#this isn't reddit

[breeding-puppie]

I'm a 51 year old male that's been in an abusive marriage for 8 years. Have one grown daughter from a previous relationship. My question is i long to fill a pussy full of my seed once again. Is this normal. Haven't been sexualy in 8 months with a woman or anyone else. Been blessed with a very thick cock and long to unload my cum allover a wanting cervix. Thanks for listening

[simulation-machine]

I love literally every single townie from the Realm of Magic game pack, even if the world was waaaay too small and the builds were trash. The Charm family is no different. I have played and replayed and had these characters pop up as important side characters in so many saves. So in this I’ll talk about what I usually do with them, and what I’m doing differently (if anything). If reading lots of words is not your jam, feel free to skip since it’s allll head-canon from here. Minerva: Look, she’s old af. She’s gonna die. I try to give her at least one grandchild before she officially bites it, and the first girl Emilia and Darrel have gets named after her. She’s still gonna die and the first girl will be named for her, but this time she’s going to be an absolute jerk. She’s going to be strict with both of her children, pushing them to do better, and she’s going to be really unimpressed with poor Emilia, who is new to magic and doesn’t come from an illustrious family. Then she dies and everyone is at first like “WHEW okay thank god” but then quickly devolves into aimless chaos without somebody always yelling at them to do stuff.  Gemma: For some reason, even though Darrel is older she gets listed right after her mom. Anyways, Gemma is gay. Before we got werewolves she got with Darling Walsh. Once we got the wolves, she got with Rory Oaklow every time because Rory is hot. They usually just adopt kids once they hit the Adult life stage, but this time they’ll probably have two science babies to see which occult genes win out. They live in Moonwood Mill because Gemma doesn’t like being in the Charm estate after her mom dies. Darrel: Maxis has done few sims dirtier than they did Darrel. And look, I am totally chill with goofy looking sims, I really am. But I’m supposed to believe that he somehow scored cutie-patootie Emilia and looked like that? I mean I guess Emilia isn’t a shallow girl but come on now. So he got a makeover that still kept some crucial features (lips, jawline, chin, cheeks, purple eyes). He even still got a big nose. He just looks less yikes to me because his eyes got switched up and his nose is less wtf. People can fight me on this, that’s fine. He was inspired by my mental image of High Lord of the Spring Court Tamlin from ACOTAR. ANYWAYS. Before I just decided to change his appearance (which I was opposed to do despite haaaaating his face), he used to die after ensuring at least one normal looking kid, usually from overcharge after dueling with L. Faba. That’s all he did. Now that he’s prettier, he gets to live on. Emilia: Initially, she bugged me. Her only flaw is clumsiness and she’s set up to be this try-hard in a fancy family of magical prowess, influence, and wealth. But then I gave her and Darrel a troubled and passionate relationship. After his mother’s death, he got addicted to dueling as a way to cope and was not paying attention to his magical charge. He and Emilia fought over it a bunch. Finally he promised to stop and does better, they have a kid (or another kid if they already had one), and then he starts sneaking out at night to duel again. He gets killed by L. Faba, and Emilia goes through a deep depression that takes her years to recover from. After that, she and Simeon Silversweater hook up and he becomes a step-dad. She has more kids with him. What will change is that Darrel isn’t going to die, and I might find a way to make Minerva live a bit longer to be more of a thorn in her DiL’s side. Idk.

[menacingpolkamusic]

I am begging people from the bottom of my heart to stop putting their genders or trans status on aitas unless it is relevant to the situation. It will affect people's judgement, especially if you're trans. It shouldn't matter on the trans & nonbinary website but unconscious (or conscious!) bias is still alive and well. And anyway it doesn't matter.

[vaspider]

I'm no longer entertaining discussion about this.

In fact, I'm just blocking anyone who keeps harping on this, starting with you.

I do not expect people to know who John Calvin is unless they had my level of religious upbringing, and I do not care about why you know or what you think about my expectations.

Me, starting a video that says it's going to explain how Victorian poorhouses fucked up the concept of charity forever: ok, show me what you've got

Video: it starts with the ideas of the Christian philosopher --

Me: DON'T SAY IT DON'T FUCKING SAY IT

Video: -- John Calvin

Me:

[adobe-outdesign]

Babe wake up, massive GameFreak leak just dropped

Literally like a terabyte of info just came out and stuff's still leaking in mass from Twitter as I type so bear with me. I'm only including a few highlights (including the most legit-seeming ones) because there's potentially over a hundred beta sprites/art/assets being leaked.

All of these leaks were pulled from r/PokeLeaks. I'm doing my best to verify as I go, but will update the post if any of this turns out to be fake (though this is unlikely).

^ Unknown water starter concept art

^ Unused Pokemon

^ Unused Pokemon part 2 electric boogaloo

^ Beta Honchkrow with a mustache (that explains the random crescent around its eye in the final version)

^ fear.jpg (Beta Kricketune)

^ Beta wash Rotom

^ Beta Lickilicky (now we know why it evolves via rollout in the final version)

^ Beta Skunktank

^ Beta Reshiram/Zekrom

^ Beta team Galactic admins

[bixels]

Why the hell, shit, you damned bastard son of a bitch

[antiadvil]

hold on when did the subreddit add this rule lmao

[goat-moth-thing]

i think some get angry at transmascs for discussing our oppressiin because they view invisibility as a privilege rather than a way in which we are oppressed

when their view of invisibility as a privilege is challenged, they lash out and say that we want to be oppressed soooo bad and that we need to shut up

and of course, if we do shut up then nothing changes. we remain invisible and nobody sees us. or talks about us. or cares about us

[putthatfloorspaghettidown]

I just wanted to share the orginal tweet that iskall complained about in his latest video.

Remember to support the other hermits!

[moraymiso]

people take shipping WAY too seriously sometimes like i am baffled every time i see someone genuinely tweaking out over a ship they don't like

"this is ooc!! these characters are nothing like this!! they aren't canon, seethe!!" brother it is never that deep can you let me make my barbies kiss in peace

[gaminegay]

Genuinely i wonder how common it is to hallucinate / perceive things oddly / have a notably altered perception of things

[pseudophan]

I was playing skycards and my name is Planephan (real original, I know) but on my very first battle my opponent's name was Dan and Phil. I know it was probably just another phannie playing but was it??? Also my first battle?? Sorry this is all over the place I'm still freaking out about it

statistically that's most likely either someone who also downloaded the app because they saw it on here OR you're about to watch the scariest gaming video of all time

[seabeck]

Is it not normal for 14 year olds to be mostly self sufficient??

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[hopelesslygaysstuff]

Random post that has nothing to do with fanfiction lol

I just made an appointment to potentially get a top surgery consultation with a surgeon that has a lot of great reviews and is in the city I'm originally from and where my dad lives, and ya'll I literally can't stop crying like it was so scary but also I need this so badly and I am finally making steps towards making it happen

anyways i will probs delete this in the morning but ya i didn't have anyone else to tell at the moment cause it is 3 am

[all-pacas]

a list of all the times foreman and chase actively shaded one another in s1-3, because i think it's very funny,

histories:

PATIENT: [Foreman] doesn't like me. I can tell. CHASE: That's okay. He doesn't like me, either.

sports medicine:

CHASE: House says you were lying. I believe him. FOREMAN: …What’s that? You got a little wet smudge at the end of your nose!

control:

CAMERON [to Chase]: He’s not gonna fire you. FOREMAN: I’d fire you. Bye bye. CHASE: If I screw up, the patient dies… I’ll never get another job. FOREMAN: So go stick your head between your legs and lick your wounds in Gstaad.

mob rules:

CAMERON: Chase has a big mouth. FOREMAN: Yeah. He's probably the one who ratted to Vogler. [of note: Chase did obviously rat to Vogler, but Cameron spends these same episodes defending him and sure he isn't the rat; Foreman immediately jumps to "fire Chase"]

heavy:

PATIENT: I’m thirsty. CAMERON: Just a little bit longer [with this procedure], and you’ll be done. FOREMAN: Like Dr. Chase.

[later, House asks who Foreman would fire:]

FOREMAN: Chase. HOUSE: What — because he screwed up an angio a month ago? FOREMAN: Anyone can make a mistake. HOUSE: Right, it’s the money. You resent it, but you’re going to tell me he doesn’t need the job. FOREMAN: He doesn’t appreciate the job. HOUSE: He was ready to go three rounds with Cameron for it. FOREMAN: He wants the job. He just doesn’t appreciate it. There’s nothing wrong with just wanting to hang out, but this is not the place to do it.

babies and bathwater:

FOREMAN: [under his breath] Here, pussy, pussy, pussy. CHASE: I didn’t do anything. FOREMAN: Exactly my point. CHASE: You wanted me to yell at him? What the hell would that have achieved? What, is he going to jump into his time machine and fix everything? FOREMAN: When a dog dumps on the floor, do you pat its head and call it a genius? No, you smack it in the nose with a newspaper! CHASE: Dogs can learn things, House can’t. FOREMAN: Coward. CHASE: Child.

acceptance:

FOREMAN: If someone asks you to describe me to them, what’s the first thing you’d tell them? CHASE: Insecure.

tb or not tb:

CAMERON: I wrote your people a check last month. PATIENT: Oh, well… write us another one. FOREMAN: Talk to Chase, he’s rich. CHASE: My dad, not me. [i think offering chase's money to a stranger counts as shade]

the mistake:

STACY: Why did Chase screw up? FOREMAN: Because he doesn't give a crap about patients. STACY: He always gets positive patient reviews. FOREMAN: Yeah. He smiles all 84 of his teeth, tells them his tonsil story. STACY: It's a nice story. FOREMAN: He still has his tonsils! As soon as he's out of the room, which is as soon as he can be out of the room, he starts in on the trash talk. Thinks not giving a crap makes him like House. Like it’s something to aspire to. Am I going to have to testify? STACY: I… won't be encouraging them to call you.

failure to communicate:

CHASE: Even if he fell, drug use is far more likely. I’m ordering a tox screen. FOREMAN: Chase, we're not done with the differential. CHASE: You're not my boss. FOREMAN: I'm House's boss, House is your boss. The math is pretty simple. CHASE: Are you signing my paychecks? Are you hiring or firing? FOREMAN: This is not about that. CHASE: The only thing you've been asked to do is supervise House in case he does something insane.

distractions:

FOREMAN: Plug it in. CHASE: You plug it in. FOREMAN: Fine, give me the cord. [under his breath:] Wuss.

who's your daddy?

[during a procedure] HOUSE: Chase, high right atrium, please. CHASE: Her heart’s fragile after that last attack. The chances of tachycardia – HOUSE: You have my permission to blame Foreman at any negligence trial. [chase does as he's told]

cane and able:

CHASE: How could I screw up a simple bleeding time test? FOREMAN: Maybe you were abducted; lost time. [later:] HOUSE: So you’re saying Chase did screw up. CHASE: Or Foreman screwed up. FOREMAN: Big hand points to minutes. Maybe you got them mixed up? [later:] CHASE: We’ve had three results that haven’t been consistent. One of them must be wrong. FOREMAN: Or two of them.

fools for love:

[house is trying to bet foreman on wilson's new girlfriend. foreman hasn't accepted the bet:]

HOUSE: We could spend all day arguing whether we bet or not. Give me the hundred bucks. CHASE: Come on Foreman, pay up. He won! Or we could just never finished the DDX.

[later:]

HOUSE: Aha! Brochure to a jazz festival in the Poconos this weekend. CHASE: Wilson likes jazz. Foreman, pay the man.

[later:] CHASE: If [the patients] can live here without killing each other, they must really be in love. It’s tiny. FOREMAN: Then how come it’s taking you so long to search it? CHASE: Box of condoms in his jacket. FOREMAN: I know you’re poor now, but buy your own.

[later:]

CHASE: Hey, Foreman, can you wear the beeper for a couple hours this weekend? [off his look:] What? FOREMAN: We just destroyed two peoples’ lives. CHASE: I’m not allowed to run errands any more? FOREMAN: I’d like to see some sign that it affects you, or that you recognize that it affects other people. CHASE: So are you going to wear the beeper or not?

finding judas:

CHASE: I wasn't kissing his ass. FOREMAN: It just looked that way from our angle. You on your knees, House bending over. CHASE: He predicted the pancreatitis. CAMERON: It's his dad's fault. CHASE: My dad was an ass. CAMERON: But you did everything he wanted you to and, in return, you got everything you wanted. CHASE: Yeah! It's that simple. CAMERON: His strategy worked. Dad got him a cushy job, paid for his cushy life. CHASE: Cut me out of his cushy will. [cameron looks surprised/apologetic here; foreman continues:] FOREMAN: I told you, just his nature. Poor guy's hardwired to kiss ass.

[later:]

CHASE: Tritter finally froze my accounts. FOREMAN: Really? CHASE: You surprised? Why wouldn't he? FOREMAN: I figured if he was singling you out, you must have done something different. CHASE: What? Like talking? FOREMAN: Yeah. And now that he's frozen your accounts, you probably will. You need the cash, right? CHASE: He doesn't freeze my accounts, I'm guilty. He does freeze my accounts, I'm guilty. [foreman shrugs]

top secret:

FOREMAN: House would do Wilson before you'd do Chase. CAMERON: No, you would do House and Wilson before I do Chase. Now can we get back to work? CHASE: She did me once! FOREMAN: [laughing] She was stoned!

act your age:

CHASE: For the record, Cameron's the one who broke it off. FOREMAN: Not interested. No masses in the hypothalamus. CHASE: I wanted more. She didn't share my feelings. FOREMAN: I feel like I'm in a similar position.

resignation:

CHASE: So, why are you leaving? Or is it just some sort of power play? FOREMAN: You can have my parking space. My locker. CHASE: Is it about House? FOREMAN: Let me get all sensitive and confide in you. CHASE: Why wouldn't you want to tell me? FOREMAN: I don't like you. Never have, never will. You want me to share some more?

the jerk:

FOREMAN: I'll do it. But I've got a job interview after work. Anything comes up later, you guys handle it. CAMERON: Need a peer recommendation? FOREMAN: Thanks. [he looks at chase, who sort of shrugs] CHASE: Cameron's should suffice.

[later:]

CAMERON: Foreman's interview in New York got screwed up. CHASE: I heard. CAMERON: Foreman thought it was House, House thought it was Cuddy. Cuddy thought it was Wilson, Wilson thought it was me. CHASE: And you think it was me? [chuckles] God… you think I… sabotaged Foreman? I don't even want him here. CAMERON: I know. CHASE: Then why would I do…? CAMERON: I think you sabotaged Foreman just to sabotage Foreman.