#this makes me wanna write
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xephemerall · 2 years ago
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•MHA School Briefs volume 6
this book is a work of art
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witch128chick · 6 months ago
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How can I be friends with this thing called love?
Stephen Sanchez's songs have a chokehold on me
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tossawary · 8 days ago
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I just know in my heart of hearts that in "Star Trek" at one point, there was some moral panic somewhere on Vulcan (among the uppity sorts) because Human culture was "infecting" the local youth with their overly emotional, destructive, unproductive, frivolous, and uneducational ways.
And what was actually happening was that a bunch of Vulcan kids got really into 23rd-century "Minecraft" or something.
Small Vulcan child @ another Vulcan child: (in a tone that sounds flat to Humans but angry as hell to Vulcans) "You have compromised the optimization of my fortress. I am having an emotional urge to blow up your house... in Minecraft."
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everysongineverykey · 2 years ago
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ok alphys was a character ahead of her time and too good for this damn fandom honestly. she isn't some evil gaslighting lying cringey manipulator who only exists as comic relief for the love of god look at her with eyes less poisoned by cynicism and irony. she is a love letter to... well, a lot of things. a love letter to "cringey" people, to video game fans, to people who try to drown their sadness in fiction. she's so achingly relatable to so many of us that it really feels like toby knows his demographic like the back of his hand. we've all met someone like alphys. maybe we are that someone- awkward, nerdy, can't get over their past mistakes, terrible at phone calls, far more eloquent online than in person, only wants to make people like them to distract them from the fact that they don't like themself. normally, this character archetype is the butt of a great deal of jokes- just a gross nerd who needs to touch grass. but alphys is different. she is, as i said, a love letter. she is one of the best-developed and most complex characters in the game. her nerdiness isn't "fixed" or mocked, it's celebrated. her unabashed love for her interests and her 100% attitude is a big reason why undyne loves her. games, especially in 2015 and before, are not often so genuinely kind to characters like alphys! and in deltarune, too- alphys is still a nerd, despite not being nearly as traumatized as her undertale counterpart. her rambling about shows she loves is a constant across all universes, a fundamental and important and good part of who she is.
and i just think that's very kind, and very important.
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star-mail · 1 year ago
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they're brothers your honor >:]
more virus shen jiu au ! :D part 1 - part 2 - part 3 - part 4
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simply-ewok · 6 months ago
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simon riley hates seeing those dumb videos that pop up on everyone’s phone. they’re addictive. filled with nonsense and ads. and then you tell him you’ve lost hours to them scrolling on a single app? no. what the fuck do you mean, lass? he hates when you press him to “just look, si! pleeeaasee, see?” and it takes him forever to even amuse you by glancing briefly at your screen, only to see a picture to music of two bottles (ketchup and mustard) with the caption “us” below it. and the first time he responds with a blank stare at you, but while he shakes his head as he walks away even he would hate to admit that he smiled… time goes by and you show him another odd reel here and there, him always playing the unapproving lieutenant, before eventually, you notice he’s asking you “what’s tha’ one wi’ the two cats again?” or “i like tha’ one of th’ dog”, and you can’t help but giggle, knowing full well what you accomplished.
it evolves to the point of you sharing your brain rot memes with him and you’re able to hear a stifled chuckle from beneath his mask, despite his efforts to hide it.
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mangostarjam · 6 months ago
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silent reading time — kaiju no. 8, hoshina soshiro x reader, use of foods as nicknames, childhood best friends dynamic, biting, 1.4k words
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Hoshina Soshiro is staring at your thighs.
... you think.
It's hard to tell, since you aren't looking at him. Quick, fleeting glances out of the corner of your eye aren't enough to discern the true aim of his line of sight, but it really kinda looks like... he's looking at your thighs.
Why, though?
It's just a typical weekday night. You dropped by his room the way you have for the past twenty-odd years, holding a paperback book with a purple pen tucked behind your ear, ready to indulge in your favorite pastime of silent reading in your best friend's company. Soshiro has his own paperback in hand, green pen spinning around his fingers. The two of you jot little notes as you read, and once you finish you swap books. Later, you'll go to one of your favorite cafes together to talk about them. Soshiro's neat scrawl is as familiar to you as the back of your own hand.
For a brief moment you debate calling him out on his staring. But — nah, it's probably nothing. Maybe your pajama shorts are a little worn and he's just appalled you're wearing something so flimsy.
"What's up, beansprout?"
You glance up from the words you haven't been reading and meet your best friend's gaze. "Huh?"
Soshiro closes his book but keeps his finger tucked to hold his place. His green pen spins in a blur. "You've been starin' at that page for ages. You sleepy or somethin'?"
"Nooo..." you draw out the word as you think of something to say. "Just wondering if I should get new pajamas."
Well — you didn't call him a creep, but now he's blatantly staring at your thighs and maybe this is... worse? You can feel a flush rising up your body at his scrutiny.
"What's wrong with these?"
"... Nothing?"
Soshiro gives you a doubtful look and before you have a chance to retreat, he's caught you against the bed, pinning you down with his elbows on either side of your shoulders. Your books and pens go flying across the mattress, landing with a thunk and a clatter as the room settles back to stillness. The sudden proximity of him looming above you takes your breath away. You squirm a little at the abrupt weight. Soshiro chuckles, his breath warm by your ear as his legs press yours into the mattress.
"Tell me, egg tart."
He's close enough that the strands of his purple hair tickle your forehead. You know you have no chance of getting away from the Vice Captain of the Third Division in close quarters, but you wiggle half-heartedly anyway. "Get off of me, you big oaf!"
"Oh? That's not very nice," Soshiro's grin is playful. He eyes you for a second, and then he pouts. "I just wanna know what's runnin' through that pretty lil head."
Well that's just unfair. He knows you're weak to him when he makes that face. You scrunch your nose at him and giggle when he mimics you. He's steady, hovering above you, as if it's nothing for him to basically hold a modified plank pose on the soft surface of his mattress. Something about that makes you feel... a little warm.
But he's your best friend. You've known him since you were toddlers, training in swordsmanship together at the Hoshina estate, following him into the Defense Force until you hit a wall and pivoted to research instead — you know Hoshina Soshiro, and he does not make you feel warm like this.
You gather your wits about you slowly, like your braincells are moving through molasses. Soshiro seems content to hold his position, familiar grin still firmly in place. You can feel the warmth radiating from him, the careful way he keeps from squishing you entirely, even though he's stopping you from running away from the question.
"It's really nothing, promise," you say, "I just thought maybe you kept looking at my pajamas because they're so old."
There's a moment of silence as Soshiro digests this. You listen to him breathing above you, the thick fabric of his sweats warm where his legs press into your bare skin, the overhead light haloing his purple strands and casting his carefully blank expression in a faint shadow.
"Dontcha think you're a lil too comfy 'round me?" His voice comes out low, almost missed beneath the sound of your rapidly accelerating heartbeat. "I'm a man, too, y'know."
You blink. Soshiro's now wearing the vaguely amused smile he always seems to have on when you're around, but there's something lingering along the edges that sends a shiver up your spine.
Forget molasses. Your brain shuts down entirely, bluescreening as you frantically try to reconcile his words and his meaning and why is he looking at you like that? Like he wants to — to eat you, to swallow you whole — and why does he keep glancing at your lips? Do you have something between your teeth?
But, no, wait — Soshiro is a man. You know this. You've known this for ages. It's impossible to train with the strongest close quarters combatant in the entire Defense Force and not realize this simple fact. You've seen Soshiro take down more miniature and mid-sized kaiju than you can count, and he's a brilliant leader of his platoon and division. Everyone respects him and works hard to live up to his expectations, though you know he works three times as hard in the shadows.
Your childhood friend is certainly not a child any longer. One glance at the densely packed muscle on Soshiro's body is enough proof of that. You peek at his biceps tensing as he shifts above you and gulp.
Yeah, he's definitely a man.
But what does that have to do with anything...?
"Of course I'm comfy with you, Soshiro-kun," you say. Why does your voice sound like that? All... breathy and soft? You clear your throat and try to inject some normalcy in your tone. "You're my best friend! You'd tell me if my pajamas are too worn out, right?"
Soshiro just looks at you blankly. This is where he's supposed to crack a joke, this is where he flicks your forehead and calls you 'sugarplum' and rolls off of you, this is not where he suddenly leans down close enough that you can feel his breaths puff against your ear before everything narrows down to the singular point on your neck where he bites you.
"S-Soshiro-kun, what the hell?!"
"What's wrong? We're best friends, ain't we?"
"Yeah, but why'd you bite me?"
Soshiro's laugh is pressed into your neck like honey dripping from the comb. He's not... He hasn't moved away. You haven't moved away.
You could. He's left you room to move.
But you don't.
It's warm. His legs are still pressing against yours. The faintly woodsy smell of him is all around you, seeping into your skin as you shift amidst his blankets. "No reason," he says airily, lips brushing your temple as he brings himself to hover above you again. "Just takin' advantage of my best friend privileges."
"By... biting me?"
"By showin' ya I'm comfy 'round you, too."
The tension pops. You can't help but laugh, something like relief and the bittersweet tinge of regret flushing through your bloodstream. "What are you, an animal? Who the heck bites people and calls it comfortable?"
"Are ya uncomfy?"
"Well, no, but—"
"I've always wanted to bite you," Soshiro says. You can read the truth in the curve of his smile as his purple strands waver above you. "Ya look like you'd taste good, chestnut."
"That's it," you wrinkle your nose at him. "You've gotta come up with other nicknames for me, or else you'll keep thinking of me as food!"
Soshiro hums in thought. You can feel the sting and the faint imprint of teeth along the sensitive skin of your neck. Something about it makes you feel fuzzy inside, like a tv antenna struggling to search for a signal. You shift anxiously as the silence stretches, yearning for something unknown.
"No can do," he says brightly. His red eyes gleam as he leans down again. "But we're comfy with each other, yeah? Want me to inspect these old pjs for ya?"
The blush blooms beneath your skin with a force that startles you. "Uh, what—? No, Soshiro-kun, definitely not—"
He grins and it's bright, but a little strained. You reach up unthinkingly to cup his face in your hands, smoothing your thumbs along his jawline and cheekbones and smiling when he leans into the touch. The knot in your chest loosens. The two of you bask in the comfort of each other for a moment.
"You should really tell me off," he breathes, tilting his head. "You should tell me ta quit messin' around."
"Are you messing around?" you ask.
Soshiro laughs, a quiet sound in the stillness of the room. "I'm never messin' around when it comes to you."
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hotcinnamonsunset · 18 days ago
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proof that you CAN use math in every day life😌✌🏼
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stealingyourbones · 7 days ago
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I desperately need more mentor uncle figures and mentor brother figures in DPxDC to fill the interesting relationship dynamic gap that father figures stories can't always fill are u picking up what I'm putting down. Hell, just a regular friendship relationship with absolutely 0 familial dynamic.
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biggest-gaudiest-patronuses · 9 months ago
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got a worm nibbling my brain. can someone help me find a piece of obscure media?
webcomic/indie comic from the 2010s. basically a sci-fi short story about a young girl (with red hair?) who was being raised by scientists as part of an experiment. she receives a haircut/has her head shaved, in preparation for her annual brain scan/testing. it is revealed that while her body is human, her "brain" is artificial, made of computer implants throughout her skull and spine. at some point her biological mother (also a scientist on the same campus?) encounters her and is repulsed, viewing her as a machine who has murdered her daughter.
it was very poignant and it bruised my heart and i can NOT find it anywhere
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tubesock86 · 1 year ago
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80s BABY!
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tagidearte-spam-sb · 1 month ago
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The Daycare Attendant and Their Dialogue
A little ramble on some of the things I've noticed about their ways of speaking. This post ended up being predominantly about how they refer to one another. Most of this is speculation mixed in with my own views on them and their relationship, without discarding some other possible alternatives (for instance, although I do view them as two AIs that heavily rely on each other to function properly, I do not cast aside the interpretation that they are the same person).
(note: although I have played SB and Ruin, I did not play HW2 myself. All I know about that game has been through let's plays).
Sun is, obviously, the chattier of the two. Not only are his sentences longer, he speaks more of them in a row than Moon does - in fact, we only see Moon going on and on in Ruin (which we will discuss later).
Both of them use a lot of repetitions when speaking. From their infamous "clean up, clean up" line, to Sun's panicked "you like glitter glue? I have glitter glue!" and "light's on! Light's on! Keep the generators on!", to Moon's "hidey hide, hide away" and "bad children must be punished. Bad children must be found", "knock knock", etc. One of the first things Eclipse says is also a repetition ("warning, warning"). They appear to occasionally rhyme their words too, or at the very least use similar sounds in their sentences. This is a robot that works with young children, so it's not surprising.
On that same vein, their main insult to misbehaving children (and employees... or at least Cassie's dad) is also a repetition: "naughty, naughty" (which turns into "naughty boy" for Gregory), "rulebreaker, rulebreaker", and "bad kid, bad kid". In fact, it appears they repeat words more often when they're mad/stressed (Sun's no no nos, Moon freaking out in Ruin). Taking into account they get mad pretty easily when things don't go their way, it's not surprising we hear it so often, but it's neat.
Although both of them speak in an almost song like manner, with Sun's run on sentences flowing well between one another, Moon is the one where this is more evident due to how much shorter his lines are.
Moon is also the one who speaks in a more childish manner. Not only are his phrases shorter, he doesn't articulate them as much as Sun does, and seems to prefer shorter words and sounds, especially giggles. This makes Sun appear more developed. Key word being appear.
Sun tends to speak as if he's entertaining a crowd, doing his best to keep the attention on himself while trying to keep it fun. This is most evident in his level explanation parts in HW2, but it's also clear in SB. In Ruin, this is absent for... obvious reasons.
Both of them are somehow direct in their way of giving orders/saying what they want to do. When they can't be direct, they find workaround truths in order to conceal what they truly want to say, while keeping the main order clear (such as Sun saying the player will hurt their eyes if they work in the dark and ordering them to keep the lights on, rather than saying Moon will kill them so keep that room bright. Direct, but nicer).
Not at all important to FNAF speech lore but I think it's funny: Sun says the infamous Vanny line during the daycare intro section. "Are you having fun yet? (Are ya, are ya?)". 0.5 seconds after Gregory just stands there, which coincidentally is what Vanny does 0.5 seconds after Gregory gets into a vent (numbers exaggerated). I don't know. I just think it's funny. Replaying the daycare section after hearing Vanny yapping that line non stop gave me flashbacks.
The way they refer to each other and the pronouns they use are an entire thing, so let me separate it in two parts.
So that this post doesn't become scrolling hell on the tags, I'll keep it below the read more line:
Sun
Sun is the one who refers to himself the most. He frequently uses "I" or "me" when talking about himself, and does it way more often than Moon. Examples of this are "I have glitter glue!", "I'm stuck in a nap", "it really speaks to me", "I feel dumber just looking at it" - you get the point by now. The reason I'm going hard on this point is to contrast his way of speaking to Moon's.
When it comes to him referring to Moon, we only ever hear it twice. In HW2 he says "He'll wake up if the lights go out!". In Ruin, he says "Not me, the other me!". Besides those two voice lines, he merely alludes to Moon without ever mentioning him by name or by pronouns (such as when he says he'll turn the lights off himself, implying he'll let Moon deal with you, or when he says you can't work in the dark and instead of saying the real reason as to why, he cuts himself and goes "You'll- hurt your eyes if you work in the dark").
This is interesting for two reasons: one, we only see him directly mention his counterpart when he's in a ruined state (the HW2 voice line comes from the mask off section, when they're broken down. At least I think so); two, he simultaneously views Moon as separate from himself ("he'll wake up") and as a part of himself/another side of himself ("the other me"). You can take that as them really being the same "person", or as a reflection of their complicated body sharing situation. Take it as you will.
As far as referring to himself and Moon at the same time, he only does it in Ruin when he states "We need to be whole".
Moon
The way Moon structures his sentences means that he seldomly actually refers to himself directly. For instance, he doesn't say "I will find you" or "I will punish you", putting himself as the subject of the sentence. Instead, he puts others as the subject, wording it as "Bad children must be found" and "Bad children must be punished". This is consistent across all of his voice lines except one... Well, technically two.
To get it out of the way: there's a deleted voice line where he says "I'm putting you in time out", a line he and Sun share and which worked the same way the clean up one does - them saying the same thing, a push towards them being the same person ordeal.
The only in-game time he refers to himself directly is in Ruin. This line is also the only time he refers to both himself and Sun as a duo. This line is also the longest line of dialogue Moon has.
"(groaning noises) Naughty! Naughty! Make it stop! The light makes us hurt! Grind Grind! Grinding gears inside my head! We can't move. Error! Error!"
This line, much like Sun's, is interesting for various reasons. Even though Sun is no longer with him (being stuck in the VR world and separate from Moon, shown by how Moon can't move because the lights are on but his body can't shift into Sun, so he's completely stuck), he first refers to himself as a "us" - adding Sun into the mix. Then he refers to himself alone, "my head" instead of "ours", before going right back to a plural.
We can assume one of three things here: one, Moon refers to himself as a we more often, adding Sun into the mix, a complete opposite of his counterpart who typically speaks in singulars; or two, Sun is not as absent as he appears and in that moment he is in fact with Moon, just stuck on the passenger sit, hurting alongside him; or three, this is merely an effect of this being in the Ruin DLC where the whole point of the daycare section is to fuse Sun and Moon into the Eclipse, so the writers decided to bring the point home further. If you have more options, feel free to add them.
Side note: This voiceline also shows Moon's speaking patterns pretty well. Putting "the light" as the subject instead of "we/I", the rhyming, the repetition, the clipped sentences compared to Sun's endless ones, the noises, the scratchiness, the vague childlike mannerism... All ending with "we can't move", way more straight to the point, said right before he freezes up, which deviates from the "other subject first then me" rule due to the pain tearing through him at the moment.
Moon does not call Sun "the other me" or anything similar in any of the games. He never refers to Sun as if he too was Sun. However, we can assume his view on their situation probably mirrors Sun's - being in the same body and all -, so take it as you will.
And as for Moon referring to Sun as a separate individual... He does not refer to him as a "he". Instead, he actually mentions his counterpart by name, saying "No more Sun". Meaning he's the only one of the the two that has canonically used his other side's name. I think it's interesting how the least chatty one is the one actually calling the other by name and not the other way around. And yes, you can say it's a way of speaking and he's referring to the concept of the sun rather than saying his name, but taking into consideration Sun never utters the word moon, I'd say it's still quite a big thing.
In my headcanon land, due to the happenings at the Pizzaplex, Sun is probably too embarrassed and mortified to even mention Moon. Moon, on the other hand, has no reason to have such troubles besides hating Sun for (in his perspective) keeping him locked in a prison of light. So for me, it makes sense we never see Sun saying Moon's name, and it makes it more impactful when he actually acknowledges Moon as the other me rather than a he.
Eclipse
I lied there's three parts.
Eclipse has very few voice lines. The only one that matters here is "We need to clean this place up before we can open in the morning." This is pretty straight to the point: Eclipse, unlike Sun and Moon, doesn't use an "I". They immediately speak in the plural. They do not view themselves as just Eclipse, but rather as both Sun and Moon combined, at the same time.
As for the DCA being two AIs or one... in Ruin, Sun thanks Cassie after Eclipse is activated. It's left ambiguous. You can say Sun speaking afterwards proves they're not one and the same, "with the Sun and Moon AIs still running separately somehow", or you can assume Eclipse existing doesn't mean Sun and Moon can't keep doing their thing under safe mode, albeit in a less chaotic manner, allowing Sun's voice to come through but not making him any less Moon - he is Moon, he is Sun, and they are complicated yet very simple.
I believe in whichever version is more convenient at any given time, with a preference for "two codependent AIs" given what the games show us. Although, going by everything I collected here, the only theory I believe to just not be supported by canon at all is the one with Eclipse as a separate thing all together. Eclipse refers to themselves as a "we', not an "I". Eclipse activates when you make Sun and Moon "whole". It canonically makes no sense for Eclipse to be a third thing. (Please remember this is a post about what's in the games, the canon of FNAF. AUs and fandom or whatever, you do you).
That's it. Hope you enjoyed my rambling. Uh artblog unpaid promotion @tagidearte thank you for making it this far.
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bluerosefox · 5 months ago
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Saying Sorry Will Never Be Enough
Feeling a bit angsty so I had this idea.
Danny is dating one of the Bats/Birds, and everything is going great, amazing even! They know each other secrets (from powers to everything etc), they have a wonderful place to live (even if its in Gotham), Danny is in college on the way to becoming a space engineer (and he does side jobs for unrestful ghosts), he's actually getting sleep again since leaving Amity Park, gets along with their friends and family (those who Danny or his partner still talk to, up to the writer), there is even talk about marriage and perhaps adoption/kids in the future between Danny and the Bat/Bird he's dating!
Everything is setting up for a good life in his future, something Danny didn't think could have after his accident. He was happy finally, and currently packing up his old apartment because he's moving in with his partner in a few days.
So he felt like his core was being pulled out of him when he opens his apartment door one day receiving a knock to find his parents, who had hadn't seen since they kicked him out of the house after coming clean about being Phantom (their words of anger and denial that their son was 'dead' and now a monster, still hurt)
Sure they didn't attack him or proclaim he's dead but still their last words and anger HURT.
Danny didn't give them a chance to open their mouths, both looking nervous and guilty, before he slams the door close and turns invisible, grabs his phone, and fly's out of his apartment to his partner's place in a panic attack.
His partner, isn't happy.
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damian-lil-babybat · 2 months ago
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'Dead Poets Society' gang
Headcanon that these four drop poetry and literature quotes on their conversations unprompted.
Jason 'English-major-I-only-visit-the-manor-for-the-library' Todd-Wayne
Damian 'I-master-liberal-arts-unlike-you-plebs-PHD-holder' al Ghul-Wayne
Cassandra 'I-learn-English-thru-Shakespeare-as-god-intended' Cain-Wayne
Duke 'only-title-holder-of-vigilante-poet-and-will-cuss-you-just-as-poetically' Thomas-(future) Wayne
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nutsack90 · 2 months ago
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lawl
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ill never get tired of the desaturated blue and eyebleeding red combo im sorry
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dukeofthomas · 4 months ago
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Here's my controversial opinion; if you're trying to write Bruce as a non-abusive, good parent, you should also write him respecting his kids' privacy, boundaries, and not stalking&surveying them.
#my dc posting#dc#batfamily#batman#bruce wayne#dick grayson#jason todd#tim drake#damian wayne#looking thru ur kids phone tracking them giving them no privacy etc etc is deeply damaging#but yall aint ready for the ''stalking is their love language' is super toxic' conversation </3#also can we retire the JL being completely chill about it. 'batman just knows things' not being bothered their secret identities were found#out etc can we. stop coddling the batfam#i just need someone anytime to please just call them out like 'hey dont fucking surveil me' like that is actually extremely unethical#and its frankly not hard to write a batman who doesnt invade his kids privacy n boundaries etc#controversially when reading fic where theyre supposed to be healthy n getting along i want to actually feel like its deserved n good for t#hem#instead of sitting there going 'woo thats toxic' 'oh that even worse' 'why are we passing over all that'. like i dont wanna be thinkin they#should go no-contact when its supposed to be fuffy n good :(#like if you can write away the hitting n other abuse why is this the one thing that just must always stay#like genuinely it aint hard to write a parent not stalking their children. actually maybe i should remind you all that stalking is not good#or funny#like i feel like w all the joking some of us are actually forgetting its not good. ever. like absolutely never dont stalk ppl#eh idk. this is why i cant stay in any one fandom too long bc i start developing Opinions which inevitably make me hostile to like#90% of the fandom's content 😔
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