#this moment was a gut punch

[rollingthunder06]

“i grab imogen in a really tight hug”

[vi-is-badass]

Here are some really interesting screenshots from the trailer:

[andrewknightley]

saw someone saying something like "do you really think veilguard story would be better if you could do evil choices?" and actually yeah. i think if they let us act more like the dreadwolf on the "you are a paralellism to the dreadwolf" game, it would be more significant when the story tells you "you are a bit like him/you are nothing like him" because , thats how you chosed to play it.

[op-dumpstertruck]

I AM IN PAIN! Please tell me that Sanji gets hugs from Zoro and the crew when they finally get to him?

I think Sanji would be overwhelmed by the grouphug that is he really, really deserves, even if he himself can't realise or verbalise it right now. But there needed to be a Zoro hug!

[normasshearer]

If anything had to happen to one of us, why did it have to be you?

LOVE AFFAIR 1939, dir. Leo McCarey

[momentomori24]

To cope with the ending of Dark Beginnings, I want focus a little on Shadow sticking up for Sonic whenever he can in Sonic Prime. A small detail I loved in Grim Tidings is that while they were both trying to escape the decaying Ghost Hill it was Shadow repeatedly boosting Sonic first before following after him. This could be because Shadow can fly so it'd be easier for him to clear the distances himself without help, but I like to also think of it as another subtle show of Shadow's care and consideration for Sonic and his safety, and how he prioritises it over his own first and foremost. Same thing with when they were fighting Nine's robots; despite being occupied with fighting as well, he still tries to keep an eye on Sonic just in case he needs immediate support and rushes over to defend him asap. Shadow's protective instincts kicking in for Sonic will never not be sweet to me.

[ghostlyarchaeologist]

"Now, you can take that as a gift, or you can take it as a curse. And that's up to you."

Leverage S04E01 The Long Way Down Job.

[pinknnight]

all i’m gonna say is guys, just eat that crapburger :’)

[mandareeboo]

OH FUCK OFF.

[attractthecrows]

yeah yeah trick weekes says whatever about it not making sense that solas couldnt sneak off THEY FAILED TO CONSIDER that maybe he just is ass at it when he gets invested. much like. the whole fucking rest of the romance where he COMPLETELY fails to resist until the breakup.

anyway.

im personally of the opinion that he's more liable to slip up - fail at sneaking, accidentally reveal details, contradict himself - when he actually makes bonds with people. which is why after trespasser he goes and lives alone in the lighthouse for ten years but i digress.

and i think "that", the bonds tripping him up, should be reflected in his exit from the Inquisition. you're enemies or neutral, yeah he just vanishes. there's nothing to keep him there, nothing to interfere with his plans and intentions. you're (ex)lovers? i think he still would pull back purposefully and probably vanish, but there would be definite hesitation. he would have to force himself to do so, because fuck, he wants to stay. he wants to be close to you. but he also, crucially, knows that you have a dangerous sway over him, so he MUST disengage. if you're friends, it takes him some effort. because he does like you, he doesn't want to do what he has to, it's been so long since he had people who were friends to him, and he doesn't have to force himself away because he's in too deep. he knows you would worry about him. he might not be willing to give anyone the truth - but he would owe you a goodbye, at the very least. especially if you weren't the type to try to convince him to stay.

[corvus-frugilegus]

The way my heart drops every time I visit Minrathous after saving Treviso. The sorrow in Rook's voice, the destruction, the way the resistance has been so brutally dismantled. The absolute horror in the streets of dock town presented so matter of factly by the game. They don't need to put a spotlight on it or show us a cut scene of the brutality because it's everywhere. You're immersed in the sheer scale of violence every step you take in dock and hear so much about the atrocities in the ambient dialogue. Walking the streets of Venatori controlled Minrathous feels awful.

The very obvious rise of facism that has been simmering beneath the surface in the magisterium all along. The dragon gave the magisters a chance to throw off the veneer of civility and stop acting like finding a middle ground with dissenting voices was something that mattered to them. Finally, they had concentrated power to an extent that they could inact their vision for Tevinter out in the open. (Probably if it weren't for Elgarnan taking over, reclaiming Tevinter from the Venatori would have been a monumentally difficult task).

If this isn't an Excellent social commentary and reflection of the increasing polarity in Western Politics I don't know what is. The rise of hard right leaning leaders epousing a return to traditional values when really their priority is the interest of capital and the ruling class is exactly what the Venatori represent here.

A criticism I've seen of the games writing a few times now is that the problematic elements of each faction feel either defanged or glossed over. And while I don't disagree that there are definitely some deep tensions and polarities in each of the groups Rook works with, I don't necessarily think it's poor writing to not talk about them here. It's just not the scope of the game- and I think actually underscores a very real issue we have in real world organizing and progressive spaces. If the Crows refused to work with Rook because they work with the Wardens who happen to keep terrible secrets (and so on and so forth about every faction and their tensions with one another) the gods would never have been stopped. In the case of the gods the people representing these factions and Rook's comapnions all recognize that their common cause is more important than their disagreements. Not working together because the Veil Jumpers rightly have qualms about the Lord's of Fortune pilfering elven ruins only lets the gods win. Working with someone who see's the world differently is a tension everyone in the veilguard has to hold. And it's a tension real-world progressives / the left very often struggle to hold.

Realizing that the common cause is more important than individual differences is a very real theme in Veilguard.

[ghost-proofbaby]

why yes i do indeed thrive on the psychological pain i cause with my fics. yes i am fueled by making my friends wanna punch me over the sad details i build up in my sad fics. why do you ask?

[red-moon-at-night]

The Trojan Horse/La guerra di Troia (1961)

Ignore the complete mischaracterisation of Helen and the inaccuracy of events, you need to see this sequence of how Paris dies. It's absolutely WILD.

[pattydia]

oh my god when randy is recounting the ms beard incident and he’s like ‘I was so angry because I had been singled out’ and benson nods and goes ‘sure’ … he gets it because He was singled out by sheppard …. I’m going to kms what the fuck

[grimm-the-tiger]

Honest to God, Communalist's turn to the dark side is still one of my favorite moments in any piece of Internet media. They finally made a friend outside of the Anti-Realists, someone who understood them in a way the other Anti-Realists never could, and then one of them shows up, stabs Moralist in the back, and starts laughing about it, like it's some sort of joke. The death of their new friend at the hands of someone they thought was a friend utterly shatters their worldview, and they lose it.

CultCom is probably one of the most unsettling characters in a series where the main cast includes a murderhobo and the embodiment of the Party from 1984, and it's entirely due to how we saw what they were like before all of this went down. It's such a drastic shift, and yet it makes sense in context. Their ideology technically didn't even change, just their view of who deserves to live in their perfect society.

And then there's the fact that you can view the entire sequence from a metaphorical perspective, and it somehow makes it worse. Darwinist represents essentially a breakdown of society, where the strong prey on the weak and powerless, and a return to the "natural" order of things. Moralist represents morality, a largely human construct that is exceptionally fragile and prone to bending, and Communalist represents pure altruism. If you frame it like that, Darwinist killing Moralist comes off as not just him killing one of the few actually decent people in the series, but as human nature triumphing over morality, as it always does and as it always will. And then this corrupts altruism and turns it into tribalism (CultCom); the basic tenets of altruism are still there, helping others and being kind, but now it only applies to us, not them. They do not deserve that help, they do not deserve that kindness, because they are not us, and that makes them dangerous.

Fuuuuck, I miss Realicide.

[wikitpowers]

kit and ty after the los infirmary scene did i stutter