#this is why we have bereavement

[thewildnopeboat]

Nimbus, generally chilling: yeah, I have a lot of pressure since the Vex attacked the grave sites, the Shadow Cabal keep pouring out of the pyramid, and the council think I'm pushing the work on an outsider, but at least I have a cool buddy like you!

Guardian, looking up and seeing Nimbus holding back tears: I'm going to hug you.

Nimbus, confused: Huh? Why?

Guardian, using strand to suspend themselves: You just look like you need it.

[whywontvulcanseatreplicatormeat]

I've been going through Shakespeare's sonnets and I just got to 31 and I think it could be used as a prayer from the Ninth to Reverend Daughter Harrowhark:

Thy bosom is endearèd with all hearts Which I by lacking have supposèd dead, And there reigns love and all love’s loving parts, And all those friends which I thought burièd. How many a holy and obsequious tear Hath dear religious love stol’n from mine eye, As interest of the dead, which now appear But things removed that hidden in thee lie. Thou art the grave where buried love doth live, Hung with the trophies of my lovers gone, Who all their parts of me to thee did give; That due of many now is thine alone.   Their images I loved I view in thee,   And thou, all they, hast all the all of me.

Like, it posits that the speaker's current object of affection embodies everything they loved in other friends / lovers / whomever else, dead or out of their lives, and so the object of the poem comforts them. And whether you assume that the Ninth lowkey has an idea about what her parents did or whether they simply are horribly grieved about the loss of the rest of the kids, this would work, and the tension of that ambiguity is to me just *chef's kiss*.

[aemondapologistfrfr]

Haunting of Riverrun

fancast!bloody ben x widow!tully!reader

Summary: After the death of her childhood love Y/n is left broken. Her parents can take no more of her moping and invite the River Lords to ask for her hand. She never thought she would find such a love again in her life until he walks into her parents hall.

Warnings: 18+ mention of death, grieving, swearing(and i think the only swear word is in my authors note 💀), teasing, oral (f receiving), p in v

Authors Note: fuck if i know why i made her a widow??, guess i wanted some hurt comfort :), soft ben bc why not, this man is down bad fr

Word Count: 4.8k

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“You must remarry, I would prefer it to a house that’s close to ours, but above all I just want you to be happy, daughter. You’ve been haunting these halls after your husband’s death for too long.” my father’s words repeatedly slam into me.

“I didn’t know my bereavement had an expiration date.” I say exasperated, shaking my head at a loss.

“It’s been well over a year. War is coming for the crown and I’d like you to have the opportunity to choose your husband rather than being placed into an unhappy marriage pact for alliances and swords.” he looks to me from our house seat and my mother grabs onto his wrist supportively.

“We just wish to see your smile again.” my mother whispers to me with a soft smile.

“It sounds as if I don’t have a choice in the matter.” I shrug my shoulders, looking up at the ceiling to stop the tears that threaten to fall.

“I’ve summoned some of the unmarried Lords of the Riverlands and they’ll be here by the end of the week. Try to keep an open mind daughter.” my father looks to me and then comfortingly to my mother.

“I’ll see you for supper.” I murmur as I turn and leave the hall.

I sequester myself in my chambers for the rest of the night, even refusing to attend supper much to my parents displeasure. I know they mean well but how can I possibly think of remarrying when every time I go to sleep all I can think of is waking in the middle of the night to my husband’s dead body.

The maesters say it was overindulgence mixed with a poor heart. We were only married for one turn of the moon, but I knew him much longer than that. He was in every sense the gentleman and even waited to consummate our marriage not wanting to be presumptuous.

It was a very innocent and young love kind of marriage. I always thought my cheeks were going to split from how much he made me smile. He would whisper sweet nothings in my ear throughout court making my cheeks tint. At night he would cuddle in close and pepper kisses across my face before curling into me and drifting off to bed. I never expected it to end so quickly. So yes, I have been haunting the halls of Riverrun.

One of my maids knocks softly and enters with tea and a sleeping draft should I want it. She brushes through my hair and helps me prepare for bed. I slip under the covers and lay back ready for another fitful night of sleep.

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The rest of the week goes by in a blur as gowns are being fitted and hemmed in haste for the upcoming events. I’m to be paraded around like a prized mare ready for auction. My breath catches in my throat as one of the maids pulls my corset strings tightly.

“Might we loosen it? Even just a bit?” I say trying to calm my nerves.

“Yes, my Lady. I’m sorry.” she says as I breathe out a sigh of relief as I can fully inflate my lungs again.

I’m quickly brought down to the main hall where my mother and father are sitting in the house seat waiting for my arrival. A chair has been brought in for me to sit at their side on display. My mother’s smile spreads across her face as she takes in my new gown.

“You look lovely, Y/n.” my mother coos to me.

“Thank you, mother.” I take my seat without further word.

“Bring them in.” my father calls to his guards.

The doors groan open and in walk four men. I scoff at the first two men who enter as they seem to be older than my father. The two men that follow are finally closer to my age, if not the same age as me. They all stand in a line in front of my father looking to him except one who won’t tear his eyes from me. I look him over from head to toe and roll my eyes when I see the smirk ghosting on his lips.

“Y/n?” my father says getting my attention.

“Yes?” I ask absentmindedly taking in the frustration on my father’s face.

“I asked you to introduce yourself.” he says hushed as he narrows his eyes at me.

“Have they come here not knowing whose hand they’re vying for?” I asked with a clipped tone completely over this already.

“Y/n.” my mother hisses from my father’s side.

“Good morrow, my Lords.” I sigh and look to them. “I’m Lady Y/n Tully. Tell me who you are and what you can offer me.” I tilt my head looking to them all expectantly.

The one who can’t take his eyes off of me lets out a loud laugh as the other men look to me distraught. I raise my hand in motion for them to start telling me their names and houses so we can get this meeting over with. The three men look to my father and mother for help as they fall over their words and each other in the process.

“That’s enough,” I raise my hand with annoyance. “You.” I point to the one who is smiling at me and seems to find this entertaining.

“Me?” he raises his eyebrows as his smile never falters.

“Yes, tell me your name.” I purse my lips looking him over more in depth as he steps closer.

“Lord Benjicot Blackwood, my Lady.” he says his voice smooth like butter.

“And what can you offer me, Lord Benjicot?” I lean forward and raise an eyebrow studying him.

“Anything your heart desires. Say it and it shall be yours.” he says inclining his head to me.

“I’ll have him.” I turn to my father and take in his distressed state.

“My daughter, you still haven’t-“

“No matter,” I wave off my father’s words. “I’ll have Lord Benjicot or no one.” I say with finality.

“Y/n please,” my mother’s voice begging.

“Two of these Lords are older than father and the other is just as bumbling and stuttering as them. You’ve practically made the choice for me.” I blink at them, daring them to go against what they know is true.

“At least enter a courtship first.” my mother pleads.

“I thought you wanted me out of Riverrun so I could stop “haunting the halls” I think was the way you phrased it?” I tilt my head looking to my parents.

“We didn’t mean it like that.” my mother adds with soft, sad eyes.

“Enough, this discussion can wait.” my father stands from his seat, his face red with embarrassment for this conversation in front of his vassals.

“Agreed.” I stand with my father defiantly. “Lord Benjicot, would you like to go for a walk along the river?” I ask holding my arm out for him to grab.

“I would be honored, my Lady.” he smiles and grabs my arm as we exit the main hall.

As we walk out the main doors I can practically feel my parent’s eyes burning into us. What did they expect me to do, wed an old man? I turn to the Lord on my arm and see that he’s already studying me himself. He’s actually quite handsome and I can tell he knows it by the way he carries himself.

“Tell me of your home.” I request tearing my eyes from him to look at the river beside us.

“It’s one of the oldest standing castles, dating back to the first men. We have a massive weirwood that is home to hundreds of ravens, hence the name Raventree Hall. We’re close enough to the coast where if you stand in some of the towers you can see the bay. It’s not too far from Riverrun should you get homesick.” he studies my expression, looking unsure of what to say.

“Very well.” I hum as I lead us to an unoccupied bench. “You truly wish to wed me?” I turn to him as I take a seat.

“I would be honored to have your hand, my Lady. I do not wish to force you into this marriage, should you not want it.” he bites his lip looking almost nervous.

“I must wed again.” say barely audible turning my head back to the river. “It’s not that I don’t want to. Or that I wouldn’t want to wed you. It’s just only been a year since.. It doesn’t matter.” I shake my head wishing I bit my tongue. Of course he wouldn’t want to hear about my dead husband and he’s going to change his mind and-

“Tell me of your first love.” his voice as soft as mine as he interrupts my thoughts.

“What?” my head snaps to him. “Why?” my eyebrows furrow with confusion.

“I can tell you loved him dearly. If you don’t want to you don’t have to. I just wanted to offer a listening ear.” he fidgets with his hands looking at me nervously.

“He was,” I sigh trailing off. “He was very kind and sweet. We grew up together. A young blossoming love like the books tell..” I shake my head unable to continue.

“It’s okay.” he places his hand on mine in comfort. “You can tell me whenever you’re ready or want to. I’ll be here to listen.” he smiles softly to me.

“I shouldn’t be speaking of this to you, it’s uncomely.” my voice is wobbly as my glassy eyes look to him.

“Your feelings are no burden to me. You lost a great love.” his eyes full of promise and patience.

“My parents seem to think it’s excessive. So much so that they’re pushing me off onto someone else.” tears fall down my face and I wipe them away angrily.

“I- May I hug you?” he looks to me with pitiful eyes which would normally enrage me but I could use a genuine hug.

I turn to him and fold into his embrace. His arms wrap around me tightly, protectively. Feelings of safety and comfort wash over me as I melt into him. I cling to him as tears continue to pour down my face. Gods what am I thinking sobbing into him like this.

“I’m sorry.” I sniffle pulling back. “No, I’ve got tears all over your jacket.” my voice cracks as more tears fall as I try to wave my hand to dry off the stain.

“Hey,” he tries to get my attention away from the wet mark. “Y/n it’ll dry.” my name falls off of his tongue stilling me.

“I’m sorry.” I look to him with red cheeks.

“There’s nothing to apologize for.” he smiles softly to me.

I scoot closer to him as we look on at the river in front of us. We sit in comfortable silence as he allows me to grieve. Once the sun starts to dip below the horizon he escorts me back to the castle and offers me a goodnight. For the first time in many moons I tuck into bed with hope for the future and sleep restfully.

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It took me all of a week to completely fall for Ben. My ribs hurt from the laughter he’s been able to pull from me daily. My parents look at us with happiness throughout the week and finally relent and accept my leave to go to his home for a fortnight before we wed.

As we approach Raventree Hall my breath escapes me looking on at the large gates painted with moss and life. As we enter through his men greet him happily and offer me warm smiles. He escorts me into his castle and I’m entranced by its architecture and detail.

“You have a beautiful home.” I hum looking around the hall. When I finally turn back to him he’s leaning against the door frame looking at me with a soft smile.

“It’ll be your home as well soon enough.” he pushes off the doorway and walks to me.

“You haven’t decided I’m too crazy for you?” I look up to him as he approaches.

“Not anymore than I am.” a smile pulls across his face as he grabs my hand leading me out of the hall.

He gives me a full tour of Raventree Hall that ends with us in the Godswood. I’m speechless at the massive weirwood that’s a home to all of these ravens. The tree itself stands taller than the entire castle making me crane my neck to see the entirety of it. Ben leads us out of the Godswood and into the castle where we share an intimate dinner alone.

“I must admit something.” he looks to me from across the table once the servants disappear.

“Which is?” I look at him with a raised eyebrow, my interest piqued.

“I first saw you when I was just a boy. We were all summoned to Riverrun for some event I no longer remember,” he trails off, his cheeks turning red. “But I’ll always remember you. You were wearing a billowy pink dress with flowers in your hair and you looked less than pleased to be surrounded by so many people. I thought you were so perfect but I couldn’t work up the nerve to speak to you. It has always been such a regret.” Ben’s eyes look to me as the memory appears in my mind of that scratchy, terrible dress they made me wear and I giggle.

“Was I your first crush, Lord Benjicot?” a wicked smile appears on my face as his cheeks turn a darker shade of red.

“You’re never going to let me live this down.” he groans covering his face, peeking at me through his fingers.

“Not anytime soon.” I hum as I pull his hands away from his face.

“Your parents say you’ve been haunting Riverrun, but you’ve been haunting my dreams for much longer.” he says intertwining our fingers looking to me.

“I’m sorry I’ve caused you so many years of restless sleep.” a smirk plays on my lips as I squeeze his hands.

“You’ll have plenty of restless nights coming up.” he winks at me causing my cheeks to catch on fire.

“Ben,” I gasp scandalously as he chuckles at me.

“I’ll never tire of my name on your tongue.” he smiles and leans back in his chair watching me.

We finish our dinner with palpable tension as we steal glances at one another. He escorts me to my chambers through the silent halls. The castle seems to already be asleep for the night as we linger, not quite ready to leave each other’s company.

“Let your guard know if you need anything. Although, my chambers are right down the hall if you need me.” he looks at me with low lids and a lazy smile.

“Then I’ll know which direction to begin my haunts during the hour of the wolf.” I smile up at him as he chuckles and shakes his head.

“I’ll make sure to leave my doors unlocked for you.” he winks, reaching behind me to open my chambers for me.

“I’ll see you in your dreams.” I whisper before whisking myself into my chambers and sealing myself behind the doors before he can see the extent of my blush.

I take in my chambers and smile at the warmth and new beginnings they carry. I begin to change into my night dress and retire to my bed. I figured it would feel weird sleeping in a home that’s not mine but all I feel is excitement for what the next fortnight will hold. I fall asleep with a smile etched on my face.

⊹₊⋆☁︎⋆⁺₊⋆ ☀︎ ⋆⁺₊⋆☁︎⋆₊ ⊹ ⊹₊⋆☁︎⋆⁺₊⋆ ☀︎ ⋆⁺₊⋆☁︎⋆₊ ⊹ ⊹₊⋆☁︎⋆⁺₊⋆

The first week at Raventree Hall was full of innocent glances and hand holding but there seems to be a rise in tension between us in our last week before we wed. We constantly tease each other and seem to always be touching each other whether it be his hand on my back or mine on his arm.

I exit my chambers early this morning to explore the halls and yards on my own. I stop in the Godswood and look upon the ravens that fly about the grounds. I slowly make my way to the training yard to watch Ben work alongside his men. I haven’t had the courage to come down here and watch him but my curiosity is getting the better of me.

As I turn the corner I’m greeted with grunts and clashing swords. My eyes dart around the yard until they land on a shirtless Ben. Gods this is why I never came here to watch him because I know I look like a lovesick puppy. I claim a seat on the outskirts of the circle near Ben and silently watch him train.

He is a true leader to his men and is actively cares about their advancement. I sit with a smile painted across my face as I watch his muscles flex deliciously. His eyes finally land on me and his face lights up as he jogs over to me.

“To what do I owe the pleasure of your presence, Y/n.” he looks down at me with hungry eyes as I continue to lounge in my chair.

“Am I not allowed to look upon my betrothed?” I blink up to him innocently.

“Shall I remove more layers so you can look upon the rest of me.” he chuckles lowly as my cheeks inflame.

“Benjicot Blackwood.” I hiss as I quickly rise and cover his mouth with my hand. He chuckles into my hand and grabs my wrist to lower my hand.

“You get flustered so easily.” he says lowly, trailing his fingers up my arm causing me to shiver. “Do you enjoy watching me train?” he dips down to whisper in my ear to which I nod not trusting my voice.

His confidence is so exhilarating. I feel my blood thrum in his presence in anticipation for anything he does. I never thought I would feel the life brought back to me. He pulls back much to my quiet displeasure and looks at me with a serpentine smile.

“You can come and watch me whenever you please. I’ll have a chase brought out for you, I wouldn’t want you to get uncomfortable while you fantasize about me.” he teases as I roll my eyes and turn to walk away without another word.

“I’m sorry.” he breathes out as he turns me around to find a smile on my face and he sighs out in relief. “Mm, in that case do you want to share your fantasies with me?” this man is absolutely relentless.

“Maybe when we aren’t around so many eyes.” I shrug him off with a smirk of my own and continue to walk into the case.

As I continue inside the doors I hear his men laugh at him for scaring me away and I can’t help but chuckle myself. I don’t know how I’ll ever get used to his teasing and not turn into such a blushing mess. I’m quite excited to be wed to him because there’s never a dull moment.

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“My wife,” Ben whispers down to me softly before he captures my lips for the first time at our ceremony.

I feel as if my heart is going to burst out of my chest as I sigh into his mouth. He pulls me closer as my arms wrap around his back. I care not of the audience watching us as I allow myself to indulge in my husband. We pull apart and he offers me one more chaste kiss before we turn to the crowd with red cheeks.

I turn to my parents and see my mother all but sobbing and my father with watery eyes standing tall next to her. I chuckle at them as we descend from the alter. Ben twirls me around the open dance floor before bringing me back so we can share our first dance.

My body is buzzing with anticipation as Ben glues me to his body as we begin. I look up at him through my lashes as cups my face. He offers me a soft kiss as we continue to sway to the soft music.

The celebrations go on long into the night. Ben and I try to sneak off a handful of times but got lured into conversations as we tried to make our escape. As the crowd begins to slow we are quick to slip away and rush into the castle.

Ben’s hand grips mine as we run through the front doors trying to stifle our laughter so we don’t draw attention to us. He pulls me up the stairs after him silently. We come to a stop in front of his chambers both of our chests rising and falling rapidly.

“My chambers or yours?” he licks his lips looking down at me.

“I thought your chambers were mine now, husband?” I tilt my head with a smile.

His lips crash into mine causing me to squeak in surprise. He smiles into the kiss before pulling us inside our chambers. He pulls us apart and seals the chambers shut and turns to me with dark eyes. He stalks over to me and his hands pull my closer by my waist.

“This is a beautiful dress. May I take it off?” he whispers as he starts to kiss my neck. His hands trail to my back waiting at the strings for my word.

“Yes,” I breathe out as his fingers begin to unravel my dress. He pulls back to help me step out of it leaving me in my silk slip. He looks at me hungrily as his hands slide back to my waist. I bring trembling hands to his jacket and begin to unbutton it.

“Do I make you nervous?” I can tell he’s smirking without even looking at him. His hands go to mine to steady them before taking over and removing his jacket the rest of the way.

“Don’t tease me.” I pout as I begin to unbutton his shirt.

“So eager to see me shirtless again?” he chuckles as he pulls his shirt over his head quickly.

“I will make you sleep in the guest chambers.” my eyes narrow on him as I push his chest.

“Is that truly what you want?” he tilts his head smugly.

“No.” I cross my arms.

“Oh come here.” he relents and pulls me to him once more.

He dips down and encases my lips with his. He licks along the seam and I open my mouth and his tongue is immediately dancing with mine. I melt into his touch and gasp out in surprise as his hand travels to my thighs and they clench shut. He pulls back breathlessly and looks to me with low lids.

“Have you been touched before?” he asks without his teasing tone for once as his hands return to my waist.

“No.” I shake my head with burning cheeks.

“Would you like to be?” he asks softly.

“Yes,” I answer faster than I would’ve liked.

His lips find mine again as his hand finds its way between my thighs. I whimper into his mouth as his fingers trail through my wetness. He continues with one tortuous finger until he decides to swirl against my clit.

“Ben,” I cry into his mouth as my legs threaten to give out.

“Let’s go to the bed.” his voice laced with desire.

Once we make it to the bed he slowly lifts off my slip and helps me back on the bed. He begins to remove his pants as I gaze up at him with heavy eyes as I take in the rest of his body. My legs squeeze in anticipation looking at him on full display. We shameless drink in each other’s body admiring.

He climbs into bed and hovers above me for a moment before he fiercely kisses me once more. His hand makes its way back between my legs as his teeth nip at my bottom lip. His fingers begin to circle my clit once more causing a moan to tear through me.

“Does that feel good, Y/n?” he whispers before he attaches is mouth to my neck.

“Yes, Ben,” I whine as my legs begin to shake.

His fingers continue to slide through my wetness as his kisses begin to trail down my chest. I suck in a large breath as he takes my nipple into his mouth and swirls his tongue around it. He leaves wet kisses across my chest as he makes his way to my other breast. His deft fingers find their way back to my clit as he offers this nipple a playful bite causing me to arch up into his mouth.

He chuckles lowly as he begins to kiss down my torso until he’s watching his hand pull pleasure from body. I moan out in frustration as his finger slips away from my clit once more. I whimper as his tongue begins to lap against my clit as my thighs start to clamp around his head. He chuckles into my core before holding my thighs open to lose himself in me.

“Ben, please,” my hips grind against his face as one of my hands fly to his hair.

A sob tears through me as I explode all over his tongue as he continues his assault. He pulls his mouth back but continues trailing his fingers down my sensitive center. He looks to me and watches me as my legs twitch when his fingers pass over my clit. As his finger slides down it circles my entrance and begins to dip in. My hips lift off the bed wanting more of his fingers as he groans looking at me.

“Gods you’re perfect.” his voice dripping with devotion as he slips his finger the rest of the way in.

He leans down and entangles us in a kiss as his finger begins to pump into me. He teases a second finger and I moan into his mouth as he pushes them both into me. He holds his forehead to mine as I pant while my hips begin to chase his fingers for more. His thumb makes its way to my clit as his begins to move his fingers faster.

“Yes, Ben please,” he groans at my words and kisses me hard.

His fingers begin to curl as he pushes them into me faster. I clench around his fingers as I let go once more, losing myself to all of the pleasure he offers me. He slowly removes his fingers and I whine into his mouth at the loss.

“I need to be in you.” he breathes deeply as he settles between my legs. I wrap my legs around his waist and pull him down to me. “Someone’s impatient.” he chuckles against my lips.

“You can still go to the guest chambers.” I scold breathlessly as his length presses against my core.

“I wouldn’t dare leave my wife so needy.” he pecks my lips as he begins to line himself up at my entrance.

He watches my face as he slowly pushes into me. My eyes flutter shut as I feel the burn of his delicious stretch. My hips begin to rock against his and he grinds into me deeply. My hands fly to his back as his continues is slow moments as my nails dig in.

He begins to rock his hips slowly getting faster. Moans fall from my lips freely as his hips snap into mine. Our breathes become one as pleasure washes over us. His hips falter as cry out his name coming around him with tears in my eyes. His hips still as he fills me with my name on his lips.

He kisses me softly as he pulls out and lays next to me. I curl into his side as he smooths my hair. Ben pulls a blanket over us as my eyes get heavier.

“Shall I go to the guest chambers?” he chuckles lowly as I groan in annoyance.

“I should make you go out of spite.” I huff pulling him closer to me anyways.

He kisses my head once more as we slowly begin to drift off.

⊹₊⋆☁︎⋆⁺₊⋆ ☀︎ ⋆⁺₊⋆☁︎⋆₊ ⊹ ⊹₊⋆☁︎⋆⁺₊⋆ ☀︎ ⋆⁺₊⋆☁︎⋆₊ ⊹ ⊹₊⋆☁︎⋆⁺₊⋆

Masterlist

[absolutedestinyapocalypsse]

When Harrow is very obviously grieving, (and also when he wants to gaslight her) John tells her to make soup about it, to focus on the little things, to take it day by day. When asked to help with the lobotomy, Ianthe tells Harrow that the worst is over- she's a lyctor now, and she should try and move forward instead of sticking herself permanently in limbo. These are not terrible pieces of advice to give a grieving person; if actually practiced, they might even be helpful. Except for Harrow, they are the absolute worst things you could possibly say.

None of what happened to her should have happened, of course she doesn't want to accept it and progress further into lyctorhood. Everything is terrifying and new to her, of course she won't find peace in "the little things". John is actively trying to fucking KILL HER, of course SOUP isn't going to help! Like obviously the general grief advice isn't gonna work for Harrow because she's in a psychological horror book and is being haunted and is grieving jesus christ herself, but also, does it really work that well ever? Does being told to move on actually ever in any circumstance help the person move on? Or does it just make them feel more broken, more inadequate, more lonely?

Sure, focusing on little things that give you joy and trying not to ruminate on the past are on paper productive ways to cope, but its also the LAST thing a grieving person actually wants to do. Telling someone to simply forget about what they went through and who they lost, to just focus on the boring and isolating minutae of everyday life instead of the world-ending tragedy they've experienced feels impossible. To do it would be like betraying yourself, and the people you lost.

Most of the book is Harrow knowing that certain things would probably make her feel better if she would just try, being told constantly that if she would just do x y or z, things would fall into place and she would be less broken. She doesn't even remember WHY she feels like this, but she does, and it's all-consuming. Lyctorhood is the scale by which her "normality" is measured, and she is failing SPECTACULARLY. She refuses to set aside Gideon's humanity and significance in her life to use her as a battery, and that makes her weak and a failure in the eyes of the other saints.

But by failing to move on, she ends up actually preserving (??? who actually knows man) Gideon's life. For the classic grief advice to not only be unhelpful to her personally also ACTIVELY MALICIOUS/ HARMFUL PLOT WISE is such a great 180 to me. Instead of a "grieving character comes to terms with loved one's death for the Greater Good and moves on because its the Right Thing To Do" narrative, we get a kind of bereavement revenge fantasy. Harrow's complete refusal to move on stops Gideon from actually fully dying. And she does makes soup, not to cope with the constant terror she's living under, but to EXPLODE her tormentor from the inside out. These things probably aren't "good" for Harrow, or for anyone dealing with grief. They do not make life easier for her, and they do not make her a lyctor, but they are honest and they are SO satisfying. Having the power to bring back the person you lost, even at great personal detriment and to explode everyone who hurt you with your mind is i think the perfect power for someone in mourning and i love that htn let Harrow have it. There is no greater good to be served, no larger moral about loss to be told. The objective is not to see Harrow heal from loss, it's to see her by sheer determination and force of will, refuse to fucking lose.

[pparacxosm]

uta hagen

(divorced!art donaldson x reader; tw divorce obviously; tw sporadic mentions of violent or otherwise shitty partners; that sounds intense but this is actually a fun time i swear; cw a little smut; as a treat; tw ironic intimacy; kaz write a normal romance where one or both people aren't hypercritical of the other challenge ((impossible)); tw group therapy; tw condensing of tashi duncan's character for narrative reasons but i hope you know me well enough by now to know where my heart lies; whoever came up with the art donaldson calvin klein campaign headcanon i owe you a kidney; tw exploiting therapeutic exercises for sexual tension lol; tw hamfisted closure; raymond carver easter egg for all who have the eyes to see)

Before anything happens, Art Donaldson is just another guy in the “Learning to Let the Ex Go” group therapy session you signed up for.

It occurs to you, pretty quickly, that Art Donaldson has zero intention of letting his ex go. Dr Harper has this question he asks all the newcomers.

You’re having circle time with a bunch of adults on a Friday afternoon. So that look of longsuffering on the new guy's face isn’t particularly remarkable. You note a few furtive whispers and glances his way. But then this sad little workshop is mostly comprised of weepy middleaged women. They, too, kicked up a ruckus when that silver fox with the Harley—Rick—deigned to grace the room with his impossible biceps for a single, cigarettescented session two weeks ago.

What you’re saying is you know he’s handsome.

And, anyway, you’d never hold anything against your motley crew. Agnes invited you to her neighbourhood book club. Padma brings little clingwrapped trays of desserts every other week. These are your gal pals. Your bereaved bosom buddies. You wouldn’t begrudge them their eye candy.

Dr Harper says, “So,” and claps his hands the way he starts every session, narrowing his eyes with that scarily sentimental smile and sweeping his gaze around the circle. He makes a point to make eye contact with every single person for two whole seconds, as though he knows something you don’t. Then, “As you can see, we are not as few as we once were.”

He tends to speak in that meandering sort of way. He makes a flourishing gesture with his clipboard, as if setting a stage, and says,

“If you wouldn’t mind introducing yourself, and letting us know…” He pauses for effect. He tends to do that, too. “… Why can’t you let your ex go?”

You do the guy the favour of not laving him in that expectant stare people seem to love doing here. You fiddle with your fingers and listen to the uneasy knell of his sneakers against the linoleum. The stilted whine of his little plastic foldout chair. You cast him a glance as stands. He’s sort of tall, but not imposing. His fingers fidget at his sides like he’s awaiting a time bomb.

When he speaks, he looks so upset you’d think he’s getting a root canal. “Uh, hi. I’m Art, uh… just Art.”

And, at the time, you think this is kind of strange.

The next week, when Dr Harper brings a purple tennis racket with Just Art’s face on the front to get him to sign it for his daughter—which you already think is unprofessional and a bit presumptuous, considering how few people actually return for a second session, and how fascinatingly tortured he looked all throughout the first—you will think oh. And then his whole humble kicked puppy thing will feel a little annoying. But that’s besides the point.

On that first day, while he’s standing there awkwardly, and every shriek of his shoes against the ground is making him wince like he’s sporting stab wounds, and he keeps casting very conspicuous glances at the clock, Dr Harper asks why can’t you let your ex go?

And the thing about that question is it’s mostly rhetorical. Sure, it’s supposed to make you think. But the ultimate unearthing there is of the truth that there is no real reason. And such is the first step to selfactualising change and so on and so forth. You get it.

There’s a couple answers you come to expect. The notably lachrymose will get to weeping straight away. Because I’m pathetic! you remember someone wailing, which made you feel like a bit of a sadist, just sitting there and watching. You’re pretty sure you’d said a less than kind, I don’t fucking know, on your first day, but you’ve grown since then, and you appreciate Dr Harper’s abiding effusiveness despite that.

But Just Art releases a contrite sort of exhale and says, “Because I still love her.”

Which—okay—strikes you as a bit overkill.

A tissue discreetly finds his palm, but he only rumples it into a ball.

Dr Harper nods sagely, leaning back in his seat, steepling his fingers under his chin.

“Go on,” he prompts in that gentle, needling way he does.

You don’t Google him. You don’t really need to. Dr Harper keeps intentionally-unintentionally peppering sporadic little pearls of information about him into conversation like some sort of bizarre BINGO game.

Like—for example—when he’s passing out little notepads and outlining your task of writing unflinchingly honest farewell letters to your exes, he tacks on, “—it’ll be tough, but it’s no Wimbledon, am I right, Donaldson?”

And Just Art’s ears will turn a dazzling shade of crimson.

You file these little tidings away in some less important corner of your mind, passively constructing a criminal profile.

Padma brings her son to a session, which you’re pretty sure she’s not allowed to do. Luckily, the kid doesn’t internalise any of Padma’s scathing anecdotes about his father because he’s too busy marvelling at his own freshly signed Art Donaldson racket.

There seems to be a new racket to sign every week.

You doubt people actually give this much of a shit about tennis. But—anyway—you suppose if fucking Michael Cera rocked up and joined the circle, everyone would be hauling a Superbad poster out from some dusty corner, too. Such is the nature of celebrity.

Dr Harper, for one, appreciates the effervescence. He seems to think the mere presence of a famous athlete will motivate everyone in the room to face with renewed fervour their own pathetic little romantic quagmires.

Well, it’s that, or a strange personal infatuation he houses with the guy. Probably both.

You don’t Google him. You don’t Google him, nor his conceivably equally famous exwife. You don’t need to. Dr Harper seems to think it necessary to give you all regular progress reports on that whole imbroglio.

You know there’s news—perhaps unfortunate news—by the colour of Dr Harper’s voice when he says, haltingly, “And Art… how have you been doing?”

By the severity with which Dr Harper nods as Art reads his letter. (“Tashi,” he begins, and one of those not so furtive whispers ricochets around the room, another tissue in his hand; you think it’s Agnes who’s slipping them).

By the abject enthusiasm with which Dr Harper declares what real progress Art is making. Like he’s one of those zoo animals being parallelreared with a human child, and he’s starting to glean the art of speech without being prompted.

This is all saying something, for whom you know to be an already colourful, severe, enthusiastic Dr Harper.

What you gather is a vague impression that Art’s exwife tortured him psychologically by wielding his body and tennis career as serrated edges by which to flay their marriage intricately, slowly. And then there’s something about her repeatedly sleeping with his exbestfriend? Which—big whoop. Eleanor’s boyfriend tried to kill her, which you feel is a marginally more exceptional love story.

A month in, you realise what’s really bothering you is the untruth.

Art Donaldson has zero intention of letting his ex go. He still loves her. He opened with that.

He reads his letter (that reads a lot more like a draft for vow renewals) aloud to the room. Everyone looks at him with these misty eyes like he’s just chainsawed his chest open and wrested his heart from his arteries while simultaneously reciting Sappho.

Which is to say—and you’re no doctor, but—what fucking progress?

You don’t think you’re the patron saint of therapy or anything. But you’ve paid decent money to be here, and you’ve spent more afternoons than you’d stomach admitting on guided meditation. You’re doing The Work, as they say.

You get it; you do. Losing a relationship can feel like a death. Losing yours certainly felt like the Sun had imploded. But Eleanor—you’ll mention again—could be dead. Your jaded inner voice struggles to identify with this probably deplorably wealthy Adonis who can't seem to cut the racket strings.

So you think it’s a little irresponsible to glorify the abject pining of this crestfallen man. All flaxenhaired and broadshouldered like Prince Charming lamenting bedside of Sleeping Beauty.

This is a class about severance.

Art Donaldson seems to weave himself inextricably around something. The love of his wife, sure, that’s obvious enough. But there’s something. Something. Something very sad, sure, but not sad in the way you’re all so sad around here. A different kind of sad.

You’re trying to figure it out.

So you spend some time doing that. Trying to figure him out. You expect to start to hate him the more you stare. The more you note the weird slope of his nose, his selfdeprecating laughter.

But you don’t.

In fact, you find it delightfully, uncomfortably strange. He carries himself like an interloper to despair. Not like he thinks he’s above it necessarily—you’d thought that (reproachfully) for a while—rather like sadness is one of many things stored at the other side of the city, and he keeps missing the train.

Like these brilliant sorrowers are deigning to include him in their orbit, even though he doesn’t belong. If he remains silent, maybe they won’t notice that he’s not one of them. Better yet, conceivably, he’ll actually belong one day.

That’s what it’s like. Like he’s striving for sorrow. Like he’s working with something worse than sorrow and is saying, you know what? I’d rather take the sorrow.

In the exercise you’re doing this week, you’re supposed to personage your ex and act out your final argument. Take your scene partner’s hands and look into their eyes and everything. Dr Harper makes a big deal about how he's not trying to trigger anyone's relationship trauma, but that feels like a lie. You can’t imagine a productive reason to make a bunch of lonely, divorced adults hold hands in a cruel parody of their last brush with fleshdeep connection.

And anyway, fuck this shit.

That doesn’t mean you won’t communicate circles around it. You’re doing The Work, after all.

But fuck it hard.

His hands sort of swallow yours. They are warm and calloused and a little sweaty.

You were, at first, excited by the idea of this proximity. Excited in the way a cultural anthropologist would be, at the prospect of conducting participant research. But now you’re here. Sitting at the edges of your little plastic foldout chairs. Your knees between his. And his fingers are curled pretty firmly around yours. He looks about as comfortable as a grade schooler called to the chalkboard. And you’re the one who’s been sitting around observing him from a distance and gleaning your data and passing your judgement all this time, but it is he who makes—and holds—eyecontact.

His eyes are dusky and intent—molten navy—like he’s seeing past your skin and bone. And you are less than pleased by this subversion.

So when he shifts and his knee brushes your outer thigh, a potent shock of heat resounding through the denim, and he clears his throat and mumbles, “Sorry,” you say,

“You could back up a bit.”

His expression falters. You must admit, there is something alluring in his being disappointed by your little rejection. Anyone looking at it from the outside would find the whole thing pretty ludicrous. That you could say no, that he would even ask.

Dr Harper comes up and puts his hands atop both your heads, which feels more than a little patronising. He squats to be eye level between the two of you and whispers, “Do you know why I paired you two together?”

For a moment, you almost roll your eyes. When all is said and done, and the skull speaks and the bell tolls, your primary takeaway from your time Learning to Let the Ex Go is that Dr Harper has a spectacular penchant for assigning meaning where there is absolutely none.

If he paired you with Art based on eyelash hue, would he come up with some reason for that? Probably, you think.

But what he says next manages to throw you.

“You two…” he begins, pausing for effect. Because, of course. And Art shifts his weight uncomfortably, quite literally wincing as he accidentally bumps your knee again. He glances fleetingly in your direction, ears gone florid, but you have little time to delight in this before Dr Harper stands up straight again and delivers his verdict, “… have the same problem.”

You make a face like you have just seen a lizard eat a bird.

And fucking Art, of all people, has this look in his eyes, this look that’s almost hopeful. Like some explanation is finally to be offered for what the hell is wrong with you.

And you don’t care for that shit. At all.

You bark out a laugh. “I don’t think so.”

Which is, of course, when Dr Harper’s gaze sharpens like a scalpel and locks on you, like you’ve said exactly what he predicted you would say.

Which you care for even less.

He doesn’t look smug. Not exactly. He doesn’t even look vindicated. The only way to describe that look on his face is total delight. Cat with the canary in his maw.

Art seems very committed to staring at the ground, now. Trying, perhaps, to evade something of a brewing storm. You’re tempted to reach up and flick his head for his cowardice, but his hands are—very tightly, now, you’ll note—still holding yours.

“You two are both at mercy to judgement,” Dr Harper declares, and he’s still got your head in his palm like a basketball, and all that selfregulatory yoga feels fucking useless right about now.

You shift to look up at him better. “I’m not at mercy to judgement,” you inform him as calmly as you are able, and maybe you’re disproving his point in this moment by being so affected by this analysis, but you sincerely believe that you’re generally pretty hardwearing.

Dr Harper pauses for effect. “You are at mercy to your own judgement...” Another pause. And you’re about to tell him that—nice fucking try, but—you’re actually a remarkably selfassured person who rarely, if ever, gives yourself to negative selftalk. But then, “... Of others.”

And now it occurs to you that the fucking room has gone silent. And you feel like your eyes have all but crossed in simmering anger. Because—okay—everyone here is crazy, and miserable, and a little fucking pathetic, but you’ve prided yourself on being the least crazy one here.

And fuck.

Fuck if you’re not proving his point right now.

When you open your mouth to argue—because you are going to disagree, if only for the sake of disagreeing—Art Donaldson’s fingers screw up firmer around yours, like he’s some sort of sentient lie detector, and you’re about to ask him where the fuck he gets off, but Dr Harper isn’t done.

He turns, now, to Art.

“And you…” he says. You’re getting seasick with all the pausing. “Donaldson. You’re at mercy to others’ judgements of you, my man.”

So Art, you see out of the corner of your eye, looks like he’d rather debone himself than be sitting here.

And fine.

Okay.

Let’s all agree that that much is true. That Art Donaldson lives and dies by the judgement of others, and you live and die in the name of it. Fine.

Even so, you can’t help but think that these are directly antithetical problems to have.

And, in practice, if you’re a callous shrew, and he’s an open wound, you’ll probably kill him. Or something.

But now Dr Harper’s pushing your heads together like a ref before a rugby match. And he crouches down again. And Art’s nose brushes yours, and your lash swipes his cheek, and you can smell the coffee Dr Harper was just drinking.

And he says, “Let. First serve.”

Then he stands again and pats Art’s shoulder like they’re old friends, and gives a wink to the room at large.

He saunters away. Art looks like someone is pointing a gun to his head. But really it’s just your—heartlessly selfrighteous, apparently—forehead still against his. His skin is feverwarm.

You pull away.

Of course no one takes the exercise seriously.

In its defense, you think, there’s very little that goes down in this room that can be veritably labelled a ‘serious’ event. Most of it—the guided meditations, the writing exercises, Dr Harper’s entire vibe—feels like you happened to miss some crazy event that tore reality asunder and tipped you over into a sadistically tragicomedic alternate universe.

But if you all were to sincerely sit here, knees to knees with mourning strangers, and concretise this litany of other strangers who have wounded you all irrevocably in different ways—shit—Harper’d be sitting with a fetid heap of weeping corses.

So—well.

Eleanor’s chasing Ally around the hall with a her fingers hoisting an invisible shiv yelling, I love you, I love you, you bitch. Which is certainly one way to contend with a murderous exlover, you guess.

Padma and Colin are treating this as a gossip session. You can tell because you can hear that delighted peal of laughter she emits whenever someone interjects one of her—deeply engrossing, by the way—caustic vignettes about her exhusband with a little observational jab at the guy.

Most people are laughing. Or making fun. You catch fleeting dregs of remarkably hilarious conversation from all angles and are reminded why you keep coming back here.

The only person, however, who seems to have really taken Dr Harper’s thought experiment to the harp of his heart—much to your horror—is Art Donaldson.

He sets his elbows on his knees and leans forward. You get a waft of him. Something acerbic like citrus, and maybe pine. He blinks up at you with this almost regrettable intensity. Like he’s about to tell you that he has to pull your teeth. But he’s not thrilled about it. You’re still deciding if you’re flattered by the notion. He’s looking at you like he’s trying to glean the pattern of your sinew with his eyes alone.

“I’ll be you,” he says, his voice low and soft. And there’s a hoarse quality to it, like he’s just run up a staircase.

You’re suddenly very aware of all the noise around the two of you. The laughter, the bedlam. Something faintly percussive.

His thumbs swipe over your knuckles, which you’re hoping is an absent thing.

You blink. Your face is overcast with a less than kind, more than unimpressed glower.

“You’re serious?” you deadpan.

He looks serious as the end times. His fingers twitch around yours. You feel his knuckles like piano keys against your palm.

Dr Harper has essentially told this man that you have something he doesn’t. Something he needs. And now—with a tenacity you can only imagine churns through his bones by rote—he seems determined to find it.

He’s gripping your hands like you’re the fucking racket.

He leans down further, elbows pressing into his thighs, and his face gets alarmingly close to your fingers. A whisper of heat against your nailbeds.

When his tongue dips out to swipe the chapped coral edge of his upper lip, you nearly flinch, because you think that wet will touch you. But it doesn’t.

He peers up at you intently. You see the way his throat shifts under his wan skin as he swallows.

“I’m as serious as you want me to be,” he says. He is absurdly sincere, but also something else.

Your brows twitch, and you frown, because you are now realising that, even after several weeks of careful observation, you do not have even a remote understanding of this man to speak of. You feel like an academic whose thesis has just been rejected, and now they’re back to square one of some miserable odyssey. Moreover, this is all just unutterably ridiculous, so you sigh and roll your eyes and shift in your seat, your knee knocking against his inner thigh.

“Fine,” you say, “You be me.”

Art’s face is set in what you first think is determination, but are incredibly unnerved to discover is him getting into character. He’s trying to emulate that vaguely bitter perennial scowl of yours. He looks like a bitch—which means he’s pretty fucking dead on.

You’re almost impressed.

Of course, he still looks sad. There’s a vulnerability his mimicry cannot conceal. But you think he’s finding something cathartic in wearing the hue of your passive vitriol.

You tell him to express a perfectly reasonable grievance to you—and you yourself are now rolling your shoulders and slinking into the ethos of a gaslighting asshole—like how you never wash the dishes. Like, ever.

He clears his throat.

“You never do the dishes.”

You swallow.

“Right…” you murmur.

You’re still a little facetious about this whole thing, but there is that intensity in his gaze that wrests you into the moment like a fervid point of gravity.

“Well, now I—as my ex—would probably tell you—” You roll your eyes again, but now it is at the memory you’re unsheathing. “—oh, you’re being dramatic. I was just about to do them. Why are you always on my ass?”

And Art’s nose wrinkles, like the memory is offensive to him, too.

He looks you over like a sawbones trying to determine a patient’s symptoms. Mapping out the incision.

“Then I—you—would say…” He’s speaking really slowly, too. Like he’s giving you the chance to object where you see fit, on grounds of mischaracterisation. “I would say that you always say you’re going to do all kinds of things. But you never actually do them.”

“Exactly!” you blurt, kneejerk. But then you catch yourself. Flex your fingers a bit in his. Clear your throat and put on your best impression of a total dolt again. “Okay—oh, maybe you’re too busy focusing on the little stuff I don’t do to recognise the large sacrifices I make for our relationship.”

He scoffs.

It’s your scoff. A facsimile of that incredulous ire you seem to always be evincing. It’s deeply disturbing.

“What sacrifices?” You can’t tell who’s asking.

“W—” You falter. Swallow. It takes you a moment—like you’re emerging from deep water—to answer, as your ex, “Well, I moved here, didn’t I? Packed up all my shit and left my friends, my family, fucking everything. To be with you.”

“I didn’t ask you to move.”

“You didn’t,” you confirm quickly. And you can’t tell who’s saying that, either. But you put on the voice again, and say, “You didn’t. But I still did it for you. And I don’t think you’ve ever said thank you. Or sorry.”

A beat.

Your hands go slack in his. You sigh. “You never say sorry.”

Art’s eyes search you like a probe.

Your shoulders are stonerigid and the blood is rushing like torrent through your ears because—somehow—this feels uncomfortably like a fight. Like that fight. And your body seems keen on adjusting the scoreboard accordingly.

His thumbs rub your knuckles again, in a way that feels a lot less idle this time.

“I’m still not going to say sorry,” he guesses with a marginal tentativeness, but a general certainty in his assessment.

You swallow again. “Yeah,” you rasp, “You’re not.”

It occurs to you that this exercise is a little like immolation.

He’s supposed to be acting like you. But he’s acting like you at your worst, and doing so—to his credit—a little more accurately than you’d like to admit.

It strikes you as unfair. And excoriating. And you picture yourself tackling Dr Harper to the ground and choking him out.

And then Art says, “We’ve been having this fight for…?”

“Two months,” you mumble. You’re not even doing the voice anymore.

Art clicks his teeth, a sentimental crease at the corner of his eye. “I think we should break up.”

You sigh. “Yeah, probably.”

“It’ll be really hard for me.”

A guess again, but then you’re here. Doing The Work. Holding hands and roleplaying. It’s not inconceivable that you didn’t take the breakup exceptionally.

Your lip twitches. “You’ll survive.”

He pushes off his elbows and sits up straight, his knees sidling fully around your thighs, now unashamed. He gives you a look. A different one. His mouth purses to the side in some alloy of pensive amusement, a dimple delved into his cheek. His gaze coruscates with a deep cornflower intrigue.

“I think I will, actually,” he says finally.

And he has the nerve to smile. Revoltingly soft and sympathetic.

He gives your hands a parting squeeze before dropping them in your lap, his chair scraping loud the linoleum as he backs off.

You call your ex that night.

“Hey, listen,” you say, “Sorry.”

Dr Harper’s probably somewhere creaming his pants so fervently as to have rendered himself numb in a state of gleeful stupor.

“Hey,” husks your ex—who, for his flaws, has always been more magnanimous than you—before chuckling, “No worries.” You can hear that easy smile of a life unburdened by you in his voice.

Which is fine.

“How are you?” he asks then, “You good? You surviving?”

You smile wryly. You feel like you’ve been flogged by four consecutive eighteenwheelers. “I think I will, actually.”

You Google Art Donaldson.

You’re having a drink with Eleanor and Ally and Colin and a few others from the group, and you’re basically shitting all over the whole programme in a very hush-hush sort of way because you all know what an Opportunity For Growth this has been, when Art walks into the bar and spots your table and nods at the whole gang. The mood quickly shifts. Excitement, sure, but a collective wordless agreement that the lighthearted gossip between real friends ends here. You feel bad. It’s not his fault.

Art slides into your booth with beer floats and greets Colin, who’s looking at him with a senex’s disdain because he was just telling you all how he’s thinking of getting hair plugs. Again, not Art’s fault.

Art’s in camouflage, with his baseball hat and T-shirt, which you think is unnecessary because—again—you’re still quite certain no one gives enough of a shit about tennis as to recognise him in a bar.

When he slides into the booth—into the space between you and Colin—he’s careful to leave a distance between the two of you. Which you only really notice at all because you’re acutely aware of exactly how much space occupies the expanse between the two of you at any given instance.

A bunch of people at the table are already looking at him like he’s some sort of foreign dignitary.

You don’t think athletes are necessarily charming by nature, and you refuse to give Art Donaldson that kind of credit, but he doesn’t have to try very hard to make himself agreeable to everyone.

He buys a round for the whole group. He asks after jobs, and the state of marriage, and family, and life. He seems sincere enough.

You all start chatting about the various horrific relationships that lead you here, as though they were all particularly uninteresting ham and cheese sandwiches. Colin’s exfiancée diagnosed with early onset dementia. Ally’s exgirlfriend developing a heroin habit. You’ve all jabbed and scrutinised these woes to deflated nothingness, by now. None of it hurts anymore. Is that the whole point? You still don’t know.

No one knows by what fancy Dr Harper pushes you all about in his great cosmic dance of personal selfimprovement.

You do know that Art remains quiet. Generally inconspicuous, but then you’re you, so you’re paying attention. And you don’t think he should get to sit there like an archaeologist recording the fossils of your collective melancholy, as though his own warm and living bones are out of the question.

Maybe you all can pull up the People.com article, A Comprehensive Timeline of Art and Tashi Donaldson’s Perfect Relationship and Messy Divorce, and have it contribute to the conversation.

Eleanor’s telling a story about the time her ex wrested her from bed and lobbed her out of the house at 2 AM in midwinter.

“And we lived in Duluth,” Eleanor’s saying, and she’s laughing in that disconcertingly manic way she does when she shares these things. “And I sleep halfnaked, so I’m fighting frostbite, and I’m just totally mortified that one of my neighbours will see me.”

“There’s nothing embarrassing about being halfnaked,” Ally shrugs.

And then you say, “Ha, yeah, I mean Art would know.”

Art—who, until now, looked like he was studiously contemplating the meniscus of his beer, or the grain of the table—flicks his gaze up to you.

You snort. “What, I’m supposed to act like everyone here hasn’t seen you oiled up and smouldering to the camera for Calvin Klein?”

A brief hush descends upon the table like a falling guillotine.

Then, laughter.

Eleanor snorts her gin and soda with such force that she coughs for a solid minute afterwards. There’s tears in her eyes and Colin is laughing at her and Ally is laughing at them both. And Art looks as embarrassed as a woman strewn porchside in her panties in midwinter in Duluth.

And—okay.

You were trying to be tongueincheek about it. But his discomfort levels are seemingly off the charts. He doesn’t know how to react and it makes him unhappy. Clearly, ten and something years of public scrutiny—and, in your defense, actually doing that photoshoot—have not prepared him for this moment.

You lean forward and awkwardly bump his fist with yours. “Hey, I’m kidding.”

But you’re not, because it was technically true.

“I thought it was artistic,” says Ally.

Eleanor, still crying laughing, “What, the fullpage spread of him fully waxed and laid out on a clay court surrounded by Great Danes?”

“Someone paid attention,” Colin chuckles, and Eleanor erupts into vibrant giggles again. Colin gives Art a courtesy clap on the shoulder before saying to Ally, “Maybe I’m old fashioned, but a Billboard of a guy wearing whities so tightie you can see his dickprint isn’t exactly Starry Night. But maybe I don’t get it.”

“You don’t have to worry too much about that. The art has to get you,” Ally says, pointing at him with a fry. Ally studied theatre. “I mean, we are the most complicated machinery in our lives. You have to take yourself seriously to do something like that.”

Everyone’s looking at Art like he’s some kind of colourful textbook.

It’s not often people sit beside a guy of whom they can confidently guess the naked physique.

And maybe you’re thinking that, too; you brought it up, after all. His arms look strong in his T-shirt sleeves. Not, like, bodybuilder strong. But lean and cut. And there’s a sort of animal grace to his movements. Like a fox, or something. Even as his ears burn a practically neon shade of carmine in the dim lighting.

He clears his throat. “I doubt anyone took that seriously,” he says dryly, the corner of his mouth ruefully, if hardly, upturned.

Eleanor shoves Ally playfully, swiping her tears away in a blissful mascara smear. “My God Al, will you stop scaring him with your Uta Hagen spiel?”

The conversation meanders to other topics. Fringe stuff, briefly, like the societal implications of male sexuality and modern advertising. But then things branch off entirely—The Fast and the Furious franchise, artificial intelligence, Colin’s stepson’s career aspirations of becoming a TikTok street interviewer. Et cetera.

You hope Art isn’t looking at you when you chance a glance his way, but when have you ever been so lucky?

So he’s looking at you. He looks at you like he’s taking inventory of you at your expense. He gives a slow blink, an almost imperceptible smile, then he lifts his beer towards you and takes a swig.

At the end of the night, he asks for your number, which feels like a boot to the loins. Not because it’s profoundly unbelievable. Maybe a little surprising, but, if anything, it’s the conclusion you’ve halfanticipated all night. That’s the way he’s been looking at you, at least. It’s just the finality of it all.

But what are you gonna say? No?

You call him that night.

“Hey, listen,” you say, “Sorry.”

God, what have they done to you?

Art, on the other end of the line, presumably lounging in his stately mansion, remains cautiously silent. You sigh like you’re losing something here.

“I hope I didn’t upset you,” you say, but realise your tone is too grudging, so you adjust, “I got awkward, I was trying to be funny. Which we both know by now that I’m not. I’m just a bitch. So, I just wanted to say… you obviously look fucking amazing. And your shoot was great. Everyone can see that.” 

You swallow the dryness in your throat.

Art makes his own pained noise across the receiver. “Everyone?” he groans, and you cannot tell if you’re imagining the fleeting hue of amusement you discern there. “Please no.”

“I don’t know what you want me to say here.”

“You called me,” he scoffs. It’s a good scoff, if such a thing can be said. But he still sounds pretty incredulous with you, and not in a way that says he thinks you a moral paragon. You think he thinks you’re a bit of a monster. Which doesn’t offend you, actually. “To apologise.”

“And I did!”

“Okay?”

A silence befalls you like a yawning maw, stretching out. He could hang up on you. He doesn’t.

“Look, you can internalise the things I say at your own risk,” you say.

“You’re telling me.”

“But it was a nice photoshoot. And, you know… pretty hot and stuff, which I guess was the intended purpose.”

You feel like a corpse whose arteries are being drained of blood and filled with embalming fluid.

“Pretty hot and stuff?” he echoes. You roll your eyes.

If you’re lucky, he’s tipsy, because you guys didn’t only indulge in beer floats. So, maybe—by God’s impossible mercy—he’ll have forgotten this conversation in the morning.

“I—” you hesitate, adding a small laugh, kind of hoarse, kind of unconvincing. “I—honestly—I can’t stop watching it.”

It’s not a joke, you both realise.

His voice drops an octave. “Really?”

And—fuck. Fuck, right? But you’ve made it this far.

“Really.”

You feel his eyes on you, not Tashi. Harper has you all thronged around a burn barrel in the community centre parking lot at 8 PM on a Wednesday. Scintillating honeygold flames lick at the night and shadow his face at pretty angles. And he’s reading his letter—that letter—and looking at you.

That’s bad.

This is supposed to be a cathartic and utterly sexless exercise in closure.

But you feel like a filthy fraud.

You’re crossing your arms, and blinking off the flameheat, and pretending not to stare at the scarp of his Adam’s apple and his tendons working beneath the skin of his hands.

He clears his throat, and his lips are moving like he’s trying not to laugh.

“Tashi,” he starts.

Her name, when he says it, still sounds like a tender orison. But last time he’d been reciting this thing, his eyes had been all flushed, raw, and misty, his voice abraded at its edges. Now—well—Agnes hasn’t slipped him a tissue in weeks.

“I still love— do we have to do this again? Can’t I just throw it in?”

The group sputters into giggles. You don’t know who brought the sweet Moscato.

Dr Harper pinches his nosebridge like an enervated preschool teacher. You think he, of all people, ought to be pleased—and you suspect he furtively is, but doesn’t want to discourage your good spirits with his approval—because, as much as you’re loathed to acknowledge it, all his forcible, unwelcome attempts at conjuring vulnerability amongst the lot of you have actually kind of worked.

The fire warms your brows to dampness, the saccharine acidity of the spirit seeping through your flesh and sweltering the rest of you. You should’ve worn a thinner sweater.

“Art,” says Dr Harper, “Your feelings are valid. Even—” The group interjects with a smattering of jeers, a slurred, densetongued amalgam of fuck you! and get a life, Harper! and other stuff to that effect. “—even your reluctance.”

The flames thrash deep indigo and copper. No one can quit laughing.

Dr Harper continues, “But the whole point of the exercise is—”

“Come on, Doc, we’re still pretending these exercises have points?” someone heckles.

“We’re still calling these exercises?” says someone else.

“Hurry up and cry already, Donaldson, I got work tomorrow.”

“Alright, alright,” Art raises a hand and everyone wanes to a simmer of firewarm drunken murmurs as though he’s some sort of Biblical king.

You roll your eyes, but you keep thinking of Great Danes on tennis courts and tightiewhities.

Everyone cheers like this is fucking Madison Square Garden when Art holds his hand out for the bottle, teeth scintillating in the pyreglow with a wry slanting smile.

He takes a long, healthy swig. You think you hear someone whistle. His lips gleam with moisture when they pop off the glass bottlemouth.

“You wanna see me cry?” he grins, eminently rueful and amused and resigned, all at once.

And everyone hurrahs and hollers and maybe some people even bark. He’s being pushed around affectionately from all angles. His gaze is sharp and garlanded by flames and trained on you. You raise your brows at him wryly, perhaps a little dubious, before lifting your hands and joining in the applause.

He clears his throat and sweeps his tongue over his upper lip and flicks the paper out like a Shakespearean scroll.

“Tashi,” he starts again.

You watch the fire lave and singe and swallow all your bitter, pathetic epistles.

Tashi.

I still love you. I’m still sorry. For something, or everything. For anything, really. It’s mostly okay, but it’s worse at night. And on weekends, and with Lily, and when the microwave starts making that shitty sound that you hated.

I miss you deep in my bones. I—

The flames scorch his words to flickering cinders.

You look at him, and he looks at you, and his bottom lashes glisten with tears. But he’s grinning widely. He’s laughing. He’s laughing a lot. Padma sings ‘Auld Lang Syne’, for some reason.

The goodbyes are a little maudlin, but sincere.

It’s time for you to all go home and actually get over your exes, which feels a bit jilting.

Art walks you to your car, and you let him, and you even let him get in your car, which is probably not a good idea. But it’s the end of the stupid workshop and you want to spend more time together. There, you can admit it.

You even say it out loud.

“I’m gonna miss this corny bullshit.”

“Yeah, me too,” he says, a little more quiet.

When the middle backseat belt buckle is digging sharply into your hip, and he’s got you pinned beneath him, and his hands are everywhere—seriously, it seems he was just waiting for your permission, because he’s squeezing all the flesh he can reach, slipping his hands under your shirt, between your thighs, just absolutely no decorum on this guy—you think to yourself, this motherfucker.

A spherule of spearmint gum slips from his mouth and into yours.

You’d thought, too, that he’d be more deft with this. And he is, but he’s also very clunky. Maybe because your car’s quite small. He’s not huge, but he is still fairly tall and broad and trying to fit himself between your thighs while covering you with his body in this small space, so it’s a bit chaotic. You don’t really mind.

And—yes—you have thought about it.

There’s a shot of him, in the Calvin Klein campaign, sprawled across the court in greyscale, his hand resting on his middle, his other arm above his head.

You know they edit those photos. That there’s some kid, fresh out of graphic design school, rubbing one out while airbrushing these halfnaked men to oblivion. But you now see—feel, more than see, really; there’s a streetlight nearby, but it’s blown, so you’re all touch—that such satin cannot be contrived. He really is that smooth. There’s not a bit of fat on him, but he’s oddly liquidfeeling, skin sloughing off like cream.

He’s always looked almost uncomfortably boyish to you. But you’re realising now that there’s an abrasiveness to his haggard breathing, and that potent, vaguely olid, mannish fume to his skin.

It's really doing it for you.

In that shot, he was lying right beside the polyethylene net and the sun was beaming down, searing alabaster, through the lattice, at an angle that splayed shadows all across him. The lines warping over the slopes of his body.

You feel the phantom crisscross of those shadows between your thighs now.

His eyes are still a little wet. He tells you he’s wanted to do this since he saw you giving him the jettatura while he was signing that racket for Harper's daughter. He also tells you he bets you’ve wanted to do this since you saw him in tightiewhities lying under a tennis net.

Can he be your tennis net?

You don’t even know what that means.

You laugh a little, but then he slips a finger inside you and latches his mouth to your pulse, and it is hot as magma, and you forget all about Great Danes and apologies and fires.

You would think they do some computer magic to make the cocks look bigger in those things, too.

They don’t.

To be fair, he doesn’t have some kind of doubletake worthy, John Holmes ordeal or anything, in the pictures. But the slope beneath the cotton, the bend of his hips like the handle of a water pitcher, all that pearlescent skin—so what if your saliva gathered on your tongue as you leaned in (way too closely) toward your laptop screen?

You feel especially shameless now as he slides into you.

Sure, the buckle is a bitch and the seatleather’s sort of chafing your ass and your elbow’s in a cup holder. But you take furtive pleasure in thinking that some people’s fantasies about him probably go like this.

The softest thing is his hand cupping the back of your neck, dragging your head up. It’s a weird contrast to the way his dick is pumping erratically in and out of you. Like he’s trying to control himself, maybe add a little romance.

You keep your eyes open to watch the way his body moves. Fuck it, you wanna see what all the fuss is about.

The talented Mr Ripley whose volleys (and probably orgasms) are intensive, frenetic affairs of selfpersuasion. Unless, of course, he’s fucking the random, judgy woman he met in a group therapy session. In this particular case—though laboured all the same—he comes harder and slower and you hear his panting groans in your ear as you shudder through your own pleasure.

He pulls your hips closer and empties himself in you and you rub yourself against him and you try to keep your eyes open, but, ultimately, you concede that you can only experience this pleasure in the dark.

You keep feeling his muscles work beneath your hands, though.

Dr Harper strongly recommends that you two not start seeing each other. He does just about everything but get on his knees and beg. And even that he nearly does. He reminds you that, on your Vision Tree, you mapped yourself single for at least the next two years.

But Art says he’s had enough of other people saying what’s good for him.

And your Vision Tree also forecasted you taking up jogging, which—come on.

[louisupdates]

INTERVIEW: Lottie Tomlinson: we lost our mum and sister. Louis saved me

At the age of 20, the sister of One Direction singer Louis had already lost her mother, Johannah, and sister Félicité. Now 25, the social media star has written a book about how they coped

Alice Thomson | Tuesday July 23 2024, 5.00pm BST, The Times

Losing Mum was so hard. I was only a teenager but at least I knew that her death was a possibility, even though she didn’t accept it. She was 47 and had cancer. But when my sister died three years later, I was on this hotel balcony in Bali and I was screaming, ‘No, my baby sister, no.’ The pain was indescribable. I kept thinking, ‘Why me? This can’t be happening again. When is this going to end?’ ”

We are sitting on Lottie Tomlinson’s immaculate white sofa in her pristine white house in Chislehurst, southeast London, where she is curled up in tiny shorts with a perfect tan and impeccably applied make-up. But her French manicured nails are digging so hard into the sofa I think they might snap, the heart tattoo on her minuscule wrist is throbbing and her eyelashes are clogged with tears.

Her life sounds blessed. The influencer has 4.8 million Instagram followers waiting for her to dispense advice on how to apply mascara; the fake tan brand, Tanologist, that she launched at 19 has gone global; and she has a devoted fiancé, Lewis Burton, who runs a luxury concierge business and whose former girlfriend was the late Caroline Flack. They have an adorable son called Lucky, who is dripping ice cream on her marble counters. Her new book is also called Lucky Girl; her older brother is Louis Tomlinson of One Direction and she was touring the world with the band as a make-up artist at 16.

But after her mother died when she was 18, Tomlinson was left looking after her younger sister and two sets of twin siblings, aged eight and two, while creating her businesses, and trying to process her grief. Her father had left their home in Doncaster years before after a battle with alcohol. “Dad had a drinking problem. We’d see glimpses of his good side but he let us down,” she says. “I ended up trying to take care of him rather than the other way round.”

When her mother died, life felt bleak, “I lost the one person who loved me unconditionally, and then when my sister Fizz [Félicité] died of an accidental overdose, I thought I could never be happy again,” she says. “I found the lead-up to Mother’s Day devastating without my sister as well. It was a constant reminder that I was now different from my friends. In my dreams, my mum was still there; she was alive. I woke up feeling comforted, only to realise that she’d gone.”

Tomlinson, who is now 25 and a patron of the bereavement charity Sue Ryder, moves easily between telling you how to apply the best tan and how to talk about death. She cares passionately about both subjects and takes them equally seriously, worried that I’ve never tried a bronzer or used foundation before asking how I coped when my mother died during the pandemic. Her soft Yorkshire accent is both reassuring and no-nonsense.

Born near Doncaster, she was only two when Fizz was born and six when the first twins arrived. “I’ve always been the big sister — Fizz and I each got one and then more twins six years later.” While Louis had his own space, the girls all shared one room with bunk beds. “It was chaos, but my mum, Johannah, was a midwife and loved being pregnant and having so many babies,” she explains. “I used to be in awe of the way she could feed the twins at once, one on each hip. She would do the night shifts, while I held the fort at home.”

Within a few years, Tomlinson would be touring America, Asia and Europe, flying first class with Louis, part of the biggest boy band in the world, but until she was 15, the family had only ever gone to France once a year all packed into a seven-seater car, with her mother’s new partner, snacks laid out in the middle. They stayed in a caravan park. On a Sunday, a treat was to go to their mother’s hospital to see the babies.

While Louis just wanted to sing, play the guitar and listen to Oasis, the girls were obsessed with make-up. “From the age of 12, I struggled academically, but I loved cropped clothes and my mum’s highlighters and mascaras.” She learnt how to apply everything from YouTube tutorials, rather than doing algebra. “We didn’t have much money — we sometimes couldn’t afford to top up the electricity meter so used candles — but everything my mum earned she spent on us. We all looked immaculate — I remember her being horrified when I dyed my hair orange. So it was lovely later when we could treat her.”

Saturday nights were spent watching The X Factor. “My mother and brother kept applying; in 2010, he got in and the whole family went for the audition. We believed in him, but we never thought it would go that far.” One day the family were going to the live shows, the next the boy band was formed with Harry Styles, Zayn Malik, Niall Horan and Liam Payne. “He was 18. For my mum it was a big shock. It was all so sudden. The press and fans were in our front garden every day.”

The older twins had already made their first TV appearances — they sound like Doncaster’s Von Trapps. “My mother was gently pushy,” Tomlinson says, smiling at the thought. “When I didn’t get good enough GCSEs to stay at school, she sent me off to join Louis on tour as work experience. I was so scared. I remember her ringing up Lou [Teasdale], their hair and make-up artist, and saying, ‘Lottie has not got through to sixth form; she’s going to come and assist you.’ I was in the car going, ‘No, please don’t.’ But it ended up being the best thing that happened to me. I went for a week and stayed two years. Lou and I are still so close.”

Suddenly, the two eldest Tomlinson children were circling the world, eating room service and ducking the paparazzi hanging out of helicopters taking snaps. “At first Louis didn’t really want his little sister gate crashing his new rock-star life, but now it feels like the best time of our lives — we experienced that craziness together,” she says.

The teenage Tomlinson found it harder to cope with being photographed wherever she went. “I had some puppy fat which made me very self-aware, and the filler culture was coming in and I felt I had to look perfect.” She had her lips done first at 17. “Then I became addicted: cheek filler, jaw filler, more make-up, blonder hair, slimmer and more tanned. My mum thought I looked perfect, but I was always searching.”

Five years later, when she became pregnant with Lucky and her lips started to swell and crack, she realised she didn’t need the enhancements any more. “I had everything removed, the false eyelashes too. It was liberating.” She kept her boob job, however. “That was just enhancement,” she says laughing. “The rest radically changed the way I looked. My breasts also got huge when I was pregnant and it was a bit painful. But I still breastfed. I loved carrying my child. I felt fantastic even when I was sick and exhausted.”

She leans forward, wraps her bronzed arms around her stomach and whispers, “I am pregnant again. We don’t know yet if it’s a boy or girl. It’s only 13 weeks, so this is the first time I’ve said it publicly. I think I want a big family. I loved having Lucky but after a year I wanted to give him siblings.”

Tomlinson’s influencer career began once she established herself on tour. Soon everything she did, even dying her roots rainbow-coloured, went viral and fashion companies from Asos to Dior wanted in on it. “I was just going for it. I couldn’t believe the money I was making and spending — money I didn’t know existed as a child.”

Then suddenly her mum came home from holiday with flu. “She didn’t want to get out of bed. The doctors quite quickly told her she had leukaemia and she went straight to London for treatment. It all happened so fast. I remember being in London at work and getting a call from her partner — she couldn’t say the words herself, it was too hard for her.” The family were told it was treatable. “We kept so much hope.”

Her mother asked the family to keep her illness secret. “It was hard because you feel so isolated, but I understood. Louis was in the public eye and she didn’t want him questioned. She was determined to fight it and didn’t want everyone pitying her. My friends noticed I was acting differently for a few months. But I wanted to respect her wishes. It was her one request.”

She also dropped everything to go back to Doncaster to help her grandparents with the twins. “The younger ones were two and I wanted to keep everything as normal as possible. I can’t imagine what my mum was feeling leaving her kids to go to hospital.

“I would take them down and treasure seeing her — we tried to keep it light, no serious conversation. The only way Mum could cope was to keep it normal. Then, when the doctors said the transfusions hadn’t worked, she came home to die.”

Tomlinson tries to sound matter-of-fact. “We went to see her in hospital in Sheffield and the next morning we woke up and were told she had died. We felt numb. We didn’t know what to do with ourselves. Now I am involved with the Sue Ryder charity, I am surprised we were offered no support or counselling at all, from the GP, the teachers, the professionals. They all kept away.” Her nan and grandad picked up the pieces.

It’s not surprising she can’t remember the funeral. “I just remember getting really drunk to numb the pain. I couldn’t come to terms with it. I can’t even remember how we organised it. My instinct was to take over as the eldest girl and step into my mum’s shoes so that is what I did.” Meanwhile, her older brother, who was launching his solo career, ensured there was enough money. “He’s incredibly generous. We looked after each other.”

Tomlinson returned to London months later, after her grandmother said she needed to become a role model for her siblings. Her younger sister Fizz worried her most. “She was very academic — she got straight A’s without trying — but she always said she felt different. She was bottling her grief for so long; it was too much and made her turn to other things. I think Mum’s death destroyed her. Only my mum seemed to understand her. If she had been offered some help at the start, things might have been different.”

Meanwhile, Tomlinson’s self-tanning brand was soon being sold in Los Angeles, New York and Australia, while her own fanbase grew; she hardly ever needed to pay for drinks, meals or holidays. However, she finds the term influencer obnoxious. “I don’t want to act like I tell people what to do. I am more of a content creator,” she explains. “I get paid by brands to create content for their clothes or beauty products and promote that to my followers. I also wanted my own business. I was quite aware that, at the end of the day, I was just working with an app. That’s why I started Tanologist with my business partner. I was always using tanning treatments that would end up turning my sheets orange and my face would break out in spots — this is more natural.”

Louis was also forging his career as a solo artist, eventually creating the song Two of Us about his mother’s death. “We were always so proud of Louis and what he was doing. We were not going to match up to being a global superstar, but we didn’t want to — ‘successful’ looks different for everyone,” she says.

But her sister Fizz was slipping and struggling. “She was old enough to do what she wanted at 19; she was partying and taking stuff to numb everything. She did go into rehab but to me it didn’t feel like an addiction problem, but a way to blank out her grief.” When Tomlinson was invited to Bali, she asked Fizz whether she wanted her to stay behind. “She said she was OK, and then it happened while I was away,” she says. (Fizz accidentally overdosed on cocaine, an anxiety drug and painkillers, her inquest found.) “Louis called me…” She stops talking.

The shock of a second death must have been devastating. She doesn’t speak for a minute while she twists her huge diamond engagement ring. “We weren’t mentally prepared,” she eventually says. “I can’t even remember if the two funerals were in the same church. I think grief has affected my memory a lot and that’s quite common. Grief is such a powerful emotion; it takes up a lot of your brain.”

Five years later, she now knows how to remain positive. “I had an amazing mum for 18 years. I have the most amazing family, my little boy and my career, and that is because of her. The same with Fizz — I had an amazing sister. It’s heartbreaking they aren’t with us any more, but they are together and they are looking out for me,” she says, sounding as though she is repeating a mantra.

Having a baby made her feel closer to them both. “He was a boy — it’s funny, he actually looks a lot like Louis did — and I thought, this is what my mother must have felt. But then I had so many questions I couldn’t ask, even more because she was a midwife.”

Her biggest problem was her terror that something terrible would happen to her son. “I became fixated [on the idea that] something bad would happen to him, so I couldn’t sleep. You go to the worst-case scenario, because that’s happened to you twice, to two of the closest people in your life. I couldn’t turn the lights off at night; I needed to see him all the time. Luckily, it calmed down quite quickly.”

We are still flitting between her story and advice on make-up, exercise and clothes.

“I like sharing advice. If a child lost their mother, I would say there is no magic answer. But the point of this book is to show that you can have tragic things happen and still keep going.”

What would the 25-year-old now say to her younger self, struggling at her second funeral at the age of 20? “I would say, ‘You are going to be OK; you will live a nice life.’ I didn’t think I could. I thought this will be a really sad, lonely life without my mum and sister. I wouldn’t have believed then that I could be happy again. But it would have been nice to hear.”

Lucky Girl by Lottie Tomlinson (Bonnier, £22). To order a copy go to timesbookshop.co.uk. Free UK standard P&P on orders over £25. Special discount available for Times+ members

[undying-love]

Paul being in denial of John's death

“It’s still weird even to say, ‘before he died’. I still can’t come to terms with that. I still don’t believe it. It’s like, you know, those dreams you have, where he’s alive; then you wake up and… 'Oh’.” (1986)

"I know I will never get over it [John's death] and hope I will never get over it." (1990)

"Delicious boy, delicious broth of a boy. He was a lovely guy, you know. And it gets sadder and sadder to be saying “was”. Nearer to when he died I couldn’t believe I was saying “was”, but now I do believe I’m saying “was”. I’ve resisted it. I’ve tried to pretend he didn’t get killed." (1995)

"Paul talked about John a a lot, but the strange thing was that it was in the present tense, “John says this" or "John thinks that".-Peter Cox (2006)

Seth: I wonder how all these years later, you're processing it [John's murder]?

Paul: I'm not sure I am. It's very difficult for me and I, occasionally, will have thoughts and sort of say: "I don't know why I don't just break down crying every day? [...] We were friends. That was one of the great things about it. You know, I don't know how I would have dealt with it because I don't think I've dealt with it very well. In a way... I wouldn't be surprised if a psychiatrist would sort of find out that I'm slightly in denial, because it's too much."" (2020)

"Like any bereavement, the only way out is to remember how good it was with John. Because I can't get over the senseless act. I can't think about it. I'm sure it's some form of denial. But denial is the only way that I can deal with it." (2020)

[sukifoof]

hii i was talking about this on twitter so i think i will just copy paste it here cuz i’ll probably delete it there at some point <3 twitter frightens me but i love my mutuals here we are all insane about flowey in the same way

 i think saying “you’re the type of friend i wish i always had” is a really important thing for asriel to admit... this whole time asriel has dealt with so much grief and guilt about chara that it separated the actual person chara from the idealized version of them in his head who he has never stopped grieving. its a huge part of his character that hes unable to view them as they were because that’s just how his ptsd and guilt affects him. as someone who went through a similar thing that kind of grief can mess with your head and how you view yourself and the person who’s gone really badly. the pacifist route, for flowey’s character specifically, is a really good example of how grief and ptsd can make you feel disconnected from yourself, everyone around you, and like if only the person you lost was back everything would be perfectly fine again. the fact that he can admit they weren’t perfect and that he made the right decision is a huge character development that we don’t get to see in the no mercy route because he’s still convinced that this idealized version of them birthed from bereavement will make everything okay. similarly to how he believed toriel might have been able to fix him, he wants to believe there’s someone out there that could somehow return him to who he was before being traumatized, but the reality of it is this is just who he is.

his grief and trauma is a huge part of who he is like it is with real people, but it doesn’t have to be all of him. i think the emphasis the fandom puts on whether chara was Good Or Bad completely misses the point that it doesn’t really. matter i guess?? they were a kid people loved and now they’re gone. we're seeing people deal with the grief this brought and we know so little of who they are because there’s also a degree of separation about who they are to the people they loved as well. idk i hope this makes sense i think a lot about how chara is a kid who hated humanity and calls themself a demon. to me that just shows an EXTREMELY traumatized child with self hatred. i don’t know why there was ever this huge moral argument about chara when they’re literally just a kid with issues. they weren’t taught how to deal with how they felt and likely held themself in lower regard compared to the dreemurrs. its the same thing with asriel, he feels responsible for them being gone and his own trauma. he just wants a friend who can teach him to understand his grief or someone who can at least let him view the situation for how it really is

i just think. flowey is so well written but not understood very well by the fandom because the type of thing he’s gone through is kind of hard to grasp. it’s a weird situation that doesn’t have a completely black or white Is He Or Chara At Fault kind of answer. they were children. people are complicated and want someone to blame when something goes wrong and flowey directed that at himself. hes such a fascinating and well written character i love him dearly i hope u guys understand how insane he makes me <3

[gilverrwrites]

The Best You Ever Had

Jason Todd/Reader, 1.7K

A/N: Welp, as promised here’s that self-serving, mildly fucked up Jason Todd/Reader scenario I mentioned earlier. I’m working on I don’t fall, I fly chapter two I swear, but I had to get this unhinged Jason idea out of my head if I’m gonna concentrate. I don’t remember the exact details of the plotline I’m branching off of here 100% so if it’s inaccurate sue me. Warnings: Darker portrayal of Jason. Unhealthy relationship to slightly less unhealthy relationship, non-graphic mentions of death, grief, dub-con, manipulation, abuse of authority kinda, exhibitionism, unprotected sex, swearing, size difference, hair pulling.

Right so, remember when Jason went balls to the wall on absoloutely fucking ruining Penguins’ life after finding out he was responsible for the death of his birth father?

Okay, now imagine you’re working at The Iceberg at the time, as a waitress, a card dealer, dancer, whatever you fancy, it’s mainly just a cover for the fact that you’re actually Ozwald’s sugar baby.

You’re practically attached to his hip. Sure, he can be a bit much at times, a bit mean, but he’s real sweet on you. There isn’t a thing in this world he wouldn’t do for you, no clothes or gadgets too expensive, no jewels too well-guarded, 'cause you’re his favourite gal. At least you were until you watched Red Hood shoot him in the head on live TV.

Ozzie had paid your rent, your bills, everything, he’d showered you with gifts, but he’d never dealt you actual cash. Without his bank account to fund your checks, you have nothing, not unless you sell off your material possessions. So, not only are you grieving, but you’re forced to pick up as many extra shifts as you can in order to afford to keep up your lifestyle.

Being at The Lounge only reminds you of him, which makes your sorrows worse. You were never bad at the cover job, in fact, it’s how you got your foot in the door. But your emotions are affecting your performance, and when your new boss, Jason Todd, calls you into his office for a performance review, you’re pretty much resigned to the fact that you’re about to be fired.

However, Mr Todd is surprisingly chill. Understanding even. He doesn’t grill you; he just points out that your performance as of late does not match up with Cobblepots files and asks why? What can we do to fix it?

You feel comfortable explaining that you and his predecessor were close, and so his sudden death has hit you hard. You need time to mourn but can’t afford the time off.

When a tear rolls down your cheek you start to feel self conscious until he rounds the desk, crouching in front of you and presenting you with a tissue. He offers you the weekend off, paid, and promises to look into amending the shoddy bereavement policy Oz had enforced. But for now, commiserating may help, and he’s happy to listen, to be a shoulder to cry on.

So, you take the tissue, dabbing up all the tears that fall as you tell him about your arrangement. How Oz had done so much for you, got you out of a pit, how no matter what your friends and family thought, Ozzie really did have your best interests at heart, you swear. Mr Todd nods along, offering a polite laugh when you tell him a funny story, or pulling faces when you recall some of Oz’s less-than-savoury moments. His disapproval makes you feel validated in your distaste for some of the seedier things you’d let Oz get away with because he loved you.

After a while, you move from the desk to the conversation pit which sits beside a floor to ceiling fish tank. You can’t help commending him for keeping on top of looking after the fish and their habitat, it’s a lot of work. He tells you it’s one of his favourite things in the whole building and you agree, recalling how you used to spend hours watching the fish go about their existence when Ozzie would call for you only to spend the evening ignoring you whilst he dealt with 'business'. Jason says that you’re more than welcome to come see the fishes any time you like.

He's so much kinder than you’d expected. Which is why you don’t move when you feel his hand on your back, drawing you closer with strong arms until the warmth of his breath brushes your neck. It’s been weeks since you’d gotten this close with anyone. You hadn’t realised how much you’d craved the intimacy until it was handed to you.

And shit, he smells good too. Looking into his undeniably handsome face you’re struck with guilt for having enjoyed the company, the touch of another man and can’t help the second? third? who knows, wave of tears.

The tissue he’s given you is too sodden to do anything, so he reaches up with his long, surprisingly coarse fingers to wipe up your tears, and you let him.

Your weeping soon starts to ebb after that, but the few droplets that fall regardless are dried by his lips as he boldly presses kisses to your cheeks, and again, you let him.

“You shouldn’t waste your tears on that asshole.” The way he stares into your eyes as he speaks, it almost feels like he’s daring you to challenge him. “You’ll be better off without him.”

Out of respect for Oz, or maybe to defend yourself you bite back at him. “He’s not- he wasn’t an asshole! Not to me.” But you both know it’s a lie.

Before either of you say something you’ll regret, you decide to do something you’ll regret instead. In sync, you both crash your lips together, and Jason all but forces you onto your back with his body weight, his tongue pushing between your lips as his hands work at your uniform.

He’s nothing like Oz. His hands are strong and deft, free of perspiration as they pop your buttons with precision and knead at your newly exposed skin. His mouth, while steeped with a hint of beer, tastes clean. He looks at you with a reverence you’d never experienced before as he draws back to look you in the eye.

“Let me treat you the way you deserve, the way a real man should.” He begs, and when you nod, he practically starts tearing at his clothes. You work on his belt while he pulls his shirt and waistcoat over his head, too impatient to bother with his own buttons.

Your eyes bulge, heart plummeting to your stomach when he pulls down his boxers, exposing a dauntingly large erection.

“Bet you’ve not seen something this big in a long time.” He suggests with a smirk.

“No, I’ve never seen anything that big.” You offer, shuddering when he teases the tips between your slit, grazing your clit. “I don’t think I can take something like that.”

“You will.” His confidence goes straight to your already hungry centre. “Don’t worry. I’ll make it easy on you.”

You gasp when you feel friction at your entrance, and Jason chuckles into the crook of your neck, gently fussing in your ear as he slips a single finger inside you. True to his word, Jason makes the whole thing (mostly) painless and effortless, working his fingers into you one at a time, scissoring his digits and massaging your sensitive clit until you're stretched out and cumming all over his palm, staining the sofa beneath you. Purring to you all the while about how tight and plush your pussy is, how fucking good his cock is gonna make you feel, how he can’t wait to make you forget all about Cobblepot by making you gush all over his dick again and again.

When you’re partly lucid again, coming down from your first orgasm Jason lifts you with ease. He sits back against the couch, settling between your legs so that you’re straddling him. Guiding you onto his cock, thrusting from below, drawing a sinful cry from you as he fills you in one quick movement. It wasn’t unbearable, in fact, you’re a little flustered by the ease with which your pussy sucked him up, but your walls still throb from the final stretch of him buried in the depth at which his impossibly long fingers hadn’t been able to reach.   

His hands grip and caress and pinch every part of you, soaking in every inch as you ride him out, grinding your hips against his, using his body to chase your second release. His lips latch along your torso, sucking and biting his mark into your skin. This time, once you've successfully fucked yourself to climax on his dick, he doesn’t wait for you to come back down. Flipping you over and pushing you forward, he puts you on your hands and knees, presented for him on the coffee table so he can pound into you from behind.

Once he’s coaxed another orgasm out of you there, he carries you to his desk. He fucks you over and over. Revelling in every heated orgasm he rips from you, eating up your sob. He takes you on every surface. The floor, the walls, the window. He even presses you face first against the fishtank, making you watch your reflection in its mirrored back, and you are a pornographic sight to behold; lips dark and swollen from his kisses, hair tangled in his fist, tits pressed against the glass as he pistons in and out of your twitchingly overstimulated, cunt. Every thrust is slick, punctuated by the wet slap of your hips coming together. By this point, Jason’s unending strength is the only thing keeping you upright.

“That bird creep ever fuck you this good, baby?” He grunts into your ear, dark eyes glaring at you through the glass. From this angle you can see how his body practically engulfs yours; the reflection showcasing how his massive palms seem herculean when pinning you. All night he’d been throwing you around, bending and posing you to his will like a doll in his sturdy arms. Something Oz could never do.  

“No, god no Jason!” You whine. Drool spills from your lips as you try to speak. It catches on the glass, smearing back on your face but you’re too utterly fucked, too cock drunk to be embarrassed. “Nobody… never been… fucked like…”

When you don’t finish your sentence Jason laughs, it almost sounds cruel and sends a shockwave to the clit you long thought had been abused to numbness. “Am I the best fuck you ever had?”

“Yes! Yesyesyesyes.” You chant. Completely oblivious to the fact that your sugar daddy, Oswald Cobblepot is not dead. He’s very much alive, and very much not well as he watches Jason Todd fuck the brains out of his best gal from his prison on the other side of the one-way mirror. 

[sad-girl-hours23]

I Know The Last Page So Well, I Can't Read The First

For the @tevanadvent2024 Day One: Beginnings

Pairing: Buck/Tommy

Rating: G

I’m so sick of endings.

Lately, Tommy’s life has been nothing but endings. 

First, his relationship with Evan. (Tommy’s not the forever guy, he knows that story all too well).

Then, his favorite show on Netflix was cancelled. Again. Why he bothers to get invested anymore is beyond him. 

He nearly cried in the middle of a Baskin-Robbins when he found out his favorite flavor of ice cream had been put in the deep freeze. The girl behind the counter looked far too concerned for his well-being.

It was a sad state of affairs.

He heard from Lucy that Eddie’s moving to Texas. It stings, even if he’d all but left their friendship in limbo these past few months.

And then…his dad. Tommy’s never experienced a loss so fraught with complications and contradictions.

It’s his last day of bereavement leave and he’s eating alone at his favorite restaurant, alongside what feels like half of Los Angeles. He’s tucked away in a booth far larger than is appropriate for his sad reservation of one, but with the specters of his past, he’s not alone.

He’s picking at mushrooms on his pizza when somebody slides into the booth.

He wonders briefly if this marks the ending of his sanity. 

As if the sheer power of his wanting has conjured an apparition of the man he loves.

Evan doesn’t stop sliding until their sides are pressed together. He’s here; real, and warm, beside him.

“Evan, what are you —”

Evan ducks his head. “I heard about your dad. I’m sorry.”

Tommy nods. “Thank you. I assume Lucy told you.”

“Yeah, but I wish you had.”

“I didn’t think, I mean, I don’t get to —”

Evan places his hand over Tommy’s. “But you do, Tommy. I would have been there for you. You still don’t get it do you?”

Tommy tries to suppress the embers of hope burning within him, they’ll only end in smoke and ash. “Get what?”

“I —” Evan’s phone chimes with a text and he looks towards the main room. “Look…can we talk later?”

Tommy hesitates. He should make a clean break, he knows. He won’t have the strength to walk away a second time. He forces a smile. “Of course. I’m sure you have someone to get back to. You shouldn’t waste your time with me and my misery.” 

“Well you know what they say about misery.”

Before Tommy can reply, Eddie’s sliding into the booth on his other side, followed by Howie, Hen, and Bobby. 

“What —”

Tears well up in his eyes as Hen takes his hand in hers. He can’t find it in him to be ashamed when he sobs as Eddie puts his arm around his shoulders and squeezes, says, “we got you, man.” 

Howie grins. “Bet no one was expecting dinner and a show.”

“Chim,” the rest of them groan. Tommy just laughs. He’s missed this, missed them. He’s missed the person he is with them.

They all express their condolences and catch him up on their lives when he asks, as if no time has passed at all. 

He finds out Evan’s been baking, and knows they have so much to unpack when they’re finally alone.

Evan lays his head on Tommy’s shoulder. It shouldn’t be this easy, he thinks. 

He half expects Bobby or Hen to yell at him, to make him face the mess he’s made of his and Evan’s lives. He almost wants them to. But when he dares to look, they’re both smiling. It cracks his heart right down the middle.

He’s starting to think he doesn’t know this story half as well as he thought.

And Tommy, he’s so tired of endings, and so skeptical of beginnings, and so very terrified of the feelings starting to form in his chest. Everything ends. But if this is the middle of his story, if the bulk of his life’s pages get to be like this, it will have been worthwhile.

Also on AO3

[senualothbrok]

Love and beauty

Summary: A few days after Astarion has taken you to his grave, you are lying in bed together. You decide it's time to make a confession.

Musings on beauty, love and death.

Word count: 1.3k

Non-18+. Astarion x female Tav. Non-ascended Astarion. References to bereavement.

AO3 link

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You are lying on your side, looking at Astarion.  Here at the Elfsong Tavern, morning is rousing from its slumber. You are cocooned in the bed you have shared with him since the night he took you to his grave. The sheets are warm and soft beneath you, and in their burgundy shadows, his skin glows like porcelain. He lies on his back, his silver eyelashes fanning out below his closed eyes like silk. His crown is a white maze of waves. Just recently you have noticed the faint threads which form around his mouth and eyes when he laughs, slight indents where his eyebrows meet his nose when he is focused. And sometimes, barely perceptible dimples dance on his cheeks.

You never tire of looking at him. There is always something new to see, and you never know how long you have left to see it.

“I can feel you staring at me.” A lazy eye opens and fixes on you. “Has no one ever told you that it’s rude to stare?”

There is mischief in his smile, and you return it. You run your fingers over his collarbone. He shifts his chin closer to your hand.

“I can’t help it.”

He stretches, long and languid, a fang peeking out on his lower lip.

“I know, darling.” He turns onto his side to face you. “It’s why you’re here. You can’t get enough of my devastating beauty.”

The words carry no edge. He is still himself, not the masked imitation. He twirls his fingers around a strand of your hair as it caresses your shoulder.

“You are devastatingly beautiful, it’s true.” You play with a curl at his temple, tracing the edge of his ear. You consider for a moment. “But you know, all of that… it only goes so far.”

“Oh?” He regards you quizzically.

“Well…” You turn the thoughts over in your mind. “I’m human, Astarion. Even humans blessed with devasting, soul-crushing beauty, like yours – most of us don’t live that long. We get old and grey. We get wrinkles.”

He scrunches his nose. You laugh.

“I know, disgusting, those wrinkles. But when you have to contend with ageing, and with death… it’s different.”

You are not sure he understands what you are saying. You yourself are not entirely sure.

You nuzzle your nose into his. He slides his arm under your head, circling it around your shoulder. You curl into his chest. There is a silence, but it is so light, like being bathed in morning sun.

Maybe it is because every day draws you closer to the Netherbrain. Or maybe it is because he has shown you where he died, and has shared with you his rebirth. Now, you feel the last bastion inside you can come down. This last pearl you have hidden from him, you can now give, trusting he will not cast it away.

“I had a husband once,” you say.

You have not spoken about him for a long time. It surprises you that it does not hurt anymore to mention him. To remember.

“It was a lifetime ago now. He was beautiful too, when we met. Though nowhere near as beautiful as you.” You brush your lips across Astarion’s skin. “He was smart. He had a way with words. And he was kind.”

You are relieved that Astarion does not say anything. He does not tense in shock or anger. There is no judgment. He only listens, holding you.

“He actually looked a lot like Gale. Sometimes when he speaks, Gale even sounds like him.”

Astarion bristles at this. “So you’re telling me that one of our travelling companions, one of our closest allies and friends, is the spitting image of the love of your life? And you’re telling me this, why?”

You are not entirely surprised by his reaction. And maybe you find it endearing that Astarion could feel even a prickling of jealousy about a man you loved and lost so long ago. You chuckle, reaching up to kiss him lightly on the curve of his jaw. He eases with a huff.

“This isn’t the point of my story.”

“Well, you best get to it soon,” he shoots back, but he does not pull back his embrace.

There is a softness, a playfulness, to his irritation. You nibble his ear lobe gently and he sighs. He waits. You go on.

“He was a lot older than me. When he got sick, I took care of him. He died in his sleep. I laid him to rest. By that point, he was an old man. And he’d lived a good life.”

You remember your husband’s face through a haze. His papery skin, so thin you could tear it by mere touch. Frosted hazel eyes, and snaking veins on hands that you clasped so tightly against your wet face after he had breathed his last. The years of love that had filled the hole he left, buoying you through the grief.

“There’s something about that kind of love. Through age, and sickness, and everything in between. The long and boring days. The petty arguments. The stupid things we joked about. Everything we shared together.”

You heart fills as you speak of him. There is no more sorrow when you think of him now, only gratitude.

“I loved him till the end. That kind of love - it went well beyond his beauty.”

Astarion is quiet and still for a long time. When he moves back to look at you, you cannot read his gaze.

“But I won’t age,” he says. “I won’t die.”

You nod.

“I’ll be like this forever.”

“Forever beautiful, forever young.” You glance at the scars and ripples of your flesh, and you cannot help but feel a pang of envy.

He frowns. In the pause that follows, you wonder where he has gone. You wish he could take you with him.

“How will I know, then?” he asks suddenly.

“Know what?”

“How will I know…” He struggles, as though each word is a heavy load. He clears his throat. “How will I know what kind of love it is?”

There is an emptiness in his eyes now, like a kind of sadness. A loss. You reach out and press your palm to his heart.

“Are you asking me whether I would still love you-“

“If I wasn’t beautiful.” He grimaces. “If I was old and grey, or sick, or…” He trails off briefly. “If I had wrinkles. Like Gale.”

You laugh, and you see that it gives him comfort. Because Astarion still cannot help but mask a plea with a jibe.

“What do you think?” you ask.

He hesitates. His eyes caress your face, drinking in every detail, every line and curve, every shadow and blemish. A balm spreads through you as he sees you, just as you see him, since the very first time you promised to be his mirror. You know he can see your answer.

But he is uncertain, and he is still afraid.

“Without a doubt, Astarion,” you breathe.

He turns away. You wait. It no longer weighs on you when he withdraws. You know now that he will always return. You will give him time, now. You will give him space. He will come back when he is ready.

But then, so abruptly, he clasps you against him. You are enveloped in the coolness of his skin, the warm wetness of his mouth, the blanket of his body around you. The moment is a world in itself, swirling and gathering and expanding, holding you fast.

It ends as it began. You lie there, tracing circles in each other’s souls. Morning has broken, and muffled voices are bustling through the bedroom walls. Slowly, you edge to the side of the bed, and he rises to join you.

“I don’t think he was the love of my life, by the way.” You say it like an afterthought, but it is not.

“I damn well hope not,” he counters, sharp and fast.

But the gentleness in his gaze tells you all you need to know.

---

Liked this fic? You can find more of my work here.

[honeypiehotchner]

Devil’s Backbone (Unsub!Hotch x Fem!Reader) -- part one

It’s the way that I am BURSTING with excitement about posting this fic 😈🫣

Warnings: nothing here really, just talk of Haley and Jack’s deaths

Don’t forget to follow @honeypiehotchnerlibrary and turn on post notifications to be notified when a new chapter is posted!!

One: All along we called it normal — “The News” by Paramore

“Please say your name and rank for the record.” The tape clicks. Across from you, Strauss sighs.

“Supervisory Special Agent Y/N L/N,” you reply confidently, “with the Behavioral Analysis Unit in Quantico, Virginia.”

“How long have you been with the BAU?” Strauss asks.

“Four years.”

She takes the seat across from you, crossing her legs, and opening a file folder. “Did you work under Agent Hotchner the entire time?”

“Yes ma’am,” you reply, lacing your fingers together on the table. “I did.”

“How would you describe your relationship to Agent Hotchner during this time?”

“Professional,” you say firmly, knowing exactly what she is trying to get you to say. “Strictly professional.”

+++

When Hotch returned to the BAU’s offices, he headed straight into a meeting with Strauss. She didn’t know he was coming, and a meeting wasn’t scheduled, but he knew if he went straight to his office that she’d call for him immediately. He thought he might as well beat her to it.

He stepped off the elevator and turned toward Strauss’s office. She locked eyes with him through the glass walls of her office, her expression frozen in shock.

“What are you doing here?” Strauss asked, right to the point, barely letting Hotch shut the door first.

“I’m here to get back to work,” Hotch replied, just as blunt.

Strauss was unamused. “Did you even think about the retirement offer I showed you?”

“I did. I’m declining it.” It was a nice offer, really, but it made no sense. He’d have more free time than ever before, but he didn’t need free time. He needed to be occupied constantly if he was ever going to make it through this mountain of grief.

“It’s been two weeks,” Strauss stated. “You need a month of bereavement, Aaron. Minimum.”

“You’re getting two weeks,” he said with a defiant shrug.

Sensing a losing battle, Strauss caved, settling on a compromise. “You’ll need to pass a psych eval with flying colors, then.”

“I will.”

“Today,” she said. “You’re going to wait here until they arrive.”

Hotch put up no fight. “Alright.” He turned and took a seat on her couch while she placed a phone call, ordering an immediate evaluation.

It took an hour for the psychologist to arrive, and they appeared to have rushed there. In truth, Strauss made the situation sound much more dire than it was.

Hotch stood and shook the psychologist’s hand, already securing a good impression before the evaluation had begun. Strauss led them down the hall to a conference room for some privacy.

Hotch hadn’t been in many psych evals, but he was well aware of how they work. Passing this one was easy, much to Strauss’ displeasure, and he was cleared for work by the afternoon.

“I will be watching you, Aaron,” Strauss warned.

“Don’t you already?” he quipped, pushing through her office doors.

+++

The team was in a frenzy when Hotch walked through the BAU’s glass doors, wearing his usual suit and tie, briefcase in hand. Like nothing had happened.

“Is that…?”

“Already?”

“Why is he here?”

You lifted your head from your paperwork and stared, jaw dropping ever so slightly as Hotch walked past your desk. Your eyes followed him up the stairs to his office, unlocking the door and flicking the lights on.

“Did you know he was coming back today?” Emily asked from her seat next to you.

You shook your head, tearing your eyes away from your boss. “No. Not at all. Hasn’t it only been two weeks?”

“If that,” JJ said.

“Is he even allowed to be here?” Morgan asked.

“Standard bereavement time is three to seven days,” Reid quoted, chewing nervously on his nails. “But it varies based on the relationship to the deceased. He should’ve gotten at least a month, or maybe two, since it was Haley and Jack…”

“He definitely shouldn’t be here,” you murmured to yourself mostly, but Emily voiced her agreement.

“He needs more time,” she said quietly, shaking her head in disbelief. “We know he’s a workaholic, but this is…”

“Way too soon,” you finished, and JJ nodded.

Rossi exited his office next door and walked into Hotch’s, immediately embracing him in a hug. You couldn’t hear what they said, but Hotch cracked a small, barely-there smile. It was more than you expected.

Hotch turned his head and locked eyes with you, and you looked away, embarrassed. You really shouldn’t stare. You just didn’t expect him to be back so soon.

You returned to your work, feeling like a kid caught red-handed. Minutes passed before you started to hear Rossi and Hotch’s voices a lot clearer, as they walked down the stairs into the bullpen.

“Hey,” you heard Emily say, smiling gently.

“Long time no see, boss,” Morgan joked lightly.

You lifted your head again, seeing Hotch say a small, “Hi,” and nod. He looked down at you, offering another nod.

“Hey,” you murmured. “How are you doing?”

“I’m alright,” Hotch said, directing his answer to the entire team. “I’m glad to be back. I need something to keep me busy.”

You nodded solemnly. You figured that was the reason, but it didn’t make it any better. You still felt like he should’ve waited a few more weeks at least.

“Well, we missed you,” Rossi said, filling the silence.

Everyone murmured their words of agreement, even you. You probably missed Hotch more than anyone else, but it wasn’t a competition.

“I have some cases to review,” JJ said, gesturing in the direction of her office. “I was just about to bring them to Rossi, but if you…”

“We can review them together,” Rossi offered, nodding with Hotch.

“Sure,” Hotch said. “Just bring them up to my office.”

“Coffee?” Rossi suggested. “I’m sure the pile is as high as ever.”

Hotch seemed strangely comforted by the fact, and by everyone’s attempt to behave as normal as possible, as everyone would have worked before Haley and Jack’s death.

The two men fell into easy conversation, as old friends tend to do, and headed over to brew a fresh pot of coffee. JJ headed to her office to retrieve the case files. Emily, Reid, and Morgan shared looks with you before sinking, defeated, back into their chairs.

Garcia came through the glass doors, her empty mug in hand, and stopped in her tracks when she saw Hotch standing in the small kitchen.

“Sir,” she said. “What are you doing— I mean— Welcome back!” She hugged him, unable to help herself.

“Thank you, Penelope,” Hotch offered a tiny smile, hugging her back.

Garcia set her mug down on the kitchen counter and came over to share her confusion with the rest of the team.

“I saw his psych eval get posted,” she whispered hastily. “What is going on?”

You shrugged. “He said he’s ready to be back.”

“Yeah, but—”

“Babygirl, we know,” Morgan shushed her. “He won’t listen.”

You snorted, knowing that was the truth. Above anything else, Aaron was stubborn. You didn’t know why you didn’t expect him to pull something like this. In fact, you felt stupid for not seeing it coming. You should’ve known.

You gave him a few weeks, depending on how many cases came through that needed the BAU’s attention, but nothing more. He’d realize he needed a break eventually, and then he’d most likely take a month off.

Or he’d retire. But you didn’t want to think about that.

You wanted him to have his time to grieve and heal, but you didn’t want to lose him entirely. The BAU wouldn’t be the same without him.

You were not alone in that sentiment, either. Garcia asked you a few days earlier if you thought Hotch might take Strauss’s retirement offer. You didn’t know what to tell her, not really. If he did, you’d understand. But you’d miss him even more than you had these past two weeks.

+++

Your relationship with Hotch had always toed the line of being inappropriate, ever since you began at the BAU a few years ago.

After his divorce from Haley was finalized and she seemingly wanted nothing to do with him, you felt less guilty about your lingering looks. The guilt evaporated entirely when Hotch began sharing the looks, and added small touches.

At first, it was nothing to concern yourself with.

He always sat next to you on the jet, so these times were no different — although he began sitting closer. Thighs nearly touching, forearms brushing, always bordering on too much, but never enough to raise any suspicions.

His fingers brushed against yours while he handed you files, your bulletproof vest, or a piece of evidence. He started putting his body in front of yours when gunfire was involved, even though you both had the same level of protection on your bodies.

And when he could, he paired you with him for interviews, interrogations, or general splitting of the team. The two of you never shared a hotel room, but he and Rossi always get their own rooms. You did notice, however, that your room was often next to his.

You were tempted, many times, to knock on his door, but you never did. Foyet’s terror began, and then Hotch’s family was targeted, and his attention was torn away from you.

Not that you blamed or resented him for that, of course. It made perfect sense for Hotch to turn his focus to his ex-wife and his son when a serial killer was after them. Disappointment crept into your body, but you pushed it away. Bigger problems were at hand.

You comforted Hotch as best you could during those times without crossing any lines.

“We’ll get him,” you remember saying one night, among other things that you probably shouldn’t have uttered. But your words worked and he thanked you for talking to him, even though you’re sure Rossi and others said similar things.

We’ll get him, you all had said. We’ll catch Foyet.

And you did, but there was no “we” involved. Aaron knew where Foyet was going and was already headed there by the time the team figured it out. He was on a one-man mission, no matter what anyone says to try and make it seem less so.

With Hotch back in the office, feelings were resurfacing, though you tried quieting them. The circumstances now seemed even more inappropriate than before, so you kept yourself under a close watch.

It didn’t help, though, that Aaron had gone back to his old ways.

When the team boarded the jet for the first case since his return, you took your seat first, expecting him to sit elsewhere, but he took the seat directly to your right, effectively boxing you in. Not to mention, he was closer than he had ever sat, and you didn’t know what to do with that.

So, you behaved as normal.

“Alright,” you exhaled. “Let’s figure out what the hell we’re dealing with here.”

The case was standard, reminiscent of a thousand others you had worked on already. In a way, you were glad that this was the first case Hotch was back on. You thought maybe it would help him to work on something so familiar.

Your hopes were confirmed when the jet landed, and the team headed to the precinct. Hotch was behaving as his usual Unit Chief self.

+++

It didn’t take long for your relationship with Hotch to get back to where it was, and for it to take the step further that you wanted it to way back then.

It only took two cases, three months, for you to be in bed with him.

You didn’t knock on his door like you always wanted to. He knocked on yours.

“We really shouldn’t be doing this,” you whispered, your lips just barely touching his cheek. He hovered over you, his arms bent at the elbows and resting on either side of your head. His entire body was pressed into you, the weight comforting.

His heavy breathing filled your ears. “I know.” He rested his forehead against yours.

“You’re drunk,” you said, not upset by the fact, just aware of it.

“I’m not,” he said, shaking his head, but you could smell the alcohol on his lips. You could taste it.

He wasn’t lying. He had one drink, one glass of whiskey, but that was it. He wasn’t drunk. He was buzzed. He’d remember this in the morning. And he wanted to.

“If you’re not,” you murmured, “then what are you doing here, Aaron?”

He lifted his head, his eyes raking over every inch of your face. “What I’ve wanted to for a long time,” he said. “If Foyet hadn’t come back, I would’ve…”

He shook his head, and you shushed him, wanting him to stop this train of thought before it continued. “Don’t. Shhhh, don’t, we don’t have to talk about that right now,” you cradled his face in your hands. “Don’t do that to yourself.”

He nodded. He thought for a moment, regret and shame passing over his face. “Maybe we shouldn’t.”

“Yeah,” you agreed, even though you hated it, even though you really wanted to. But you knew it was the right decision for the night. “You should sleep.” You paused, brushing your fingers through his hair. “You should stay.”

“Can I?” he asked softly, like he knew he shouldn’t. “Just for tonight?”

“Yes,” you murmured. “Stay.”

He did.

[codenamesazanka]

I've been looking at some old Japanese villain fan tweets about Toga from Chapter 395, and most of them seem pretty okay with Toga's ending - her dying on her own terms. Which is 😕 to me but.

The overwhelming conclusion from both japanese hero and villain fans alike that no matter what, the League will be getting the death penalty. Maybe life in prison, but most agree it's the death penalty for Shigaraki, Toga, Dabi had he been less burned. Even Spinner and Compress, the less notorious members, might be getting it, because they were part of the terrorist cell. Not immediately that we would see in the epilogue, but eventually.

From the book The Culture of Capital Punishment in Japan:

...Murakami noted that “as a general argument, I adopt a stance of opposition toward the death penalty” but then said “I cannot publicly state, as far as this case is concerned, ‘I am opposed to the death penalty’,” because he had acquired “a painful awareness of the feelings of some bereaved families.”

By arguing that he opposes capital punishment but not in this case, Murakami is articulating a sensibility—the death penalty is “unavoidable” (yamu o enai)—that is ubiquitous in Japan’s culture of capital punishment. [...] Japan’s government uses it to ask citizens whether they support capital punishment (a typical survey question asks “Do you agree that the death penalty is unavoidable in some cases?”). The “unavoidable” expression simultaneously suggests that the death penalty “cannot be helped” and that the speaker is ambivalent about this purportedly “inescapable” outcome. The reservations wrapped in the expression suggest that Japanese capital punishment continues to operate because agents of the state (prosecutors, judges, politicians) and citizen-onlookers represent themselves, to themselves and others, as cogs in a machine over which they have little control.

This punishment simply is. Even in this fictional world. Even though a lot of the League were victims. Even if the villains we saw locked up in Tartarus are never put to execution, and the death penalty is only offhandedly mentioned.

And if this is inevitable in the League's future, then why not go out on your own terms? If death is certain, you might as well die by your own hand (Toga), or go out in battle (Shigaraki). (Never mind that Toga's death was preventable, and Shigaraki was possessed and all he got to do was help punch-kill AFO.) Japanese villain fans are upset about Dabi's fate, but from what I saw, it's mostly because he's meeting such a quiet end.

Another thought: perhaps it's because the Villains were saved, they also had to die. If you stay a unrepentant mofo, like Muscular, then you don't have the decency to recognize your sins and allow yourself to die. But if you were saved and recognize your sins, you have no choice but to die for all the deaths you caused.

(Again, I don't think that works quite for the League, who stay pretty unrepentant about the upheaval they caused??? especially Toga, who states that she was gonna skeddadle; but in a way, she recognized that she hurt Ochako, so she gave up her blood.)

(also. to say nothing of Enji and Hawks being alive. or even Nagant. But some japanese fans are at least upset that Enji and Hawks aren't going to receive any in-universe official punishment for what they did.)

[arclundarchivist]

Thinking about Downfall again, and I just have to wonder why the three missing Prime’s weren’t there.

We know why Etharis wasn’t there, we know that Ioun had been taken captive, we know that Kord and Bahamut were waiting in the wings alongside Tiamat.

But what of the Changebringer? The Moonweaver? Moradin?

Could they not stomach the thought? Did they simply not agree?

Was the Lady of Change willing to see the Change of Aeor through one way or another, yet so tied to Freedom that she couldn’t put her own hand on the tiller?

Moradin is the God of Craftsman, was he too impressed by the workings of Aeor, but unlike the chaos within the heart of the Arch Heart was he too staid to lend a hand in its destruction?

Was the Goddess of Love to bereaved by all that would be lost to raise her hand against her children? Did she hear all their secrets and feel too moved by them to move against them? From where does the deepest amount of care spring, love or mercy?

I want to know their thoughts. Why they weren’t there. What they would have done if they had been. Would things have been different?

[tinyevilgremlin]

the judge from hell / ep6.

if in the previous weeks' episodes we saw how the criminal (both of which were heinous abusers) disappearing can bring relief to the victims,

this week we see that it may not always be the case. with the wrongdoer dead, the remaining family don't even have anyone to actively direct their anger and grief and anguish towards.

the fact that he got away 'easy', that he simply died without facing his punishment only adds to that sense of emptiness, because while we get to see justitia dishing out equal suffering to the criminal, these people don't.

much like how their neighbor says that prayers may be for the living more than for the sake of the dead — the culprit receiving the right legal punishment, at times, may be more about appeasing and comforting the souls of the victims and the bereaved (as in the case of this family murder) than it is for actually punishing the wrongdoer.

daon understands that feeling more than anyone else, which is why he is so adamant about having the murderer punished legally (and also because he's a detective lol, he literally says that himself in this episode).

[mintawasalreadytaken]

what my drarries are doing this new year's eve

thanks to @thehoneybeet for tagging me on the xmas version of this, and to @vukovich for giving me the grace to chime in a week late.

i did a handful of my fics ranked by hits, excluding the ones where one of them dies 💀 they become increasingly unhinged as you go. necrophilia mentioned! i'm not sorry!

Tit for Tat | Draco's wearing the Bordelle Vero garter in Dusty Blue; Harry's going to discover this fact circa 3am in their NYC hotel room. Harry's on molly (on purpose this time) and gets pounded through the sunrise. Everyone clap; neither of them has been awake this late/early in a decade. Take a Chance on Me | Harry has torrented The Big Fat Quiz of the Year and 8 Out of Ten Cats for them to watch on the sofa tonight. Dra—their dog has separation anxiety and doesn't like fireworks, so they're foregoing a big night out on her behalf (wink).

All I Want For Kwithmath | Hawwy's a stupid little baby who needs to finish his bottle. Their plans look something like, but with twice as many latex gimp suits (both on Harry, I know, it's tight in there.)

Crate Training | Same as above, but featuring a Bad Dragon "dog toy" and motorized build Draco found on shagmatic.com. He's discovered the internet! How novel.

Best In the City | Draco gets kicked out of the bar before the ball drops because he knocks a gogo dancer off their stand; Not-Draco gets waved into Harry's flat after he parks his ass on the front steps and lights an obnoxiously large blunt. Harry finishes it while he makes him a ham sandwich and listens to his sob story 😇

Holes | i literally have to be stopped, why hasn't someone stopped me yet—jk. There's a spell to lower your body temperature to that of an ice cube. Draco prefers the old school route: a bathful of ice cubes. They're stepping up their roleplay to Class II Necrophilia, where the bereaved remains attached to their dead lover's body because Draco thought "it sounded romantic." 💕

HAPPY NEW YEARS! THANKS FOR PUTTING UP WITH ME AND MY ABSOLUTELY DEPRAVED BULLSHIT! what are we doing it for if not the unhinged depravity, amirite? love ya'll.