#this isn’t an original thought but I’m just get nostalgic for a time where fandom felt different to me

[headful-of-worms]

It crazy how it’ll cut to a particular shot and I immediately know what iconic line is coming up or remembered how a thousand artists redrew this particular scene. It crazy how involved in this fandom I was lmao.

Oh my god I started rambling in the tags and I maxed out limit of tags. I guess in higher than I thought

I can’t believe I forgot about the hot lesbian squad in season 3 of Voltron

[galactic-pirates]

For the Writing-WIP ask game, 23 and 37, if you don't mind? 😊

23) Do you make your own wip covers?

Yup. It’s actually an ambition of mine to get good enough at drawing to be able to make all my book covers properly. Not there yet and I might never be but it’s a dream. Anyway for original novels I just do quick temp covers with a vaguely related royalty free stock image + text, nothing fancy. For fandom it depends I have done photo manips, I have done drawings, and for Sanctuary I did quite a few gifsets. I generally like to provide some kind of banner image to liven up the post whatever it is :)

37) Name a series you’ve abandoned writing

Ok I’m going to take the word ‘series’ loosely here. For the most part I am relatively good at finishing what I have started posting. Dredging my memory I think I have only abandoned 4 fanfics in my /cough 20+ years /cough. The first I was about 12 and it’s a very long story to explain. The second I was 19, it was a self-indulgent crossover and I wrote part 1 (it ended on a cliffhanger), but then I could not work out how to keep it going with the crossover element. It just failed the logic test of why everyone would still be included and so I posted all of my notes/thoughts as an epilogue (this was on ff.net) and gave up.

Where I start to feel guilty is with the more recent ones. I wrote for Once Upon a Time for a year or so and I really wanted people to like me, I wanted to feel included. So I jumped on every prompt going. My desperation could probably have been seen from space 🙄. Anyway I wrote two chapters of a rare… crossover pair (hard to explain anyelle quickly but basically that) and then I had so many WIPs in those days that it just constantly fell to the bottom of the pile and when I ran out of steam and stopped, it’s what was left undone. The other one I feel even more guilty about as I actually won a fandom award for it. That was called Painting Layers of Love, and the problem with that is I poured far too much of my own anxiety into one of the characters, and then obviously I wanted the character to be happy which meant dealing with their issues. Problem is I don’t know how to “fix it” as I can’t fix myself. So I stalled as I couldn’t see a way out and eventually just officially abandoned it /guilt /guilt.

For original novels… I struggle with the ‘abandoned’ part because I might go back to it, or I will cannibalise it and use parts elsewhere. I mean sure technically there is a series. I actually indie published Book One. I thought I had been so sensible as I had waited until I had drafted Book Two but I was behind and it was only a first draft. I should have had it fully ready, and if I had waited I would have known, but I had booked promotions and so couldn’t delay. Anyway when I went to revise Book Two it just fell apart. I tried redrafting it from scratch but I could just not make it work. Fortunately nobody had been all that interested and so I took Book One down quietly and decided to chalk it up to experience. I later indie published the first two novels in another series and had to also take them down (this time due to a mental breakdown) buuut that’s another story. And that series really isn’t abandoned as I do intend to fix it up and republish eventually. But yes I suppose the time travel crime series is abandoned. I get nostalgic for it but I don’t know that I will pick it up again. Never say never of course. But my original ideas are many (I could write solidly for a decade and not be done) so it’s not like I need to go back to it.

Thanks for the ask ❤️

[lilydalexf]

Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.

Interview with Rachel Nobel / Rae Lynn

Rachel Nobel, aka Rae Lynn, has 2 fics at Gossamer, but she’s written many more X-Files stories than that. You can also find fics by her at AO3 and various other archives. She’s one of the rare, special authors who’s posted numerous fic during the show’s original run and again in recent years. Big thanks to Rachel for doing this interview.

Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)? Absolutely. I joined a Facebook group for fanfic writers where someone recognized my name and asked about some of my stories that have disappeared from the Internet, and I almost fell off my chair. On the other hand, I go back and read original-run fanfic all the time - the Wayback Machine is my best friend for all the late great fanfic archives. Like fine wines, they get better with age! What do you think of when you think about your X-Files fandom experience? What did you take away from it? I was fairly young during the peak of the fandom - I was only 12 when I started watching the show and discovered the fandom online. A few years ago, right around the time we learned the revival was coming, I wrote an essay I called "How 'The X-Files' defined my adolescence," in which I wrote: "If you think about it, 'The X-Files' is a lot like adolescence: You start out thinking it's going to be a little hokey, NBD, and then you end up in its thrall, captivated and occasionally hugely let down. A lot of people behave strangely, and no one gets out unscathed. Mulder, in his own weird way, is the perfect mirror for an adolescent: He doesn't fit in; his life careens between being utterly consequential to the fate of the known universe and being completely pointless; he's socially awkward and can't quite nail it down with the girl of his dreams."

So for me, the fandom is inextricably bound up with adolescence, that feeling of vacillating between desperate loneliness and being on the verge of something enormously significant. Take romance: I was a bit of a late bloomer, and when all my friends were exploring their first relationships I was watching Mulder and Scully navigate this beautiful, complicated, soulful relationship without ever even kissing. That was deeply affecting for me as a teen.

Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)? I started out on mailing lists - there was an EMXC mailing list and one that I think was called X-Angst. [Lilydale note: There was a mailing list called XAngst Anonymous.] This was back at the dawn of the Internet when I only had 10 hours of AOL access a month, and I remember using what AOL called a "FlashSession" to log on, download all the fanfic from the mailing list and log off to read it. I vividly remember the excitement of watching all that new fanfic flood my inbox! Later on I was on atxc. During the long summer between "Gethsemane" and "Redux," it felt like fanfic was at its peak. There was a group of about a dozen women who got together (virtually) to discuss a work in progress by Lydia Bower called "Primal Sympathy." We called ourselves the "Primal Screamers," and we had our own website with fanfic recommendations and other discussions (it cracked me up to locate us as an entry on Fanlore.org). I was still in high school at the time and I was the youngest member; I felt like I had been accepted into a cool underground club. I worshipped these women, who were fanfic writers themselves. They taught me everything I knew about how to be a decent, respectful, enthusiastic consumer and writer of fanfic and fandom. [Lilydale note: I’ve talked enthusiastically about the Primal Screamers here before, including their fanfic primer.] What did you take away from your experience with X-Files fic or with the fandom in general? In the '90s, I would have been embarrassed to tell anyone I read fanfic, let alone that I was writing it. Now, I look back on it and realize how talented and smart and passionate we all were. It's something to be proud of. What was it that got you hooked on the X-Files as a show? The first episode I ever saw was "Shadows," which was on in reruns between the second and third seasons. I don't think "Shadows" is an episode that anyone today would consider thematically significant, but something about seeing those office supplies float spookily through the air - it wasn't like anything I had seen on television, and I wanted in. What got you involved with X-Files fanfic? I've always been a person who, when I am interested in something, seeks to learn more about it. So I guess I got online as a 12-year-old with this new interest and discovered fanfic. It was thrilling to find out that so many talented people were taking characters I loved and bringing them to life for me. When the screen faded to black each week and I wondered, "That's it? What next?", fanfic was always there to fill in the blanks and take Mulder and Scully to the next level. As a teenager, I was self-indulgent enough to think I had something to contribute, too. Most of what I wrote in the '90s would today make me cringe. I remember literally paging through the dictionary in search of erudite words I thought Mulder and Scully would say! But occasionally I'll feel brave enough to read an old story and I feel encouraged to see a spark: a turn of phrase or a fragment of dialogue that I still feel proud of. I write professionally now, but I've never written fiction that isn't X-Files fiction, so it's something that has really allowed me to hone my creative juices in a different way. What is your relationship like now to X-Files fandom? Sometimes I feel like the Statler and Waldorf of the fandom, like I'm sitting up in the balcony grousing "Back in my day...!" Because the fandom is remarkably robust, and I've gotten involved with it to an extent on Twitter and AO3, and now all these young whippersnappers idolize Mulder and Scully just as much if not more as I ever did! Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files? Not really, no. I've of course consumed a lot of media since The X-Files that I wanted to discuss with others - I'm a huge "Harry Potter" nerd, and I was outraged when Netflix canceled "The OA" - but strangely I've never had the urge to read or write fanfic about anything other than "The X-Files." Do you ever still watch The X-Files or think about Mulder and Scully? Every Thursday night! I watch a chosen episode with a group of fans on Twitter and tweet about it - #tbtXFiles. That's great fun. There are episodes I've seen dozens of times over the years and episodes I think I only ever watched once, and it's always enlightening to watch them again with a certain critical eye. When I was a fan during the original run, I really idolized Mulder; I loved episodes where we saw him in all his cracked genius glory. Scully was a trailblazer of a character, of course, but I think the fandom has evolved over the years to give Scully her due. Do you ever still read X-Files fic? Fic in another fandom? I was fairly stunned when the revival came around and I realized that people were still writing X-Files fic, and that a lot of it was so good. So yes, I do read fic on Archive of Our Own. But my heart is always with the early days of fanfic. In the revival when Mulder says "I've always wondered how this was going to end" - that felt to me almost like a love letter to fanfic authors who had been trying to answer that question for 25 years. Surprisingly, I've never had the urge to read fic in another fandom. Every time I try, it just feels like I'm cheating on Mulder and Scully. Do you have any favorite X-Files fanfic stories or authors? My favorite author back in the day was Kipler. Her stories were just like real episodes of the show I could vividly imagine in my mind. I adore syntax6, particularly "20" and "The Birthday Stories," because of the way she perfectly and poignantly captures vignettes that span the entire series. Another favorite is Dawn and her "Blood Ties" series - I started out as a "NoRomo," and Dawn was one of the authors who made me believe Mulder and Scully could have a romantic relationship that really worked. And I always had a soft spot for Profiler!Mulder stories, so to this day I mourn the unfinished state of the great Kronos fic "Ascent to Hell." One fic I always come back to that captures profiling Mulder really well is "Domination of Lies," by cslatton. And then there are stories that I consider classics: "Corpse" by Livengoo, "Oklahoma" by Amperage and Livengoo, the "Revelations" and "All Hallow's Eve" series by Windsinger. What is your favorite of your own fics, X-Files and/or otherwise? I have a soft spot for a story I wrote called "Human Credential." I was attempting, a quarter-century after the first season of the show, to set a story in the very early days of the partnership (which these days is one of my favorite kinds of fanfic to read), and I felt like I nailed it. Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online? I have been doing both of these, as a matter of fact! Or in my case, they are oldies that made it online but vanished when Geocities went belly-up, for example, that I sometimes go back to and reshape. Do you still write fic now? Or other creative work? As the swallows return to Capistrano, I seem to always return to writing fic at periods of transition in my life. The first time I "retired" from fanfic, I wasn't even in college yet! If one can be nostalgic at 21 years old for something one gave up at 17, I was nostalgic for fanfic, and I picked it back up again in grad school. Then I became a teacher and a wife and a mom and years passed, and the revival seduced me back into it again. But the vast majority of fanfic I've written is firmly planted in the first seven seasons of the show - poor Mulder and Scully never seem to get to grow up in my stories. What's the story behind your pen name? I wrote under a lot of pen names over the years! When I first started writing fanfic, no one knew anything about Internet safety and it didn't occur to me that it wasn't wise to use my real name. There was a period when I would have been mortified if anyone discovered my stories under my real name - now, at least I can write it off as a youthful indulgence! When I finally grew into a more mature writer, I started using the name Rae Lynn, which is almost-but-not-quite my real first and middle names. Do your friends and family know about your fic and, if so, what have been their reactions? As far as I know, unless my friends and acquaintances have done some sleuthing, only my husband knows I still write fanfic. And he's never read it, though he's kind enough to give me a glazed-eyes indulgent smile if I ever talk about it. Is there a place online (tumblr, twitter, AO3, etc.) where people can find you and/or your stories now? I am xraelynn on AO3! I have about a dozen stories there - some of them I wrote 15 years ago and some of them are brand spanking new. Is there anything else you'd like to share with fans of X-Files fic?

Fanfic is a true labor of love. Fanfic authors don't write fanfic for money or fame; they do it because they love it. Sites like AO3 and Tumblr have made it so much easier to show your appreciation to writers (::gruff reminiscing voice:: back in my day, you had to send them an email, and now you can just click the "kudos" button!). I can only speak for myself, but I really thrive on that feedback - otherwise I'm just Mulder in his cramped hovel of a home office waiting for Scully to nag me to shave my beard. Every so often I think about the fact that there is so much high-quality writing about these characters I've loved for decades just available on the Internet for free and it feels like a true gift.

(Posted by Lilydale on May 4, 2021)

[quartercirclejab]

i'm laying in bed, waiting for muscle relaxers to kick in so i can sleep (still convalescing from a pinched sciatic nerve), and trying to formulate a coherent line of thought about FFVIIR, the odd relationship it has with the OG, and how it relates to modern fandom.

my own relationship with FF has shifted so dramatically over even just the last ten years. it's wild to look back on this blog and see what's changed. i guess i was once what you might have called a hardline traditionalist, and now i have a much more charitable way of viewing things.

the way i feel about FFVII hasn't changed much. it's still my favorite FF, for a number of reasons- objective critical analysis, nostalgic feelings, and deeply personal life experiences among them. i don't quite view it as a sacred cow, no FF game fits that description for me personally... but VII is probably the one that comes closest. it's not just a story that i hold dear, it's a story that i dearly wish to be properly experienced and understood. especially now- in 2021, there may be no FF story more relevant and vital than FFVII's.

i have so many problems with Remake. putting aside the fact that it's gutless in precisely the ways the OG was so biting, it fails on a conceptual level as a Remake... because it isn't one. it's ultimately a continuation, a self-congratulatory return to the Compilation of FFVII. prior knowledge is not an optional bonus, it is compulsory to understand the game's entire back half. "arrogant" doesn't even begin to describe it.

but- and this is where the charity comes in- i know so many people for whom VIIR is a special game. younger people, in some cases, who really only cut their Final Fantasy teeth on FFXV, but older ones, too, who never ventured into FF before now. i've heard the same story a few times: FFVIIR was their introduction to FFVII because the original game was too inaccessible, too difficult to play, or simply too intimidating. whatever their reason, for better or worse, VIIR was their introduction to the game. and their love for it was not diminished by the fact that they hadn't ever played the original.

i've been trying to reconcile that in my mind. it bothers me, naturally. to know that an entire generation is being introduced to this story i love so dearly, but as a bastardized, sanitized, overproduced Disneyland version of itself, is heartbreaking. it makes me want to shake them by the shoulders and shout. "the original game is still there! you can still play it! it's as beautiful and poignant and necessary and true as it was in 1997, and at times it may challenge you in ways you are not used to, but damn it, we need to be challenged sometimes!"

but lately, i think, what does this accomplish? what is gained, by telling new fans that they're not engaging with FFVII properly? who benefits from me insisting FFVIIR fans aren't doing fandom the right way, according to my own standards? nothing but my ego, i guess.

i still think it's important to view things with a critical eye and not be afraid to speak on what a piece of media does poorly. but it's hard line to walk- it's hard for me, personally, to disentangle my bias from my criticism, and to remove my personal feelings from the equation where fans are concerned.

that, and lately i think that the OG FFVII is not really the kind of game a person can engage with before they're ready. it can't be forced- and once they've started, the understanding can't be faked. they'll get it, or they won't. maybe the new fans who started with VIIR will come to the OG when they're ready. maybe they never will be, and VIIR will form a complete experience for them.

new fans have to find their own way. it may not be the same as mine. maybe that's for the best. it's not quite a case of "let people enjoy things", more like "some people aren't ready yet and a sermon is not likely to change their mind"

idk i think my muscle relaxers have kicked in and now im just rambling incoherently

[joestarsecrettecnique]

I am so very sick and tired of the toxicity that’s been poisoning the snk fandom as of the last couple years. I gave myself time to digest the ending and my feelings on it, before embarking in a journey to debunk many misconceptions and critiques I’ve seen floating in the fandom.

By the way, by no means I think this ending is perfect. I think this is textbook execution by Isayama to tie together every loose end left behind in an orderly manner, and I think that it was a bit rushed and oversimplified. I would’ve wanted more of Eren and Armin’s conversation, more of the squad realizing what his true goal had been, and some narrative choices I don’t 100% agree with. But still, what I saw in other fans’ critiques post 139 frankly appalled me, so I feel the need to make this. Also, this obviously are my own interpretations, I am not Isayama himself lol

“Ew, so Eren did pull a Lelouch after all”

No, Eren did not pull a Lelouch. While his action and the final result may seem similar, I find very different nuances between the two. Lelouch wanted for the whole world to be united in fighting against him, and thus he made himself the world’s greatest enemy. His will to turn himself into a monster was selfless. Eren didn’t give a damn about the world, he had no noble intentions whatsoever. He said it in chapter 122, his goal was to protect Paradis and, more specifically, his closest friends. He turned himself into a monster, killed 80% of human population, and endangered the lives of those very friends he wanted to protect, so that by stopping him, those friends could be safe. Eren had no intentions to break out of the cycle of hatred or unite the world against himself, he just wanted to give his friends a chance to survive, and that is not selfless, it’s selfish. Eren’s goal was incredibly selfish, and biased, and driven by his feelings instead of rationality. Nothing like Lelouch!

Now this, this I myself am not the greatest fan of. I feel like it makes that great scene in chapter 122 loose a bit of its strength, Ymir obeying the king for 2000 years just because she loved him. Honestly, I always thought there was a bit of Stockholm Syndrome going on, but I didn’t think it would be the only reason. However, like it or not, it’s undeniable that it makes perfect sense in the narrative that aot has always strived to tell. Love has been a theme strongly woven in the story, and it also draws a great parallel between Karl Fritz/Ymir and Eren/Mikasa. Ymir was a slave to her love for King Fritz, just like Mikasa was a slave to her love for Eren, in that she struggled to accept reality until the very end despite the atrocities that Eren committed. Ymir stayed bound by her love for King Fritz, until she saw Mikasa break from her own poisoned love, aknwoledge it, and kill Eren despite of it, or maybe because of it. Only Ymir knows that one, heh. But the point is, Mikasa showed Ymir that she could break free of a toxic love, she was that someone that Ymir had been waiting for to finally free her of her burden.

“What? But that makes no sense!”

Now, on my first read, I simply thought that Eren had ordered Dina to avoid eating Berthold, and that he had made her walk down that road unaware that his mother was trapped (because we know that the Attack Titan’s future memories aren’t infallible, there are still gaps), killing her indirectly. I’ve since then read some theories stating that Eren willingly killed his own mum in orther to give kid himself a reason to feel enough hatred to kickstart the whole story. Honestly, I like this version maybe more! But let me explain to you why this is not a plothole, like many people think. In this same chapter, we have Eren explaining how the Founder’s power works in synergy with the Attack’s: “There’s no past or future, they all exist at once”. This means that time travel in aot doesn’t work in a manner where Eren extracts himself from time and space, and from a separate realm he operates on the past. The way I understood it, the mechanics works kind of like Tokyo Revengers’ time travel. MInd you, I only watched episode one, so my understanding might be jackshit.

Spoilers for Tokyo Revengers’ episode one. In the show, the main character loses consciousness and finds himself reliving his past. He interacts with someone in this “new” past, and when he wakes up again in the present, past events had been over-written by the changes he made. I think this is how aot timetravel works, with the exception that, since past and future (and present, of course) all happen at once, side by side, there is no old past to be rewritten, neither a future to return to, and present Eren wouldn’t be aware of the changes that his future self would make. It creates sort of a time paradox, yes, in the sense that there’s a loop where present Eren’s mom has been eaten because future Eren, in the future, operated on the past by causing past Eren’s mom to be eaten, but all these Erens are one and the same, as all timelines exist at once.

“Boo-hoo they ruined Eren’s character, he’s such a wimp!”

I have to confess (isn’t this appalling, that this is a thing that I have to confess, what the actual fuck), I am an Eren stan. I absolutely do not consider myself a Jaegerist, I think Eren’s option was better than Zeke’s, yes, but it was morally wrong and awful and he absolutely was not only in the wrong, but also if he wasn’t dead I’d want him to be punished for his crimes. I didn’t particularly enjoy him pre-timeskip, and I started to like him because I found his evolution fascinating. I wanted to understand his motives, what was going on in his head, he was a puzzle that I wanted to solve. Maybe because I’m a psychologist, who knows. Anyways, if you’re an Eren stan only because he acted like a chad and now you cry his character was ruined, I’m sorry to say, you never understood him. Eren was not a god, he was not a strategist playing 5d chess with perfect rationality, Eren was the same he has always been. He was a young man spun along by his passions. Eren feels things with burning intensity, he lets himself be driven by his emotions. He almost flattened the world because he was disappointed that he and his friends weren’t the only human beings inhabiting it, for fuck’s sake, he’s always been irrational, selfish, and immature. Of course he doesn’t wanna die, of course he want’s to live with all of them. You really expected a 15 year old hot-headed brat to become Thanos after he suddenly found out he killed his own mum and all his dreams had been crushed? Of course he felt conflicted, of course he suffered, of course he wanted to live, “because he was born in this world”. Honestly, when I read his meltdown, I felt relieved that his character hadn’t been turned on its head, it was heartbreaking to see that he really was the same brat he’d always been, that he’d tried to steel himself to do horrible shit for his friends’ sake and that he felt bad about it! It made me appreciate his character a lot more, I felt nostalgic towards the times when I was irritated by his screaming and pouting. Suffice to say, this is also my answer to all those people that believe his internal monologue to convince himself the Rumbling was what he really wanted were bullshit since he “pulled a Lelouch”. How can it be bullshit? Maybe he planned to be stopped, but he also said that he thought he would’ve still done it if they hadn’t. He also said that killing a majority of the population was something that he wanted to do, not a byproduct of the alliance not stopping him early enough, because with the world’s militaries in shambles Paradis would’ve had time to prepare accordingly. Anyways, of course he needed to convince himself to do this awful thing even if he knew he wasn’t gonna succeed completely, can you imagine how horrible it would be to know your only chance is to kill thousands?

I also maybe think it was because of the spine centipede thingy? When Eren says “I don’t know why I did it, I wanted to, I had to”, he gets this faraway look on his face and we get a zoom in on one of his eyes, which is drawn very interestingly and kinda looks like the Reiss’ eyes when they were bound by the War Renounce Pact? So maybe it was also the centipede’s drive to survive and multiplicate that forced Eren to do the Rumbling so that its life wouldn’t be endangered. I don’t know how much I like this, I feel like it takes some agency away from Eren and also makes it feel like he’s not as responsible for the genocide he committed that we initially though, which mhhh maybe not, let’s have him take full responsibility for this. As I said, I’m not defending Isayama blindly, I do have some issues myself with what went down.

“What the fuck, did he say thank you for the genocide?”

Guys c’mon, this is like,, reading comprehension. Yes, it was poorly worded and a bit rushed, but by now you should have full context to make an educated guess on the fact that no, he didn’t thank him for committing a genocide what the fuck you guys. Armin started bringing up the idea that maybe they should have Eren eaten because he was doing morally questionable things ever since the Marley Arc, which for manga readers was like what, 2018? Isayama has been showing for three years how not okay Armin was with Eren’s actions, how could it make sense for him to thank him for a genocide? You see some poorly worded stuff, and your first instinct is to ignore eleven years’ worth of consistent characterization to jump to the worst interpretation possible? Let’s go over this sentences and reconstruct what they mean.

“Eren, thank you. You became a mass murdere for our sake. I won’t let this error go to waste”. Armin recognizes that Eren had no other choice, but does not condone it. He clearly calls it an error, which feels like an euphemism but for all we know the japanese original term used could’ve been harsher. Point is, he clearly states he think what Eren did was wrong. But he recognizes that Eren’s awful doing opened up a path for Paradis to break out of the cycle of hatred. Not a certainty, but an opportunity. He thanks Eren for giving them this chance, and promises not to waste it, even if it was born out of an atrocity. He thanks Eren for sacrificing himself for their sake, even if he doesn’t agree with the fruit of his labor, so to speak. He’s thanking Eren for the opportunity that his actions gave them, not for the actions themselves! Where the hell do you read “thank you for the genocide” guys, sheesh. I’m mad at y’all.

“How could Eren send MIkasa memories if she’s an Ackerman and an Asian, and their memories can’t be manipulated by the Founder? I call plothole!”

Now, here we’re going into speculation territory, so you’ve been warned. I don’t think that that information they gave us was true, about Ackermans being immune to memory manipulation. We know at least that the clan is in some way subject to the Founder’s power, or Mikasa and Levi wouldn’t have been called in the Paths by Eren multiple times. Stories never being entirely true or false, or relativity, better said, has been a strong theme in the story, we know this by Marley’s and Eldia’s different accounts of history compared to the actual Ymir backstory we got. So who’s to say that the belief that Ackermans aren’t manipulable is the truth? Maybe they’re just hard to control, not impossible. We know that by the Founder’s ability Eren experienced past and future happening simultaneously, so he could’ve very well been trying to send those memories into Mikasa’s head ever since the beginning of the story, only just succeeding in chapter 138. It would at least explain Ackerman’s headaches as Eren trying to manipulate their memories and failing. Of course, we’d need Levi side of thing to know for certain, as he had headaches too and we weren’t shown in the chapter if Eren spoke to him in paths like he did with the rest of the squad. We know he didn’t talk to Pieck, but he even went and spoke to Annie who he basically hadn’t seen since Stohess, so I hope he spoke to Levi too. Who knows, maybe he even spoke with Hanji, but she died before she could remember. I wish we were shown that, honestly, I’m sad that it was skipped, especially after Levi said in an earlier chapter that “there was so much he wanted to tell Eren”. Fingers crossed for the anime to expand on it.

“So Historia’s pregnancy was useless”

What? No, it wasn’t useless! Eren told her to get pregnant to save her life, so that she wouldn’t be turned into the Beast Titan. If she became the Beast Titan, then Eren would’ve had to enact the plan with her instead of Zeke, and yeah, Ymir brought the power of the titans with her, so theoretically Titan Shifter Historia would’ve had her time limit removed, but we saw that the only way for the Alliance to stop the Rumbling was killing Zeke, so Historia would’ve had to die. Useless to say, when Eren talked to her about his plan, she was very vocally against it, so I don’t think she would’ve helped Eren with his plan. It was Zeke or nothing, and the only way for Zeke to keep his titan was for Historia to be unable to be turned, hence the pregnancy. Did y’all read the same thing I read? Anyways, she could’ve definitely been handled better, but she wasn’t necessary to the plot anymore, and her being removed from it in such a way was sad, yes, but it made sense.

“They massacred Reiner!”

Yeah, can’t really say anything about this. I definitely understand the sentiment behind this scene, which I appreciate. It’s to show that thanks to his Titan being removed and the times of peace approaching, Reiner was finally able to shed the weight he bore on his shoulders and “regress” to his more carefree persona he had when he thought he was a soldier, instead of a warrior. I am very happy for him, and I think it’s a nice conclusion to his arc, that he’s finally happy, but it could’ve been portrayed in a less comic relief-y way. It just sledgehammers all his characterization. Feels surreal that we saw him attempt suicide a couple month ago in the anime and now he’s sniffing Historia’s handwriting.

Guys, this absolutely sends me. There are people who unironically believe Eren actually reincarnated in a bird? Guys. It makes no sense, it violates every rule that Isayama established for his universe’s power system. How could he even reincarnate in a bird? Guys, c’mon, this is symbolical! Birds have been heavily used in aot to portray freedom, and this is a nice, poetic, symbolic way to show that Eren who lived his whole life chasing freedom and never actually got it, is finally free, like a bird, now that he’s dead. It’s also a pretty explicit nod to Odin, I think. Aot is heavily inspired by Norse Mithology, and I think there were some pretty clear parallels between Eren and Odin/Loki in the later arcs of the story. Eren has been shown to “communicate” through birds like with Falco in chapter 81, or with Armin in chapter 131. Emphasis on “communicate” because again, this is symbolic, I don’t think he actually spoke through the birds, he simply talked to them via paths, but birds are associated with Eren’s character (see also the wings of freedom, y’know?) and the shots were framed so to give the impression that he was talking through the birds, but he wasn’t. Symbolism. Anyway, I really think they were supposed to be a nod to Odin’s crows.

Aaaaand that should be it! Even though I most definitely forgot some other criticism on the chapter, it’s crazy the amount of negativity floating around. Hope I didn’t bore you!

[ifbrd]

Not Sugar-Coated, ToBecky Critique from a ToBecky Shipper

Let’s talk about Tobecky and it’s toxicity! And for once, let’s not hold back! I think what I’m gonna do for this post is focus on the dynamic they have in the show, mostly criticizing my own misogyny but calling out the fandom in general as well, as I’ve seen other’s do these same things. Later I will reblog it on the Word Up blog and continue my thoughts on the ship and how it affected Word Up.

The first thing I will say is that I am a Tobecky shipper, ever since Tobey’s first shorts when it was revealed he had a crush on WordGirl. I started watching this show as a kid, I would have been 9 or 10 when it started airing on PBS. If I were to get into this show today, however, I don’t think I would be shipping tobecky, because as an adult I can recognize its toxicity which I didn’t have the proper knowledge or understanding to do back in the day. And I think the real reason I still ship today is purely nostalgic. Though I won’t deny that their dynamic is interesting and that likely affects my shipping brain too.

As a kid, I think I shipped it because, well it seemed inevitable. It seemed like the only endgame option. How many romcoms start with a girl liking one boy, only to realize later she should be with a different guy, usually an underdog the audience is supposed to root for. How many romance stories start with the two not liking each other, ranging anywhere from minor annoyances for each other to full-blown enemies, only to later understand it was all a guise to hide their true feelings. It seemed obvious that Becky/WordGirl would end up with not Scoops, whom she had a crush on, but instead Tobey, the underdog she always was fighting or arguing with. Factor in Tobey’s crush, my very underdeveloped ability to think critically, and the fact that the writers in early seasons seemed to really take the time to focus on the potential chemistry between these two (their interactions in “Department Store Tobey” and both of them having a good time together in “Have You Seen the Remote?” etc) and it seemed there was only one boy for Becky to logically end up with.

The first time I can recall really questioning this ship, I mean really questioning it, was sometime in probably my sophomore or freshman year? Maybe my junior year? I recall my health teacher teaching us about healthy vs unhealthy relationships. In this unit, I realized several of my favorite ships across various fandoms were unhealthy but that’s a whole other topic. At one point I remember him giving his two cents about the phrase “opposites attract” when being applied to romance. He said this can be true, but only if the two are “opposites” in personality, and not “opposites” in values. If a couple’s values, their morals, don’t align, they probably aren’t going to make it. And in all honesty, I think Tobey and Becky have the worst possible combination for this.

They have very similar personalities, and while this isn’t necessarily a bad thing, it can make it easier for them to encourage their negative traits instead of helping them overcome them. The traits they both share like pridefulness, attention-seeking, and being a bit obsessive, have the potential to be the traits they bring out in each other. The best counter-argument for this is the fact that Becky is willing to and would call Tobey out for everything wrong or ridiculous he does, and try to help him. But that doesn’t matter if Tobey is not willing to listen to her when she calls him out, or accept her help when she offers it and he needs it. And it’s especially worthless if he’s not willing to help her back.

Meanwhile, the biggest weakness for this ship is their opposite values. Their morals couldn’t be more apart from each other. Get these two together for long periods of time and a morality war would easily ensue. And then combined with if their similar personalities do end up bringing the worst in each other, then any relationship they could have would be disastrous.

The worst issues with their pairing all go back to Tobey. I love Tobey as a character, don’t get me wrong, but we need to be honest, and please excuse the language--Tobey is a piece of shit! He is disrespectful to everyone around him, except his mother, and that’s only because he’s scared of her He thinks he’s better than everyone else and has no issues expressing that opinion, even going as far as to try to define words for WordGirl. He goes as far as to belittle her in “Tobey or Consequences” criticizing her word choice. He has been shown on multiple occasions to lose his mind when he doesn’t get exactly what he wants and will do anything to get it, without regard for others’ property, feelings or safety. He’s manipulative as seen in “Tobey Goes Good” and “Have You Seen the Remote.” He’s unwilling to take responsibility for his actions, as demonstrated when he attacks the candy factory for making candy because he got a cavity, instead of realizing that he should have taken better care of his teeth.

And worst of all, despite what he and the audience often believe, he clearly doesn’t give a single shit about WordGirl. If he cared about her he would have acknowledged her disinterest, if he cared about her, he wouldn’t have tried to force Becky into admitting she’s WordGirl in “By Jove, You’ve Wrecked My Robot.” If he cared about her, he wouldn’t have pretended to be good or trick her into spending time with him or forced her to read poems about him. In the Halloween special he thought Violet was WordGirl just because she was wearing a WordGirl costume, failing to acknowledge that Violet is blonde and white and WordGirl is clearly not.

The episode “WordBot” makes it very clear what kind of relationship Tobey wants from WordGirl--and it’s not a relationship. It’s a dynamic where she simply showers him with never-ending adoration and does whatever he wants. Tobey cares about one person and one person only and it’s not WordGirl, it’s himself.

And I’m not even counting “Go Gadget Go” in any of this! That episode put him in such a bad light that most fans pretend it doesn’t exist because his behavior is so inexcusable. And yet even without that episode, we have plenty of toxicity coming from Tobey’s end.

I once saw someone say they hate the tobecky ship because the argument for it often is that Becky will be willing to put up with Tobey when they’re older. First of all, if that’s your argument in tobecky’s favor you need to go take a good hard look at yourself. Becky putting up with Tobey’s messed up behavior is essentially hoping she ends up in a horrible, toxic, unhealthy, relationship that would be borderline abusive if she didn’t stand against him. Secondly, while I don’t deny the existence of this argument, (I once read a fanfic where the two were married but still a hero and villain who battled regularly) I disagree with the idea that this argument is most often used to justify the ship. Instead, the most common argument to justify it is the idea that Tobey has it in him to change. This is certainly a better argument, as Tobey changing is really the only hope for this ship.

But I think it’s really easy for us, myself included, to struggle with the line between finding evidence that Tobey could change vs excusing his actions; the line between finding an explanation for his behavior vs finding an excuse for him. It’s a very easy line to accidentally cross without realizing it. And it really says something when, as discussed in another post, we are not giving other villains like Victoria--who have more of an “excuse” --the same treatment. It’s incredibly misogynistic.

I’m not going to try to argue that Tobey doesn’t have the capability to be good, of course, he does. We can see this in the cute note he leaves in Becky’s backpack in “Trustworthy Tobey” and in the very last moments in the Thanksgiving special, and of course in our favorite example, “It’s Your Party and I’ll Cry if I Want to.” I’m also not saying that Tobey’s actions and psychology aren’t the product of the environment and circumstances he faces daily. Of course having no father figure present, a single mother who is always working, and no friends is going to affect a child. What I want to question is when is Tobey responsible for his own life, choices, and actions? Maybe not now at age 10-11, but what about when he’s 13? 16? 18? 21? 40? Where do we draw that line? I also don’t want to discourage looking for the good in people and characters and thinking critically about how their past and psychology is affecting their actions. I want to encourage that in all characters, not just the boy who happens to have a crush.

And while it’s nice to speculate that Tobey will follow a better path in the future, not so much for tobecky as much as for the betterment of Tobey himself, we need to realize that it’s just speculation. We have no canon proof of where his story goes post-WordGirl. He has his moments of hope but overall this kid has a terrible track record. When it comes to others, Tobey makes terrible choices. And that’s exactly what “going good” will be--a choice--his choice.

I also want to take a moment to talk about something @fromtheplanethexagon said in this amazing post you should totally read because it’s great. They commented on how very few people when writing tobecky fanfics takes the time to explore her perspective of their feelings for each other. Where her feelings originate and why she would like him. This is something I am absolutely guilty of and will be paying attention to in the future. After reading that passage from their post I thought for a while why Becky would like Tobey, and I honestly struggled with it a bit, which shouldn’t be happening if I’m trying to write a healthy tobecky story. That’s all I’ll say on this for now because beyond this I would use Word Up as an example, so I’ll save that for later.

The older I get the more I realized how toxic this ship is. Heck, who knows what I’ll realize about it in the future when I’m even more mature. In the past I’ve tried to convince myself it’s okay I ship it because I never shipped Tobey with WordGirl, I shipped him with Becky. I know they are the same person, but Tobey doesn’t know that, and the dynamics between him and each of her egos are very different. The dynamic between Tobey and WordGirl reminds me of Gideon and Mabel from Gravity Falls. Meanwhile the one between Tobey and Becky reminds me more of the one between Jimmy and Cindy from The Adventures of Jimmy Neutron. That’s better right? Even if just a little bit? Well no, not really, because we all know darn well if Tobey fell for Becky instead of WordGirl he would treat Becky exactly the same as he treats WordGirl. He would ultimately have the same “WordBot esc” expectations. If anything he might try to treat her worse. With WordGirl there is a clear power balance, and while it’s still technically there with Becky, Tobey doesn’t know it’s still there and might try to use that to his advantage.

And to conclude I’d like to add to @fromtheplanethexagon above-mentioned post (here’s the link again, seriously, read it!). Regarding their final thoughts that it’s fine to explore the ship, and it’s fine to explore the unhealthy parts of the ship. But we need to be careful to not glorify the toxicity of the potential pairing.

[momentofmemory]

FICTOBER 2020 - day twenty-five

Prompt #25: “Sometimes you can even see.”

Fandom: The Old Guard

Characters: Nile Freeman, Joe | Yusuf Al-Kaysani

Words: 1937

Author’s Note: In the aftermath of a rough mission and all the philosophical questions it entails, Joe takes Nile to the Aarhus Art Museum in Denmark. All pieces mentioned were displayed in the Objects of Wonder: From Pedestal to Interaction exhibit, which ran from Oct. 2019- March 2020. Nile POV.

>> the sweetness remains

Nile scrolls mindlessly through Pinterest, wishing for not the first time that she’d been allowed to recreate her socials.

Copley had barred her from practically all of the actually useful ones, but she’d bullied him down to just having an account on Pinterest, with the argument being that no one cared about the site. Granted, she doesn’t really want to be on Pinterest either, but sometimes the comfort of an app with infinite scroll is all she’s looking for in a distraction.

And right now, she really, really needs to be distracted.

Overly photoshopped cat pics.

Memes ripped straight from tumblr or twitter.

The most white girl aesthetic imaginable.

Three slugs ripping through her abdomen and spitting her liver out the other side—

Nile breathes in sharply. Exhales.

Her thumb resumes scrolling.

Photos of downtown that feel like home.

Recipes for harvest butternut squash soup.

Tips for keeping braids fresh longer.

Nile scrolls, and scrolls, and breathes.

Her abdomen still aches every time her lungs expand, even though she knows it really doesn’t. It’s perfectly healed; not even a scar for her troubles. But it’s hard to forget how her instincts had screamed that a gut shot like that shouldn’t be survivable, even as she pushed herself towards the next target.

(She didn’t survive it.)

(She didn’t survive the next half dozen times it happened, either.)

“Did that phone of yours do something to offend you?”

“Whoa!” Joe’s sudden appearance next to her only makes her clench her phone tighter. She forces out a laugh and eases the tension out of her fingers. “Feel like you should know better than to sneak up on someone that’s part of a bunch of immortal warriors.”

“Most of them would have caught me coming long before you did.”

Nile snorts. She scrolls a few more seconds, then closes the app and opens Temple Run. The game’s ridiculously old, but she’s a millennial. Sue her for being nostalgic.

She can feel Joe watching her as she starts the round.

“Am I correct in thinking you enjoy the arts, Nile?”

It’s not the question she was expecting, and she winds up tilting the screen to the left a half second late, and her character falls off the bridge.

It’s okay though, because she can just use a gem and respawn in the same place, so it’s basically like not dying at all.

Right?

“Uh, yeah,” she says. She winds up restarting the round entirely. “The military was supposed to pay for my degree, but I don’t think I can cash that if I’m technically KIA.”

“That would present a certain set of problems,” Joe agrees. “Andy talk to you about that?”

“Yeah.” Nile’s stomach twists. “Guess it depends on how easy it is to schedule classes between firefights.”

She’s practically laying the opening for a talk out herself, but Joe seems uninterested in taking it.

Instead, he shifts beside her, propping an elbow on his knee. “What kinds of art did you want to specialize in?”

She dies again. This time, she begrudgingly uses the in-game save. "I prefer classic sculpture, but I’m not against modern.”

“You like what was modern art for me, then.”

Nile rolls her eyes. “I dread the day I become as weird as you guys.”

He laughs, patting her on the shoulder as he stands. “I suspect by that time you’ll be too busy tormenting our next recruit. But unfortunately, the exhibit we’re going to will be more in the contemporary style.”

It takes Nile a half second to register his words. “Wait, what?”

“The description said it would be 1960s to the present only. If it suits you, we could hold off on our discussion of it for another thousand years or so. I’m sure we can claim it as classic at that point.”

“What?” Nile locks her phone and zeros her attention on him, registering the mischievous glint in his eyes this time. “Museum?”

“The Aarhus Art Museum has a special exhibit on loan from the Tate Modern at the moment.” He glances down at her phone, the corner of his mouth forming a grin. “I’m told its purpose is to help move its audience’s attention from their devices.”

Nile scowls and looks back down at her phone. “I died a dozen times yesterday. I’m allowed my coping mechanisms of choice.”

And.

Whoops.

“Of course you are,” Joe says, offering his hand to her, and she’s once again surprised he doesn’t force the conversation. “But phones are portable. You can take it with you to the museum.”

Nile worries at the edge of her lip with her teeth. She doesn’t really want to go anywhere right now, but…

But Joe’s brown eyes are warm and welcoming, and his callouses help steady her when she takes his hand.

“You said contemporary sculpture?”

The grin he gives her is blinding. “For now.”

_________________

It’s a twenty-five minute drive from their safe house to the museum, and the route takes them next to the Bay of Aarhus for most of it.

Nile stares out at the water, determined to not give Joe any more ammunition for making fun of her regarding her phone.

It’s hard. She’d never considered herself a technology addict—never had enough time to be one—but she really, really wants to stop thinking about the fact that she knows what the inside of her liver looks like.

Or did look like, she guesses.

Nope, nuh-uh, not going there—

“D'you know about the Ship of Theseus?” She spits it out before she can decide against it. She figures if she’s thinking about it, she might as well talk about it. “And don’t say you were there for it. You’re not Andy and I at least know enough about you to know when you’re lying.”

The grin on his face tells her that he was very much intending to before she called him out on it. “It’s a thought experiment. The character Theseus owns a ship that, over a long span of time, has all of its parts replaced, until nothing of the original still remains.”

“Yeah, and so then the question is, is it even the same ship,” Nile finishes.

Joe weaves in and out of traffic, a pensive look on his face. “I assume you aren’t asking simply to test my knowledge of early western philosophy.”

“No.”

Nile looks down at her hands. She can still remember how horrifically mangled they were from her impromptu dive off a skyscraper, but at least—at least she’s pretty sure they’re the same ones she had before.

Though that might not last long.

“In your opinion,” she says, cautiously, “if—if there’s nothing left of the original—if you have to rebuild something that many times—”

“Nile.” The sound of the car’s turn signal distracts her spiraling thoughts. Joe nods towards the windshield. “We’re here.”

It’s a large, red brick square building, fairly nondescript but for the circular and multi-colored glass walking track at its top.

“Come on, he says, parking the car. “I find physical objects superior to mental ones for solving such issues.”

Nile doesn’t understand why the one time she wants to talk about something like this is the one time Joe decides to go full mysterious.

She climbs out of the car and follows him inside.

Despite her misgivings, she quickly discovers Joe was right. The exhibit is genuinely incredible, and there are pieces from multiple names she recognizes—Anish Kapoor, Donald Judd, Rasheed Araeen—and pieces she finds herself strangely moved by, such as Damian Hirst’s Away from the Flock, Richard Long’s Red Slate Circle, Rachel Whiteread’s Airbed II. Nile stares at that last one in particular for a long time: a concrete casting of an airbed, the artist’s presence made known in the negative space where her body had pressed the material down.

Joe, however, seems to be moving with a specific purpose in mind, and it’s not until they round one of the walls of the orange-pink room that Nile has a guess as to what it is.

In the far corner, bathed in the additional light of a single fill light, is a massive pile of multicolored cellophane wrapped hard candies.

Joe walks her over to it, an almost reverence to his steps.

“Untitled: Portrait of Ross in LA,” he says. “Are you familiar with the piece?”

She shakes her head, bending down to inspect it. It doesn’t look like much more than what she’d seen from a distance—candy, multicolored, on the floor. She looks to Joe for an explanation.

“Felix Gonzalez-Torres’s partner died from AIDS,” Joe says. The grief on his face is hard to look at. “To honor him, he made this as a portrait—one hundred and seventy-five pounds of candy, representing Ross’s weight from when he was still healthy.”

Nile looks at the pile—it’s a lot, but it’s not a hundred and seventy-five pounds worth of a lot.

Joe notices her confusion and smiles. “Take one.”

“What?”

“Take one,” he repeats. “The purpose of the work is to invite you to partake in both enjoying his presence and lamenting the lack of it. A sort of communion—choosing to take part of his body into your own. It was a powerful statement when so many were afraid to even be in our presence at the time.”

Nile looks at the pile again, and just like with Airbed II, her heart aches at what isn’t there, rather than what is. She selects a red piece and brings it out of the pile, cupping it in her hand and considering its weight.

“What happens when it runs out?”

Joe selects his own piece—a green one—and it rolls around in the palm of his hand. “It has. Many times. But that’s the beauty of it—it’s the curator’s responsibility to replenish the pile, metaphorically granting immortality and new life to the loss.”

The cellophane crinkles in Nile’s hand as she unwraps the piece. “How do they decide where to get the candy from?”

“The only firm rule is the original weight. Outside of that, there are no set instructions for the candies themselves.” He chuckles, threading his fingers behind his neck and leaning back against the wall. “Sometimes you can even see these strange combinations of greens, oranges, and purples.”

Nile considers the candy. “Not your favorite?”

“It has an almost Halloween quality to it. I tend to prefer the rainbow.”

The candy in her hand feels heavier than it did before—weighed down with the knowledge of what it represents, what it’s taking away.

She slips the candy into her mouth and her eyebrows raise in surprise. “It’s sweet?”

“It’s candy,” Joe says, unwrapping his own piece. “Did you expect something else?”

“I thought it’d be…” She pauses, trying to parse out her feelings. “Bitter. Or sad, somehow. Considering.”

“It could have been,” Joe agrees. “But the portrait isn’t meant to represent just grief and loss. Candy is a happy thing—a reward for yourself, or a lover’s gift on Valentine’s. And even when it’s gone, the sweetness remains. Still lingering on the tongue, or dwelling in the mind. It is the love of friends and partners that keeps the memory alive—and what keeps this the same portrait, even though its pieces have been cycled through many times.”

The candy melts away on her tongue, and she closes her eyes in grief for its loss, appreciation for what it was, and hope for the pieces that would come after it.

She swallows the last piece of it down.

Her stomach settles.

[bisexualhobi]

wait I think I agree not today is really bad but now rank all their title tracks from best to worst pls

lmaoohdksjjdjf i love this question so much anon but due to the fact that i’m me this would get way WAY too long. so i’m doing the top 5 best title tracks and then top 5 worst ones okay? i’m looking at google and apparently they have 26 korean singles so yeah that’s too much.

to rank them as objectively as possible I'm gonna try to take into account gp impact (which is not the same as chart impact since the fandom inflates those numbers), production, creative value (how innovative/different from other pop songs was it?) and the concept of the music video/aesthetic in general. 

BTS TITLE TRACKS: TOP 5

5. Black Swan (2020)

am I cheating by putting here a pre release single? maybe. but it would be a disservice to leave this one out so bear with me

⭐gp impact: this song made more noise as a pre release single than the title track. I saw it in at least 3 end of the year editorials for best kpop songs of 2020. and the thing is it could have been WAY bigger but a lot of stuff happened that sadly made it go away too soon. I don't think this one is as famous or recognizable as the others in this list which is why it's going last, but also I think this song is the most underrated gem in bts discography so it's still going here.

⭐production: this song beat out the front runners (I need u, save me, DNA) solely because of its production. there are not a lot of kpop songs out there that manage to pull off what this song does. it's powerful, it's nostalgic, it's a dark and sexy song without being too on the nose. the mixing is SUPERB I remember the first time I heard it I thought "this would blow the fuck up if it was a Travis Scott song" and I will DIE on that hill. this is an example of heavy autotune on a song done right, not like the rest of their super autotuned songs that sometimes come out unrecognizable and empty sounding.

⭐creative value: it's not truly a new concept in pop to make a song about the Death of the Artist. it’s also not something a rookie group can do, this song needed to be released at exactly the time in bts’ career that it was. there’s just no emotional impact if you just sing about how the music makes your hear beat and you’ve been in the industry for,,, 3 years. this is the type of Swan Song you release at the peak of your career, so that really contributes to the message. mixing a trap beat with a ballet motif is GALAXY BRAIN SHIT.

⭐️concept: the ballet influence is just beautifully executed, this song is a beautiful piece of craftsmanship on all fronts. i think they could literally build an entire ALBUM off this concept, so the fact that they jampacked it onto one single song is both amazing and a little sad for me. i wanna hear more of this. i want a literal Black Swan (the darren aranofsky movie) horror concept where the protagonist falls prey to his own madness because he strives for perfection. but yeah, the song itself and the orchestral version just make this a complete golden concept in my book.

4. IDOL (2018).

⭐️gp impact: i think a lot of people that didn’t know anything about kpop vaguely knew about this song when it was released. i know i wasn’t into kpop at all but in my pop culture circle there was a small bleep from this song bc of the concept and the dance. i think it’s a great “embassador of kpop” track, like if you wanna explain to someone with no previous knowledge what kpop is about you can show them a performance of this song.

⭐️production: the production is a little all over the place for me. the instrumentals are amazing and really creative tho, but like in terms of mixing vocals and the structure of it, it might be a little too grating. it’s not the best produced song in ly: answer by any means but it still makes it work

⭐️creative value: the whole hanbok thing is a 10/10. bts weren’t the first ones to do it, but they did it in such a tightly executed way that honestly that “classic korean roots meets the edgy western feel” concept belongs to them now. groups are still recreating it. it’s a really innovative concept in general.

⭐️concept: the music video is,,,, something. you might love it or hate it, but it’s memorable. i think the purposeful way in which they made it as loud and brilliant as possible can be taken either as a camp adjacent or just as the group going nuts with the budget, which props to them. the choreography is also a BIG plus. the south african influence is really well executed and they made sure to do it as cultural appreciation and not appropriation. definitely the most memorable thing from this song is the choreo

3. Run (2015).

⭐️gp impact: this was their second song to have a music show win. it was the lead single from hyyh pt2 and honestly it might be the best song off hyyh as a whole. it cemented bts as not just another kpop group, because it made non fans turn their heads too! from what i gather this really propelled them forward and made the fanbase grow a lot.

⭐️production: hyyh pt2 is super well produced. i feel like this song in particular makes a fine job of mixing the vocals but it’s not outstanding. the best part is the instrumentals. but overall it’s a really good song with amazing lyrics and a great melody.

⭐️creative value: this built off of what they did with pt1 so they were already in a comfortable place, when they found this sound they really explored it well and deep and it works! i’m glad they went this emo pop route because it was a good contrast to what was dominating the charts in kpop in 2015.

⭐️concept: the aesthetic is PERFECT. there’s not a single other thing that i could add or that i wanted gone. it’s the perfect mix of coming of age teen film and heartfelt, dreamy pop. the music video is by no surprises the favorite mv of a lot of the fandom. the cinematography is beautiful and the song and the video perfectly capture that fleeting moment in life when you’re in the brink of adulthood.

2. Mic Drop (2017).

⭐️gp impact: this song was the first bts song to chart on the billboard hot100. back when the fandom had no idea how to chart, mass buy etc. that’s enough said. (personally i think mic drop is the quintessential bts song and their best release so the fact that i’m not putting it first should count as something).

⭐️production: for the purposes of this ranking i’m using the original mic drop and not the steve aoki remix even tho it was the steve remix that was released as the single. the song has the BEST mastering i’ve heard in kpop. the transitions are flawless, the beat is pure fire, the entire first minute is literally the hardest hype rap i’ve heard in kpop. everything about it WORKS.

⭐️creative value: it’s kinda funny how this song got released the same year as kendrick lamar’s humble, because imho it’s the best hiphop song of that year after humble. 2017 was truly the year of the diss tracks. bonus points for including it right after the billboard acceptance speech skit in ly: answer. SUPER refreshing among the ed sheeran type of pop that dominated that year.

⭐️concept: it’s a great concept but not innovative by any means. still, it works and bts managed to exploit it to the max. the choreo, the mv, the styling, everything was amazing!

1. Blood, Sweat & Tears (2016).

⭐️gp impact: it's probably the first song to put bts on the map beyond the kpop sphere. it really set the tone for their 2017. it's one of their most famous and recognizable songs to date.

⭐️production: this song is STUNNINGLY arranged. the mix, the ambience, the progression,,, it's all brought together to make a very well crafted song. it has a distinctive electronic/pop sound to it that still manages to set itself apart from the trend that was going at the time. black swan is probably the closet single they have to this in terms of production.

⭐️creative value: the song itself is very in compliance with the 2015/2016 trend of hype songs with edm influence, (ie. closer, shape of you, cheap thrills, let me love you, something just like this, etc.) but it still packs that punch that makes it sound fresh even for 2021.

⭐️concept: it wasn't the first song to sound like this in kpop ofc but it was the first truly sexy concept for bts. the aesthetic is innovative and very well thought out, the mv is amazing and the choreography too. i read somewhere that j-hope had a lot of input for this choreo so that's amazing. also blond taehyung is literally the best thing to come out of big hit.

WORST BTS TITLE TRACKS

ok so here we go with the worst ones! this is in ascending order as i prepare myself to pick the worst of them all, but please remember this isn’t meant to be mean spirited, i am simply applying the same criteria to their most underwhelming songs but that doesn’t mean they don’t have their own merit! it’s just that out of 26 singles, SOME of them have got to come out at the bottom right?

5. Life Goes On (2020)

⭐gp impact: this song is not memorable with the general public, its #1 on the bb was the product of mass buying and even though it's a feel good song made to comfort fans in the times of pandemic it's still bland and boring. I think it had no music show appearances either, and as far as bts ballads go this is just bottom tier. it’s not that it’s terrible, it’s just very underwhelming 

⭐production: the autotune in this song is very poorly executed, it doesn't add to the song the way black swan does for example. it's just off putting and the melody is really forgettable. it's funny bc the chorus is directly pulled from the 2018 reggaeton super hit "La Canción" by J Balvin and Bad bunny lmaooo 💀 so I can't get that out of my head either. the structure is just fine and has nothing of substance 

⭐creative value: the song is attempts to be a heartfelt acoustic song but it really has nothing that sets it apart from other songs product of the pandemic like Justin and ariana's stuck with u. for a song in a self produced album it's the song with the least input from the group. the lyrics are good, but they're not as sincere or groundbreaking as for example Spring day. 

⭐concept: as a ballad ofc I'm not expecting it to have a grand choreography, and the mv being filmed in their personal dorms to reflect the lockdown is actually a nice touch but besides that there is nothing exciting, innovative or even sincerely comforting about the song and the concept. the greatest thing abt it is the fact that jk directed the video, which is actually pretty good.

4. We are bulletproof pt 2 (2013)

⭐gp impact: this song made no noise back in the day and to this day its just beloved by the fandom due to a sense of nostalgia and "remembering bts' roots". don't get me wrong it's amazing that bts still perform it in the year of our lord 2020 because you can't forget where you came from, but it's not a good or memorable song by any means. 

⭐production: I went back to listen to it for this and oh god. I can't remember the mixing being THIS bad. jimin, jin and taehyung sound exceptionally bad, they don't sound like themselves especially jin. it's just a really poorly mastered song, but then again the rest of their debut album isn't far better. 

⭐creative value: this is straight up ripping off early 2000s black culture from the US. not only the music, the styling for this era in general is unfortunately really bad and culturally appropriating and overall it's a mess. 

⭐concept: there is nothing of substance to be said about this song. it's just really a miss. the mv is terrible, the only thing that can be salvaged from this is the choreography, but besides that the whole thing feels sloppy, rushed and is also kinda cringey.

3. N.O. (2013)

⭐gp impact: no noise. this song was just a really weird pick for their first comeback when attack on bangtan or coffee was right there. not to be mean but no wonder they didn't have a music win this year. 

⭐production: it's an objectively bad song. it's just really underwhelming, the whole mixing feels amateur. it's not a good hiphop song and it's not a good vocal arrangement and the chorus is also a rip off of a late 90s American song I can't find right now 

⭐creative value: this song isn't innovative in any way, it's just..... there. very meh in general, I have nothing more to say about it 

⭐concept: the storyline kinda wants to go somewhere with the music video but it doesn't manage to make a connection. the styling is plain, simple and not flattering at all. it tries to make a protest of the Korean school system but it doesn't say anything beyond "school bad" which we already knew

2. Not Today (2017)

⭐gp impact: its a very middle of the list song for a lot of the fandom. I literally know of no one that claims this as their favorite mv/era/song. when you ask people about their least favorite bts songs they won't mention this one either, you know why? because it's that irrelevant. it had no music show wins either. it's precisely because of this why I put it so high up on the list. there's nothing worse than an unmemorable song, if it was widely hated then at least that would be a response. 

⭐production: it's a really mediocre song in terms of structure and melody. it tried to be hype but it falls short. the chorus feels half finished and the message of the song is just “the revolution has begun”? which okay? but it adds nothing to the You never walk alone album either.

⭐creative value: there is nothing exciting about this song, and the chorus is too grating. the rhythm is repetitive and nothing new either in kpop or pop in general. 

⭐concept: sadly there's not a lot to be said for the song. it says nothing of value and what it says falls flat. there's no innovation. you can actually see a lot of idol in this song, and also ON. those two songs are what this one tried to be but failed.

1. War of Hormone (2014)

⭐gp impact: thankfully none. this song got the treatment it deserved, if they had won a music show for this one it would feel tainted lol. now it's just a meme in the fandom but overall it made zero noise and contributed nothing to bts' evolution 

⭐production: the production is very lazy, which is odd because dark & wild has some pretty tight tracks. but this one is just meh, nothing outstanding and the melody is just annoying 

⭐creative value: this is a song that was probably born out of the desperation to have a gp friendly hit. it tries really hard to replicate an outdated idea of what boy bands should be, and it does it badly. simply put this song is very mediocre and misogynistic and the fact that it's a running gag in the fandom that "feminism isn't important when war of hormone comes on" isn't funny and it's actually cringe. please stop 

⭐concept: the styling is so ugly :( the mv is very low budget which isn't surprising but they managed to make more with less in past releases. it's just embarrassing and I wish this song didn't exist, there's a reason why they never play it anymore lol. overall a dark mistake in bts' career

[thefreakishmuffin]

Hetalia is coming back, and I have some thoughts...

Alrighty everyone, here we go! As if 2020 couldn’t get more insane...

(This is a longer post, so I’ll add fun gifs to separate the walls of text so it isn’t so exhausting to read).

So, if you’ve been on the internet since the early 2010′s, you’ve most likely seen, or at least heard, of an odd show called Hetalia. This anime, with the manga originally created by Hidekaz Himaruya, was later adapted into an anime. For those who are either new to the internet or have been living under a rock for the last decade, Hetalia, first going under the name Hetalia: Axis Powers, is a show about different events in world history and world politics, all being portrayed by people who represent different countries. Each country - or character, you could say - is essentially the embodiment of all their respective country’s stereotypes. 

For example, Germany is extremely strict, loud, militaristic, and often angry or stubborn. Italy is an absolute coward who is obsessed with pasta and beautiful women. And America is an over-the-top, loud, bombastic, arrogant dork who is constantly downing fast food and calling himself a “hero.” The list goes on and on, but you get the idea. 

Hetalia was, and still is, an extremely weird show. And with season seven on the horizon, coming to us in Spring 2021, I feel like I ought to talk about it. And why am I taking the time to talk about it?

Because I am a veteran Hetalian. 

(Me laughing but slowly dying inside)

You read that right. Throughout all of middle school and the first few months of high school (almost four years), I was an absolute obsessive Hetalia fangirl. Outside of the internet, I was the biggest fan I knew, along with the guy who was my best friend at the time. We’d binge watch the show, read and write fanfiction, bring others into the cult fandom, talk about it almost constantly, draw fanart, watch the funny mmd video compilations on YouTube, delve really deep into world history, quote and reenact all of our favorite scenes - we even cosplayed England and Prussia one year for Halloween! This was the show that made me the HUGE history nerd I am today! I even got a book on the complete history of Prussia one year for Christmas.

Yep. We were those kind of fans. (Not gonna lie, as a now twenty-year-old woman, I still kinda cringe looking back at my middle school years. But I was having fun, so who cares?)

So when I heard we were getting another season after a five year hiatus, you’d think I’d be super stoked that a show I was once madly in love with was coming back from the dead, right? 

(The part of me that is thrilled about Hetalia returning)

Well... It’s a little complicated. I won’t lie that I am really excited for this new season, and I’m of course gonna watch the entire series over again in preparation for it. But I have some hopes, worries, and mixed emotions about everything happening, and everything that may or may not go down when the season eventually airs, including the time leading up to it. I even have a particular topic I want to get to, but you’ll see that later in the post.

To address my worries, we first have to go way back to the early days of the fandom. For the most part, the Hetalia fandom was just really weird, fun, nerdy, and quirky. Nothing wrong with that. I feel like the fandom already had an odd reputation, but at least it wasn’t a bad one. That is until we had some... How should I say... Toxic behaviors and incidents start to take place. 

Allow me to explain. How I see it, every fandom has some kind of toxicity level. The toxicity level is from the fans who are, well, toxic. We all know who they are, and you’ve likely met at least a few here and there. And the toxicity levels vary from fandom to fandom. In some it’s very low, and in others it’s very high. I wouldn’t say the Hetalia fandom’s toxicity level was super high, but it wasn’t incredibly low either. We had the usual problems, like some intense shipping wars and people debating on different ideas and headcanons, but the Hetalia fandom had something a bit different going on.

(My two personalities trying to coexist in peace)

You see, a lot of people didn’t like - or even hated - Hetalia, because they saw it as racist and offensive. If you admitted you liked Hetalia outside of the fandom, you ran a definite risk of getting either shunned or degraded for it. And if that wasn’t bad enough, you had a group of fans - a rather small group of fans, mind you - who did some pretty insensitive things that ended up landing the fandom in some serious hot water.

You’d have people in that small group of fans who’d openly do the Nazi salute while cosplaying Germany at conventions, and there was even the incident where you had fans cosplaying as Nazi Germany to the holocaust museum, where they decided to pose doing the Nazi salute. I even saw a cosplay of Germany and Prussia pointing guns at the Star of David, which is a well known symbol of the Jewish faith. Not to mention the fans who seemed to fetishize Nazi Germany and Prussia. Now, I may not know about everything these people did, as I was pretty good at staying on the light side of the fandom, but these were some pretty well known and disgraceful problems that everyone would find out about sooner or later.

Sadly enough, it was that small, tiny percentile of the fandom that did things that were so offensive, so wrong, that it was greatly magnified by others, thus giving the fandom its toxic, even cringey reputation. And I really hope we don’t have to relive that all over again.

(Me singing songs about punching Nazis and eating pasta)

So what I hope is that we are able to leave all of that behind us. Though I’ve already seen some Twitter users try to start drama all over again by reposting the offensive cosplays, and Tumblr users getting their panties in a wad because they apparently have nothing else better to do. But because a vast majority of the Hetalia fans are like me in that we’ve grown older and matured, I’m hoping we can help guide the younger, newer fans in the right direction.

And I won’t deny that I am very worried about the newer fans getting harassed and bullied on social media. I don’t have a lot of advice when it comes to the haters, other than the usual ‘ignore them and don’t respond’, tactic. But just know that if they don’t leave you alone, you can always block them.

And here’s another bit I want to touch upon. While I can completely understand why people see this show as racist and offensive, I honestly don’t think it is. If anything, I think it actually teaches us something. And no, I’m not talking about history right here. I’m talking about the stereotypes, and how they are portrayed. I think this show helps us to understand that all of these different stereotypes we have about different people and countries are all stupid and silly.

Do we actually know a German who is exactly like Hetalia’s Germany? No. Do any of us know an Englishman who is identical to Hetalia’s England in every way? Of course not. This series helps us to understand that the stereotypes so many of us hold onto today are nothing more than just stupid, silly old ideas that have been blown far out of proportion over the years. 

Many people try to claim that this show is overtly racist and tries to divide, but in my opinion, I think it ties us together.

(My last two braincells writing up this post at around midnight)

At the end of the day, I’m incredibly excited and eager to see the new season of Hetalia, and everything that it will have in store for us. And it’s fun too look back on all the nostalgic memories I have of this show. This is all I have to say for now, but I may or may not be coming back to this topic in the future. Might even make another blog for Hetalia while I’m coming back to the fandom. After all, this is known as the fandom you can’t escape from.

Now if you excuse me, I’m gonna go press play on Hetalia: Axis Powers episode one, and let myself spiral into insanity once again!

[legendofzeldaalinktothepast]

Solar Power 

Fandom: She-Ra (2018) 

Ship: Platonic Scorpia and Entrapta, mentions of romantic Scorpia/Perfuma 

Words: 2204 

Rating: G 

The princesses are having a sleepover, and Scorpia is having trouble fitting in; fortunately, Entrapta understands where she’s coming from. 

Scorpia shoved the window open and took in the fresh, summer night air. 'Breathe, girlie. It's gonna be fine.' she reminded herself, counting her breaths and taking comfort in the silence around her. Just taking a moment to herself immediately brought her anxiety down a few notches -- at least enough to think straight again.

'Ugh... I knew this would happen. Why do you always get so nervous around them? It's not like they're gonna bite you!' she thought, rubbing her face with her claws.

She turned towards the bathroom sink and splashed her face with some cold water, finally grounding herself. 'Alright, Scorpia. You can do this! You're supposed to be the tough girl, and you've handled far worse than a slumber party!' Slicking back her hair, she took one last deep breath and unlocked the bathroom door, heading back towards the main living room. 'Just think of it like the bunks at the horde. It's basically that, but with more perfume and less-ugly pajamas!’ 

The sound of chatter and scent of baking cookies filled the hallway. Excitement rose up in Scorpia's chest; while she was never fond of eating sweets (years of consuming those bland horde rations really screwed with her taste buds), the smell of them was definitely pleasant, even nostalgic in a way.

Once Scorpia reached the living room, she bit her lip; now came the struggle of joining the crowd. Again. 'Ugh, no, don't think of it as a crowd! That's exactly what caused my little meltdown in the first place.' she thought, shaking her head. 'I gotta think of it as... Little clusters. Clusters I can handle.'

And she wasn't wrong; while all of the princesses were hanging out in the same general area, they had also formed smaller, more manageable groups... Catra, Adora, and Glimmer were chatting in the kitchen while the cookies baked. Perfuma and Entrapta were playing a game of chess on the floor nearby. Spinnerella, Netossa, and Frosta were standing by the fireplace, while the youngest of the three loudly told a story, which the married couple listened to with amused expressions. Mermista, an outlier, had fallen asleep on the couch.

'Hmm... which cluster to join...' she thought. In all honesty, Mermista's sounded the most appealing, but just flopping down and falling asleep next to her probably wouldn't make a good impression. Even she knew that. 'Maybe I could listen to whatever story Frosta is telling? That'll give me an excuse not to talk, but at least I'd be part of something!' she thought with a grin. With her goal clear in mind, however, she'd completely forgotten about Entrapta and Perfuma playing chess right in front of her, and ended up stepping on their board.

"Oh, uh, hey, girls!" Scorpia greeted, awkwardly waving a claw. "Sorry about that, I'm such a ditz, heh..."

"That's okay, I'm a ditz too!" Entrapta grinned.

"Neither of you are a ditz! Accidents happen." Perfuma smiled warmly, picking up the chess pieces.

Scorpia's heart fluttered. "S-still, I didn't wanna ruin your game! Here, lemme help." She sat down on the floor beside them, helping place the pieces back on the chess board. "Let's see... This one goes here, I think. Queens go next to the horses, right?" Scorpia said, holding the queen and knight piece in each claw.

"I-it's alright, I mostly remembered where my pieces were!" Perfuma reassured, taking the pieces from Scorpia's claws and placing it back on the board.

"Heh, me too!" Entrapta said, eagerly placing her own pieces back on the black and white tiles.

"Mind if I join the game? I've never played this before!" Scorpia said.

"Oh, unfortunately it's only a two player game..." Perfuma smiled sadly. "But once we're done with this round, you can play against Entrapta!"

"Checkmate! Scorpia's turn!" Entrapta grinned, making her knight piece jump over Perfuma's king.

Perfuma narrowed her eyes. "Did you re-arrange the board in your favor? I am almost positive your knight was not that close to my king."

"Maaaaybe." Entrapta folded her hands politely and tilted her head.

Perfuma rolled her eyes. "Well, it's no big deal," she said with a shrug. "After all, winning isn't everything! What matters is we had fun." She rose to her feet, smoothing out her night gown. "Scorpia, you can take my spot now! I think I'll get myself some tea."

"Thanks, flowergirl." Scorpia said with a wink. Perfuma rose to her feet, and Scorpia scooted over to where she'd been sitting. As she set the chess pieces back to their original places (or well... to the best of her ability. She really had no idea how this worked), she found her gaze shifting back and forth towards Perfuma, even long after she'd headed into the kitchen.

Entrapta gave Scorpia a nudge with her pigtail, causing her to jump. "Do you want me to tell you the rules?" she asked.

"Oh, uh... Nope, I'm good." she said, too ashamed to admit she had no idea how to play chess.

Entrapta cackled. "That's good, because I didn't want to! Chess is soo boring, but Perfuma really wanted to play it, and it only felt fair since she's been listening to me tell her about my newest robot all night -- her name is Sandra, you should meet her! But anyway, let's play something else!"

Scorpia didn't respond; her gaze was still cast towards the kitchen, and anxiety still lingered in her chest. It took her a moment to even process Entrapta's suggestion. "Oh! Uh, sure! What kind of game?"

Entrapta cupped Scorpia's face. "First, let's play a game called 'Tell Entrapta Why The Heck You're So Nervous Right Now'."

Scorpia burst into laughter; for the first time that night, she'd begun to loosen up a bit. "Oh, I dunno, just... I guess just. I've never been really good at these kinds of things, ya know?"

"Oh, I totally know!" Entrapta nodded. "Like, the whole... People thing. Especially when it's other princesses." She blushed a little.

Scorpia smiled. "Yeah... I'm glad at least someone does." she sighed. "I mean, don't get me wrong, it's a lot of fun, and I'm glad I was invited! But... When everyone seems to fall into their little groups, and it gets loud and overwhelming... I dunno, I just feel so wrong, like I shouldn't be here."

"Ohh..." Entrapta said, tapping her chin. "Hey, you wanna go outside?"

"Uh, sure! What are we gonna do?" Scorpia asked, confused by the sudden shift in topic.

"Follow me." Entrapta said, and before Scorpia could question any further, she lifted herself up by her pigtails and scurried towards the door. Scorpia hauled herself up to her feet, glancing back one last time -- Perfuma had permanently joined the kitchen cluster, and Spinerella glanced Scorpia's way for a mere split second before turning back to Frosta -- and then continued out the door.

For a moment, she'd wondered if Entrapta had just up and vanished -- but soon enough she spotted her, sitting on the branch of a nearby tree. How she'd gotten up there so quickly was beyond Scorpia. She approached her with an amused expression on her face. "Whoa... You sure know how to climb."

Entrapta giggled. "Yeah, come on up! It's nice up here!"

"Ah, but... I'm a little heavier than you are, are you sure it's safe?" she asked; even with a body as tiny as Entrapta's, the branch seemed to be bending ever so slightly beneath her weight.

"Well... I could take some of the tools out of my pockets!" Entrapta said. At first, Scorpia thought the idea was absurd... but then she began pulling wrenches out of her pockets, one by one, and for a moment Scorpia thought it would go on forever... But soon enough, there was a pile of wrenches and various tools on the ground that probably weighed even more than Scorpia. How Entrapta had managed to fit all of those in her pockets was beyond her.

"There we go! Now it should be safe for you to join." Entrapta smiled.

"Heh, I guess I can't say no, now." With a grunt, she lifted herself up onto the branch of the tree, seating herself beside Entrapta. It took herself a moment to balance properly -- what she had in strength, she lacked in grace... But at least it wasn't too high, so if she fell, she'd get a couple bruises if she was unlucky.

"You ever hear of solar powered technology?" Entrapta asked, tilting her head.

"Yeah! That's stuff powered by the sun, right?" Scorpia said.

"Correct!" Entrapta said. "Like, one time I made a solar powered robot, and when I forgot to charge her battery, she had a lot of trouble functioning at night, or on super cloudy days... But when I do remember to let her charge in the mornings, she's able to do the most amazing things!" Entrapta flapped her hands. "Her name's Sandra!"

"Oh right, you mentioned her earlier!" Scorpia said, though she wasn't quite sure where Entrapta was going with this.

"Yeah! I think you'd love to meet her." Entrapta said. "Anyway, there was a reason I brought this up... Oh, right! Well, sometimes I'm kinda like Sandra. If I don't take some time to charge myself up -- in this case, just sitting somewhere quiet, maybe even twirling a wrench around -- and I go into a place with lots of people and noise, I kinda just break down, like Sandra! So that's why I always make sure to find some kinda quiet place when I go to sleepovers. Usually I just climb around in the vents, but I had a feeling that wouldn't be your thing, so that's why we're outside!"

"Oh, I know what you mean" Scorpia brightened up. "That's really nice of you. I tried doing a little recharging in the bathroom, but... Then I started worrying people would think I was sick, so I headed out before I was actually... You know, ready." She sighed, leaning her head against the trunk of the tree. "Like, I really do love being with the girls, but... They're so hard to connect with sometimes, and it gets noisy with all the talking and music and smells of perfume and food... None of which are bad, by the way! It's just... too much at once. Especially when Perfuma's around, I mean..." Scorpia blushed, not sure if she wanted to elaborate.

Entrapta scooted a little closer to Scorpia. "No wonder you looked like you weren't having fun. You weren't ready to come hang out with people. And what's Perfuma have to do with it?"

Scorpia blushed. "Ugh, she's just... Really pretty, you know? And I'm not really sure where we stand..."

"Is Perfuma your girlfriend?" Entrapta asked.

"Mmmmmaybe." Scorpia turned her head to the side. "Kind of? I don't know. Ugh, but she's so outgoing and extroverted and good with people, and I kinda worry that I'm getting ahead of myself and that I'll look like an idiot if I assume she is, and it turns out she doesn't feel the same..."

"You'll probably look like an idiot either way." Entrapta shrugged. "But if you are dating, and you assume you're not, that'll probably hurt her feelings. So it’s better to assume that you are. I mean, I'd be flattered if you assumed you were my girlfriend, even if I see our relationship as more platonic."

Scorpia chuckled. "Guess you're right about that." she said with a sigh. "You're a really good friend, you know?"

Entrapta blushed. "Thanks... I've been trying really hard lately, and well... Sometimes people still think I'm a bad friend."

"Hey, I think they just don't really get you." Scorpia shrugged. "But I do, because I'm the same way."

Entrapta flapped her hands. "Yes! That's very true! Our brains were wired in similar ways, so it only makes sense that you'd get me!" she said. "But you know what? That doesn't mean the other princesses won't like you! And that doesn't mean Perfuma doesn't, either. Like, it was really hard for me to get along with Perfuma too, but now I play chess with her, and she asks me questions about robots!"

"Yeah, I guess that's true." Scorpia smiled. "Thanks for letting me talk this out with you, girlie. I'm feeling a lot better, now..."

Just then, the door behind them swung open. "Hey, dweebs!" Frosta called from the castle, cupping her hands around her mouth. "Karaoke starts in five minutes, so ya better get your butts in here if you wanna sing!"

Scorpia brightened up immediately. "I'll be right there!" she called. "You coming, Entrapta?"

"Mm, need a few more minutes to recharge..." Entrapta said, kicking her legs. "But you can go in without me! I'll probably be able to listen from out here, anyway."

"Hah, that's true! Especially when I'm the one singing." Scorpia climbed back down from the tree and landed on her toes. "See ya in a bit!"

"See ya!"

Once Scorpia was back inside the castle, Entrapta turned her gaze back up towards the full moon. "Hmm... I wonder if I could make a solar and lunar powered robot..." she mused to nobody in particular, reaching down with her pigtail arm and retrieving one of her wrenches from the grass.

[palimpsessed]

The Welsh Red Dragon, Kurt Vonnegut, and Social Activism

The inspiration behind Shepard’s pins

(original post with full artwork here.)

So, I spent A LOT of time thinking about the kind of pins our good friend Shepard (from Omaha, NE) would have on his denim jacket. Like a lot. Like an obsessive amount of time. I made a list, which seemed appropriate for this fandom. And because I’m a nerd and this sort of thing really interests me, and I’m proud of what I came up with, and because I think some of these items open up the possibility for some good, good literary analysis, I decided to make a whole post dedicated to Shepard’s pins. You’re welcome.

First, a little bit about my thought process. How did I decide what kind of pins to give Shepard? Well, he’s a guy full of stories. Stories that he can’t wait to tell anyone and everyone. And stories that others (mostly Maybes) have told him, once he’s earned their confidence. So, I wanted his pins to tell a story, his story in particular. What is the story that Shepard wants to tell about himself? More precisely, what is the story he wants to tell his new magickal friends on a disastrous summer holiday? The story is that of his own magickal credibility. His journey to magic (his come to Crowley moment, perhaps?) (I’d apologize, but I’m not sorry…) and his trustworthiness as evidenced by all of the Maybes he’s met along the way. He’s gotten drunk off dandelion wine with a creek dryad, given a toothbrush to a Sasquatch. spilled the tea with a jackalope, midwifed a centaur foal. Shep’s journey is just as impressive as Simon’s, and while Simon has been collecting notches on his dead dark creature bedpost (that’s a weird fucking metaphor…) (and now I’m thinking about dark creatures and Simon’s bedposts…so, you’re welcome, Basilton), Shep’s been collecting notches of the friendly variety. (Shoutout to @adamarks who did some super lovely analysis on Simon and Shep as mirrors here: https://adamarks.tumblr.com/post/188046272067/ok-so-when-shepard-said-he-was-cursed-the-first). So, I decided that I wanted to use Shep’s pins as a way to show the notches on his bedpost, so to speak. (Okay, I’m really losing this metaphor, but I think you’re still with me.)

Let’s dive in!

(I’m working my way down one side of his jacket at a time, for those following along at home.)

RIGHT SIDE

Welsh Dragon: I made this one very large, and easy to spot on his right shoulder. Of all of his accoutrements, this one felt like the most important. Mainly, because of Simon. Simon is, after all, half-Welsh. (The Mage, may he rest in pain, came to Watford from Wales.) And, of course, Simon, just like the Welsh Dragon, is a red dragon. (Or in the process of becoming one? Or a half-dragon? Or a dragon kitten?…) And the dragon that Simon and Baz fought on the Watford lawn, when they first worked together, and first shared magic, was a red dragon. Of course, the actual dragon in question here is Margaret. Shepard would absolutely have a pin to commemorate his friendship with her. And since I was going to give him a pin with a dragon, I knew I was going to have to use the Welsh Dragon because it would perfectly capture his burgeoning friendship with Simon, as well. Now, I want to go on a slight detour here (this blog post will be its own Odyssey) and talk more about the Welsh Red Dragon. I took the design for the pin from the Welsh flag, which is the thing that first made me think more about Simon’s Welsh connection. I’m not really making a point here, I just think it’s fascinating! There’s a lot of Welsh lore about the Red Dragon (and Margaret herself calls Simon “Great Red” - that ‘R’ is capitalized, by the way, so this seems to be a proper name for the kind of dragon that she thinks Simon is). Full disclosure, I am not Welsh and I am not a scholar on any of this by any means. That being said, a cursory, and super academic, perusal of the Wikipedia article on the Welsh Dragon led me to a few different history websites that linked the symbol of the red dragon with Merlin and King Arthur (son of Uther Pendragon, literally dragon head). Merlin, one of the most well-known magical figures and Arthur, one of the most well-known Chosen One figures in literary tradition. I know very little about Arthurian legend, and Welsh history, and dragon lore, though, so I’m going to just say, do a little research on your own when you’re bored and feeling nerdy!

Resist!: Shep is a young black man (and reasonable human being) living in the U.S. during the [redacted] Administration. I should hope this one is self-explanatory.

Hoover Dam: At some point in his visits to see Blue, I’m sure Shepard stopped off at the gift shop and bought himself a souvenir pin to mark the incredible experience he had making friends with an actual river. (This pin design is based on an actual souvenir pin of the Hoover Dam I found on Google Images—along with most of the other pin designs. I think it’s vintage, which just felt even more like Shepard to me, because he’s the kind of guy who would appreciate stuff that’s got a past.)

Deathly Hallows: I mean, IF the Harry Potter books/movies exist in the Simon Snow universe (which hasn’t been confirmed, as far as I know, by our Queen) I’m sure Shepard would have been totally into it as a kid, and probably would have found greater significance in its magical lore once he discovered that ACTUAL MAGIC EXISTS! So, he would have a pin to show his belief in the magickal world, and maybe also as a nostalgic reminder of when magic was still just something fictional he could turn to for escapism (and not something that would result in being cursed by a demon…).

The Truth is Out There: So, I know virtually nothing about The X-Files (my sister was obsessed with it to the point that she wanted to become a FBI agent for a few years, but I never watched it), but I’m sure Shepard is a fan. If nothing else, the sentiment is awfully apropos.

So It Goes: This one is very hard to see. It sort of looks like a black teardrop with a bar on top of it (it’s supposed to look like a bomb). The pin I based this off of reads “So It Goes”, which from my very superficial research, is a line repeated in Vonnegut’s anti-war novel Slaughterhouse-Five every time someone dies. I don’t know anything more about it, other than that it is a Kurt Vonnegut-inspired pin available for purchase on Etsy, and Shep mentions that he wanted to get a Vonnegut quote tattoo, even though “everybody has those.”

Green Alien Head: You will never be able to convince me that Shepard does not 10,000% believe in the existence of aliens. If he were still in the U.S. during the Area 51 Raid, I’m sure he would have stopped by, just, you know, for science…(I’m thinking he was probably still in the UK, but I guess we’ll see in AWTWB.)

Centaur: This one is also hard to see, but I took the design from a pin I found of one of the centaurs (the blue-haired, blue-bodied one, if that rings a bell for you) from Disney’s Fantasia. (Fun fact: I was super into Fantasia as a littlun, and I attribute my lifelong love for classical music in large part to the centaur sequence and my latent lesbianism—I mean, it was ludicrously erotic. Watch it sometime and tell me it would not make an impression on a sapphic three-year-old.) Midwifing a centaur foal was probably a very emotional and formative experience for Shepard. Buying this pin would be his way of remembering that experience, and the excitement and gratitude he likely felt to have been entrusted with that kind of acceptance from the centaur(s).

Jackalope: It doesn’t help that this pin is almost the same color as Shepard’s jacket, but it’s based off a design of a jackalope’s head that, again, I found on Google Image search (honestly, I don’t know how I ever made art without it). We know that Shepard once got some gossip from a jackalope, who vented to him about magicians calling “themselves ‘magicians’”, like “they’re the only ones with magic”. (This is totally irrelevant, but I always think of Americans when I read this. I am an American, by the way. America is a continent, but those of us living in the U.S. calls ourselves Americans, like everyone else living in America doesn’t matter.) Anyway, the jackalope offered Shepard some valuable insight into the political workings of the magickal world, so it gets its own pin.

LEFT SIDE

Pansexual Pride Flag Pin: I mean, technically, canonically, we don’t know what Shepard’s sexuality (or asexuality) is, but I just get some vibes from him. Plus, if we take him as a mirror for Simon (who is somewhere on the bi-plus spectrum), it’s not a far cry to imagine he also identifies somewhere on that spectrum.

Pentagram: This is another symbol that I chose based on my interpretation of Shepard’s character, and not so much on a Maybe or a story that he mentioned. The pentagram, or pentacle, is typically associated with the occult and witchcraft, which is something that could potentially also be said of Shep.

Sasquatch: You don’t go backpacking—or not backpacking—and introduce a Sasquatch to the benefits of dental hygiene without getting yourself a souvenir of the hike.

I [heart] Mystery Spot: The Mystery Spot is a weird sort of phenomenon in California (my home state). It’s a place outside the beach town of Santa Cruz that boasts of a “gravitational anomaly” on its website. I went once, years ago, and while you’re there, it can feel pretty convincing. (Also, I was probably like 10, so…) People outside of California will likely never have heard of this place, but driving around here (at least in the Bay Area, where I am, which isn’t that far from Santa Cruz) you’ll see yellow Mystery Spot bumper stickers on cars everywhere. I’m not really sure what the thing is with the bumper stickers. Like, I’m sure not that many people actually think it’s legit, and maybe it’s like one of those things that Californians just do (like freak out and forget how to drive when we feel water falling from the sky). But yeah, these bumper stickers are everywhere. Anyway, Shepard drives around a lot. He knows about the Vampires of Las Vegas (how is that not an indie rock band?) and the Katherine Hotel, and the Next Blood. So, he’s probably made it past Nevada and into California before. And while he was there, it’s not a great stretch of the imagination that someone who chases after magic wouldn’t wind up at a place called the Mystery Spot and get himself a pin while he was there. (And maybe even a bumper sticker.)

Black Power Fist: Unfortunately, this one is also hard to see, because the fist is black and I didn’t have anything to go over the outlines of the fingers with, which I sort of didn’t think about when I colored it. This one also feels self-explanatory. Shepard is black. Blackness has long been treated in itself as a crime by non-black members of law enforcement, and just the general racist population of the U.S. Young black men are especially vulnerable to racially motivated violence. I’m sure Shep, who drives all over the country by himself and gets into high speed chases at night in the middle of nowhere Nebraska while hunting super shifty rando Maybes has had a run-in or two. Stay safe, Shep!

Every Pronoun Belongs Here [Trans Pride Flag background]: Also, super hard to see because the letters are too small to read. I found this exact pin in a basket by the register at my local bookshop. (Support local bookshops, people!) They were being sold as a fundraiser for a LGBTQ club at one of the high schools, and I loved the idea that I could help them raise money and add this pin to my own growing collection to show off my support for trans rights. (Support trans rights and trans people, people!) I decided to give Shepard this same pin, because I could imagine him having an almost identical book buying experience in a dozen other towns that he’s probably visited. And I love the simplicity of the message, because it’s one of belonging, which EVERYONE is desperately seeking, no matter who they are or how they identify, and Shepard, and every character in this picture, is no exception. (Plus, it seemed like a cool way to connect my pin collection with Shep’s. Maybe I should have mentioned the fact that I’m also a pin person at the beginning? I walk to work and on my lunch breaks, so I carry all of my stuff in a backpack. And I proudly display my random pin collection on my backpack. Including several Simon Snow-related pins.)

Don’t Panic: This was based off a Hitchhiker’s Guide to the Galaxy pin. I don’t really know anything about the Hitchhiker’s Guide to the Galaxy (including if it’s okay to abbreviate it as HGG? THGTTG? whatever), even though I did watch the movie years back when it was on TV and I still lived with my parents who had a TV. But the sentiment felt appropriate, and Shepard is a sort of magickal hitchhiker. Apart from managing to hold down a job at Dick Blick, he appears to lead a somewhat nomadic lifestyle. He tells Penny, “the road is my teacher”, and if that’s not a hitchhiker slogan, I don’t know what is. (Ass, gas, or grass?)

Black Lives Matter: They do. Just sayin’.

Magic Troll Doll: When I was growing up, the Troll doll was all the (nightmare-inducing) rage. Trolls are one of those magickal creatures that are continually mentioned in the series. Shepard talks about lonely trolls under bridges. Simon talks about killing trolls. Agatha would rather kiss a troll. And Baz was kidnapped by numpties, who are sort of like trolls. I couldn’t not include a troll. And the Troll doll specifically felt perfect, because the full name was Magic Troll Doll. You can bet if Shepard had to pick a troll-related pin, it would be a magic(k)al one.

[Asshole]: This is another Kurt Vonnegut pin. It looks like a messily drawn asterisk (*), but it’s actually meant to be an asshole (taken from the preface of Vonnegut’s novel Breakfast of Champions, and drawn by Vonnegut himself). I just thought, why the fuck not? So, here. Have an asshole pin. (I should have put it on a buttonhole…)

HONOURABLE MENTION

Shepard’s Phone Case: Remember that line I quoted earlier, about Shep wanting to get a Vonnegut quote tattoo? Well, when I was trying to figure out what to put on his phone case, I thought that seemed like a reasonable place to start. So, I googled Vonnegut quotes, to see if I could find one that I thought Shepard would like. Here’s the quote: “a purpose of human life, no matter who is controlling it, is to love whoever is around to be loved.” I just loved that for Shepard.

[illusion-reality-steve]

Stress’ last 5 brain cells react to Steve Saga returning

https://www.youtube.com/watch?v=CFj1Z3UGt_I

Brain Cell #1:

BC 1: *hard at work writing the Mite Steve AU, building it on the foundations of the abandoned, broken season 2*

BC 1: Writing is so much fun :D Especially when you don’t need to stress about following canon anymore.

BC 1: *phew* *steps back and admires the Mite Steve AU so far* Great work!

*THUNDER*

God Steve: *appears* Hi.

God Steve:

God Steve: *pokes the Mite Steve AU*

The Mite Steve AU: *collapses, reduced to dust*

God Steve: Sorry, that AU is no longer possible thanks to my existence.

BC 1:

BC 1: :’)

(Lol, don’t worry. I’ll either continue with the Mite AU as it is, ignoring the new episodes, or make some adjustments to fit God Steve into it. I’ll think of something.)

Brain Cell #2:

BC 2: THE STEVE SAGA IS BACK. OUT OF ALL THE POSSIBILITIES. FIRST STEVE IN SMASH, AND NOW STEVE SAGA IS BACK. OCTOBER, YOU’RE AN ALRIGHT MONTH.

BC 2: STEVE SAGA SEROTONIN, YEEEEESSSS

BC 2: AAAAAAHHHHH

Brain Cell #3:

BC 3: *looking at every frame* WHERE IS HE?! WHERE IS ILLUSION STEVE?! WHERE IS MY DISASTER SON?! AAAAAAHHHH

BC 3: AND WHAT THE HECK, GOD STEVE?! ARE YOU FREAKING KIDDING ME?!

BC 3: RESETTING THE WORLD?! BRINGING THE WORLD BACK TO ITS HAPPIEST STATE?! MAKING EVERYONE FORGET THE OLD WORLD SO THE NEW WORLD IS FUNCTIONAL?!

BC 3: YOU ARE RIPPING OF ILLUSION STEVE’S ARC. WHHHYYYYYYY

BC 3: *salty grumble* This is probably how the Hypno Steve stans felt when they saw Illusion Steve’s similarities to Hypno Steve :c

BC 3: But come on, man, another repeat of Illusion’s plan? With nothing unique added to it? Seriously, where did whatever God Steve had with Alex and Emerald Steve go? Why didn’t he even mention that? Why is he suddenly so chill?

(Edit: Whoops, I mistook God Steve as the same character who got mad at Sabre. I thought the episode confirmed that he was the one who attacked them with bedrock, but it didn’t. Sorry about that.)

Brain Cell #4:

Alright, Imma drop in instead of BC 4 for a real talk.

I’m....concerned about Sabre/Elan. The man behind the videos. I thought the Steve Saga was gone for good and Rainbow Quest was gonna take over. And this Steve Saga episode seems to be set up to be a semi-reboot. It’s literally a brand new timeline.

I’m worried that he made the Steve Saga return because of fandom pressure. Or may he’s having writer’s block and made this just to get the creative juices flowing.

I just hope Elan knows what he’s doing and won’t have as big of an issue with plot holes and characterization this time.

Who knows. Maybe he needed to take months off the Steve Saga so he could finally know how to continue it.

idk. This is just speculation. Please don’t take my word for it.

Brain Cell #5:

I’ll also be speaking here because I already got some theories.

I don’t have any evidence. I’m going based on my intuition, and the headcanons I’ve made in the past about what happened after the Ender Crystal explosion (Bedrock Steve, Sabre’s multiple egos, Mite Steve AU, etc)

Also, side note: I’m kinda scared that the continuation has some similarities to the setup of the Mite Steve AU, which takes place after season 2 XD Like, bruh.

Anyways, God Steve is very out of nowhere. He changes everything, including the assumption that Origin Steve was the original Steve.

So I have a theory: God Steve isn’t actually a Steve. He isn’t from this timeline. I think God Steve is Sabre/Elan.

God Steve created the Steve Saga and other universes like how Elan created the Steve Saga: by imagining a story idea and building it with his creativity. God Steve is scolding at Sabre, in frustration with himself of how much of a mess season 2 is. And he isn’t actually a Steve, but he names himself after them because he’s very fond of the Steve Saga and wants it to be a part of his identity.

How did God Steve become a separate entity? I think when Reality Steve separated Sabre from his account, God Steve was created. This is similar to how Light Steve was created when Sabre separated Rainbow Steve into the basic Color Steves. God Steve and Sabre are also similar to Galaxy and Void’s dynamic. So this is a nostalgic, classic Steve Saga trope.

This can be supported by the fact that God Steve is OP enough that he literally dragged Lucas, a player outside of the server, into the Steve Saga server.

Anyways, if God Steve turns out to be evil and Sabre feels immense guilt/responsibility over God Steve, it’ll be so nostalgic and heartwarming if Galaxy comes to the rescue. “Sabre, you didn’t give up on me when you realized Void Steve was a part of me. I’m not gonna give up on you either! You are better than God Steve. You can defeat him!!”

Overall:

I have very mixed feelings about this. This plot doesn’t feel fresh, and I’m worried that there is no plan. And this entire episode felt more like a fanfiction than an actual Steve Saga episode. However, I’ll follow the series if new episodes come. Because I am Steve Saga trasssssh. (And I don’t want to fall behind on episodes, like what happened to me with RQ :’) )

I’ll probably like it more if Illusion’s in it. And Alex. And Emerald Steve.

If Illusion’s in this and he meets God Steve, he better be salty that God Steve stole his evil plan and attempt to fight him. He might die if he tries that and I will cry a lot of that happens, but at least it will be in-character.

I also have a feeling that Red, Orange, Yellow, Green, Blue, Indigo, and Violet Steves will be used in this continuation.

[a-shakespearean-in-paris]

Writer Interview

thanks for the tag @thevikingwoman, I’m sure I’ve done one before, but hey new year new thoughts.

Name: on A03 I’m AParisianShakespearean 

Fandoms: Dragon Age, previously DBH and RDR2. I’ve stopped writing for DBH but Red Dead isn’t a door I’ve closed, I just finished my main fic and have other interests at the moment. I also write Jaime and Brienne from ASOIAF/GOT. Seems 2020 has landed me back to my starting fandom, Dragon Age. I missed Cullen and Lydia too much. I also wrote a Leon and Ada piece from Resident Evil and would like to write more for them.

Where you post: Sometimes I’ll post one shots on here but pretty much I like using A03 for my chaptered fics. I do not have the patience to upload them to tumblr, lol. 

Most Popular One-shot: On A03 it’s A Knight to Remember, my interpretation of Jaime and Brienne’s first night. First night with some knights, the best. On tumblr it’s a Cullen smut piece called Shapes and Plains that I wrote years ago. 

Most Popular Multichap: Love Song on Sapphire Isle, AKA the long fic I wrote where Jaime and Brienne stay together and Jaime doesn’t die. They adopt a baby and then they have several more--all talls as trees. Truthfully I do not think season 8 of GOT is salvageable, (realistically you’d have to go way back and time to fix the issues) but the least I could do was make myself happy and give Jaime and Brienne a happy ending. Other than my OTPs with my characters they are my favorite in media. 

Favorite story you’ve written so far: Well it does change. When I finished my RDR2 fic The Sweetest Sorrow, I thought this was probably my most successful fic, while Our Immortal Longings has the most of me in it. However, I recently reread my Cullen x Inquisitor longfic In Waking Dreams to clean it up...and hey, I was nostalgic. But it’s honestly the first writing of mine I have reread years removed from writing it that I actually kind of loved. So for now, it’s In Waking Dreams. And I’m continuing it! It was always my plan to when I finished, but I got distracted by other fandoms. 

Fic you were nervous to post: All of them, especially if it was my firs time posting for a new fandom. Special mention to IWD for being my first first fic. 

How do you choose your titles: I look to the bard usually. (Sweest Sorrow is from Romeo and Juliet--’parting is such sweet sorrow” and Our Immortal Longings is from Antony and Cleopatra where Cleopatra says “I have immortal longings in me.”) Or I look at the story’s themes and go from there. 

Do you outline: Sometimes yes, sometimes no. If I see certain plot points I will write them down (like I’m doing for IWD) but for my other in progress fic I’m kind of having fun, seeing where things lead. Not to say I don’t have a plan, I do, I’m just not concerned with writing it down. 

Complete: 68 works on A03, and most are one shots, but I have a good track record of finishing longfics. I have four completed longfics (previously 5, though it was finished once upon a time so maybe it counts? LOL)

In progress: Other than continuing IWD I have Memoirs of a Long, Long Time, a Warden and Morrigan fic. I also have a Jaime and Briennne actor/actress AU. It’s not abandoned, but it’s not a priority right now. Hey though, maybe I’ll get the muse for it to sing again

Prompts?: I used to do them a lot more, but not so much anymore. Sometimes i reblog a prompt list and take them

Upcoming work you’re most excited about: I’m very excited to continue IWD, but you already knew that :P Also MOALLT. 

Worlds I would love to write for in the future: Something something marriage of convenience for Leon and Ada. My own original fiction, which has been started and I’m just finding it difficult. When I started writing fic in 2016 I thought I wouldn’t do it for long, it would help me grow then I’d go back to original fiction. 

HAHAHA. 

I love fanfic. Writing it makes me happy, and F you to the guy at Starbucks last year who asked me accusingly “oh do you write fanfiction?” when I said I liked to write. HELL YEAH I WRITE IT.

okay tagging @laraslandlockedblues @idrelle @wintersongstress @jentrevellan @ellenembee @agentkatie @queen-kass-the-writer @wardenari  @ma-sulevin and anyone else! No pressure of course :D

[voidless-being]

I just started half life 2 episode 1 and I am so far really liking it！

It makes me endlessly gleeful that the vortigaunts (?) manages to fuck with G-Man, because he sucks and he deserves to have his life made harder. I am super curious how they did that! I want to know more! This is awesome!!

I am confused how they got Gordon back from G-Man though, since I thought G-Man had already gotten to Gordon. And why did we wake up in rubble? Did they teleport us to the bottom and we just got buried? Or did they legit just put us in rubble?

Also, everyone else seems long evacuated, and really shocked when they learn Alyx isn’t, so how long have we been out?

Also Alyx!!!! I love her so much! She makes bad puns and loves d0g a lot and it’s amazing.

And inside the citadel is also super cool cause we’re learning more about the combine supervisors! They’re like really big larva with mean psychic powers! That’s so cool!

Slight side note, the portal games were my first ever video games so they’re super nostalgic and special to me, and as soon as I saw light bridges and energy balls I got so fucking excited! Now we’re thinking with portals! Yet another reason aperture science is better, their shit looks cooler, get fucked black Mesa/ combine.

Also stalkers are creepy and awful and it’s amazing. Like! They’re horrifying! What must be done to a person to make them like that? Are they merged with vortigaunts? And why are their legs gone? They are clearly slightly aware since they carry out tasks on their own and scream/attack without prompting, but clearly it very, since they don’t defend themselves or respond to almost any outside stimuli.

And where is Judith? I thought she was with Dr. Vance right before the reactor blew, and while I don’t know how long I was out, it couldn’t have been that long. She was on a whole mission! In the North Pole? I think? I’m pretty sure that’s her at the sight of the Borealis, but how the fuck did she find it and get there so quickly? And weren’t the combine too preoccupied to follow her? Litteraly what the fuck is happening.

I am super super excited to actually play the bits with the Borealis though! I know the story isn’t finished (yet🤞) but I was obsessed with the mystery when I was little and had just played the portal game’s, and it’s still so cool to me. Like, hlvrai and popular creators for that fandom are what actually got me to buy and play the games, but portal and the Borealis mystery have had me sort of flirting with the games for years. I think I started watching a full half life playthrough years ago in an attempt to find out the other half of the story, but I think I was turned off by the bad graphics and lack of subtitles. And while the subtitle thing still bothers me for the first games, since I would really appreciate having some, I actually really like the graphics of the original games! I think it adds to the immersion, the need to imagine the surroundings as well as see them, so that’s character growth I guess! A similar thing happens to me with Star Trek as well, so I think that might just be a general attitude shift. Cool to think about!

Also, Barney? May I please see Barney? The man I love? My favoritest boy? I actually died from happiness when Alyx said Gordon and Barney used to race to unlock Kleiner door without a key. I had thought that was just a popular bit of fanon, but it delights me to know that’s an actual thing. It is so nice to know that Gordon and Barney have always just Been Like That. No wonder they don’t even hesitate to crawl right into the vents. Delightful. Amazing. 10/10.

And the graphics for this game are so pretty! It doesn’t really come out as much inside, but that opening bit with the swirling sky and the cracking portal was so fucking pretty. I just spent some time standing and looking at it, it was so pretty.

Anyway! I forgot to set the game to easy, so I’m going to change that, and than go back to playing! There are a ton of vague tidbits of spoilers that I think are going to start making sense soon, so I’m excited to see the puzzle start to come together for me! :D

[countdown-to-destruction]

Inuyasha Sequel: a rant

Put this up this earlier on a post I re-blogged, tried to edit a part or two where I didn’t like the way I had phrased it, and ended up messing up the whole format I wrote this in. Luckily I wrote this as a draft earlier anyways! So I did a some fixing and now I’m just copy-pasting it again and making it a text post instead. This will be very long and a little nit-picky but I wanted to make a post ever since I heard about the upcoming sequel to Inuyasha, Hanyō no Yashahime. I did put a TLDR at the end for those who don’t want to read everything. Not sure how many people in the fandom still follow me and will see this, as it's been a long time since I was actually active in the fandom, but it's hands-down both my favorite manga and anime of all time and I’ve been feeling nostalgic lately so I had to post something. Before reading this be sure to read all of the translated character bios for Towa, Setsuna, and Moroha so that this makes sense.

When I first heard that Inuyasha would be getting a sequel I was excited! But after reading up on it, to be completely honest I'm not feeling this sequel anymore. I know it’s an unpopular opinion but hear me out. Firstly, it seems like Rumiko is mostly involved in the character design aspect and the writing is up to Katsuyuki Sumisawa. The music will be produced by Kaoru Wada which is great! And from what I’ve seen and read online a number of others who worked on the original series will reunite so hopefully the story will go well. However, knowing Rumiko isn't personally writing and not knowing how much input she has or will give makes me unsure about watching. The original Inuyasha anime followed and was based off of the events in the manga, and there was no manga prior to this for it to be based on. Depending on what happens this could be an alright sequel or a total miss. Unfortunately sequels in general are known to be disappointing in some way. 

Secondly, if I hear anything about Rin being the mother of Sesshomaru's twin daughters I'm out. This part will be a SUPER long and in depth explanation on why I think this way, feel free to skip if you're not interested. Please don't come for me on this, I'm here to explain my thoughts and feelings on the sequel and the theories around it so far, not start an argument. I'm more than aware that there's plenty of controversy out there on this pairing and personally I do not support it. I never saw their relationship as more than a friendship, or something akin to child and guardian as Sesshomaru and Jaken are basically Rin's caretakers up until she goes to live in the village with Kaede. He definitely cares for her deeply but I can't see it in a romantic way, being that Sesshomaru isn't even a character focused on romance to begin with. He learns compassion through Rin's second death but that doesn't mean he loves her romantically. As a reminder his main goal is to seek power and be powerful, and it's stated that he needed to learn compassion and grief in order to mature. It's what helped him learn to wield the Tenseiga at its full potential. In addition, she was really young when they first met and still was when she went to live with Kaede. The idea of Sesshomaru (an adult) having romantic feelings for a kid under ten years old (around eleven at the end of the series, and still a literal child in all ways) and waiting for her to age with the intention of marrying her sits totally wrong with me. Age wise I realize that Inuyasha is decades older than Kagome and that his father was much older than his mother, Izayoi, as well. The difference here is that Kagome was a teen when she met Inuyasha (who not just physically, but more importantly mentally was also a teen) and clearly Izayoi was old enough to conceive Inuyasha and give birth. As far as the audio dramas (more specifically "Asatte") go they're generally considered as an outtake reel and are essentially parodies, or a form of satire. Some will debate on this but realistically there’s plenty of reasons this is true, and those who take the time to properly check them out understand that. For me I've always had a headcanon that at some point in her teen years Rin would inevitably develop a one-sided crush on Sesshomaru and that he would ultimately set boundaries and reject her, seeing her as more of a close companion than a love interest and wanting her to live with someone she can grow old with. He gave her the choice to follow him and it's most likely that she would, but I think that once she began aging he would want her to have somewhere to settle, given that he enjoys roaming and seeking out other powerful beings to battle. It's strange to me that they decided to give Sesshomaru hanyō/half-demon children in general but based on the artwork we've seen it's fair to guess that they might have made Sesshomaru and Rin a pairing in this sequel.

IMPORTANT NOTE: I want to clarify that if you ship them together I'm not writing this here because I want to hate on your ship for no reason, or in order to create an argument on if the pairing makes sense, these are my thoughts and opinions on the matter and I’m voicing them because it’s what I believe. I already know that somebody won’t like this and will take it personally. People usually say that once Rin is an adult the pairing is acceptable but I disagree. I find it quite creepy that someone would think it would be alright for an adult to wait around for a kid to grow up with the intention to marry and/or sleep with them. Watching from a distance is the same exact thing, after making an impression on the child... let’s not normalize this. In this situation it would be grooming. We all have our own opinions when it comes to our ships and fandoms and I try to respect that but I can’t get behind this one.

Next we have the apparent lack of parental figures for the heroines. Where are the original Inuyasha characters at? Moroha's character bio says she barely knows her parents (Inuyasha and Kagome, our former main protagonists) and has been alone since she was young! It makes me think either something has happened to them or some kind of bizarre event separated them. And sorry, not related, but why does she transform by PUTTING LIPSTICK ON?? That part threw me for a loop.

When it comes to Setsuna and Towa their parents are absent too. I find it difficult to believe that Sesshomaru wouldn't keep track of his children given how he treats Rin and reacts to her going missing in any capacity. Especially if he happened to be fond of whoever their mother is. One daughter works as a taijiya/demon slayer for Kohaku and the other mysteriously transports to Kagome's era and is raised by Sota (I thought we had finished with the time jumps when the well closed but apparently not. When the Bone Eater's Well closed after Kagome's return it gave a sense of finality and closure to the story, and showed that Kagome had chosen where she was most happy and felt she belonged. I think that bringing the theme of time travel back into the sequel makes it feel repetitive, like something right out of a predictable fanfic. Props to Sota for taking in and raising a child who showed up out of nowhere though).

Another thing that came to mind when I read these character bios was why Inuyasha and Kagome's daughter and Sesshomaru's daughters are the exact same age. Of course there's nothing wrong with that. It only struck me as odd because suddenly everyone is having kids at the same time. And so far there's no mention of other characters like Sango, Miroku, Shippo, Jaken, Kaede, or Miroku or Sango's three children or where they are. One might expect that a story focused on the children of some of the original Inuyasha's main characters would feature appearances from those who had important roles in the previous series and their children. Which brings me around to wondering what made twin daughters a trend? Two sets of twin girls is a unique choice (Sango and Miroku's twin daughters. For such a small group of parental characters, what are the odds of two sets of twin girls? Where is the creativity and again why the repetition?).

Lastly, Sesshomaru's daughters lack some of the common yōkai/demon characteristics we see on Inuyasha and other characters. Their ears are human, and they have no markings or otherwise (that I noticed) with the exception of Setsuna's mokomoko/fur which is similar to Sesshomaru's. So perhaps they take more after their human mother? Given that Inuyasha seemed to inherit strong genes from his father it's interesting that they did not. Their ages also interest me as they appear to age the same way as humans do. Yōkai/demons are known to have a longer lifespan than humans and appear to slow down or almost stop aging at some point. Perhaps this confirms that the slowdown in aging occurs once they reach the equivalent of a human teen? 

Overall Inuyasha was a fantastic manga and great anime on its own, and I never got the feeling that it needed a sequel. As a stand-alone it was everything it needed to be. I thoroughly enjoyed both formats of the original, though I do have a tendency to disregard certain parts of the anime. I always preferred the manga more when the anime dragged out certain scenes (Shichinintai/Band of Seven arc for example) or straight-up excluded, changed, and added others. Taking that into consideration the sequel might end up being the same for me in that way, but rather than one scene that plays out for too long or an excluded, altered, or unnecessary added scene, if it’s not any good I’ll simply disregard it altogether. When the anime comes out I certainly plan to try watching it out of loyalty to the fandom, and due to the fact that it's "technically" canon (without Rumiko being the writer I don't necessarily consider it canon, much like how some folks do or do not consider the movies canon) but I get the feeling that I'll wind up giving up on it in disappointment.

TLDR; Overall I'm left questioning if the sequel is worth watching (for me) given what I've read and heard so far, but nonetheless I will give it an optimistic try! I'm currently wondering how much we'll see of the original Inuyasha characters, if we get to find out what happened to them, if the number one pairing I'm not fond of will make an appearance (and cause me to drop the whole thing), and questioning parts of the character backstories and designs (why is there a repetitive and recurring theme of time travel and does it end up hindering or ruining the story, why do the protagonists all lack parents, and why do the hanyō/half-demon characters lack common yōkai/demon traits and does it make them more human than demon?).

[kc-anathema]

I’m so sorry I did another long post so soon...

So a long time ago, I received a flame on Spec Ops 98: Jazz's Interrogation at Soundwave's Pedes. I hadn’t received a flame in a long time, and I haven’t received one since (which is amazing, since this was on chapter 26 back in...dear heavens, 2015. This fic is officially an epic.)

In fact, I stopped reading the flame once I realized it was a flame, about four chunks in. 2015, five years ago, I was changing principals, changing schools, trying to figure out how to marry my Canadian then-fiance and figure out immigration. (Fun type--marry her in Vegas, wait a couple years, bring her over. Use a lawyer to make sure it’s all kosher.) So yeah, didn’t read.

And then a concerned reader mentioned to me that I didn’t deserve this awful flame and that they loved the story. And I thought...oh yeah, there was a flame on this. That was a couple months ago.

I finally decided to break the flame apart like I used to. This feels very nostalgic to me. I found out that this is really the flamer’s only claim to fame--they flame fics and troll writers. I’m not going to name them then, although you can find the easily on the ff.net review page for this fic.

My father once told me that, if anyone ever spraypainted slurs across my house...leave the slurs up. Don’t pay to remove them. Let the awful words stay up until everyone in the neighborhood is begging us to take them down again.

I think leaving the review there says more about her than me. And I’m going to enjoy clawing this apart, I think, like a cat scratching apart a lizard.

Flame begin:

We’ve got a problem if Soundwave is involved here and he’s not pulling his usual ‘Decepticons, Superior’ line. Add on a fic about perverts and we get this. Ah, well. What are you gonna do?

Remember the character Sheldon from The Big Bang Theory, and how he said “Bazinga” all the time? That kind of went from a joke to an overused character crutch. Like ‘dynomite!’ or ‘did I do that’? Is it really good to rely on a character line to the point where we can call it ‘usual’?

“I’ll take my pleasure and that sweet aft” – Sounds like a cheesy commercial for Robot Chicken. Fireflight is locked up in a dungeon and is about to be whipped by a BDSM Starscream. That’s not at all OOC. Basically it’s a fanfiction that talks about fanfiction.

I...um. Yes. Yes, it’s an OOC line modeled directly after pulp fiction zines and tijuana bibles. I literally looked up several of those on the Internet Archives and various old men’s magazines covers. It’s not fanfiction directly, although it’s certainly what fanfic evolved out of.

Do these look subtle? Low key? Classy? Tasteful? It’s cheap trash and it’s fun as hell. I don’t think readers at the time thought that these were in any way true. This is right along the lines of drawn hentai. So I think the flamer admitted despite themself that I did good.

“We’re stuck here in the middle of a war...we don’t have time for sex” – That’s right. But that fact doesn’t apply does it?

...reading trashy, porny magazines is not sex. It’s actually something you do when you can’t get sex for whatever reason. I would know. A lot of us would know. Apparently not the flamer. No one thinks that “hey, I got a chick/dude willing to bang right now...but the new issue of Men’s World is out! Can’t miss that!” Unless you have some serious fetishes that your partner is too weirded out by, I think this does indeed apply.

Then Jazz gets captured and lo and behold, Soundwave is revealed to be the Christian Grey of the story. I hope he has some maid outfits for Jazz.

...our flamer hits the sludgy bottom of the joke well and grabs their shovel. They do not try very hard for originality in their insults. And, while Grey was a jerk, Fifty Shades wasn’t quite a prisoner of war scenario. No, that was a cheap romance for chicks. I’m writing more akin to men’s...oh.

The flamer is a chick.

Their only bdsm or bad romance experience is with Fifty Shades.

I don’t think they read much.

Annnnnnnnnnnnnnnd we have a shower scene. Damn if it’ll be Carrie!

Iiiiiiiiiiiii did not write a shower scene?

Dudette, did you even do the reading you say you did?

There’s no point in adding moral ambiguity, especially in regards to Soundwave. He won’t be swayed easily, or at all, by Jazz’s speech. He’s cold hearted for a reason. He serves the Decepticon cause until the very bitter end. He’s a lot like Shockwave that way. Highly doubtful he would find meaning or even the relevance of writing pornographic fanfiction, but eh, this was never meant to be serious, was it?

...no. It’s a humor fic. The flamer is criticizing a humor fic for being humorous. Kudos for identifying the genre? I mean, the flamer is also complaining that I did not write Soundwave as a one-dimensional factionalist without examining what that means for him and how the mission creep has left the original political crusade behind. It’s not like I took pieces of Soundwave from Gen1, IDW, and the comics and blend them all together.

This reminds me of the fanboys in the TMNT fandom who keep pushing for every iteration to simply rehash their nostalgia boner for the original toon. I feel like I’m getting the Transformers version of wanting less of this:

because it isn’t the familiar characterizations of this:

“So what’s the down low?” – You, Jazz. You’re going to give the down-low to Soundwave. I can’t wait to read how shiny his robo-vagina is.

...wow. Classy there, flamer. Also I really don’t think they read anything. This whole fic is plug n’ play. There’s exchanging of cables, talk of code and positronic souls and sparks and revving engines. There isn’t a drop of sticky, spike, or fluids.

Chapter 15’s sex scenes bore me. Nothing is worse than having a guy ask to remove every bit of clothing. Just do it already! And why is Jazz a virgin? Come on!

Look--the thing about sex and fetish and whatever revs your engine is that it’s not going to rev everyone’s engine. You don’t like the type of interfacing here? Fine. I don’t like those kind of sex scenes in my porn either. But I wasn’t write that scene for porn. I wanted write warbuild Jazz dealing with violent subroutines while interfacing with Prowl. I had fun with it.

Why is Jazz a virgin? The previous 15 chapters discuss that.

I really don’t think the flamer read the fic.They scanned for anything remotely sexual, so I don’t think I’m going to take anything they say about this fic being ooc for perversion’s sake.

“Everyone here is damn pervy” – In which a character talks about the author.

“We gotta get Soundwave to finish writing his story” – Why? I mean, what’s the point? It’s not doing anything for them, unless it’s to show how castrated Soundwave is. I’ve seen him act better in Mary-Sue fics.

There is a whole plot about Starscream and Skyfire, and I thought I could trust the readers to be intelligent enough to make the leap with the parallels between Soundwave and Jazz.

This is literally the only review that questions why Jazz said that.

The Mary Sue shot just echoes the Fifty Shades swipe. I think this flamer did most of their flames roughly ten years ago--the insults are pretty dated.

The Decepticons don’t know about Ratchet? Why? I mean, he’s one of the oldest dudes there. He has a reputation. When you have a reputation, people know about you. It’s inevitable. I think your inner logic slips a lot.

At this point, I literally have 21 previous chapters of world building.

I am not surprised that the story’s logic was slipping away from one of us.

It’s funny to read the forum responses in the story. It’s like the author is trying to make fun of detractors yet ends up making fun of herself.

Okay, this part is hilarious for a reason only briefly noted in the fic. I think that the only things this can refer to are the comments from the chapter titled Flames of the M4gn1f1c3ntSkyPr1nc3--because those are literally the first flames/comments I put in the fic. And I didn’t write them!

My wife wrote them! I don’t write Starscream well but she just poured those out like water--she’s seen more of the hysterical side of fandom, particularly the earlier TF fandom, and I snipped out pieces for the fic.

So...I mean, we’re pretty happily married, so I don’t think she counts as a detractor. ^___^ Ultimately I started writing this fic for her.

“Your optics make me crazy” – Not at all a cliché.

Good thing I didn’t write that, then. Here is that little section in the Prowl/Jazz section. (Took me a bit to find it since I plugged that into the Find and couldn’t bring it up.)

---------------------------------------------------------------------------------------------

I like what you do to me. Jazz allowed him in, tilting his helm. I never really understood it, y'know? How mechs could lower their guard so much. Let someone this close.

And now? Prowl drew back, wanting to see Jazz for the answer. With a quiet ping, he warned the other mech even as he raised his hand, touching Jazz's visor.

I still think you're crazy always going on about my optics, Jazz said, venting even as he disengaged the locks and let Prowl gently remove the blue polycarbon.

Your optics are perfection, Prowl corrected him. And you let me see them. Hundreds of mechs wondering what's under that visor, but I get to see.

Still shy about letting someone else see them, Jazz turned his head, only for Prowl to touch his cheek and turn him back, coaxing his optics to open with a soft brush of his thumb.

-----------------------------------------------------------------------------------------------

Not bad for an asexual, I think. I mean, it’s not like I have a ton of hands on experience, being kinda broken that way. But I have read plenty of pulp magazines and pulp radio shows!

This didn’t take long. I skimmed through this work, because there was so little content. Lots of ridiculous shit, though. Soundwave writes fanfiction, the Autobots are weirded out/turned on, capture Soundwave, Soundwave realizes that his whole life was a life and decides to defect. Yeah, about that. He wouldn’t do it lickety split, let alone EVER. Hell, the reactions in the forum bits show what some would think of this, if they weren’t too busy fapping.

The funny thing is I don’t think the mechs can even fap. I don’t write them doing that. But yes, flamer, I do believe that you skimmed through the work. Particularly since you’ve recounted it backwards...Soundwave captures Jazz as the capstone to a long internal conflict within himself, but rather than go through chapters of internal monologue and Decepticon politics, I started the story as close to the inciting action as possible, not quite in media res.

I won’t hash out why Soundwave defects. I mean, I spent 22 chapters at that point explaining it. But it’s my fault the flamer skimmed, I guess?

Needless to say: the romance bored me senseless. It was poorly written, and overall there’s really no skill attached to this. You don’t grip the audience and Jazz’s virgin mode made me roll my eyes. Reads like a first-time waifu manga.

Nah.

I’ve been writing way too long and am more than self-aware enough of my own failings that I’m also pretty self-aware of my own strengths, too. And no. It’s not poorly written. I definitely feel I could improve the first few chapters a bit, but that’s because I wrote those over five years ago and I’ve improved since then, too.

Empty insults. Maybe if the flamer had gone so far as to give a critique beyond a couple of misquoted lines and their own headcanons, I might have listened, but there’s literally nothing of substance here beyond a child tantrumming that I’m stupid and bad and should feel bad.

As for the other pairings, booooooooooooooooooooooorrrrrrrrrrrrrrrrring.

Usually I have a fun time setting these fics on fire, but this one bored me senseless. Yes, it was stupid, but the author’s attempt to authenticate it are just as sloppy as anything else.

“Authenticate”?

Is this person talking about using fandom tropes as my setting?

There are 22 chapters at the time, and now 51 chapters, building up this world and using roughly 20 years of fandom background to inform the fic.

Maybe if they hadn’t skimmed, they might have found something interesting. But considering that they skimmed over anything character related and stopped for the sex scene--I don’t think that says anything about my writing and more about their own proclivities.

They were trying to read one-handed. A plug n play fic. A long meta look at fandom in war in a humor fic. And they came here for the sexy times.

I don’t have to draw the conclusion here, do I? Well, for the flamer, probably. And then they’d glance at it for a second, call it sloppy, and say I showed nothing, and what I showed was boring, and that boring stuff was ooc anyway.

One thing I am thankful for is the fact that it is not long.

51 chapters later and I’m still not done.

Nothing’s worth remembering in this and I don’t need to tell you that these characters either act like simpering imbeciles, or are virginal waifus. All I’m missing is a senpai in the bed, some tissues, and some high quality lotion.

...why do they keep referencing gay human sex? I mean, I get it, they’re saying that it’s similar to yaoi fics, but.

This is anti-yaoi with its last hurrah, isn’t it? The late 90s, early 2000s, rising from its sludgy well to try to shame the easily cowed and intimidated, the young writers easily startled by long lines of text. No wonder the citations used are so...15 years ago. I mean, who was talking about Sues even 5 years ago. That criticism kind of faded a long while ago, even then.

I think the sad thing is, even the badly written Sue sex fics end up being more interesting than this. If Ebony Darkness D’Mentia Raven Way were to come along, I think this story would get better. What with her ‘I shot him a gazillion times’ lines.

...and there’s the cherry on the top. Third cheap shot firing blanks. Sue + Fifty Shades +...shit, I can’t even remember the title for that infamous fic. It’s that old.

...this fanfic flamer is old.

Like, don’t get me wrong. We’ve got fandom moms and grandmoms who cut their teeth on fandom print zines in the earliest conventions. They’re not “old” in the same way.

This person has lost any joy, humor, or playfulness that fanfic comes from. No one should go into fanfic expecting fine art. I mean, sure, it happens sometimes, but this is a playground of pulp, experimentation and just plain childish fun.

All in all, not worth remembering. It’s makes me tired to read it. It’s not even stupid enough to make me laugh. You’ll still get a fail rating for me, especially with the shitty version of Soundwave here.

Yes, fanfic flamer. You are indeed tired.

He should be on Big Brother. He’d be great making soy lattés and purees.

Big Brother in 2015 was in its 17th season. There were roughly around 6 million viewers at the time. The demographics for the tv viewing audience were graying even by the 2000s, and by 2015-18, it was significantly older.

Granted, it’s a very tenuous conclusion to draw, but combined with the old fandom references, the anti-yaoi vibes I’m getting, and the fanboyish desire to curate their own headcanon of a character to the point of insulting writers on the internet...

Flamer grew from being a reader to a bitter, old person angry and the whipper snappers for writing stupid, trashy crap that they criticize with broad, unspecific insults.Flamer is the stereotypical mean adult in any 90s cartoon or heavy metal rock video.

A little depressing. Poor flamer. I do hope they found more creative, engaging, and positive things to do.

Me? I just wanna rock.

Thanks for coming to my ted talk on pulp fiction and bitter cultural creators.