#this isn’t about anything recent i just remembered the time i got into (one-sided) discourse about arya’s height

[strangesmallbard]

the opposite also. applies

[aidensm8]

Random vampire AU ramble just cause it was too tempting

Setting:

All the light sides are vampires, the dark sides are hunters

Patton is head of his own vampire manor

Remus and Roman were born human twins (still a prince and a duke)

Janus is a shapeshifter who became a hunter to protect his friend from a demon that friend made a deal with

Logan is the average working human

Virgil is also a normal human who wanted to make a legacy and so he ran away and became a hunter

__

Storyline:

Patton’s is a pureblooded vampire who owns his own manor, he has gargoyles and other newer vampires to serve him

Logan is a regular human who was stressed about work, he one day runs into the dark woods in a fit of anger when his boss and coworkers piss him off

Logan cools down but then realizes he’s lost

A creature finds Logan, severely injuring him

Patton is out on a hunt when he stumbles into Logan. He feels pity and asks Logan if he can try to save him

Logan says “I doubt there’s anything you can do to save me but yes…” while hoping the stranger meant giving him a merciful death

Logan is surprised when he awakens in a fancy room, his wounds seemingly gone. He feels a huge wave of relief that he’s alive but is now anxious of what to do when he goes back home. He’s panicking but tries to calm down to figure out his situation

Studying his surroundings, he notices that the room has no mirrors

His thoughts are interrupted when one of Patton’s “servants” come to check on him. They give him spare clothes and tell Logan that they’ll inform the master that he’s awake

When Patton enters the room, Logan’s worries are calmed. He recognizes Patton as the stranger who saved him and asks him what he did

Patton apologizes profusely and tells Logan that he is a vampire now

Logan is shocked but now trying to figure what to do, how his job would react

Patton offers to let Logan stay with him, to be his advisor or keeper of the archives

Logan takes a moment to think, he has no friends nor attachments to his human life. He has a chance to feel happy, but knows the feeling of guilt from “running away” from his duties will haunt him

Patton reads his emotions, sensing the guilt, and assures Logan that he’s free to start over, to choose what’s best

Patton gets up to leave since he has duties to attend to, but will return to check on Logan later

As time goes on, Logan is feeling settled in his new role in the manor, doing an excellent job at maintaining the archives

Patton regularly checks on Logan to see how he’s doing until one checkup, Logan asks why Patton cares so much about him, why he saved him

Patton’s response brings Logan to tears. Patton holds Logan close, giving him words of assurance and love, and at that moment, Logan silently vows to himself that he will protect Patton with the 2nd chance of life he has given him

—

Moving on to the twins’ side of the story, Roman and Remus are still prince and duke

Roman is crowned prince but recently, discourse has happened and their father, King Creativity, had made some mistakes to warrant the people wanting the royalty removed

The king makes the mistake of pissing off a vampire, who vows revenge against King

King is immediately worried and gets more security on himself

He made the mistake of letting the twins wander alone in the back gardens, where the vampire attacks them

Remus was the intended target since he was the dark duke, seeming to be a perfect addition to the vampires

But Roman draws his silver sword and intervenes

In a moment of spite, the vampire takes Roman with him to the woods, dropping his sword

Remus chases after them, now wielding the sword, and when he finds the vampire leaning over the unconcious form of his brother

Remus fights off the vampire. As they leave, they mockingly laugh at Remus, asking him “Who will take the throne now? Surely, they wouldn’t want a bloodsucker on it”

Remus looks over Roman, realizing that he had changed

Roman wakes up, and now they’re both worried on what to do next. Either way, this was a loss for their lineage

Patton was on his own hunt when he runs into the twins

Noting Remus’s sword, he asks from a distance what was wrong

Patton felt a wave of protectiveness on him, seeing a vampire so close to a weapon that could harm them

Remus is poised to defend Roman, asking Patton what he wants

Patton tries to calm him down to let him know that he just wants to help and explains to them that from what he sees, Roman was a vampire

Roman is panicked at this, but Patton offers to take in the prince

Remus tries to stop this, but Patton argues that Roman needs someone to help him figure out this new life

Roman is also hesitant, but knows that only tragedy awaits them if they return home. He asks “what about my brother?”

Remus withdraws, realizing Patton is right, but knows he can’t return home either so Remus decides that he’s going to pursue being a vampire hunter to protect his brother from other vampires and hunters

Roman is worried about this but Remus assures him that he’ll find a way, as he always does

Patton takes Roman home with him, and Remus takes his leave to begin a new journey of hunting evils, he will be the evil they fear

__

Years pass, and Patton is very protective of Roman as he is like a son to him

Logan also views Roman as a son, and is protective of him, but is more protective of Patton

Remus meets Janus during one of his missions, and they quickly became hunting buddies

Remus figured Janus wasn’t human, and Janus admits

Janus suspects Remus isn’t just a messy hobo, as he noticed that Remus had some grace in his gestures and way of speaking, seeming like he is very much educated though his usual manner of speaking seems like the opposite

Virgil and Janus were old friends

Virgil finds that Remus does have features that seem very much royal, but brushes it off since Remus acted so weird

Virgil doesn’t agree with Remus’s messy methods, but stays nice for Janus’s sake

Virgil wanted to be bold, and so he tries to go on a mission alone

Virgil meets Roman, and is entranced by the vampiric prince

He realizes how much he looked like Remus

He can’t find it in him to attack Roman, and Roman, smelling Remus’s scent on Virgil, cautiously asks him who he is, using his vampiric power of persuasion

Virgil tells him that he’s a hunter who wants to make a legacy for himself

Roman tells him that not all legacies end welp (such as his and Remus’s), and leaves

Virgil takes in Roman’s words, realizing he had a point. He decides to try to find Roman again just so he can talk to him, but for now, he returns to the inn where he meets up with Janus and Remus

He tells him about meeting a vampire and wanting to deal with it alone

Remus wants to come, but Virgil insists not to

Janus convinces Remus to just let Virgil do as he wants, and they leave

After a while, Virgil finally finds Patton’s manor

The servants are alert and attack him until Roman pops in, seeing Virgil, and asks them to let Virgil be

He asks Virgil to leave, but Virgil doesn’t want to lose Roman again

“You can’t lose what you never had”

Virgil looks defeated, but Roman gives him a forhead kiss, “but perhaps one day, we’ll have each other”

Virgil blushes, but is now outside. He leaves, but he finds Roman waiting for him where they first met, and they start slow with small conversations which escalate to “May I hold your hand?” then to “May I kiss you?”

Virgil realizes maybe he doesn’t want to be a hunter anymore. He tells Janus about his thoughts of wanting to settle down, which Janus finds suspicious

So when Virgil meets with Roman, he says he has a surprise for later, giving Roman a quick kiss before leaving

Roman is confused but watches as Virgil heads to the direction of the manor

He is about to follow him but Janus pins him down by surprise, thinking Roman may be a shapeshifter since he looked just like Remus but cleaner

Janus tells Remus to help him but when Remus recognizes who Janus is holding, he attacks Janus to get him off his brother

“Remus, what the fuck, that shifter is using your face”

Remus stands protectively in front of Roman

Remus explains that the vampire was his brother and the reason why he became a hunter

Janus is shocked at this, but calms down as he realizes that this may be a revelation for Remus’s background and motives

Roman and Remus hug as they tell each other how much they missed the other, telling stories of what had happened

Janus is just there, until Remus remembers and introduces him as his boyfriend, joking about the whole “in-laws sure do love attacking each other lmao”

Roman is shocked, but is open to meet the person who had been taking care of his brother in his absence

Meanwhile, Virgil had asked to meet with Patton

Patton agrees and Virgil now sits in his office/grand hall

Virgil explains that he wants Patton to turn him into a vampire

Patton agrees and Virgil becomes a vampire himself

Remus, Roman, and Janus had decided to go back to the town so the brothers can catch up since Roman was very excited about seeing Remus again

Later that night, Remus fell asleep first and Janus and Roman get to talk. It’s a bit tense since their first interaction was a fight

They apologize about the fight before and they find they have many interests in the same field, even having near equal acting prowess

Janus then moves the conversation along to ask for Roman’s blessing in proposing to Remus

Roman is happy for his brother and agrees

Roman is happy to stay the night so he can have more time with his brother

Virgil was waiting for Roman to return at the manor, and when he didn’t return, he got worried. Patton tries to assure him that Roman tends to have little misadventures that last a few days, but Virgil was still anxious

In the morning, he decides to return to the inn to pick up his stuff

Janus and Remus woke up before Roman did and Janus gets to talking about them, and how much he looks forward to Roman being his immortal brother-in-law

Virgil returns and seeing upon seeing Remus and Janus hovering over an unconcious Roman, has his anxieties assuming the worst and he goes feral protective

Caught off-guard, Remus and Janus didn’t stand much of a chance. When Janus tries to ask Virgil what he’s done to himself, Virgil doesn’t respond, carrying Roman back to the manor

Uh…. fuck, this ramble got long o_o

So I’ll pause now, thanks for taking the time to read if you made it down here. I may consider making a part 2 (for when Logan meets Remus, Virgil and Janus making up, Patton being a dad to all of them, etc) but anyways, that’s all for this post

[olderthannetfic]

I get that there has been a lot of mostly young people harassing and such, but like... the amount of hate I see young people getting seems kind of hypocritical?? Like older fandom members are great, and yeah these kids probably don't know the half of it, but... I doubt the fandom moms were perfect as fandom kids. No one is. But there is zero empathy to be found, and all these people espousing downright hatred for kids on the internet. I *work* with kids for a living, if anyone were to dislike them it would be someone who is with them 24/7, but... they don't deserve this. Especially since some TERF or SWERF or some other conservative shit fuck got to them first, probably a parent. Idk. It's complicated.

--

“Fandom mom” is almost always a pejorative applied by somebody else, honestly. I’m middle aged and trying to get pregnant, and I would never use that dumbass term for myself. But yes, no generation of fandom is flawless. In the past, the m/m shippers tended to be more pro-kink simply by virtue of a homophobic world classing m/m with extreme shit, while the people yelling about ~problematique~ fiction tended to be overtly conservative homophobes. But my fellow m/m shippers were idiotic in plenty of other ways.

Having now spent several years hearing from more randos about the depressing shit that has happened to them, I find myself knowing a lot of 20-somethings who got ostracized by their entire friend group and threatened with all the material those “friends” knew because they had been friends. Even if they were shitty little bullies as part of that pack (and quite a few of them were), that’s no way to live! Nobody deserves to live in fear that all their friends will turn on them if they’re honest about themselves or that their tastes make them a future abuser or that it will be impossible to find another group of friends later.

The problems of ostracism by the other side are very real. It came up memorably after a bunch of the thanfiction stuff in the past and after Laura Hale fought with OTW supporters. I remember the conversations around how it’s important to give people space to back off from their more toxic friends without viewing them as Forever Suspect. All you do then is isolate them with that person you don’t think they should be listening to, whether that person is a full on abusive cult leader or just a persuasive jerk. (And the fact that those conversations were happening points more to the fact that being the bigger person isn’t the norm in these situations and never was.)

I’ve seen some of those conversations in recent years with that “support ex antis” stuff, but it’s pretty small compared to the volume of messages I see that are like “If I back off from my friends, they will hunt me, and nobody else will want me now either”.

I also pretty regularly run into 20-somethings who are much more ship-and-let-ship in the first place asking me where on earth they can go find some “pro ship” friends, and I never know where to send them. The fact is, all that “conservative Protestantism in a gay hat” stuff has its claws into their age group, no matter which labels people put on themselves.

I don’t think there’s zero empathy. I think when directly asked about it, a lot of older people who are actually paying attention to fandom drama will talk about the social forces in play and how it’s not every young person. But when it’s not the direct topic, people make sweeping cranky statements that are the age equivalent of “Ugh, men!” or “Ugh, the straights!”

I agree: objectively, young people don’t deserve all this blanket blame. OTOH, all the people bitching didn’t deserve all the harassment they’ve suffered, and overly general salty statements are a fact of life on social media. I’m not holding my breath for this pattern to improve any time soon.

I say 20-somethings because, in my experience, a lot of this is 20-somethings and not people younger than that. Tumblr discourse and a fair quantity of twitter discourse is a bunch of 25-year-olds fighting with a bunch of 35-year-olds. Or a bunch of 22-year-olds fighting with 27-year-olds. It’s old vs. young, but it’s not even all that old or all that young. I assume the actual kiddos are off fighting with each other on Amino or something.

People can be dumbasses, including about history, at any age. (Try asking your average person lecturing about strikethrough literally anything about anime fanworks fandom history...)

[rechoired]

A problem with the Tales Of Arcadia community

First and foremost, I’d like to ask anyone taking the time to read this to please read the post all the way through before commenting on the matter. There is a lot of dirty laundry to unpack here, and some points will be building off previous ones.

I’ll get right to the point. Most everybody in the Tales of Arcadia fandom will have heard of the blog imthegingerninja / ginger-le-gay. She is one of the most well-known ToA-centric blogs, after all. (If you’re wanting to avoid her on Twitter as well, her account is Margaret Bell, or @The_Book_Bell.)

This is your PSA, TOA fandom: Ginger is a toxic, manipulative person.

This is not a claim I like to make lightly, but it’s long overdue that this issue is properly brought up within the fandom. 

I’ve seen so many people wonder why the Tales of Arcadia fandom is so small. Well, I and many others very strongly believe that Ginger is one of the main reasons for that, if not the main one. To make matters easier, I’ve tried to break this down into some main points. So let’s take a look at how Ginger falls under this category.

Disclaimer: Please DO NOT look at this post as an excuse to harass Ginger or any other blog mentioned here. This sort of behavior is NOT acceptable. The point of this post is to educate those who may not know the extent of her harrowing behavior, nothing more.

1. Dishonesty and Death Threats

[EDIT: Shortly after this post went up, she started blatantly lying about me to try to cover for herself. You can see those lies being easily disproven here]

Ginger has been kicked from at least three Tales of Arcadia servers, all for similar reasons of violence. While I cannot provide screenshots as I am no longer part of the servers they were in, there are multiple witnesses that can verify the disgusting behavior she engaged in. The one I saw specifically was her saying that certain members of the fandom should be gathered up and hunted for sport, among other gross things. (Elaboration of why can be found in point 3, though it still doesn’t excuse this kind of talk)

Here is some points made by another blog that also sums up similar issues with Ginger, though:

While there were multiple instances of her inciting violence towards others, this is unfortunately one topic I cannot provide specific screenshots for at this time. But I will add them in as I can find them. That being said, I want to move to the dishonesty, something I do have a screenshot for.

While you could argue that people sometimes notice the similar things, this is far too close together to be considered an “original find”. The reblog button is there for a reason, but she instead decides to steal the OP’s premise and present it as her own original thought.

There have been a couple other blogs that have confirmed that their theories and analysis posts were often stolen and presented as Ginger’s own as well, to the point where they stopped bothering even making such posts, as the above blog points out. (Out of respect for their privacy, I will not be naming these blogs. Say what you will about that possibly weakening my point, but if she’s willing to so blatantly steal from that person shown above, it shouldn’t surprise you that she’s so willing to do it to others.)

Theory-making and analysis posts aren’t as solidly “original content” as a piece of art or fanfiction, sure, but it’s still common fandom courtesy to give credit where it’s due. Ginger has intentionally avoided extending that courtesy far too many times.

2. Hypocrisy

Most of this is going to be about past Merlin vs. Morgana drama, though there are also words to be said for the incredibly shaky relationships she forms with “friends”.

But first let’s talk about those wizards.

This is a topic I’ve tried to approach with Ginger before, but she borderline refused to acknowledge any of the points I was trying to make, and when she did, I don’t know if I just wasn’t being clear or what, but it honestly looked as though she was purposefully trying to misunderstand what I was saying in her bizarre responses. (To be fair, I was sending messages out of anger because she vagueposted about a blog I admired, calling them a “disgusting creep” because of them simply saying they’d hoped Jim and Merlin would be able to actually bond at some point... Not really a justifiable reaction to such a harmless thought, in my opinion. But my point is, I recognize that the circumstances may have clouded my ability to vocalize my thoughts clearly.)

That aside, we should first acknowledge this post Ginger made to save face after having gotten some backlash about hate-train related things (Side note: I couldn’t find the original post, so this is a screenshot I got from someone else. I did not add the writing. The text underneath it should still be slightly readable, I hope.):

Taken at face value, this is a very reasonable post. I think everybody would and should be able to agree on it. Hate-meme him for fun, sure, but don’t actually harass or insult others over a fictional character. Simple, right?

Apparently not, because Ginger’s done loads of that to others. Probably why the “LOL” was added in, I bet.

This post confused me. First of all, exploring dark topics (”angst”, as you put it) has never been a rare occurrence, every fandom has that content, most in heavy abundance. I’ve noticed no staggering difference in volume of this fandom compared to others I’ve been in. People enjoy angst not because they think the character “deserves to be in pain”, they enjoy a fictional blow to their own emotions. There’s lots of different reasons people like angst, but it’s barely ever been out of a genuine hate for whatever character’s the focus, from all the things I’ve seen. Your own friends have indulged in Jim angst and body horror posts before, does that mean you think they’re awful people? I feel like I shouldn’t have to explain something like this.

Also, way to basically admit you think all Merlin stans get off on child torture. So much for “If you like Merlin as a character, you’re valid”, am I right? God, what a mess of a post. (It’s been very recently deleted, which makes me wonder if she got more backlash on it, but just... wow.)

Let’s look at another one.

Again. Vagueposting about someone specific, I’d wager, since most of the people I’ve seen comment on this topic either think both characters are morally gray, or hate both. 

But of course, when it comes to Morgana, suddenly excusing bad behavior can be justified. Ginger can call someone a disgusting creep because they want a familial bond between Jim and Merlin, that’s just wrong, but pushing the Mom-gana narrative with the genocidal abuser and Toby is completely fine, folks.

(Note: I would like to point out that I really don’t care about what theories and hopes people have for Morgana. You should be allowed to love that character in any way you want, same as I would say for Merlin. My issue with these examples is the completely brazen hypocrisy in which these two characters are treated. You’re obviously allowed to love Morgana without consequence, but the same should be said for any character of the show, and yet it’s not.)

The most obvious instance of this double-standard is well observable here, I believe: 

... I think this mostly speaks for itself. Sorry, but this is very blatantly trying to excuse Morgana’s actions, here.

Oh hey, remember that post about Ginger saying that liking Merlin must mean you want to see Jim in horrible pain? 

Say anything similar about her with Morgana, and suddenly she takes issue with this line of reasoning! 

I’m sorry, but if you can’t take this sort of thing, then you shouldn’t be dishing it out. One of your own friends is still getting hate over the simple fact of liking Merlin, and all this mentality is exactly why.

Let’s look at one more.

Fun fact! Morgana horrifically abused somebody for centuries, tried to kill multiple kids, took horrible advantage of Claire (probably traumatized her), and canonically wanted to genocide humanity, not to mention all the OTHER murders she's committed, both directly and indirectly.

But somehow pointing any of this out “doesn’t count”. This is why the fandom keeps saying more and more things like this: 

And this:

I could be going through her constant hating on Merlin and people who like Merlin for days straight, but I hope you all get the idea by now.

Again, I would like to just reiterate: You can like whatever character you want for whatever reason you want. The problem with this case is the hypocrisy and mistreatment of others, not your taste in characters.

Now interestingly enough, she’s lately been singing a different tune about the guy, switching from the “I hate Merlin I hope he dies!!!” mentality to “Oh he should get a redemption arc too :)” sort of thing.

I’m highly convinced that the only reasons for this “change of heart” is because of the constant backlash she was getting for the obnoxious amount of hate posts being thrown around all the time, but also because Aaron Waltke keeps tabs on the fandom more lately, and has spoken himself about Merlin not being a villain.

I could go on about this point forever, but I think I’ll just leave the Merlin topic with this post going through the hypocrisy of the Merlin Hate Train. In fact, here’s two just for fun.

Now onto more real-world focused areas of hypocrisy. One such instance can be found in Ginger’s Janus Disorder server. 

Just take a look at this post.

While the offender in this case isn’t Ginger specifically, it still takes place in her server, and she made no moves to enforce her “No discourse” rule. All over... what? A random kudos on a fanfiction that’s not even about anything controversial since all characters involved are adults? I immensely don’t understand the point of why this ever had to be an issue, or why nobody spoke up about how ridiculous this is.

I’d also like to point out a certain user called firecat17. For some quick context, waaay back in the Kung Fu Panda fandom (around 2018), this user had been harassing people and saying incredibly vile things, a person of which Ginger had a bit of a feud, but firecat’s anon threats had gotten to the point where Ginger ended up having to block their IP. 

Obviously, the user firecat was the one in the wrong, here. (Also, the irony in this comment is through the roof...)

Interesting point there, Ginger. Sure would be nice if you practiced what you preached.

Why am I bringing this random old drama up, you may ask? Well, it just strikes me as strange that someone who was so vile to Ginger is suddenly on her okay-list again, sending her asks and getting casual responses as if nothing ever happened.

To be fair, there is the possibility that they worked out their differences in private. But given the severity of the kinds of words being exchanged, I would still find that rather suspicious.

When someone who’s said things so vile can be so easily forgiven, yet something as harmless as leaving a kudos on some random fanfiction is considered grounds for harassment, it’s obvious there’s no stability or room for trust among this group of people. Unsurprising when there’s been several instances of this “friend group” turning on each other.

If you think you’re somehow different, that your “friendship” with Ginger or the others is more valued than that, then I’m sorry to burst your bubble but it’s likely not true. She’d throw you under the bus at the hint of you doing something she deems problematic, as it’s happened to multiple blogs before you.

3. Demonization of and insensitivity towards s*xual abuse victims

(This topic is one that’s hard for me to talk about, being a victim of CSA myself, so I’ve gathered some different sources to do most of the main talking for me. I tried to form more commentary on this myself, but I get too emotionally charged in my responses, and I don’t want that to cloud any reader’s perception of what I’m trying to communicate here, so I’ll try to keep most of my comments brief on this one.)

One thing recently brought to my attention about Ginger and her squad that especially bothers me is their rashness in labeling people p*dophiles and p*do apologists. If these claims were true, then I wouldn’t have a problem with it.

But these people are accusing others of these horrible things and threatening them on the sole basis of fictional content.

Now before you fly off the handle at me, let me be very clear: I absolutely understand that there are gross people out there who use the “It’s all just fiction” argument to hide their actual, pr*datory behaviors. (We’ve all probably seen at least one or two neckbeard memes of that caliber)

But like it or not, exploring traumatic themes through a fictional lens is something that has been studied and proven to be a genuine coping mechanism for some. It’s not something that works for me, but I knew a few people from past therapy groups that it worked surprisingly well for. Bringing a trauma into a controlled environment and processing it through fictional means can and does help some victims deal with what they went through. 

It’s important to understand that not everyone processes their experience in the same neat, little boxes you have laid out as the only “acceptable” ways of coping. Trauma fiction and expressive arts therapy are commonly used by victims, and it does help some people, whether you like it or not.

I’m already dragging this on too much, so here are some sources for better-worded information on the topic (Warning: Most of these deal with highly sensitive themes such as gun violence and s*xual abuse.)

Source 1 - Source 2 - Source 3 - Source 4 - Source 5 (pages 61 onward, specifically) - Source 6 - Source 7 - Source 8 - Source 9 - Source 10 (and believe me, if those all don’t satisfy you, I can easily supply more.)

And this quote from source 9 I think sums it up best:

“Fiction works differently. My imagination gives me a framework to process the grief and terror and the consequences, even when I myself have not found any resolution. It allows me to enter my own traumatic experiences sideways and linger inside them, if I know I can give them to characters who might be lucky enough to find the antidote: love, connection, community, family. In other words, I can enter — and exit — the trauma loop through stories that are not exactly the same as mine.

This goes for the reader also. Recent studies periodically assure us that stories — literary fiction, hardcover books, even the simple act of reading — promote empathy. We rarely have identical experiences, so fiction is how we practice linking our similar or parallel realities so we can feel them. This seems particularly useful in our current society, where we are all so separated, and are working so hard to block the violence that keeps happening to us from our minds.

Fiction connects us, and it can also contribute to our healing. When we see ourselves in worlds we don’t live in, like The Handmaid’s Tale or The Color Purple, sometimes, that very different violence helps us finally process our own. Because as much as our memoirs and testimonies are brave and validating, fiction does not just mirror our truths so they are safe to experience; it also helps us endure the aftermath. Because long after the immediate experience is over, survival struggles onward, in every moment of our daily lives.”

While most professionals have in the past advised that victims keep their trauma-related works more private, to only show it to your trusted friends or family, the fast-growing use of the internet has led more people to sharing it in an online platform, which is not unexpected behavior.

I unfortunately don’t have the screenshot of the original post, but there was a post made some time back literally telling a fandom member to go and hang themselves over this garbage. A survivor of s*xual abuse, no less. And to top that off, one of Ginger’s squad @emmy-puff commented in support of that violent post, as well as blatantly misgendering the target of it. While, again, I was unable to get screenshots, there are multiple witnesses to this instance, one Anonymous even having called them out on it back when it happened. (I suspect that Emmy deleted that answer due to how bad it made them look.) If anybody reading this has screenshots of the initial post or the ask that came of it, please feel free to share.

I don’t care who you are or who you’re talking about, if you use misgendering someone as a way to hurt them, then you are an insult to the trans community. That is an awful thing to do, and you lose so much credibility if that’s the only thing you can fall back on when getting in a fight with someone. While this post isn’t about Emmy specifically, this is exactly the kind of hateful rhetoric that’s being encouraged in the environment Ginger’s made.

Another thing I would like to point out on this matter is an instance that happened in the ToA fandom a couple years back. I, again, don’t have screenshots available (I believe the original post ended up deleted) but the post in question caused enough of a fuss that I’m sure a few people must remember it... 

A while back, there was an artist that posted uncensored, untagged r*pe art of Aaarrrgghh, Gunmar, and Jim in the main Trollhunters tag. As you can imagine, this infuriated many people. Many of which are among the list of those who’ve been labeled “p*do apologists”. Almost the very minute that post showed up in the tag with no trigger warnings of any kind, the fandom immediately got on OP’s tail about it, because they all shared that basic understanding of “This is a traumatizing subject for many people and they should have the ability to avoid it”. If the people you’ve labelled as pr*dator supporters were really as awful as you say they are, they would’ve jumped to that person’s defense, too. But they were completely against OP’s horrible lack of consideration of survivors, right alongside the rest of the fandom.

Am I saying you have to like trauma fiction? Absolutely not. Are there people that make trauma fiction that are actual pr*dators? I’m sure there are. But those people would be that way whether trauma fiction was out there or not. Gross people have existed and will always exist regardless of what media is out there.

I deeply understand the controversy, uncertainty, and stress that surrounds this topic, I promise you, I do. But the fact of the matter is, some people actually do use trauma fiction and expressive arts therapy as a way of coping, as has been observed in people even from ages as young as 5. To say otherwise is blatantly untrue. This isn’t a matter of opinion or morals, this is plain, studied facts that you cannot change about human psychology.

Nobody should ever have to go through something as horrible as s*xual abuse of any kind, and I know how deeply upsetting it can be to see certain images or stories with those themes in play. Those users with a sense of decency and understanding for fellow victims will tag their posts with the appropriate warnings. After that, it’s up to you to filter out what you don’t want to see. You curate your own internet experience, and it’s just plain irrational to try and harass everyone into conforming to your rules. While it’s an 18+ blog’s job to make sure to tag and label their content appropriately, it is your job to block the things you don’t want to see, whether you’re an adult or a minor. It is YOUR job to blacklist content that you know will upset you, because it is always going to exist on the internet, and any internet user needs to know and understand that. Multiple times I’d seen people going off about posts that were already appropriately trigger-tagged. If you don’t have those upsetting tags blacklisted by now, then the fault is mostly on you in that kind of case, not the OP.

Before I end this topic off, just one more example of blatant disrespect towards victims:

I’m sorry, but the absolute nerve of comparing some random fictional character you’re petty over to an actual pr*dator who’s terribly hurt real children is just awful. Imagine how insulted one of Onion’s victims would be if they saw that. Lord.

Ginger claims to care about victims, but she’s made it abundantly clear that she only cares about those that behave the way she think a victim should.

4. Ableism 

I’m going to just show a couple posts here and let them mostly speak for themselves. 

Just... my God. You looked at the definition of psychopath and decided that was enough to give you qualification to speak like this about it? Do you realize the extensive work and study of human psychology goes into the diagnosis and understandings of psychopathy? Not to mention, you just admit to thinking people deserve hate because of a mental disorder they legitimately have no control over? I’m sorry, but that is just cruel. Demonization of the mentally ill is not cute or funny. Next.

While I’m still annoyed with Emmy’s transphobic treatment of another user mentioned earlier, they make a very solid point in this instance. (The first post they referenced has since been deleted, but here’s the second one speaking out against the ableism.) I feel I don’t need to add much to this, as these points have already been argued very well by users better qualified to speak on the subject than I.

5. Manipulation tactics

This part is more observations of two kinds of abuse tactics Ginger appears to demonstrate, using the above as points of reference. 

First, there’s DARVO.

Then, less formally, there’s this good point about online cult mentality.

Before you say anything, obviously I don’t think Ginger thinks of herself as some sort of deity. While it could be argued that she considers herself a point of authority within the TOA fandom maybe, I haven’t seen enough of this to say for sure how far that goes. So that point can be ignored, because it mostly doesn’t apply in this case. (The “Dictating parts of your online life” might also not apply, but I can’t say for sure as I haven’t gotten any confirmation of that sort of thing in Ginger’s group.)

But there are grains of truth in the other four points, especially that last one. Plain and simple, she’s made people afraid to speak their minds about even harmless things such as character analysis.

Ginger is someone who can’t seem to comprehend different viewpoints and life experiences. She’s extremely unsympathetic towards people she doesn’t understand, as can be observed in above examples. Assuming malicious intent from everybody you can’t understand is a dangerous and hurtful mindset to have, for both you and those who you unnecessarily scorn.

There are a few outcomes I’ve speculated should she ever come to see this post.

1. She will ignore this post completely, pretending as if it doesn’t exist

2. She will dismiss me as being some sort of horrible person, a p*do apologist or something of the sort (despite being a victim of that myself, clearly she doesn’t care about who’s actually been hurt by real p*dos or not if they don’t conform to her narrow worldview), and claim nothing I’ve said bears any meaning, despite the extensive evidence I’ve provided.

3. She will get people to try and attack me. 

4. She will actually address these points in a tactful, mature, and serious manner instead of her usual act of trying to dismiss everything at the slightest hint of non-conformity. (The least likely outcome, but one can dream.)

I could add to this post all day, but it’s long enough as it is and my focus was on getting the main points out of the way. I understand that I lack some of the receipts necessary to back myself up in a few parts, but I know that many other fans have bared witness to those things, so I know there will be at least some people who’ll know what I speak of is true, and that’s good enough for me.

That being said, if anybody has screenshots of the instances I wasn’t able to provide for, it would be greatly appreciated if you could add them into the conversation.

!!!-If you have screenshots, but are too uncomfortable to get involved in this, then you can private-message them to me and I would be grateful and more than happy to add them in while keeping you completely anonymous.-!!!

(I've removed the section with all the tags, as I recognize it was probably going overboard. My goal was just to spread information, not to try and involve those tagged, but I understand how that may have gotten lost in translation and made people uncomfortable. Also, it apparently was showing up multiple times in people’s notifications when I only tagged people twice, so I’m not sure why that glitch happened, but I apologize for that annoyance as well.)

Now, to end us off, my responses to questions or angry comments I’m probably going to get:

You don’t even have all the evidence! How are we to know you’re not just lying about some of this?

Admittedly, I don’t have as much screenshot proof as I would like, that’s true. But for most of the instances I couldn’t provide for, there were other witnesses to her bad behavior. I don’t really have the need to lie when there’s already a lot of knowledge out there of the bad stuff she has done. Nor do I really have the emotional investment in this fandom anymore to lie for the pointless reason of causing drama.

Why post this on a throwaway account if you think people are on your side?

I just don’t really want my main blog associated with TOA anymore, to be frank.

You tagged a bunch of people, so you must be trying to get them to attack Ginger!

No. I tagged a bunch of people because I think this information should be heard on a wider scale, considering the position Ginger has in the fandom. I don’t want her or anybody else to be attacked, but her negative impact on this fandom deserves to be acknowledged.

Again, I don’t think Ginger or any of the others deserve harassment or cyberbullying or anything of that manner, that’s kind of what this whole post is against. And it just hurts the situation more than it helps it. What bothers me is how she’s never apologized for or even once acknowledged the gross way she’s treated people. While she might be more low-key about it now, she still treats people who don’t deserve it like garbage. There are still several people upset about the damage she’s caused to this fandom, rightfully so. I wouldn’t be so loud about making this post if I didn’t think it was something worth drawing attention to. 

Thank you for reading.

[andyquynhnickyjoebookernile]

The Betrayal

So, I was reading this amazing fic which is death, suspended by BeesKnees in the middle of the night and I was hit with this barrage of epiphanies. Also, before I get into those epiphanies, ‘death, suspended’ is an amazing fic that explores the idea of Joe and Nicky having been separated after the van scene. So if that intrigues you definitely check it out.

Anyhow, getting back to why I’m writing this post. I saw “The Old Guard” sometime this week and I know it is a utter tragedy that I don’t remember the date, so in the future I could pinpoint the moment my life changed but since that day I have been in a haze and when it cleared, I went to tumblr. I love tumblr, just going through the huge number of posts on the movie and especially Joe x Nicky has been the best part of the last two days. But, as I digged deeper I eventually got to the Booker discourse and Joe.

Truthfully, after having seen the movie, I would have been totally okay if they went along with Nile on Booker’s punishment because I got where he was coming from and I truly believed it wasn’t a malicious intent, it was self-serving but it wasn’t outright cruel but now, I’m rethinking that.

Let’s start with Nile. Nile was the one who was ready to forgive Booker immediately after and I realized this was because Booker didn’t betray her. Whenever Booker came up with this plan he didn’t account for Nile. Nile was a happy accident and she did get caught up in the fallout but she wasn’t the one being betrayed therefore, she was judging Booker on her own interactions with him which had been pretty good and even till the very end, I felt like if Nile had slipped away she could have escaped getting caught and being made into a lab rat. So, it makes sense that she is the most forgiving of this crime that wasn’t perpetrated against her.

But, Booker did make his plans fully aware of the fact that he would be betraying Andy, Joe and Nicky and they should be the ones to judge his actions because they are the ones most affected by it.

And, this is when I realized that irrespective of how desperate and depressed he had become, he was fully aware of how cruel his actions would be especially towards Joe and Nicky.

For a moment, I truly believe that he thought that Andy could possibly see his side of things. I feel like he really believed she would get where he was coming from and maybe even agree to his proposition for finding a cure to the immortal condition but that is something Joe and Nicky would never agree to.

For, Joe and Nicky immortality has been the biggest boon, it is the reason they found each other and centuries of happiness. I don’t believe either of them would chose mortality, if it really was their choice, anytime soon so they could never agree to Booker’s plan and Booker knows it.

Therefore, instead of convincing them and I believe he had a good chance of convincing Andy, he dupes them. And the moment he turns to outside forces, the more likelier it becomes that none of them can escape the fallout of his actions and decisions.

I briefly considered the fact that he was trading in the secret to immortality for a cure for himself and therefore he might have believed that Andy, Joe and Nicky could probably get out of this trial with their immortality and their lives intact. But, the more I think about it the more this line of reasoning falls through.

If this idea was something he had brought up to the other three, I feel like it would have been rejected, because Joe and Nicky don’t want a cure to immortality and they truly don’t believe that science can find a way to replicate it. Andy has the benefit of understanding both point of views, she gets why Joe and Nicky don’t want to get involved and why Booker does, so it’s anyone’s idea what her decision would have been. But, one thing the movie makes clear is that it isn’t Andy making the decision, it’s all of them and they all take equal responsibility for the decision they make as a team. In such a dynamic, Booker definitely wasn’t going to get his way of things.

So he looks outside for help and he finds it, he sets up the deal and his prize for honouring it. Logistically, anyone looking to help him through the scientific method would require all subjects because that way you can isolate the anomalies each individual might have and then cross-reference them to find the common ones making it easier to pinpoint the source of their immortality. So, to any outside presence it becomes vital that they get their hands on all four of the immortals they are aware of. Therefore, Booker essentially bargains three lives for want of one. This also works the other way around, finding a cure means finding multiple subjects to test it on and after animal trials you eventually do have to test it on humans and knowing all this, there is a very limited chance that any of them would have survived the fallout especially given the moral compass of the people in charge of this endeavour. Also, we have no idea what they might have looked at, one abject possibility is making them die of different causes to find out what brings them back and what doesn’t to find the answer to both questions.

This seems like a nightmare from anyone’s perspective, it’s already very clear that Joe and Nicky are horrified of dying and leaving the other behind and even more terrified of being the one left behind. To witness your loved one getting tortured or even being aware of the fact and not knowing when they won’t wake up multiplied with the uncertainty of them ever escaping this nightmare, is already horrific without taking into account the fact that they are also going to be aware of the same happening to Andy and possibly even Booker, makes it even worse.

And, maybe Booker really hasn’t thought this far ahead and he really believes they make it out, each with what they want, it still means that in doing this he was fully aware of the fact that the team wouldn’t agree as a whole and instead of living with this he decides to take their choice away.

I also wonder if Booker was to some extent motivated by jealousy because truthfully there doesn’t seem to be anything countering this particular point.

Which brings me full circle, to the fact that Booker’s betrayal is extremely pointed towards Joe and Nicky, they are the victims here and unfortunately the story makes them suffer the most for it as all. So, now I get why they can’t and why they won’t and truthfully why they shouldn’t let Booker off the hook.

Interestingly the only reason, I feel like Andy isn’t equally incensed as Joe and Nicky even though she has had her choice taken away just as much as they have, and this betrayal has been fully against her as well even though thankfully, she doesn’t have to suffer through it as much, is because she invariably gets everything she wants. She gets back her purpose for life through Nile and she now has an expiration date for it as well. She manages to come out of this ordeal better as a great testimony to who she is.

Also, for someone who seems to have lost her faith in humanity seemingly fairly recently, you also can’t discount how many chances she has given it. She is over six thousand years old and she seems to have managed to look at the very worst of humanity, has died because of it countless times and she can still at the end of the die find her way back to humanity. That just gives you an idea of her calibre for forgiveness because I have been on this Earth for some two decades and I haven’t remotely witnessed the worst of humanity and I’m still disillusioned by it. I mean I totally get why Andy was able to face and hug Booker at the end of it. She was also the best person to talk to him about it because she can see both sides of the coin and now having had her faith and purpose in life restored she can still look forward to it even knowing that she now has an out.

Also, faintly I wonder if Booker wasn’t actually horrified by what mortality would mean once he is faced with the fact that he could be the reason Andy dies, like I feel like that moment jolted him out of his head space and actually made him face what the consequences of his actions looked like. I even wonder if Booker was just skeptical about what Andy was telling them about Lykon until this point, given that she is the only witness to the event that he knows of, which now makes incredible sense. Having Andy turn mortal means that Booker has to realize that the fear that Joe, Andy and Nicky have is real and something that he should have also feared that their immortality and their life wouldn’t jump back into their lap every time and that there would be one final time to it. The very fear that have we have seen manifested in Andy and Joe’s eyes towards Booker and Nicky’s deaths respectively.

This definitely turned out way longer than expected and I unexpectedly ended up answering a question I didn’t even know I was trying to answer - why Andy turns mortal in a divergence from the comic canon?

[a-crimson-lion]

That new analysis is great, and I haven't even read that chapter! Personally, while I still dislike Bakugo, the things I'm hearing about 284 actually sound good to me--I feel like not only are his stans being annoying about it though, but those who dislike him *might* be being a little hard on him? Not YOU, of course Crimson, you did a great job keeping your analysis balanced, but I've been seeing people still hoping he dies and that doesn't feel right to me (1/2)

(2/2) Like it's not perfect, but he's getting there, y'know? If it's true, and he really is starting to see that he was an ass, I'm willing to finally give him a chance. I agree though that he also has to finally acknowledge the impact this had on Deku.

The State of the Fandom: Katsuki Bakugo

‘Kay, gotta keep this short so I don’t write another 4K essay out of nowhere. (Foreshadowing)

So first off, if you have no idea what @cjcroen1393 is talking about, check out the analysis here.

Second off, if you still haven’t read Chapter 284, check out the official VIZ translation here. New chapters are only free for the first three weeks after their debut, so make like an Ochako and get them savings!

Alright, now back to the subject at hand...

First off, while I appreciate the flattery, if I’m being completely honest, I’m still sort of skeptical because we just got Chapter 284, y’know? I wanna hold my breath, but I’ve already been through Bakugo’s Start Line, the Final Exams, and the Remedial Course Arc, three concrete moments that should have showcased Katsuki’s development and either came with conflicting results or were later debunked (Katsuki sticking to his original bull-headed strategy, Katsuki only working with Izuku as a last resort after stating he’d rather lose earlier, Katsuki saying not to look down on others and then looking down on the rest of UA due to a problem he inadvertently contributed to). But yeah, I’ll stick around and see what happens.

Honestly, I feel like 284 has a lot of opinions focused around Katsuki when you’re looking at him specifically. And no, I’m not talking about a direct AntiBaku vs BakuStan thing, that’s not what this is about. I can’t speak for all AntiBakus, obviously, but from the discourse I’ve seen, we’re all currently split into one of three categories:

Cautiously optimistic, willing to see how things play out.

Perpetually exhausted, nothing Katsuki says or does will make him worthy of atonement or redemption.

Kill him with fire, burn him at the steak, he’s worn out his usefulness.

I’m stuck between the first two categories, and the only reason I’m not in the third category (aside from Katsuki’s basic human right to live) is this:

A dead person can’t change. A dead person can’t suffer. Take that as you will.

And that’s not even discussing how the entire fandom is looking at things. Again, from what I’ve seen, the opinions split into three or four categories:

Look how far he’s come! (←The majority of fandom.)

Look how far he has to go… (←I am here. And maybe some AntiBakus.)

He AlWaYs CaReD!1! (←Cease your existence.)

I want to believe, but the narrative has taught me otherwise. (←The majority of AntiBakus.)

[‘Kay, this is where I’m cutting it off. Click “Read More” if you’re still awake.]

I’ve already said my piece on why the “HAC” take fills me with righteous fury, but let me see if I can explain it better with an analogy:

Let’s pretend for the moment that you’re a gold miner. Obviously, you’re looking for gold.

Your boss has you sent down into the mines to head into one of the more��� frustrating caverns. Figuring you have nothing better to do, you get to work.

As you get into picking away at the rock in the search for gold, it takes you hours. And eventually, you stop striking bits and pieces and find a solid chunk of gold ore.

Now, your response can vary based on which of the categories you’re in.

If you’re in the “He’s come so far” camp, you are very excited to find this piece of gold.

If you’re with me in the “He’s still got a ways to go” camp, you remember that this chunk of gold ore doesn’t meet the quota. You still gotta dig.

And if you’re in the “HAC” camp, it’s essentially the same as walking back to the cavern entrance, digging down, and finding the quota of all the gold you need.

Sure, it seems like a good deal for most people, but you just wasted a long time getting to one good chunk when you could have dug down from the start. So what was the point of digging your own tunnel to begin with? That’s several hours, or even days of your life, you’re never getting back, because the cavern decided to be cheeky.

(Also, if you were in the "I don't wanna get my hopes up" camp, you've been digging through a pyrite vein and are skeptical.)

I hope that makes sense.

If it doesn’t, essentially the “HAC” line of thought feels cheap because it makes it seem like Katsuki was being needlessly extra from the start. If he always cared, why does he have to suicide bait? (Yeah I know y’all hear that too much but that doesn’t change the fact that it happened.) If he always cared, why does he have to even risk almost killing Izuku in the Battle Trial? If he always cared, why does he almost consider losing in the Final Exams? It just opens up a lot of holes.

I’m not gonna tell you to not be a fan of Katsuki or to not like him, because that isn’t realistic. Hell, if I shouldn’t have to justify why I don’t like him, you guys certainly don’t have to justify the opposite. But there has to be a sort of awareness that comes with either territory.

Because whether you like it or not, Katsuki HATED Izuku from Ch. 1 to getting kidnapped.

He saw Izuku as an OBSTACLE from Deku vs Kacchan 2 all the way to the OFA meeting in Ch. 257.

...and right now, Katsuki is finally, FINALLY recognizing Izuku as a person. A person who is in real f***ing danger and can’t bear the weight of the world on his shoulders. The extent remains to be seen, but what Hori has set up so far is really promising.

But that’s the thing: we’re still in the setup phase. I talked about this before in my last post, but right now we’re only in the third phase of Katsuki’s attitude. The “What The F*** Is Your Existence” phase lasted 116 chapters. The “I Can’t Let You Get Ahead Of Me” phase lasted 141 chapters. And the current phase, the “Why Don’t You Care About Yourself” phase, has only been going on for 27 or so chapters. And Katsuki only recently acknowledged that he bullied Izuku in a flashback somewhere in that time frame.

And the thing is, this doesn’t absolve Katsuki of anything. I still firmly believe Katsuki was being legitimate when he was talking about hunting down Tomura and using Izuku as bait, because that competitive side of him is DYING, not DEAD. And Katsuki still has yet to address the issue in his relationship with Izuku beyond internal and external monologues to people who are decidedly not Izuku, though there’s a high chance of that changing in Chapter 285. And the thing is, all Katsuki recognized is that Izuku’s inherent selflessness made him uneasy, and that was the main reason he bullied him. He still has yet to realize that he is a direct contributor to Izuku’s selflessness being warped into hardcore martyrdom. In his acts of beating Izuku, he lessened his self-worth and thus, made him believe his life was worth giving up. We still got stepping stones to cross, and while Katsuki’s making progress, he’s not across the creek yet.

...and while I’ve personally given up all hope of viewing Katsuki’s redemption in a satisfying light, I am hoping that Hori gets it right for the rest of you.

Thanks for reading.

-Crimson Lion (22 September 2020)

[thewreckkelly]

Brendan Behan, Nurses & Invalids 

In the course of discourse last Wednesday - it being here on the temperate southern coast of Espanola – the sun held court in a clear sky, the mood was light, the topics tidy and tame allowing high quality / low cost coffee, cervezas and vino to flow  unabated until the tolling metaphorical bell of COVID curfew sounded.

The party was within the legal limit of six and composed in the comfort of those who have an affinity for such a gathering along with an obligation to participate in argument, debate and shared laughter.

An enquiry was forwarded concerning long playing records or albums or CD’s or downloads – depending on one’s vintage and use of expression – which had made a personal impact beyond the moment, or even the era, and continued to colour thinking to the extent of influence ...... in simpler terms; ‘what are your top five albums of all time girls and boys?’

Despite generally having serious objections, (unvoiced on this particular occasion), to limiting all or any artistic expressions I have heard and felt throughout my life to a list of favourites – not possible ... no .... definitely not possible – I accepted the premise of this parlour game and became a good listener as those around me were rapidly definitive in choice only to, equally rapidly – as they heard the selections of others – realise such a table was not as easy to compile as an order of drinks for the table we were being hosted at.

Brendan Behan once said that people come in two baskets; ‘Nurses & Invalids’, and that was never more apparent when listening to the voices and changing choices my fellow ‘pop pickers’ were visibly consumed by. I don’t know why I suddenly thought of this quote, but I do know this, it took me on a journey.

-o- 

Back when I was bordering on adolescent awareness, a friend of the family – a very accomplished fiddle player by the name of Tom Potts – came up to our house one Sunday evening to be recorded by my Dad.

It was a time in Ireland when traditional music was neither popular nor profitable and my old Man, (fancying himself as the Dublin George Martin looking for the next big thing), had cobbled together, in the front room, a recording set-up of an old Philips reel to reel, a solid state Sony amp, homemade speaker cabinets with highly magnetic cones attracted to feedback and a couple of battered mic’s he’d procured from a friend at the Olympia Theatre; ‘they’ll be grand Mattie, just a bit on the temperamental side, as you’d expect, given their age an all’.

With wires everywhere and pillows from every bedroom strategically placed to ‘baffle’, (whatever that meant), the whole thing became an exercise in endurance and excessive use of the vernacular – if we thought the annual ritual of putting lights on the Christmas tree was a trial, (in me Da’s frustration and bad temper), then we were in for a shocking reality that night.

Anyway .....

When the deed was done, the whole family was summoned to sit around the good table and take in a playback performance of the evening’s artistic industry. The tunes, to the best of my memory were ‘The Coolin’, ‘The Blackbird’ and ‘Saddle the Pony’.

Having just recently discovered David Bowie and The Velvet Underground I found the whole experience excruciating but, in the manner of beaten down social etiquette, made the appropriate gestures and noises of acclaim like the rest of the sheep comprising that limited audience.

As Tom was leaving, flushed and fulfilled in the role of recorded artist, he interrupted the farewells and asked for a minute while he got something out of his car. Returning he handed an LP to my Dad with the sentiment;

‘This is the sort of rubbish we’re up against Mattie, have a listen if you can bear it’ 

The album was not new – I later learned it was fifteen years or so old – and my Dad for no apparent reason did not feel inclined to share anything about it once he’d glanced at the title and artist, instead of which he tucked it under his arm and disappeared back to his ‘recording’ studio.

I asked my Mam later and she cautiously explained; ‘Daddy was going to listen to it first to make sure it was all right’.  

Curiosity being immediately piqued I countered with the obvious; ‘Why?’ 

‘Because the man who is on the record is someone your Daddy doesn’t trust to be heard by children’ 

As a 14/15 year old I didn’t consider myself a child and of course I was immediately on a mission.

-o- 

So here I was, being a touch mesmerised by my Spanish cafe society, congregated on a terrace of a small cafe on the border of Fuengirola, each and every soul enunciating well remembered classic albums with over-zealous eulogy and gentle critique in unequal measure – while all the while my head was back in the good room of the house I grew up in, remembering seizing the first opportunity to be alone into the evening to listen surreptitiously on BOSE headphones to the recordings of a man my Dad doubted as an artist and influencer.

And amid all the noise of luminaries from Mozart to The Beatles - along with everyone else, that deserve listing, being thrown in for good measure and reason – I was honestly lost to the surrounding conversation as I replayed in my distracted mind what I could remember from back then of - what is essentially - a drunken ramble in the unique voice of a Dublin, (and Dubliner), on the cusp of being changed and lost for better or worse.

-o- 

The record was produced in 1959 by a fella with the grand name of; Arthur Luce Klein and recorded by a less exotically titled engineer; Peter Hunt. The artist is Brendan Behan and there are, in total, fourteen songs, (or bits of songs anyway),  performed a-capella with a peppering of satirical and self absorbed comedic explanation and bar-room philosophy included for God only knows why - not the hint of a played instrument throughout.

-o- 

I made no mention of such a pleasurable guilty choice to my fellow reflectors as they collectively selected the great and good formally recorded released music has to offer – it just wasn’t the time nor the place.

However, I made it my mission, (again), to find this displaced memory online

And so it was I found myself, (once again), sitting alone later that evening in shades of long time past, listening and reflecting and never once wondering why something so acquired works as a Top Number Something for me – and sure isn’t that the precise point of these things?

[exhaustedarts]

Spreading Like Poison Ch.2

Ch. 1  Ch. 3  Ch. 4

Virgil and Janus have been dating for over a year now, and the fans were demanding a Q&A after it finally was announced. 

Janus had gotten a spot near the beanbag chair, which was opposite of Virgil. There was one question for the ‘Anxceit ship,’ as the fanders called it. It was directed at Virgil.

Thomas asked, “Is Deceit a shitty boyfriend to have?” He looked up at Virgil, surprised.

Janus had stood there in shock, his mouth gaping open. The others were put off by it too, but Virgil didn’t skip a beat. 

“I mean, I wouldnt say shitty, but he isn't a great one, either… He lies duh, he'siterally the personification of deception, but he also doesn't listen to me.  I make a point, he doesnt like it. I don't really get why he always contradicts me, though. Its kind of.. Well, illogical. And I know logic isn’t his forte, so..”

Janus sputtered. “Wh- b- I-”

Patton frowned. “You do do that. I mean the contradiction. Well, I assume also the lying. Maybe you should try to agree with each other more! Agreement is the key to a healthy relationship.”

Roman raised an eyebrow, his hand sliding to his katana. “What do you lie about, Janus?”

Janus felt his sasy, sarcastic video persona crumble. “I- I try not to,” He said, looking around the room nervously. “I’ve been trying not to mess up, honest!”

Virgil shrugged. “It doesn’t really bother me.”

Logan had adjusted his glasses in that, ‘I’m about to spout a few facts,’ way. “It seemed to me that it did seem to bother you, at least a little. In fact, according to recent psychologists, lying in a relationship destroys self esteem, and it develops trust issues between people. As humans, we need to be able to trust someone, and usually someone who is deceptive is someone we don’t need to trust. Perhaps Janus is not the best partner.”

Janus felt absolutely sick. Thomas’s Logic had proved that he was a bad boyfriend. “I- I- I-” He couldn’t force a proper sentence out. After a couple failed attempts, fully aware of the others watching him, he forced out some kind of sentence. “I don’t want to be, I don’t mean to,” He hiccuped. “I’m- I’m so sorry,” he said, and with a choked off sob, he sunk out before he could hear a reply. 

The room was silent for a moment. 

“He seemed genuinely upset,” Thomas said, shocked. “That wasn’t his lying tone, I think that he really didn’t know he was hurting Virgil like that.”

"The poor kiddo.." Patton said. "I'm gonna go check on him." 

"He actually kinda likes to deal with things alone.. learned that the hard way." Virgil chuckled. 

"The hard way?" 

"Yeah, he hisses at me then ignores me. It's fine though."

Patton made a concerned nose at the back of his throat. "Kiddo, it sounds like a bad relationship. Maybe you guys should break up?"

Virgil shrugged. "Maybe." 

Janus sighed heavily. He was looking back at the footage in the present, and he honestly couldn't care less at this point. Virgil had made it evident that he'd fucked up everything. But he loved Virgil! He didnt want to break up with him, and he hadn't brought it up.

At this point, he was just feeling depressed.  He didnt really want to do anything anymore unless it was sitting on the couch taking up as little room as possible. 

After he had heard Virgil say how he lies and how it made a bad relationship, to ensure he didnt lie, he talked as little as possible. 

He had even given up his self care days. Those were the days where he sat in his room in a Scooby Doo onesie, binged all of the What's New Scooby Doo's, and ate an entire pot of Mac n' cheese. Logan highly protested those days, since they were bad for his health, so he just quit them to avoid discourse. 

Earlier in the week, he had taken his box of 'special' memories and given them back. Logans old tie, Roman's old sash, and one of Patton's stuffed animals. He remembered presenting them to the sides with a look of shame on his face. 

The hardest to return was Virgil's old hoodie. He had been nervous about it for an hour before he had finally worked up the courage. He had said, “I.. I kept this after you changed your style. I know it was weird, but you hated me and.. I didnt know what to do.”

Virgil was silent for a full minute before answering. “Creep,” he said, and hung the hoodie in his closet.

So here Janus was now, laying on his bed and watching the latest Sides episode for the eighth time in a row.

He felt a tug on his navel and he flinched. Someone was lying. 

He sighed again, putting his phone away. He needed to get some food, he knew that. But he just couldn’t bring himself to care. So he just laid there, staring at the ceiling. 

Someone knocked on the door and Janus groaned. “Come on in,” He said, rolling over.

Virgil opened the door. “Yo, snakeface. Haven’t seen you in a while, so get your ass downstairs before I drag you down.”

“I don't really want to..” Janus’s bed was soft, and he was comfortable and warm. 

“I know that we dont need to eat or do anything, but stop being lazy. Its really not the good kind of selfish.” Virgil said pointedly, sitting down on Janus’s bed. 

Janus sighed. “But-”

“Just come down before everyone is more stressed out. Remus had a whole cake for breakfast, now hes chasing down the others going, ‘IMMA FUCK YOU’ and you know how to deal with it. Also you should eat something otherwise Patton’ll die from the stress.”

Janus twisted the sheets. “Okay. Um, who let him have a whole cake?”

“He got up and made one at 3 in the morning. It actually looked edible. Then he just started ripping out chunks of it and eating it. Theres frosting everywhere.”

Janus chuckled. Virgil was just sitting there with him for once, and he felt content to just stay like this, with Virgil and his snake plushes. But he had to go downstairs. 

“Hey Virgil?” He said, sitting up. “Do you hate me?” He lifted his eyes to Virgils.

“Why do you ask?” 

“Well, I was rewatching the QnA thing, and- and the one question about if I’m a shitty boyfriend.. And I was just wondering if you.. if you hate me.” Janus stared into his lap. 

Virgil scooched closer, putting his arm around Janus’s shoulders. “Is it because I dont hug you enough? I can be more affectionate!”

Janus’s skin was lit on fire and he smiled softly. “Yeah… this is nice..” 

Virgil gave him a light squeeze and stood up. “We can cuddle later. Right now, lets go downstairs.”

Janus groaned and pushed himself off the bed. “Remind me again, why do I have to go?"

"You know how to calm Remus down. Now come onnnn," He tugged on Janus arm like a child, smiling.

Janus laughed. "Okay, okay!" He grabbed his hat and allowed Virgil to drag him out.

[lewlthea]

The Actual Thing Going On With Edelgard Von Hresvelg.

 Spoilers: It’s not fascism, nor racism (at least not in the way people think). Also, actual spoilers for the game.

If there has been a controversial character in Fire Emblem Three Houses, it’s Edelgard Von Hresvelg, one of the game’s main three lords, the house leader of the Black Eagles, the princess and sole heir of the Adrestian Empire, and an antagonist in every single route but hers. She has been a polarizing figure within the community: Some people think she’s an irredeemable monster, others think she’s a misunderstood leader. When it comes to Edelgard, theres hardly a grey opinion towards her; She’s either black or white. Today, I wanna talk about Edelgard’s actions towards the 4 routes, what they actually portray, and how and why the entire discourse towards her was caused deliberately by Intelligent System’s incredible mishandling and mistreatment of the character.

I remember Nintendo’s 2018 E3 conference quite well. I was at with a group of friends, watching at one of them’s house because he had a bigger TV. I remember making jokes about how “there was going to be a new Fire Emblem” because loving Fire Emblem when Intelligent Systems is Like That is a living nightmare.

And then this happens.

Words could not express the joy I felt when the trailer was over. It wasn’t just a new Fire Emblem game: We were going to have another lady lord, and an axe-wielding one at that - something the fanbase had been desperately craving since the recent surge in Hector’s popularity - and for once, it was like when I first found out that there would be a new female character in Shadows Of Valentia with Faye, and it was the tipping point for me to finally buy a Nintendo Switch.

Of course, just like Faye, things weren’t that simple.

Because some months before E3 2019, which promised to reveal more info on Fire Emblem 3 Houses, Reddit exploded. All because of someone who goes by the username Thanibomb, who claimed to have leaked info on the game, saying a lot of information about all the characters, some of them very questionable (With things such as Lysithea would die due to her crest complications, and it would cause the major 5-year war, and other things like Claude being the one who shot Dimitri’s eye off), while other info being oddly specific. A part of it that made me particularly chuckle was when such user said that Dimitri would have lost an eye, and would cover it with an eyepatch. I found it so silly and, along with some friends, claimed it to be fake and carried on.

And then E3 2019 happened.

And Dimitri had an eyepatch. 

And still, even after Thanibomb, things remained optimistic. All lords looked nice, they seemed to have their own ideals, their own paths, and no fights were breaking out within the fanbase yet. But then early copies were sent to reviewers. And then 4chan got a hold of one of those. And then the main leaks started. And by the time the game got released, it was too late. The amount of hate comments towards the character was so overwhelming; some calling Edelgard a fascist, others claiming that she was racist, others even saying that she gives racist remarks towards Claude ingame (a blatant lie). A personal favorite comment of mine was how Hubert and Edelgard looked like the perfect alt-right couple. 

(Should I remark that these kinds of comments stopped as soon as they found out that Hubert could A-support Ferdinand, and most of them moved on to fetishize the relationship between the two of them instead. Ironically, before that happened people despised Hubert in general solely because of his unusual appearance and shady behavior, but that was soon seen as ‘nuanced’ the moment he could be paired off with another man.)

And so, a fight between the fanbase begun: (Mostly) Blue Lion fans bashing Edelgard’s character, Black Eagle fans defending her vehemently, and Golden Deer fans between either on any of those sides or just making memes for Joe Zieja’s rally campaign for the GD. Mostly the latter. But that’s beside the point.

A (Kinda) Brief Summary of Edelgard’s Presence In Azure Moon, Verdant Wind, And Silver Snow.

Throughout the game’s second part, unless you’re playing the Crimson Flower Route, Edelgard will always be an antagonist who cannot be spared, and she cannot survive unless it’s in her own route. However, the way she is percieved changes depending on each route you are making, with each route leaving small fragments depicting Edelgard’s past and shaping her character in full scale. 

In Verdant Wind/Silver Snow, Edelgard isn’t the final boss. She is one of the bosses before the big fight. (Nemesis in Claude’s case, Rhea in Seteth’s). She’s one of the obstacles, but not the main one, therefore there is not much insight on her character; However, there is still one element present in those routes that is curiously omitted from Azure Moon that is the reason why she doesn’t really have too much focus, that being Hubert’s final letter.

In both routes, Hubert seems to highly respect Seteth/Claude’s prowess in the war and their cunning mind. (Especially Claude; Throughout both Verdant Wind and Crimson Flower, he commends Claude’s tactics and strategies multiple times). In the letter, he gives the location of where Rhea is confined and asks them to eliminate Those Who Slither in the Dark, the game’s true villains and the ones behind most, if not all the game’s tragic events. Even more curiously, though, is the fact that the letter does exist on the Crimson Flower route, and can be seen briefly on Hubert’s B support with Ferdinand, being the reason of their argument throughout the conversation. Not a single mention of the letter exists in the Azure Moon Route. (Of course it would not make sense for it to exist gameplay-wise due to the player having already murdered Arundel/Thales earlier in the game but. It’s still something to be accounted for).

Speaking of Azure Moon, this is a much more trickier route to talk about. Not only due to the fact that Edelgard is this route’s final boss, but also because all of the things we discover about Edelgard within it are never mentioned in any other route, only brief mentions about the time she spent in the Kingdom; nothing more. 

In here, her time spent on the Kingdom is expanded: Both Edelgard, her mom Patricia and Arundel were sent off to Faerghus due to exile, with Patricia being set off to marry King Lambert. There, she meets Dimitri, and they both become fast friends. By the time she has to leave, Dimitri gifts her with a dagger (Which, in Faeghus, are important gifts that mean ‘to cut a path towards a better future’), and she returns to Adrestia. Some time after she leaves the Tragedy of Duscurr happens, caused by Those Who Slither in the Dark. However, due to a misunderstanding caused by eavesdropping on a conversation between Thales and the Flame Emperor, Dimitri mistakenly believes that the Flame Emperor was behind it all, and once the Flame Emperor’s identity is finally revealed to be Edelgard, she is instantly demonized and called a ‘witch’, even though she openly declares how she had nothing to do with it. This goes on until Rodrigue’s death and Cornelia’s reveal that Patricia was the one behind the Duscurr Tragedy so she could return to the Empire and “reunite with her daughter”. (We never find out about what happened to her and she is not mentioned during the Crimson Flower). Dimitri tries to talk Edelgard off their final confrontation, but Edelgard insists that it is far too late for her to back down for their ideals are far too different, and she refuses to live in a world where the Church of Seiros exists. Dimitri then hands back her dagger (Which she accidentally dropped before the timeskip), and they both retreat to prepare for the final battle.

This route’s final boss is an Edelgard who was absorbed direct power from Those Who Slither in the Dark, and adquires a grotesque, corrupted form. No other character in the canon possess such a thing, and only Edelgard can assume such form. Once she is defeated, Dimitri tries once again to spare her, only for Edelgard to stab him with the dagger, making Dimitri realize that she would never give up on her dream, and finally kills her.

An Even More Brief Explanation of What Does All of This Means.

Okay, all of that info was nice, fun, good, yadda yadda. What does this mean and why was it needed.

Well, for starters, let’s ask ourselves a question: After reading the summary, can you say that you know what drives her to seek out the destruction of the church?

What is her reasoning behind the unification of Fodlan?

Do we get anything out of her other than “Scary dictator” or “An obstacle that had to be sadly removed” or “Under better circumstances... We could’ve been Allies (tm)”?

We don’t. Because Intelligent Systems did not bother to show Edelgard’s motivations, despite her being the villain in almost all the routes.

During Verdant Wind and Silver Snow, Edelgard herself does not matter: she’s solely important because she is threatening the church, she is your scary big bad dictator that you have to beat in order to rescue Rhea, only to find out that in reality she was just a stepping stone to the real villains, Those Who Slither in the Dark. (In game it is said that Hubert came up with this name. In my humble opinion Hubert can go fuck himself because this is the shittiest name I have ever seen and I am tired of having to type this five word long thing every paragraph or so). As soon as you read the letter, suddenly Edelgard, the Empire, and all the questions you had as to why she Did It dissappear because now you have another objective, another goal. 

This is even more offensive during Azure Moon because she is the focus, the final boss, but it doesn’t matter why she did all of this nor what her ideals actually are despite them being the reason why she cannot be spared. The game would rather focus on getting reactions out of the player when the intimidating big meanie does something that makes Dimitri go angry than actually focusing on the clashing of Dimitri and Edelgard’s ideals, why they cannot go back to what it once was, what happened to her to change this way, why did ‘El’ actually die. All you have is a dictator in red which does things for no reason other than “I will destroy the Church and unify Fodlan so I can govern over all of it”. Nothing more, nothing less.

....Of course, you do realize that I have avoided to talk about a certain thing.

So, About That Crimson Flower Route...

If there is a way to truly understand a villain, one must walk on such person’s footsteps. Most people criticizing Edelgard were the ones who hadn’t played her route yet, or had only played Azure Moon and was led to believe that all of Edelgard’s actions are unwarranted or pure nonsense. 

There is a reason why people sing their tune differently as soon as they experience the Crimson Flower.

For starters, to be able to fight for Edelgard, you have to first have her support up to C+, go with her to Enbarr once she asks of you, and then defend her from Rhea at the Holy Tomb. The reasoning behind that is so that you fully understand what Edelgard has gone through and the reason why she cannot agree with the existence of the Church.

The Azure Moon route tells you of Edelgard before she returned to the Empire.

It never tells you what caused her to change after she went back.

Edelgard was part of the crest experimentations caused by Those Who Slither in the Dark, alongside all her siblings. Her father, the emperor, was unable to do anything about it, as the real people in control of the Empire were Arundel/Thales and Duke Aegir. Being the sole survivor of such things to return to society and see how everything is defined by whether you have a crest or not and finding out that the Church, who instead of breaking down such system to favor equality would rather turn the creatures who run it into figures to be worshipped is. Something.

There’s another reason for Edelgard’s sudden betrayal, a more sinister one, and why she feels like everything needs to be done in a quick pace. In her C+ you find out she has a second crest, The Crest of Flames, just like the player. People who bear two crests have a shortened lifespam, however.

When Edelgard declares war against the Church, and to unite Fódlan, it’s not solely because ‘Church bad’: She declares war against the unfair crest system, against the hypocrisy of Rhea’s dragon entourage, and of course, to destroy Those Who Slither in the Dark later on the road.

  However.

Just because Edelgard’s behavior is justified, does not mean she is 100% in the right. She herself admits that the path she follows is one drenched in blood. But there are several times in the game that makes you stop and think for a second that she can still make bad decisions, and that sometimes her decisions might have horrible consequences. One of them is for example to never take away Brigid’s status as a vassal to the Empire and return it back to it’s former glory as an actual country, which shows how the entire Brigid kerfuffle is something akin to colonization. We should also point out that when she unifies Fodlan, in some endings she remains the Emperor, completely missing the point of what she fought for.

Another case that shows one of Edelgard’s biggest flaws is with the Silver Maiden incident.

Edelgard had just conquered Arianrhod, the Silver Maiden, and due to murdering Cornelia, enrages Ariandel/Thales, whom causes the situation above out of a show of power. She knows it was Those Who Slither in the Dark, but she needs to give explanations fast and she can’t reveal their identity or else they would slip away and it would be impossible to locate them and destroy them. So what does she do?

She says it was Rhea who did it, actively lying to her closest allies, one of them being the Prime Minister of the Empire.

For Edelgard, the ends justifies the means, and as long as she gets the results she wants, she will do what it takes. Even by alienation. And that’s a dangerous way to go on.

...So, where do I want to go from here? Who is to blame for the hatefest Edelgard is receiving?

Intelligent Systems Kind of Didn’t Know What To Do With Edelgard.

Now hold on. That sounds a bit too harsh, don’t you think? She was the first lord shown in the E3 2018 trailer, they have placed a very big emphasis on Edelgard everywhere hell the game’s main theme is about her, why would you claim that??

Well, first and foremost, I should start by saying that Crimson Flower is the game’s shortest route, with the total of 18 chapters. From those 18 chapters, there is only one cutscene, with most of the route’s major events being shown with either the game’s basic models or still images.

For comparison, Verdant Wind has the total of 8 cutscenes, counting the final one before the timeskip, with 3 of them being unique to its route.

Azure Moon has the total of 5 cutscenes, 3 of them being unique to its route. 

Silver Snow has 4 cutscenes, having 2 unique ones to its route.

The other two main lords have several support options with people outside of their respective houses; Edelgard only has one.

Remember when I said that one of Edelgard’s main enemies are Those Who Slither in the Dark? The game never lets her deal with them personally. You never truly fight them during Crimson Flower.

In a way, the game feels as if while Edelgard is the focus, you shouldn’t side with her. It really makes it feel as if someone at Intelligent Systems just snickered and said ‘Hey wouldn’t it be cool if we could let our players side with/date our villain?’ without even considering or respecting such villain’s motivations, her ideals, and what truly makes a character unique.

In the end, all they truly cared for was if Edelgard was romanceable enough for the player, not if she made sense or was appealing as a character, whether as a villain or a savior.

And considering how the fanbase is behaving towards Edelgard, they succeeded. 

[writing-with-olive]

Hey, I wanted to know what is generally preferred or seen as "better"? Previously one of my readers said that I used my characters' names too much in my writing and that it was repetitive. But I was doing that to make a clear distinction between who was doing what bc I was writing two characters with the same gender and pronouns so always saying "he" could possibly be confusing. I switched to using "the black-haired boy", "the redhead" etc. instead. But I want to be careful w that bc (continued)

If you describe a character as "the Japanese boy" or something I feel like it's kind of just reducing them to their race/ethnicity? But sometimes it can be hard to make other distinctions besides different hair color or race if the characters are for example both male, both students, same age, etc. I only stick to different hair colors, though. But then recently, I saw a post with someone complaining that it's annoying and saying "Why not just use the characters' actual names?" (continued)

Also. Recently I have seen discourse about how calling girls and women "females" is problematic but does the same go for men? It's not my intent but sometimes I might say something like "the redhaired male" if the character is not a young boy but not far into adulthood either. Bc writing "the redhaired young adult man" just sounds awkward to me personally. But it's really not my intent to offend anyone's gender if I use "male", I noticed I will sometimes overuse male at times though (continued)

Anyway I'm sorry for all the background but basically I just wanted to know which is better when writing scenes with two characters with the same gender, should I just use their names or is it better to describe them, and if I do describe them can I say "male" or would that be considered insulting? I don't want my writing to be annoying or repetitive but I also want it to be clear so you know who's talking but also don't want to say or do anything that could be misinterpreted as insulting. (End)

.

Hi Anon! Thanks for the ask!

Short/Summarized Answer:

Stick to names/pronouns as much as possible

Change sentence structure to allow for names and pronouns without seeming too repetitive/confusing

Don’t refer to characters as their race - it can reduce them down to that

Instead, use professions, positions, relations to mc, achievements as points of reference

Use of the words “male” and “female” are generally okay as adjectives but not as nouns.

Long Answer:

I think as a general rule of thumb, I would stick to names and pronouns as much as possible. That way you can sidestep most of the problem of reducing people down to single traits.

.

So. How to make this not confusing when using pronouns, and not repetitive when using names?

1. Sentence structure is going to be your best friend. Using sentence structure, you can dictate which things are going to be referenced directly (and thus get pronouns) and which things are going to be implied by the references (and thus do not need pronouns).

For example...

“The priestess walked through the group of travelers. The oldest among them, a man, glanced at her. She didn’t meet his gaze.”

...or another example...

“The two warriors were training as part of the Elite Guard - a group of the finest male warriors in the realm, all paid to protect the Emperor at all costs. Cass ducked under Lucien’s blade. Too slow. The following punch sent him sprawling.”

The first example might have been cheating a little - the priestess was the only one who we knew used she/her pronouns. The second example, however, isn’t that different. The point of the scene was about two men dueling, but rather than try to grapple with two identical sets of pronouns, the trick I used was to use he/him for Cass, and the implied it/its for Lucien’s sword. Lucien’s presence is implied by the fact that it’s his sword being swung. By changing it up like that, each moving part to the scene had its own pronoun. The other detail that makes this work is the sentece “too slow.” This implies that Cass’s actions had consequences. That clears up any doubt about who’s sent sprawling.

As much as possible, set up sentences so that each moving part has its own pronoun

Use smaller details to clear up possible doubt or confusion

.

2. Simplify things. Basically what I mean is if you can remove a name from a sentence, and it still makes sense, do it. This will help things from sounding too repetitive later. (Pronouns usually don’t stick out enough to sound too repetitive) Also experiment by rewriting/adding/deleting sentences so that you can convey the details you need without needing to use names or pronouns as much.

For example...

“Analucia spotted Mirabell walking alone in the courtyard. Deciding that her book of etiquitte was far too dull, and the day was too nice to miss, Analucia went outside and joined Mirabell. Mirabell and Analucia walked in silence for a full minute before Mirabell asked, “are you in too much trouble?” Analucia decided that Mirabell was in too good a mood to have it be spoiled. 

“No.” Analucia lied cheerfully.”

Can be changed to...

“Analucia spotted Mirabell walking alone in the courtyard. Deciding that her book of etiquitte was far too dull, and the day was far too nice to miss, she went outside and joined her friend. The two walked in silence for a full minute before Mirabell asked, “are you in too much trouble?” Analucia decided that the girl next to her was in too good a mood to have it be spoiled.

“No.” she lied cheerfully.

This went from an somewhat atrocious example to something more passable, but it can be better. Some sentences are prone to sounding more repetitive. Mixing things up, whether it’s the style of the sentence (dialogue, thoughts, narrative, etc), or the gramatical structure of it, can lead to a massive improvement.

For example, the above scene can be made even better by allowing for more drastic change...

“Deciding that her book of etiquitte was far too dull, and the day was far to nice, Analucia went outside to the courtyard and joined her friend. The two walked in silence for a full minute before Mirabell asked, “are you in too much trouble?”

She’s finally in a good mood. I won’t spoil it.. “No.” was Analucia’s cheerful lie.

The details from the first sentece could be redestributed elsewhere, and by chopping it off, the scene was instantly made less repetitive. Also, by making Analucia’s decision to lie part of her internal thought process, we could further elliminate more uses of the two girls’ names.

Elliminate unnecesary names - this will make necesary uses of names seem less repetitive

Chop off unnecesary sentences - especially if they use character’s names

Remember that pronouns usually don’t sound too repetitive - at least, not to the same extent as names

Change up sentence structure so they don’t requre as much repetition of names/pronouns

.

Unfortunately, names and pronouns don’t always do the trick. What if names are too repetitive, and pronouns too confusing, and you’ve played around with sentence structure and nothing’s working? This is where you call in your backup: alternate titles and descriptions

.

So. How to do this so things are clear and not offensive?

1. Generally speaking, the term “female” is something you’re going to want to stay away from as a noun, but depending on usage, it’s fine as an adjective. To be on the safe side, I would say that a similar thing goes for male. 

I (someone who usually presents and fits the societal role of a woman) have never been offended by descriptors such as “a group of female writers.” That being said, the phrase “the female” can be problematic. 

If you’re going to use the word male/female, stick well away from using it as a noun.

(I actually don’t know if male is problematic, but what I’ve decribed above is my personal rule, as I’d rather stay on the safe side than risk being offensive)

.

2. Professions, titles, achievable awards/positions/etc, and how they relate to your MC are all usually fair game. For example, if you’ve got two students, maybe one of them was chosen as Prom Queen. You could refer to her as that. Or, if your MC has just met another character, then that character might be referred to as “the stranger.” This also helps to avoid reducing characters to a race/ethnicity, and as an added benifit, it can also help keep more story-relevant details in readers’ minds.

Referring to characters as something that they a) have control over, and b) is relevant to the story will always be better - if it’s not relevant, then it’s just taking up space.

On a similar note, doing the opposite - that is, when you refer to characters using things like their race, or other things that they can similarly not control, can lead you to problematic territory for the same reasons that you specified - it can reduce them down to that thing. This is especially true if you refer to your characters of color using their race, but do not do the same thing with your white characters.

.

3. This is kind of similar to point #2 of this section, but I did want to address this somewhat seperately.

You asked...

It's not my intent but sometimes I might say something like "the redhaired male" if the character is not a young boy but not far into adulthood either. Bc writing "the redhaired young adult man" just sounds awkward to me personally

In a case like this, I can definitely see why you’d find the phrase “the redhaired young adult man” awkward; it’s a lot of description all at once!

Generally, I would establish most of what characters look like seperately to their reference. So in this example, you could establish the character’s general age beforehand, and then refer to them as something simpler - that way you could get out of both the awkwardness and the potential problems of using the word “male.” (which again, I’m not entirely sure if it’s problematic, but I personally avoid it to be safe)

.

But what if none of that works? What if they’re similar enough that I can’t differenciate them clearly except for their names?

This is going to be the moment where you’re going to have to take a good look at your characters. Do they actually need to be two seperate characters? Can they be combined into a single character? If both of them seem to be around each other for a large part of the book - to the point where this is a major problem, the answer is very likely to be yes.

If not - if they need to both be their own seperate character - then this might be a wakeup call to go into their character’s personalities, traits, and backstories, and add enough variation that they can exist as their own individual character, who’s distinguishable from the others.

.

I know this was both late, and bit all over the place, but I hope it helps!

Happy Writing!

[aahsoka]

So having been on tiktok for a bit I wanna talk a little about it.

What I like

It’s actually rather entertaining to scroll through up to 30 second videos one after the other. Sometimes the humor falls flat or it’s not your taste, but the algorithim is quite good at recommending the kind of content you will like.

I joined right when there was a big trend going around about sharing your culture, and soon after a Blackout trend where non-Black creators stopped posting for a day & spread/supported videos by Black creators. So I ended up with a fairly diverse fyp or “for you page”. It also quickly gathered that I am bisexual, so I get plenty of lgbt+ content. There’s some art mixed in there, some cosplay, some historical costuming/seamstresses, lots of avatar jokes lately, musical theatre content, fashion, girls in bikinis on rollerskates (in outer space), commentary on political issues, body positivity, all the kinds of stuff I like. To get a feed that caters to your interests you just have to watch & like videos you’re interested in & eventually it gets a feel for what you’ll watch and what you won’t.

Theres a trend where people say which ‘side’ of tiktok they’re on and I get ‘science side of tumblr’ flashbacks but I’ve mostly avoided the “straight” and conservative sides of tiktok. I would be considered a part of “woke”, “alt” (as in alternative) and lgbt+ tiktok (there are separate ones for each letter of the acronym). Possibly also “theatre” and “cosplay” tiktok. These categories are nebulous and you’re usually part of multiple communities; its just as arbitray as ‘science side of tumblr’ was.

The format reminds me of snapchat a little, and I love to talk to myself on video & post dumb thirst traps for my friends (none of which I’m attracted to so idk what my goal is there) and make stupid jokes. So this app is kinda perfect for my attention seeking side & hyperactive tendencies. Its very easy to consume on a short attention span, though not as easy as vine was.

Being in quarantine, its a way for a lot of people to engage in hobbies that involve community. Cosplay is pretty popular, as its a fun way to show off a costume & dress up & have fun without having to attend a convention. I enjoy the way lip synced audios can be used to emulate the character someone is dressed as; that’s something you couldn’t really do unless you were really good at impressions. Its a nice succinct way to show the process of creating a cosplay as well.

Those who enjoy theatre, but cannot perform in shows at this time, are able to create mini-monologues & sketches as well as sing parts of their favorite songs. Its an avenue through which to perform without putting anyone at risk of the virus. It’s also an easy way to show off your talents without having to go through the audition process & actually get cast in a show as a prominent enough role that someone will notice it.

It’s a convenient format for discourse and educational videos. Nice, short, easily digestible tidbits that stay in your mind. This extremely catchy song, for example: “Black neighborhoods are overpoliced, so of course they have higher rates of crime, and white perpetrators are undercharged, so of course they have lower rates of crime. And all of those stupid stats you keep using are operating off a small sample size. So, shut up, shut up, shut up, shut up”.

As well as other videos where people take the time to explain historical events, satirize racist arguments to demonstrate why they are wrong, talk about prevalent tropes in movies, teach a few signs in ASL, share facts about their culture, etc, etc. I have found there are quite a lot of people there from unique and fairly unknown cultures and backgrounds- and this is a place where they’re able to share their culture & existence with people all over the world. There are a thousand different viewpoints. Their videos are doing far more for diverse representation than any other platform, I’d argue, as everyone is extremely visible on the app. (‘Their’ as in the creators, not the app itself).

I also have enjoyed coming across new artists on the app. It’s really fun to watch the process they go through, as most art videos deal with the whole creation of a piece. It’s inspiring. I have also come across a painter who’s work I’m in love with, and a woman who makes and sells the CUTEST ceramic mugs, and I need to purchase some stuff from them both.

Now onto the bad:

Unfortunately, the app doesn’t have much in the way of a filtering or warning system. I talked about that tiktok of the kids coming across human remains? That was just on people’s fyp. Just popped up. No warning. No reason for it to still be up. Traumatizing.

You can click on a video and say ‘not interested’ (I do this to literally every video I get where some girl is thirsting after kylo ren 🤮..... like I want the star wars videos just not THOSE videos). However, it doesn’t seem to know exactly why you weren’t interested, because I still get those videos from time to time. There’s no content filter where I can blacklist the kylo ren or any other hashtag.

There’s some very shitty content. There are racist conservatives. Misogynistic teen white boys. Really weird thirst traps. Videos where people lip sync to something with a straight face and tag it with #acting. Harmful body image trends. I thankfully stay very clear of this, but this kind of content makes me worry for the minors on the app. The one’s who don’t have enough of a concept of self yet to realize they don’t need to be able to do the newest pointless beauty trend to be beautiful, to realize it’s ok for them to be gay, to realize how predatory some adults can be, etc etc.

It is extremely easy to come across minors on the app who don’t look like teens. One time I went to a girl’s page and it said she was FIFTEEN. I’m usually good at guessing ages but something about this app messes that up. I wish there was a way to separate people under 18 and adults. Where I don’t have minor’s thirst traps popping up on my fyp. Where pedophiles don’t get a chance to curate that fyp intentionally. If anyone reading this has kids, I highly recommend they make their tiktok private or only viewable to friends.

Just like any site, there are plenty of bigots. Lots of racist comments. Plenty of transphobia. Any hatred you’ve seen elsewhere, of course it exists on tiktok. I have actually zero clue if you can report people & if it works. Most people seem to send a video commentary to their haters or duet a video of a racist pointing out their racism. I’ve heard of creators blocking people, however. I remember a tiktok of a Black woman who’s video somehow went fairly viral in Poland and now she gets a lot of racist comments from this large group of random racisf Polish followers she has and its extremely time consuming to block them all, as there’s no mass block feature.

The rumors about what works with the algorithm and doesn’t abound. I’ve heard well lit videos get more views. Many people suspect they have been shadowbanned for speaking out about current events. TikTok will remove the audio from videos sometimes if they deem it controversial enough. Most of us know they were criticized recently for intentionally keeping Black creator’s videos from being seen (a catalyst for the Blackout, actually). Or you may also recall when it was criticized for widely removing lgbt+ content. Those creators are fighting to be seen the same amount as straight cis white creators are allowed to be seen with no effort.

The effects some trends could have on teen girls. So many of them are already so uncomfortable in their own skin simply because of societal standards, but the absolutely meaningless challenges people come up with on tiktok make it so much worse. One trend was based around whether your finger touched your lips when you put it in your nose. Or if you could get your clasped hands around the back of your legs and over your butt (if they get passed, you have a flat ass, if they get stuck, its big). These completely arbitrary signifiers of the things you need to have in order to be pretty, are far more ridiculous that anything I have seen yet in my life. I worry about little girls taking these ideas to heart. There is a very kind body positive community on the app & I hope more people can find that.

There’s also that thing where they steal your data. Like most apps. But apparently they got a lot more invasive than usual, so I would look into it before making an account; if you want to do that.

I think the apps users can be great & its a pretty intuitive set up. It certainly deserves its popularity solely as a creative form of social media. That being said, its owners are so so insidious & do the worst things. Just like all other social media, its controlled by the worst kind of people. Who can never figure out how to effectively get rid of nazis or keep kids safe from adult content.

These are my less serious gripes with the app:

1) Lip syncing

When people lip sync and don’t do any kind of skit, joke, etc, just look as if they’re saying what someone else said; I hate that. I have to go back and find the original tiktok so I can like it instead. You literally did nothing interesting by ripping off someones audio and moving your lips along to it. So many people on this app are creative and so many others lack any semblance of creativity.

Also people are too easily impressed by lip syncing to kinda-fast songs. I lip synced to like....10 seconds of the devil went down to georgia and two people praised my lip syncing abilities. Like, I can also sing and talk fast, out loud, isn’t that more impressive? more skillful? The fiddle playing in that song is impressive, not the fact I can lip sync ‘the devil went down to georgia, he was lookin for a soul to steal, he was in a bind, cause he was way behind.’ Have you ever seen someone play Johnny’s fiddle solo????? It’s insane!!!

Rather than see someone lip sync to the verse in Stressed Out 2x faster than normal (which is, extremely simple and the song was overplayed and ingrained into our collective consciousness) and go WOW what about someone.....doing the verse out loud. You can litterally just mouth random words and look like you’re saying the right ones. It’s driving me crazy lmao. I’m set to become a God of tiktok because I have a repertoire of fast songs and rap verses memorized. It’s not even an uncommon skill to speak or sing quickly, people literally make rap music for a living! Listen to it maybe.

2) “Acting”

I am begging you to stop making me sit through those horrible POVs. I cannot take another girl not quite fake crying towards the camera as she lip syncs the words from a song that apply to the random situation she decided she was in. I cannot take another boy who thinks its sexy to stare into a camera and smirk in every single situation he creates.

Back to lip syncing, making facial expressions along to words isn’t really acting. Try saying the words out loud perhaps? The inflection you use with your lines is a pretty big part of acting. Like you can lip sync all you want, just stop tagging it with #acting.

3) Comedic timing, or lack thereof

You don’t need the entire intro to sit there looking at the camera waiting until the first line starts and you can lip sync to the part that’s the joke. You could cut off at least 15 seconds. Brevity is the soul of wit.

When your joke involves both reading text on screen and listening to the song for the punchline, if it isn’t done prefectly, its so difficult to follow. I can’t read a paragraph in 5 seconds. Paraphrase.

4) self deprecating artist audio

the audio thats like ‘this wont get views’ ‘I suck’ ‘you probably won’t see this anyway’ LOVE YOURSELF

It sucks when people dont enagage with your art but it sucks worse when your value in yourself and you art is based solely on receiving that validation. Please find a healthy medium.

Also you’re asking for pity, and you don’t want that. You want people who genuinely love your art for what it is.

5) editing videos is really hard how do you make such cool & smooth transitions????

please help me I don’t understand

Finally

here’s my account if you’re interested

[mor-beck-more-problems]

Silence in the Library || Morgan & Mike

CW: Depression

@exorciseyourspirit

Morgan finally leaves the house to be an adult. Mike makes her regret everything.

Amnon was getting close to finishing his big project. There were just a few finishing touches he needed for it, and then, hopefully, it would all fall into place. As long as no one figured out what it was that he was gathering, then he had no need to worry. The little medium and the hunter and the dead wife could pose a problem, especially if the three began corroborating, but he had a plan in mind to take care of them, too. All it would take was one display of power, and they’d back off. Just like everyone always did. But today, he was at the library for a different reason, picking out books that seemed, to most people, to be normal historical reads. His chest ached dully-- turns out, broken ribs were a problem. He should’ve remembered, he’d been human once, but time made fools of memory. Rubbing his side, he stacked another book on his cart and moved along, turning the corner-- and very nearly running into someone he’d never expected to see here. It was, however, a pleasant surprise. “Aahh,” he said in Rebecca’s cheeriest voice, “if it isn’t the bottom feeder.”

Morgan had to return her library books eventually. Her automatic renewals had tallied themselves up until they could tally no more, and every morning she opted to stay curled up on the floor or in bed beside Deirdre, the library desk replied with a frighteningly cheerful message that they were still waiting for her returns. So, bolstered by her quiet Beltane and the bright day, Morgan forced herself outside to return them. It’s not that hard, she told herself. Get rid of some bad research memories. Actually have something to say in response to “how was your day?” It wasn’t that hard. She could pull herself together long enough for a library trip. She liked the library, didn’t she? But as soon as the books were dumped, Morgan had a panicked, self-conscious feeling that her drab sweats and not-washed-recently-enough sweater were being judged by the family and students milling in. Shrinking from the attention, she marched herself inside, trying to hold herself like she belonged there and hadn’t just crawled out of the house for the first time in a week. She went to the fiction section, always the easiest to find, and did her best to pick out a novel or two to take home. Something she could hide herself away in, a safe bet.

Morgan, dizzied by the abundance of titles, impulse settled on two books that she had been meaning to get to and already knew half the plots of from pop culture discourse. See, she was fine. She had picked out books like normal, together people who knew how to be alive. She was fine--then she was crashing into a book cart and Rebecca. Or rather, the thing that lived inside her. Her face fell with disgust. “Don’t you have any other tricks besides that one?” She asked, a thin edge to her voice betraying how it still hurt. “It’s not a good idea to remind me how easy it would be to drag you down with me. And then where would you be?” She looked down into the cart, angling for a glimpse at the titles. Whatever he was up to, it was safe to bet it wasn’t anything good.

Amnon just smiled. How easy it would be to remind her of her place or to show her how little power she actually held in the moment-- but he didn’t need to. It would just be for her sake and he cared so very little about it. “Lovely to see you, too,” he said, leaning against the car to look at her amusingly. “You know, it’s cute how you think you’re actually threatening.” He plucked another book from the shelf, glanced over the title, and set it in his cart. “I’m sure it works on most people-- it’s the little ones you have to watch out for, after all--” waggled a finger, “but you’re cute little antics don’t threaten me at all. How’s your girlfriend?”

Morgan went stiff, gripping her book tighter to her chest. Any pretense of pleasantries fell from her expression. She turned hard and bitter; had she been alive she might have flushed with her anger. “You don’t know the first thing about who I’m seeing,” she snapped. “And I’m going to keep it that way, Mike. And if you think that I won’t hurt you just because you’re wearing my friend as a meat mask, you can think again. I’ve been through death, dipshit. You don’t scare me.” She shoved the bookcart away to one side, rattling the wheels and knocking off the topmost volume from the stack and started to go.

Amnon was delighted to see that mentioning her girlfriend set her off, stepping away slightly as she shoved the cart aside. He simply crossed his arms and looked over at her. “Oh, I don’t think that you won’t hurt me, I simply think that you can’t,” he said with a shrug. “You’ve no idea what I’m capable of, after all, and you? I know your limits. I know your weakness,” he finished quietly, taking a single finger and dragging it across his throat in one, fluid motion, the universal sign of decapitation. He bent down, hiding his wince of pain in his ribs, and picked up the book, dropping it on the top. “So, go on then-- are you gonna show me what you’ve got? Or do you just wanna spit venom at me.”

Morgan stopped in her tracks. She should go, she thought faintly. She should go and crawl back into her hole under the blankets in the bedroom. There was a voice in her above the death-pit that knew this. But the rest of her, the part that raged, that wouldn’t message Remmy, that watched with jealousy as animals died, pulled on her. And it was so galling, to hear these words from Rebecca’s voice, Rebecca who wasn’t even here to be sorry or understanding or judgemental. Rebecca who she couldn’t even be angry at for letting this happen to her in the first place, for deciding she wasn’t good enough to have her curse broken in a way that would have given her a real life. And this ghost, this thing that had screwed her worse than Constance was laughing behind her face, was enjoying himself like she was something to play with-- Morgan whirled back, stomping towards her, arm outstretched to see how the two of them liked feeling broken.

She took the bait, just as Amnon expected her, too. Newly born vampires and zombies always seemed to hold such anger. It was the same story, over and over again, even when they knew it was coming, even if it was something they’d told themselves they wanted-- the pain of a lost life was always more than they could handle. Even Amnon had felt that way when he’d first materialized. In a way, he sympathized with Morgan’s plight. But in his eons as an incorporeal swirl of power, he’d lost the ability to do just that-- sympathize. And so, when he saw her hand reaching for Rebecca’s wrist, it took only a second to unleash the power in him, a telekinetic ram slamming into Morgan and pushing her back into a shelf. He stood up, no longer smiling, eyes hollow. “I told you,” he hissed, “you can’t hurt me.”

Morgan’s back slammed against the wall before she could even give Rebecca’s body a scratch. Had she been alive, something might have cracked. But as she sank to her feet in a clumsy mess of limbs, staring at Rebecca with horrified awe, her bones righted themselves on their own. “What the hell?” Had Rebecca always been able to do that? She scowled, straightening. “And I said I’m not afraid of you. You think that felt like anything?”

“Oh, I’m well aware of your tolerance to pain,” Amnon said darkly. People were beginning to gather, but he didn’t care. “Try and touch me again and I’ll show you just how far your pain tolerance can go.” He turned and grabbed his cart, pushing it around the corner, away from Morgan again, only to run straight into-- Morgan? “I thought I told you--” but something was different about her this time. It wasn’t her. Black and white stripes and a menacing look to her eye-- Amnon knew within seconds what this was. In the next, the cart was slamming into Rebecca’s broken ribs and he was keeling over. Funny how that worked out. Being human, being vulnerable.

Morgan was going under, not on the ground, but in the part of her that knew the appropriate thing to do was run like hell in the other direction and leave Mike to whatever fate awaited him. She was storming towards him again when someone--some thing darted out from the stacks and gave him one to the ribs with the cart. Morgan stopped short, the wind starting to flag out of her sails, and then-- “Oh, earth.” It was her. Only, it wasn’t. They locked eyes, and the mime creature flashed a look of menacing glee. She staggered towards her in a cartoon like zombie walk, then mimed taking a knife from her hip and lunged. Morgan held her hands out to keep the mime at bay, but somehow, despite all odds, the fabric around her sweater split and a trickle of blood peeked through along with a pinch of discomfort. Morgan shoved her away, hard enough to make her stagger a few paces and walked--into the hands of Rebecca’s mime double. The mime woman kicked her off balance at the knee and threw her to the floor. “Are you fucking kidding me?”

Lucky for Amnon, the Morgan-mime seemed more interested in her actual counterpart. Although that made him feel a flash of anger. How dare someone ignore him. Gritting his teeth, he stood back up, clutching his side, strode forward-- and came face to face with Rebecca. He blinked, bewildered again. “You can’t be--” he started, mind reeling for a moment. No. He was in Rebecca. This was just an illusion, or a dream. Like in his sleep. And then it hit him-- both literally and figuratively, as a fist dug into his stomach again and he collapsed to the floor. “Oh, chara!” he cursed, slipping back into his native language subconsciously as he let loose a string of Arabic curses. The Rebecca mime reeled a foot back to kick him while he was down and he gathered himself just enough to raise a hand, eyes flashing, and throw her straight through a bookshelf, toppling it over onto the Morgan’s.

Morgan didn’t stay down long. She was crawling away from this and going home. “Fuck mimes, fuck curses, fuck this town, and--fuck!” She barely rolled away from the falling shelves in time. There was no safe direction to run towards--except to Mike. She didn’t have time to be baffled at aligning with him, just enough to get behind the person who could make shit fly. “You might want to be running,” she started to explain, but her mime double shouldered her way out from under the shelf, groaning with hunger. One arm hung loose and all wrong from where the books had crushed it, but she staggered towards them with ease, one foot determinedly over the mess, then the other. The Rebecca double, not far behind her. “Yeah, she definitely skipped breakfast.” And Morgan didn’t have much on her for stopping either one in their tracks. Well, at least not for good. “You got any better ideas besides playing slap fight?” Their doubles scrambled up the shelves on pantomime ladders then higher, til they dangled on the ceiling. Morgan backed away from their strange painted eyes as they smiled down at them and leaped in for another attack.

Amnon did not sit well with being made to feel weak. Eyes flashing again, anger rising, lights began to flicker. A low hum as the electricity in the air began to build. “Yes,” he growled, Rebecca’s voice low and dark. “Kill them.” He followed her line of sight up to the mime doubles hanging from the ceiling and stopped on the lighting fixture Morgan’s was holding onto. As if from seemingly nowhere, it crackled, sparked, and exploded, toppling the mime, setting her ablaze with electricity. The smell of rotting flesh filled the room, and Amnon staggered, winded. He’d forgotten how much power it took, coughing into a hand. He pulled it away to reveal blood. In the next moment, a heavy body came down between him and Morgan-- Rebecca. Well, the mime of her. Fists curled around his neck and squeezed. For the first time in perhaps thousands of years, Amnon gasped for breath-- and for help.

Morgan’s double fell within feet of her, spasming with the impact of more stimulation than even her dead body could take. Morgan brought her foot down on her neck, eyes screwed shut as she felt the bones give and the muscle pulp. It wasn’t real, she told herself. It wasn’t really her down there, getting rubbed into the carpet and even if it was-- Morgan grimaced as she brought her foot up again and stomped into her skull--she was a lucky bitch to be out of her misery so fast, even if she was evil and “Gross--!” Filled with black blood. She turned to check if Mike was seeing this, but he was a little occupied getting strangled. Shit. Shit, shit, shit. She could leave him. Maybe she even should, but he sounded too much like Rebecca, wheezing and desperate. Morgan could imagine exactly how the heart in Rebecca’s body raced, how the lungs must be trembling with panic, fighting for just a little more in the world. And Morgan saw Blanche and Rebecca’s students collapsing under the news, and hearing that she had let it happen and knew she still didn’t want to be another creature that only took from the world  “Damnit, Mike!” She crossed the short distance between them and wrenched the mime double’s arm until it popped out of its socket, then pulled her, ragdoll style, free from Mike before pinning her against the wall next to him. “Yeah, I’m between meals too,” she said. “--Seriously?” Rebecca’s mime twisted an invisible knife through her abdomen. “Mike--?” She called.

Amnon felt the world slipping away from him. Surely Morgan wouldn’t leave them. She couldn’t, not when it was Rebecca would suffer in the end. He could just leave if he wanted to. He even prepared to begin the tug to leave her body, but-- blackness ate away and so did he, falling into a darkness. Rebecca’s body hit the floor when the arm was yanked away. But she did not move. Stirring, after a moment, her head lifted. Eyes sullied and hollow and tired as she turned to look up at the scene unfolding before her.

“Morgan?” Rebecca muttered, staggering to her feet. She swayed, reaching out for something to grab onto. “Where-- “ she tried, but her voice felt lost, her vision still blurry. It clarified enough for her to look directly into her own eyes. Body freezing. What was going on? Was she dreaming again? Rebecca blinked, reached out-- she had to help her.

But one more blink, and dark eyes returned. Amnon groaned with his effort, still exhausted, still winded, ribs pounding with pain. Without thinking, he reached into Rebecca’s belt and pulled out her holy dagger. Staggered forward with a heavy step, limping, as he swung the dagger down, past Morgan’s arm, and into Rebecca’s heart. He’d pictured this moment for so many years, finally doing it, finally seeing it-- it didn’t bring him as much joy as he’d wanted. Black blood oozed over his hands and down to the floor, but he held the dagger there. With one heavy exhale, he turned to look at Morgan silently, as the clone melted into nothing in front of both of their eyes.

Morgan was frozen in place, staring horrified as Rebecca--real Rebecca, who was kind and knew things and could tell her how to exist here without hurting people or wanting to die again--surfaced for all of a second and vanished again. Was she coming back again? It had really been her, right? She’d used her name, and her face--she was worried, maybe tired, maybe scared, things Mike barely knew anything about feeling. “Shit,” she whispered. Then, quickly, “You couldn’t even pretend like it was hard. You’re a real psycho, you know that?” She turned away and stepped carefully over the goo her own double had left behind and stood over the mess. Her books were right there, unharmed except for a few pages, but she suddenly couldn’t find the energy to pick them up and carry them to the checkout desk. She kicked one over, wondering if the will would find itself if she gave it another second. Weirder things had happened; half a minute ago she’d seen Rebecca come back from the nowhere.

Amnon pulled the dagger back only once the clone had all but melted away into a puddle and puff of smoke. Wiped the blade on Rebecca’s pants, before acknowledging what Morgan had said. In his moments of darkness, he hadn’t known what had happened, but he could hazard a guess. “I do, actually,” he said back to her, walking over and thumbing through the pile of books and broken shelves for the one book he needed most. Picking it, he stuffed it under his arm, glaring down at Morgan. Sirens blared outside, employees already heading towards them, ready to offer help or start cleaning up. He wasn’t going to stick around for it, however. “Don’t think this changes anything,” he said to Morgan, before stepping specifically on one of the books she’d been holding as he passed her by.

Morgan flinched away from him, chilled by how quickly his moods shifted. And not even a fucking thank you. “Course not,” she grumbled bitterly. And then, as he left, “Sure thing, Professor Rothbard! I’ll tell them to charge you for the property damage, no worries!” Some student intern picking up books reached for one of the ones she’d picked up and held it out to her timidly. Morgan looked at the boy with confusion. What was he so afraid of? And then it sank in. How she must have looked, yelling like that, bashing evil mime-bones in, the works. “Thanks,” she mumbled, frowning, and shrank away. Maybe it really would have been worth deleting one more stupid reminder email.

[thefudge]

How is it right that Dany can crucify people when not everyone who she crucified is guilty. Why is collective punishment ok just because the people being punished belong to one class instead of the other. I thought collective punishment of a group whether or not they are guilty was wrong.

i don’t know where this is coming from, but it’s an interesting question and here’s how to look at it, from my point of view

a) i think the show/books are pretty clear in not totally condoning dany’s actions against slavers, despite her passionate reasoning (the show doesn’t do a good job with the ethical ramifications, but rather the practical ones). the issue is not solely rooted in morality; it’s also the fact that collective punishments don’t work on a practical level. dany’s reformation of slaver’s bay is a complicated process which she had hoped to streamline by simply purging the slavers’ class indiscriminately (more on that later on). GRRM and the showrunners (in their hamfisted way) are pointing out that it takes more than that to rehabilitate these societies. 

b) “ when not everyone who she crucified is guilty” - this is our modern outlook on things, but in the world of asoiaf, the mentality is “you have to raze the whole village”, a principle applied by many characters in both books and show. basically, you don’t leave survivors of a certain group or community you mean to disempower, because they will rise up and try to stir that shit again (in this case, they’ll try to bring back slavery, and wouldn’t you know it, the slavers/masters in neighboring cities do. in fact one of the reasons they want to invade mereen is to bring back the good ol’ days. the discussion is a bit more complicated in the books, because there’s a lot more political chaos on both sides). however, you can’t exterminate everyone and call it a day. GRRM underlines that the “raze the whole village” model doesn’t work in the long run, because there are always ppl who survive and remember what happened (”the north remembers” is coming for the boltons in the books), or alternately, the damage done by the extent of the violence has ramifications that the perpetrators don’t even understand.

the best example of this is tywin obliterating house reyne (and btw, unlike dany, he doesn’t just execute the male adult “masters”/nobility, he makes sure no infant, woman, or elder person survives the purge). in theory, tywin is removing a tumor so that nothing will grow back. the problem is, the story of house reyne became infamous. and this made house lannister look formidable and impregnable, BUT, very importantly, it imposed a future pattern: house lannister from now on will have to keep one-upping the competition, secure their power by totally exterminating other houses. if they do anything less, their prestige wanes, i mean there’s even a song about it, for christ’s sake. it’s basically like crossing a line. once you do that, you have to keep crossing it to maintain your position. basically, tywin showed his hand: he doesn’t negotiate, show compassion, or adapt, which makes the whole “a lannister always pays his debts” more of a funeral dirge than a bargaining chip. it also makes house lannister inflexible and rooted in a model that can’t survive a modernization of westeros. (which reminds me, i know there’s talk in the books that tyrion is the child that most resembles tywin, but i think cersei isn’t far off. she has the same mentality of “leave no survivors” which she thinks is very clever cuz she got it from her daddy lol anyway)

these are the ramifications leaders, both good and bad, don’t always see. dany, who is a much better person than tywin all around (and no, i won’t debate this), is also slowly required to up the ante, to cross certain lines. and once you do that, you have to keep going forward (”if i look back, i’m lost”). 

this is all to say that while we as readers/viewers can perceive dany’s actions as problematic, dany and her contemporaries would not, not to the extent we do. in the world of asoiaf this is just another strategy. on the other hand, while readers/viewers didn’t necessarily celebrate the crucifying of slavers & nobility, no one wept over it either. and here i contend with the ethical argument:

(more under the cut cuz this is getting too long) 

 as many others have argued, dany doesn’t understand the hierarchy or the inner workings of these societies and may be killing innocent people while other guiltier masters may get away (163 masters for 163 children is a tough thing to get 100% right). but dany doesn’t have the resources or the ability to measure everyone’s degree of complicity. that’s why in modern society, collective punishment is frowned upon, you just can’t quantify that shit. that doesn’t mean whole groups don’t benefit off of exploitation and must be exonerated. we just don’t resort to indiscriminate violence. in the asoiaf universe, however, when you can’t quantify it, you do what you think is the next best thing which is to root out the tumor. who is likely to reinstate slavery and rise against dany? the masters & nobles. it should also be pointed out that the crucifying is her passionate response to the earlier crucifying of slave children. 

no, dany’s actions aren’t right (or smart, in the long run) and she suffers the consequences for it since she hasn’t really eradicated the problem but 1) the slavers are forcing her hand. she has to respond to the crucifying of children, otherwise she will appear to the people she’s liberating as not much different from the slavers, 2) she is acting on the assumption of the greater good (and her own great destiny as liberator), which can very easily blind a leader to the nitty-gritty of day-to-day politics.

basically, dany is #trying but failing due to 1) deeply flawed systems that were installed long before she got there and 2) her own skewed perception of what a leader can do. 

now, does this make her a blood-thirsty tyrant? i say no. i say she is a good mirror for the unexamined righteous self. she is actually more like us than we’d care to admit. we like to think our heart is in the right place as we strive to do the right thing, but sometimes we end up making things worse. 

and this is coming from someone who has always squinted at dany’s biased and rose-tinted portrayals in the fandom. i’ve always been a dany skeptic who sees a tragic, rather than truly heroic figure in her. she is meant to be an anti-heroine, make no mistake about it, but she will never be the gross caricature d&d fashioned in 1 and ½ episodes. like i said, d&d actually made me more of a dany fan after their reductive conclusion. 

the recent dany love from many ppl stems not from deciding to uncritically “stan” her 5ever, but as a response to d&d’s bad writing. once GoT is put to bed, i think there’s room for more nuanced discourse (and there’s a lot of it already). and as an aside, you can still support and cherish dany and see where her faults lie. 

as a second aside, i always find it interesting that such complex debates about ethics always revolve around dany, but not so much when it comes to other characters. the northeners’ purity politics & isolationism on the show, for instance (which extends to those barbarous wildlings that have to go back beyond the wall)? unexamined. but dany tries to do smth about slavery??? what a heinous human being. again, i know the argument is made in good faith, because after all, the books themselves are supposed to make you question dany’s actions. but i don’t think GRRM meant for ppl to dedicate so much time thinking about those poor, poor masters/slavers. GRRM is rather pointing out the fallacies of collective punishment as a rule, as you mentioned yourself (it never works, it isn’t moral etc) but we’re not supposed to become devil’s advocate for the oppressors (i mean his depiction of some of those nobles & slavers in book 5? priceless. they’re all dehumanized caricatures, or just plain dehumanized). 

[commander-hanji-zoe]

Do you have any advice for a new blog?

🌸 Oh this is such an interesting ask, I’ve been thinking about it for a few days now, sorry it’s taken a while to get back to you but I was thinking how best to answer it! While this blog has only been around for 3 years and I’ve only really started posting in it recently, I have had my main tumblr blog for 10 years and several side blogs with quite a few followers so I’m hoping I can provide some insight! I do apologise as this turned into a bit of a ramble that I feel is about tumblr but beings to overlap into life advice lol - I blame my age. 🌸

1.) I would say firstly, enjoy it. I feel sometimes there’s a lot of pressure to get loads of followers, create new content etc. and you can forget why you’re here. I got tumblr to reblog photos of things that made me happy from bands to tattoos, movie stuff, art etc and occasionally I would forget that and end up getting bogged down in comparing stats and myself to others. So yeah, enjoy it and remember why you joined ^_^

2.) If you love work that others create (writing/art/gif sets etc.) show your appreciation not just with likes but with comments and reblogging where you can/feel comfortable doing so. Likes are great and always appreciated but comments help to inspire and reblogging means more people will see their work. It encourages content creators to continue creating, it’s also a really good way of gaining followers and make friends. If you support others they will likely support you in return. 

3.) Share the art/fan art/cosplay photos you love as per above - but don’t repost work. This was something I wasn’t really aware of when I first joined tumblr, a lot of people would just save photos from google or deviant art (it was a very different place back then) and post them on tumblr to show appreciation. But often there would be no artist detail or link to the artist, instead if you find something you like reblog it from the creator. If it isn’t on tumblr and you’d really like to post it here, contact the creator and ask their permission to post - then include a link in the post and explain you have the artist’s permission. 

4.) Talk to people :) - Okay like Alice in Wonderland here’s some advice I could really use sometimes! Through tumblr I have met some of the most amazing friends. When I first started out I started chatting to a girl who went to the same Uni as me, we met up to go for coffee, browse record shops and saw The Vaccines together. I’ve also met numerous people who encouraged me to go to Hobbit Con in Germany - I had the most amazing time, remained friends, one of them came to my wedding. I guess the message here is that internet friends are great and you never know what a friendship can blossom into. If there’s someone whose work you admire or blog you love, don’t be afraid to reach out and send a message, even if you feel a bit silly (I often do!). 

5.) Tags - My take on tags is pretty simple, tag correctly. I often tag things quite heavily but I make sure that I only tag characters that feature in a post or fandoms that feature in that post etc. You often come across posts where every character in the show has been tagged, I get why people do it, it means the post will come up in more results but it is rather infuriating when you’re looking for something specific. It also looks messy and can make things hard to find on your own blog. So yeah tag the show/film/book etc, tag the relevant characters, add whatever tags you want regarding your feelings/emotions about the post or thoughts on it. But ideally keep it relevant. On that note, tag ships (people often blacklist ships they dislike or that they find problematic) so doing this helps everyone. Anything that’s only really suitable for people 18+ tag however you see fit (due to Tumblr’s changes last year we had to revert to tagging things on the citrus scale again so I tag anything like that as lemon as well as nsft) Finally Trigger/content warnings - I do use them, some people put warnings on everything, some people don’t do at all. Again like with shipping it is helpful for people who have  

6.) Remember to take breaks - tumblr can be a little addictive and easy to pass time (like social media) so remember to take breaks, when you get back they’ll be loads of new stuff on your dashboard to look at ^_^

7.) Follow loads of blogs! I probably should have put this higher up. But have a think about the kind of content you want to see and spend some time searching for blogs that fit that, I also find it’s nice to follow some more aesthetic blogs or blogs that are calming/relaxing, seeing things like that on my dash is always a reminder to have a breather!

8.) Enjoy playing around with themes - decide what you want your blog to be about (and remember there’s nothing wrong with having a main blog that’s a little bit of everything you love as well as personal stuff!) and then have fun with the settings. There’s a lot of free tumblr themes, some of which are pretty neat and user friendly in terms of customisation. Don’t be afraid to ask questions if you’re stuck. 

9.) Side blogs are also really great. I begun to create side blogs because I didn’t want to spam my main blog with Game of Thrones, The Hobbit, Red Dead Redemption 2 or Attack on Titan, so I created side blogs. I still post about all these things on main but not as frequently. A side blog can also be good if you want to create a blog you can share with employers - I have a side blog for my photography and one for my writing. Sideblogs are also a good way of keeping certain material away from the blog where people in real life are most likely to find you. Generally I won’t post 18+ material on my main blog, so smutty fan fiction etc. goes on the side blogs. As a side note, when you have a side blog you cannot like posts or ask questions as that side blog - it will be from your main blog. 

10.) Try not to get disheartened if you create original content and it doesn’t get a lot of attention at first. When you create a blog it can take time to gain followers/traction. But remember as per point 1, that Tumblr should be fun and creating content should first and fore mostly be for you and your enjoyement. But if you continue to create, tag appropriately but also show appreciation for fellow creators there’s no reason why in time you won’t flourish. And as per point 3, if you reblog others work there’s a chance they in return will reblog your art. 

11.) There’s extension kits you can get for tumblr, I know some people use them and find them helpful. I’m not sure they’re as poplar/needed now as they used to be. I used to use one but don’t feel the need now, however might be worth a google or asking someone more knowledgeable to see if it’ll work for you.

12.) You can blacklist tags through settings, if there’s any ships, characters, things you’d rather not see on your dash or that you find upsetting or triggering I’d recommend blacklisting them. If people tag correctly you shouldn’t much/if any of it. 

13.) Under blog settings you can also choose whether you want your blog to be searchable via the email address you registered with and on google. I switched this off pretty much as soon as it became a feature! My blogs, even my main blog are a piece of me which is only shared with a select few people in real life. I really do not need my colleagues, employers, certain family/friends finding this! 

14.) Use Queues! I adore a queue.... Once I discovered they were a thing I try to have around 100 posts in my queue on main at any time. You can amend how many times you post a day (mine is around 8-12 times, I change it when i go away). It just means your blog remains active even if you can’t really log on for a week or two or if you’re on holiday. Occasionally I’ll add original posts into my queue with writing, it can be nice to come back and see the feedback. A lot of people put ‘queue’ in the tag, but you’ll realise most people have a quirky tag. For example on main mine is - one does not simply queue their way through tumblr. And on my red dead blog it’s - I had a god damn queue! Sadly on here I haven’t got one yet! 

15.) Finally I would say engage in discourse as little as possible. It can be tempting and while drama can be fun for a while, even just to watch from the outside it can quickly escalate into something nasty and toxic. At first you might want to join in but tumblr can be, well it can be a lot at times and very noisy with everyone screaming their opinions and trying to be louder than the person before. I would say no fandom is inherently toxic, but it happens. A fandom I was heavily involved in last year had so much discourse and there was so much drama that even though I wasn’t involved in it my anxiety was through the roof, I had a panic attack over it and felt paranoid. After speaking to other older members in the fandom I felt much better (they too were annoyed with what was happening) and we realised that essentially a lot of it boiled down to a real lack of critical thinking. I’m not saying don’t get involved at all, sometimes I have seen things where I’ve felt things need to be said/action taken especially when it comes to intolerance and hatred. But I would say when you do engage - pick your battles. (I hope this last one makes sense). I started writing a lot more and going into the politics of it and ranting about bigots and then thought that’s probably enough! 😁

I hope this post helps! Like I said I’ve never been asked something like this so it took a bit of thinking but these are some of the key thoughts I had. 

edit - I meant to add that obviously the above is just my opinion and based on my experiences on tumblr/thoughts about things.

[calliecat93]

So to recap briefly, the heroes made it Atlas! But they are now going to jail! Is that the fastest that everything has gone wrong in a volume? Anyways! We’re now going from the grimy city of Mantle, to the so-called utopia in the sky. What will happen now? Will our heroes become jailbirds and we get the RWBY rendition of Jailhouse Rock? Or will ironwood be able to bail them out… although if he does, I still would love a RWBY version of Jailhouse Rock. Someone tell Jeff Williams to get on that! But I guess we better answer the question, so to the review!

Overview

Atlas personnel are airlifting RWBYJNRQO to Atlas along with some random guy. As Nora tries to chew her way out like I do when I can’t get a bag of chips open, Jaune complains about how easily they got taken down with Weiss confirming that the Ace-Ops are Ironwood’s specialized forces. This catches random guy’s, who the credits reveal is named Forest, attention. He’s surprised since, in his own words, they are Ironwoods personal attack dogs so them going after anyone is kind of a big deal. He himself got arrested for protesting about the mistreatment of Mantle… well okay, it was because he threw a brick at a ship, but same deal! But from him, we learn of a woman named Robyn Hill and the Happy Huntresses, who are graduates of Atlas who stayed in Mantle to defend the people and try to make those people’s lives better. Robyn’s fighting for a seat on the council to end Ironwood’s ‘tyranny’. Weiss questions that last bit as dramatic, with Forest calling her out for living a cushiony life due to being a Schnee. To which Weiss can only reply that she isn’t anymore.

Things take a turn, however, as the gang isn’t taken to jail. Instead, they are taken to Atlas Academy. As they’re taken inside, Ruby isn’t sure what to do but says that they should be careful with that they say and Blake says that they’ll all follow her lead. Everyone is led to Ironwood and, to the surprise of Weiss, Winter. Oh, and Penny’s there too! Yay!!!  Winter has the guards free them, or she will start hurting them. Ironwood apologizes as he leads everyone into his office, having assumed that the ship was stolen… and Ruby confirms that’s the case. Winter gets angry due to how dangerous and irresponsible that was… but she’s stopped when Weiss hugs her. Weiss explains that they had to, to which Winter calms down and hugs back. Aww~ That being said, she’s not happy that Qrow allowed it, which leads us to the topic at hand. Qrow says that they have confidential intel to give… but to his and everyone’s surprise, both Penny and Winter are fully aware of the Relics and Maidens. Yep, Ironwood told them as well as Ace-Ops, but he does have a reason.

He explains that when Oz died, he had to formulate his own plans in order to ensure Atlas’ safety against Salem. Ace-Ops gave him the Relic of Knowledge after the arrest, with the Staff of Creation safely sealed in the Vault and the Winter Maiden is in stable condition. But now we get to the topic of Atlas’ current image due to the Embargo, the troop recall, the closed-off borders, and as the teens point out, the discourse and poor treatment of Mantle. This makes Ironwood look… well, bad, and he knows it. But again, he explains the reason why. Remember Amity Colosseum? The location for the Vytal Festival? Well, the plan is to turn it into essentially a satellite and with its launch, they can re-establish global communications and as such, even if another CCT were to fall then they can avoid that issue again. Which… is a good thing! It is a huge handicap for everyone across Remnant that locks them from the rest of the world, and fixing that is a very good idea. The problem? Well…

The second part of the plan is to go public about Salem. Let me repeat: the plan is to GO PUBLIC about SALEM. You see the problem with that, right?! Well, this is why Ironwood has his troops on high alert. He knows that this will cause mass panic and thus mass Grimm attacks. So he has all of his forces on standby to be ready when all Hell breaks loose. After everything is secure, then he’ll go global with the reveal. Essentially, Ironwood thinks that keeping the fight secret is now outdated, especially after the Fall, and as the title suggests, it’s time for a new approach. With Ozpin not there to guide them, Ironwood is doing what he feels is best despite knowing how many lives that Oz spent keeping the secret.  It’s at this point, however, that they reveal that Oscar is the new Ozpin. He’s happy to hear this and begins to express this to Oz… until Oscar breaks it to him that Oz is currently gone. Which naturally gets Ironwood to question how that is.

Before Oscar can say anything, Ruby steps in and answers the question… by saying that after the train crash, he was just gone. Nothing about Jinn. Nothing about Salem and Oz’s history. Nothing about Salem’s immortality. Oz was just gone, and they don’t know the reason why. When pushed about what Oz said about the Relics, she says what Oz originally told them; that the questions had all been used up, which she fully well knows is not the case. Ironwood seems to accept this and assures Oscar that he’s safe in Atlas. He then gives Ruby back the Relic of Knowledge as a sign of trust before offering the resources of the Atlas Military to help get the gang upgraded and ready for the fight ahead.

Everyone is free to go, and they briefly encounter the Ace-Ops. Clover apologizes for what happened earlier and that he and the others are looking forward to fighting alongside them. We also get to see and hear the other four and the credits reveal their names as Elm Ederne, Marrow Amin, Harriet Bree, and Vine Zeki. Harriet seems to be clearly based on The Hare from Tortoise and the Hare and Marrow could be one of many things since Aesop had a lot of wolf-inspired stories. But due to his brief fib about not looking forward to working with the team, I’ll say The Boy Who Cried Wolf. Not 100% sure about Elm and Vine, though there is a fable called The Elm and the Vine so that could be the inspiration, but we’ll see when we learn more about them. As Penny goes to give the gang a tour, despite their exhaustion and just wanting to go to bed… and not being pleased that they have to stay in dorms like the Beacon days, Ironwood stops Qrow. Why? Just to tell him that he is genuinely happy to see him again. He even hugs him! Aww~ Hopefully, THAT won’t lead to anything horrible later!

Speaking of horrible, remember in V6 when Tyrian revealed that he and Watts were being sent to Atlas? Weeeeellllll… 

We cut to Watts, a suitcase with who knows what in hand, walking through Mantle during a rainy evening. He and Tyrian are using mobile communications since being in one location makes it easier for them to be found out. He seems to have full control over the security tech of Mantle since unlike Atlas, the coding is never updated and we learn that he helped write said coding. He demonstrates this by knocking out the cameras and we end with Tyrian (with his fancy V4 coat back!) exiting a building. He walks away, a pool of blood spilling out from the cracks, and the cameras fail to see the man who caused it. A dark sign of what’s to come…

Review

HO BOY, do we have a LOOOT to talk about. So, we’re not gonna waste any time. Let's talk about Ironwood and his current plan.

Let's weigh both sides here. On the one hand, Ironwood’s plan… makes sense. At least logically. The plan to use Amity Colosseum to reestablish global communications is a sound one, and is something that should be done. Doing so could also help clean up Atlas’ tarnished image after all the recent decisions and after being painted as the bad guys at the Fall of Beacon. His plan about going public also does have a legitimately good point. What has keeping the fight secret solved? All they’ve ever been able to do is push Salem back, never stop her. The people deserve to know what’s actually happening, especially after the Fall where many got killed because of it. Ironwood is keeping it secluded to Atlas first and needs his forces ready for the fallout as well as all the ammo and safety precautions needed. It explains the Embargo. It explains the police state. It explains the closed borders. You can look at all of Ironwood’s actions, and it makes sense when you look at his plan. Chaos is going to break out, and he has to be ready for it.

But, of course, we have the other hand. For one, he’s depriving other kingdoms of safety and resources due to his actions, making it harder for them to protect themselves. And even then, Mantle is being treated like garbage, even though Ironwood should also be keeping them safe instead of acting like a dictator. Even if he accepts that as a necessary evil, there are better ways to help Mantle without making them terrified or feel like lower class. We saw last chapter that even children are fighting back against the drones and hanging up political posters. Children. That… is not a state that any city should be in. As Qrow said, they don't need the whole military for the Amity Colosseum, and there are better ways to prep troops without causing panic. Ironwood did this at the Fall when the Vale Council gave him control, and he had a huge army set out. The result? Well… I don’t think I need to recap that. He is doing the exact same as before, but without anyone there either capable or willing to talk back against him.

But now we get to the public plan. This is a horrible plan. As they said in V3, this breaks pretty much everything that the world ever knew and is going to cause mass panic. IDC if the army is ready for it, they are severely underestimating the results of this decision. Ones that are going to cost the kingdom. Badly. Like… brink of destruction levels of badly. Plus again, Ironwood is doing exactly what he did the last time. He’s opening the floor up for the exact same results. Even if they updated their coding, Watts will likely find a way through it. Look at how easily he did it in V3 with the virus he supplied Cinder. The same thing is bound to happen again, only this time I highly doubt that they’re going to get things under control until… well, there’s nothing left to take back.

This is insanely risky. Too risky. Now, could there be a way to break the news to the world without the same risks? I don’t know. But I do know that this is the wrong way to do it. It has too much room for error and doesn’t take into account any of the things that went wrong so badly last time. Then again, with Ironwood’s paranoia, who knows what else is going on that he just hasn’t said yet? Trust seems to be the theme of this volume, and Ironwood seem willing to give the gang his. But… IDK. Something feels off. There are some theories going around about him using the hug to bug Qrow, or bugging the Relic. IDK if I belive that, but I’m not ruling it out either. Maybe he does trust them, but the ‘what-ifs’ are too much in his mind and he can’t help himself. After all, as he said in V4, Oz didn’t listen to him. What’s going to stop anyone else from doing the same?

This is why I don’t blame Ruby for lying. Anyone can tell that Ironwood is on edge. How dangerous and reckless his current plans are. Ruby’s in no real position to argue, nor does she likely have an argument. So the best thing to do, until she can think of something better, is to go along with it and try to help the people. Yes, she is lying as Ozpin did. Some have argued how she didn’t technically lie since the train crash did happen and she did tell Ironwood what Ozpin told them, just as he asked. But it’s STILL not being truthful. She’s telling half-truths. She’s giving answers that she knows are false. Now I will say that this isn’t exactly like with Oz. Ruby is only lying to Ironwood and has a valid reason to do so, along with having very little time to think of much else. As she said before going in, they had to be careful with what they said, and she was. Oz lied and it wasn’t without reason, but he did so even without reason and to the people risking their lives for his quest that he didn’t explain the full extent of. Plus unlike Ruby, Oz had years to master the facade. Ruby had to make a split-second choice, and she was clearly uncertain about it in her body movement and in Lindsay’s performance. There is a big difference in this instance and in Ozpin’s instances.

But it’s a slippery slope, isn’t it?

No matter how much you justify it, it’s still lying. It’s doing the same thing that they called Oz out for in V6. I’m not calling Ruby a hypocrite though. Why? Because them doing this? This is a good thing. This is what I wanted to happen. Ruby is now the leader. She has to make difficult choices and face the consequences due to said choices. Previously, she only lead Team RWBY and she didn’t have to make many hard choices then. With Team RNJR, it was more or less the same except not as much since it wasn’t her team technically and when Qrow and Oz came into the picture, she didn’t have to make choices at all. She did as she was told because those who supposedly knew what they were doing were there, But then they were either gone or incapable of doing the job, so she stepped up and despite the setbacks, got them to Atlas with minimal consequence. I mean we just saw here that Ironwood let them free, so that solves that issue.

That’s not going to be so easy now. These choices are going to cause problems. Maybe Ironwood will find out on his own or if he did infact bug them. Maybe Ruby or someone else like Oscar will tell him the truth and he takes it badly. Maybe Ruby says nothing, and it leads to a disaster that she could have prevented if she had spoken up. No matter what route the show goes down, Ruby is about to get another harsh reality lesson, and that is how difficult leadership can be. This isn’t like at Beacon where if she messed up, they could solve it easily. No, this time she’s part of something much more complicated. She has to make the choices that Oz has had to make for centuries. I think that this will help her see where Oz is coming from and allow them to reconcile, but also allow Ruby to see where Oz went wrong and better herself. She’s not just going to understand Oz, but she’s going to become better than Oz. But that’s going to come with a lot of hardship, and it is something that she will have to deal with. Not just with herself, but chances are, with her team as well…

Okay, that’s enough on harsh and complicated topics. This is our general set-up episode, and it does a very good job! We have the plan for the arc established, setting up Amity Colosseum for launch and in the meantime doing work around Atlas and Mantle with Ace-Ops. We get to see Atlas Academy, and it looks gorgeous. We get to properly see Winter again, and Weiss hugging her just melted my heart. Makes me worry about later considering Winter’s loyalty to Ironwood and Weiss clearly not liking what’s happening, but still, I’ll take the happy for now. Penny was a delight, especially with the tour, which excellent animation there! Man, it’s just a joy to have her back~! Forest was fun and we learn about Robyn Hill and her group from him, which will likely come into play later. Especially since we can confirm that she’s going up against Jaques for council. That’s… gonna be interesting, to put it lightly.

This was Kiersi Buckhart’s first episode as a writer, and she nailed it! The exposition wasn’t boring and the characters felt very strong here, Ironwood especially. You know that he’s making bad choices, but the writing makes you understand why and that and Jason Rose’s’ performance as Ironwood was genuine with his views. I could understand all of these decisions, even if I don’t agree, and that’s what makes for good and compelling drama. It was strong in the character department and the pacing, os good job Kiersi! Connor Pickens directed the episode, and it looks excellent! Especially for all the camera angles as Watts walks through Mantle. Like when he steps into a puddle with the reflection of Ironwood on screen? Excellence!. Great job Connor~!

Speaking of that scene though… yeah, that was dark. No idea who Tyrian killed, maybe some kind of informant or something that's no longer needed. But man, what a grim (no pun intended) scene to end on. But it establishes the threat very well. Tyrian we all know is not a force to be taken lightly. But neither is Watts. He did his job in Mistral perfectly, and that only failed because of Cinder taking control and keeping Watts out of it after the new plan was made. But he’s the one in charge now and he is in his wheelhouse now. He has control over Mantle’s security, and if he could break Atlas’ before, he can probably do it again. And remember the Election Map that he had in the opening. IDK what the plan is, but with Watts heading it, it's gonna be bad. Add that with Tyrian, and we indeed have a lethal combination. Will our heroes be able to stop it? Only time will tell…

Chapter Three Predictions

It’s all but guaranteed that this is when we’ll get the new outfits, the haircuts, ad the new gear. It’ll probably be a bit of a lighter episode and maybe allow some nice character stuff and maybe even see the Ace-Ops more or see more around the Academy. But I do think that Ruby may have a bit of conflict as a follow-up to here. Remember the line in the trailer about her being uncertain about if the best thing is right? Well… IDK who she was talking to. Could be Oscar. Could be her team. Could be Qrow. IDK, but I imagine that it may very well bein this episode. Either someone confronts her (which judging by his expressions might be Oscar) or someone sees that something is wrong and get her to talk. Maybe it’s even part of some talk where Ruby expresses her uncertainty but tries to get spirits lifted and ignore her own conflicts as she normally does. Either scenario is possible.

Still, I imagine that it will be a lighter episode with some fun hijinks and maybe some emotional like Blake getting her haircut… or hilarious if they play up Jaune’s horrible haircut. Maybe we could get a bit of a glimpse into stuff with Robyn and the election or we see the Schnees again or something else. I think that it might end with the scenes in the trailer of the girls jumping out of the plane, ready for a mission, and it will lead to the scenes of everyone fighting in the mines that’ll cross into Chapter 4. Either way, as I said, we’re at least guaranteed the upgrades next volume and those are gonna be fun~! I can’t wait~!!!

Episode Stats

Favorite Character: Ruby Rose  Favorite Scene: Penny’s Tour Least Favorite Scene: The airlift to Atlas, the lighting looked kinda off to me… Forest was a delight though. Favorite Voice Actor: Jason Rose (James Ironwood) Favorite Animation: Final scene in Mantle. The camera angle when Watts is walking through Mantle in the rain were amazingly done, especially with Ironwood's reflection in the puddle. Final Ranking: 9/10

Final Thoughts

This chapter was fantastic! It’s a setup episode done very well. We learn all that we need to know for now, and it works with strong character personalities. It was funny, it was heartwarming, but most of all it was intense. THere’s a lot of good, compelling drama here and sets up so much for later on with Ruby, Ironwood, the villains, and the plans for Atlas. There’s a lot that’s coming, and if it’s already this intense then I can’t imagine how the remaining 11 chapters are gonna be. But I’m ready for it… I hope… still, great chapter!

[sobdasha]

not to discourse, but thinking about Ritsu pronouns again

you know, as you do, because you can't exactly ask a fictional character what they would prefer and whether their creator might have been slightly mistaken/confused by societal pressures. And everyone's got such good arguments for why Ritsu might deep down consider himself truly a he, or herself a woman, or themself a nonbinary who-gives-a-crap, or even some kind of combo. Especially given that in the anime reboot Ritsu isn't a joke this time around and isn’t forced to change clothes.

And also, y'know, being a very cis gal I have no stakes in this game, I have nothing to identify with here, so it's not like I can confidently make a forever headcanon.

Anyway in the back of my mind was lingering that thing people have been saying about how, what Takaya really intended, it's some Japanese cultural thing we lack in The West where men who are perfectly content to identify as men and have no desire to identify as anything else will dress in Women's Clothes to get the benefits of not having to act Manly, Assertive, etc. (or at least that was how I understood it, I didn't save any of these posts and I don't think I stumbled upon the right keywords while googling, though I did find some interesting history on genderless kei that was, belatedly, relevant to my thoughts)

And I was just thinking, you know, it's sad that I was kind of side-eying that explanation for why Ritsu would use he/him because that's actually basically the inversion of my favorite thing?

If you have not noticed by now I am, deep down in my soul, a pure misandrist. I am pretty sure I was born disliking and distrusting men, and they have not done anything since in my several decades of life to not reinforce that. (There are plenty of people I happen to not dislike who also happen to be male, but I definitely hate Men.) The point is, everything is better if it's women.

In fact, men would be better if they were just women.

So my favorite anime/manga characters are the bishounen, soft and pretty and effeminate and get mistaken for women and have ~feelings~ like women and maybe even get voiced by women. I'm so here for Mulan and Monstrous Regiment, where girls dress as boys and join the army, and get all the perks of agency that come with being men, and can flirt with the idea of being men, but really deep down underneath are women the entire time and keep this little genderqueer-but-feminine space in themselves afterwards.

My ideal princess is modeled off Eilonwy (and probably some vague conflation of "the game's called Zelda but involves a hero with a sword adventuring in dungeons") with pretty long hair and pretty lovely dresses and okay how fast can I cut this skirt off and bring me a pair of pants and also I need a sword to hack at people with and if you don't let me be one of the boys I'll shoot you with this bow I'm packing.

I first heard the word "lesbian" in some movie and went and looked it up in the dictionary and I recall that I literally asked myself "how do I feel about this?" and I replied "eh doesn't bother me, in fact actually I'm pretty sure these ladies have the right idea here". Elizabeth Swann in Pirates 3? where she gets upgraded to Pirate King with a really cool outfit with pants and those adorable little mary jane shoes, yes. Girls dressing androgynously as men and then flirting with other women dressing as women, me well aware they are both women: god yes.

Ohhhh remember that time I was looking up songs for Guys and Dolls and came across the Takarazuka Revue performing Luck Be A Lady in gorgeous alto, and also just the concept of the Takarazuka Revue, now was that a formative experience or what. Also thank god for Ogata Megumi.

And remember that time I saw a little bit of Sailor Moon and the immediate and only thing I latched onto was the ~cousins~, because somewhere deep down my little heart must have known they were truly lesbians, and I loved the tragic storyline (god it's such a shame I didn't see any farther into the arc because that would have been even more, wow, I would have eaten that up with a spoon), and they were such a perfect pair of androgynous short hair and boys clothes and motorcycle and presumably smooth alto voice, and feminine longer hair and skirts and pretty poised princess. The best of both worlds.

Most recently I had an awkward realization when I found everyone tweeting Queer Book Lists! and people were saying "you know how you read books about women dressing as men for Plot and you wish they had stayed men at the end well congrats, in these books they do" and I was like "oh. oh. Well that's very good and that's great for the characters and I do want to read this but I. Actually don't want that personally? I just want women? I want all the benefits of women taking on men's roles with none of the actual men?? Oh. I feel like a bit of a jerk now."

Any. Anyway. I might have gotten off topic a little there discussing my exact aesthetic tastes but. The point I'm trying to get at is, I like girls. I like androgyny because it tends to read as feminine to me. I like girls that are very traditionally feminine, and I also like girls that are tomboys, and to me when a girl does boyish things that does not make her less of a girl. In fact, a girl who indulges in something that is more ~masculine~ like swords and climbing trees and liking cars and wearing pants and so on, is actually being a girl as hard as she can be.

Anything a girl does that can be construed as masculine makes her more feminine to me. In fact anything a girl does is basically by nature feminine because it is done by a girl? Like I know I'm a cis girl because of all the girly stereotypes I fulfill, but also because of all the girly stereotypes I defy.

Idk if this is just me, if this is the misandry, if this is some weird cis thing, if this is a product of my childhood of Girl Power, what. But it just, if you stop and thing about it, is really truly sad that guys don't have the same thing. That first of all we don't let guys wear skirts, and second of all if a guy did wear a skirt I would not translate it to "a guy being a guy as hard as he possibly can be." Women get to be ~both~ (though not necessarily without people being jerks about it). Men are only allowed to be one (and that one sucks tbh).

So what I'm saying is that if I think about it logically, I should be perfectly capable of accepting that Ritsu can and should present as feminine as much as possible without it contradicting--and in fact with it reinforcing--that Ritsu considers himself to be a boy. That Ritsu is Ritsuing as hard as possible. In fact this is the headcanon I should probably prefer. And also it's sad that I had to have an actual revelation about this just now????

anyway all Ritsu pronouns are valid so long as they are a product of thoughtful consideration of Ritsu