normal' english, why is that a political question, and why should we care?

as we begin, so we're all on the same page, I would like to remind everyone that england is not the only country in the united kingdom, and that the native languages of the united kingdom do not only include english, but also:

scots

ulster scots (thank you @la-galaxie-langblr for the correction here!!)

scottish gaelic

welsh

british sign language

irish

anglo-romani

cornish

shelta

irish sign language

manx

northern ireland sign language

and others I have likely forgotten

there are also countless rich, beautiful dialects (the distinction between dialect and language is entirely political, so take this description with a pinch of salt if you're outside of these speaker communities), all with their own words and histories and all of them, yes all of them, are deserving of respect.

and there are hundreds and thousands of common immigrant languages, of languages from the empire, and of englishes across the globe that might sound 'funny' to you, but I want you to fucking think before you mock the man from the call centre: why does india speak english in the first place? before mocking him, think about that.

because it's political. it's ALL political. it's historical, and it's rooted in empire and colonialism and all you need to do is take one look at how we talk about Black language or languages of a colonised country to see that, AAVE or in the UK, multi-cultural london english, or further afield - the englishes of jamaica, kenya, india. all vestiges of empire, and all marked and prejudiced against as 'unintelligent' or lesser in some way.

and closer to home - the systematic eradication and 'englishification' of the celtic languages. how many people scottish gaelic now? cornish? manx? how many people speak welsh? and even within 'english' itself - how many people from a country or rural or very urban or immigrant or working class or queer background are discriminated against, because of their english? why do you think that is?

if you think that language isn't political, then you have likely never encountered discrimination based on how you, your friends, or your family speak.

you are speaking from a position of privilege.

'but it's not formal' 'but it's not fit for the classroom' 'but it sounds silly'. you sound silly, amy. I have a stereotypically 'posh' english accent, and I can tell you for a fact: when I go to scotland to visit my family, they think I sound silly too. but in the same way as 'reverse racism' isn't a fucking thing - the difference is that it's not systemic. when I wanted to learn gaelic, my grandmother - who speaks gaelic as her own native language - told me, no, you shouldn't do that. you're an english girl. why would you want to learn a backward language like gaelic?

discrimination against non-'english' englishes is pervasive, systematic and insidious.

it is not the same as being laughed at for being 'posh'. (there's more about class and in-group sociolinguistics here, but that's for another post)

and who told you this? where is this information from? why do you think an 'essex girl' accent sounds uneducated? why do you think a northern accent sound 'honest' and 'salt of the earth'? what relationship does that have with class? why does a standard southern british english sound educated and 'intelligent'? who is in charge? who speaks on your television? whose words and accents do you hear again and again, making your policies, shaping your future? who speaks over you?

think about that, please.

and before anyone says: this is so true except for X lol - I am talking about exactly that dialect. I am talking about that accent you are mocking. I am talking about brummie english, which you think sounds funny. I'm talking about old men in the west country who you think sound like pirates, arrrrr.

(actually, pirates sound like the west country. where do you the 'pirate accent' came from? devon was the heart of smuggling country in the uk.)

so. to this person who equated a book written in scots, a minority and marginalised language, to being 'insufferable, inaccessible brogue':

and also to anyone who is from the UK, anyone who is a native english speaker, and anyone abroad, but especially those of you who think your english is 'natural', who have never had to think about it, who have never had to code-switch, who have never had to change how they sound to fit in:

it might be difficult to read - for you. it might be strange and othering - to you.

but what is 'inaccessible' to you is the way that my family speaks - your english might be 'inaccessible' to them. so why does your 'inaccessible' seem to weigh more than theirs?

and why does it bother you, that you can't understand it easily in the first go? because you have to try? or because perhaps, just perhaps, dearly beloathed author of this article, after being catered to your entire life and shown your language on screen, constantly - you are finally confronted by something that isn't written for you.

and for the non-uk people reading this. I would like you to think very carefully about what a 'british accent' means to you.

there is no such thing. let me say it louder:

THERE IS NO SUCH THING AS A BRITISH ACCENT

there are a collection of accents and languages and dialects, each with different associations and stereotypes. the clever aristocrat, the honest farmer, the deceitful *racial slur*. there are accents, languages and dialects that you hear more than others because of political reasons, and there are accents, languages and dialects which are more common than others because of discrimination, violence and the path of history.

if you say 'british accent', we - in the UK - don't know exactly what you mean. much more than the US, because the english-speaking people have been here longer, we have incredibly different accents just fifty miles away from one another.

but we can guess. you probably don't mean my grandmother's second-language english - even though, by american conversations about race, she is the whitest person you could possibly find. you don't mean my brother, who sounds like a farmer.

you mean my accent. tom hiddleston's accent. benedict cumberbatch. dame judy dench. sir ian mckellen. and they are all wonderful people - but what sort of people are they, exactly? what sort of things do they have in common? why is it that you associate their way of speaking with all of the charming eloquence of 'dark academia' or high levels of education, and my family's english with being 'backward' or 'country bumpkins' or 'uneducated' or, more insidiously, 'salt-of-the-earth good honest folk'?

we are an old country with old prejudices and old classes and old oppression and old discrimination and old hate. my brother speaks with a 'farmer' west country accent; my aunt with a strong doric accent that most english people cannot understand; my father with a mockable birmingham accent; my grandmother with a gaelic accent, because despite the fact that she is from the UK, as scottish as you can get, english is not her first language.

these people exist. my grandmother is a real person, and she is not a dying relic of a forgotten time. her gaelic is not something to drool over in your outlander or braveheart or brave-fuelled scottish romanticism, the purity and goodness of the 'celt' - but there are fewer people like her now. and I would like to invite everyone to think about why that is the case.

if you don't know, you can educate yourself - look up the highland clearances, for a start, or look at the lives of anglo-romani speakers in the UK and the discrimination they face, or irish speakers in northern ireland. like many places, we are a country that has turned inward upon itself. there will always be an 'other'.

and then there's me. raised in southern england and well-educated and, however you want to call it, 'posh'. so why is it that it is my voice, and not theirs, which is considered typically british all over the world?

I think you can probably figure out that one by yourself.

when you talk about the 'british accent', this is doing one of two things. it's serving to perpetuate the myth that the only part of the UK is england, rather than four countries, and the harmful idea that it is only england in the UK that matters. (and only a certain type of people in england, at that.)

secondly, it serves to amalgamate all of the languages and accents and dialects - native or poor or immigrant or colonial - into one, erasing not only their history and importance, but even their very existence.

dearly beloathed person on the internet. I have no idea who you are. but the language scots exists. I'm sorry it's not convenient for you.

but before I go, I would like to take a moment to marvel. 'insufferable, inaccessible brogue'? what assumptions there are, behind your words!

is it 'insufferable' to want to write a story in the language you were raised in? is it 'inaccessible' to want to write a story in the shared language of your own community?

I don't think it is.

I think it takes a special sort of privilege and entitlement to assume that - the same one that assumes whiteness and Americanness and Englishness and able-bodiedness and cisness and maleness and straightness as being the 'standard' human experience, and every single other trait as being a deviance from that, an othering. that's the same entitlement that will describe Turning Red as a story about the chinese experience - but not talk about how Toy Story is a story about the white american middle class experience.

people do not exist for your ease of reading. they do not exist to be 'accessible'. and - what a strange thing, english reader, to assume all books are written for you, at all.

and despite the fact that the text that prompted this was written by one group of white people, translated into the language of another group, and critiqued by a third - this is a conversation about racism too, because it is the same sort of thinking and pervasive stereotyping which goes into how white people and spaces view Black language and language of people of colour around the world. it's about colonialism and it's about slavery and it's aboutsegregation and othering and the immigrant experience and it's about the history of britain - and my god, isn't that a violent one. it's inseparable from it. language is a tool to signify belonging, to shut people out and lock people in. it's a tool used to enforce that othering and discrimination and hate on a systemic level, because it says - I'm different from you. you're different from me. this post is focusing more on the native languages of the UK, but any question of 'correct language' must inevitably talk about racism too, because language is and has always been a signifier of group belonging, and a way to enforce power.

it is used to gatekeep, to enforce conformity, to control, to signify belonging to a particular group, to other. talking about language 'correctness' is NOT and never CAN be a neutral thing.

it reminds me of a quote, and I heard this second hand on twitter and for the life of me cannot remember who said it or exactly how it goes, but the gist of it was a queer writer addressing comments saying how 'universal' their book was, and saying - no, this is a queer book. if you want to find themes and moments in it that are applicable to your 'default' life, 'universals' of emotion and experience, go ahead. but I have had to translate things from the norm my entire life, to make them relatable for me. this time, you do the translation.

I do not speak or write scots or glaswegian, but I grew up reading it and listening to it (as well as doric and gaelic in smaller measures, which are still familiar to me but which I can understand less). for me, that passage is almost as easy to read as english - and the only reason it is slightly more difficult is because, predictably, I don't have a chance to practice reading scots very often at all. it isn't inaccessible to me.

(I was about to write: can you imagine looking at a book written in french, and scowling, saying, 'this is so insufferably foreign!' and then point out how ridiculous that would be. but then I realise - foreign film, cinema, lyrics increasingly in english, reluctance to read the subtitles, the footnotes, to look things up, to engage in any active way in any piece of media. this is an attitude which even in its most mockable, most caricature-like form, is extremely prevalent online. *deep sigh*)

because. what is 'inaccessible'? it means it is difficult for people who are 'normal'. and what is 'normal', exactly? why is a certain class of people the 'default'? could that be, perhaps, a question with very loaded and very extensive political, social and historical answers? who is making the judgement about what language is 'normal'? who gets to decide?

I'd also like to note that this applies to everyone. it doesn't matter if you are a member of an oppressed group, or five, or none, you can still engage in this kind of discrimination and stereotyping. my scottish family, who have themselves had to change the way they speak and many of them lost their gaelic because of it, routinely mock anglo-romani speakers in their local area. I have an indian friend, herself speaking english because of a history of violence and colonialism, who laughed for five minutes at the beginning of derry girls because the girls sounded so 'funny', and asked me: why did they choose to speak like that? my brother, who sounds very stereotypically rural and 'uneducated', laughs at the essex accent and says that he would never date a girl from essex. I had a classmate from wales who was passionate about welsh language rights and indigenous and minority language education but also made fun of the accent of her native-english speaking classmate from singapore. it goes on and on and on.

take the dialect/language question out of the topic, and I think this reveals a much broader problem with a lot of conversations about media, and the implicit assumptions of what being 'normal' [read: white, anglo-centric, american, male, straight, young, able-bodied, cis, etc] actually means:

if something is written about an experience I do not share, is it inaccessible? or is it just written for someone else?

so, please. next time you want to write a review about a dialect or language you don't speak, think a little before you open your mouth.

the rest of the world has to, every time.

#lingblr #langblr #scots #scots language #glaswegian #urghhhh #this was a bit of a rant and angry and entirely unresearched #if anybody wants to bring up any examples or correct me in any way #especially about names of other language groups that I'm not in (I just looked them up on wikipedia)#I will gladly edit and accept correct and conversation!#rarrrrghghghghghg #I am biting and killing

127 notes · View notes

ox1-lovesick · 1 year ago

Text

✶ ─── TOMORROW X TOGETHER AND THINGS WITH THEM

🍇 pairing. txt x gn!reader genre. fluff warnings. mentions of food, pda (?), wc. 50-100 each

🍇 type. headcannon , reaction

🍇 a/n. abandoned the tyun and hyuka fic for now 💀 this is like a filler fic or something i have such bad writers block. i know for a fact that soobin crochets

% YEONJUN

late night walks ; gentle kisses to your knuckles ; catching him staring ; errands to the convenience store at 3 in the morning ; holding hands ; sharing earphones ; leaning your head on his shoulder ; sharing lip glosses ; netflix marathons ; fashion shows at 2 am ; spontaneous dance sessions ; late night drives ; candid pictures ; slow dancing ; cooking ; sharing jewellery ; kisses through the phone ; matching jewelry

% SOOBIN

comparing hand sizes ; feeding each other ; interlocking pinkies ; desert before dinner ; baking ; sharing clothes and jewelry ; 1000 piece puzzles ; movie dates ; crocheting together ; croc shopping dates ; clothing hauls ; editing vlogs together ; food fights ; disney dates ; couple cosplays and halloween costumes ; pillow talk about the future ; tying your shoelaces for you ; giving you his jacket when it's cold ; matching socks and bracelets

% BEOMGYU

kisses in the rain ; hand-written love letters ; bouquets of roses ; sleeping in together ; doodling on each others hands ; scented candles ; bickering for fun ; backhugs ; raindrop races ; long bus rides ; sharing earphones ; picnic dates ; photo albums ; half anniversaries ; forehead kisses ; impromptu karaoke nights ; guitar lessons ; secret handshakes ; build-a-bear dates ; feeding each other ; pillow talk ; hiding tomatoes in his food ; painting each other's nails ; holding open the door for you

% TAEHYUN

long and warm hugs ; locking pinkies ; poking his dimples ; falling asleep on his chest ; cheek kisses ; stargazing ; library dates ; cooking for each other ; communicating through morse code ; study dates ; reading together ; sharing cutlery ; pinky promises ; kisses to your knuckles ; post it notes with messages ; holding hands ; feeding each other ; falling asleep on the phone with him ; playlists dedicated to each other ; gentle kisses ; powerpoint nights ; "5 more minutes" mornings ; flowers "just because"

% HUENINGKAI

naming all his plushies ; palm kisses ; zoo dates ; buzzfeed quizzes to see who'd survive the zombie apocalypse ; breakdancing in the dining room ; pokemon impressions ; piano lessons ; holding hands, everywhere ; kisses to the tips of your fingers ; pillow and tickle fights ; sneaking juice boxes and animal biscuits in your lunch

635 notes · View notes

lucysarah-c · 5 months ago

Note

Sometimes I get kinda sad going rereading the manga and remembering how much of Levi’s substance they cut from from the anime in favor of his “knight in shining armor” image. I feel like that’s where a lot of the discourse always comes from. People interpret his character from so many different perspectives and if you haven’t read the manga it’s actually so hard to get get a clear look at his character because the anime is just not complete.

Like, especially the scene where Levi tells Historia to become Queen. I will forever be mad they cut it. That was such an important point to his character because if Historia had outright refused, everything Levi had done in the name of humanity, all the people he’s killed, tortured and everyone he’s lost, it would have all been for nothing. I just don’t think he would have been able to live with that.

I love the gritty parts of him. It’s what makes him so well written and probably why he’s been one of my favorite characters for 10 years.

Hi, love!

Oh, you might be referring to my post about how it's hard for me to write Levi perfectly and how I might portray him too harshly, right?

Honestly, I agree with you. I always say I write "manga Levi" and not "anime Levi." Anime Levi is like a simplified version of him, I believe. In Spanish, we would say they took all his "spice," to be honest.

Manga Levi is far from perfect as a hero, but he's hilarious. He's a sassy little man, and I adore him. In the English official translation, they didn't capture this, but in the Spanish one (or at least the one I read back in the day), when he meets Eren in jail, he says (I'm translating), "you have amnesia and your daddy goes missing, so convenient."

The idea of Levi standing next to Erwin, meeting Eren, who is his long-time fan, and saying "daddy," is hilarious to me. It was so funny that I had that panel as my phone wallpaper almost my entire high school years. Manga Levi is funnier, has way more facial expressions than just stoic ones, and he has a more pronounced personality. There are a bunch of panels of him either having great sassy moments or literally having a facial expression that shows he's thinking, "this bitch…"

Regarding the scene with Historia, I understand why some people don't like it, but I actually did. Levi is not perfect—I love him, don't get me wrong. He saw almost every single person he loves die, Erwin is about to be executed, their lives are hanging by a thread, he's fighting the only person he considered family, he tortured a man, etc. They are informing this girl, who is very young, that she will be queen, and she's like, "hell no." After everything he did, after everything he sacrificed, the only thing Historia has to do in Levi's eyes is sit her ass on a throne and live a peaceful life full of privileges… I would have gotten mad too.

This is why I say that the canon time is not our society. I try to write Levi as I believe he would truly be in the society inside the walls. He has issues that he probably won't be able to fix because it's not modern society. It's completely alright if someone likes and prefers another interpretation of Levi's character. I simply enjoy writing him the most when he's flawed and lovely at the same time.

Ugh, sorry for the ramble, I just have a very hard time summarizing ideas.

Love ya <3

#shingeki no kyojin #snk #captain levi #levi aot #attack on titans #snk levi #levi #attack on titan #levi ackerman #aot #lucy answers

73 notes · View notes

live-emotion · 7 months ago

Text

Playing Live Emotion on Non-Japanese Device Guide

To avoid disappointment, please prepare yourself that an English language release for Live Emotion may not be likely. At least not simultaneously with the Japanese release.

However, depending on your device you should still be able to play and support the Japanese version when it releases even if you do not live in Japan.

Downloading Live Emotion on Android devices: Guide Option 1 (My old guide to using Qooapp) Guide Option 2 (Youtube video for Qooapp and Tunnelbear methods)

Downloading Live Emotion on iOS devices: Guide Option 1 (Reddit Post) Guide Option 2 (Youtube Video)

These methods may be outdated. If so I’ll look into it more and may repost a new guide in the future.

✦✦✦

Translating the game in real time in-app on Android devices: Comic Screen Translate - Nice UI, less ads. Has extra premium options that seem handy. Instant Translate On Screen - Nice UI, slightly more ads than Comic Screen Translate. Perhaps slightly slower but has a few extra nice features. Also has more convenient premium options. EZ Screen Translator - Has more invasive ads and less pleasing UI, but is pretty quick. Qooapp - Has a live translation feature, but it is paid (but not too expensive) and potentially slower than other options. I believe it has a feature that will read out the in-game text out loud. Translating the game in real time in-app on iOS devices: I'm unsure of similar app options for iOS.

I believe if you take a screenshot you may get a 'Translate' option in the bottom left without having to go to your gallery. This will still be a bit slow, and will leave your gallery full of heaps of screenshots.

The Google Translate app also works, but is slow since you have to take screenshots in-game, open the translate app, and do them one by one. It does have a 'Tap to Translate' option, but it requires text to be copy pasted which isn't possible in this situation.

✦✦✦

These methods aren't perfect, but they will help you navigate playing the game and understanding the stories if you don't speak Japanese. Let me know if you know other live translation apps or DL methods and I'll add them to the list.

#posted this before tagged onto a reblog but posting it again on its own.#guide #live emotion #pre-release #utapri

118 notes · View notes

onigiriico · 1 year ago

Text

Mikoto audio drama (t2) - English TL

[ links: Spotify | YouTube ]

Mikoto-ing again 🫡 I know I say this like every other post, but I 100% recommend listening to the audio alongside the translation! On one hand the VAs just did an amazing job on this, and on the other hand I also feel like it'll. probably make the switches more obvious than I can convey in text lol

Little disclaimer about the way I translated the DID terminology here: I know the correct term in English is "alter", but in the JP audio they're consistently referred to as "personalities" (人格 / jinkaku) while the closest Japanese equivalent to "alter" seems to be 自我 / jiga, from what I could find. I generally try to stick as closely to the JP terminology with my translations as possible, so I mostly went with "personality". I really don't want to offend anyone here so I hope that's a somewhat okay choice ahshbsdj

Okay. Okay that got lengthy. As usual, if you find any mistranslations, have questions, etc etc feel free to send me an ask or hit me up on Twitter where I drop by, like, once a month 😅 And now without further ado:

⬇️ translation under the cut ⬇️

(Es enters)

E: Mikoto…

M: Ah… Hi, Warden-kun.

E: You… are Mikoto, right?

M: Uh… What are you talking about? It really feels like it’s been a while, doesn’it? How have you been? – Huh? What’s that…? Chains? Oh, no. Take them off!

E: I refuse. You’re too dangerous. Physical restrictions are necessary.

M: Umm… (laughs) What are you saying, restricting someone who can’t even hurt a fly?

E: You really aren’t aware, huh…

M: Well, I mean… I do get it. I… go out of control while I’m asleep, right?

E: …

M: The others told me about it. How I got into a fistfight with Koto-chan and whatnot.

E: Seems like it, yeah.

M: I wonder if it’s like… some kind of sleepwalking…? After all, I’ve been losing sleep more and more often recently… Man… It’s really troublesome, isn’t it?

E: Mikoto…

M: The others are all scared of me. I can tell by looking at the way they act. Because I read the room.

E: …

M: It’s pretty tough, isn’t it? (laughs) Ever since I came here, so much has been happening that I don’t understand…

E: … You really… do laugh when you’re suffering, huh?

M: Huh?

E: You don’t get angry. You don’t scream. You laugh, like it’s a minor inconvenience.

M: Ah… I guess so. I might have that kind of trait.

E: …

M: Usually, if you just laugh and pretend, things work out in the end, right? I’m pretty good at that. Making things work out to the best of my abilities.

E: Is that so…

M: (laughs) …But… it’s not coming to an end. All of this. With things I’ve never even heard before, the whole ti—

E: …

M: —the whole time… I have to make all these irritating experiences…!

E: You came out, huh.

M: Hey. Looks like you haven’t gotten a beating yet, Warden brat.

E: …!

M: Hah? What, are you scared?

E: Like you didn’t get beaten by Kotoko…!

M: Hah. That was just because she caught me off guard. We went at it again while you were asleep, and it’s not like I lost there.

E: Multiple personalities… Am I right with the assumption that the you I’m talking to right now is another personality of Mikoto’s?

M: Well, I guess that’s about right.

E: I see. What do you want me to call you?

M: Huh? You’re accepting this pretty readily, aren’t you. Wouldn’t the whole multiple personalities thing normally raise some eyebrows?

E: Yeah. I also didn’t think it was real, at first.

M: Figures. If it wasn’t me, I wouldn’t believe it either. I’d just think it’s a lie someone came up with to get away with murder.

E: But Milgram acknowledges that [it is real] in your case. I simply accept that as the truth, and develop my thoughts from there. So? What do you want me to call you? Your name.

M: No clue about that. Just call me whatever.

E: … For convenience, I’ll be calling you John.

M: Sounds like a dog’s name.

E: It’s derived from John Doe, the name given to unidentified bodies. Do you like it?

M: Can’t say I’m very fond of the way you’re flaunting your knowledge.

E: … Anyway. You’re acting pretty calm today, aren’t you? I thought of you more like a monster of some sort. I wasn’t expecting to have such a proper conversation with you.

M: Don’t get cocky! If not for these chains, I would’ve beaten your face in by now, brat.

E: Ohh, scary, scary.

M: Hmph.

E: John, you are not a prisoner of Milgram. The fact that Milgram’s usual restraints are ineffective against you is more proof for that than anything. Milgram has judged that Mikoto is the prisoner, and you, as his alter, are an exception.

M: Huhh, I see. So that’s why you believe that there’s multiple personalities.

E: That’s why I thought I would try and talk to you as a key witness today. I’m rather glad that you’re being cooperative.

M: But, you know… This isn’t a good thing, probably.

E: What do you mean?

M: I (boku) might be trying to disappear.

E: …

M: Evidently, the time I (ore) have been fronting has been getting longer, so this “me” has been able to stabilize. Isn’t that the reason we can talk properly?

E: …

M: If I had stayed a monster… maybe that would be better.

E: …

M: What?

E: You’ve turned out to be much more rational than I expected… I’m surprised.

M: I’m a university graduate, after all.

E: (sighs)

M: As for alters… Why do you think they’re born?

E: In precise terms, it’s called dissociative identity disorder – generally speaking, [it refers to] when a person experiences severe pain or stress, and a new personality is created to try and isolate [the original personality] from the resulting trauma.

M: Yeah. I… probably come out to ease the stress Boku experiences. The fact that I come out for longer just means that Boku is constantly under extreme stress.

E: Stress… Namely the environment of Milgram, right?

M: Right. Especially the fact that you judged against forgiving Boku is causing a lot of stress. That’s why he’s entrusting me with his heart.

E: I see.

M: Not like I can blame him. From his point of view, he’s being blamed for a crime he can’t even remember.

E: If that’s the truth, then… you’re the one who committed the murder?

M: Yeah, it’s me. I killed them off.

E: …

M: So Boku really didn’t do it.

E: Can I ask… why you killed them?

M: They annoyed me.

E: Who did you kill?

M: Just someone who was walking around nearby.

E: … How many did you kill?

M: Can’t remember. I was first born back then, you know. It’s kinda fuzzy.

E: How can you talk about that so calmly?

M: (sighs) According to the law, how would this go for Boku?

E: With a psychiatric evaluation, there’s a chance of a reduced sentence, but depending on the number of victims… the death penalty might be inevitable.

M: …! I– I’m the one who did it! Boku was just sleeping!

E: Is this really something that works that conveniently?

M: Just put yourself in Boku’s shoes for a moment! He was bottling up all his stress! He kept dealing with it all by himself the whole time, until it exploded! It’s not like he just decided that he wanted to hurt somebody!

E: …

M: He’s not the type of person who could do stuff like that! He always looks out for others, always reads the room, always tries to get along with people around him! He can’t do stuff like that… He was on the verge of exploding! That’s why I was born. It’s obvious, isn’t it? Boku didn’t do anything!

E: Even if that’s true… Even if it wasn’t what Mikoto wanted – someone’s life was still lost.

M: …!

E: Even if it was you, John, who was in [your body at the time] – there’s no way for you to prove that. At the very least not in a way that would be accepted in court. It could still be judged that you’re pretending—

M: You…!! What do you think?

E: I…?

M: I’m the one who did it! Boku didn’t do it! You know that because of Milgram! I don’t care about the law, I want to know what you think!

E: …

M: Please… forgive Boku. I’m the one who did it.

E: … I can’t… judge that right away. It’s not something that I can easily decide to forgive. In fact, Mikoto’s mental footage was so violent… it’s unforgivable. That’s how I judged.

M: That could also just be a fake or owed to the multiple personalities, right?! Boku really isn’t at fault! I’m the one who killed them!

E: …

M: Are you really satisfied [with the unforgiven judgment]? He turned into a murderer overnight!

E: What you did could still be considered a sin, though!

M: …! … I think… I might be the person Boku wishes he was. The person who stubbornly stands his ground, who doesn’t cry himself to sleep from stress, who gives people their payback. If I, the “ore” personality, hadn’t been born, I’m sure Boku would have reached his limit and fallen apart.

E: John… you…

M: It’s true that I was the one who wanted to destroy everything… and the weakness of Boku, who couldn’t stand up for himself all alone, might have been the origin of that. But… that’s all there is to it. Is that a sin?

E: I’ll be considering that after this.

M: After talking to you, I get that you couldn’t forgive what I did. And I’m fine with that.

E: …Yeah. That’s right.

M: The one Milgram is supposed to judge is Boku – Mikoto, right. He’s not me – so, not John.

E: Precisely.

M: Please, forgive Boku. If you don’t… I’m sure he won’t be able to deal with this any longer.

E: “A sin committed by another personality isn’t a sin”... you’re telling me that’s how I should judge?

M: Yeah. If you forgive Boku… I’ll disappear.

E: …

M: That’s right. I’ll have to disappear eventually, anyway… Disappear, and take all of it with me. I… was born to protect Boku, after all.

E: You were… born for it…

M: Yeah. If it’s for Boku, I’ll… do anything.

(machinery whirrs, bell rings)

E: John…

M: W…what? A dog’s name?

E: Mikoto…?

M: Warden-kun, you own a dog? What breed? No, wait, let me try guessing first– A toy poodle? Actually, maybe you surprisingly prefer the ugly-cute kind… like a French bulldog!

E: … No…

M: A pug, then?

E: It’s not the name of a dog!

M: Ehh… Then what…?

E: … It’s the name of your… friend.

M: (laughs) I don’t know anyone like that~

E: … I bet you don’t.

M: Huh…?

E: Prisoner no.9, Mikoto. Sing your sins.

#milgram #milgram music videos #mikoto kayano #milgram mikoto #milgram es #translation #fan translation #I'm crying can't every Milgram vd be this quick to translate /hj

359 notes · View notes

mostlysignssomeportents · 2 years ago

Text

Poor people pay higher time tax

Doubtless you’ve heard that “we all get the same 24 hours in the day.” Of course it’s not true: rich people and poor people experience very different demands on their time. The richer you are, the more your time is your own — not only are many systems arranged with your convenience in mind, but you also command the social power to do something about systems that abuse your time.

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/02/10/my-time/#like-water-down-the-drain

For example: if you live in most American cities, public transit is slow, infrequent and overcrowded. Without a car, you lose hours every day to a commute spent standing on a lurching bus. And while a private car can substantially shorted that commute, people who can afford taxis or Ubers get even more time every day.

There’s a thick anthropological literature on the ways that cash-poverty translates into #TimePoverty. In David Graeber’s must-read essay “The Utopia of Rules,” he nails the way that capitalist societies generate Soviet-style bureaucracies, especially for poor people. Means-testing for benefits means that poor people spend endless hours filling in forms, waiting on hold, and lining up to see caseworkers to prove that they are among the “deserving poor” — not “mooches” who are defrauding the system:

https://memex.craphound.com/2015/02/02/david-graebers-the-utopia-of-rules-on-technology-stupidity-and-the-secret-joys-of-bureaucracy/

The social privilege gradient is also a time gradient: if you can afford a plane ticket, you can travel quickly across the country rather than losing days to the Greyhound or a road-trip. But if you’re even richer, you can pay for TSA Precheck and cut your airport security time from an hour to minutes. Go further up the privilege gradient and you’ll acquire airline status, shaving another hour off the check-in process.

This qualitative account of time poverty is well-developed, but it’s lacked a good, detailed quantitative counterpart, and our society often discounts qualitative work as mere anecdote and insists on having every story converted to numbers before it is taken seriously.

In “Examining inequality in the time cost of waiting,” published this month in Nature Human Behavior, public affairs researchers Steve Holt (SUNY) and Katie Vinopal (Ohio State) analyze data from the American Time Use Survey (AUTS) to produce a detailed, vibrant quantitative backstop to the qualitative narrative about time poverty:

https://www.nature.com/articles/s41562-023-01524-w

(The paper is paywalled, but the authors made a mostly final preprint available)

https://osf.io/preprints/socarxiv/jbk3x/download

The AUTS “collects retrospective time diary data from a nationally representative subsample drawn from respondents to the Census Bureau’s Community Population Survey (CPS) each year.” These time-diary entries are sliced up in 15-minute chunks.

Here’s what they found: first, there are categories of basic services where high-income people avoid waiting altogether, and where low-income people experience substantial waits. A person from a low-income household “an hour more waiting for the same set of services than people from high-income household.” That’s 73 hours/year.

Some of that gap (5%) is attributable to proximity. Richer people don’t have to go as far to access the same services as poorer people. Travel itself accounts for 2% more — poorer people wait longer for buses and have otherwise worse travel options.

A larger determinant of the gap (25%) is working flexibility. Poor people work jobs where they have less freedom to take time off to receive services, so they are forced to take appointments during peak hours.

Specific categories show more stark difference. If a poor person and a wealthy person go to the doctor’s on the same day, the poor person waits 46.28m to receive care, while the wealthy person waits 28.75m. The underlying dynamic here isn’t hard to understand. Medical practices that serve rich people have more staff.

The same dynamic plays out in grocery stores: poor people wait an average of 24m waiting every time they go shopping. For rich people, it’s 15m. Poor people don’t just wait in longer lines — they also have to wait for understaffed stores to unlock the cases that basic necessities are locked behind (poor people also travel longer to get to the grocery store — and they travel by slower means).

A member of a poor household with a chronic condition that requires two clinic visits per month loses an additional five hours/year to waiting rooms when compared to a wealthy person. As the authors point out, this also translates to delayed care, missed appointments, and exacerbated health conditions. Time poverty leads to health poverty.

All of this is worse for people of color: “Low-income White and Black Americans are both more likely to wait when seeking services than their wealthier same-race peer” but “wealthier White people face an average wait time of 28 minutes while wealthier Black people face a 54 minute average wait time…wealthier Black people do not receive the same time-saving attention from service providers that wealthier non-Black people receive” (there’s a smaller gap for Latino people, and no observed gap for Asian Americans.)

The gender gap is more complicated: “Low-income women are 3 percentage points more likely than low-income men and high-income women are 6 percentage points more likely than high-income men to use common services” — it gets even worse for low-income mothers, who take on the time-burdens associated with their kids’ need to access services.

Surprisingly, men actually end up waiting longer than women to access services: “low-income men spend about 6 more minutes than low-income women waiting for service…high-income men spend about 12 more minutes waiting for services than high-income women.”

Given the important role that scheduling flexibility plays in the time gap, the authors propose that interventions like subsidized day-care and afterschool programming could help parents access services at off-peak hours. They also echo Graeber’s call for reduced paperwork burdens for receiving benefits and accessing public services.

They recommend changes to labor law to protect the right of low-waged workers to receive services during off-peak hours, in the manner of their high-earning peers (they reference research that shows that this also improves worker productivity and is thus a benefit to employers as well as workers).

Finally, they come to the obvious point: making people less cash-poor will alleviate their time-poverty. Higher minimum wages, larger earned income tax credits, investments in low-income neighborhoods and better public transit will all give poor people more time and more money with which to command better services.

This week (Feb 13–17), I’ll be in Australia, touring my book Chokepoint Capitalism with my co-author, Rebecca Giblin. We’re doing a remote event for NZ on Feb 13. Next are Melbourne (Feb 14), Sydney (Feb 15) and Canberra (Feb 16/17). More tickets just released for Sydney!

[Image ID: A waiting room, draped with cobwebs. A skeleton sits in one of the chairs. A digital display board reads 'Now serving 53332.' An ogrish, top-hatted figure standing at a podium, yanking a dollar-sign shaped lever looms into the frame from the right. He holds a clock aloft disdainfully, pinched between the thumb and fingers of one white-gloved hand.]

#pluralistic #scholarship #auts #american time use survey #time use #jenny odell #race #graeber #david graeber #how to do nothing #utopia of rules #inequality #gender #time poverty

803 notes · View notes

littlevices · 8 days ago

Text

Read the Reigen Spin-Off

If you read my previous post on finishing the Mon Psycho anime, then you already know that this sweaty rat of conman has gotten my attention like many others.

If not, well, welcome! How are you? :)

Disclaimer: So, I decided to go with the physical copy of this. Yes, the one by dark horse because that's what was available to me and I REALLY wanted a physical copy of this book. I went into it knowing that there might be a few weird translations here and there. However, I didn't notice anything too crazy changed from those pages with the physical copy scanlation, so I think it's fine. Unless I completely overlooked something, which is entirely possible.

(Unless we count that moment where Reigen tells Serizawa to call an ambulance when the man is clearly unconscious and the weird naming of Rusty, but honestly, that's just funny to me.)

However, for convenience, I will be using the scanlation pages if I need to show examples.

Spoilers and long post below cut.

Oh, boy, oh boy. I was excited to dive into this one.

After watching the anime, which was fantastic and became a favorite of mine, I was eager to see what shenanigans Reigen and S&S would get into.

However, while there was plenty of Reigen, Serizawa, and even Dimple, always a treat, this spinoff was more of a heavy focus on Tome. I already knew that would be the case going into this, but I wasn't sure by how much.

It wasn't a bad thing, though. Those small grounding elements that she got in the anime was even more prominent here, and made her feel like much more of a character. Her eagerness to talk about the supernatural being balanced by the other more experienced characters helped with that. She's as eager as always about the occult, and she really does embody some similar qualities to Reigen.

Both dive into things recklessly and are also opportunists who can take advantage of a situation to their benefit, but still have a heart of gold underneath.

However, unlike Reigen, Tome is still very immature when it comes to the supernatural, which is more clear when in chapter 5.

A part of me doesn't blame Tome for her questions to both Serizawa and Dimple. Most people would be curious about if psychic powers could be learned and just what it means to be a spirit in the spirit world. Especially for a teenager.

However, both Serizawa and Dimple were right to call Tome out.

If you already won't do something that you can do without powers, why would having powers change that? What makes you think your mindset will change? Maybe it will, but do you know that for sure? On top of that, Dimple has a point in saying that Tome shouldn't complain about Dimpl's lack of knowledge, when she herself still has so much to learn about her own world, let alone a world that runs on different logic. How can she understand the spirit world without learning the basics of her own?

Even Reigen tries to get her to understand.

It also continues to showcase Reigen's growth as a character and I love this.

However, I can't mention the Reigen Manga without making mention of this-

Reigen taking on the curse, running off into the forest, and ultimately tricking Rusty into getting devoured by the forest's curse. This was both very smart, but also very reckless. I both love and hate this man, lol. (And of course he'd say something about not suing for sexual harrasment. Reigen you emotionally suppressed bitch.)

Even Mob showing up right when he's needed is wonderful. I missed my boy so much, but his small inclusion was still satisfying. He sounds so exasperated when he shows up, but you just know the boy was worried for Reigen. I have no doubt he rushed over the moment he knew where to find him. That, and the dialogue right after sounds a bit like banter. Mob has come such a long way!

Of course, this was also my first time really getting acquainted with ONE's art style.

It is. . . Rough. At least compared to most other manga I've read. However, it's also not the worst that I've seen, and when comparing it to Mob Psycho Vol. 1, it's clear he's come a long way. That, and it's pretty obvious ONE tries to make his characters look pretty different from each other, which helps to remember who is who.

He's very good at making something look grotesque, too. Seriously, the way he draws certain spirits makes my stomach coil.

Thanks, ONE, I hate it, lmao. (Seriously, why did he have to have Reigen's head sticking out?)

Plus there were some panels where characters were drawn pretty decent too!

There's definitely more than this, but here's a few.

(I also hear that ONE did get some help drawing other things, mostly BGs but I don't blame him. Backgrounds can be hard, especially when trying to get the characters and the BGs to match eacother in size and perspective.)

All in all, REIGEN was a joy to read. Seeing the continued development of the characters, especially Tome, was fun. Roshuuto was a good foil to Reigen. Serizawa is really coming into his own, and Dimple just being there is always a treat for me, lol (love that asshole spirit). I doubt it will happen, but I would love to see this spinoff get animated one day. Not as a series, necessarily, but an OVA or two would be nice.

Edit: Forgot to put the scanlation credits! My bad! Found these on MangaDex.org. Scanlations by KibiDango Scans. You can also find the scans on tumblr (they also have translator's notes for why they chose the words they did which is neat!)

https://reigenscans.tumblr.com/

#mob psycho 100 #mp100 reigen #reigen spinoff #tome kurata #serizawa katsuya #shigeo kageyama #mp100 dimple #roshuto dozen #mp100 roshuto #reigen arataka #manga #animanga #long post

20 notes · View notes

lily-fics-11 · 10 months ago

Text

The Girl Next Door: Chapter 2 (Hazel Callahan, Bottoms)

Fic master post here (feel free to comment to be added to taglist)

The Girl Next Door

You hadn't been close with your neighbor Hazel for years. But you find her beat up in the locker room after fight club and all of that changes.

Chapter 2

Car rides with Hazel have you falling for her harder than ever.

CW: mentions of blood and injury, mentions of violence, cursing, Taylor Swift references (I know not everyone is a fan so if people don't like it, I won't add anymore) *not beta read

You and Hazel walk to your car in silence. You get in the car and pass her the aux. “You still listen to Taylor Swift?” She asks shyly.

“Of course I do!” You tell her with the biggest smile. She remembers your favorite singer. Does she remember all the times you would sing those songs together?

“What do you think about the new albums? And the re-recordings?” Hazel sounds excited to talk about Taylor Swift too, she remembers.

“The 10 Minute Version of All Too Well has literally changed my life.”

“Should I put it on?”

“Absolutely!”

Before you know it you are on your way home, scream singing the 10 Minute Version of All Too Well, with Hazel. Since the song came out you’ve been listening to it over and over and thinking about her. There were so many lyrics that reminded you of your relationship with her.

Her sweet disposition, and your wide eyed gaze. Being able to picture it after all these days. You might be okay but you’re not fine at all. How you got lost in translation. You had lost the one real thing you had ever known. It was rare, you were there, you remember it all to well.

But singing these lyrics with her, it was healing all those old wounds in a way you didn’t know was possible. You were stealing glances to see the smile on her face. Sometimes she would catch your gaze. As the words “ever lovely jewel” play she’s looking right at you.

Usually you were happy to live so close to the school. It was convenient. But with Hazel beside you it just wasn’t enough time. It’s hard to keep the smile on your face as you pull into your driveway, knowing that your time together is about to end.

As soon as you are parked Hazel throws open the door, like she’s trying to run away.

“Wait!” You yell at her, wondering why she’s so anxious the get out of your car. You do have to admit that this was a little overwhelming for you and it probably was for her too. She was the one that left you. She probably never wanted to be in this situation.

She’s halfway out the door when she acknowledges you. She doesn’t say anything, just stares at you.

You nervously clear your throat.

“I just wanted to see if 8:00 was good for tomorrow morning…”

“Yeah. Yes. See you then.” Is all she has to say before she’s out and walking away from your car.

You were hurt for a moment but you started to watch her walk away and you realized that her wearing your sweatshirt meant that she was wearing your last name across her back. You just started giggling and then you punched your fist in the air and said “yes” when you thought about the smell of your perfume being stuck on her, even if it was only for a little while. You were never religious but you point up at the sky and say thank you.

That night you spent about an hour curating the perfect outfit and set your alarm for an extra hour early so you would have time to perfect your makeup.

When your alarm goes off the next morning you are immediately up and getting ready for the day, which is as stark contrast to your usual slamming of the snooze button.

You usually just filled in your eyebrows and put on mascara for school but today you were going to be the first person Hazel saw and you wanted to stay on her mind all day.

You start with your face. A little bronzer to warm up your face and a little blush to liven you up. Some highlighter on your cheekbones and the tip of your nose to catch light, and Hazel's attention. You also add a bit of highlighter to the inner corner of your eyes to draw her eyes right where you wanted it. You add a subtle wing to further accentuate your eyes and then do your usual mascara and brow routine. You finish off with your lips. You over-line them with a darker brown and fill them in with a nude lipstick to make them look as full as they can. You add a layer of lip gloss on top to make them look as inviting as possible. Not that you expect anything to come of this, but you can dream, right?

Your light wash ripped jeans are high waisted and perfectly hug the shape of your body. Your shirt is the perfect amount of low cut to highlight your assets and short enough to expose a tasteful amount of midriff. You put on your trusty pair of converse for good luck.

You are in your car a few minutes early feeling a mixture of nerves and excitement. You sip on your coffee as you wait for Hazel.

The clock hits 8:00, no Hazel. Not a problem though. You told her a few minutes early because you know she has a tendency to run late. That girl is nothing if not easily distracted.

Hazel emerges from her house at 8:05 looking a little disheveled. She’s got hair sticking up out of place and she’s wearing… holy shit she is wearing your sweatshirt again!

Hazel plops down into your car. “I’m so sorry. I didn’t mean to be late. I was just thinking about… things, and lost track of time.”

“Don’t worry about it.” You tell her, and you can’t help yourself from pointing out “I see that you’re still wearing my sweatshirt.”

Her eyes widen, pupils dilating, and a bright red flush appears on her face.

“I, um, fell asleep in it last night. And I didn’t have time to find another sweatshirt after getting dressed,” she tries excuse but you don’t need any justification. It takes everything in you not to giggle and kick your feet. Your sweatshirt. On Hazel all night. The smell of your perfume on her and now on her pillows and sheets.

You just nod, “makes sense.”

“I didn’t even have time to make coffee,” she shakes her head in disappointment.

You are not really sure what caffeine would do to someone like Hazel but you still offer “you can have some of mine.” You didn’t think it was possible, but she is blushing even more.

“No, it’s totally fine. It’s my fault I don’t have any coffee. I’m the one that got distracted. You shouldn’t have to give up any of your coffee because I’m a mess.”

“I don’t usually finish it before it gets cold. So feel free to go for it.”

She doesn’t say anything.

“We used to share everything, right?” You remind her.

“We used to share everything.” She echos.

She mumbles something under her breath that you can’t quite make out. But to your surprise she picks up the coffee and takes a sip.

You bite down a smile when you see a bit of your lipstick on her mouth, it must have gotten left behind from when you were drinking it.

“What?” She questions, seeing your failed attempt at holding back a smile.

“You’ve got a little something…” you motion to your mouth.

She looks confused and opens the visor to look in the mirror. You expect her to be upset that your lipstick got on her but she just giggles. “Believe me, this color looks very good on you, but I think it looks even better on me.”

You can’t help but giggle too.

To your surprise she doesn’t bother to wipe the lipstick off, she just leaves it there. Leaving behind the indirect connection of your lips for anyone to see. Not your ideal way to leave your lipstick on her lips but you can’t complain either.

Your sweatshirt. Your lipstick. You feel like you are going to pass out.

You clear your throat, “we should probably get going…” Hazel nods in agreement.

You turn on the car and put it in reverse.

“Can I have the aux?” She asks.

“Go for it.” You pull out of the driveway.

“I made us a playlist.” Your jaw drops and you accidentally slam on the breaks.

You look at Hazel and Hazel looks at you in a panic. “I’m so sorry!” You tell her.

“It’s ok, it’s fine, it’s all good,” she tries to assure you but she is clearly fearing for her life. How stupid could you be? Hazel will never get in your car again after this!

You just stare at her for a minute trying to gauge where she’s at. She clears her throat. “You should probably drive now…” she suggests.

You just nod and start to drive, focusing on the road, afraid to make eye contact.

“So, the playlist,” she says very hesitantly, “it’s all the Taylor Swift songs we haven’t gotten to listen to together.”

Your mouth drops open and you are speechless.

Her eyes widen, and she quickly tries remedy the situation “if you don’t want to listen to it we don’t have to!”

“No! That’s not it. I’m just surprised. That’s all.” You mumble, just clear enough for her to understand what you are saying.

“I always used to make us playlists,” it’s her turn to remind you. The memory is a little bittersweet, tainted by the years of separation. Music starts playing over the speaker.

If there is one thing people should know about Hazel it’s that she’s a talker. She can talk about anything and everything for hours on end. But in the best way possible. She always puts a smile on the face of whoever she is talking to. It’s quite endearing.

Hazel goes off on a tangent about fight club. After telling you the story of how she ended up in the state you found her in yesterday she pauses for a moment.

“You could always come with me today, to fight club. We meet everyday after school.” She shyly offers.

“Hazel I don’t know if you remember the blood all over you yesterday, but I do. And you have a black eye.” You are thinking it but neglect to mention how the black eye and smear of your lipstick are making you feel a certain type of way.

“Yes there are, side effects, but it’s worth it to learn how to defend yourself. I wouldn’t want anything bad to happen to you.” That last part comes out as more of a mumble that may not have been intended for you to hear.

You start to take the offer into consideration. How far are you willing to go to spend more time with Hazel? You don’t want to seem desperate, doing something you clearly don’t want to do just for her. So you ask “Isabel and Brittany are in the club, right?” They are two of your very close friends.

“Yeah, and a bunch of other girls. I promise that everyone is really nice. Everyone except PJ. No one is trying to hurt you. Everyone except PJ. But if you are worried about who you are going to have to fight, you can just pair up with me until you get comfortable. You know I would never do anything to hurt you.” A lump forms in your throat and you focus on the road, afraid that if you look at her you will burst into tears. If asked at the age of 13 you would have said that Hazel would never in a million years do anything to hurt you. You absolutely believe she would never physically harm you. But she didn’t just break your heart, she ripped it out of your chest and stomped on it. If anything you would have preferred for her to have punched you square in the face. That pain would have only been temporary. A million thoughts are swimming through your mind but you snap back into reality once you realize that you just parked your car.

You thought the pain of losing Hazel was the worst thing you would ever feel. But now that you are thinking about it, missing out on the opportunity to get Hazel back would be astronomically worse. You remind yourself that you wouldn’t be getting Hazel in the way that you truly want her. But it was better than not having her at all. You turn towards her and she is looking at you expectantly.

You let out a deep breath you don’t know you were holding in when you tell her: “fuck it, I’m in.” Her face lights up.

“It’s going to be great,” she assures you, “I promise.” She holds out her pinky and you feel butterflies in your stomach. You hook your pinky around hers and you both kiss your thumbs. The way you always used to.

114 notes · View notes

elbiotipo · 8 months ago

Note

So when it comes to distance in a fictional setting, is metric king? I wrote some fantasy post-apoc recently where the protagonist measured it in Oranges and Aevums (the latter being their own name), but more generally speaking is it worth it to hash out bespoke measurement systems for fictional cultures, do you think?

Oranges as a measurement unit sounds so funny, and a measurement based in... yourself makes surprising sense, given all the measurements based on body parts. Why not YOURSELF?

Well, I would think in a real post-apoc world metric would be king indeed, scientific and technologic instruments are in metric even in the US and you could always get a ruler from a school or scales from a grocery store, so eventually you could get back on track to reforming the metric system. It would be interesting, though, if every society during isolation had slightly different measurements for the same units because of faulty equipment (say, ohms or amperes or even grays) and they had to make a congress to clear things up.

Returning to your main question. My perspective here is the same as conlangs. It's very, very fun to have them, but it's not fun to force your audience to read them. When I write something set in a fantasy or science fiction setting, in my head I'm assuming the characters are speaking different languages and I DO explain them and even give examples of them, but the story itself is written, for both the reader's and the writer convenience, in a language we can understand (Spanish in my case, and then it can be translated). Same with units of measurement. I seldom use direct units of measurement like writing "the ship was 110.3 meters long" (in science fiction, it's often a trap as they force you to stay true to them), when more descriptive language can be used...

In any case, you could do, for the kind of immersion I love, say something like "she was 14 oranges* tall, rather small for her age" and do an asterisk like "*A.N. : 1.39 meters tall". This is very fun when used sparingly, because it gives the worldbuilding obessed reader something to play with, you can do the conversion yourself and learn more about the world, without interrupting the story. Some understandably dislike this approach, but I think that if you know what you're doing, you can hide some pretty deep lore behind it. In one of my favorite retro games, The Ur-Quan Masters, there is an alien race called the Slylandro who live in a gas giant. When they tell you their ancient history, they use their own system of measurment based on the rotation of their planet with its own names like Dranhasa and Dranh. The game actually provides you with the rotation time on "Earth" time, so some dedicated fans did the conversion, and found out the dates fit with major events in the game's past. I thought that was an awesome bit.

But I digress again. Does this mean you should not talk about measurements in your story? No, it can do for very fun plots and digressions, as well as make things more realistic and beliveable. A fantasy world sharing all the same measurement units can be as unplausible as everybody speaking "Common". Let's remember that the current metric system is a modern invention which took a long time to be adopted (and some, well one, country, still resists it). Just take a look at the many, many historical systems of measurement:

This was especially prominent in places like the Holy Roman Empire, where every statelet, county, principality, free city, prince-bishopric, duchy, archduchy, etc. may and most often did have different measurements from each other. Just take a look at how measurements varied from each German region, it's crazy. The systems of weight where particularily important. Before the introduction of standarized coinage, coins also varied not only between kingdoms, but between regions, and even towns, and coins made at different times with different alloys had different values. Rather than money in our modern sense, you could think of them as some kind of 'asset' that could vary in value depending on the circumstances. What's more, those values had to be checked by people who knew what they were working with. Silver and gold content could be weighed, ah, but you need good scales and weights, and someone who knows how to work them! And these people could easily rip you off, or you could lose value accidentally if those scales weren't done just right or fiddled with on purpose. In fact, this is where the word 'Mark' comes from.

It wasn't as easy to take say a 100 something bill and get the change in 1 something coins. There is a very interesting subplot in the anime Spice and Wolf where Lawrence, the trader character, has been paid in gold coins, and he has to trade them into lesser denominations. However, he has to be REAL careful so that nobody scams him given all I told you above. Even getting 'gold' coins was a gamble before modern coinage and banking (another long topic). How much of that is REALLY gold and not an alloy with silver or other metal? Who can you trust to tell you how much your coins are worth? Are they compatible between borders or even time, is this version worth as much as the others? Things that characters in fantasy who have just plundered a dragon's hoard almost never think about. Except in Spice and Wolf.

(here is a gif of Holo to break the wall of text)

This all of course, as again you can see in Spice and Wolf, can make trade very tedious and even unstable. This was one of the reasons why the metric system was so quickly adopted in Europe and then elsewhere; consistent units just allow for easier trade. Lots of other things involving measurement can have a major impact on your story. For one, you NEED consistent and accurate measurement to create even the most basic industrial and scientific equipment. You can wing it for a time like alchemists (and even they knew their measurements) but eventually, you need to measure things to understand them. To have working steam engines, steel production, chemical industries and more, you need to know your temperature is. If you want to do electricity, you need measurements for current, resistance and charge. If you're doing engineering, you need to have lenght, weight and volume very, very clear, or people will die. They don't necessarily need to be universal like the metric system (though it has lots of advantages, being coherent between units and decimal so it doesn't jump between different denominations) but they need to be standarized and measurable.

Most of the above, unless you're writing some kind of encyclopedia about a fictional scientific revolution (BASED BASED BASED) will not affect your characters directly. But IT IS worth keeping in mind for what kind of world your characters are living in. The standarization of measurement units always means SOMETHING in the state of your society, the strenght of the state and centralized authority, the state of scientific understanding (one could say that trying to measure the world was perhaps THE scientific revolution, "Man as a measure of all things"), the capability for industry and the standarization of coinage and trade.

Even if you don't have your characters interact directly with those things, they will interact with them. It's also, like I've said in the examples, fun to imagine characters having to learn or deal with different units of measurement, just as it is fun to imagine them learning new languages or cultural quirks. It's something I've done in the past, in my space opera setting, the worlds descended from the United States STILL use the imperial system, much to the frustration of the rest of the metric human sphere. There is also an alien character who has a hard time to learn human measurements, and that makes her melancholic about her past, as they can't intuitively see the now-extinct measurements she does. Again, man as a measure of all things... this does include other thinking beings...

There's more I could talk about here regarding time, but I did a post about that, though I'm not satisfied with it and will probably redo it in some time at the future. In any case, there's lot to talk about why every calendar in science fiction has 365 days and 24 hours.

As always, if you found this interesting and helpful, I would be very thankful if you gave a tip to my ko-fi! And feel free to ask about anything you'd like!

#worldbuilding #measurements #conlanging #writing #writer advice #biotipo worldbuilding

75 notes · View notes

vgperson · 1 year ago

Text

What Did I Do In 2023?

Whatever I wanted, mostly.

----

As I mentioned last year, my site now has an RSS feed with basically everything I've done back to 2020, so this will mainly be going over the same stuff from that, just with added context.

In January, I finally sat down and properly realized an idea for a short story I'd had sitting around for a while: From the Sidelines, about a fantasy RPG expedition going sideways. I remain very proud of it in both concept and execution, and hope people read it.

In February, Your Turn To Die was released on Steam Early Access, receiving character profiles and some bonus mini-episodes, adding two more later in the year.

After finishing From the Sidelines, I carried that momentum to revisit my Ut0p1a story series about funny computer animals. I'd always meant to continue it - and conclude it - but hadn't been satisfied with the ideas I had for it until totally rethinking them this year. In March, I posted the remaining stories one after another: Right to Code and Left to Code. I'm very proud of these as well. Also in March, Kenshi Yonezu released LADY. (Video, interview)

In April, Uri released the Data Book of the Strange Men Series, a big collection of the writing she's done on the games in the series, with a lot of new parts as well, all translated by me.

Then in May... uh, well, let's see. In April, Capcom released the Mega Man Battle Network Legacy Collection. I always adored the Battle Network games, and was initially excited that they finally did the thing... but by the time it came out, I was pretty disappointed by how, while you certainly couldn't call them low-effort ports, the effort didn't extend everywhere I thought it should, with the biggest offenders being the total absence of any "convenience features" except Buster Max Mode, the bad font, and the almost entirely untouched translations.

So, I ended up deciding I might as well just replay the originals, and that was a fun time (aside from the parts that were bad). Doing this, I couldn't help but notice how... turbulent the translations were, even if I'd always known they were less than ideal. I mean, the first two games just used periods for ellipses despite the tight character limits, then in BN3 they had an ellipsis character... but it's center-aligned, Japanese-style? Aside from the intro, which has normal ones? Gosh, somebody should fix that - it's simple enough to find and edit in YY-CHR. "JapanMan" is silly, too - I wonder if anybody made a patch for that? Wait, what do you mean there's just a tool to extract and insert text in all the Battle Network games including the Legacy Collection???

Thus began a journey that sort of occupied the rest of my year. First I did the BN3 Translation Revision, trying not to worry too much about cross-referencing the Japanese text unless something seemed wrong, so that I didn't spend too long on the project. Then I began to consider BN2, with its unfortunate "foreigner" text that would need some more significant reworking. I established more convenient tools for comparing with the Japanese script, and thus did a much more thorough job with it, releasing the BN2 Translation Revision in June (AKA Princess Pride Month).

Finally, after giving myself time to recover and actually finish replaying the series, I knew what I had to do to close things out. With the BN4 Translation Revision, you can finally play Battle Network 4 with a translation that isn't such a mess. Whether you'd want to is for you to decide, though if you can get over the structure, I don't think it's the worst game in the series by any means. (Oh, and in December I also updated the BN3 Revision to 1.1, doing a thorough pass with the methods I'd honed. But I think I'm pretty much good on MMBN translations now.)

Anyway, backtracking to other things that happened during my Battle Network haze... June had Kenshi Yonezu's Moongazing (video, interview), and July had Globe (video, interview, interview).

Last but not least, released in November, I translated Refind Self: The Personality Test Game, a short game from Lizardry (creator of 7 Days to End with You) with a fun concept.

----

Obviously I was right to have said "no promises" last year. But really, Your Turn To Die should get its final part on Steam sometime next year, maybe even early-ish in it. That's certainly the goal.

I'm also hoping to buckle down and finish one of my own games, but as usual, who knows how that'll pan out. Letting my whims carry me this year let me finally finish From the Sidelines and Ut0p1a, which was great, and it also led me down a Battle Network rabbit hole, which was... fine, but definitely for a narrower audience. I'd always like to get back to more free game translations and the like, too, but it takes effort to find things I'd want to translate. For now, I think my increasing desire to be able to let loose some of these original games I've been planning, and the stories in them, might come out on top.

#vgperson

103 notes · View notes