#this isn't quite fanfiction but it IS creative writing

[phoenix-is-the-hottest-thing]

Phaedra's Loose in the Candlelight Sea

There’s a dead manta princess loose in the Candlelight Sea. I think eventually everything’s going to be okay, but I have no idea what’s going to happen next. And neither do any of you, and neither do your parents, because there’s a dead manta princess loose in the Candlelight Sea. It’s never happened before, no one knows what the princess is going to do next, least of all the princess. She’s never been a seaghost before, she’s as confused as you are.

There’s no experts. They try to find experts in the Red Tide. They’re like, “We’re joined now by a King-Admiral that once got murdered by the Fata Morgana.” Get out of here with that shit! We’ve all seen a murdered King-Admiral. This is a seaghost princess!

When a dead manta princess is loose in the Candlelight Sea, you got to stay updated. So all day long you float around, “What’d the princess do?” The updates, they’re not always bad. Sometimes they’re just odd. It’ll be like, “The princess saved some sailors?” I didn’t know she knew how to do that.

The creepiest days are when you don’t hear from the princess at all. You’re down at the bottom of the sea like, “Hey, has anyone…Has anyone heard–” [imitates stabbing noises] Those are those quiet days when the Bonefish is like, “It looks like the princess has finally calmed down.” And then ten seconds later the princess is like, “I’m gonna run towards the ghost plesiosaur and decapitate it with my sword. I’ve got a nice sword and a knife, I’m Phaedra Philemon!”

That’s what I thought you’d say, you dumb fucking princess.

[meayefet]

Here's another thing I feel like we need to talk about regarding the current war between Israel and Hamas. Minor as it may be, I've been losing my mind over this.

As a person who grew up in the early 2010s, I grew up mostly on the internet and fandom culture, and have written quite a lot of fanficition in my early teens.

Something I've realized this past week is that people are seeing Palestine as a fandom. And not only does it belittle the actual problem, it dehumanizes Palestinians and Israelis alike and allows the rewriting of facts and truths as if it were an AU fanfic.

After realizing that I jokingly told a friend that I wouldn't be surprised to see RPF about the events of October 7th. I had in mind something like slash fiction of Hamas members, but today I found out people are writing fanfiction about A HOSTAGE AND HER CAPTOR.

I also found out it didn't happen in a vaccum - apparently tiktok is exploding with this stuff, saying Maya Regev - the hostage in question - had "left her heart in Gaza", because she smiled and said "shukran, bye" to her captors.

In case you have forgotten - Maya Regev was SHOT IN THE LEG AND TAKEN HOSTAGE INTO GAZA along with her brother, who was released FOUR DAYS AFTER HER. She was released with a shattered leg and without her brother - but if she smiled, her captors must have treated her so well, amirite? (Even though there are already plenty of horror stories from Hamas captivity, and children came back pale and whispering with their heads full of lice.)

Even in the early 2010s there was a debate whether RPF is legit or not (and at 26 I can safely say it's a no from me), but in this case it's even worse. These are not public figures we are talking about. This isn't One Direction or The Beatles. The Hamas terrorists are, well, terrorists, and Maya Regev is a private person made public because she was TAKEN HOSTAGE INTO GAZA. Writing a FANFIC about actual people who were actually injured during October 7th is beyond sickening, and it's probably the most immoral thing you can do on social media for the Palestinian cause (and if you guys claim to be on the side of morality you might want to be consistent).

Another thing that's driving me crazy is the difference between Israelis and Non-Israelis who grew up on the same things at the same time. my friends and I learned a lot about justice, critical thinking, and the power of art and creativity on the internet. I met a lot of my online friends in socialist youth movements and rallies, and many of them later became my classmates in Bezalel - BECAUSE we applied what we had learned into our adult life.

Non Israelis who grew up on the same platforms as I did who took part in the same fandoms, read the same fanfiction works, learned the same truths of social justice and the power of art- are now viewing the conflict as a fandom. You're either a fan or you're wrong - there is no middle. No room for critical thinking, for "Palestinians have every right to self-determination and an independent state BUT Hamas who actively prevents them said rights has comitted crimes against humanity on 7.10 and must be held accountable", or for "the occupation must end BUT the Jewish people are indigenous to the region" - there is only room for "by all means" and "from the river to the sea". It doesn't matter if they don't know which river and what sea - because if the conflict is a fandom, then they can write an AU to deal with every truth that doesn't settle with their narrative, and rewrite reality to fit their next fanfic.

[kasarasun]

what if I made a thing or it already was that while Airplane wrote the world, Peerless Cucumber illustrated it (only the animals. And Binghe, fighting the animals.) And then then then

He'd totally do it on an alt account, right?? Peerless Cucumber can't be seen making fanart!! (And he's good at it. Like, wiki is using his art in the monsters and beasts pages (that Peerless Cucumber volleyed for. He also separated it from the plant section.) Because 1 its good 2 the artstyle is consistent 3 there isn't a lot of monster official art, other than that one with the black moon rhinoceros python and those other ones and 4 it's really that good)

Haha incomprehensible parenthesis nesting aside, Airplane is watching the forums, right? Not sure about other stuff in canon but he looks at the forums and the fanart and the fiction and most of it is probably corn and binghe and just a little bit of mobei-jun and also the wives tm but!! There's also that guy!!! The monsters guy!! (People would probably suspect 'Drawing the Beast's Ire'- or some other sex euphemism I'm not good at making those- of being Peerless Cucumber because 1 the writing style is the same 2 Peerless Cucumber is the number 1 contributor to the PIDW wiki and a lot of it is the monsters and beasts section and it makes sense, yes??) Anyway, Airplane shooting towards the sky suspects but not too seriously suspects Mr ire of being cucumber's fanart alt but uh uh that ends pre-transmigration section

So, Shen Yuan starts running about, right? Things seem really... familiar, maybe thats the word?- for some reason. This is because every animal and plant he's ever drawn, sketched- maybe even thought about but that's a stretch?- is his design. The firefly parallels hold their forelimbs like butterflies. That is how far down it goes. Maybe it doesn't come up until later, but beasts and monsters from fanfiction get involved, oc species, too... anyway,

Airplane Shooting Towards the Sky transmigrates 30 years (iirc) before Peerless Cucumber. He was an avid enough follower of Drawing the Beast's Ire to recognize that these are their designs! Here's where it gets really crazy. Xiao-Mobei comes along, and while he's still pretty young, Airplane can tell that this is Drawing Ire's design! Some aspect, maybe his ears or teeth, (this isn't a well built theoretical tangent) of Mobei isnt canon. Its Drawing Ire's. From that one Northern Kingdom collection. Whatever stretched his world building into coherence, completion, didn't just pull from fanwork, official art, whatever it could find, it went for Drawing the Beast's Ire's designs specifically. Damn that's crazy Airplane ahahaha moving on,

This is getting really long so I'll be a bit more concise, (want to know more? Talk to me. Please talk to me. I want to interact with the fandom. Ask me questions. Poke your fingers into my cage.) This all comes to head at the Immortal alliance conference. The monsters and beasts really start pouring in! And Shen Qingqiu/Yuan remembers his creations. However, he assumes that this is because like 1 other person maybe was Drawing ghost head spiders.

Hey, Peerless Cucumber really liked the monsters, right? The deadlier, crazier, more intricate, the design the better! So maybe, when he was drawing, he... added some things, really believable, logical additions, really just small creative decisions...

Anyway, the monsters that Drawing the Beast's Ire made were where it came to a head.

Lets have another Canon divergence. Maybe, during or after Binghe gets pushed in, out of the rifts comes a species that Drawing Ire created. It's beautiful, poisonous, beloved, and really quite deadly. Shen Yuan/Qingqiu, Peerless Cucumber, Drawing the Beast's Ire... realizes, quite like airplane before him, that he's illustrated, practically sculpted with his own hands, monsters from the Endless Abyss with claws and teeth and poisons as deadly as Peerless Cucumber thought that the really cool monsters could deserve. It feels like he's the one cutting, biting, poisoning his sweet little sheep. It feels like he's digging out the marrow from his little white lotus disciple's bones.

Ok it is shut up time 👍

[iz1331]

Gonna have to rewatch Beetlejuice and Beetlejuice Beetlejuice back to back to compose a list of "movie canon" that were deemed not brought back/continued in the sequel.

For example: Like how the sequel "disregarded" the fact that only those who "died of suicide can become civil servants in the afterlife".

NO ONE CONFIRMED THAT! It was just a throw away line by Otho, WHO WAS A FRAUD AND KNEW LITTLE TO NONE OF THE SUPERNATURAL!

The sequel even subtly corrected that misconception. Not everyone in the Civil Service in the Afterlife died of suicide, several were wrongly assigned that cause of death.

Miss Argentina was the only significant character that had an accident in Beetlejuice that we've seen who works as a civil servant. And maybe the flattened guy, but not sure if that was an accident or not. He looked quite jovial for a flattened guy.

Case in point: we have Wolf Jackson, and he certainly didn't die of suicide, yet he works as a self-proclaimed cop and runs the whole police joint there.

The earlier scrapped concept of Betelgeuse hanging himself was just that. An idea/concept of how he died. They never used that in the film, thus it's not canon. It's considered fanon in the fandom cause it's been more than 30 years of no solid confirmation of a sequel and we were hungry for any scrap of Beetlejuice material that we can consume and use as inspiration for art and stories to feed ourselves over the years until news of Beetlejuice Beetlejuice was announced and got released.

The sequel answered some questions and gave us new content to work with. For both the characters and about the Netherworld/Afterlife in the Beetlejuice universe.

I'm all for creative liberty and freedom, make a canon divergent or write an Alternative Universe of it all, but don't just shit on the sequel and say that it's an "elaborate fanfiction" like the screenplay writers didn't put a lot of thought in it that even Tim Burton, Michael Keaton, Winona Ryder, and Catherine O'Hara finally, after DECADES of turning down script after script, found THIS story for the sequel to have the most potential and having the right tone as a follow up for the movie that meant so much to all of them.

Everyone who worked behind the scenes in creating the film from props, set location and design, puppetry, stop-motion, costume, stunt people, make-up, lights, sound, extras, production, marketing, EVERYONE put a lot of effort and passion and did AMAZING work on this project. I'm still amazed by every large and miniscule details I discover every time I rewatch it.

Was the story of the legacy sequel perfect?

Of course not.

No sequel ever is. Someone will always find something to complain about and that's just how things work in this industry, in this world.

But, was it fun? Was it both new, and brought the same feel from the original? Did the actors brought to life the characters we've loved for more than three decades and counting? Did it introduce new characters that fit the ensemble and had the same eccentric aura of the Beetlejuice world? Was it a relief that the story didn't just end 30 years ago?

Yes, it did. For me. I loved it. It's not perfect, but for someone like me who's a bit of a perfectionist on my works, and then finding the imperfections actually making the finished product better than I expected, it means a lot.

And for what it's worth, at least the time and love and the littlest of delusion I invested for Beetlebabes actually had something to show for. A one-sided romance it may be, at least I now know that Betelgeuse isn't harboring any lasting ill will towards Lydia for all these years.

That Tim also saw it that way. That Michael and Winona were open to this dynamic and relationship between the two characters/roles that they love and cherished to play.

Also, people change. No one stays the same. Life throws curve balls at us, and yes, to FICTIONAL characters as well. People mellow with age. One person or experience can change someone, even when they've been dead for 600 years.

[iwtvfanevents]

St. Louis 2024 —an LDPDL fan event

This October, we are celebrating our titular vampire's 147th birthday with a month-long creative challenge. This is the second edition of this event, and you can see the fan creations shared last year in the tag, here ►

How does this event work?

Louis's birthday is October 4th, so we have four broad prompts, and ten prompt quotes. Prompts have no assigned date, and they are meant to be interpreted freely. 

Prompts

Love / Family 

Memory / Art

Gender / Sexuality

Vampirism / Power

Quotes

"For the first time in my life, I was seen."

"I had powers now, and decades of rage to process…"

"Allow me my odyssey."

"The absence of metaphor is striking."

"Are we the sum of our worst moments?"

"She called me an angel."

"But the suit changes nothing."

"My rage had risen, followed closely behind by my madness."

"I’m companion enough for myself now." 

"I didn't know it was a gift."

Louis's character exists in relation with others —his human family, his vampire family, his love interests, his interviewer, his employees— and your contribution can be about any and all of those relationships, or about Louis alone.

POV isn't a given either: you could write about Louis from another character's perspective but, if it's focused on Louis, then it's still in the spirit of this event.

And, if you end up creating something that doesn't quite respond to any prompt, you're still participating, as long as your creation is about Jacob Anderson's Louis de Pointe du Lac.

Some ways in which you can participate include:

fanfiction,

fanart,

fanmixes,

moodboards,

gifsets,

photomanips,

graphics,

video edits and AMVs,

meta and analysis in written, audio or video form,

poetry,

music,

headcanons,

fanworks and meta recommendations...

...and anything else you can think of!

Please take a look at our participation guidelines, and don't forget to tag your posts with #IWTVfanevents or tag @iwtvfanevents so we can share them on the blog. You can also add them to the collection on AO3: Happy birthday LDPDL!

If you’re on Twitter, we’re over there too!

And, as always, we encourage you to use the #vampterview tag for your posts about the show. Learn more about this fandom tag here ►

[fuckyeahgoodomens]

A great interview with Michael with Collider :), mostly no spoilers (or what already been said elsewhere :)❤)

COLLIDER: Obviously, when you were making the first season of this show, you had the book to work off of, you had a characterization to work off of, but because this season is an all-new thing that Neil Gaiman has written, did you get to work with him at all to develop what Aziraphale was doing this season, or was it all dependent on what he wrote?

MICHAEL SHEEN: Yes, I think when we were doing the first season, Neil always talked about the idea that he and Terry [Pratchett] had talked quite a bit about future storylines and that they had worked out quite a lot of it, actually. They just never got around to writing it down in a book. So there was quite a lot of material already in his head. One of the wonderful things about this, as well, working on this project, has been how much myself and David have been able to collaborate with Neil on the characters and inhabit them and bring them to life, and developing the relationship between them and the storylines. So it’s felt very collaborative, but then, of course, Neil is very good at making it feel collaborative even when he knows exactly what he wants.

QUESTION: Speaking of that relationship between Crowley and Aziraphale, you are obviously quite close with David Tennant. You work with him not only on this but also on Staged. What's it like getting to put that friendship dynamic to use on those shows, especially since Staged is something that's so completely different from Good Omens?

SHEEN: It's just wonderful, really. You know, often you work with actors that perhaps you have very good chemistry with on-screen or on stage, but maybe off-stage, off-screen there's not a particular spark. It's fine, but there's nothing particularly special about your relationship on stage or on-screen. Then other times, there are people you get along with really, really well, but maybe there isn't necessarily that amazing chemistry on-screen or on stage. So it's very rare that you have both. I think with us, we've just sort of discovered that that is the case, or it seems to be that people feel like we have good chemistry together when we're working. And we just have a lovely time together in between working as well, so it's such a pleasure to be able to do that, and to be able to work on projects like Good Omens and Staged with the characters that we play in those. It's just a real joy, so, you know, long may it continue.

QUESTION: Personally, I love the relationship between Aziraphale and Crowley, and the show has had such a massive fan response. How much are you aware of that, and what do you hope fans take away from this season as opposed to the first one?

SHEEN: Oh, I'm very much aware of it. Yeah, it's one of the most enjoyable aspects of working on this, to see how much the audience and in particular Good Omen fans just give to the project. It does feel like a fulfilled kind of creative collaboration with the fans as well. There's so much talent when people come to writing fanfiction or artwork, or just discussing ideas or things that have sort of been born out of it. I mean, there are all kinds of amazing groups who fundraise now for charities and do all kinds of incredible things. There are conventions and all sorts. I love that, and I love seeing how people have made friends, really close friends, through their connection to this and these characters in this story, and how communities have been created, and how much people are helping each other. I see all that online and I hear about it. It feels very in the spirit of the story, you know, it feels very in keeping with what it's all about. I think that's a big part of why Neil and I and the rest of us have all really opened ourselves to that fan community, because I think it feels like a very living part of the story.

QUESTION: How do you think Aziraphale has changed between where we leave him at the end of Season 1 and the beginning of Season 2? Is there anything unusual that we can expect from him this season?

SHEEN: Well, I think he's in a quite odd position for him because, on the one hand, he's got a lot of the things that he's always wanted. He's always wanted to just be left alone and live in his bookshop, and drink tea and listen to music, and read books and go to the theater, and eat nice meals and drink nice wine, and be with the being that he loves being with the most. But on the other hand, he's also someone who feels very anxious about not being part of the company, you know, being out on his own and sort of independent. It’s quite a challenge for him. It’s that thing about “be careful what you wish for.” He got what he wished for, but he still feels a bit off-kilter, I think, and then this unexpected guest arrives and turns the world upside down for him again.

But one of the things that we wanted to explore with Aziraphale in this series is perhaps finding something a little steelier underneath the apparent soft surface, that maybe there's something else going on under there. So we see that kind of come out as the story goes on, as well.

QUESTION: In addition to playing Aziraphale, you also did the voice for Lucifer in The Sandman audio series, which is obviously also a Neil Gaiman joint. So what's the difference between playing an angel and playing a demon?

SHEEN: Well, of course, Lucifer is an angel, was once a fallen angel. My first experience of Neil’s work was The Sandman. That was what I first read when I was still a teenager in the late ‘80s, and it just absolutely blew my mind and opened me up to all kinds of things and started a journey [with] Neil’s work, but also all the people that Neil kind of points you towards through his work as well. It opened so many doors for me. So to be able to then be a part of The Sandman world, as well, to play such an iconic character, it was and is, because we're still doing it, just a bit of a dream come true.

QUESTION: I have one last question for you, and it's a little bit of a silly one. One of the most iconic parts of Good Omens is Crowley's Bentley, which is cursed to play nothing but Queen songs forever and ever. I would love to know what you think Aziraphale’s favorite Queen song is.

SHEEN: Well, I think he likes the more operatic ones. So he probably…I think he likes “Bohemian Rhapsody.” All those nifty chorus bits. He’d love that. So yes, probably “Bohemian Rhapsody.”

[tenpintsof-sundrop]

Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers. Let’s spread the self-love 💗

Thank you so much for sending me this!

I am proud of so many of my fics and I'm not even fully sure how to go about this, so... I guess I will just make one rec from each of the fandoms I have written for?

(Warning for some blood in gifs below - but generally there is blood and violence in this fics anyway, so...)

From DC Titans:

No Place Like Home on AO3 - Gar Logan x Fem!Powered!Disabled!Reader x Jason Todd. Friends to Lovers. (Poly Soulmates). Smut, Angst, Hurt and Comfort with a Happy Ending. 90k across 7 chapters. When Jason leaves the Titans broken and battered, he gets set on a dangerous path. It's up to you and Gar, the two people who care about him the most, to bring him home.

Oh, another day on the assembly line, everybody better march in time,

Cause the factory don't care why, you been sayin' coulda, shoulda, woulda.

(There's no place like home. There's no place like home.)

If I could recommend one singular fic and say 'this fic encapsulates my style and summarises everything I am proud of when it comes to writing fanfiction' - this would be it.

I have so much to say about this fic and a lot of it I probably have already said it - but basically, this fic is the reason I started writing. I started writing long before I actually wrote this fic, but everything I have ever sought in terms of creative satisfaction came from this fic. This feels like my orgasmic climax in terms of creating things.

And if this fic is something I could be buried with, I would be proud. If this fic is something that people remember me for, I would be so fucking proud. (Which is not likely, because it's from a very small fandom and I know people are gonna remember me for fics from bigger fandoms that are way more popular, and I wish I could shove this fic in the faces of people who read my other popular fics and make them read it lmao.)

If for some reason I had to quit writing right now - I would be most proud of this singular piece. Especially because so much of this fic, the characters, and the dynamics has been inspired by my real life relationship with my lovers, and the reader character was inspired by my struggle with disability and coping with the loss of control as I became more disabled over time - but having my lovers there for me made that loss of control easier to swallow. It's about how trauma can ruin you and letting someone love you when you are broken is one of the hardest things you can do, but one of the most radical and most rewarding. If you ever liked my writing and my style, even if you don't like Titans - please go and read this.

From The Walking Dead:

(I know this gif is sad but it fits the fic so well.)

Hold Me Tight Or Don't on AO3 - Glenn Rhee x Fem!Reader x Maggie Greene. Established Poly Relationship. Smut and Heavy Angst (No Happy Ending). Set during Season 3, Episode 4. 7k (Oneshot). You are bitten by a Walker while trying to help get Glenn and Maggie to safety, and you are facing your last hours of life. And in those last hours, you only have one wish - to have sex with your partners one last time. Luckily for you, they would do anything for you, and they can’t help but to oblige.

Oh no this isn't how our story ends,

So hold me tight, hold me tight. (Or don't.)

This fic has had some more attention lately, since I have been wanting to write for The Walking Dead again, and I just really want to re-state - I fucking love this fic. This idea came to me so randomly and struck me like lighting and I am so happy that this fic came to fruition. This fic represents so many things that I am excited about writing - poly relationships, relating the themes of sex and death, sad endings (I weirdly prefer writing sad or melancholic endings instead of traditional happy ones).

I am really proud of this fic. If you can handle angst, you should go read it.

From Criminal Minds:

From Your Lips on Tumblr - Jennifer Jareau x GN!Reader. Established Relationship. Smut, Hurt and Comfort. Set during Season 2, Episode 15. 3k (Oneshot). After JJ is attacked by dogs on the Hankel farm, you take the time to check on her and distract her flustered mind with a loving touch.

So, most of my Criminal Minds fics have done really well and don't need to be recommended just because it's a really popular fandom, but JJ fics don't really do well? Idk why she's not a popular character?

But I love this fic. I had so much fun working on this fic, and working in the religious references and imagery from the show - this fic was just so much fun for me. And I think it needs more love.

From The Last of Us:

IFHY (I Fucking Hate You) on AO3 - Abby Anderson x Fem!Reader. Enemies with Benefits. Smut and Angst. Set during the main events of Part II. 8k (Oneshot). You and Abby truly hate each other. So when you find Abby handcuffed inside an elevator, instead of being kind and just letting her out, you make her pay a certain price for the key.

I fucking hate you - but I love you.

I'm bad at keeping my emotions bubbled.

You're good at being perfect, we're good at being troubled.

There are so many fics from TLOU that I loved writing and that I'm really proud of, but this one really caught my eye on the list. I love writing about conflict, and I really love writing reader characters who are so bitchy and just cause conflict. (Maybe it's because I'm so nice irl and I never cause conflict, I get out all my internal chaos in writing characters who shit disturb and cause chaos all the time.)

I loved writing this because it's so non-traditional. It's not sappy, it's not romantic - again, it has a really melancholic ending. The characters are so toxic for each other (which is also something I love writing - because it's horrible for relationships irl, but for fiction it's so interesting to explore and observe).

I think this is one of my best, most interesting fics and I really loved doing it.

From Harry Potter:

King For A Day on Tumblr - Poly!Golden Trio x Fem!Reader. (Fem!Reader x Ron Weasley, Harry Potter, and Hermione Granger). FWB to Poly Lovers. Smut (with slight Angst). Set during Deathly Hallows. 22k (Oneshot). While Horcrux Hunting with your closest friends, the dangerous influence of Slytherin’s Locket causes Ron to snap. And it turns out - he brings on something that everyone in the tent really needed.

You told me think about it - well I did.

Now I don't wanna feel a thing anymore.

I'm tired of beggin' for the things that I want.

I'm over sleepin' like a dog on the floor.

Imagine living like a King someday - a single night without a ghost in the walls.

I have spoken about this fic at length, and how this was a spirtual awaken for me - if No Place Like Home was a culmination of everything I am as an artist, then this fic is an echo of those things. Again, I fucking love writing about poly relationships - and I think this fic has one thing that was missing from No Place Like Home. And that is exploring each individual thread of a poly relationship and how someone interacts with each person in the relationship outside of the poly group functioning as a whole. That is definitely a strong suit of this fic.

Also it's amazing filthy nasty smut, which is something I love writing, and something I am really talented at.

From Stranger Things:

I'm Still Standing on AO3 - Nancy Wheeler x Fem Disabled/Chronically Ill Reader. Best Friends to Lovers. Angst, Smut, (slight Fluff). Hurt and Comfort. Happy Ending. Set during Season 4. 37k across 3 chapters. You start having horrible waking nightmares, but you don’t want to worry your best friend Nancy by telling her. She’s already occupied trying to chase down a trans-dimensional killer wizard, and you are convinced that the two problems aren’t possibly related.

There's a cold and lonely light that shines from you,

And you wind up like the wreck you hide, behind that mask you use.

This fic is so interesting.

I wrote this fic shortly after Season 4 came out - and even though I had a few fics for Stranger Things that were pretty popular, everyone just collectively ignored this one? And I know for a fact that it is because Nancy is the love interest. I know that if I had picked Steve or Eddie as the love interest for this fic, then this fic would be just as popular as my other ST fics - but because the subject matter is so deeply personal, I connected with the scenes of Nancy kicking ass at the hospital and worked from there.

(And tbh, if I had to choose a male love interest for this concept, I probably would have chosen Billy, because I relate to him on so many deep personal levels.)

Literally everything in this fic is very personal to me - this is all about my own raw traumas. From the abusive father to the extreme medical trauma to the strained caretaker mother, to the older sister who distances herself from it all - even though this is set in the universe of Stranger Things - this is the story of my life. And idk if I would have wanted it to be a more popular fic, because it is so personal? But I am upset that I worked so hard on it and so many parts of it are so raw, and nobody really saw it. I am upset that I had the bravery to post something so personal and it was just - crickets.

There are so many parts of this fic that I am so insanely proud of. The horror sequences are something that I worked so hard on - not just with the emotion of translating my own trauma, but I wanted to make something honestly scary and I wanted to pay tribute to the tension and emotion and visuals of all my favourite horror media - including Stranger Things and the beautifully tense horror aspects of Season 4. And this is another fic that I feel truly, absolutely represents me as a person to my core. And I feel like it's worth reading if you wanna know more about me and who I am.

(And lastly)

From misc. horror fandoms:

No Brainer on AO3 - Derek Cho (Steven Yeun) x Fem!Reader x Melanie Cross (Samara Weaving). Co-Workers to Lovers. Smut. Based on the film Mayhem from 2017. 7k (Oneshot). When you are the last person alive with an elevator key that Derek and Melanie desperately need, you agree to make a trade. Turns out, when what you're asking for is a threesome - you don't drive too hard of a bargain.

This is one of my favourite fics of all time. This is proof that I do not write for popularity - this fic is written for a fandom on AO3 with a total of five fics FIVE (including mine) and 2 of them are about characters from other media experiencing the plot of this movie as an AU, and mine is the only fic that is x reader. So I didn't just fill a niche - I looked where there was no niche and I dug a hole.

But like - Steven Yeun. Yes, I fell in love with Glenn from TWD, but this is a movie where he is also covered in blood, and rather than being Glenn's meek, reserved self (which I love) - he is outraged and swearing and killing and it makes me foam at the mouth. And I am already in love with Samara Weaving from The Babysitter - so this is literally a killer combination.

My bisexual ass did not even finish the film before I was typing out this fic on my phone.

And I am so happy that I wrote it - because sometimes you just need a self indulgent, blood covered smut.

And you guys can read it too if you want <3

[drones-of-innocence]

Hi,

The TL;DR of this post is this will no longer be a Mario blog, and I won't be participating in any kind of fandom here anymore.

This is for anyone who keeps tabs on me for any reason, but specifically my fanfiction I guess. I'm a writer so this will be a little long winded lol, but feel free to read what you want.

First I want to thank everyone who kept up with and read my story I'll Never Let You Go. At the time of writing, it was my best work and existed quietly in my drafts for seven or eight years as I built and built it up. It's the longest story I have ever completed, the eclipse of my skills and experiences at a time when all I wanted was to carry across a story about star-crossed lovers while I myself longed for such a fairytale love. While publishing, I invited artists to participate in a small challenge, which resulted in these lovely posts (1, 2, 3, 4, 5, 6, 7, 8), and set the stage beautifully for me to reveal the major twist of the story. I thank everyone who participated in making that moment so special for me. I'm very proud of the story and how it turned out after all this time. But I'm ready to move onto greater things.

And to anyone who has read any of my other works, thank you. My muse is an impulsive creature and I followed it toward many stories which sometimes had strange methods behind them but ultimately turned into projects I could be proud of. It means the world that my random explorations met any kind of audience with such positive reception.

Fandom has become a problem for me. What used to feel relaxed and creatively exciting now feels like a source of pressure. I caved into it once or twice and posted stories or art or whatever in the past specifically designed to heighten attention or exposure to my work. It never worked quite like I thought and always made me feel a little gross afterward. I may erase these works once I track them down. But now the pressure isn't even creative, it's become more or less of a social performance for me which I am not willing to participate in anymore.

So from now on, I'm going to blog what I want to and write whatever comes to me. Mario or not, fanwork or not. There are still some Mario stories mostly done that I want to share and I may do that in my own time, but it will not be with any intention except to please myself.

I think I'm moving towards more original ideas. There are fan concepts I want to finish out, and if I do it will take time.

Anyway. If any of this doesn't resonate with you, that's fine. Most of my stories will remain up and I'm happy to interact regarding those, but otherwise I would appreciate to not be included in the fandom community on Tumblr anymore. I'll hopefully occasionally find the will to browse for fanfic myself, though lately I haven't been much in the mood to read it. Feel free to unfollow or block or whatever you need to do. I wish you luck. I'm looking forward to being more active on my terms.

Thank you 💙

[sciderman]

small teenesy tiny question. if u dont like colouring why do it? i thought u ran that blog for fun?

i do run the blog for fun! but the fun bit for me is the writing, really. that's the most fun bit, and that's actually why i've been writing more fanfiction lately - writing the fics, actually, i've found i enjoy much more than making the posts, lately. because the writing is what i enjoy. i think i could feel quite happy continuing all the story in fic format but - i'd feel guilty about it, because a lot of people are invested in the story and expect to see it continued in the comic format. i mean - actually, originally, i was going to write the epilogue of ask-spiderpool, post-civil war, in fic format. that was the idea. and - honestly, i kind of wish i had. it probably would've been all wrapped up by now. but... i do love the collaborative nature of the ask-blog format, even if it isn't what it was.

i could write scripts for days and days, and i really do enjoy drawing the posts - i have my sketchbooks filled with those posts all scribbled out but - after i've drawn them, it does feel like a labour to colour them. it's like "ah. all the fun bits are done. now it's the boring bit."

like - you know, the writing takes some brain power. and figuring out all the facial expressions and the performances, that takes brain power. but the colouring feels so tedious to do. and lately - i don't know, it's become such a struggle for me to do tasks that i find dull. i think - maybe because my day job is so tedious that - well, i NEED tasks that keep my brain stimulated. i crave tasks that ask a lot from my brain, so that i don't go brain dead. and so tasks that are even just a little bit less engaging, i get bored so quickly. it's so funny - i do a lot of freelance work on top of my day job but - i don't get tired doing them, because they're very creatively stimulating. but my day job, i get tired so quickly. it's just a brain thing. it's actually why i don't watch movies or television anymore. i only read books. because movies don't stimulate me enough. i need to use my brain ferociously. it's such an itchy thing that refuses to sit still. it needs to be challenged all the time or else it won't let me be happy. i wish my brain would sit still and just... meditate, and be happy. but it just won't. so when i'm colouring posts it's like "UGHH if i HAVE to" sort of a thing.

[queer-ragnelle]

Hi! I was wondering if you had any advice on how to craft a well-written, compelling Arthurian OC that isn't obnoxious or out of place but is still unique. I recognize the difficulty in doing so with so many different source texts (I'm most familiar with Le Morte, so that's usually my go-to) and the vast list of already existing characters. I'm just curious about your thoughts on the matter, since you're an author and also very knowledgeable about Arthuriana 💖

Hello there!

This is a tough question to answer! I think it's important to note that everyone will have a different opinion on this, but that shouldn't alter you writing your story how you want to. Some think adding any characters at all is too big of a change, while others write a full cast of original characters and then Merlin shows up randomly and makes the story "Arthurian."

I'm going to say something controversial.

Every Arthurian character is an OC.

Even King Arthur himself is an OC.

I'm going to elaborate on this quite a bit, as it's very important to me. But the TL;DR is that reading more will definitely help you conceptualize the boundaries of what's possible. Le Morte d'Arthur is a great start, but there's so much out there, both medieval and modern, that'll undoubtedly aid in your Arthuriana writing journey! :^)

While I do say things like "I love Arthurian OCs" as a means to convey that I view everyone's new creations as valid and interesting, I actually don't believe in a strong differentiation between Chretien de Troyes' Sir Lancelot or Marie of France's Sir Lanval and what you or I are writing today. We're participating in a tradition which can, at times, necessitate the creation of a new character or repurposing of an existing one. I think as soon as you create a character for your Arthurian story, they're an Arthurian character. Some refer to Lancelot or Galahad as "French OCs" or call Knight of the Cart or the Vulgate "fanfiction" as a means to degrade it's validity. Some seem to have an arbitrary timeline on which the full body of Arthurian works is measured, and the more recently something was written, the less authentic it becomes. I think they're wrong. I believe that whether or not we enjoy an installment in the ever expanding Arthurian tradition is irrelevant; it's all equally entitled to a measure of respect, even the new characters. No character or story is lesser than another by virtue of its age or language of origin or target audience or medium. I disdain the excess of scrutiny put upon certain arbitrary groupings of Arthurian tradition. Each story is full of original characters and building on the foundations of what came before. That's the nature of creative influence. Whether or not Arthur was a real person at some point in history is moot. The guy in the Mabinogion or the Vulgate or Le Morte d'Arthur or BBC Merlin is a character. He's a tool to tell a story. Such as your creation will be! Your brand new Arthurian character stands equally with all the rest who preceded them. :^)

Now, it can be helpful to distinguish between a medieval character and a modern one, sure, as they may represent different things depending on what point in history (or part of the world) they were created in. But Arthuriana isn't a franchise one must obtain express permission to contribute to, and it doesn't have a "canon," so therefore differentiating a character as "other" can be counter productive when developing a story. I don't believe Sir Robin from Monty Python and The Holy Grail (1975) or Brian from The Adventures of Sir Lancelot (1956-1957) are any less valuable as characters, even if they do draw on traits of existing Arthurian motifs in order to commentate on them or otherwise expand. In fact I think they're great characters and serve their narrative roles beautifully. One simple and one complex. I recommend watching those to see how it's done well and that may help you develop your own characters. But I'll delve into it a bit here to illustrate what I mean.

Sir Robin carries the coat of arms of a chicken, he's a cowardly knight followed around by a troupe of musicians that sing songs about all of his exploits. That is, the things he's run away from. Rather than use an existing Arthurian character and degrading them, Monty Python developed Sir Robin in order to tell their joke.

The flipside is Brian, a bona fide kitchen boy, who attaches himself to Sir Lancelot and desires to squire for him. Brian's narrative purpose is to deconstruct the nobility in a way that Gareth Beaumains, whom Brian is plainly inspired by, could not. Brian begins as a true serf forced to endear himself to Sir Lancelot to elevate his station. Merlin forges papers of nobility to convince King Arthur that Brian is worthy of this privilege. Even after that, Brian must face the brutality of his fellows while living in the barracks with them, as they don't take kindly to a "smelly kitchen boy" in their midst, plotting to get Brian to incriminate himself as a thief and get evicted from Camelot by Sir Kay. This role is incongruous with Gareth as Sir Gawain's brother, who was always noble, always a prince, and merely cloaked himself in the guise of poverty to prove a point. Gareth could return to the comforts of wealth whenever it suited him and his reason for going stealth was to intentionally distance himself from that privilege. The character Brian exists in order to commentate on the injustice of the upper class's oppression and dehumanization of the lower class in a way Gareth, or even Tor, could not, as they are of noble blood, even if it came by way of reveal. That's why Brian is a great addition to the Arthurian tradition.

Really, it comes down to treating the creation of your new Arthurian character like you would developing one for any other work, one entirely separate from the tradition. If they're a good character, they're a good character! Try not to get hung up too much on whether or not they're going to mesh well with the rest of the cast. For centuries, writers have transformed historical figures into Arthurian characters. (See: King Mark of Kernow better known as the Cuckhold King from the Prose Tristan, Owain mab Urien better known as Sir Yvain from Knight of the Lion by Chretien de Troyes, Saint Derfel better known as Derfel Gadarn from The Warlord Chronicles by Bernard Cornwell, etc.)

Speaking of Prose Tristan, would anyone consider Sir Dinadan an OC? Or Sir Palomides? They're characters added to a story drawing from a much, much older tradition, and I think they enrich the story. I feel likewise about the many Perceval Continuations, including the German Parzival by Wolfram von Eschenbach, which adds a half brother named Sir Feirefiz, or names Chretien's anonymous haughty maiden Orgeluse. What about Sir Aglovale's son Moriaen in the Dutch tradition? Amurfina in German Diu Krone by Heinrich von dem Türlin? Morgan le Fay's daughter Puzella Gaia in Italian La Tavola Ritonda? Not to mention the countless Middle English additions. The Green Knight and his wife? Dame Ragnelle and Sir Gromer? Or how about everyone's favorite Savage Damsel, Lynette of Castle Perilous? Is she not a late-era addition to the tradition courtesy of the man, the myth, the legend, Sir Thomas Malory himself? And then here comes Tennyson, who read Le Morte d'Arthur, and got to the end of dear Gareth Beaumains' story and had the same reaction we all did: "What the hell? He marries her sister?" And then he went about changing that in Idylls of the King. Speaking of Lynette, what's up with her niece Laurel? She's just a name on a page, the vast majority of retellings choose to ignore her, even if they do keep Lynette and Lyonesse. Laurel can scarcely be called a character, after all. She doesn't even have dialogue. So as I've gone out of my way to make her a prominent, fully developed character, with her own culture and back story and motivations, does that make her an OC of mine? And Henry Newbolt who included Laurel in his play Mordred: A Tragedy. And Sarah Zettel, who wrote from Laurel's point of view in Camelot's Blood. We did all the work, but we threw an Arthurian name on the character, so therefore, she isn't ours? But if we changed her name, she would be? Who gets to decide?

All of the Arthurian characters belong to all of us. That's the beauty of writing in a long-standing tradition, which exists apart from all other forms of writing. We have complete creative liberty to do what we want and refer to it how we want and no person or corporation or anyone can dictate otherwise. The intellectual property of Arthuriana belongs to the people. So invent a brand new wife for Gawain, and well, you're only the millionth author to do it! Just make sure she's an interesting character and that's literally the only requirement. Can't wait to meet her. (And all others you create!)

Have a great day!

[not-poignant]

wait okay so now that you're seriously thinking of publishing, will you be writing a new prequel to game theory with the new 'Canon'? like the story as it's meant to have happened between gwyn, augus, terho and the nightingale, or are we just starting from game theory?

ALSO I'm so glad that you might be publishing the ftv soon for wholly selfish reasons -- you're clearly done writing about these characters, but personally I am nowhere near done reading about them, and I'm definitely not creative enough to write fanfiction myself either, so I'm just stuck rotating the characters inside my head like a microwave😭😭 it's really tough out here!!!

imagine the massive wave of new readers and the new community that's gonna come in once the story's more accessible... IT'S SO EXCITING

Hi anon!

No prequel, I'll be starting with Game Theory (and Deeper into the Woods will be published afterwards as a prequel, just as it was chronologically in general!)

Quite a bit of Game Theory is being edited and new content being added (anyone on the Gary & Efnisien tier can already see about 2,000 words of new content in the first three chapters alone, including new scene/s with Crielle), and some content being removed where it's OOC. The events with Terho and the Nightingale will be explained in Game Theory, with Gwyn likely meeting with Terho (or learning about him) a few times within.

As for Fae Tales, you know, it's nice to think there will be some new readers, and there might be like a handful or two, but there will be no massive wave. It is the least popular thing I've written in proportion to the amount of time I've put into it. Even the AUs have all generally done better proportionately.

It's one of the reasons I've never rushed to publish, honestly. It's a lot of work to put into something that you know will never financially justify itself. To the point where I think other projects are far more viable financially (Underline the Rainbow as a series I actually think would be great, because new, meaty omegaverse has a very intense (though small) fanbase and I think that series would bring more people in).

There would be no massive wave of new readers. I think we'd be lucky to see at most about 10 or 20 new folks, and I'll cherish everyone, but I'm also pretty realistic. More people find all my other works these days than Fae Tales, The Ice Plague is still one of the worst performing things I've written in proportion to length + time + work investment (despite being one of my favourite series out of anything I've written).

I think I'm realistic, and I also think there's a chance that the Fae Tales Verse if published could draw some haters. Most people don't want that level of BDSM in their epic fantasy, unless it's much lighter 'romantasy,' which Fae Tales definitely isn't. There's even a chance I might get my KDP author account suspended because of breaching content TOS/violations.

So yeah, it's a risk, but I'll take it. It's just not a risk I'm prioritising right now, because I can't see a way that the Fae Tales Verse will ever really go that far. Hand on heart, way more people who come over from my fanfiction find Falling Falling Stars and Underline and almost no one (with maybe a few exceptions - I love y'all) goes into the canon these days unless they're older / long-time readers.

[ao3-shenanigans]

Hi! Um, I usually never really interact with your blog directly, but I find it really cool! I just wanted to say that I'm a writer, an inspiring one, at best, and I'm having a hard time... don't really sure why... Anyway, this blog really inspires me, to read more fanfiction and write more fanfiction, something that isn't much of a constant in my life.

I'm most definitely trying to make a room for fanfiction, and idk, it feels good. Something feels right about it, even if it's difficult or challenging, even if it brings up pretty messed up stuff sometimes... I think I haven't felt like this in a while about my writing and, well, I wanted to brag about it a lil bit lmao. Even though it's hard, this is something I enjoy; it's something I can call mine and that's beautiful...

Whatever, dude. Don't really know what I'm doing here, lol. Hope this finds you well! And for any other writer out there: If you are struggling, know that you are not alone. I know I'm not alone thanks to blogs like this. Thanks to spaces and communities like this. So yeah. Interact a bit more, maybe. Get those creative juices going.

Or not.

But whatever you decide to do, please, PLEASE, don't quit writing. The world is a little bit better with your writing in it. Your world it's probably better because of it too!

So, yeah, that's it! Bye~

💕

[desceros]

Hi, you probably don't remember me, but I'm the 🪻 anon that sent asks once or twice. Still very much a nervous fan! Your work and the way you write about your experiences and feelings still positively stun me every time I read your posts.

I've been thinking about writing for the tmnt and rottmnt universes for a while now, but I'm still very uncertain about my own interpretation of these characters. If it isn't too much to ask, I'd like to know how you do it??

Your work has such fluidity and... sense?? I don't really quite know how to put it into words, but it inspires me very much! Anyway, I guess I'm asking for writing tips?? I know each interpretation is unique and our own, but I can't help but adore yours! I hope you're having a good day/night, Ms. Desceros!

Ps: English is not my first language, so sorry if my rambling aren't really coherent. (〒 u 〒⁠)

– 🪻

i do very much remember! and i'm so sorry i had this sitting in my inbox for forever and a day lmfaoooo i didn't want to rush the answer and instead give it proper thought/answer for you! :D

so it sounds like you're asking two different things here, which is 1) how do i establish strong characters, and 2) how do i construct flow in a fic.

characterization

for characters, it starts pretty simply with just consuming a lot of the character. for example, with the turtles, i've watched rise and bayverse both a lot. like, a lot a lot. enough that i can hear their voices in my head when i'm writing, because i've heard them so much.

specifically, i've watched it not just casually, but also with the ears of a writer. what words do each of the turtles use? how do they phrase things? when one of them gets annoyed, how does he communicate it? when they're scared, what do they say? how do they move their bodies? what do they do in the background of scenes where they aren't the focus?

once you feel like you kind of know the answers to those questions, the next step is just to write! i probably have about... hm... 30-50k of fic in my icloud that i wrote before i started posting things. the purpose of it was just to figure out how i liked the turtles to sound. because i write them as older adults, they sound just a little different than they do in the show. i inject my headcanons into their voices. these things change how they act, and i fiddled with it until i was happy with it. knowing i wasn't going to publish these made it really easy for me to get creative and push things, until i found the boundaries that i like and that feel good for me.

flow

so good flow is something that really comes with a lot of experience writing. it's one of those things you... pick up as you write a lot, so this part is going to be a bit more. hm. disconnected. nuanced. how you like things paced, how things feel good under your fingers; these are things you'll get better at as you go on. that said, it's something i've very consciously worked on myself, so i do have a few tips for you that'll hopefully speed up that process for you!

my biggest tip is to READ. find authors (fiction and fanfiction!) you like, and READ them. but again, we're not doing it recreationally, we're doing it as a writer.

read your favorite authors and think. think about the things they include and what they don't. what information do they convey in great detail? what information do they convey in exposition? what information do they leave for you to garner on your own? why do you like how they include things? why do you like what they don't? do you miss certain things? do you wish they wouldn't bother with others?

for example, i really love brining in the emotions of a scene. how something makes a character feel. basking in that is something i really love reading, so i have a lot of it in my writing. and i enjoy doing it without Telling you how someone feels. i don't say "donnie is sad." i tell you how his shoulders slump. how he gazes off to the side with a listless expression. how his eyes cloud over with uncertainty. these are things i've enjoyed reading, and so i've incorporated into my writing. i will slow down the flow of my fic, putting a bit of rubato on these moments, because i like how it feels.

i personally enjoy things to be very fluid, connecting from one scene to the next with as little a break as possible. think of french vs english. french is very fluid, english is very percussive. they're both languages, both good, they just sound different to the ear. part of constructing that, for me, means i write from beginning to end without skipping around. it's a style that has its pros and cons, but it allows me to have a single thread, unbroken, though the entire work.

ultimately, your writing is a stained glass of everything you love. the words you think are pretty, the turns of phrase that catch your eye, the verbs that bring action to life. this is the foundation of what people will call your "voice," and a large part of that is your flow, or pacing. i can't really... tell you how to create your stained glass. but this is how you can create your own, and make it something you find beautiful.

[littleplasticrat]

Writer Interview Tag

I'm grateful to have been tagged by @tellmeallaboutit, @my-favourite-zhent and @beesht. Sorry it took so long for me to get around to. Honestly I am blown away that anyone would put me in a 'writer' bucket with the other word crabs

Tellmeallaboutit's interview

My-favourite-zhent's interview

Beesht's interview

My answers below the cut for some NSFW discussion

When did you start writing?

The most recent bout of writing started in December 2023 and was prompted by being insatiably horny for Gortash. This is the first time I've written fanfiction.

I wrote a short novel from 2012-2013 and would put that in the fantasy YA category about a magician who falls in love with a phoenix.

As a kid, I wrote a lot, up until around the age of 16 or so when I realised that I didn't want to live the life of a struggling artist and so set my sights on getting work with more consistent pay than writing books.

I actually do quite a lot of writing for my current job. It's industry-specific instructional writing but I feel that some of the meta-skills are applicable between the two genres.

Are there different themes or genres you enjoy reading than what you write?

I really only read horror short fiction recreationally, and I've only written one horror story - which I found super challenging and wouldn't really want to tackle again. Luckily, I'm able to excise the horrors by running TTRPG games and thus don't have to deal with the difficult challenge of making something sound scary.

Is there a writer you want to emulate or get compared to often?

I haven't been compared to any writers - I simply haven't written enough stuff that isn't solid filth XD

Can you tell me a bit about your writing space?

Up until I moved house last week, I had a dedicated home office with a large drawing tablet and my mother's boarding school desk from the 1960s. Until I can get an office set up in the guest bedroom of the new house (I'm in no rush), I'm on my laptop at the dining table downstairs or a local cafe.

What's your most effective way to muster up a muse?

I try to preach that a hobby should be treated like self-care and so not be a source of stress, but I have the heart of a procrastinator and the bones of a perfectionist; if I waited for the muse to strike me with creative stuff, I wouldn't get anything done.

So, if I'm feeling wigged out about life, I'm not going to force anything, but otherwise I have a 'smash it out' approach of breaking down the work as much as possible and going from there. Any writing I do therefore starts life as a series of bullet points of what exactly I want to happen and in what order, and I build out methodically from there.

Are there any recurring themes in your writing? Do they surprise you?

The thrill of fancying someone a lot? Horniness? Butt stuff? LOL

What is your reason for writing?

I want to be the freak I want to see in the world.

Is there any specific comment or type of comment you find particularly motivating?

Any comment I get is like JAZZ HANDS. Seriously! It's so flattering to have someone slow down and look at my stuff, let alone acknowledge it.

How do you want to be thought about by your readers?

I once read a shitty horror novel where the villain was able to destroy the protagonist's life, because she'd read all his books and so knew him. That rattled me so hard! There's no way I'm skillful enough to develop an authorial voice that isn't my own. So, like, don't think about what my disgusting fanfics say about who I am as a person please [jk]

What do you feel is your greatest strength as a writer?

I'd say the action is pretty clear, and I can crack a joke at the right time. What more could a reader ask for?

How do you feel about your own writing?

I would like there to be more of it but my art will take priority for now <3

I think most people I know write on here have already been tagged several times, so I shall not tag further.

[iwtvfanevents]

St. Louis 2024 —an LDPDL fan event

This October, we are celebrating our titular vampire's 147th birthday with a month-long creative challenge. This is the second edition of this event, and you can see the fan creations shared last year in the tag, here ►

How does this event work?

Louis's birthday is October 4th, so we have four broad prompts, and ten prompt quotes. Prompts have no assigned date, and they are meant to be interpreted freely. 

Prompts

Love / Family 

Memory / Art

Gender / Sexuality

Vampirism / Power

Quotes

"For the first time in my life, I was seen."

"I had powers now, and decades of rage to process…"

"Allow me my odyssey."

"The absence of metaphor is striking."

"Are we the sum of our worst moments?"

"She called me an angel."

"But the suit changes nothing."

"My rage had risen, followed closely behind by my madness."

"I’m companion enough for myself now." 

"I didn't know it was a gift."

Louis's character exists in relation with others —his human family, his vampire family, his love interests, his interviewer, his employees— and your contribution can be about any and all of those relationships, or about Louis alone.

POV isn't a given either: you could write about Louis from another character's perspective but, if it's focused on Louis, then it's still in the spirit of this event.

And, if you end up creating something that doesn't quite respond to any prompt, you're still participating, as long as your creation is about Jacob Anderson's Louis de Pointe du Lac.

Some ways in which you can participate include:

fanfiction,

fanart,

fanmixes,

moodboards,

gifsets,

photomanips,

graphics,

video edits and AMVs,

meta and analysis in written, audio or video form,

poetry,

music,

headcanons,

fanworks and meta recommendations...

...and anything else you can think of!

Please take a look at our participation guidelines, and don't forget to tag your posts with #IWTVfanevents or tag @iwtvfanevents so we can share them on the blog. You can also add them to the collection on AO3: Happy birthday LDPDL!

If you’re on Twitter, we’re over there too!

And, as always, we encourage you to use the #vampterview tag for your posts about the show. Learn more about this fandom tag here ►

[aerkame]

I will no longer write for other AUs for Welcome Home (please read in full)

TW: Mentions of NSFW/pedos

I know some people only followed me because of a fic or two I might have started writing on for another Welcome Home AU, but recently I have started to notice the increasing toxicity of the fandom overall. Yeah, I've been other fandoms I know there is toxicity and I know there's a lot of nice people in this fandom, but I have NEVER seen it this bad. Out of all the fandoms/fanbases that I have been in, I have never seen such a huge problem regarding pedos, NSFW art/writing being shared and looked at by minors despite the creator's wishes, general toxic behavior, and a large amount of mentally unwell people working their way into groups of children or safe spaces. I ended up having to delete quite a few NSFW art pieces on twitter because I found minors had seen it and some guy decided to make a comment on my OC Lilith that I was not comfortable with.

I also do not feel alright having to restrict myself on what I write or draw because a single person might be "triggered" or "offended" by it. I know I put warnings when they are needed, I should not have to feel like I'm walking on eggshells in this fandom. I do not need anonymous asks telling me how I should and shouldn't write or what I can and can't say.

Because of how bad it's been and seeing more and more creators leave the fandom, I have decided to no longer engage in other AUs or creators unless it's from a follower (I know you guys are fine), friend, or person I know I've talked with before, OR if it's Clown himself. A lot of people forget that Welcome Home isn't what people keep writing it as. Welcome Home isn't even close to being done, we're just riding off the AUs right now. It really rubs me the wrong way that all I ever see on AO3 now with fanfictions are smut fics mainly and some pretty disturbing stuff.

There is so much, too much, s3xualization in this fandom and the romanticizing of serious and dangerous themes/topics. A lot of times believe or not, when I draw buff characters with no shirts, it really is just anatomy practice. I do not understand some of the comments I get sometimes in my inbox. Yes it's fine to tease a bit, but my goodness some of the comments I have seen before are concerning. I never intend on s3xualizing the characters and yet I always get anon asks going a bit out there with s3xualized comments. It's why I haven't really drawn that stuff in a while. I can't tell if people really do s3xualize that stuff or if they're seeing it as anatomy practice with a bit of tease like I do.

I have been bottling A LOT of things up recently and it's hindered my ability to really write or draw how I want. I'm always scrapping ideas and giving up halfway through.

It's always "Is this something that people are going to s3xualize?" "Is this something that might offend someone in x category?' "Will people like this new character?" "Am I good enough for this topic?". It's not healthy and I know that it affects my creativity and mentality, I won't be restricting myself anymore though. I will write/draw what I want, just please heed my warnings when I put them there and don't ignore my boundaries or the boundaries of others.

Now, regarding my own two AUs (I dropped the Dream one because I have something special planned for TFP), The Finfolk AU and Alive AU. I WILL continue writing/drawing for them. They are my own AUs with my own characters added in them. A lot of people that interact with me are followers and I know you guys would never disrespect my OCs or invade boundaries and I love you so much for that. Of course my rule on requests remain the same. NO NSFW for the normal Welcome Home, but NSFW is allowed for Finfolk AU requests.

Unfortunately, all of this does mean I will not continue the fic I was writing for @clownsuu Mob AU. I'm sorry, I just really do not feel like writing for an AU outside of what I know in terms of the person who makes it. I am not sure how to explain it other than I don't feel alright with it unless it's like an AU from someone I know or at least talked to before? Just at least a person I know on some personal level. I don't want to explore the fandom right now, it is a mess with the people in it...do not take this the wrong way, I DO NOT hate anyone outside of the people I know, I just don't feel comfortable in the fandom at the moment and I will not leave you guys behind either. So in short, I plan to just stay in my own lane so to speak and do what I can for the ones who follow me for what I do.

I will however finish the Villain fanfiction as it's not exactly anyone's AU? Not sure how to explain that, it was a series of asks for it. And obviously I will make a full long fanfictions for the Alive and Finfolk AU.

I know I said I don't want to vent on here, but it's getting hard for me to ignore. Everytime I type or pick up a pencil to make something on here it doesn't feel right.