#this man has affected my life more than any other storyteller in the world

[fossilized-honey]

Neil Gaiman once said something beautiful about how once you put a story you created in the world it no longer “yours” so much as it belongs to the community it’s created.

If I find it I’ll be sure to RB again

[practically-an-x-man]

random question- do you headcanon any x-men characters as neurodivergent?

Oooooh man don't get me started-

The short version is, yes. I think there are a lot of characters that are coded as neurodiverse in some way or another, more characters where the manifestation of their mutations could be an allegory for neurodivergency, and even some "lighter" headcanons that I wouldn't want to see in canon but think have good storytelling potential outside of it.

It's a common headcanon that Scott is autistic, and I agree with it. I also think Hank is autistic, but it manifests differently in him than in Scott. I also headcanon that Scott gets chronic migraines, though I'm not sure whether that qualifies as neurodivergency or not.

Prodigy is AuDHD for sure, just by the nature of his powers - he collects skills, takes a new hobby and learns as much as he possibly can about it, masters it, then ends up dropping it and moving on to the next one? I know AuDHD is more than just that, but as someone who does the same thing, it definitely speaks to me and I think he's a good character to reflect that.

Peter Maximoff absolutely has ADHD, he's basically ADHD incarnate.

Erik has PTSD six ways from Sunday, I don't think that one even qualifies as a headcanon. Logan also has PTSD, along with Forge and most/all of the mutants who were drafted into the Vietnam War in DOFP (Alex Summers, Toad, etc.)

I do headcanon Dazzler as having some form, maybe multiple forms, of synesthesia. It could be comorbid with her mutation itself, given her abilities are to change one form of sensory input into a different form of sensory input, and that's effectively what synesthesia is within the brain. In general, I subscribe to the idea of superpowers that genuinely affect multiple aspects of a person's life - it's not just a press-a-button power to turn on, it's woven into their mind and body and genuinely affects how they interact with the world.

I also think any telepath would have to qualify as neurodivergent, given their view on the world is innately impacted by processing the thoughts of everyone around them. I don't know that there would be a specific "label" for what they experience, and I think it varies from person to person, but it's definitely a form of neurodivergency.

I also feel like clone characters are innately neurodivergent, especially in relation to developmental or age-related disorders. Studies of actual cloned animals tell us that they're more prone to neurological conditions and tend to develop age-related mental and physical disorders much earlier than they should, so I think there should be at least some sort of reflection in mutant clones like Laura Kinney. Healing factor of course would negate some of the effects, but I could see her with dyslexia or dyscalculia, or perhaps some form of memory disorder. And of course, in Logan (2017) she has a sort of selective mutism tied to trauma, which could be an neat thing to explore in writing her even outside the context of the movie.

I think there are a lot of characters that would be interesting to explore if they had some form of neurodivergency, even if it's not my headcanon for the canon character. These aren't necessarily what I'd want to see from canon, but I think it brings dimension to their stories and could be neat to explore how it interacts with their mutations.

I mean, it would be neat to see Husk with some form of sensory issues, since it would bind up with her mutation in an interesting way and could make for a cool plot. Take her mutation as a metaphor for dermatillomania, where picking at her skin becomes shedding her skin as her mutation manifests, which at best is unpleasant and at worst could be outright dangerous.

And it would be interesting to explore schizophrenia or psychosis in Magik, especially from a social perspective, since her manipulation of Limbo would no doubt be seen as a psychotic episode by others around her (angsty, but a strong metaphor for the hoops actual people with those conditions have to jump through to get recognized), and even from her own perspective it would be interesting to see how she learns to separate her actual, tangible mutation from the things she might experience with her neurological conditions.

[tracle0]

Happy Storyteller Saturday! Can we have a breakdown of all the colours in the colour story please?

Happy STS :)!

YES.

Colour story takes place in a world where some people are born as either a secondary - able to control only their secondary colour (orange, green, purple), or a primary - able to control one of three primary colours (red, yellow, blue) as well as the two secondary colours that connect to it (yellow being green and orange, etc).

Mages can strip their colours from the landscape or creature around them, and channel them into various uses - attacks or industry or what have you. In-world, dyes and precious gems are quite important, as well as working with the land to have a better advantage over others.

There are also colour storms that occur in the story, that... ever so slightly alter the mages in question, in both mood and potential controlling ability? I will discuss this as well, as it is quite important to the story!

Within the story, we also have a little heist team, which involves one of each colour. I'll talk about them too because it's my ask and I do what I want.

Red

Red mages control both red and orange (NOT purple - we are working with the light spectrum, not the colour wheel!). Their storms typically make them hot-headed or manic, and more impulsive. Arguably the weakest of the primary colours, given that they only have orange to control as well.

In-story, our red mage is a terrifyingly powerful man, nicknamed, uh. Red. He survived a colour swarm and emerged much more manic and much more powerful than when he entered, and has a very intent obsession with tracking down the people who 'killed' his sibling, for. Revenge. He is incredibly affected by his storm.

Special note - he uses his colour to navigate the world! Lad has been blind from birth, but uses his magic to 'see' where red and orange things are, in order to get around. Isn't flawless, but does help.

Orange

Orange mages control only their colour, orange. Their storms make them paranoid and jumpy.

In-story, our orange mage is a visiting scholar from the country of Jaque named Clem. They were studying colour storms, specifically the mysterious purple storms, when they were framed for academic misconduct and expelled, then almost killed. They are incredibly affected by their storm.

Special note - during the attempt on their life, they ripped the brown from their eyes in order to survive and escape. Their eyes are now permanently white.

Yellow

Yellow mages control their colour, yellow, as well as orange and green. Their storms make them cheerful and chipper.

In-story, our yellow mage is a hitman for hire, Sunny. He's quite distant, selectively mute, and very efficient at what they do. Red has been hiring them for a while, and has a professional trust in them. They are mildly affected by their storm.

Special note - they work in this field because it pays more than traditional work does, and they want to support their grandparents who helped raise them.

Green

Green mages control only their colour, green. Their storms make them passive and inactive, patient.

In-story, our green mage is Red's long-standing business partner, Lief, known to most as Leaf. She used to date his sibling before they 'died'. She takes care of the ground work and funding for his work, and is available on-call for any work she may be needed for. She is mildly affected by her storm.

Special note - she keeps a nice rooftop garden tended to, which is handy for mages needing to practise pulling colours, as the flowers blooming occur in every colour you could want.

Blue

Blue mages control their colour, blue, as well as green and purple, making them arguably the most powerful primary, as they're the only primary with access to purple. Their storms make them sorrowful and depressive.

In-story, our blue mage is the heir to a conglomerate dye industry, Brighton. He's hired Red's team to take down a mysterious White threat, and is one of the most unlikeable people you could ever meet. Most of his work is making sure his sister, Bernadette, doesn't take his inheritance away. He is incredibly affected by his storm.

Special note - he invented a device called a colour containment capsule colorb, which traps a high volume of highly concentrated colour in a small orb, ready to use when necessary.

Purple

Purple mages control only their colour, purple. Their storms make them... well, in-story, there are no purple storms, so no-one is really sure what their storms do. Purples are also incredibly subservient and passive, making the ideal slave for those who can afford to buy them. As a result, purples are rarely seen as people.

In-story, our purple mage is the young and incredibly sheltered hellraiser, Fina. She was saved from being snatched away by Red, and decided to follow him to learn how to use her magic like he does, then got roped into his heist. She's excitable, eager, bookish, and not very experienced with magic, but is keen to learn.

Special note - she is lovely :)

Bonus...

White

White mages are a new phenomenon and are formed through a very delicate and painful procedure wherein mages have their colours stripped away from them and replaced with basically a chemical void. They should not exist and are a huge threat to society as a whole.

In-story, our white mage is the only survivor of the aforementioned very delicate and painful procedure, Elan. They're twitchy, boiling with fury, and caught in a twisted and toxic love affair with the person behind their forced change, Bernadette. They are actively hurt by the presence of colour, and work tirelessly to strip it away from their surroundings - be that landscape, objects or people.

Special note - this is Red's sibling, who is very very very much not dead.

[emmym1]

My thoughts on... Avengers Academy 2010 (#14-20) "Fear Itself"

So i'm finally continuing this series! I was super excited to get back to it and it did not dissapoint whatsoever. Fear itself is defintely my favorite arc of this series so far! It was really refreshing to see a different perspective on everything in #14.1. It was super interesting to learn how the other kids who got abused by osborn turned out, and how the students were being shown that their lives can be about more than just superheroes and villains. The way it also sets up Veil ultimately leaving the academy to decide to live the life Briggs had shown her she could have was also really good. I will say the reveal that Briggs is a villain was a bit rushed but he's still a really terrifying villain given his powerset. #15 & #16 were the absolute standout issues for me in this arc. Tigra and Veil get so much development in these issues. the way Tigra relives her trauma on the battlefield and starts to fear that she's giving these kids their own trauma's which would irrevocably change them was super well executed. Especially because you see it happen in real time with all of them. And the absolute face of despair Tigra has upon realizing what's happening is just so heartbreaking. You really feel for her, especially because she herself has gone through so much. Tigra is defintely a big standout character for me in this run. It was also absolutely heartbreaking to see Veil try and save the little girl and her mom. It's a rollercoaster of emotions as you see how Veil realizes that maybe after she can be a hero after saving that kid. And then she does her best to save the mom too which all goes really smoothly. Only for it to all go away when the mom gets shot as she escapes the rubble. It's such a painful moment as you really see how it changes Veil. An incredibly shocking moment when I read it. All of the students fighting off absorbing man and titania in the infinite avengers mansion while being completely cut off from the world or any backup was such an incredibly cool sequence. It was quite interesting as for the longest of times they've been wanting to do superhero stuff on their own without the teachers interferring but now they get forced into that position and it's absolutely terrifying for them. It was really awesome to see them come together as an actual team without complaining about each other. To me it felt the most connected the team ever was. They were determined to get out of there and it was super intriguing to see them come up with a plan to escape the mansion and how it forced them into a position to make impossible decisions and how it affected them. Seeing Hazmat and Mettle decide to stay behind and sacrifice themselves because they know their lives won't ever get better based on what they've seen of their future selves was super gutwrenching. It was really bittersweet to see them comfort each other in what they thought were their final moments before dying (until Giant-Man and the others saved them). The ending of this arc was also something I really loved and something that felt natural. The academy needs something fresh and new, and the idea of it relocating to the west coast avengers base and expanding to teach all young heroes who want it is such a good idea. Allows for so much more opportunities in terms of storytelling as well. Not to mention the academy really needed a breath of fresh air so it didn't become stale. A seemingly new faculity is also really exciting. Speedball and Justice leaving makes sense especially with the reasoning they had and I think it allows for some other interesting heroes to join the faculity and explore their endeavors and failures as heroes. It does feel a bit like a soft reboot of this series but one that makes a lot of sense and has super exciting prospects. So yeah this was a super good arc with tons of memorable and gutwrenching moments. A lot of intriguing stuff and a super interesting setup for what's to come. I'm super excited to see what this new academy will bring alongside the new heroes residing in it!

[enterprisewired]

National MS Society: Off My Wave CSR Initiative to Bring Back the Surfer to Life

Multiple Sclerosis comes as a nightmare for people. With the exact reason still unknown, it’s said to be an auto-immune disease. Any cure as such hasn’t been discovered for it. It is the potential disabling of the brain and the central nervous system. Some organizations like The National Multiple Sclerosis Society (NMSS) come as saviors. The organization’s vision is a world free of Multiple Sclerosis (MS). To spread awareness about MS Awareness Week, the organization on-boarded the advertising agency Wieden+Kennedy, Portland.  

The initiative of the National MS Society to spread awareness about Multiple Sclerosis has won hearts. The local surfing maestro Steve Bettis was diagnosed with progressive MS in 2006. Steve, a resident of Ocean Beach, CA was a stud in surfing but has been suffering from MS for the past 50 years. Quite naturally he was told to stop surfing as it was not recommended for his health anymore. The collaboration of Wieden+Kennedy and the National MS Society via the “Off My-Wave” campaign made the experience more than real for Steve. 

The Campaign:

The collective effort made it possible to transport Steve to his golden period. The transcendent feeling that Steve enjoys, the movement and motion of limbs was perfectly immersive for him. A person who suffers from MS cannot have much sensation in the limbs. Exactly that was experienced by the surfer which was the highlight for him. The Virtual Reality experience was truly a trip down memory lane for Steve. All thanks to the conscious efforts of the National MS Society and Wieden+Kennedy. 

Key Elements of the Campaign:

Instant Nostalgia:

MS had taken some experiences from Steve Bettis. The same experience was recreated for him via the use of Virtual Reality. As the video was published of Steve enjoying the experience of virtual reality, the joy on his face can be seen. The video was in the form of storytelling which made the viewing experience more immersive and engaging. Steve will be forever thankful to the National MS Society and Wieden+Kennedy for their heart-warming gesture, especially for him.  

Increased Donations:

On the part of the National MS Society, they got a lot of recognition for their collaborative effort. People praised them for bringing out the story of Steve. Until then, people were not aware of such a great man who strives every day with the condition of MS. The organization got recognized enough for its efforts and started to receive a lot of donations in cash and kindness. 

Steve became an Inspiration:

For newbies, Steve became an inspiration. The surfer community was evoked with emotions and respect for Steve. He received a huge amount of emotional support via the outpouring of messages and well-wishes from his supporters. This campaign allowed Steve to connect with others living with MS and their families. Thus, offering them a ray of hope and resilience. Steve was back to life via the actions of Wieden+Kennedy and the National MS Society. 

Use of the Technology:

As mentioned above, the visual experience was imparted via a Virtual Reality (VR) device. In the pre-production stage, a lot of issues were needed to be considered. The topic of discussion was what best way can the surfing experience be caught on camera. Every camera was housed in its waterproof case. Each camera was a bit further apart than it would’ve been without the cases.  

Leveraging Virtual Reality for Social Good:

Raising awareness through immersive storytelling:

Virtual Reality imparts a profound storytelling platform that allows brands to engage audiences in enticing narratives. The use of VR was the masterstroke of the National MS Society. By formulating virtual experiences that convey real-world issues brands can effectively raise awareness about various social causes. Organizations are making use of VR for transporting viewers to remote locations affected by environmental disasters or social injustice. Through this method of storytelling, brands can educate and engage their audience, fostering empathy and understanding. 

Advocating for social change:

Brands are accepting virtual reality with social movements to advocate for change through virtual experiences. Brands, by highlighting issues like gender inequality and poverty, try to immerse viewers in the day-to-day lives of diminished communities. This VR experience provides a chance to engage with social change, especially on a personal level. It encourages others to become more active and make the world a better place to live. 

Assisting persons with disabilities:

Virtual Reality technology is helping people with disabilities to overcome challenges and enjoy the experiences that otherwise they may not have. Brands are developing virtual reality experiences that especially cater to specific disabilities such as formulating virtual worlds for people with mobility issues. These initiatives promote inclusivity and equal access to experiences that the majority of people take for granted. 

Virtual Reality, CSR & a Noble Deed:

Journey of Empathy:

Imagine stepping in the shoes of a surfer who suffers from Multiple Sclerosis. Via leveraging Virtual Reality Steve Bettis could now get near real-time experience. The joint effort of Wieden+Kennedy, the National MS Society, and Robert Weaver understood the story of Steve. It is a journey of empathy that transcends traditional forms of storytelling, and it plays a vital role in driving corporate social responsibility. 

Raising Awareness and Compassion:

The National MS Society was determined to give Steve a nostalgic feeling. The primary reason for the campaign was to raise awareness. By donning the headset, viewers are immediately transported to Steve’s world, where the exhilaration of being on the waves is met with the discomfort of a body that doesn’t respond as it should. By viewing through the headset, viewers get to understand the daily challenges faced by people with Multiple Sclerosis. 

Expanding the Reach of CSR:

Virtual Reality surpasses the geographical boundaries that allow charity organizations to expand the reach of their charity initiatives. This campaign for Steve, for example, can be experienced by people all over the world. This reach allows charity organizations to create a more significant impact on a broader side. Like the National MS Society did, other charity organizations also get inspired and moved, and attempt something like this. It adds value to people’s lives and makes an impact too. 

Conclusion

The National MS Society went on to become an angel for Steve. Empathy is the main aspect that was covered in this campaign. Getting into someone’s shoes, understanding the person’s state of mind and physical disability, too, understanding the passion he had for the sport is phenomenal. Imparting that experience to Steve was an instant emotional ride for him. Sheer happiness while viewing the whole experience via the headset was thoroughly enjoyable for Steve. This campaign has earned praise from famous magazines like Creativity, Mashable, AdWeek, etc. This campaign is a true example of humanity at its best.

[cityoftheangelllls]

This is so beautifully put, OP. I couldn't have worded it better myself, and you deserve a ton of kudos.

I am actually ashamed to say that I saw the live action remake of BATB in theaters. The whole thing. If I hadn't been with a friend who was actually enjoying it, I would have gotten up and walked out within the first half hour and demanded my money back. Like most of these cash grabs that Disney has been cranking out lately, it is a soulless husk of the animated masterpiece it was based on and made no effort to acknowledge what made the storytelling in the original so poignant, riveting, and exposing of the human soul. I just felt so sick the whole way through. I did like a few details, such as Lefou getting (sort of) a redemption arc, the Beast's new song (even though If I Can't Love Her is superior), and that old beggar woman being the Enchantress in disguise, but that's it. It mercilessly chewed up one of my favorite Disney films of all time - in fact, one of my favorite films, PERIOD - and spat it out all battered and drenched in slobber and other nonsense.

I am also incredibly bitter about how Belle was portrayed. I like Emma Watson as much as the next person but she just wasn't right at all, based on how she treated the character. She mistakenly believed that Belle needed to be "reimagined" as "a sTroNg iNdEpEnDeNt wOmAn wHO mAkEs hEr oWn dEcIsIonS aND dOEsn'T SiT aRoUnd WaiTiNG fOR a mAn". BELLE ALREADY WAS A STRONG FEMALE CHARACTER. There is NOTHING wrong with being kind, feminine, respectful, being afraid when danger is lurking about, or having dreams and goals about wanting to explore the kinds of worlds read about in books. Regarding that last one, books were really the only escape she had from her humdrum life as a peasant, so can you really blame her? Furthermore, her biggest strength, far more so than her intelligence and daringness to dream and be different from the status quo, is her bravery and willingness to sacrifice her dreams and freedom if it means her father gets his freedom back. SHE WILLINGLY GAVE ALL THAT UP AND FULLY INTENDED TO STICK TO THAT PROMISE, and it fills me with a boiling rage that the filmmakers of the BATB remake neglected that crucial detail. Just imagine all that inner conflict, all that dread swirling within her, her thoughts that she would never be able to fulfill her dreams or see the outside world again, before she became resolute that this tremendous sacrifice would mean that the one person she loves most in the world and who has always been there to support her will be safe and free and not have to die alone in a dungeon. Now THAT kind of decision takes a ton of bravery and strength.

And don't give me that "wELL sHe StOoD uP tO ThE bEaSt iN tHe rEmAkE aNd sHe TrIeD tO eScApE sO sHe's sTrOnGeR iN tHaT vErSiOn." SHE STOOD UP TO HIM IN THE ANIMATED FILM TOO. AND SHE NEVER WOULD HAVE ESCAPED BECAUSE SHE WANTED TO REMAIN TRUE TO HER PROMISE. It was only when the Beast caught her in the West Wing and she thought he was going to attack her that she decided to leave. And even though she intended to remain true to her promise, she never took any of the Beast's crap when he was rude to her.

I also agree that the way the Beast was portrayed in that scene of the remake was really shoddy. The whole purpose of that scene was for the Beast to realize how selfless and brave Belle is due to her decision, as well as to show how he can still be moved by compassion, or perhaps realize how little he may have been shown that kind of affection during his lifetime, even before the curse. It goes to show that, even under all that beast, there is still some humanity left in there.

So yeah, seeing that mess of a movie disillusioned me to the point where I want nothing to do with any of Disney's live-action remakes, even those that have been well received by fans and critics.

Anybody else want to talk about Beauty & the Beast? Specifically, Belle?!

no? just me?

I don’t care I’m doing it. Look down there 👇 

OKAY. You know how in B&tB17, Belle was played by Emma Watson? And the Belle from the Original was joyful, self-sacrificial, and saw the world through fantasy-colored glasses? So Emma Watson chose to play her as a stony-faced, somber heroine with all the cheerfulness of a Knight who’s been to war and back again?

((I mean, look at her  expression. The original, the one on the left, is hand-drawn, so you know it was the more intentionally executed of the two. She looks, at the very least, like she’s thinking about something interesting and her face is resting. At the most, she looks peaceful and HAPPY. But on the right? Emma Watson couldn’t outright smile. No way. Has to have just the faintest suggestion of a smirk, and one of her eyebrows is barely raised. She looks like she’s daring the viewer to think of her as gentle or kind. And then silently promising to take them outside and hit them over the head with a book she hasn’t read yet. And don’t tell me it’s all about the context of the two photos; Emma Watson (who does not play the same character as was created for the Original) looks like that throughout the entire 2017 film.))

Yeah, this was going to be a post critiquing the live-action film. (Which I liked—but in SPITE of the way they got Belle wrong, not BECAUSE OF.) It was GOING to be. But then, in comparing the two, I just got more appreciation for exactly HOW intentional and well-done the original was.

Belle was not a character left open for interpretation.

 She was a strong, believable, intentionally-crafted character whose every decision and even every facial expression was drawn, line by line, into place to communicate something. And it was something the live-action film swung and missed at in the name of “updating” her. I think there are a lot of issues with Emma Watson’s portrayal of Belle, but really, it all comes down to one small change that threw everything else into the realm of an extreme mistake. That one small change is this:

In the 2017 film, Belle tries to escape. She promises to stay with the Beast—and the entire time, fully intends to break that promise. That’s it. That’s basically it. That, in a nutshell, sums up the whole problem with her.

But I’ll elaborate. Hear me out.

Keep reading

[blisschi]

Hi, can i request a zhongli x male reader angst to fluff hanahaki au where male reader was a God a long time ago who died to hanahaki because of zhongli and guizhong, but male reader is resurrected as a mortal and zhongli sees them again

Hey! I'm not completely sure if that is what you meant nonnie, but this idea was stuck in my head for a while now and I just had to write it! It's certainly not one of my best pieces but.. I hope you like it.. 💕

🌸In another life🌸

Pairing: Zhongli x Hanahaki! M! Reader

Warnings: Major Character Death, Angst to Fluff..? I think.. It's really bittersweet.

Notes: u_u ... I can't english

Zhongli turned his head towards the storyteller, who clearly caught his attention with the words that just left his mouth. Although for most people it was unknown, forgotten, Zhongli never forgot a single event in the story he started.

"Once upon a time, there was a young god who loved every creature in Tayvat."

He lowered the cup that he was holding, focusing his attention on the words of the story.

They always started out the same.

"The god that loved every creature in Tayvat, the same god that would offer everything to everyone by his love, lost life."

They always ended the same way.

Zhongli closed his eyes and took a deep breath, remembering the moment he met the young man with a smile on his face.

The man told him that he was visiting Liyue out of sheer curiosity, and that he was coming back to it out of curiosity as well.

"Do you think I could be any kind of a threat to you?" You laughed softly, turning your head towards your friend. Although you were a weak god and you were far from strong, somehow the Geo Archon decided to devote a moment of his attention to you. The moment that sprouted into feeling.

Morax smiled slightly and walked closer to you, gazing out at the sea of ​​clouds.

"Things that are dangerous, not often have to look like a threat."

Just like love.

Love can be beautiful, but won't it turn into poison in the blink of an eye as soon as you lose control of it?

Like flowers, can delight with their amazing charm, when their roots must dig into the very center of the heart, almost breaking it.

"He taught him to understand."

"The young god introduced himself by the name [Y / N]. He befriended Rex Lapis, despite different views and observations." The storyteller continued.

Zhongli looked down at his cup, half full of tea. His mind was full of the thoughts he always chose to leave to himself. He thought that from the mortals, he probably would never hear this name again.

Morax sighed softly, smiling as you pulled his hand along the fields of flowers. He never really understood why you loved them so much, but he could accept that the time you spent with them made you feel relaxed.

"You have some really beautiful plants here, you know?" You laughed as you let go of his hand and ran to one of the trees, immediately sitting under it. The other male calmly approached you and watched as one of the butterflies sat on your finger.

Maybe it was your charm that all creatures loved so much? Until then, he was unable to answer this question. Why did he choose to protect you? Is it because he really thought you were a dear friend to him? Maybe it was because you seemed so vulnerable and weak, just making him feel pity.

You lifted your hand up, showing the creature to your friend. It's wings were golden that gleamed like the light of the setting sun.

"It's so small. but it was not afraid to sit on my finger.. just like I was not afraid to make contact with you, Morax." Glistening pupils looked at you now, taking their attention away from the butterfly. "If you wanted to, I would have been lying underground a long time ago. If you only thought that I was a threat.. ha.."

You laughed softly as you watched the butterfly fly away from your sight.

"You wouldn't hesitate to attack me, would you?"

"He taught him to look up to the future."

Sometimes being weak has its advantages. Not everyone sees you as their enemy, the stronger will usually ignore you, or offer help caused by feelings of pity. Pity over your existence and weakness.

Where do you see this land in a few hundred years, Morax? It was one of your first questions to him that he had to think seriously about. Of course, he cared about Liyue, but admittedly he never thought about what everything would look like in the future.

Will he still dominate these beautiful landscapes? Will he still be able to be called their Archon?

"He taught him to take care."

Zhongli smiled, closing his eyes. He would never have thought it would end this way. True, his life was not over, but the divine era certainly came to an end. People, although weak - will cope.

A soft laugh broke the silence in the room as you ran one hand through the god's hair. This was one of those days where you spent time together, without any worries. You gently braided Morax's hair, smiling to yourself.

"Maybe you should wear this hairstyle more often?" You asked, gently tangling some pieces of flowers into his hair. He just closed his eyes and relaxed in the feeling of your touch. Your hands always seemed extremely delicate. "No? The great god who rules over all Liyue doesn't have time to spend a few minutes making a hairstyle?"

"I didn't say anything." The man sighed and turned to face you. "Why should I worry about a trivial thing like my hair?"

You raised your eyebrows and tilted your head slightly, apparently surprised by his answer.

"Isn't it nicer to look at Liyue when everything is in its place?" You asked, getting up from the ground and placing both of your hands on his shoulders. "If you take care of every smallest element.. eventually these elements will fit together and create perfection.. No matter if it is the perfect weapon.. power.. or hairstyle.."

You were happy watching your friend become attached to more people. At first you enjoyed it, you thought you helped him open up to the world. On your journey together, you met a large number of amazing beings, but suddenly one goddess appeared that seemed to take the person dearest to you away.

"The young god taught him feelings that Rex Lapis did not understand before. He helped him open up to new things, to new people."

Zhongli gritted his teeth as he remembered the rest of the story. Even though you taught him so much, he still understood so little back then.

"[Y / N] had feelings for Morax stronger than to any other being. But it was not his will that made the love strong." The storyteller continued, drawing the attention of more people. "For one-sided love is the strongest. For one-sided love hurts the most."

Goddess of dust, beautiful and gentle, good-hearted and wise. She was a weak god, just like you, maybe that was why Morax had paid more attention to her back then? Maybe he forgot that in fact your strenght was nothing, but his presence near you. He spent every free moment with the goddess. You dreamt that he could give you more attention, but apparently it was not given to you.

You taught him so much and all he offered you was jealousy. Jealousy was eating you from the inside as you saw the goddess slowly pull Morax towards her. It hurt your heart when you had the opportunity to meet a man less and less. But you yourself didn't have the heart to stop it all, because you knew that this goddess meant well for him.

You understood that it was easy to fall in love with someone like him.

"The years passed, the gods drifted apart. The young god was helping Rex Lapis to understand the newer and newer feelings that the goddess had helped him to experience this time."

You understood that you are not the only one who deserves this feeling to be returned.

Zhongli shook his head and opened his eyes, staring at his reflection in the already cold tea. If he knew you thought so.. If he knew he was slowly breaking your heart while spending time with the goddess, it would have all ended differently.

Anyway, it never came out of his mouth that they were 'just friends', it never came out of his mouth that they were something more..

Zhongli clenched his fist, remembering your last moments with him. He remembered your tears, your painful, but smiling face.

"Over time, his feelings did not diminish, but bloomed like the flower buds that he admired so much on his first visit to Liyue. The feeling became unbearable, breaking his heart, hurting him, making him even weaker. The young god then wanted the feeling of love to become something alien to him. "

He remembered you asking him to tell you one of the old stories that he once told you at the beginning of your friendship.

"Why do you suddenly want to hear it? I must say, it's not one of the most interesting ones.."

You laughed quietly, but apart from the laughter, a choked cough escaped your mouth, which you tried to hide with all your might.

"It just.. this story really brings me good memories.. remember? You told it to me when we were sitting under the same tree.. years ago.."

Morax closed his eyes and leaned against the tree, staring up at the sky.

"Well then.."

Zhongli stared at his hands placed on the table in front of him. If he himself lost his life, would he be able to meet you again?

"It was their last meeting. The young god left after him nothing but flowers, which slowly choked him from the inside. Rex Lapis never lost the abilities he had received from his friend. Rex Lapis never forgot, he carried his feelings to the end. One can only hope that after the death of the God of Geo, the two met again."

"Master Zhongli, right?" A soft voice snapped him out of his thoughts, making him look up at the person that called his name. "Can I sit here?"

A joyful smile on the face of a stranger, unusually similar to the smile of a young god who left this world many years ago. The same gaze, that looked at his face with love and affection.

Zhongli nodded slightly, not taking his eyes away from the face of the newly met person.

"I see you here a lot, so I figured I'd introduce myself!" The male laughed, painting a smile on Zhongli's face as he reached towards the consultant. "[Y/N]."

"Maybe in another life, they'll be happy together'."

[flickeringart]

Neptune aspecting Mercury and Venus

(Continuation of my post “Neptune aspecting the Sun and Moon”)

Mercury aspecting Neptune

Mercury is representative of deductive reasoning, of communication and learning, of exchange of information and social interaction. Mercury is essentially representative of the mental faculties, the ability to draw conclusions based on the gathering of information. Mercury represents the intellect, the most commonly applied tool for understanding and navigating the world around the self. It’s the tool that makes connections, that defines and discriminates. The intellect is a divisive mechanism that breaks things down and distinguishes every little part to discover its function and purpose within the whole.

Mercury aspecting Neptune often lends itself to a very creative mind and an ability to articulate and communicate nuances. It also seems to lend itself to a vivid imagination – an ability to paint a picture with words or portray an archetypal energy through mimicry and acting. The conjunction is the most intense of the aspects and the benefits as well as the debilitations are felt more acutely. While Mercury-Neptune has the ability to “enchant” with words and easily navigate the world of imagery and fairytales, the real world void of magic can be less easy to navigate. Taylor Swift has the conjunction and she’s a great example of someone who is a storyteller through songwriting. She essentially takes the interactions of her everyday life and turns it into magic – something that is universal and appeals to people world wide. Music has the ability to glamorize the most dull and ordinary and elevate it to new heights. There’s a might to music and it speaks to people on the feeling level. Music, movies and theater for that matter have the goal to affect people, to mirror their inner life and strike a note on some level of the psyche. Mercury-Neptune comes with the risk of being easily affected by words and a tendency to read into things more than necessary. Sometimes the meaning of another person’s words can be distorted and made to fit the person’s own preferred narrative. This is a huge problem, especially for the conjunction - sometimes words that actually carry weight can be made out to mean anything. Furthermore, in overlooking the concrete – that which is spelled out loud and clear, there door is wide open to make mistakes and blunders when tending to details, and in real life this can have dire consequences. Reading too much into things or not reading enough into things seems to be the problem. Neptune refines whatever planet it touches and this can make for a real ability to work with subtleties, but the more subtle something is, the less dense and concrete it is. The more sensitive the instrument, the more susceptible it is to suggestion and manipulation. Fantasy and imagination is inextricably merged with the intellect with this aspect.

The trine and the sextile aspects from Neptune to Mercury similarly lends themselves to a feeling for subtlety when communicating and thinking. The trine is more of a natural modus operandi while the sextile is more of a skill that can be used and activated through conscious cooperation. Mercury-Neptune can potentially cause a propensity for lying, not because of a need for a control but because of a natural tendency to distort information. This is as true for the conjunction as the trine, while the sextile might take some deliberation. The tendency to convey information in the most romanticized and creative fashion might border on lying because it leaves people with no grasp of the cold and hard facts. Mercury-Neptune is not good with the plain, cut and dry message transferring – these people thinks in images and imbue everything they convey with a touch of story-telling.

The square from Neptune to Mercury, seems to make the native very serious in creative pursuits. There’s effort and strain that is required because of conflict felt between the intellect and the vault of dreams and fantasy. Usually, the native displays criticism of their work and is skeptically inclined toward their own influence or the value of their own artistic pursuits. Amy Winehouse had the square in her chart and she was quite hard on herself although the public loved her. Even in people who aren’t pursuing an artistic path, the Mercury –Neptune square will cause the person to undervalue any talents and dreams that they have, yet be pressed to develop and fulfill them. David Bowie is also a great example of this type of person – on the one hand there’s nebulousness and chaotic creativity, on the one hand there’s analyzing and mental discernment that is unforgiving. Donald Trump also has the square, quite the business man, yet he’s not someone who is able to stick to the purely factual– he manufactures his own story, his own narrative that people, to a large extent, wants to buy. He speaks to the masses and moves them emotionally, some say he’s profoundly stupid, some says his wits are underestimated. This is typical of the square, there’s tension between the two planets and one cannot take credit for both ends. Either one sacrifices Mercury and looks mad and deranged, or one sacrifices Neptune and appears overly critical and rational – even cold and unfeeling.

The opposition aspect is in turn linked to extremism – the native must try to balance intellectual discernment with emotional receptivity. Too much of one thing will be to the detriment of the other. While the square produces conflict and tension, the opposition can give the ability to abandon one planet in favor of the other. Yoko Ono has this aspect and she has obviously been a big advocate of peace and love (Neptune), sometimes to the detriment of rhyme and reason. She has suggested that “direct communication” is the only way to true communication, but of course, this is only possible in the womb, if even then. The great gift of the opposition is the ability to abandon reason, to experience everything and hold onto nothing, to not label and impose judgment. However, it’s not difficult to see the consequences for this sacrifice.

(Buy products with my art)

Venus aspecting Neptune

Venus is representative of love and beauty, of femininity and sociability. The planet is linked to that which is of value, worthy of display and admiration. It also has something to do with preferences, style and talent. Venus is the one attracting Mars, that instigates desire, that draws him in. That which instigates our desire is powerful because it dictates action. Venus has a lot to do with money because it’s a marker and a measure of value – and people want to have as much as possible of it in order to be comfortable and socially desirable. Venus also has to do with partnership and marriage, and in order to catch someone’s eye, one has to be beautiful and appealing.

Neptune conjunct Venus is truly the height of love. While Venus is more personal and more social in nature, Neptune is the collective urge for redemption, the pull to touch something sacred. Neptune in us wants it all, the magic of enchantment that belongs to fairytales. Ordinary human love, which is more about feeling esteemed within a social context and desired for specific qualities, is not cutting it. With these planets conjunct, the person craves the total submerging with the one and only beloved in one’s heart and in other people’s hearts. Neptunian love is based on the mutual longing for something eternally blissful, the garden of Eden, the ultimate escape. This longing exist in all human beings to a larger or lesser extent, but it certainly unifies us and in some ways confirm our basic vulnerability and need for redemption. When Neptune and Venus are conjunct it would seem as if the person is very compassionate and understanding of people’s hearts. No doubt one can be very soothing and able to see the beloved one in all people one meets, which can be wonderful but also overwhelming and exhausting. The person is certainly capable of being accepting of all people, even to the point of allowing things that shouldn’t be allowed. Disillusionment can dawn brutally on these types since they have strong investment in the pure and untainted love that can only be kept alive in fantasy. These planets aspecting each other is a setup for being in love with love. Love for these types might not be about a specific person, they might seek out someone for their ability to mirror them. In other words, it would be difficult to love a person for their individuality because one would seek out someone with enough receptivity and mutability in order to find something of oneself in the other. Of course, this seems to be the nature of love despite Venus aspecting Neptune or not. We only ever fall in love with ourselves, although we’re unconscious of the fact. The only reason we’re ever drawn to someone is because we see something of ourselves in them. For people with Venus-Neptune contacts this phenomenon is taken to new heights. Liking and being fond of something yet knowing that that person or thing is different from oneself is entirely different from feeling a sense of union and yearning that is the oceanic deity calling a person home. With Neptune, the love object is the answer to all prayers and the remedy for all one’s troubles and pains. This is of course never quite true and the disappointment that follows upon the clearing of the intoxicating mist can be very scary and deeply depressing. Personal love, marriage and commitment might be idealized to the point of absurdity.

The trine and the sextile aspects are less intense compared to the conjunction, but they similarly denote a refined taste and a appreciation of artistry and music – anything that touches people’s souls inexplicably and profoundly. Typically, all Venus-Neptune aspects indicate a need to be loved unconditionally and to love unconditionally. Both of these harmonious aspects denote a very compassionate nature and a tendency to idealize and glamourize love. One is naturally very generous with one’s outpouring of affection, even when one’s own heart is broken. The trine indicates that the person is innately and naturally mirroring other people’s beauty. Escapism and distortion of reality is one’s way of being, it is not an acquired skill but rather something that’s a given. It’s probably easy to over-indulge in pleasure in order to escape the dreary everyday existence. In fact, when things get too hard, this is exactly what this type is likely to do. The sextile is more of a skill that is available for use. In other words, one is able to stimulate a bit of Neptune’s magic and universality in one’s style of expressing love – adding a bit of glamour, unattainability and fantasy in the mix. Conscious cooperation is required though, it’s not as if the sextile is going to cause over-indulgence as soon as one lets go of inhibitions.

The square aspect typically brings doubt and friction, when Neptune and Venus are involved, the conflict is between one’s personal value(s) and the recognition of oneness. Usually, the ugly side of Neptune comes out more readily. One wants to attain something special and magical but since one is not attuned enough or certain of one’s own preferences and values neither planet gets fulfilled or satisfied. Kim Kardashian has this square and she is never quite satisfied with her appearance (Venus), which is why she spends to much time perfecting it. She wants so badly to embody the ideal (Neptune) yet can’t seem to close the gap between her own personal look and the otherworldly refinement that Neptune represents. What ends up happening is that she becomes too artificial, some would even call her grotesque – she simply can’t find peace with imperfection – everything has to be sweet and pretty to the point that the coin flips and everything turns ugly. Although Neptune is usually associated with spirituality and the beauty of the divine, it is also associated with dissolution and disintegration – which often manifests as madness. Kim Kardashian has many times been rude or downright aggressive because of her vanity and venusian pride. Madonna also has this square and she certainly falls in the category of people who care enormously about their appearance, being attractive and young even up until old age. Venus is the goddess of youth and beauty and Neptune holds the promise of redemption through the planet(s) that it aspects. It’s easy to see how this square relationship between the planets could run amok. If youth is the gate to heaven, one would be willing to go very far in order to not let the imperfections stop heaven from becoming a reality. When it comes to love and relationships there’s inevitability of disappointment and uncertainty – one tends to look for the perfect partner yet no one can be it all in terms of fulfilling the dream because the standards are set too high. On the flip side, the standards can also be too low, because of the Neptunian tendency is to either be unrealistically idealistic or stubbornly accepting and passive in destructive situations.

The opposition aspect doesn’t typically bring out the obsession with perfect love and beauty. It makes the individual aware that love, in it’s selfish guise of wanting another person or object tied to the self in some way because of good looks and style, is antithetical to universal love. In a sense, personal love must be sacrificed for communion with the source of life, that which many people call God – or, God must be sacrificed for ordinary human seduction, value and pleasure.  These are the people who are only looking to touch the source of life through love and union, nothing more. They’re not looking to simple hedonistic pleasures or superficial adornments. If they do, they’re doing it at the detriment of true compassion and communion with all of life. George Harrison had this opposition in his chart and so had Bob Marley. Both were musicians, both used drugs and both had a deep urge for spirituality. Both emphasized the importance of the connection with God and pointed out the triviality of worldly matters. Venus, is to an extent, quite earthy and materialistic. She cares about being nice, looking nice and behaving in a way that causes others to admire her. It seems like Harrison lost his first marriage because of incessant drug use and infidelities. Neptune is boundless and is everywhere and anywhere – there was no way Venus, ruling marriage and social contracts, could conquer the pull of the promise of ecstatic union. With the opposition, either special partnership/marriage or God is the pursuit, neither can exists in conjunction with the other.  

[dmsden]

Make It Mean Something - Making PC deaths meaningful to the other players

Hullo, Gentle Readers. Sometimes the dice are not in a player’s favor. Sometimes three death saves come up awfully fast. Sometimes a death happens, and everyone’s sitting around the table uncertainly, not sure how to react. It is that moment that daddydeputy raised in their Question from a Denizen. They asked if I had any thoughts on “How to make pc deaths more impactful and growthful for the others (and perhaps themselves?)”

DD, it’s a tricky balance to strike. On the one hand, you want the game to have real and dangerous consequences for the actions the characters take. On the other hand, the death of a beloved character can really upset a player or even crash a whole campaign. My players are very mature and accepting of the consequences (although they’ll pull out all the stops to try and stop it from happening to one of their own), but not everyone can be, even if they say they are. Sometimes you don’t know how the death of a character is going to affect you until it happens. I think of myself as a very mature player, but if a character as dear to me as Skittle, my mouse pooka from Changeling the Dreaming, died, I suspect I’d be devastated.

Some campaigns have a very revolving door attitude towards death. Oh, you died? Here’s a revivify spell, or a raise dead spell, or what have you. Other make it harder, possibly keeping those spells out of the hands of the players or requiring skill challenges for raising the dead (a la Critical Role). I suspect DD is wanting to lean more towards the latter, so let’s look at some ways to really make death matter.

Run lower-level campaigns: At low levels, death is a lot more difficult to overcome. By the time you get your fallen friend to a temple, the window for Revivify is long over, and who can afford the diamond for a Raise Dead spell, even assuming you can find a cleric who can cast it for free for you? But most NPC temples I’ve run in my games have been willing to cast Raise Dead for free if the PCs will undertake a quest on behalf of the temple. In a situation like this, the dead PC’s player could potentially play a cleric or paladin of the temple sent along to help, or the temple might cast raise dead in advance and take an oath that they will fulfill the quest. If the temple doesn’t trust them to keep their word, there are always geas spells to make sure of it.

Limit access to spells that return the dead: Maybe not every god grants the ability to raise the dead to their followers. Maybe diamonds are hard to find in your campaign. Whatever the path you take, you can make certain that death isn’t just a revolving door by making the spells difficult to cast. Maybe the deity will only grant the spells to their cleric once the party fulfills a quest or defeats a monster that has been plaguing the faithful. You could change the material component from a diamond to “the deity’s favor.” Casting the spell expends the favor, so now a new service to the deity would be needed before the next chance of casting it.

Make return from death uncertain: One of the things I really like in Critical Role that I intend to adopt in my next campaign (and I even know how I’m going to make the change make sense in my campaign world) is that returning from death via Raise Dead is by no means a certain thing. The Critical Role has a skill challenge like system in which up to three people can contribute to the ritual to return the dead by entreating the dead person to return. If people all want to use the same skill, such as Persuasion, the DC for the second and third people goes up. A PC might be coaxed to return via Performance, Persuasion, Intimidation, Deception...I’d even allow rolls like Arcana for magically coercing the dead spirit to return or Religion to remind a Paladin that their duty to their deity is not yet fulfilled. This had led to some dramatic moments in CR, and I definitely intend to put together my own system for my next campaign.

Make return from death limited: You could very easily put together a system that limited the number of times the same spirit could return from the dead. In older editions of D&D, returning from death required a “System Shock” check, and the body might not survive the attempt to reunite it with its spirit. If you wanted something similar, you could make a system in which one of your attributes represents your ability to return from death, even using Revivify. I would like base it off of your Constitution or Charisma score. You can return from death a number of times equal to 1+your Constitution or Charisma modifier (minimum of 1). That way, characters can die at least once and come back, but it can’t happen dozens of times.

Make the way someone dies directly affect their afterlife: For some players, this will really matter. I once had a ranger who despised dragons in a campaign. He found a dragonslaying sword, made it his business to get the party to face dragons, etc. When he finally died, it was facing two dragons to buy the party time to escape from a canyon where the dragons were in danger of TPKing them. He was killed, but he wounded both dragons quite a bit. The party managed to kill them, and they recovered the body. The ranger’s player absolutely had no intention of coming back from the dead. “How on earth would my character have a cooler death than that?” the player laughed. “That was perfect.” I described how he was received into the afterlife of his culture as a hero, and he was very happy with the end of the story for his ranger. To draw this along further, what if how a PC dies affects their standing in the afterlife? If they die in a super cool way, maybe they get a high place of honor in Valhalla, or whatever you use. A PC who then dies fighting a lich or saving innocents is likely to receive a heroes welcome. This might be preferable to them than going back to life and then possibly getting killed by a trap or a bunch of orcs. This then makes the heroic death more palatable and desirable.

However you decide to make death impactful, I strongly recommend letting story trump rules for dramatic purposes. Technically, a character who has failed three death saving throws is just plain dead, but what fun is that. Instead, consider the possibility of having them be beyond saving instead. Let them be briefly conscious, either to beg the others to find a way to save them (think Spider-Man in Avengers: Infinity War as he gets “dusted”) or to tell them that their death is welcome and to let them go (a la Theoden in Return of the King). I remember a Werewolf game where a beloved PC was dying and telling her beloved pack how much she cared for them. There were many real tears being shed around the table, including by me as the Storyteller. Giving the PC a chance to speak and interact, even though it’s not part of the rules, gave the group a moment that I know I personally will never forget.

The biggest piece of advice I can give is that you must make sure your players are onboard with this. If you want death to be more powerful, impactful, and difficult to return from, DO NOT spring this on your players mid-game. This should be something everyone’s aware of, not something that comes as a surprise. Let everyone know during Session Zero; make sure everyone is okay with it, and, if not, be prepared to either back off from the idea (or else find a different player who’s onboard.) Like the X-card, be prepared to modify this even mid-campaign if someone shows that maybe they’re not as okay with losing Damathran Darkwarden as they thought they were. In the end, it’s just a game. It’s not worth hurting feelings and losing friends over.

I hope that helps, DD. Thanks for the question!

[yurimother]

LGBTQ Light Novel Review – I'm in Love with the Villainess Vol. 2

A Defining and Relentlessly Queer Work in the Next Era of Yuri

I have backed myself into a corner and see no way out of it. For I have already awarded Inori's I'm in Love with the Villainess a perfect 10/10 score for its stellar first outing. And then, upon seeing what Inori did in the second book, I regret my choice because I have no way to raise the bar on perfection as Inori did in her light novel. Indeed, it has taken me far too long to write this review. My mind is thoroughly exhausted after pondering what I read and accepting the honest truth: that that may very well become a defining work in the next generation of Yuri. For as much time as I spend diving into the Sapphic news of the day, I devote even more to looking to the next big movement of Yuri. If I'm in Love with the Villainess Vol. 2 is a signal of what Yuri's future holds, then we are entering an extraordinary queer era.

The story takes off shortly after the first book. At least for the moment, the commoner revolt is quelled, and Rae continues schooling alongside her beloved Claire. Storylines include a new transfer student rivaling Rae for Claire's affection and the girls going on vacation to visit their families. However, the story takes a pretty dramatic and welcome turn halfway through the book. Through a combination of luck and her expect negotiation tactics, a fruit of her intimate knowledge of Revolution's world and inhabitants, Rae is tasked with investigating corrupt nobles. This change allows Inori to take the world and characters further than in the previous book. While the first volume did an excellent job establishing the world inside the school, this entry ventures beyond the academy's borders into international relationships, the church's role and goals, and the dealings of various factions and political parties. It is appropriate progression and one that lends to the story's main arc well.

While all of these events occur, Rae continues her mission of protecting Claire from the inevitable new order. By the time the finale rolls around, it is so immensely satisfying to see all of her plans and strategies pay off. It carefully balances rewarding the reader's attention and keeping them engaged with new twists and revelations. As the story develops, Claire is exposed to more of the reality of common life through Rae and comes to appreciate her privilege and understand the realities of socioeconomic inequality, evolving from the arrogant young woman we initially met. This path has two effects on the story; first, it allows Inori to explore real-world economic disparity issues while still worldbuilding. Second, it ultimately continues the story of Rae's plan, as she wants Claire to be in the commoner's good graces.

These elements make for a fantastic story in a rich, developed fantasy world. However, I adore I'm in Love with the VIllainess not for its intricate magic system but because of the phenomenal LGBTQ+ representation. I was floored by a frank, open, and wonderfully thoughtful discussion of queer representation in the first volume. Few, if any, Yuri works have done anything similar, and it was honestly an inspiration for me, so much so that I awarded it a perfect score almost solely for that passage. However, Inori once again usurps her own throne, taking this forthright and deliberate queer content and turning it up to eleven!

It is almost easier to count the number of main characters not confirmed as members of the LGBTQ community. Figures big and small have their identities explored and revealed during this novel. Some began believing themselves to be straight and exploring their sexuality further. In contrast, others are comforted by Rae's fierce, outspoken, and brazen support and pride in her identity to come forward. One particular scene that comes to mind is when she scolds a pair of nuns for using religion to justify their homophobia. This moment was particularly satisfying to return to after the Catholic Church's recent disavowing of same-sex marriage.

The series even has a character struggling with gender dysphoria who is liberated from society's expectations thanks to a rather ingenious plan of Rae's and her friends, new and old. While not exactly an example of authentic transgender representation as we consider it, as the character's struggles with gender result from a magical curse, but the parallel is clear. Speaking of reality though, the volume grants some glimpses into Ohashi Rei's life, the woman that would one day wake up as Rae.

Rae's experiences with LGBTQ+ identity, set in the real world, are powerful and pull few punches. It is perhaps here that Inori gets most honest and tragic, as Rae painfully describing the ostracization and suffering faced by queer people, culminating in a trans man's suicide (the author thankfully does not describe the actual death). However, Inori balances this pain with the thrill and joy of discovery and accepting oneself, and finding kinship. It is writing that could only come from an author who had experienced these feelings herself, and they will be immediately understood and have a visceral effect on queer readers. I love these moments so much for their vulnerability and relatability. But my favorite part has to be the ending (skip to the final paragraph if you want to avoid spoilers and somehow have not seen the cover of Volume 3).

We finally come to the big queer happy homosexual ending, which is also gay, and my great Yuri goddess, it is perfect! After wading through a revolution and enough surprise revelation to last a lifetime, Claire and Rae settle down into their new life together. Although they cannot legally get married, despite their best efforts, they are absolutely wives. Their families support them, they love each other, and they even have kids! Yes, this unexpected and blissful development, the final gift of this volume, comes in the form of adopted children May and Aleah.

As I exclaimed upon the reveal of Vol. 3's cover, which features the mothers and children, "WE DID IT!! YURI FAMILY!! In Yuri, there are virtually NO stories about queer women raising a family with children together. It is a long dream of mine, the YuriMother, to promote such stories. To have one of the most profound and explicitly queer Yuri stories end in such a happy and new way brought me to happy tears. Except, this is not the end! There are two more volumes beyond this one that continue the story of Claire, Rae, and their children! There is even a very sweet and wonderfully sappy, tear-jerking, bonus chapter of the mother's bonding with the children and helping them recover from their traumatic past. And even become TEACHERS; I could just die happy in this Yuri paradise!

'We need to show we are prepared to live happily ever after, as a family of four. So, I swear to God: I will always love May, Aleah, and Rae.' When Claire said this, she broke out into a tremendous smile and I found myself once more overflowing with love for her. I held her close without saying anything.

Inori's I'm in Love with the Villainess Vol. 2 is precisely what an excellent sequel should be and everything I have ever wanted from a Yuri story. It appropriately raised the stakes in every way, expanding the world, flushing out its many factions and conflicts, and setting a new bar for queer representation and discussion in Yuri. Everything Inori writes feels so perfectly slotted together. Each set piece adds to the character development; each queer issue and identity showcased helps build towards the satisfying and exceptionally gay finale. It is a superlative weaving and integration of the priceless artifacts into an absolute masterclass of LGBTQ+ storytelling. I suspect that this is one of the opening works in Yuri's next era, and I cannot wait to see what follows.

Ratings: Story – 10 Characters – 10 Art – 4 LGBTQ – 10 Sexual Content – 2 Final – 10

Check out I'm in Love with the Villainess Vol. 2 digitally and in paperback today: https://amzn.to/39gE664

Review copy provided by Seven Seas Entertainment

My sincere thanks to Jenn Yamazaki, Nibedita Sen, E.M. Candon, and the rest of the team at Seven Seas Entertainment for translating and adapting this light novel.

[notmuchofarolemodel]

music- sia’s movie

originally written on jan 24 2021

I can’t believe i’m writing about this. again.

So, if you didn’t already know, Sia directed a movie about an autistic girl, starring Maddie Ziegler. This is problematic for so many reasons, including the fact that Maddie is allistic (not autistic), Sia did next to no research on autism before directing the movie, and after announcing the movie, she took to twitter and attacked autistic people voicing their opinions. But she’s done so many more awful things since. So yay, article by me, the sequel. /s

Sia has done a few interviews over the last while about her movie and has responded to criticism about it. (very badly.)

Despite her claims, Sia was never going to cast an autistic actor in the first place. She said:

“I realized it wasn’t ableism [Casting Maddie]. I mean, it is ableism I guess as well, but it’s actually nepotism because I can’t do a project without her. I don’t want to. I wouldn’t make art if it didn’t include her.”

It was also found that Sia said had written a film for Maddie a long time ago- in 2015- which almost certainly means she never had any intentions of casting an autistic person.

The plot of the movie, and a clip have both been leaked since the release of the trailer in November.

‘Music’ falls back on harmful Hollywood sterotypes again, and again- but yet, after it was no longer fresh news, almost nobody but the autistic community was talking about it. It’s still set to be released soon this year, but stereotypes such as ‘autism = special/savant abilities’ as seen in Rain man, and ‘Autistic people don’t have feelings’ - are ones that lead to underdiagnosis, and biases in the professional world.

“We are particularly alarmed that Sia has said it would be ‘cruel’ to cast a nonspeaking autistic person as an actor. It suggests that she thinks that autistic people don’t understand our own lives and aren’t the people who should be telling our own stories. When people tell stories about autism that cut out an autistic point of view, when storytellers view us as objects to tell inspirational stories about, or when autism is treated as a narrative device rather than as a disability community full of real people, the stories that are told fall flat, don’t speak to our reality, and are often harmful to us.” -Zoe Gross, ASAN

Sia refused to refer to her main character as disabled, and only used the term ‘special abilities’ which just further proves how these sterotypes affect people’s view of autistic people. In today’s society, autism is a disability, and that’s not a bad thing. She also described the film as “Rainman, the musical- but with girls”

There are several meltdown scenes in the movie, and one of them has been leaked in a clip. In this, Music is having a meltdown in a park, and she is then held in prone restraint. Meaning she was jumped on top of and pinned to the ground. This was not only unnecessary, but potentially deadly. This film is going to be big, if it gets released, and it was very much made for a neurotypical audience’s enjoyment. People will likely see this movie, and think that restraining an autistic person is ok. It’s not. This is how people get killed. Recently a story came up about Eric Parsa, a 16 year old autistic boy who was killed at the hands of the police last year, after they used this ‘technique’ on him.

Regarding this scene Sia said, “If they [cinema-goers] watch the movie, it will allow them to touch into their compassion. That scene was so important to me, because of all the people staring. I felt compelled to put it in.”

This is why people need to listen and learn from actual autistic people. There’s so much dangerous misinformation out there, and it’s unacceptable. There is nothing ‘compassionate’ about harming people, and autistic people are people. i.e people who deserve the same rights and dignity as everyone else.

Sia continues to further dehumanize autistic people by constantly talking about ‘levels of functioning’. humans are impossibly complex, and there’s no one way to function. In an interview with Sia, nonspeaking autistic people are compared to ‘inanimate objects, like wigs’.

Sia also said “People functioning at Music’s level can’t get on Twitter and tell me I did a good job either.” This is untrue, firstly because, again- there’s no one way to function, and just because a person can’t speak, doen’t mean they don’t have a right to opinions, and feelings (and it definitely doesn’t mean they should be compared to ‘inanimate objects’), and secondly because many nonspeaking autistic people have taken to twitter and social media to tell her she’s done a bad job, she’s just chosen to ignore and insult them.

This whole thing is so infuriating, and it’s very obvious that Sia does not care about autistic people.

“Sia being ableist AF while claiming she meant well is some serious abled savior bullshit. I can’t believe so many people green-lit this project & the press team approved the ‘special abilities’ language. Disabled people clearly weren’t part of this production team.” -Kristen Parisi via twitter

She also claimed she decided to make the movie because she was inspired by a 16-year-old named Stevie that she met at an Alcoholics Anonymous meeting. “Stevie used to sit next to me in the front row at my AA meetings. He was low-functioning and on the spectrum with echolalia; he’s the reason I wanted to make this movie,” she said. Autistic people don’t exist simply to be inspiring or make you feel good about yourself. We’re people, who just want to go about our lives, the same as anyone else- we don’t need a cure and we don’t need to fit people’s idea of what autism is, just let us be, please.

Finally, I’m just going to touch on the question ‘Why isn’t any criticism being directed at Maddie?’ This is because she likely didn’t have much say in the film at all. Keep in mind that she was only 13/14 at the start of this project. Sia also said Maddie was worried that people would think she was mocking autistic people. The film is a mockery of autistic people, but Sia is at fault.

“She had researched her role for two years, we watched movies together, and I taught her the nuances and ticks I had observed from [a] friend [with autism],” Sia said. “We did this in the most sensitive and respectful way.”

I can confirm that that is very much not sensitive and respectful- not to mention that Maddie also watched autism meltdowns as a part of her reseach too (filming a meltdown is incredibly dehumanizing) , but the fact that she learned how to ‘act autistic’ from sterotypes, taught to her by a person who just, doesn’t know anything about autism is awful, but also quite absurd. It makes no sense.

No, I do not wish to watch an abled-bodied actor wear my stims like itchy clothes. A caricature of my being.

No, I do not want to see her dance around in skin not her own, profiting from a life not her own.

No, I do not wish to support yet another film that will profit off the lives of disabled bodies without one disabled body involved. -tiffany hammond

I recieved quite a bit of backlash when I posted the first time about why casting a nondisabled actor for a disabled role is bad- from allistic people, so if any of you are reading this as nondisabled people- I literally do not care if you disagree, you don’t get to dictate how autistic people feel. Try a little harder to get out of your own head and see things from another person’s perspective xx

Now, for the love of God, please don’t watch this movie if it comes out in February, and listen to Autistic voices. : Here is a thread of positive autistic representation instead :)

click here for thread!

Sign the Petition

Filming & posting videos of children's autism meltdowns on YouTube is a clear violation of YouTube's community…www.change.org

link

Sign the Petition

Sia has announced she is directing a movie about an autistic woman, and claims she wants to represent the…www.change.org

all other relevant links are linked within the underlined text.

my original article - link

[ererokii]

— desires

zhongli x childe

wc: 2.2k synopsis: zhongli tells childe the stories of guides that lead you to your desire, but realizes what he wants the most.

“Why are butterflies our guide? Well, they want to be Seelies when they grow up!” Hu Tao has a smile on her lips, hands hidden behind her back as she leans forward, staring at the young group of kids who have come up to her.

Zhongli remembers that moment like it happened a few seconds ago. Of course, children's tales were nothing but a mere example of entertainment, but sometimes he can’t help but truly understand her words. 

He recalls the time when he first encountered a blue wisp near Luhua Pool. It was shaped differently than the ones he met before in his years as God. This one seemed more round, ear-like horns prodding from the top of its head. 

There was no doubt that the remnant of wisdom was excited to see him— the bursts of squeaks and flips gave it away. 

Stories were told to the people of Teyvat of the Seelies. If you were to come across one, follow it, they said. Good fortune would come your way or, it would take you to something you desired 

Beside him sat the Fatui harbinger, his red scarf swaying behind him due to the crisp autumn wind. Goosebumps ran up the younger man’s arm, his bare hand reaching under his sleeve, providing warmth to his skin. 

“Maybe one day I can bring my entire family to see the waves of the beach,” Childe says into the wind, gazing off at the sky, eyelids fluttering shut. The refreshing air brushes against him, the smell of the sea fills the atmosphere--one of his favorite scents he’s grown to love during his time in Liyue.

His toes wriggle in the sand, the waves crashing against his heel. The harbinger lets out a loud exhale, shoulders slumping forward as he tilts his head backward and then opens his eyes. “I’m sure they would love the warmth the harbor has to provide. Being in the cold winters of Snezhnaya has nothing on the sunny days this has to offer. But--” and he goes silent.

The uncharacteristic quietness from the ginger man catches Zhongli’s attention, amber eyes drowning with concern. 

“But what?” His baritone voice cuts the silence like a knife, his bare fingers digging into the sand, the grains going under his nails that have him shivering on the spot but something he’ll have to worry about another time. “What is wrong, Childe?

Like a kid, Childe brings his knees to his chest, arms wrapped around his body in an attempt to keep himself safe, but for what? His eyes lowered, the liveliness no longer shining with excitement. 

“I miss the cold of my home,” he mutters quietly that even Zhongli had to take a second to realize what he said. “I miss the company of my siblings. When Teucer came unexpectedly, it just made me miss it even more.” His voice isn’t energetic as usual, nor was there a movement to his words. 

Zhongli felt his heartache at the sudden mood change of the younger. He wracks his brain for any words to say, but none comes to mind. Suddenly his mouth goes dry, tongue swelling up as he’s unable to speak, and all he can do is hum with a nod.

Blue eyes stare at him from the peripheral view before gazing forward at the vast sea. Childe buries his head in his arms, shoulders lifting before heaving down in a deep exhale. The older man tears his gaze away, clearing his throat. 

He scans the sun that sets afar, the colors of the sky reflecting onto the water. There’s a wrinkle that forms by the corner of his eyes in content, his lips curling up slightly into a smile. 

“Have you heard of the tales of Seelies, Childe?” he asks suddenly, completely disregarding the vent the Fatui harbinger let out. “Even if it’s an act of entertaining the children, I too believe you would enjoy it.”

“Seelies? I can’t say I have before but, I do love your storytelling, Zhongli.” Childe says with a small smile, turning his head and resting his cheek against the top of his knees. 

There’s a light pink dusting his cheeks, and Zhongli can’t help but notice it right away. He adored seeing that color reside on his face; it made his heart swell with joy, something he hasn’t felt in forever. 

“Well, thousands of years ago, these Seelies were a race of wise and guiding beings that held all sorts of beautiful forms. Some even say that they had palaces that shined from top to bottom and shimmered when the light resided on them, a place where no god had authority over it.”

The smile that grows on the ginger’s face is enough for Zhongli to know that he’s immersed in the tale, and the excitement that shows in his eyes reminds him of a young child’s curiosity. 

“It’s even said that some gods followed these wisps for good fortune and prosperity for their nations. Even... Rex Lapis was one of them.” Zhongli’s smile never seems to falter. “Although it’s quite silly to hear divine beings doing child’s play.”

“Even you did?” Childe whispered, lifting his head. “Kind of hard to believe the almighty Rex Lapis would believe in something like that. Were you desperate or something?” he teases, nudging his shoulder against the consultants. “Didn’t take you for that type.”

“You can call it desperation.” Zhongli lifts his hand and pats the top of Childe’s head lovingly. “I call it a solution.” Childe’s eyes widened slightly at the sudden intimate gesture, tensing for a second before relaxing into his touch, staring up at him through his lashes. 

It grows silent between them as Zhongli's fingers run through the orange hair, flattening the strand that sticks up, only for it to go back into place, and he chuckles.

‘Stubborn just like him,’ Zhongli thinks, finding the expression on Childe’s face to be endearing. 

Zhongli enjoys these little moments that might mean nothing to the world, but to him, this is everything. Ever since he met the follower of the Tsaritsa, he found him captivating upon hearing his first words spoken to him. He enjoyed spending the time he had with him for work only, but of course, that was never really the case.

It amused Zhongli greatly to see Childe struggle with the wooden chopsticks at the restaurants they ate during lunch hours. Even after a few lessons of teaching him how to correctly use them, to no avail, it was useless. 

So at their next meeting, he gifted him a pair of Dragon and Phoenix chopsticks to practice and maybe a token of his affection.

After several hangouts with him, Zhongli remembers the blue infant of a Seelie he came across before meeting with the diplomat. No days go by where he doesn’t think of it. Maybe it was fate he met the-wisp, and something was coming his way. But in this case, it might have been a certain harbinger.

“But of course, it didn’t last long.” He pulls his hand away, pretending to ignore the sigh of annoyance coming from the other at the loss of touch. “I realized that, as God at the time, of course, I wasn’t gifted with such things as a human would. And so, I gave up.”

“Huh..” Childe trails off, scratching his chin in thought. “Well, what about now?”

“What about now?”

“You’re speaking of the past as Rex Lapis. And well, you’re Zhongli now. Surely it should be different, no?”

It is.

“What do you desire now?”

It’s pretty simple. Zhongli grows silent, scanning over Childe’s face. Amber hues take in every curve, every imperfection that’s perfect in his eyes. The light pink that dust his cheeks, showing off the tiny freckles that sprinkle the swells of his face— to the bangs that move slightly from the gust of wind near the shore.

The blue of his eyes reminds him of the ocean, full of beauty and life within. If he were allowed to stare for millennia, he would waste away his immortal life doing so.

“What are you doing out here?” Zhongli muses to himself, taking small steps towards the blue wisp, listening to the squeaks. The noises cause a hint of a smile to grow on his lips, stopping right in front of the creature. Big circles that were the eyes looked directly at him, the ears flickering in attention.

“Cute, if I must say.” Zhongli hesitantly sticks his hand out, palm up for the creature to come closer. Bubbling and babbling can be heard as the wisp lowers itself onto his hand. 

He has to admit, the texture of the Seelie brings back terrible memories of his time during the Archon War, but this time it’s different. The water-like feeling was smooth against his hand— it was genuinely fascinating. 

The funeral consultant stares intently at the being; eyes squinted as he examines it. “Is it now my time?” He asks quietly, cocking his head to the side, and the Seelie follows suit with its whole body. “After years, will it happen?”

Childe feels a heat rush up to his cheeks and lets out a cough, scratching the back of his neck with a wet hand from the water, dampening the skin. 

‘He’s so close to me.. why is he staring all of a sudden?’ He thinks, averting his gaze away, but Zhongli doesn’t seem to care— he continues to admire the ethereal beauty beside him.

The Archon still resents a part of himself for deceiving Childe in such a manner during the fiasco of almost destroying Liyue. That night, the ginger visited him before he departed back to Snezhnaya. Words of anger and betrayal and, most of all, hurt were sent in his direction— but Zhongli deserved every ounce of it.

There was no way around it; Childe wanted nothing to do with the associate nor wanted to be in his presence. 

“Childe.”

The harbinger stops in his tracks by the frame of the door, head hanging forward. He doesn’t say anything, but his silence is enough for Zhongli to continue.

“Do you resent me now, Childe?”

Childe messes with the grey sleeve of his outfit before turning around to face the man. There’s a blank look in his eyes, almost dull and no life within them, but he can spot the slightest of tears that start to form. 

“I can never resent you, Mr.Zhongli,” he starts, shifting his gaze up towards the ceiling. “I wish you had told me instead of leaving me in the dark. That’s all.”

“Childe..”

With a shake of his head and a half-assed wave, Childe walks out the door of the consultant's home, closing it behind him. 

And then he returned once more to Liyue for business matters. It was shocking, to say the least when he showed up in front of his door again, but this time with a bag of wine and another filled with food. Zhongli learned that Childe healed quite fast, but of course, the mark lingered for a bit longer than he would have liked.

Petty remarks were thrown his way, but Zhongli could care less. His heart ached when Childe had left with the harsh news, but now he was here back with him, and that’s all that mattered to him.

“Zhongli?”

“Hm?” Zhongli blinks twice, taken back from his reverie, and finally makes eye contact with the harbinger. “My apologies. It appears I got lost in thought.”

“Yeah, I can tell,” Childe lets out a little laugh. “But did you hear what I said?”

“You asked me what I desired?” he asks, and the latter nods.

Zhongli’s heart begins to pump at an alarming rate to the point where it feels as if it’ll burst from his chest. His tongue peeks out faintly and licks his lower lip, contemplating how or what he should do. Then he throws everything into the open.

Hesitantly, Zhongli reaches over to Childe and caresses his jawline with clothed fingers. The action takes him aback, but he doesn’t resist the affection. Zhongli’s thumb brushes over Childe’s lips, parting them ever so faintly. His fingers run-up to the spot underneath his ear, forcing him to gaze up.

“You want to know?” he asks once more but more quiet, leaning forward to the point where their noses brush against each other, and all Childe can do is nod.

His following words are drowned by the younger’s lips on his, his body falling back on the damp sand. Hands roam his body, fingers gripping down on the front of his shirt. Their kiss is nowhere near their combat style-- not rough and dominating, but sweet and gentle. Zhongli savors every moment, loving the small moans that escape from Childe’s lips.

Childe lets out a small laugh, pulling away, and rests his forehead against Zhongli’s. His lips curl upward, cradling the back of the harbinger’s neck and bring him closer. No words are spoken between them, only the love radiating off of them to speak. 

Both of their emotions had been bottled up for so long, and now given a chance to be let loose, everything had come out, but neither of them would have it a different way.

“What I desire most… is you, Ajax.”

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[sneezemonster15]

Calling bullshit on the opinion that Kishimoto doesn't know how to write romance.

The reason why this entire shipping business on Naruto has been going on for over a decade and still going strong, making fans go absolutely mindless, about a story which is not even about romance, about things that are so effective and impactful that the fans feel completely consumed with it, to the extent where they have almost completely defined their life and philosophies on its basis, is because Kishimoto can write a good fucking romance. And that's what he did. That's the reason why ships are fighting with each other, because it's not just about Naruto the manga or Naruto the series, it's about how they imagine their own romance, it's a deep, profound feeling. That's why they have strong motivations and convictions that drive their insight into the story. That's why there is so much polarity in Naruto fandom. They are ready to jump to protect their ship at a moment's notice because that's how much it means to them.

Are you telling me that it just happened on its own? Just happy coincidences and random factors?

No.

A lot, a lot of thought goes behind closed doors of the studios. I know this because I work in the business. The reason why I was so astounded with Naruto's story because it was actually a brave story. A brave concept. In a shonen. Because I am ready to bet a million dollars I don't have on the fact that Kishimoto knew what he was doing. Anyone who enjoys poetry, or literature, or drama can, if not approve, appreciate Naruto and Sasuke's story. Because it's that deep. Because it's that impactful. Because it's that dark. Because it's that tragic. Because it's that tender. Because it's that painful.

Because it's so...

(Applause.)

Romantic.

These are all the ingredients of a well written romance. This is the reason why I don't care about other ships because I know that SNS is not random or a projection. It's mindfully and carefully and even tenderly written and developed.

Kishimoto's projection? Oh sure. It stands to reason that someone from his real life affected and inspired his favourite character through and through. He did say that he based some characters on certain people from his own life. And he did base Naruto on his own self, if partly. And the reason why I am able to surmise that he could have had a real crush on someone like Sasuke in real life, is because how clearly and insightfully written and contrasted the two characters are. So nuanced. They are like poetry, that's why I am so dazzled with them. Their story is so beautifully shaped by their characters and growth that it creates a clear impression of who they really are in the story. Soulmates. That's the whole crux of the story. They are written out to be this literally 'once in several lifetimes' pairing that finally broke the bonds of hate with bonds of love and changed the entire world and as a result, grew themselves. This is reflected in themselves what with Sasuke being propelled with hate and Naruto with love and coming together finally in a world that they made happen, for each other. And all of their parts and counterparts with which they think and move and function are so well in sync with each other that they lock together perfectly, like two pieces in a two piece puzzle box.

To say that this intricately and intelligently and tenderly written story is just like, an accident, my lord no!

No. The content that is finally syndicated on screens all over the world, especially with the type of response Naruto has enjoyed, and believe me when I say this, everything goes through many levels of scrutiny during production; to the extent of why would this camera angle work better than all the other angles, here's a flowchart and analysis of all of them and let's spend three days on deciding it while the producers are going crazy frustrated with fanatic creatives. This is a very common thing to happen in most serious studios.

Naruto stood out at the time it came out and reached a much larger audience for several reasons. But one of them was that it got the right exposure and was shown to critics outside of Japan, who could appreciate and admire it's cinematic beauty and this reached a different subset of audience. This extra effort is not consistent but it shines at so many places, because it's just good storytelling technically and aesthetically. And the reason why Naruto and Sasuke stand smack dab in the middle of that storytelling, is because Kishimoto told their story with so much feeling, it literally shows. The nuance is just crazy. Note that I am saying nuance and not subtext, even though it's there in heaps. But I want to make a distinction clearly. Like I can write pages and pages over it. Anyway, their story stands out because the nuances are so well defined and mindfully drawn by Kishi, that one can't help but wonder if Kishi actually experienced them. And they are just small things but still get a lot of exposure in the manga and anime. And because they are so small but clearly noticeable, it makes us stop in our tracks and think. And the thing is Kishimoto could have easily done without them and it would have made everything still seem undisturbed but he chose Not to. That kind of decision is a direct result of deep understanding, feeling and thinking in terms of forming a certain visual approach and meaning. The visual language Kishi has used to show their chemistry, their bond, their need for each other, is so tangible, like you could cut it with a knife, that it makes one feel something is right below the surface, simmering and about to explode, but you can't put your finger on what it exactly is. Until you start to think. And it takes some time.

You think that kind of writing is random? Are you out of your mind?

No, Kishi is a maniac. He pulled something that was not easy at all. He is a genius. He is also sadistic because he knows he didn't give us a resolution. Resolution is cathartic to viewers and the reason that nobody got any with Naruto and still not getting any from Boruto is making everyone go crazy. Fifteen years is a long time man. And I can bet my other non existent one million dollars on it. He owns a lot of rights over Naruto franchise, I don't think he can be cowed down to such an extent even by the studio. Kishi fought studios for a few significant scenes of Naruto and Sasuke, he is not unfeeling about them.

Maybe I am being a mere deductionist but more often than not, deduction is right. It's a valid form of acquiring knowledge. Sherlock is right more times than he is not.

Anyway, my point is, Kishi can write romance. Kishi can write very good romance. He could have chosen to remove some tropes and make Naruto and Sasuke either just brotherly or friendly. But he chose not to. A lot of people think that they are platonic. And I think I know why. But I don't. They are not platonic. They seem like they feel physically aware of each other, acutely so. they just don't know what it is. Maybe Sasuke does, Naruto doesn't. Kishi used also such common tropes to show this element, but just because it is in shonen and between two boys, y'all won't believe it. Don't you feel that palpable feeling, the simmering tension and emotion when they fight at the valley of the end both times? And it makes you think maybe it's just you, and what you are thinking can't be true because this is shonen and it would mean they are gay, let me tell you, no it's not you. It is Kishi. And it takes skill to write. Something like this is almost always used as a trope of unaddressed sexual tension in media. Pick any romantic drama of this genre, where 'hate turned to love' or 'two unlikely people who fall in love' and you would find it in almost every single one of them.

Why do you think Kishi designed it that way? You think with all the detail (action moves are literally inspired by real life martial arts, lighting, sound, editing, dialogues that sound like out of a Bronte novel), that was him just playing innocent?

No. No. No. And No!

He wrote SNS throughout Naruto and Shippuden and is still doing something of an extension of it that has made Boruto a weird and uncomfortable to watch family drama.

[kaizokuou-ni-naru]

The Voyage So Far: Skypiea

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

the bar scene in jaya is one i didn’t really get the first time i read it- like nami, i mostly found luffy and zoro’s refusal to fight back frustrating more than anything else. i didn’t realize the connection to shanks in the prologue until someone else pointed it out awhile later, but when i did, it made me appreciate the entire sequence and luffy’s choices a lot more. 

honestly, i know this is one of the pages that gets the most attention from jaya, and it absolutely deserves it. blackbeard here is effectively dropping one of the biggest main themes of the series- people’s dreams don’t end!!- and how interesting that we get that delivered by the antagonist to the protagonist, instead of the other way around? how often do you see a series do that? 

and the line hits. look at the emphasis. there’s absolutely nothing on these two pages except for the three strawhats, blackbeard, and blackbeard’s line, bigger than anything else. 

chapter 232, with luffy punching out bellamy in one hit is still, to this day, probably my favorite one piece chapter. it opens with the drunk pirate seeing the newspaper with luffy’s hundred million bounty and realizing just who bellamy was kicking around, and it hits on one of my favorite plot threads of one piece- the growing infamy of the strawhats and luffy in particular, and their rise in the world. 

the atmosphere of the whole scene is so good, the tension in their air, the way all the bar patrons jump when luffy yells for bellamy to come out- and when the hit comes, the satisfaction is visceral. 

i’ve talked about it before, but god, i LOVE the way one piece defines “romance”- the arthurian kind of romance, the adventurous kind, that romanticizes the world and its wonders- romance dawn. in an arc as thematically heavy as jaya, it makes sense that it, too, is explicitly brought up. can you think of a more romantic, impossible adventure than traveling to the sky?

nami’s confidence when faced with the task of navigating into the sky is so fantastic. 

the expressions, and the art in general, in skypiea, are really so lovely. look at the variety between the strawhats when they first emerge from the white-white sea to lay eyes on angel island. look how expressive they all are!! i have such a soft place in my heart for the art in these earlier arcs, honestly.

somewhat related to the above: there are so many little moments in skypiea where the strawhats just get to have FUN, and be stupid, and get fleshed out more as characters, and honestly it’s such a delight. also, everyone’s skypiea outfits were just really really good. cowboy hat robin... i miss u every day 

i really like the whole scene where robin is exploring the ruins, and these panels in particular have such a lovely sort of ethereal look to them. i love seeing robin doing archeology, i think for the same reason i love to see sanji cooking- the strawhats are all such cool and passionate people, and it’s really really nice to see them doing and talking about the things they love and excel at most. 

i’m sure i’ve said it before but i LOVE how logia powers are depicted, especially when used to avoid an attack. it’s so cool. ace’s cover story runs through most of this arc, and we get some great examples of it there as well. 

1. wife 

2. skypiea is SUCH a good character-building arc for robin- which is good, because the next saga is almost entirely predicated on how much both the audience and the strawhats care about her. it’s here where we learn about her passion for archeology, her reverence for history, and get a much better look at the softer sides of her personality and her fast-growing admiration and affection for the strawhats. 

man, enel has so many huge, terrifyingly powerful shows of force throughout this arc, but this right here, this little sequence where he appears behind raki between panels without warning and we see him reflected in her eye, communicates better than absolutely anything else just why he’s a nightmare.

“jonny you sure are posting a lot of panels of zoro being cool without any real commentary” yeah. he kicks ass in this arc 

conis is a very underrated character, i think. she’s pretty easy to overlook, but she also manages to completely break the indoctrination she’s been raised into and gambles her own life to save most of the population of angel island from complete extermination. she yells that she doesn’t recognize enel as god, an instant death sentence at any other time, just to get them to listen to her. 

there’s a moment, in this scene, where a boy throws a rock at her for insulting enel, and she just stands there, and lets the blood trickle down her face, and keeps making her case. honestly, i really like her.

look at this page. look how it’s framed. luffy in the foreground, taking up most of the page- enel in the background, tiny, inconsequential. 

now that’s how you draw god’s natural enemy. 

this is one of my favorite nami character moments in the whole manga. nami is a greedy person. she has a lot of things she wants. it’s one of her defining traits. 

but when faced with someone with godlike power, offering her absolutely anything she wants if she’ll just abandon her friends and come with him- she doesn’t want anything, for that price, even with her life on the line if she declines. she knows exactly what her treasure is. 

obviously this is an awesome panel, but sanji’s little smile just before enel strikes him is what really, really makes it for me. he’s about to get slammed with several thousand volts of lightning, but more importantly, nami and usopp are going to be safe. 

the skypiea flashback is one of my very favorites, and also the first time one piece ever made me cry. i nearly cried just flipping through it again for this post. it’s just so fucking devastating.

noland never stopped looking, and calgara never stopped waiting, and neither of them ever lost faith in each other despite how badly they fell out at the end, and wow, that just kills me. but at the same time, it makes the way the flashback and the main story come together at the end so satisfying and cathartic.

i do think skypiea has one of the best climaxes of any arc. the way all the disparate elements and plot threads- enel, the story of noland and calgara, the war between the skypieans and shandians, cricket’s search down on jaya- come together and tie up so perfectly that the entire arc can be ended by the ringing of a single massive bell is nothing less than genius writing. 

i really love the establishment of roger’s poneglyph message and all the things it implies here. it raises so many questions, most of which we’ve only now gotten answered, in wano. oda’s capacity for long-term storytelling is one of his greatest strengths, and this is probably one of my favorite examples of it. (see also, in jaya when sanji mentions offhand that he was born in north blue.)

i just really love seeing them all smiling, and i love the parallels to calgara and noland’s sendoff here. feels like a wound finally healing, after four hundred years. 

and, of course, it ends with cricket, asking what crazy, romantic dream they’re going to chase down next. because this is one piece!! just because you find the end of one rainbow doesn’t mean you stop looking for the next one. 

[borisbubbles]

Character analysis: Vivienne de Fer (Dragon Age Inquisition)

So, if you’ve wondered where I popped off to the past two months or so, I’m going to give you an answer - I finally bought Dragon Age Inquisition (legit on my gaming wishlist since its 2014 release) and I’ve been obsessed with it ever since. 

The main draw to this game however, isn’t so much the gameplay (if you want a game that feels similar but has better gameplay - Assassin’s Creed Odyssey is what you’d want instead), but the storytelling and particularly the character development are top notch. All nine companions are fascinating and fleshed out in such a realistic manner I’m still gasping in awe on my fifth playthrough.  Thus, a post on it is in order. It’s a bit different from my usual content, but don’t let that discourage you - clearing my head from Dragon Age will allow me to let Eurovision back in and continue my unfinished 2020 ranking.  In this post, I will be analyzing one of DAI’s most interesting characters - none other than Madame de Fer herself, Vivienne.  Now, I’m under the impression that this is a rather unpopular opinion but I absolutely love Vivienne. And no, I won’t apologize for it. As a Templar-thumping elitist with a icy, sardonic demeanor the sheer ‘Idea Of A Vivienne’ is meant to make your head spin. Dragon Age has always been a franchise in which mages are a socially surpressed group and to be confronted with a socially confident enchantress who likes Templars and seemingly supports the social shunning out of her own ambition is the walking embodiment of flippancy. 

and yet, I feel a lot of sympathy for Vivienne. 

Yes, she’s a bitch. She knows she’s one and she’s a-ok with it. I won’t argue with that. Sadly, the “Vivienne is a bitch” rhetoric also drastically sells her short. Vivienne is highly complex and her real personality is as tragic as it is twisted. 

Madame de Fer

So let’s start with what we are shown on the surface. Vivienne is a high-ranking courtier from an empire notable for its deadly, acid-laced political game. She seemingly joins the Inquisition for personal gain, to acrue reputation and power, and eventually be elected Divine (= female pope) at the end of the game. She presents herself as a despicable blend of Real Housewife, Disney Villain, and Tory Politician, all rolled into one ball of sickening, unctuous smarm. Worse, the Inquisitor has no way to rebuke Vivienne’s absurd policies and ideas. You can’t argue with her, convince her to listen to your differing viewpoints or even kick her out the Inquisition. She has a way with words where she can twist arguments around in such a fashion that she lands on top and makes the other person look like the irrational party.

“Thus speaks the Inquisitor who has made so many mature and level-headed choices so far. Such as releasion malcontents upon the population without safeguards to protect them should they turn into abominations. Very wise. I rearranged some furniture. Lives aren’t thrown into jeopardy by my actions. Perhaps a little perspective is needed.”

She’s Cersei Lannister on creatine, Dolores Umbridge on motherfucking roids. If you look at merely the surface, then yes, Vivienne looks like the worst person ever created. I love a good anti-villainess however, and she’s definitely one. 

Yet, she never actually does anything ‘evil’? Yes, she is ‘a tyrant’ as a Divine, but 1) the person saying this is Cassandra, whose dislike for mage freedom is only matched by her dislike of being sidelined 2) Divine Vivienne isn’t bad to mages either? (hold that thought, I’ll get to it). She never actually sabotages the Inquisition, no matter how low her approval with the Inquisitor gets. She never attempts to stop them, no matter how annoyed she is. She’s one of the most brutally honest companions in the cast, in fact. (It always surprises me people call her a ‘hypocrite’ - you keep using that word and it doesn’t mean what you think it means.) The ‘worst’ display of character is when she attempts to break up Sera and the Inquisitor and even then - are we going to pretend Sera isn’t a toxic, controlling girlfriend with a huge chip on her shoulder? I love Sera, but come on.  

Vivienne is a character where the storytelling rule of Show, Don’t Tell is of vital importance. The Orlesian empire is an empire built around posturing and reputation. Nobody really shows their true motivations or character, and instead builds a public façade. It’s like how the Hanar (the Jellyfish people) in Mass Effect have a Public name they use in day-to-day life, and a Personal Name for their loved-ones and inner circle. Vivienne’s ‘Public Visage’ is that of Madame de Fer - this is the Vivienne who openly relishes in power, publicly humiliates grasping anklebiters with passive-aggressive retorts, the woman who is feared and loathed by all of Orlais, and this is the Face you see for most of the game.

The real beauty of Vivienne’s character and the reason why I love her as much as I do (which is to say - a LOT) are the few moments when - what’s the phrase DigitalSpy love so much - Her Mask Slips, and you get a glimpse of the real woman underneath the hennin.

This is the Vivienne who stands by you during the Siege of Haven and approves of you when you save the villagers from Corypheus’s horde.

This is the Vivienne who comforts you when you lament the losses you suffered.

This is the Vivienne who admires you for setting an example as a mage for the rest of Thedas.

This is the Vivienne who worries about Cole’s well-being during his personal quest, momentarily forgetting who or what he is. 

This is the Vivienne who, when her approval for the Inquisitor reaches rock bottom, desperately reminds him of the suffering mages go through on a day-to-day basis because of the fear and hatred non-mages are bred to feel towards them and how this can spiral into more bloodshed without safeguards. 

This is the Vivienne who shows how deep her affection for Bastien de Ghislain truly is, by bringing you along during his dying moments. I love this scene btw. This is the only moment in the entire game where Vivienne is actually herself in the presence of the Inquisitor - needless to say, I consider anyone who deliberately spikes her potion a motherfucking psychopath ^_^)

“There is nothing here now” fuck I *almost* cried at Vivienne, get out of my head BioWare, this is WRONG -- people who delude themselves this is an irredeemable character. 

So, who is Vivienne really?

Understanding Vivienne requires recognizing that the mask and the real woman aren’t the same person. I think her relationship with Dorian is the prime example of this. I love the Vivienne/Dorian banter train, obviously - an unstoppable force of sass colliding with an unmovable wall of smarm is nothing short of a spectacle. However, there’s more to it than their highly entertaining snipes. As the incredibly gifted son of a magister, Dorian represents everything Vivienne should despise, and should be a natural enemy to her. And yet, she doesn’t and he isn’t.. Their gilded japes at each other are nothing more than verbal sparring, not dissimilar to how Krem and Iron Bull call each other names when they beat each other with sticks. In what I think is one of the most brilliantly written interactions between characters in DAI, I present Vivienne’s reaction when the Inquisitor enters a romance with Dorian:

Vivienne: I received a letter the other day, Dorian. Dorian: Truly? It's nice to know you have friends. 🙄 Vivienne: It was from an acquaintance in Tevinter expressing his shock at the disturbing rumors about your... relationship with the Inquisitor. Dorian: Rumors you were only too happy to verify, I assume. 🙃 Vivienne: I informed him the only disturbing thing in evidence was his penmanship. 🙂 Dorian: ...Oh. Thank you. 😳 Vivienne: I am not so quick to judge, darling. See that you give me no reason to feel otherwise.

Madame de Fer can never be seen directly expressing approval to a relationship between the Herald of Andraste and an ‘Evil’ Tevinter ’Magister’. By this subtle, subtle conversation, Vivienne indirectly tells Dorian that she considers him a good match for the Inquisitor and approves of the romance. It’s one of those reasons why I could never truly dislike Vivienne - between the layers of elegant poison lies a somewhat decent woman who never loses sight of the bigger picture. Not a good person maybe, but not one without some redeeming qualities.

The crux of Vivienne’s personality is that she, like all DAI companions, is a social outcast. She’s a mage in a fantasy setting where mages are psionically linked to demons, and grew up in a country where the majority religion has openly advocated the shunning and leashing of mages (’Magic exists to serve man’ - the Chantry is so, so vile in this game.). Vivienne’s “gift” was discovered so early in her life that she can barely remember her parents. Vivienne grew up in a squalid boarding school, learning from a young age that she’s dangerous and her talents need to be tamed and curbed. She is also terrified of demons, as her banters with Cole point out:

Cole: You're afraid. You don't have to be. Vivienne: My dear Inquisitor, please restrain your pet demon. I do not want it addressing me. Inquisitor: He's not doing any harm, Vivienne. Vivienne: It's a demon, darling. All it can do is harm. Cole: Everything bright, roar of anger as the demon rears. No, I will not fall. No one will control me ever again. Cole: Flash of white as the world comes back. Shaking, hollow, Harrowed, but smiling at templars to show them I'm me. Cole: I am not like that. I can protect you. If Templars come for you, I will kill them. Vivienne: Delightful. 😑

Vivienne’s Harrowing is implied to have been such a traumatizing event to her that she’s developed a pavlovian fear of demons ever since. (Hence her hostility towards Cole.). Vivienne is fully aware of the inherent dangers of magic, and projects this onto all other mages. 

Besides, given how Dragon Age has a history with mages doing all sorts of fucked up shit, ranging from blood magic, murder, demonic possession and actual terrorism (yes, *ElthinaBITCH* had it coming, but let’s not pretend like Anders/Justice was anything other than a terrorist), Vivienne’s policies of controlled monitoring and vigilance are actually significantly more sensible than the options of ‘unconditionally freeing every mage all over Thedas’ and ‘reverting back to the status quo before the rebellion’. They’re flawed policies, obviously. When Vivienne says “mages” she pictures faceless silhouettes foremost and not herself. Regardless, unlike Cassandra and Leliana, Vivienne is aware of the fear others harbour for her kind, and how hard it is to overcome such perceptions.  

Additionally, Vivienne’s a foreigner. She is an ethnic Rivaini, a culture associated with smugglers and pirates (Isabela from DAO and DA2 is half-Rivaini). This adds an additional social stigma, again pointed out by Cole:

Cole: Stepping into the parlor, hem of my gown snagged, no, adjust before I go in, must look perfect. Vivienne: My dear, your pet is speaking again. Do silence it. Cole: Voices inside. Marquis Alphonse. Cole: "I do hope Duke Bastien puts out the lights before he touches her. But then, she must disappear in the dark." Cole: Gown tight between my fingers, cold all over. Unacceptable. Wheels turn, strings pull. Cole: He hurt you. You left a letter, let out a lie so he would do something foolish against the Inquisition. A trap. Vivienne: Inquisitor, as your demon lacks manners, perhaps you could get Solas to train it.

This is the only palpable example of the casual racism Vivienne has to endure on a daily basis - Marquis Alphonse is a stupid, bigoted pillowhead who sucks at The Game, but remember - Vivienne only kills him if the Inquisitor decides to be a butthurt thug. She is aware that for every Alphonse, there are dozens of greasy sycophants who think exactly like he does, and will keep it under wraps just to remain in her good graces. 

Finally, there’s the social position Vivienne manufactured for herself, which is the weak point towards her character imo. Remember, this woman is a commoner by birth. She doesn’t even have a surname. Through apparently sheer dumb luck (or satanic intervention) she basically fell into the position of Personal Mage to the Duke of Ghislain. Regardless, ‘Personal mages’ were the rage in Orlesian nobility, and the prestigious families owned by them like one may own a pet or personal property. By somehow becoming Bastien de Ghislain’s mistress and using his influence, "Madame de Fer” liberated herself from all the social stigmata which should have pinned her down into a lowly courtier rank and turned the largely ceremonial office of “Court Enchanter” into a position of respect and power. This is huge move towards mage emancipation by the way, in a society where, again, Mages are feared and shunned and are constantly bullied, emasculated and taught to hate their talents. Vivienne is a shining example of what mages can become at the height of their power. Power she has, mind you, never actually abused before her Divine election. Vivienne’s actions will forever be under scrutiny not because of who she is, but because of what she is. The Grand Game can spit her out at any moment, which will likely result in her death. 

Inquisitor: “You seem to be enjoying yourself, Vivienne?” Vivienne: “It’s The Game, darling. If I didn’t enjoy it, I’d be dead by now.”

Whether Vivienne was using Bastien for her own gain or whether she truly loved him isn’t a case of or/or. It’s a case of and/and. The perception that she was using Bastien makes Vivienne more fearsome and improves her position in the Grand Game, but deep down, I have no doubts truly loved him. Remember, Vivienne’s position at the Orlesian court was secure. She had nothing to gain by saving Bastien’s life, but she attempted to anyway. That Bastien’s sister is a High Cleric doesn’t matter - Vivienne can be elected Divine regardless of her personal quest’s resolution. She loved him, period. 

No, I don’t think Vivienne is a good person. She treats those she deems beneath her poorly, like Sera, Solas, Cole and Blackwall (characters I like less than Vivienne), which I think is the #1 indicator for a Bad Personality. But I don’t think she qualifies as ‘Evil’ either and I refuse to dismiss the beautiful layering of her character. I genuinely believe Vivienne joined the Inquisition not just for her personal gain, but also out of idealism, similar to Dorian (again, Cole is 100% correct in pointing out the similarities between Dorian’s and Vivienne’s motivations for joining, as discomforting it is to her). 

In her mind, Vivienne sees herself as the only person who can emancipate the mages without bloodshed - her personal accomplishments at the Orlesian court speak for themselves. Vivienne isn’t opposed to mage freedom - she worries for the consequences of radical change, as she believes Orlesian society unprepared for the consequences. Hence why she’s perfectly fine with a Divine Cassandra. Hence why her fellow mages immediately elect her Grand Enchanter of the new Circle. 

Hence why Vivienne is so terrified by the Inquisitor’s actions if her disapproval gets too low. The Inquisitor has the power to completely destroy everything she has built and fought for during her lifetime. Remember: Vivienne’s biggest fear is irrelevance - there’s no greater irrelevance than having your life achievements reverse-engineered by the accidental stumbling of some upstart nobody. This is the real reason why she joins, risks her life and gets her hands dirty - the only person whose competence Vivienne trusts, is Vivienne’s own. 

Even as Divine Victoria, I’d say she’s not bad, at all actually. Vivienne has the trappings of an an Enlightened Despot, maintaining full control, while simultaneously granting mages more responsibility and freedom, slowly laying the foundations to make mages more accepted and less persecuted in southern Thedas. Given that Ferelden is a feudal fiefdom and Orlais is an absolute monarchy, this is a fucking improvement are you kidding me. (Wait did he just imply Vivienne is secretly the best Divine - hmm, probably not because Cass/Leliana have better epilogues - but realistically speaking, yes, Viv should be the best Divine and it’s bullshit that the story disagrees.) 

Underneath the countless layers of smarm, frost and seeming callousness, lies a fiercely intelligent and brave woman, whose ideals have been twisted into perversion by the cruel, ungrateful world around her. Envy her for her ability to control her destiny, but know that envy is what it is.  

The flaw in Vivienne’s character isn’t so much the ‘tyranny’ or the ‘bitchiness’ or the 'smarm’. Her flaw is her false belief that she is what the mages need the most. Her belief that her competence gives her the prerogative to serve the unwashed mage masses... by ruling over them. For all intents and purposes, Vivienne is an Orlesian Magister and this will forever be the brilliant tragedy of her character. She was created by a corrupt institution that should, by all accounts fear and loathe her but instead embraced her. It’s that delirious irony that makes Vivienne de Fer one of the best fictional characters in RPG history.  the next post will be Eurovision-related. :-) 

[violetfaust]

I'm interested in hearing more about why you think Margot should've been Rumbelle's daughter. Sounds interesting, but what would that mean for her enchanted forest life? I think her being Robin Hood's daughter would've been fine if not for Zelena

Okay, Nonny, since you sent this a few days before Mother's Day, I'm gonna finally take the opportunity to try to sum up and speed-run the Belle's Daughter Margot feelings that have haunted me for THREE YEARS. Buckle in; this will be more than you or anyone asked for.

Disclaimer 1: It's been, well, three years, so my memory of Curious Archer and their story is not perfect; could be off on some details here. And Disclaimer 2: I really loved Tiera Skovbye as Robin/Margot; she did a lot with not much screen time, and she and Rose had fabulous chemistry. So although she was well cast as Robin Sr.'s kid, Tiera would be perfectly believable as a Rumbelle daughter, too--maybe give her some low-lights and call it a day. We keep Tiera as Margot in this rewrite. Okay: onward.

(Since one of the few things that would have to change about Robin if she were Rumbelle’s daughter is her name, I’ll just mostly use her Hyperion Heights name “Margot” throughout this post for simplicity.)

First and foremost, the foundation of everything: Margot is so like Belle! She is so like her. They have the same love of adventure, a similar sense of humor. She took Alice on a date to a bookstore. Most of all, she has Belle’s ability to see past “the mask of the monster” to a person’s heart. There was a great scene where Tilly explained that she didn’t want Margot to see her “bad days” because she thought it would be “too much,” and Margot said words to the effect that she was there for the bad as well as the good.

Obviously, people don't have to grow up to be exactly like their parents (Belle and Rumple sure didn't)...BUT. In fiction, one of the fun parts of next-gen stories is for the audience to see how their favorites' personalities are passed down. It's just more fun to see a Henry who has parts of Regina/Emma/Neal than one who doesn't; it's fun to see Lucy resemble little Henry. And it would be fun to see Margot be like her parents (she is very like Robin Sr; not so much Zee). Seeing a character who has so many of Belle's traits becomes just more...fun...when she learned them FROM Belle.

The family feud Rumple/Hook angle turns Alice and Margot’s relationship up another roman tic notch. A classic trope! It’s about reconciliation and love remaking and erasing those old grudges. Which is even more important when we’re supposed to believe that the evidence of Rumple’s final redemption is his saving Rook.

On a more macro level: the entire claim that OUAT is "a show about hope" COLLAPSES because it ends with the annihilation of the Stiltskin family. Rumple, Belle, and Neal are all dead; Henry doesn’t acknowledge them as his family; and Gideon is a friendless and forgotten orphan in another world. I did my rants about this three years ago, but long story short: the show’s not about hope unless it’s hopeful for EVERYONE. And having at least one of Rumbelle’s children alive and happy at the end (with her True Love and friends and acknowledged as part of the family) would fix that. My objection has never been that Rumple (and even Belle) die, but the way it happened.

And of course, Rumbelle needed to have at least one other child because Kitsowitz managed to deny them even one single shared happy moment surrounding Belle’s pregnancy with Gideon and his birth. Even if the audience didn’t get to see it (and we could have gotten a glimpse in Beauty), we deserved to know it happened.

Finally: Zelena did not belong in S7, period. I know it was fun for her fans! (Although apparently there weren't enough of them to positively affect the ratings, meow.) I do know! But it was bad storytelling. She served no point in the larger season arc, and the serial witch killer plot that was invented to serve her was one of the worst and most stupid things Kitsowitz came up with in seven years, and ate up time that could/should have gone to develop other characters. (Driz and Ana come immediately to mind, instead of having them shunted off to another universe, but also Henry/Cinda/Lucy and of course Rumple since his plot was coming to a close.) Zelena didn’t even get any significant growth herself, or develop her relationships with Regina or Robin. She still didn’t express regret for the horrible things she did to characters we love (Rumple, Neal, and Robin Sr.); the only result of all that screentime was to give an unrepentant rapist a love story with a person--we barely see and have zero investment in. And even that was ultimately negated at the end of the season, because in the finale Zee’s back in Storybrooke sans Boo Bear.

So, all that said: what would have to change about Margot’s, and Curious Archer’s, FTL storyline to give us Margot Gold?

Her name—but actually very little else. (And frankly it would have been more respectful to have Belle name her daughter after Robin Sr., who was actually her friend, than for Zee to name her kid after the man she raped, manipulated, and ultimately got killed—but that ship had sailed.)

Belle and Rumple could have given their daughter any number of fairytale names after people they know, aka fresh take on a Disney character. My favorite possibilities are Aurora (and then Curious Archer could have been Curious Beauty, and done a riff on the Sleeping Beauty story as part of their FTL backstory, with a built-in TLK) and Merlin (very pretty for a girl, I’ve always thought).

But the character herself would have been very much the same: she could be Rumbelle’s jock daughter, trained in archery and swordsmanship by family friends (Merida/Mulan/Charming), but always feeling out of place in her family of scholars/sorcerers/nerds.

I am SO sorry for the length of this--there's even more under this cut!

Robin/Margot felt insecure about trying to live up to her father’s name; Rory/Merlin/Margot could have similar anxieties trying to live down her father’s Dark One rep. There could even be a similar story where she was born with magic (like Robin was) but loses it or chooses to give it up—something that would estrange her further from her family. Or, if she was Merlin, she could keep her magic but be reluctant to use it, and part of Curious Archer’s Hyperion Heights arc would be both Margot and Tilly discovering and accepting their magic. (Sapphic sorceresses for the win.)

Now, one of the cutest things about Alice/Robin’s FTL dynamic was Robin being a girl from the Land Without Magic finding her feet in an enchanted forest, with Alice’s help. But it would only take a little finessing of S7 Rumbelle’s story to get that for Rory as well. (Of course, any decent story would have a LOT of finessing of Rumbelle’s plot so that Belle didn’t die and put Rumple on a suicide mission, but again—assuming the ship has sailed…)

Say that Rory is five to six years younger than Gideon. The Rumbelle family spend a dozen years or so traveling the realms, but then Rumbelle decide that they want Gideon and Rory to be comfortable in the LWoM with their extended Charming family, so they settle back into the Pink Palace so the kids can get a LWoM education. They still take occasional journeys, often Rumbelle going to save some hapless souls, but Rory grows up primarily in SB with very few, vague memories of all the fascinating places they visited when she was a small child. This feeds her hunger for adventure along with some envy of Gideon for having so many more fairytale experiences—another thing that makes her feel like a misfit in her family. So, presto, when she moves to FTL she and Alice have pretty much the same meeting/adventures.

One of the key notes of Rumple and Alice/Tilly's relationship, showing his growth and making it so special, was how he chose to set her free of being the Guardian or whatever, allowing her to be free and get what he never had, the chance to grow old with the woman she loves. And that would be weakened if Rumple knew that by choosing Alice's happiness over his own, he was also choosing his own daughter's happiness (because we know Rumple picks his kids over himself ever time). But--he doesn't have to know WHO Alice's True Love is when he makes that choice. He could just know that there is someone, or simply realize that Alice deserves her freedom for her own sake. (Rumple's daughter also getting happiness would be a side benefit that he didn't learn about till later, and have the added perk of Rumple actually getting a narrative reward for doing something good. Which almost NEVER happened! Bonus.)

Finally: I do understand that Robin's presence on the canvas was important to fans of Robin Sr.--getting to know he's remembered and having someone carry on his legacy. Of course I get it--Rumbelle and their family not having that is my biggest complaint (of so so many).

But we don't need a grown-up Robin Jr. to be Robin's legacy. Let her stay a cute background kid with perennially baby Prince Neal. There's already a character, one we're invested in, to carry on for the Hoods: Roland. And again, it would be satisfying for the audience to learn that a five-year-old orphan wasn't shunted off from what family he had left (Regina and Henry) into another universe and never heard from again. If Kitsowitz didn't waste time with Zelena, they wouldn't have needed the idiotic Jack-is-Hansel-the-serial-killer twist, and we could have have had Roland filling the role of Henry's best friend/little brother (and therefore Lucy's fake HH dad--God, that plot was bad all the way back in season 1; why Kitsowitz why?). We'd see Roland onscreen, part of the family, at the end of the show, perhaps with his own True Love (Drizella, maybe, or better yet Gideon) and happy future.

So, that's it: the combination of Margot Stiltskin-Gold and Roland Hood tightens and heightens the storytelling throughout S7, closes some plot holes, and actually fulfills some of the show's stated themes. Who knew!

Anyone else want three years of OUAT theory vomit? 😋 Shoot me an ask!

(I actually have another one, god help us all, but I might save it till Father's Day...)