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neocatharsis · 4 years ago

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NCT 127 Reveal The Hobbies & Obsessions They Can’t Give Up In Their Down Time

In Elite Daily’s series Rent-Free, celebrities unpack the one thought, memory, or unforgettable pop culture moment that'll always live in their head. In this piece, NCT 127 reveals the interests and hobbies even die-hard fans will be surprised to learn about.

In the past year, most musical acts had to cancel their highly-anticipated tours due to the coronavirus pandemic, and NCT 127 was no exception. That’s why its members — Johnny, Haechan, Mark, Taeyong, Jaehyun, Yuta, Taeil, Jungwoo, and Doyoung — have taken every opportunity to get closer to their fans with new music. After dropping their second Japanese EP, Loveholic, in February, the group returned on June 4 with “Save,” their latest single all about making unforgettable memories. Up next? An entirely new era. On July 7 (the group’s fifth anniversary), they announced their next album is coming in September. In celebration of all the exciting things ahead, NCT 127 opened up about how they wind down after a hard day’s work.

NCT 127 tells Elite Daily these past five years as a group have been worthwhile, and it’s all thanks to their fans, called NCTzens, who have supported them throughout their journey. “[We have so many] memories from practicing together pre-debut to our actual debut stage, and also all those times we spent working on our music and performance to meet our fans at our first concert and first world tour as well,” the group collectively says. “Each and every moment we spend on our music is for our fans, and we are working hard to better show ourselves in various different ways, so we hope you’re all excited!”

Fans have impacted the group so much that they’ve become the muse behind NCT 127’s biggest tracks. “The inspiration [behind ‘Save’] comes from wanting to save our precious memories with each other and with our fans,” the group says. And NCT 127 hasn’t let go of a single one. While they haven’t been able to perform in front of a live audience since early 2020, they held their online Beyond The Origin concert in May. They add, “It was new getting to meet fans from every part of the world at the same time.”

While the guys have their hands full recording their next project, they’re making sure to get some much-deserved R&R whenever they can. Below, NCT 127 reveal the interests that have been living in their minds rent-free.

Johnny

Johnny is a major fan of horror movies. “I love how they keep you on the edge of your seat the whole time you’re watching,” he says. His favorite scary movie of all time is Shutter, which is about a couple who accidentally run over a woman and then see her ghost in photographs they develop. “Even though I watched it when I was young, I still remember the movie, and it’s one I think about often. I’ve seen the movie multiple times since I first saw it in high school, and I recall being scared of red-lit rooms for quite some time afterward,” he says.

His most recent watch was The Conjuring franchise. He adds, “After I saw the movies, I looked up some articles about the behind stories. They were pretty interesting!”

Taeil

Taeil keeps music on his mind even after a full day of rehearsals. “Audio speakers really amplify music so you can hear the intricate details of the track, and there’s also that sense of excitement from when you hear a sound you like!” Taeil says, explaining his love for audio. “I like the speaker brand Focal. There’s still a lot I don’t know about speakers, but I find the brand very attractive since you can experience a flat sound that’s similar to what the songwriter intended to create.”

Taeil says the group’s sound has changed a lot since their debut in 2016. He says, “With time, our team color is definitely becoming more distinct and defined. I think the sound we have now is a very captivating one with strong hip-hop and R&B colors.”

Taeyong

The group’s leader enjoys connecting with others, but especially with NCTzens. “[Our relationship] is a very precious and one that I’m truly grateful for. Not only do we enjoy the same things, but we also try to improve and show that to each other. All of this is very special and meaningful to me,” he says. “It’s nice to learn of each other’s culture, and by singing in different languages, it makes me feel as if I’ve grown closer to our fans from those countries.”

Yuta

Yuta loves exercising because it’s very rewarding, and although he doesn’t have a specific fitness routine, he prefers working out at a gym rather than at home. “I like how exercising makes me feel stronger and helps me to build up my strength... which is very helpful when practicing group dances that require attention to body angles,” he says. “We had a short preparation period [to learn ‘Save’], but I was able to learn the choreography quickly and had a fun time preparing.”

Doyoung

Ever since he was cast as Axel von Fergen in the Korean adaptation of Marie Antoinette, which is based on the 2006 musical of the same name that originally premiered in Japan, Doyoung has found a newfound appreciation for theatre. “I find it very precious how you can share emotions through singing and acting,” he says. “It’s been very meaningful preparing for my musical debut, and it’s really all thanks to the amazing seniors and producers! The process in itself has been a very fun one, and I have been preparing with a heart of gratitude.”

Doyoung is set to make his musical debut on July 13 when the production opens at the Charlotte Theater in Seoul.

Jaehyun

Jaehyun says he “fell in love” with tennis in April because it helps relieve stress. “I’ve always enjoyed trying out new sports like basketball, bowling, and boxing whenever I had the chance. But I actually started tennis because my father recommended it,” he says. “I know this is the case for all sports, but tennis isn’t something you can master after a few tries. It requires persistence, and I started to enjoy it even more as I saw myself gradually improving.”

Jaehyun’s favorite tennis player is Jannik Sinner, a 19-year-old Italian athlete who competed in the 2020 French Open as the youngest quarterfinalist in the men’s singles event. He says, “I’d really like to go see a tournament.”

Mark

Lately, Mark is interested in taking better care of his hair. “It’s really important to me because I change my hair color a lot, and because I want my hair and scalp to be healthy,” he says. While he’s experimented with just about every color in the rainbow, there’s one he always loves going back to. He adds, “I think I liked my blue hair the most. It is my favorite color, after all, and I believe my fans liked it as much as I did. I was glad to be able to film the ‘Save’ music video during my blue-haired period. It fit well with all the scenes and the aesthetics!”

Jungwoo

Similar to Yuta, Jungwoo has also had exercising on his mind. “My life has become more lively since I started exercising. More so than exercising to improve my physique, I exercise in order to have a healthier, richer life. Also, it makes me proud knowing I’m spending my day more productively,” he says. “The first thing I do after I wake up is to start off the day with simple stretches that improve body balance... Stretching helps to warm up the body, which reduces the risk of injury, and can also boost your mood! I think this is why when I dance, I’m able to express those movements in more detail.”

Haechan

Haechan is now experimenting with all things fragrance. “I started using perfume since scents can give a sense of self-satisfaction and because I wanted to smell good all the time!” he says, adding he doesn’t have a favorite perfume. “The scent that suits me well, that I personally like, and that will suit me is always different!” However, there’s one scent that will always remind him of a certain memory with NCT 127. “This might sound funny, but I’d have to say the smell of sweat in our practice rooms,” Haechan says, adding it’s “satisfying” because it makes him feel like they worked hard after a long day. As for what draws fans to NCT 127, Haechan credits their “sincere music and performances.”

#nct #nct 127 #Taeil #Johnny #Taeyong #Yuta #Doyoung #Jaehyun #Jungwoo #Mark #Haechan

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bewitching-elizabeth-olsen · 3 years ago

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Press/Gallery: How Elizabeth Olsen Brought Marvel From Mainstream to Prestige

“The thing I love about being an actor is to fully work with someone and try so hard to be at every level with them, chasing whatever it is you need or want from them.”

GALLERY LINKS

Studio Photoshoots > 2021 > Session 008 Magazine Scans > 2021 > Backstage (August 19)

Backstage: Elizabeth Olsen grins widely over video chat when recalling many such moments on set with her co-stars. Yet, she can’t bring herself to divorce such a lofty vision of film acting from the technical multitasking it requires. The camera sees all.

“But then you move your hair, and you’re in your brain, like: OK, remember that! Because I don’t want to edit myself out of a shot. I know some actors are like, ‘Continuity, shmontinuity!’ But the good thing about continuity is, if you remember it, you’re actually providing yourself with more options for the edit.”

That need to balance being both inside the scene and outside of it, fully living it and yet constantly visualizing it on a screen, feels particularly apt in light of Olsen’s most recent project, “WandaVision.”

The mysteries at the heart of the show grow with every episode, each fast-forwarding to a different decade: Could this 1950s, black-and-white, “filmed in front of a studio audience” newlyweds bit be a grief-stricken dream? Might this ’70s spoof be a powerful spell gone awry? Could this meta take on mockumentary comedies be proof that the multiverse is finally coming to the Marvel Cinematic Universe?

The series’ structure, which branches out to include government agents intent on finding out why Westview has seemingly disappeared, calls for the entire cast to play with a mix of genres, balancing a shape-shifting tone that culminates in an epic, MCU-style conclusion. What’s key—and why the show struck a chord with audiences during its nine-episode run—is the miniseries’ commitment to grounding its initial kooky setups and its later special effects-driven spectacle in heartbreaking emotional truths. It’s no small feat, though it’s one that can often be taken for granted.

“I was thinking how hard it would have been to have shot the first ‘Lord of the Rings,’ ” Olsen muses. “Like, you’re putting all these actors [into the frame] later and at all these different levels. All the eyelines are completely unnatural. And yet the performances are fantastic! And technically, they are so hard. People forget sometimes that these things are really technically hard to shoot. And if you are moved by their performance, that took a lot of multitasking.”

As someone who has learned plenty about harnesses, wirework, fight choreography, and green screens (she’s starred in four Marvel movies, including the box office megahit “Avengers: Endgame,” after all), Olsen knows how hard it can be to wrap one’s brain around the work needed to pull off those big, splashy scenes.

“If you think about it, it’s, like, the biggest stakes in the entire world—every time. And that feels silly to act over and over again, especially when people are in silly costumes and the love of your life is purple and sparkly, and every time you kiss them, you have to worry about getting it on your hands. Those things are ridiculous. You feel ridiculous. So there is a part of your brain that has to shovel that away and just look into someone’s eyeballs—and sometimes, they don’t even have eyeballs!”

The ability to spend so much time with Wanda, albeit in the guise of sitcom parodies, was a welcome opportunity for Olsen. Not only did it allow the actor to really wrestle with the traumatic backstory that has long defined the character in the MCU, but having the chance to calibrate a performance that functions on so many different levels was a thrilling challenge.

“It was such an amazing work experience,” she says. “Kathryn [Hahn] uses the word ‘profound’—which is so sweet, because it is Marvel, and people, you know, don’t think of those experiences as profound when they watch them. But it really was such a special crew that [director] Matt Shakman and [creator] Jac Schaeffer created. It was a really healthy working environment.”

Related‘WandaVision’ Star Kathryn Hahn’s Secret to Building a Scene-Stealing Performance ‘WandaVision’ Star Kathryn Hahn’s Secret to Building a Scene-Stealing Performance Considering that the miniseries spans several sitcom iterations, various layers of televisual reality, and a number of character reveals that needed to feel truthful and impactful in equal measure, Shakman’s decision to work closely with his actors ahead of shooting was key.

“We truly had a gorgeous amount of time together before we started filming,” Olsen remembers. “Our goal was—which is controversial in TV land—that if you wanted to change [anything], like dialogue in a scene, you had to give those notes a week before we even got there. Because sometimes you get to set, and someone had a brilliant idea while they were sleeping, and you’re like, ‘We don’t have an hour to talk about this. We have seven pages to shoot.’ And so, we were all on the same page with one another, knowing what we were shooting ahead of time.

“Matt just treated us like a troupe of actors who were about to do some regional theater shit,” she adds with a smile.

That spirit of camaraderie was, not coincidentally, at the heart of Olsen’s breakout project, Sean Durkin’s 2011 indie sensation “Martha Marcy May Marlene.” As an introduction to the process of filmmaking to a young stage-trained actor, Durkin’s quietly devastating drama was a dream—and an invaluable learning opportunity.

“It was truly just a bunch of people who loved the script, who just were doing the work. I didn’t understand lenses, so I just did the same thing all the time. I never knew if the camera would be on me or not. There was just so much purity in that experience, and you only have that once.”

The film announced Olsen as a talent to watch: a keen-eyed performer capable of deploying a stilted physicality and clipped delivery, which she used to conjure up a wounded girl learning how to shake off her time spent in a cult in upstate New York. But Olsen admits that it took her a while to figure out how to navigate her career choices afterward. In the years following “Martha,” she felt compelled to try on everything: a horror flick here, a high-profile remake there, a period piece here, an action movie there. It wasn’t until she starred in neo-Western thriller “Wind River” (alongside fellow Marvel regular Jeremy Renner) and the dark comedy “Ingrid Goes West” (opposite a deliciously deranged Aubrey Plaza) that Olsen found her groove.

“It was at that point, when I was five years into working, where I was like, Ah, I know how I want it. I know what I need from these people—from who’s involved, from producers, from directors, from the character, from the script—in order to trust that it’s going to be a fruitful experience.”

As Olsen looks back on her first decade as a working actor, she points out how far removed she is from that young girl who broke out in “Martha Marcy May Marlene.”

“I feel like a totally different person. I don’t know if everyone who’s in their early 30s feels like their early 20s self is a totally different human. But when I think about that version of myself, it feels like a long time ago; there’s a lot learned in a decade.”

Those early years were marked by a self-effacing humility that often led Olsen to defer to others when it came to key decisions about the characters she was playing. But she now feels emboldened to not only stand up for herself and her choices but for others on her sets as well.

“[Facebook Watch series] ‘Sorry for Your Loss’ I got to produce, and I really found my voice in a collaborative leadership way. And with ‘WandaVision,’ Paul [Bettany] and I really took on that feeling, as well—especially since we were introducing new characters to Marvel and wanted [those actors] to feel protected and helped,” she says. “They could ask questions and make sure they felt like they had all the things they needed because sometimes you don’t even know what you need to ask.”

It’s a lesson she learned working with filmmaker Marc Abraham on the Hank Williams biopic “I Saw the Light,” and she’s carried it with her ever since. “I really want it to feel like we’re all in this together, as a team,” Olsen says. “That was part of ‘Sorry for Your Loss’ and it was part of ‘WandaVision,’ and I hope to continue that kind of energy because those have been some of the healthiest work experiences I’ve had.”

If Olsen sounds particularly zealous about the importance of a comfortable, working set, it is because she’s well aware that therein lies an integral part of the work and the process. As an actor, she wants to feel protected and nurtured by those around her, whether she’s reacting to a telling, quiet line of dialogue about grief or donning her iconic Scarlet Witch outfit during a magic-filled mid-air action sequence.

“Sometimes you’re going to be foolish, you know? And [you need to] feel brave to be foolish. Sometimes people feel embarrassed on set and snap. But if you’re in a place where people feel like they’re allowed to be an idiot,” she says, “you’re going to feel better about being an idiot.”

This story originally appeared in the Aug. 19 issue of Backstage Magazine. Subscribe here.

Press/Gallery: How Elizabeth Olsen Brought Marvel From Mainstream to Prestige was originally published on Elizabeth Olsen Source • Your source for everything Elizabeth Olsen

#Elizabeth Olsen #WandaVision #Avengers #Scarlet Witch #Wanda Maximoff #Sorry For Your Loss #Avengers Infinity War #Avengers Age of Ultron #Captain America Civil War #Ingrid Goes West #Godzilla #Doctor Strange in the Multiverse of Madness #Marvel #MCU #Candy Montgomery #Love and Death #Avengers Endgame

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365days365movies · 4 years ago

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February 19, 2021: The Phantom of the Opera (2004) (Part 1)

I love musicals.

Hands down, when talking cinematic adaptations of musicals, my favorite is Little Shop of Horrors. I’ve seen it MANY times, and will see it many, MANY more. And I’m not the only one. I mean, obviously, but in this case, I’m referring to my girlfriend. She’s chosen to represent herself with a GIF from her favorite musical, Hairspray. So, here she is:

Ravishing. Now, because it’s currently our anniversary, I let her pick today’s movie from my list. And so, she chose a musical that neither she nor I have seen: 2004′s The Phantom of the Opera. And some of you may now be saying, “What, this guy said he liked movie musicals, and he hasn’t seen TPotS? That’s like saying you haven’t seen Grease, or Singin’’ in the Rain, or, PFFT, West Side Story!”

...About that...

Yeah, yeah, I know! It’s insane, and I’m a hypocrite. I’ll be getting to the rest of those eventually, and one of them’ll be coming in the next couple of days, I promise. You can probably guess which one. Anyway, fact of the matter is that we’re gonna watch it tonight, and I’m looking forward to it.

However, there’s another factor to this, and that’s the fact that this film...doesn’t have the best reputation amongst fans of the original musical. And, yeah, this should ideally be the Michael Crawford version, but the Butler version is the one I have access to, so we’re going for it. SPOILERS AHEAD!!!

Recap (1/2)

Paris, 1919, back when the whole city was in black-and-white for a year. They lost the budget for color after World War I. Anyway, at an old opera house, an auction is taking place, and items found within the theater are for sale. One of these is a music box with a monkey on it, an item which sponsors a bidding war between an older woman, and an older man in a wheelchair. I’m sure we’ll find out who they are eventually.

Anyway, a broken chandelier is also up for option, and was involved in the mysterious disaster of the “Phantom of the Opera” fiasco. They turn it on with electric light, and as they raise it to the ceiling, the organist goes fuckin’ NUTS. The song’s so loud that it REVERSES TIME, and we’re now in color, in the year 1870 at the same opera house.

The theatre, managed by the soon-to-retire Monsieur Lefèvre (James Fleet), has just been purchased by Richard Firmin (Ciaran Hinds) and Gilles André (Simon Callow), who are there to observe. On stage, a rehearsal for the opera Hannibal is taking place, and the costume’s are already...like, a LOT, not gonna lie. The headliner for the show is soprano (and drama queen supreme) Carlotta Giudicelli (Minnie Driver), and is being funded by patron Raoul, Vicomte de Chagny (Patrick Wilson).

The background dancers are instructed by Madame Giry (Miranda Richardson), and include her daughter, Meg (Jennifer Ellison), and her adopted daughter, Christine Daaé (Emmy Rossum). As the rehearsal takes place, an accident happens on stage, almost injuring Carlotta. Enraged, she leaves, and refuses to perform.

Meanwhile, Madame Giry finds a letter from the Phantom, who demands his normal monthly salary of 20,000 francs, as for Box 5 to be left open. While the new owners think that this is ridiculous, they also note that it’s pointless without a lead singer for their show.

However, Christine is volunteered, and shows that she is indeed a talented singer. The show goes on, and Christine is a smash, much to Carlotta’s dismay. At this point, Raoul also discovers that this is his long lost childhood friend (and possibly long lost love) Christine, which she also noticed earlier.

But this is because of a mysterious teacher, who sings to her from the walls of the theatre. Meg comes in to congratulate her (through song), and asks who her tutor is. Meg responds...in song (”Angel of Music”).

Afterwards, Madame Giry also congratulates her, and tells her that the Phantom is pleased with her. Right after, Raoul also pays her a visit, and the two reconnect on shared memories of times in an attic in the summer. She tells Raoul that she is visited by an Angel of Music, and cannot go to the dinner that night with him. And the Phantom agrees, as he locks Christine in her room. YIKES.

And as literally every person in the theatre except Christine leaves, the Phantom serenades her, angered by Raoul’s presence, and Christine’s potential dalliance with him (”Mirror”). And through the mirror, he takes her to a mysterious crypt beneath the theatre. And as they sing their strange duet in the form of the title song (”The Phantom of the Opera”)...I try to resist talking about Gerard Butler until later. And it’s hard. It’s SO hard, guys.

But, OK, he takes her away on a...sewer horse...how the FUCK did he get that horse down there? And wait, WAIT, does he put her on that horse to walk her, like, 20 feet to the gondola? Like...WHY DO YOU HAVE THE HORSE? That is...monumentally wasteful. Where do you keep the horse? Does he feed the horse? How much? How often? With what? Does the horse eat the sewer rats? Is there naturally growing sewer hay? Does the Phantom’s salary go towards buying food for the horse, or buying new horses when the original ones DIE OF STARVATION - WHAT THE FUCK IS WITH THIS HORSE?!?!? WHOMSTVE THE FUCK

And yes, I love this fuckin’ song (not the singers, but we’ll get there), but this is distracting me alongside the statues of naked men in the sewer, because...well, Joel Schumacher. What can I say, it’s kind of his aesthetic. Anyway, we get officially introduced to the Phantom of the Opera (Gerard Butler), a very handsome-looking man who likes wearing a half-mask.

I say handsome, because the Phantom in this movie, looks...fine. HE LOOKS OK. HE LOOKS LIKE A DUDE WEARING A MASK. What, did somebody throw a hot candle at his face once, and he freaked out over it and ran into the sewers forever...WITH A HORSE? NOT OVER THE HORSE SHIT.

Look, the Phantom is supposed to be HIDEOUSLY scarred. Famously, in one of the film adaptations of Phantom, actor Lon Chaney Jr. purposely distorted his own face using adhesive face in order to play the role of the hideously disfigured character. Now, other versions have just given him severe, and I mean SEVERE burn scars. But behind the mask, Butler looks...fine. HE LOOKS FINE GODDAMMIT. He looks like he’s wearing the mask because it looks edgy and shit.

But OK, what’s happening in the movie? Oh, right, more serenading (”Music of the Night”), with another song that I like quite a bit. This and the previous song were songs Id heard before, and that I’d already had on my playlist. They’re great, what can I say? Now is Butler doing it justice? Ehhhhhhh, we’ll talk about that in the Review.

During this song he kinda seduces her, or attempts to, and also shows her a wedding dress. She sees herself in it and IMMEDIATELY faints, Jesus! Curtain falls on Christine while she’s in a bed, and we go back to her room, where Meg is looking for her. She finds the mirror, and is about to go back there, but her mother finds and stops her.

Meanwhile, stagehand Joseph Buquet (Kevin McNally) tells the chorus girls of the legend of the Phantom, and describes a physical description that doesn’t match him...even a little. We cut back to Christine, who wakes up in what my girlfriend refers to as a “bomb-ass HQ.” Which is fair, let’s be honest. Anyway, she heads over and tries to unmask her new masked lover (?).

He’s not the biggest fan of this, and he emos all over the screen (”Stranger Than You Dreamt It”). And then, as he puts his mask on, we suddenly (and I mean suddenly) jump to 1919, where the old woman, Madame Giry, bids farewell to...wait, that’s Raoul? HOW DOES HE LOOK SO MUCH OLDER THAN HER, WHAT???

Back in the past, inexplicably, the theatre owners and manager sing about the theatre and the Phantom’s demands ("Notes..."), and are soon joined by Raoul, who brings them a separate note, saying not to look for Christina any further. THEN, Carlotta joins them, delivering a letter of her own from the Phantom, warning her not to return to the theatre.

In his letters, he details how his theatre is to be run, threatening a disaster if Christine is not cast in the lead role, and if Carlotta is not cast in a silent role. However, the theatre owners and Carlotta refuse to obey, and Carlotta is cast in the role, as the owners try to appease her (”Prima Donna”).

That night, during a performance of Il Muto, Carlotta’s singing the lead role. Additionally, Box Five is full, and the Phantom is PISSED. So, like a Phantom do, it’s time for some good old fashioned petty revenge! He switches her throat spray, causing her to lose her voice on stage, and causing the audience to laugh when the show ends abruptly. They quickly and publicly recast the role, giving it to Christine instead. Well, mission accomplished by the Phantom! Guess we’re good without retribution. And then he hangs the stagehand.

Well...fuck, man. Realizing that the Phantom is EXTREMELY dangerous, Christine goes to save Raoul, who she...is in a relationship with now? Wait...wait, hold up, the fuck did I miss? I mean, yeah, he probably is gonna kill Raoul, but there is, like, NO lead-up to their connection before this point.

Anyway, as Christine explains that there is a Phantom when Raoul says he doesn’t exist...wait, WHAT? MOTHER FUCKER BUQUET JUST NOT MURDERED IN FRONT OF EVERYBODY WHAT IN THE FUCK DO YOU MEAN????? YOU LITERALLY HEARD THE...you know what? Break. BREAK. This is...this one’s tough.

See you in Part 2!

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dennou-translations · 5 years ago

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Tokushima Shinbun Interview with Yano Shougo

Interviewing Yano Shougo-san, who has starred for the first time in the topical anime “Given” and is originally from Tokushima. “I wanted to be an actor that would make people go, ‘I’m glad I entrusted the role to him’.”

Yano Shougo-san (30), who is from Tokushima and belongs to the troupe Super Eccentric Theater (SET), played a starring role for the first time as a voice actor in the anime “Given”, which aired from July to September on Fuji TV. “Given” is a heartrending story that centers itself around a romance between men from the same rock band. Having received high evaluations for his acting and singing voice, which portrayed with excellence the delicate emotions of the protagonist, Satou Mafuyu, Yano-san has told us about the feelings he put into the role and about his future goals.

Raw || Index || Ko-fi/PayPal ( ╹◡╹)っ’･*

——Good job on your first starring. Please tell us again about your impressions from when you were entrusted with the leading role.

Thank you very much. Playing a leading role in an anime series was my goal for 2019, so when my manager contacted me saying that I had passed the audition, I was happy to the point of shedding tears, but at the same time, I was also relieved. I could not sleep a wink the day before the recording of episode one, and at any rate, I was nervous. On the recording day, I was thinking as I headed to the studio, “It’d be great if the recording were tomorrow”, but I got over it a little by the moment that I thought, “If this anxiety would continue until tomorrow, then it’s actually better for it to be today!” and I remember relaxing straight away at it

——Yano-san, your fragile voice was a perfect fit for Mafuyu. What did you keep in mind when performing him? Were there any points that differed greatly in comparison to the roles you have been playing until now?

Mafuyu has an extremely painful past, unable to move a single step from where he was, as he bore a huge wound. Still, he has proper thoughts and feelings of his own, as well as a stubborn side, and though he has a mild and introverted personality, I figured that he was someone who had a strong core.

Other than that, when I saw him playing basketball with his friends, smiling and earnestly absorbing himself completely in music, I had the impression that he was a “high school boy that you can find anywhere”. This was something I always cherished when performing.

I have played uke roles before, but this was the first one where so many of my lines were “...” (laughs).

——What parts of Mafuyu do you think you have in common, Yano-san, and what parts are the total opposite of you?

I think we are just a little bit alike in that we are greedy about the things we like, and we are unable to concentrate on anything else when there is something that we need to do our best in order to achieve. What I feel to be the opposite is that Mafuyu gives off the impression that he is a big shot in some way, even without speaking much, while I am talkative and shy (laughs).

——You were also in charge of singing the insert song and ending theme song.

I knew ever since the audition phase just how essential Mafuyu’s song was for the series, so rather than my being happy about singing, the pressure was much more prominent. As a matter of course, the frequency of my voice training soon increased, and learned the basics and techniques of singing as much as time allowed me to. When I was first told about the composition, I thought, “This song was made for Mafuyu’s sake”. That is exactly why, rather than the technique, I reflected about why and how Mafuyu would be singing those lyrics, as well as the emotions that would be overflowing from him, and I thought I should sing it with care, without sugarcoating it.

——What did you keep in mind when singing as Mafuyu?

The song that Mafuyu sings bears his definite resolve to face his past and live in the present, thus I believed that I had to make it into something like a love confession, so to say - a song that could be sung because Mafuyu was the one doing it. For this, of course, technique was important, but I kept in mind that it would be okay even if it was rough-hewn or even if my voice faltered, as long as I sang in a way that would spit out everything Mafuyu had been shouldering.

——Although Noitamina has produced countless master piece animes, this has been their first Boys Love (BL), a series that depicts romance between males, so was there anything you were particularly conscious of when performing?

There was not. Just as I do when performing roles from other series, I performed while keeping in mind that I was going to live in the world of “Given” as Mafuyu with all my might.

——I believe there was such a huge response to “Given” due to its painful content, but did it get to your ears?

There are many fans of the original work not only in Japan but also overseas, so I became aware once again of the popularity of “Given”. That is just how high the expectations were for the anime adaptation, and I wanted people to like it even more when watching the anime, so I was truly happy when I actually did get evaluations like that on Twitter, etc.

——The airing of the anime “Given” is over, but a movie adaptation was green-lit. Please leave a message for the fans.

The story of “Given” will continue from now on too. I hope everyone can watch over what kind of sounds will come from Mafuyu’s song, Given’s (as in the band that Mafuyu and the others formed in the show) music and their romance from now onward.

——From here on out, Yano-san, I want to ask you about yourself. It seems you wanted to be an announcer at first.

I had the vague desire to move into the television business, and from yet another vague motive of wanting to become an announcer and engage with my favorite variety show, I started thinking in my third year of high school that I wanted to be an announcer.

——Why did you aim for voice actor from there?

After graduating from high school, I took a gap year in order to attend university, and during that time, I watched “Neon Genesis Evangelion” as per a friend’s recommendation, so with this as the trigger, I became interested in anime. I had almost never watched anime until then and was unfamiliar with voice actors, so I was shocked when I read in the end roll that Ogata Megumi-san was the one who played the role of Ikari Shinji, a boy, thus I became interested in them.

——Was there anything you put effort into in order to become a voice actor?

During my gap year, I watched many animes, looked up the voice actors that piqued my curiosity and imitated their acting, and performed lines from anime and manga with as much emotion as I could. I also bought a training book for becoming a voice actor and practiced enunciation while keeping it a secret from my family.

——What are the details of your joining SET?

I was was part of a the theater research association in university, but when I was in my fourth year, I once gave up the way of an actor and went job hunting. Even so, I wanted to have a job that was related to acting, so I took the recruitment test of a major production company hoping to become a manager, but during the individual interview, the person in charge told me, “Are you really all right with giving up on becoming an actor? If you want to be a voice actor, then go study theatre”.

And so, I began wanting to challenge myself one more time, so I stopped job hunting and after looking into audition magazines, I took an audition to become a research student of SET, where I could learn the essentials for musical, action and comedic theatre. I became a research student at 23, and after about a year of lessons and a graduation performance, I became an official member at the age of 24.

——Please tell us about the works and roles you did before your voice actor debut.

During my first year in becoming a troupe member, I played the role of Saburou, the protagonist of the TV anime “Nobunaga Kyousoukyoku”, as a motion actor - the kind of actor who does the gestures that are used as base for the characters’ movements.

I also participated in the troupe’s own public performance. It was a role where I had to drink coffee and say only one phrase, “It’s sweet”. It was a sentence that connected with a funny punchline, so I had been thinking all along about how I should act it out in order to induce laughter, and even during the performance, I did many attempts.

——After that, you debuted as a voice actor in the anime “Yu-Gi-Oh! ARC-V”.

When I was selected, I was really happy to be able to take the voice acting job that I had once given up on. I was brimming with confidence for some reason, even though I had no experience points. But when I went to the studio, I was no good at all; I would get nervous every week and had to stay overtime a lot, so I honestly hated going to the studio (laughs). Even so, thanks to the director and all the co-stars not throwing away someone like me, who did not know left and right, and instead nurturing me during the three years of “Yu-Gi-Oh! ARC-V”, I changed my thinking and posture in regards of acting.

——Afterward, you became capable of being entrusted with important roles, such as in “iDOLM@STER SideM” and “Tsurune —Kazemai Koukou Kyuudoubu—“, but were there any parts of them where you could feel your own growth?

In that I started thinking it was fun to perform. Even now, I still get nervous when going on-site, but as I would read the script, think about the role and create a foundation for my acting, I feel like I have become able to perform in front of the mic by responding to the acting of the person playing the other role, without thinking about unnecessary things, little by little. The moment I feel that the air has set to motion and it has turned into a drama is, if nothing else, enjoyable. I started having challenges, aspirations and goals for myself, such as, “I want to perform like this more” or, “I could bring this role into life more if I performed like that”.

——What are the fun and difficult parts of voice acting? Please tell us about your future goals too.

I believe the fun in being a voice actor is that we can perform roles that would be difficult in filming or on a stage.

There are many things that you can only learn in a recording site. When I go to them, I find a whole lot of people who are better at acting than I am, so I have to earn a role for myself. I fail most of my auditions and get depressed each time. Even so, I want to keep showing up in those series and play a role that moves the story. I always strongly think that I want to become an actor who can make people go, “I want to use Yano for this” and, “I’m glad I entrusted this role to Yano”.

——From now on, between actor and voice actor, which one to you plan to put more strength into?

Voice actor. That being said, in order to broaden my ranges as an actor too, I think I have to take on all kinds of jobs that require technique for different facial expressions on-stage. For us voice actors, charming people are mostly those who are also charismatic on the stage, so I think I also want to become a charming actor.

——Are you able to return to Tokushima regularly even now?

I make sure to go back as often as I can during summer vacation and New Years.

——Are there any parts of your life in Tokushima that have been put to good use in your acting jobs?

I seldom have any chance to come in contact with anything related to acting in Tokushima. Even if I had interest in voice actors and acting, wanted to attend a training school or thought about going to watch a play, they were all things that could not come true if I stayed in Tokushima. That is why I created many opportunities to come in contact with acting after moving to Tokyo, such as joining my university’s theatre research association and attending a school where I could study voice acting. I think I could cultivate something like a hungry spirit exactly because I used to live in Tokushima.

——If there is anything or any place in Tokushima that you like, please tell us.

Awa Dance, I guess. I did not like it that much when I was little, but after I became an adult, the group dance I watched from a box seat was stunning, and it made me so emotional that I started crying.

Also, the park that my grandfather often took me to when I was a child, though I don’t know if it still exists. I would put rice balls and pickled horseradish in a big plastic container and go there. I have memories of eating them with cold tea from a polyethylene teapot with my grandfather, after playing badminton. I want to do the same with my children and grandchildren when I become a parent and a grandpa.

——Yano-san, since you have made your dream come true, please leave a message to the young people who are chasing their dreams in Tokushima.

Time passes in a flash. For now, please do what you can with all your might. It can be anything, like classes, club activities, cultural festivals, sports festivals or romance.

If there is anything you can work your hardest in over there, please try facing it with all you have. It will certainly become a sustenance for your life from this point onward. I believe that it is better to do something and regret it than to regret not having done it.

Should there be anyone aiming to become an actor, please take action while constantly thinking about how you can get closer to the future that you have as your goal. I think there are surely many things you can do even if you are in Tokushima.

If you do not know what you should do after doing a research and reflecting on it, have courage and go consult someone who can give advice. Nothing is in vain, but rather than spending time not thinking about anything, I believe that spending time thinking about whatever is more worthwhile.

Please do your best. I will do my best too.

——Please leave a message for the fans who are cheering for you from Tokushima.

Thank you so very much for supporting me. The other day, when I took part in a recital play being held in Tokushima, I was able to show my acting to my family for the first time. They were very pleased.

Most events are held in the Tokyo Metropolitan Area, so I believe that people cannot go watch them even if they want to. My wish for more and more people to experience an event in Tokushima and see me working has become even stronger.

I will be doing my best from now on too in order to be able to take part in more series, play all kinds of roles, get to do an event in Tokushima again someday and have people come talk to me. I will be counting with your continued support from this point onward too.

#fyeahgiven #satou mafuyu #dailygiven #givendaily #given #yano shougo #my translation #seiyuu #interview

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twentiethcenturymoviesandtv · 4 years ago

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The Princess Bride: A Product of the Times

The 1980s were an age of surplus in terms of just about everything. From the music and clothes to the explosions on screen, the 1980s were a clear example of excess, of wealth of ideas and resources, and nowhere was it more obvious than in the movie industry.

From teen films to comedies to blockbuster action extravaganzas, the 1980s movie industry, led by directors like Steven Spielberg, James Cameron, Richard Donner and more, brought a combination style of ‘throwback’ + innovation to many of their films. Movies like Star Wars and Indiana Jones directly imitated and updated sci-fi and adventure serials from Spielberg and George Lucas’s youth, whereas films like Joe Dante’s Gremlins poked fun at ‘50s B-Movie horror movies. John Carpenter’s The Thing provided an updated look at a classic monster flick, and his The Fog called back to plenty older ghost stories, while making something new of his own. Although the 1980s was a period of exploration in film, with new genres being pioneered and explored in different directions, part of that exploration included looking backward and experimenting with previously existing genres, with the up and coming generation of ‘Movie Brat’ directors choosing to play with elements they’d grown up knowing and loving themselves.

That extended to the fantasy genre.

From the pulpy style of the Low Fantasy Conan the Barbarian films to the magical feeling of movies like Labyrinth or Willow, the 1980s theaters experienced a major boom in terms of fantasy films, experiencing varying levels of success. From Excalibur to Legend, these new fantasy films took risks with special effects, methods of storytelling, and styles of characters (although lots of them became known as Cliche Storms). These movies utilized unique spins on fairy-tale stories and legends, updating and modernizing aspects of them and either making them darker, or finding new ways to acknowledge the fantastical elements of the story.

Most interesting is that, in the 1980s, the fantasy genre didn’t have a whole lot of history to draw from.

Unlike the B-Sci-Fi flicks from the ‘50s or the Creature Features, or even the adventure serials that would go on to spark Indiana Jones, there wasn’t a lot of previous canon in the fantasy genre. Films like The Wizard of Oz, which were landmarks in the genre, didn’t have a whole lot of obvious influence on the sword-and-sorcery films that came afterwards.

Now, you may be asking why all of this matters. Or why any of it matters, in fact.

Here’s the thing: no film is an island. Every movie, (some more than others) is directly influenced by the culture it exists in, and the pool of resources that have come before it, especially in the cases of the films directly designed to emulate genres or specific movies that have already been made.

And that certainly seems to have been the case, at least partially, as far as The Princess Bride is concerned.

Despite being released in the 1980s, with the original book by William Goldman written in 1973, The Princess Bride doesn’t wholly read like it’s contemporaries in the fantasy genre. If you watch it alongside the likes of Ladyhawke, Labyrinth, and Legend, you’ll find that more about the film stands out other than not following my alliterative pattern.

In many of the other fairy-tale-esque stories populating Hollywood during this decade, the characters talk and act very much like they are in a very grand story. There is gravity to the situation and most of the characters, (exception being some of the creatures in Labyrinth) and the story is typically an epic one.

The Princess Bride, on the other hand, manages to avoid this tone and story structure, by including a very traditional fairy-tale plot: save the princess from the evil prince, but by going about it using styles more typical of a different era entirely.

Rather than using the fantasy, action, or even adventure styles traditionally used by the 1980s, The Princess Bride utilized something a little earlier: the swashbuckling style of the 1930s.

Due to the way that the story and characters are written (with a sharp, sly, tongue-in-cheek edge), The Princess Bride cannot be played as a straight fantasy film (check out the Genre article to hear more), and while it does retain plenty of the 1980s charm about it, it also uses the fast-dialogue and witty humor found in stories like The Adventures of Robin Hood and other swashbuckler stories from that decade of adventure films. Watching the fencing match between Inigo Montoya and Westley is eerily similar to many such fight scenes in older action-adventure movies, and listening to the dialogue during this and other sequences, the humorous tone with dry, quick wit, is also an echo of older screwball-style dialogue.

Whether this was intentional or not, the fact is, this makes The Princess Bride’s style very fresh and new in the middle of the fantasy boom of the 1980s. It also had a very interesting side effect:

It made The Princess Bride ‘timeless’.

The idea of something being ‘timeless’ is an interesting topic in the film world.

The word ‘timeless’ is best defined as ‘not affected by the passage of time or changes in fashion’. It carries the implication that, applied to film, a ‘timeless’ movie would be one totally understandable and relatable years after the culture has changed. Carried further, the ideal ‘timeless’ movie would be one with no cultural identity of its own, completely orphaned from the original context that the story originated in. In other words, this is a story that can be enjoyed no matter how much time has passed. Typically, this word gets applied to period stories, sci-fi films, or fantasies: stories not set in the contemporary time period.

In direct contrast, of course, the word ‘dated’ is simply used to apply to anything created in a discernible time period. This word typically carries the connotation of ‘old-fashioned’. This word’s connotation is that, (applied to film) a ‘dated’ film is one that is less understandable by those looking from outside that particular culture or time period. This would be a film that hasn’t ‘aged well’, most often describing contemporary films of the day.

So, here’s the thing.

These definitions, while technically correct, are far more complex than this in the film world.

By the dictionary definition, no film is truly timeless. Every film is a product of the times they were created in, because people who lived in those times created them. Every movie, every piece of media are products of the times they are from, but they are not defined by them. A film is not ‘dated’ because it shows the culture, or the technology of its time, or uses that technology when trying to create the world of the movie itself. A movie is not dated because it uses puppets instead of CGI.

As I mentioned, a film is considered ‘dated’ in a true sense if it is less understandable or enjoyable in hindsight, from a place outside of that specific culture. Less easily overlooked are ideas, and here’s what truly does date a movie.

It really doesn’t matter if a film is made in the ‘70s and set in the far future, or made in the ‘50s and set in the distant past, because quite frankly, the movie is still being made in that decade. As a result, even period films end up carrying the thumbprint of the contemporary ideas of the people who made it. Indiana Jones is best remembered as an ‘80s style action hero because although his films are set in the 1930s and made in the style of adventure serials from that time period, the style of action and characterization was very current, in order to update the genre.

The ideas and thematic core of a film, how certain topics and characters are treated and viewed, both in universe and in the narrative, can be what truly dates a film, even if it has none of the recognizable trimmings like a tie-dye shirt, and here’s where we can tread into good vs. bad territory: because while in some cases, the ideas can be pleasantly positive, in others, the opinions presented by the filmmakers can be rather uncomfortable to modern audiences.

So, all of this is to lead us to an important question:

Is The Princess Bride timeless, or at least, as timeless as movies can get?

Well, some would argue no.

A glaring problem with modern movie-goers is the character of Buttercup, who, as I mentioned in the ‘Characters’ article, really doesn’t do much apart from getting passed-around, fought over and protected. Admittedly, especially to a generation used to Princess Leias, Marion Ravenwoods, and even Lilis, Buttercup seems largely useless, relegating the only woman of the film (aside from Valerie, Miracle Max’s wife) to a plot device, an object without much personality.

To a lot of moviegoers, this is pretty blatantly bad representation: there are two named women in the movie, and one of them has less than five minutes of screen time, and the other essentially exists as nothing other than the title of the film. The film also employs a distinctly monochrome cast, another element that can lead to people pointing to a different era of Hollywood, one that didn’t tend to focus on that kind of representation, or in the case of Buttercup, borderline problematic representation.

There are other moments of issues: Westley’s line about ‘there are penalties when a woman lies’ and his berating her for ‘moving on’ and getting married when she’d long thought him dead might rub modern moviegoers the wrong way.

In the end, though, is this…a problem? A detriment to enjoyment of the movie as a whole? Do these elements actively work against the movie in a modern environment?

Well…yes and no.

It is true that now, films are making an active step towards more diverse representation, and that is certainly a good thing. Many movies now are also including more female characters with stronger characters than the distressed plot-devices of old. Heck, even other movies of the 1980s were instituting more ethnic diversity and female characters with more agency in films like Aliens, Baby Boom, The Color Purple and Willow.

Looking back, it can be easy to wince at those moments in The Princess Bride and make the assumption that the film was just being outdated because of when it was made, or due to the ‘fantasy’ period, or even because it’s deliberately utilizing story elements from 1930s films, but in the end, those elements don’t actively hurt the narrative.

Female characters don’t have to be sword-wielders like Sorsha from Willow, or Silk-Hiding-Steel like Isabeau from Ladyhawke. Princesses don’t have to always take over their own rescues. In the end, there’s more support for female characters in the variety offered by the 1980s rather than the eradication of any weak female characters whatsoever, because as it turns out, some women are weak, just as some are strong. (It would have been nice if the weak character wasn’t the only female one, though.)

Is The Princess Bride progressive? Well, no, not really, but it’s not regressive, either. It doesn’t actively serve as detriment to the film to notice these things, not in the same way that other movies experience backlash for outright sexist and racist content. As it stands, The Princess Bride is an excellent movie that manages to stand the test of time because it is so ridiculously fairy-tale-esque. As I said before, the old-fashioned story and dialogue paired with the budget and technology of a 1980s film (except for the ROUS, which is charmingly unbelievable) manages to create something similar to George Lucas’s Star Wars trilogy: a film that is as removed from its cultural context as a piece of media can be (aside from the Grandson’s bedroom decor).

It is potentially largely this element, this aspect of borderline ‘timelessness’ that has allowed The Princess Bride to stand as a forgotten, overlooked classic for over thirty years. That, combined with the genuine warmth, humor, and passion of the film itself, will allow it to continue to stand for far longer, as long as we keep telling our children fairy-tales.

Don’t forget to leave a comment, like, or some other form of love if you enjoyed this analysis, and please, follow for more articles like this! Thanks so much for reading, and I hope to see you in the next article.

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letterboxd · 4 years ago

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How I Letterboxd #10: Chad Hartigan.

Filmmaker Chad Hartigan talks to Jack Moulton about his prescient new sci-fi romance, Little Fish, why radio silence is worse than a bad review, and his secret system of Letterboxd lists.

Chad Hartigan has won prizes at the Sundance Film Festival and the Film Independent Spirit Awards for his acclaimed films This is Martin Donner and Morris From America. He’s also been a Letterboxd member since way back, joining what he proclaims as “my favorite website” in 2013. Hartigan has always been an obsessive logger: he has transcribed all of his viewing data since 1998 and continues to work on filling in the gaps in his downtime.

Like many ardent Letterboxd members, Hartigan is a diligent list-maker, keeping tabs on his best first viewings of each year and assembling an all-time top 1,000 films over the summer (with an accompanying 26-minute supercut). Perhaps unusually for a member of the film industry on Letterboxd, he’s unafraid to hold back his opinions and regularly voices his critiques on even the most acclaimed films.

Hartigan’s newest film, Little Fish, is a sci-fi love story starring Olivia Cooke (Sound of Metal) and Jack O’Connell (Unbroken). Written by Mattson Tomlin, it’s set during an imagined pandemic—shot long before our own actual pandemic—wherein a disease causes people to lose their memories. It was set to premiere at the 2020 Tribeca Film Festival, and then postponed due to Covid-19. It’s now out in limited theaters and on demand, and we were delighted with the excuse to put Hartigan in the How I Letterboxd spotlight.

Olivia Cooke as Emma and Jack O’Connell as Jude in ‘Little Fish’.

You made a pandemic movie before the pandemic. How do you feel about accidentally hitting that unfortunate zeitgeist and now consequently being asked questions like this one? Yeah, strange. The questions are fine. If it wasn’t this one, it would be another that you would have to answer over and over again. One of the things that drew me to the project was that it felt like a fantasy that wasn’t necessarily rooted in reality in a way that my other [films] were. I liked that it’s old-fashioned in its attempts to purely take you somewhere and wasn’t intended to hold up a mirror to our times—but then in the end that’s exactly what it’s doing. I’m curious myself, and I’m checking Letterboxd to see the reactions from people because I really couldn’t guess what it would have been like [now].

Are there any prescient details you’re proud of getting right? I’m so grateful and happy that Jack [O’Connell] is wearing his mask correctly. That’s the number one thing that I’m glad we got right. I think it was very smart of Mattson to focus the movie on [the relationship] rather than the details of this global pandemic. I feel the reason it’s not in bad taste is because it dealt with those things as a backdrop and instead focused on people just trying to remember what’s important and clinging onto those that they love.

Onto our own favorite memory aid, Letterboxd. How did you discover us and how did you manage without us? I’ve been on since 2013, so I’m probably one of the earliest people to jump on it. I love the interface and the diary, just aesthetically it was really fun. I’ve been keeping track of what I see with analog [methods] for as long as I can remember. I have diaries and planners so I logged all that old information. If I was running for president, my platform would be that everybody is required to use Letterboxd comprehensively, because I just love to know what everybody is watching all the time.

Do you talk about Letterboxd in the real world with the other filmmaking people? Yes, and I’m often trying to convince them to join. Other filmmakers are more concerned about having their opinions on peers be public knowledge than I am, I guess. I’ve made four films now and each one’s been bigger and more widely seen than the last. The very first one was a total no-budget affair that couldn’t get into any festivals and I was very excited when I finally got it into the Hamptons Film Festival. It was about half-full and one or two people came up to me afterwards and said they liked it. This was pre-Twitter so I spent the whole next day Googling to see if anybody had written anything. I was so curious to see what people thought and there was nothing—not a review, not a blog—just total emptiness.

When the next film got into Sundance, there were people tweeting their reactions and actual reviews and I read everything. People were asking if the bad reviews hurt me. Absolutely not—nothing can be worse than the radio silence of nobody caring about the first film. The fact that people care enough to sit and write about this movie—good or bad—is a win, and I’ve carried that onward. I like to see what people think, it can be helpful in how you view the film as a success or failure. You learn and move on.

Jack O’Connell at least remembers how to wear a mask in ‘Little Fish’.

Some filmmakers have told us they’re kinder to films after making their own, but you’re not shy at all about being critical. How did making your own films change your perspective as a critic? I don’t consider myself a critic so that’s why I’d be less concerned with someone reading what I thought. Why should they put any stock into what I think? If they get hung up on it then that’s their own stuff because I’m not a critic. Like everyone else on Letterboxd, I just love watching movies. Obviously I can appreciate and understand some of the technical aspects maybe moreso than people who don’t make films, but at the end of the day, rarely that’s the thing that makes you love a movie or not. There’s a great bit in Francis Ford Coppola’s commentary track for Finian’s Rainbow where Fred Astaire’s doing a dance number and [Coppola admits] he totally messed it up because Astaire’s feet aren’t fully in frame. He’s very honest about his mistakes because it’s one of his earliest movies. Then he goes on to say that he thinks there’s the same number of mistakes in Finian’s Rainbow as there are in The Godfather, it’s just that he made mistakes on the things that don’t matter for The Godfather. No film is perfect, but if it can latch onto this one magical aspect that connects you to it, that’s what makes you love it or not.

You had a project where you chart the best films made by directors at certain ages as you reached that age. Tell us more about it. That was a great project. I got the idea when I was 26. This was back when I had a Netflix DVD subscription and it was just hard for me to randomly choose DVDs to throw in the queue. I needed a system. I decided to watch movies from directors when they were my age and see if there’s some common denominator, something I can learn. At that point, there weren’t many, there were films like Boogie Nights and Fassbinder films. Not many people had made stuff when they were 26 or 27, so it was very feasible. Every year there were more movies and more directors to add to the list and it became time-consuming. I did it all the way up until I was 34 and the reason I stopped was because I had a son and there was no way I could continue this level of viewing output.

My favorite part of your account is the fact that you log every viewing of your own films. You know for a fact that you’ve watched Morris From America 26 times and Little Fish fifteen times. Why do you log them? What counts as a viewing? I’ve clearly watched those movies many more times in little chunks but I’ll only log it if we’re sitting down and watching it from beginning to end. I have a ticket to see Little Fish in the drive-in on Saturday, so it’s going to be logged again. Why do I do it? Like I said, I wish everyone was required to use Letterboxd comprehensively. That’s what it’s there for for me, an accurate log of what I watch. This is psychotic behavior but I’m tempted to have a Letterboxd account for my son. I’ll do his views for him once he starts watching movies until he’s old enough to take over. It’ll just be, like, Frozen a thousand times but he’s not old enough to watch anything yet, so we’ll see.

Have you discovered any films thanks to Letterboxd discourse that influenced your approach to filmmaking? For sure, I can’t maybe say specifically, but once I dropped the directors my own age system I didn’t replace it with nothing. I’m a Virgo and I have a little bit of OCD, so I have to have some system. I’ve replaced it with a new complicated system where I pull from different lists and that’s now my main source of how I choose a movie to watch. I have like ten or twelve different lists, each about a thousand movies with a lot of overlap. One of them is my own list of every movie I’ve seen in a theater and I’ll go and look through that and if it’s something I want to revisit. Recently I rewatched Twister, which I hadn’t seen in a long time and is an old favorite from when I was in high school.

I have a bunch of private lists I cycle through; every movie nominated for a Spirit Award, every movie that’s won an Oscar, every movie that’s played in competition at Cannes, the top 1,000 films at the box office. There’s another great website that I use as a biblical resource which is They Shoot Pictures, Don’t They? and their lists of acclaimed films for all-time and the 21st century. I hit those up often. Something that I watched purely because of the very high Letterboxd rating and really loved is Funeral Parade of Roses. I try to see as many movies as I can that have a 4.0 rating or higher.

You respect the Letterboxd consensus. I do, but I don’t always agree with it.

‘Little Fish’ director Chad Hartigan.

Which is your most underrated or overlooked movie according to Letterboxd? I can say I was the very first person to log a movie called Witness in the City, which is an Italian noir movie I watched when I was doing my ‘directors my own age’ series. Literally nobody had logged it, so my review was like “whoa, I can’t believe I’m the first person to log this!”. It was very exciting for me because it’s great, but I’m the OG logger of that movie.

From your list of every film you’ve seen in a theater since you were twelve, which was your most memorable experience? The cheap answer is that it’s hard to top my own movies. The Sundance premiere of Morris From America at the Eccles Theater is maybe the best, but if I’m disqualifying my own films, seeing Scream 3 in a very packed theater in Virginia Beach was really fun, really rowdy. There was a trailer for a Jean-Claude Van Damme movie and I remember the climax was Van Damme going “you lied to me!!!” and everyone laughed. Someone did a George Costanza move later during Scream 3 and yelled out “you lied to me!!!” and everybody laughed again—so that’s a high. That’s the thing I miss the most about movie theaters, and the worry I have if theaters go away, is that so much of how we feel about a movie can be tied to the experience; who we saw it with, what we did before or after, what the crowd was like, or if anything strange happened. There are a lot of movies I have strong memories and affection for because of the experience of seeing them and I probably wouldn’t feel the same way about if I just watched it at home on my laptop.

I typically like to cap interviews off with what filmmakers thought was the best film of the past year, but we have your data to hand. For you, it’s Garrett Bradley’s documentary Time. Can you talk a bit about what makes the film stand out for you? One thing I learned about myself from the pandemic is that the motivation and desire to see new things is very closely tied to the theater-going experience for me. Once that was taken away and you could watch a new movie at home, it joins the pile of all the other movies. The fact that it’s new doesn’t really do anything for me. Why would I press play on Da 5 Bloods when I still haven’t seen Malcolm X? I gotta see Malcolm X! There wasn’t an urgency, so I saw far fewer films than in an ordinary year. But Time I found incredibly moving and important. Similar to what I liked about the Little Fish script, it’s so hyper-focused on one relationship and within that one story it has so much to say about larger issues and the world at large. It was an emotional and rich viewing experience.

‘Little Fish’ is on demand and playing in select theaters now. Images courtesy of IFC Films.

#little fish #chad hartigan #life in film #film director #letterboxd #how i letterboxd #letterboxd member #letterboxd tips #olivia cook #jack o'connell #romance #romantic film #sci fi romance #pandemic movie #covid movie

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silent-era-of-cinema · 4 years ago

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Dorothy Elizabeth Gish (March 11, 1898 – June 4, 1968) was an American actress of the screen and stage, as well as a director and writer. Dorothy and her older sister Lillian Gish were major movie stars of the silent era. Dorothy also had great success on the stage, and was inducted into the American Theater Hall of Fame. Dorothy Gish was noted as a fine comedian, and many of her films were comedies.

Dorothy Gish was born in Dayton, Ohio. She had an older sister, Lillian. The Gish sisters' mother, Mary Robinson McConnell Gish, supported the family after her husband James Leigh Gish, a traveling salesman, abandoned the family in New York. Mary Gish, who was "a former actor and department store clerk", moved with her daughters to Indiana, where she opened a candy and catering business. In 1902, at the age of four, Dorothy made her stage debut portraying the character "Little Willie" in East Lynne, an adaptation of the 1861 English novel by Ellen Wood.

In 1910, she heard from her husband's brother, Grant Gish, who lived in Shawnee, Oklahoma and informed her that James was ill. He was in a hospital in nearby Norman, Oklahoma, so Mary sent 17-year-old Lillian to visit him. At first, Lillian wrote back to her 12-year-old sister Dorothy that she planned to stay in Oklahoma and continue her education, but after seeing her father she admitted she missed her mother and sister. So, after a few months away from them, in the spring of 1912, she traveled back. Soon afterward, their childhood friend, actress Mary Pickford, introduced the sisters to director D. W. Griffith, and they began performing as extras at the Biograph Studios in New York at salaries of 50 dollars a week. During his initial work with the sisters, Griffith found it difficult to distinguish one from the other, so he had Lillian wear a blue ribbon in her hair and Dorothy a red one. The girls, especially Lillian, impressed the director, so he included them in the entourage of cast and crew he took to California to produce films there.

Dorothy and her sister both debuted in Griffith's 1912 production An Unseen Enemy. She would ultimately perform in over 100 short films and features, many times with Lillian. Throughout her own career, however, Dorothy had to contend with ongoing comparisons to her elder or "big" sister by film critics, fellow actors, studio executives, and by other insiders in the motion picture industry. Such comparisons began even from the outset of the sisters' work for Biograph. Linda Arvidson, Griffith's first wife, recalls their initial work for the studio in her autobiography When The Movies Were Young:

Lillian and Dorothy just melted right into the studio atmosphere without causing a ripple. For quite a long time they merely did extra work in and out of pictures. Especially Dorothy, as Mr. Griffith paid her no attention whatsoever and she kept on crying and trailed along. She also continued to play in many one and two reel Biograph films, learning the difficult technique of silent film acting, and preparing for opportunity when it came. Dorothy was still a person of insignificance, but she was a good sport about it; a likable kid, a bit too perky to interest the big director, so her talents blushed unnoticed by Mr. Griffith. In 'The Unseen Enemy' the sisters made their first joint appearance. Lillian regarded Dorothy with all the superior airs and graces of her rank. At a rehearsal of 'The Wife', of Belasco and DeMille fame, in which picture I played the lead, and Dorothy the ingénue, Lillian was one day an interested spectator. She was watching intently, for Dorothy had had so few opportunities, and now was doing so well, Lillian was unable to contain her surprise, and as she left the scene she said: 'Why, Dorothy is good; she's almost as good as I am.' Many more than myself thought Dorothy was better.

Dorothy Gish's budding film career almost ended on a street in Los Angeles on Thanksgiving Day in 1914. On Friday, November 26, the 16-year-old actress was struck and nearly killed by a "racing automobile". Newspapers and film-industry publications at the time reported the event and described the severe injuries Gish sustained. The near-fatal accident occurred as Dorothy was walking with Lillian at the intersection of Vermont and Prospect avenues. According to news reports, after the car struck her, it dragged her along the street for 40 to 50 feet. Other movie personnel who were standing together on a nearby sidewalk, including D. W. Griffith, witnessed Dorothy being hit. The following day, the Los Angeles Times informed its readers about the accident:

...Miss Dorothy Gish, a moving picture actress, was seriously injured yesterday afternoon. Picked up unconscious, she was taken to the office of Dr. Tryon at number 4767 Hollywood boulevard, where it was found her injuries consisted of a crushed right foot, a deep cut in the right side, and bruises on all parts of her body. She was later removed to the home of her mother at LaBelle apartments, Fourth and Hope streets. The automobile that ran her down is owned by T. B. Loreno of No. 6636 Selma avenue, also of the moving picture game.

Subsequent news reports also describe the reaction of other pedestrians at the scene. The Chicago Sunday Tribune and trade papers reported that Dorothy's "horrified friends" rushed to her aid, with Griffith being among those who lifted the unconscious teenager into an ambulance and reportedly rode with her in the emergency vehicle. In addition to Gish's initial examination by the doctor identified by the Los Angeles Times, the Chicago newspaper and Motion Picture News stated that she was rushed to the hospital, where surgeons mended her "very badly torn" left side with "many stitches" and treated the area where one of her toes had been "cut off", presumably a toe from her badly damaged right foot. At the time of the accident, Gish was completing a two-reel romantic comedy with actor W. E. Lawrence. The film, How Hazel Got Even, had already been delayed once at Reliance-Majestic Studios due to director Donald Crisp's bout with pneumonia. Completion of the short was postponed yet again, for over a month, while Gish recuperated. Originally scheduled for release on December 27, 1914, How Hazel Got Even was not distributed to theaters until mid-February 1915.

After recovering from the 1914 accident, Gish resumed her screen career the following year, performing in a series of two- and three-reel shorts as well as in longer, more complex films such as the five-reel productions Old Heidelberg, directed by John Emerson, and Jordan Is a Hard Road, once again under D. W. Griffith's direction. Increasingly, Dorothy's appeal to both producers and audiences continued to grow in 1915, leading W. E. Keefe in the June issue of Motion Picture Magazine to recognize her as "one of the most popular film stars on the Motion Picture screen". In an article about Gish in the cited issue, Keefe also recognizes that Dorothy, career-wise, was finally emerging from her sister's shadow:

A year ago she was known as Lillian's little sister. A year's growth has changed this. Today she is taller and weighs more than her "big" sister, and is known as Dorothy Gish without always being identified as "Lillian's sister."

In 1916 and 1917, Dorothy continued to expand her acting credentials by starring in a variety of five-reelers for Fine Arts Film Company or "Griffith's studio", which was a subsidiary of Triangle Film Corporation. Her work in those years required filming on locations in New York and on the West Coast.

In the 1918 release Hearts of the World, a film about World War I and the devastation of France, Dorothy found her first cinematic foothold in comedy, striking a personal hit in a role that captured the essence of her sense of humor. As the "little disturber", a street singer, her performance was the highlight of the film, and her characterization on screen catapulted her into a career as a star of comedy films.

Griffith did not use Dorothy in any of his earliest epics, but while he spent months working on The Birth of a Nation and Intolerance, Dorothy was featured in many feature-length films made under the banner of Triangle and Mutual releases. They were directed by young Griffith protégés such as Donald Crisp, James Kirkwood, and Christy Cabanne. Elmer Clifton directed a series of seven Paramount-Artcraft comedies with Dorothy that were so successful and popular that the tremendous revenue they raked in helped to pay the cost of Griffith’s expensive epics. These films were wildly popular with the public and the critics. She specialised in pantomime and light comedy, while her sister appeared in tragic roles. Dorothy became famous in this long series of Griffith-supervised films for the Triangle-Fine Arts and Paramount companies from 1918 through 1920, comedies that put her in the front ranks of film comedians. Almost all of these films are now considered to be lost films.

"And So I Am a Comedienne", an article published in Ladies Home Journal in July 1925, gave Dorothy a chance to recall her public persona: “And so I am a comedienne, though I, too, once wanted to do heroic and tragic things. Today my objection to playing comedy is that it is so often misunderstood by the audiences, both in the theater and in the picture houses. It is so often thought to be a lesser art and something which comes to one naturally, a haphazard talent like the amateur clowning of some cut-up who is so often thought to be ‘the life of the party’. In the eyes of so many persons comedy is not only the absence of studied effect and acting, but it is not considered an art.”

She made a film in England Nell Gwynn which led to three more films. Gish earned £41,000 for these movies.

When the film industry converted to talking pictures, Dorothy made one in 1930, the British crime drama Wolves. Earlier, in 1928 and 1929, her performances in the Broadway play Young Love and her work with director George Cukor renewed her interest in stagecraft and in the immediacy of performing live again. The light comedy had proven to be popular with critics and audiences in New York, in performances on the road in the United States, as well overseas in a London production. Those successes convinced her to take a respite from film-making.

In 1939, both Dorothy and Lillian Gish found the stage role of a lifetime. “Dorothy and I went to see the New York production of Life With Father, starring Howard Lindsay and Dorothy Stickney,” Lillian wrote in her autobiography. “After the performance I said: ‘This is the play we’ve been waiting for to take through America.’” Lillian predicted the popular play would be a perfect showcase for all the people who had seen the hundreds of films featuring Mary Pickford, Dorothy, and herself. She was introduced to Lindsay backstage, and immediately surprised the producers with her enthusiastic desire to head the first company to go on the road, with Dorothy taking the same part for the second road company, and the movie rights for Mary Pickford. Pickford did not make the film version, but the Gish sisters took the two road companies on extensive tours. Another stage success later in Gish's career was The Magnificent Yankee, which ran on Broadway at the Royale Theatre during the first half of 1946. Lillian in her pictorial book Dorothy and Lillian Gish repeats John Chapman's comments about her sister's work in that production: "'Miss [Dorothy] Gish and Mr. Calhern give the finest performances I have ever seen them in. She is a delight and a darling.'"

Television in the 1950s offered many stage and film actors the opportunity to perform in plays broadcast live. Dorothy ventured into the new medium, appearing on NBC's Lux Video Theatre on the evening of November 24, 1955, in a production of Miss Susie Slagle's. She and Lillian had previously performed that play together on screen, in Paramount Pictures' 1945 film adaptation.

"The truth is, that she did not know what she really wanted to do," wrote her sister, Lillian, in her autobiography. "She had always had trouble making decisions and assuming responsibilities, in some ways she had never grown up. She was such a witty and enchanting child that we enjoyed indulging her. First Mother and I spoiled her and later Reba, her friend, and her husband Jim. Reba called Dorothy 'Baby' and so did Jim. With the best intentions in the world, we all helped to keep her a child."

From 1930 until her death, she only performed in five more movies, including Our Hearts Were Young and Gay (1944), which was a hit for Paramount. Director Otto Preminger cast Dorothy in his 1946 film, Centennial Summer, and Mae Marsh appears in the film in one of her many bit parts. In the 1951 release The Whistle at Eaton Falls, a film noir drama film produced by Louis de Rochemont, Dorothy portrays the widow of a mill owner. On television during this period, she also made several appearances in anthology television series. Her final film role was in 1963 in another Otto Preminger production, The Cardinal, in which she plays the mother of the title character.

Dorothy Gish married only once, to James Malachi Rennie (1890–1965), a Canadian-born actor who co-starred with her in two productions in 1920: Remodeling Her Husband, directed by sister Lillian, and in the comedy Flying Pat. In December 1920, the couple eloped to Greenwich, Connecticut, where they wed in a double ceremony in which Gish's friend, actress Constance Talmadge, also married Greek businessman John Pialoglou. Gish and Rennie remained together until their divorce in 1935. Dorothy never married again

Gish died aged 70 in 1968 from bronchial pneumonia at a clinic in Rapallo, Italy, where she had been a patient for two years to treat hardening arteries. Her sister Lillian, who was filming in Rome, was at her bedside. The New York Times reported the day after her death that the United States consulate in Genoa was making arrangements to cremate "Miss Gish's body" for return to the United States. The ashes were later entombed in Saint Bartholomew's Episcopal Church in New York City in the columbarium in the undercroft of the church. Lillian, who died in 1993, was interred beside her.

In recognition of her contributions to the motion picture industry, in 1960 Dorothy Gish was awarded a star on the Hollywood Walk of Fame at 6385 Hollywood Boulevard in Los Angeles.

The (since renamed) Gish Film Theatre and Gallery of Bowling Green State University's Department of Theatre and Film was named for Lillian and Dorothy Gish and was dedicated on that campus in 1976.

#dorothy gish #silent era #silent hollywood #silent movie stars #classic hollywood #golden age of hollywood #classic movie stars #1910s movies #1920s hollywood #1930s hollywood #1940s hollywood #1950s hollywood #1960s hollywood

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krakkenchaos · 5 years ago

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I’m going to do a little experiment here. You don’t need to read it if you don’t want to, it’s mostly for myself. I’m going to list the fictional works that broke me emotionally in chronological order of when I first experienced them and try to figure out and explain why they had that effect on me. These aren’t just things I liked or things that made me briefly sad, these are the works that cut so deep that I wasn’t emotionally stable for days afterward. I’m doing this for some self-analysis and to hopefully alleviate some of those feelings I’m having now.

Bridge to Terabithia - Book - 4th Grade - Movie - 5th Grade - This was probably the first realistic depiction of death I ever experienced. It also planted the seeds for what would become some of my core worldviews regarding the importance of imagination and fantasy that I still hold today. My 4th grade teacher read the book to my class and visibly sobbed while reading the ending. The following year, my 5th grade class took a field trip to see the movie at a local theater. In both instances, it was unique to be in the same room as all my classmates, including the ones who usually tried to appear tough, all experiencing the same emotions at the same time.

Stargirl - Book - 6th or 7th Grade, I don’t remember which - This book introduced me to the concept of a “manic pixie dream girl” long before I ever heard that actual term. It caused me to think deeply about the nature of my close friendships, the importance of individuality, and the invisible pain that the people around me carried.

Kingdom Hearts 358/2 Days - Game - 7th Grade - I was already attached to this series and its characters and this entry was particularly good at evoking emotion. Roxas’s journey had strong, melancholy themes of feeling lost while holding on tightly to the few things that make sense like watching the sunset with friends. This was, of course, especially relevant to me being early adolescence. Also, Roxas and Xion were and still are one of the few ships I really care about so the ending hit hard.

Toy Story 3 - Movie - End of 8th Grade - This movie released at the exact time I was graduating middle school to go to high school and my sister was graduating high school to go to college. Enough said.

Harry Potter and the Deathly Hallows Part 2 - Summer after Freshman Year of High School - This was the end of a series I had been following for what was at that point the majority of my life. Nearly everyone else I knew, from family members, to friends, to teachers, to crushes, to casual school acquaintances were following it too so sharing that "end of an era” together made me feel connected to so many people. I hope every generation gets to experience a popular saga like that.

The 25th Annual Putnam County Spelling Bee - Theatre - Sophomore Year of High School - This one isn’t about seeing or reading a work of fiction, it’s about being a part of one. Spelling Bee wasn’t the first play I had been in (I did a few Freshman year) but it was the first musical and the first to make me discover that theatre is my passion. This show is THE reason I was able to become more social, have more self-confidence, become passionate about something, and consider myself an artist. Both opening night and closing night were defining moments in my life. It was a new beginning for me, even though my high school experience kind of went downhill after that.

A Very Potter Senior Year - Theatre Viewed on Youtube - Junior Year of High School - This brought back the feelings from Harry Potter ending while also reminding me that it wouldn’t be too long before I would have to say goodbye to my own high school theatre family.

Finding Neverland - Theatre - Freshman Year of College - This was only the second true professional show I had ever seen live so I was really moved by the spectacle. It was one of the first significant experiences I had with the new theatre family I was meeting at college. It didn’t take long for that group to not end up being like a family at all, but things were promising at the time. Also, the story made me feel connected to my parents who were missing me at home.

Disney Descendants - Movie - Summer After Freshman Year of College - I know this is seems like a weird entry because Descendants is just a harmless, saccharine, Disney Channel musical made for pre-teens, but that’s actually exactly why it had this effect on me. I wasn’t super happy with how college was going or with how “the real world” was supposed to be. At the same time, I was missing my high school friends since most of the friendships I tried to make at college weren’t turning out to be as genuine. With Descendants, it was painful to watch something so intensely innocent, simple, and hopeful where old friends grew closer and new found-families formed and knowing how far removed from reality it was.

I was so busy and distracted and stressed during the rest of college that I can’t think of any other works from this time that hit me in this way although all the theatre productions I saw or participated in during college were powerful in their own way.

Death Stranding - Game - a Few Months Ago - There’s no real personal connection with this one, it’s just a masterfully told story that included a barrage of powerful imagery and music in its final few hours.

Juno - Movie - a Couple Months Ago - The movie itself is mostly just a sweet, funny romcom, but it made details about my role in a past relationship finally click to make things clear and reveal a lot about myself. (I didn’t get anyone pregnant if that’s what you’re thinking)

The Perks of Being a Wallflower - Movie - Three Days Ago - In addition to being an extremely raw story that asked me to view the world from the eyes of its protagonist (who I see a lot of myself in,) this movie resurfaced A TON of buried insecurities, regrets, and unfulfilled desires that I hadn’t been thinking about or letting bother me for a long time, especially the idea that I wasn’t bold enough in my interpersonal relationships while I was still in school. Being in quarantine significantly amplified all of the feelings it brought up.

#personal #perks of being a wallflower #juno #death stranding #descendants #finding neverland #starkid #25th annual putnam county spelling bee #harry potter #toy story #kingdom hearts #stargirl #bridge to terabithia

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nitrateglow · 5 years ago

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Favorite film discoveries of 2019

Every year, my new-to-me favorites list always shocks me in some way. This year, the sheer amount of movies made in the 2010s on display is INSANE by my standards. Of course, most of the modern movies here are throwbacks or tributes to older styles of cinema, so maybe it’s not that shocking in the long run.

Another running trend this year: movies that are old but not as dated as we would wish. Many of the older films here deal with xenophobia and political strife in ways that still feel shockingly prescient today-- the more things change...

ONCE UPON A TIME... IN HOLLYWOOD (DIR. QUENTIN TARANTINO, 2019)

I never thought the day would come where my favorite movie of the year would actually be made after the 1970s, let alone by Quentin Tarantino. Then again, this movie is all about the end of Old Hollywood as well as a big love letter to the 1960s, so maybe it’s not that shocking a state of affairs. I adored this movie, the level of detail, the laidback yet elegaic vibe, the comedy and the relationships between all the characters. It was one of those movies where I loved even the scenes where nothing seems to be happening at all-- I mean, who knew Brad Pitt feeding his dog and watching TV could be entertaining?? But it is and I can't wait to see this one again!

INTENTIONS OF MURDER (DIR. SHOHEI IMAMURA, 1964)

Intentions of Murder has an insane premise, one that runs the risk of being tasteless: a housewife in a miserable, exploitative marriage is raped by a sickly burglar during a home invasion. Even worse, she can’t shake him, as he’s suddenly infatuated and wants her to run away with him to the city. And weirder still: her current existence is so miserable that she’s TEMPTED. While abuse and rape are grim subjects for any story, Intentions is actually about a woman coming into her own and finally standing strong against all these men trying to use her. It’s a weird blend of drama and dark comedy, a truly savage satire on patriarchy and class-snobbery.

JOKER (DIR. TODD PHILLIPS, 2019)

I went into this movie expecting to think it was overhyped and when I first left the theater, I was all ready to say “it’s good but not THAT good.” But it ended up haunting me for weeks afterward, and I found myself thinking about how everything just tied up so well together, from the grotty urban hellscape which serves as the setting to Phoenix’s brilliant performance. It reminded me a lot of A Clockwork Orange in how intimate it lets you get to this violent man while never pretending he is someone to be glamorized or imitated.

SIMON (DIR. MARSHALL BRICKMAN, 1980)

How do I even describe Simon? Alan Arkin is brainwashed by a group of overpaid intellectuals into believing he is descended from an alien toaster. Then he gets a messiah complex and starts gathering disciples as he rails against television, condiment packets, and muzak. It’s a little uneven at times, sure, but the satire is really inspired. The whole thing is like a combination of Mel Brooks, Stanley Kubrick, and Woody Allen’s styles, and it is quite hilarious for those who thrive on cult oddities.

PEEPING TOM (DIR. MICHAEL POWELL, 1960)

Though it came out the same year as Hitchcock’s Psycho and has been nearly as influential for horror cinema, Peeping Tom remains underseen by everyone save for film theorists. And what a shame that is, because this movie is more frightening than Psycho. Sure, that may be because Psycho is so predominant in popular culture and just so influential that it no longer has the same shock value, but there’s something about Peeping Tom that gets under my skin, something sad, even disgusting. I felt dirty after watching it-- and this is 2019!

MIDNIGHT MARY (DIR. WILLIAM WELLMAN, 1933)

Loretta Young got one of her juiciest roles in this pre-code crime drama. Her Mary Martin is more than just a good girl forced into criminal circles-- she’s a complicated creature, compassionate and desperate and lonely and bitter and sensual all at once. This movie is a fast-paced, beautifully filmed ride, cloaked in that Depression-era cynicism that makes pre-code Hollywood of such interest to movie geeks the world over.

WILD BOYS OF THE ROAD (DIR. WILLIAM WELLMAN, 1933)

Wild Boys of the Road is a quintessential Depression-era movie, relentless in its bleakness and rage. That the main characters are all starving kids only looking for work makes their struggles all the harder to watch. William Wellman is quickly becoming one of my favorite directors: his gritty style and compact storytelling are just perfect for a ripped-from-the-headlines drama such as this. And the “happy” ending has one little moment that just knocks any smile you have right off your mug. Absolutely see this.

THE RUSSIANS ARE COMING, THE RUSSIANS ARE COMING (DIR. NORMAN JEWISON, 1966)

Sometimes, when you watch a movie only because a favorite actor is in it, you get subjected to pure trash like Free and Easy (oh, the things I do for Buster Keaton). Other times, you get cute gems like The Russians are Coming, The Russians are Coming, which, as you probably guessed, I mainly sought out for Alan Arkin. But the whole movie is hilarious, the best kind of farce comedy, populated by enjoyable characters and a sweet-tempered humanism that grounds the wackiness. While a little overlong, this movie is quite underrated-- and sadly, its satire of American xenophobia and Cold War panic is not as dated as we would like to believe.

ALL THE PRESIDENT’S MEN (DIR. ALAN J. PAKULA, 1976)

Who knew a political thriller where most people know the twist could be so intense and riveting? It’s about as nonsensical as feeling suspense when you watch a movie about the Titanic and hope the boat won’t sink-- but damn, it’s magical. All the President’s Men is real white-knuckle stuff, with Robert Redford and Dustin Hoffman projecting both youthful excitement and deep panic as they proceed with their investigation. It scarcely seems to have aged at all.

WHISPER OF THE HEART (DIR. YOSHIFUMI KONDOU, 1995)

There’s a scene near the end of Whisper of the Heart where the protagonist Shizuku shows the finished first draft of her fantasy novel to her first reader, the grandpa of one of her schoolmates. She weeps because it isn’t the perfect image she had in her head, despite how hard she worked on it, but the old man tells her that it takes polishing and discipline to make the work come to its full potential. Few movies about artists are so honest about how hard it can be, how unsupportive others can be in their demand that everyone be “practical.” As a writer who struggles to create and constantly doubts herself, this movie spoke strongly to me. I recommend it to any creative person.

THE PHANTOM OF THE PARADISE (DIR. BRIAN DE PALMA, 1976)

I’d been wanting to see this movie since my high school phan days. Holy crap, is it WEIRDER than I could have ever imagined, a true camp masterpiece. I’m shocked it was never tuned into a stage show actually, but then again, we would miss those trippy camera angles and we wouldn’t have Paul Williams as one of the greatest villains of all time.

DUEL (DIR. STEVEN SPIELBERG, 1971)

When people talk about the best movies made in the “Hitchcock without Hitchcock directing” tradition, why is Duel so seldom mentioned? The scene in the cafe, packed with paranoid tension and tense camerawork, alone should qualify it. Duel is most known as the movie which put the young Steven Spielberg on the map. It’s quite different from his later work, grittier and less whimsical for sure. Even the ending seems almost nihilistic, depending on how you view it. But damn, if it isn’t fine filmmaking.

CAROL (DIR. TODD HAYNES, 2015)

This gorgeous throwback to Douglas Sirk melodramas is also one of the best romantic movies I’ve seen in a while. Cate Blanchett and Rooney Mara have the sweetest, tenderest chemistry-- it was like seeing Lauren Bacall and Audrey Hepburn as love interests in a film. Unlike Sirk, there is little in the way of ripe melodrama here-- everything is underplayed, aching, mature. And I can say this is an adaptation that is better than the source book: it just feels so much warmer.

12 ANGRY MEN (DIR. SIDNEY LUMET, 1957

All I can say is that this was every bit equal to the hype. Common movie wisdom says people sitting and talking in a room is going to be boring on film, but movies like 12 Angry Men prove this is not so when you’ve got an excellently tense atmosphere, an inspired script, and a stable of fine actors to work with. Like The Russians are Coming, the Russians are Coming, this movie has not significantly aged-- much to society’s discredit.

A STAR IS BORN (DIR. GEORGE CUKOR, 1954)

Another movie I went into not expecting to love as much as I did. When movies from the 20s or 30s tended to get remakes in the 1950s, I always find them too garish and big, victims of glossy Cinemascope and overlong runtimes. Compared to the lean 1937 classic original, I expected sheer indulgence from this three-hour remake. Instead, I got my heart torn out all over again-- the longer runtime is used well, fleshing out the characters to a greater degree. Judy Garland and James Mason both give what might be the best efforts of their respective careers, and the satire of the celebrity machine remains as relevant and scathing as ever.

BLANCANIEVES (DIR. PABLO BERGER, 2012)

Oh, it feels like this movie was made for me specifically. It’s shot in gorgeous, expressionistic black-and-white. It’s set in the 1920s. It’s a clever adaptation of a classic fairy tale. It’s as funny and charming as it is bittersweet and macabre. Instead of more superhero movies, can we get more neo-silent movies like this? PLEASE?

THE FAVOURITE (DIR. YORGOS LANTHIMOS, 2018)

I’ve heard The Favourite described as a “bitchy lesbian Shakespeare play,” but this description, while a little true in terms of general tone, does not get to the heart of what makes this film brilliant. More than love or sex, this movie is about power-- particularly the corrupting influence of power. And it corrupts not only morals but love itself. Innocents become Machiavellian schemers. Lovers become sadomasochistic enemies. Good intentions turn to poison. This certainly isn’t a happy movie, but it is moving and, strangely enough, also hilarious. I was reminded of the chilly, satirical world of Kubrick’s Barry Lyndon more than once-- and for me, that is not a bad movie to be reminded of.

ON THE WATERFRONT (DIR. ELIA KAZAN, 1954)

Another classic that’s been on my list forever that I was delighted to find worthy of its reputation. It’s a classic tale of redemption and social justice, perfectly acted and shot. While I still prefer A Streetcar Named Desire as far as Kazan is concerned, this might be a better movie in the objective sense. Actually, more than even Brando, Karl Malden is the acting highlight for me-- he plays a priest torn between staying silent or truly speaking for the Gospel by demanding justice for the poor parish he serves. Just brilliant work.

KLUTE (DIR. ALAN J. PAKULA, 1971)

A perfect thriller, just about, and a great example of the “NYC is hell on earth” subgenre of the 1960s and 1970s. Jane Fonda is a revelation: she feels so real, not at all like a starlet trying to seem normal if you know what I mean.

KISS KISS BANG BANG (DIR. SHANE BLACK, 2005)

As far as subversive noir goes, this is the most entertaining. I would put it up there with The Big Lebowski as far as goofy takes on Raymond Chandler are concerned-- I don’t even really know what to make of it, but I laughed my ass off anytime I wasn’t going “WHAT???”

What were your favorite film discoveries in 2019?

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surveys-at-your-service · 4 years ago

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Survey #330

“and i don't want ya / and i don't need ya / don't bother to resist, or i'll beat ya / it's not your fault that you're always wrong / the weak ones are there to justify the strong”

If you have a job, do you like it? I'm unemployed. Do you like any kinds of fruit? Well of course. Are you waiting for something right now? Covid and this headache to fuck off, May for my tattoo, to be paid to take some pictures again... What is your favorite kind of animal? Kind, not the actual animal itself? In that case, social species, usually mammals. What kind of Dippin' Dots do you like? Holy shit, I haven't had that in like a damn decade or something. I don't know, I barely remember the taste. Who is the most badass woman that you can think of? My mom. My mother is a fucking warrior. Do you have a Pinterest account? Yeah. I get a lot of photography ideas from there, as well as base pictures to make Mark icons, haha. If you were to write a book, what would it be about? The stories I and my friends have weaved in RP. Have you ever seen the television show The Munsters? AHHHHH YES!!!!! Mom loves that show, so I used to watch it with her growing up. Have you ever written one of those 'Roses are red...' valentines? I don't think so. Would you/have you spent more than $200 on any one person for a holiday? I haven't, but I would for certain people. Do you have a favorite Robin Williams movie? Probably Night at the Museum. Thoughts on Slender Man? Have you even heard of him? I think it's a cool creepypasta; he does look pretty unnerving with his height and especially lack of a face. The movie was good too, btw. Do you know what the Tardis is? I think almost everyone does in this generation, haha. Doctor Who ain't no joke to a whole lot of people. Are there any children's shows that you'd watch today if they were on? Sure, like Pokemon or Avatar: The Last Airbender, among others. I wouldn't at all be opposed to watching The Lion Guard, either. I actually want to, with my whole TLK love. I'm not embarrassed to watch "kids" shows or movies at all. What would you call yourself the King or Queen of? Having not an ounce of knowledge on how to love things in moderation/avoid total obsession with things, haha. If I paid for you to take karate lessons, would you? No, especially not now with my legs. Do you read more fiction or non-fiction? Almost solely fiction. What modern technology are you especially grateful for? Laptops, ig. Do you have a favorite science topic? Genetics. Very fascinating stuff. Have you ever read any Sherlock Holmes stories? No. What is the saddest movie that you've ever seen? Either Johnny Got His Gun or Boy in the Striped Pajamas. What's your most popular post? On what? If Facebook, I don't really know. Possibly my "coming out" one or a lovey-dovey essay when Sara and I were together. On Tumblr, it's definitely the gif I made of Mark and Chica (his dog) with I think over 10k notes. Manga or anime? Anime. I don't read manga, though I've been tempted with Deadman Wonderland since the show only had one season and ends on a ginormous cliffhanger, but there's more story to be had. A card game that you're good at? None, really. A popular book you haven't read yet? To Kill a Mockingbird. I feel like every school student has read it at some point. Favorite Mean Girls quote? I don't know any. It's a fine movie, but I've never understood the hype. Name your top 3 albums from your favorite band/artist. Black Rain, Ozzmosis, and... then I can't choose. I love so, so many very dearly. Name your top 5 music videos. I don't really watch music videos, so I definitely can't name five. My #1 favorite is probably "Wrong Side of Heaven" by Five Finger Death Punch; I absolutely cannot watch it without crying. What are you most passionate about? How did this passion develop? Animals. I was born simply adoring animals and have always wanted to protect them and their environment. Do you like monkeys? Do you believe in evolution? Yes and yes. We've literally watched it in action. What embarrasses you the most in front of other people? Discussing RP if you're not involved in it. I'm terrified of people thinking I'm weird. Have you considered running for president? Absolutely not. Which famous person would you like to be BFFs with? I'd say Mark, but I'd be way too interested in dating him instead of being just friends, haha... So with that said, maybe Bindi Irwin? Would you ever go skinny dipping with the last person who commented you? Lyndsey would be that person, so no. She's a great friend of mine, but realistically I'd probably only ever - if ever - do that with the company of my s/o. Are you still friends with the last person who broke your trust? No. How long did your last relationship last? Around two years. Have you ever been banned from anywhere? Online, yes, as a little kid on the Animal Planet forum, haha... Has anyone kissed you when you weren't expecting it? Yeah, Juan. Did you like it? It was a sweet moment, but I didn't want it. Does your dad smoke? Like a chimney. Is your mom over 50? Yeah. Are you currently listening to anything? Yeah, kinda hooked on "The Horrible People" by Manson. I've found a lot of great music lately. Would you ever consider getting breast implants? No, but once (if...) I lose all the weight I want, it's going to be a moderate priority to get a breast lift. I've hated my body way too fucking long and am dying to be satisfied with it again, and with how much weight I need to lose, I would essentially have grandma tits. :x Do you know anyone who is bisexual? Me, haha. Among some friends. Who would you tell, or who did you tell when you lost your virginity? That's not something I'd just go to tell someone afterwards for no reason... I'd only ever mention having lost my virginity if I was actually asked or if it was relevant to a conversation. Is there something you have been trying to learn lately? I'm really trying to practice opposite action and behavioral activation, among other things I've learned in group therapy. When you think about your future career, do you envision yourself becoming the head honcho or CEO? If not, why not? Well, I want to be my own boss as a freelance photographer. In any other job, I definitely wouldn't want that. Too much responsibility and leadership skills. Can you think of a time when you seriously misjudged a music artist based on their name? I don't think so? Have you ever kissed someone that you didn’t really want to kiss (not assault, just indifference)? Why did you go along with it and how did you feel after? Yes, Tyler. I felt like I was "supposed to." I felt really uncomfortable afterwards. If you have to wake up early for something, what time is just TOO early for you to be there and be presentable and sentient? Have you ever had to be somewhere that early? Probably like, 5:00. No. Have the majority of your romantic relationships started with a physical attraction or a deeper connection? Always an emotional connection. Did you ever write a fan letter to a celebrity? How about submit something to a magazine? No to both. What hair color is the most attractive on the opposite sex? Of natural colors, black, but I like unnaturally dyed hair most. Where do you like to go to when you are stressed? On a carride, so long as I'm controlling the music nice and loud and not talking. Where do you go to get your hair cut/dyed? To a family friend's little salon/small business. Why do you want the career that you want? Because I adore art and think it's pretty darn magical that you can freeze a moment forever to not just remember in your head, but actually see. Have you ever watched iCarly? Yeah, I enjoyed it when I was younger. What was your favorite class during your sophomore year of high school? Art. Do you wear bandanas in your hair? No. Have you ever been on a blind date? No, not interested. How many living grandparents do you still have? None. Have you ever worked in an office? No. Who does the grocery shopping in your house? Mom. Have you ever stayed in a hotel without your parents or older relatives? No. Did you have an Easy-Bake oven when you were little? Sure did. Have you ever seen a donkey? Yeah. Have you ever made out in a hot tub? Pretty sure no. Do you always flush the toilet after you use it? Yes. What were the last words you said to your dad? Probably "bye, love you." Have you cuddled with someone you weren’t dating? Nah. Who has the ability to hurt you the most emotionally? JASON. Are you a really understanding person? Yeah, very. Are you the type of person that enjoys getting hugs? Yes. When’s the last time you wore a wig? For a witch costume many years ago. Why were you last hospitalized? Suicide attempt. What’s the longest you’ve ever gone without food? At least 12 hours, but I think I almost went a day once back when recovery started and my appetite was non-existent. What was the last name of your third grade teacher? Mrs. Britt. How was the last chicken you ate cooked? They were chicken tenders. What is your favorite kind of chip? Hot crunchy Cheetos. What grade did you have your first boyfriend? 7th. Have you ever been told that you’ve lost weight? Yeah, back when I actually WAS losing loads of weight. >> Do you have the same political views as your parents? Some things, but definitely not all. Does anyone call you babe/baby? No. Have you ever made a significant other cry? Sadly. If you could make your lips bigger, would you? Maybe just a teeeeny bit. Are you one to sneak food into movie theaters? Yep. Fuck them prices. Are you prone to illness? Definitely not. What races do you usually date? History says Caucasian, but I have no actual preference. I'll date any race. What’s your cup size? C. Ever flirted with a teacher? Yikes, no thanks. Who was the main cook of your Thanksgiving meal last year? My older sister made the most stuff. Have you ever been dumped really harshly? Well, considering it literally traumatized me... Do you have any ex’s you can’t stand anymore? No. Are you more of a phone or a computer person? Computer, definitely. When was the last time you made a sandwich? What did you put on it? Yesterday for lunch. Ham, American cheese, and mustard. Have you ever made friends with someone that you didn’t expect to get along with? Yeah. Do you own any accessories with your name on? No. What brand of eyeliner do you use? I pay no attention to this. Have you ever been sexually harassed? No. Have you ever sent a naughty text message? Suggestive ones, yes. How long have you had your pets? Roman, around two years. Venus, around three or four years. Who was the last person to tell you that they love you, other than family? Sara. Has one of your friends ever tried to hook you up with someone? Colleen tried obnoxiously hard to push Girt and me together. We all went out to eat pizza once just as friends hanging out, and this bitch prefaced an uncomfortable and nosy question to him with an even more uncomfortable "because I'm trying to get you in her pants...", and that, my friends, was the closest occasion I've ever come to slapping someone right across the face. I looked at her in absolute disgust, and Girt was clearly thinking "what the actual fuck" as well. I do not miss her feral mouth. Are you good at staring contests? No. Eye contact is very difficult for me to maintain. Do you like peanut butter? I love peanut butter. When was the last time you had to present something to your class? In this mandatory but entirely pointless entry class at my last college, we all had to do like this PowerPoint introducing ourselves. I hated it. Who was the last person that told you they missed you? I think my friend Chelsea. What store is your favorite shirt from? It's not a real store, but rather an online brand: Cloak. Mark is one of the owners/creators so I obviously support them intensely. Have you ever fell off your bed while you were sleeping? No, thankfully. Do you have something you’re supposed to tell someone, but you haven’t yet? No. What type of food do you never really eat? Vegetables, oops. Have you ever cut someone else’s hair? No. Do you like going to weddings? Not really, if I'm being honest. I'm only interested in photographing weddings for the only the couple pictures and pay, really. I'm not big on formal events. What’s your favorite flavor squash? I don’t like squash. Do you or anyone in your house have a severe allergy? No. Who was the last guest in your house and what were they staying for? Our landlord/family friend, just to hang out for a little bit and chat with Mom. What fad were you actually into? Hm. What was the last spontaneous thing you did? I'm not a very spontaneous person, so I really don't know.

#survey #surveys #questions #lyrics: ''the beautiful people'' by marilyn manson

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purplesurveys · 4 years ago

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984

Have you ever tried Turkish Delight? No. I’ve looked up photos of it before and it has genuinely never looked appealing; sorry to those who are delighted (heh heh) by them :/ I’m willing to try it if I ever get the chance, but I really doubt that I’ll enjoy.

Do you have a Vietnamese restaurant in your town or city? They’re a lot less common than other Asian restaurants, but I think we do have a fair share, yeah. The most common are banh mi joints. I think the reason why they aren’t super popular in my country is that Vietnamese dishes tend to be veggie-heavy - at least that’s the impression of most people here - and with Filipinos loving rice and meat in everything they eat, other cuisines simply end up being more popular, like Thai and Chinese.

Do you or have you ever owned a portable gaming console? Yes; we had a couple of PSPs and a DSi as kids. These days, we have a Switch.

Have you ever been in a car with a sunroof? Yeah the Vitara has one. It’s my favorite trick to pull off whenever a friend is riding with me in it for the first time, haha. Everyone always gets so excited about it.

Do you have to have an occasion to eat out or do you just do it for fun? Back in college I allotted a certain portion of my weekly allowance to be able to eat out once or twice a week. Food is the way to my heart and happiness and it just felt good to have nice food, man. I didn’t want to have to wait for occasions to be able to eat at my favorite restaurants.

Have you opened a letter today? No, I haven’t.

How far away is the closest cinema from your house? It’s around a 10-15 minute drive.

Have you ever been to the emergency room? Nope.

Are you one of those people who can’t go without their morning coffee? I wasn’t for a very long time, but it’s starting to become that way now that I’ve started having a regular 9-6 shift. I find that I’m way crankier and am prone to crying from anxiety if I don’t make myself a cup of coffee. When I do, I feel super productive and more motivated to do work.

Have you ever worn fake eyelashes? Twice. Once for junior prom and the next was for my college grad photo shoot.

Do you know the story of how your parents met? If so, tell me? They both started out as part of the kitchen crew in a luxury hotel in the city, my mom as a waitress and my dad as a cook. My mom started pursuing my dad when she discovered what school he came from lol because priorities, I guess.

What is your favorite Chinese food? Minced pork with eggplants is a huge favorite of mine. Xiao long bao and pork buns (steamed or baked) are also suuuuuper good.

Would you ever work at a movie theater? Probably not at this point in my life. It would’ve been a nice gig during college.

Do you have a phone charger in your car? Yessir. I need one since I constantly use Waze to get to anywhere for both directions and traffic updates, and the LTE I need for that drains my battery.

Do you live far from your parents? No, they’re like 10 steps away, in another room.

Have you ever submitted a video to Funniest Home Videos? Nope. I always loved the videos though and the show made up a big part of my childhood.

Have you ever been attracted to an authority figure? I’ve found several teachers attractive before, yeah. The biggest crush I had was on my biology teacher...I think everyone else had a crush on her too lol, she was the personification of beauty and brains.

Do you think you have a wide vocabulary? I mean I guess I know more words than most people my age...but I also feel that my vocabulary still would’ve been a lot wider if I just continued to read well into my teenage years and now as a young adult.

What was the last hot food you ate? Lumpia.

Have you ever seen a meteor shower? I don’t think so.

Describe your current position: I’m sitting up on my bed, laptop on my lap, right leg outstretched with my left leg tucked underneath it.

Have you used a microwave today? It’s only 5:01 AM, so I haven’t. We’ll see about today.

What was the last electronic device you purchased? I don’t really buy electronics. I’m more likely to buy accessories for the stuff I already have, and the last one I got was a new case for my phone.

Have you ever slept through an alarm? I think so; only a few times though. I wake up from them easily.

Do you have any celebrity crushes? Kristen Stewart and Kate Winslet are where it’s at for me, y’all.

Do you prefer going out for coffee or brewing your own? I can go either way. Coffee is coffee. I don’t mind making my own for convenience, or paying a few hundred bucks for a little more quality coffee.

Have you consumed caffeine today? If so, in what form? Yeah I have a cup of 3-in-1 barako coffee beside me. I actually made this cup at like, 7 PM last night...then I fell asleep for a bit, woke up at midnight, fucked around for a few hours and now I’m back to drinking it at 5 AM, ha.

Do you have lactose intolerance or know anyone who does? I have a mild case of it. It’s not a complete disaster for me to eat cheese or consume milk, and I wouldn’t say that my trips to the bathroom afterwards are emergencies. My body has for the most part been nice to me, hahaha.

Do you know anyone who follows a raw vegan diet and lifestyle? Not to my knowledge, no.

Have you killed a bug this week? Probably.

What was the first food you learned how to cook? I followed a recipe for onion rings a few months ago and that was super fun, but I haven’t followed that up yet so I dunno if it’s right to say I ‘learned’ it.

Do you have a Bachelor’s degree? If so, what in? Journalism.

How many email accounts do you have? Four, but honestly I barely use the Outlook one anymore. I have three main email addresses on Gmail.

Can you go see a doctor alone or do you like to take someone with you? My parents come with me because they take care of the finances and insurance that go with things like that.

Have you ever made your own pasta noodles from scratch? Hmm, I don’t think so.

How long is your average shower? 5-10 minutes.

How close is the nearest park from your house? We don’t have any public parks because my country sucks, but my village has a few small parks that residents can flock to and walk their dogs in or bring their kids to play in or whatever. The nearest one is a 10-15 minute walk or a 2-minute drive away, depending on how you prefer to get there. Which household chore do you hate the most? Cleaning up dog pee.

Have you ever been to an all-you-can-eat buffet? So many times. They’re very common here and there are a lot of restaurants that solely have a buffet gimmick. Sambo Kojin was my favorite, and I’m really hoping their business wasn’t affected by this stupid virus.

Can you see out any windows from where you are? Yup.

Do you like pineapple on pizza? No, but I also don’t like pineapples and all other fruits.

What color is your soap? Green or white. I don’t really pay attention.

Is anything bothering you right now? Just about all the time, yes.

When’s the last time you had a headache? Sometime this week or last week.

What woke you up this morning? I woke up naturally as I normally do these days.

Are you planning to go see a movie anytime soon? Yeah my workmates have been watching American Murder on Netflix and all of them so far are raving about it, so I want to give that a shot soon.

Will you sleep alone tonight? I always sleep alone.

How do you feel right now? Confused at my lack of drowsiness and a little sad but it’s manageable for now.

Is shyness cute? I don’t feel any particular way towards it. I suppose it can be endearing and it can also be annoying.

Will you be up before 7:00 a.m. tomorrow? I already am.

What are your plans for tonight? Maybe keep doing surveys or send in my online interview that a company I’m applying to asked me to accomplish. I didn’t even know do-it-on-your-own-time interviews were a thing; it’s super convenient and removes my anxiety of being interviewed in real time by strangers.

Would you rather write in pink pen or blue pen? Blue.

Have you ever kissed the last person you text messaged? Yes.

Who was the last person you cried in front of? Just myself. Haven’t cried in front of anyone in a while.

Are your eyes the same color as your dad’s? Yep.

Have you smoked a cigarette in the past 24 hours? No, but could definitely use one.

Were you happy when you woke up today? Nah I woke up crying I think. It was one of the more difficult mornings.

Are you the youngest sibling? I’m the eldest.

#survey #surveys

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thisguyatthemovies · 5 years ago

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Austen done right

Title: “Emma”

Release date: In theaters Feb. 21, 2020; on disc/streaming March 20, 2020

Starring: Anya Taylor-Joy, Johnny Flynn, Bill Nighy, Mia Goth, Miranda Hart, Josh O’Connor, Callum Turner, Rupert Graves, Gemma Whalen, Amber Anderson, Tanya Reynolds, Connor Swindells, Chloe Pirrie, Oliver Chris

Directed by: Autumn de Wilde

Run time: 2 hours, 2 minutes

Rated: PG

What it’s about: Based on the 1815 novel of the same name by Jane Austen, a young, well-to-do woman in early 19th century England meddles in the romantic lives of her friends but, saying she is not interested in marrying, can’t see love right in front of her.

How I saw it: “Emma” is short on originality in the story department but long on just about everything else that matters. Director Autumn de Wilde and screenwriter Eleanor Catton mine familiar source material. Jane Austen’s 1815 novel of the same name has been adapted into more than a dozen movie, TV and stage versions, including the hit 1995 cinematic teen comedy “Clueless.” Catton and de Wilde don’t stray far from Austen’s snappy, humorous, multi-layered satirical take on love, manners and the class system in early 19th century England. They breathe new life into it, however, through glowing cinematography, gorgeous period piece costumes and, most of all, perfect casting and spot-on performances from actors who seem like they are having the time of their lives. “Emma” must have been fun to make because it’s so much fun to watch.

In case you haven’t read the book or caught any of the previous adaptations: “Emma” centers on Emma Woodhouse (Anya Taylor-Joy, “Split,” “The VVitch”), a young woman who is “handsome, clever and rich.” She is the lady of the house at Hartfield, an estate in the fictional small country village of Highbury, where she lives with her widowed father, Mr. Woodhouse (Bill Nighy). Emma, because she introduced her governess, Miss Taylor (Gemma Whelan), to the man she is marrying (Mr. Weston, played by Rupert Graves), fancies herself a matchmaker. She is not as good as it as she thinks, however, and her meddling and the nature of romance cause much chaos among the townspeople. Emma has proclaimed herself not ready to get married, though she has a brief flirtation with a wealthy young man who has returned to the village for a visit (Callum Turner as Frank Churchill) and though an older neighbor and estate owner (Johnny Flynn as George Knightley) clearly has a thing for Emma even as he is critical of her.

Austen wove a tangled web of love, and it’s fascinating to watch the story take so many twists and turns that you might need a chart to keep track. Just as an example, take Philip Elton (Josh O’Connor), a young, good-looking vicar who is unmarried early in the story. He seems to be interested in Harriet Smith (Mia Goth), an unsophisticated teenage girl Emma has befriended who has an offer of marriage from Robert Martin (Connor Swindells), a well-to-do 24-year-old farmer. But it is Emma who Mr. Elton wants (he also wants her money), and when he makes a pass at her and is rejected, he goes away and comes back with a bride, Augusta Elton (Tanya Reynolds), a pretentious woman short on manners.

There’s much more where that came from, but the romance bubbling under it all is the one that Emma is too stubborn to see. In the novel, Mr. Knightley is nearly old enough to be Emma’s father, which makes it understandable why he does a lot of what we now call “mansplaining.” Here, Emma and Mr. Knightley seem closer in age (though Flynn is 11 years the senior of Taylor-Joy), and even when Mr. Knightley is being critical of Emma, it is clear that he feels a sense of remorse afterward and is more drawn to her each time.

Their romance blossoms after the centerpiece scene, when most of the main characters go on a picnic. A bored Frank Churchill urges those in attendance to play a game to amuse Emma, who uses the opportunity to insult Miss Bates (Miranda Hart), a talkative, busybody of a woman who came from money but is now living in poverty. Everyone becomes angry with Emma, and Mr. Knightley lectures Emma on her lack of decorum. Emma, perhaps seeing her own shortcomings for the first time, visits Miss Bates to apologize, and that impresses Mr. Knightley. They end up together – as we all knew they would -- and they live happily ever after.

The cast is dazzling from top to bottom. They deliver a witty script with impeccable comedic timing. “Emma” is dialogue heavy (especially, of course, with Miss Bates, and Hart is a hoot playing her), but even when it isn’t, so much of the tone is set through the expressions and body movements of the actors. Little glances, a quick tilt of the head and smirks mean a lot. We also start to get a sense of what is about to happen between Emma and Mr. Knightley during a beautifully filmed and acted dance scene. When the two are wrapping up a dance, the camera moves in on the couple holding hands rested against Emma’s hip. When Mr. Knightley starts to pull away, Emma’s hand reaches for his for just a second, as if she is not ready to let go. It’s a special moment in a film full of them if you pay attention to the details.

“Emma,” because of its engaging story and depth of character across numerous major players, is the type of film that will become only more rewarding with repeated views. And no doubt you’ll want to view it more than once.

My score: 93 out of 100

Should you watch it? Yes. You will enjoy this film even if you aren’t into period pieces and romantic comedies.

#movies #movie reviews #movie recommendation #emma #emma woodhouse #jane austen #anya taylor joy #autumn de wilde #comedy #satire #period piece

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tessatechaitea · 4 years ago

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Justice League #3 (1987)

Much respect to Doctor Light who dresses for the weather.

The advert on the back of the comic book is for Oreo which might be the greatest corporate cookie ever created. I simply don't trust people who don't like Oreo cookies. "Don't trust" is my kind way of saying I despise them and they disgust me and if I could end the death penalty in America, I absolutely would except for people who dislike Oreo cookies.

I would absolutely elbow Mickey Mouse in the face if he tried to eat my Oreo cookies.

In this issue, we meet the Rocket Reds, voted by me as the worst characters in the history of comic books. They're just so "Russian through the eyes of an American who has only passing knowledge of Russian life." I'm not saying I knew much about the Russian people in 1987. If me in 1987 had to design the Rocket Reds, I would have made their suits out of concrete and had them say "Capitalist Pig! *ptui*" after every third sentence. But if the current me were in 1987 designing the Rocket Reds, they would not have been men in rocket suits. They would have been straight up super heroes created by some fucked up cosmic isotope brought back to Russia by a vengeful Laika who had miraculously survived her Sputnik 2 orbit and gained sentience, realizing that her masters knew she would die and sent her into space anyway. Also they would be dogs. And it would be revealed that sentient dogs had taken over Russia in 1959. No, forget all that. That's more of a Planetary story. I never thought the Russians were real people until I heard Billy Joel's "Leningrad" and I was all, "Wait. Russians have clowns?!"

Blue Jay and Friends continue to work with Bialya but to expedite their anti-nuclear-holocaust mission.

While Blue Jay and friends make plans, the Justice League hang out in Blue Beetle's Bug Ship just outside Bialyan airspace. During that time, we learn that Batman doesn't appreciate jokes.

You can't make jokes like Beetle and you can't act like a sexist, arrogant, violent asshole like Gardner; what the fuck does Batman want?!

Don't answer that question! It practically answers itself! Batman didn't like Dick Grayson because he joked too much and then he didn't like Jason Todd because he was that arrogant violent asshole. So he finally settled on Tim Drake! What Batman wants is lukewarm oatmeal! How many times per day do you think Batman says, "I don't like your attitude, mister"? Page 3 of Issue 3 and Batman is already to the breaking point with Guy Gardner. He threatens to punch him in the mouth but gets distracted by Blue Jay and Friends finally leaving Bialya. Batman will have to wait at least two more issues before the money shot to Gardner's face. Beetle doesn't follow them far before they fly into Soviet airspace and he has to stop the Bug short.

Ultimately it probably would have been more satisfying if Black Canary had gotten to punch Guy in the nose.

I never "accidentally" fell on a girl with my hands growing up but thankfully a number of girls "accidentally" rubbed their boobs on me. It was always appreciated! Like that time I was playing Donkey Kong Jr. at the bowling alley and Michelle Preble was watching me with her hands on my shoulder and her boobs against my arm. Or that time at the ice rink when that girl I'd just met kept laying across my back whenever she got the chance (although I was in sweats that day so she kept forcing me to stay seated longer than I'd planned). Or that New Year's Eve (again at the bowling alley!) where Angela from the next lane over kept coming over and sitting on my lap. Or at that weird young teenage party in some garage where Dessa kept lying across my lap and then leaning against me. I can't even remember whose house that was or why I was there! I don't think I ever even spoke to Dessa before or after that! But I probably loved her forever after! So those are probably some of my strongest memories growing up. The only way they could remain as powerful or have stuck in my head better is if they'd been attached to a catchy song like those Church of Latter Day Saints commercials or Schoolhouse Rock.

Look at these dumb commies spouting state propaganda! Idiots! Good thing Americans are immune to that!

Of course the Justice League clashes with the Rocket Reds while Blue Jay and Friends fly unhindered into Russia. Gardner, of course, can't wait. It was just a few years earlier when Stallone kicked that Russian guy's ass in the ring and everybody in every theater across America was chanting, "U.S.A! U.S.A! U.S.A!" Although some of the bigger wusses were weeping over Apollo's death. I totally wasn't one of those guys because I didn't see Rocky IV in the theater having missed Rocky III because I went to see Annie instead. Okay, that was a lie. I did see both of those movies in the theater. But I did skip going to see Rocky III with my guy friends to go see Annie with my girl friends because I'd already seen Rocky III once. Also, Annie was better. Yes, better than Rocky fighting Klubber Lang. Gorbachev gets word of what's happening from Maxwell Lord because Giffen and DeMatteis are establishing just how powerful Maxwell Lord is.

This is actually a pretty good portrayal of Gorbachev. Thank the stars for his calm head and clear sight back in the 80s! Fuck Reagan.

Normally advertisements don't really do much for me but since Oreo cookies are my heroin, I'm desperately craving them now. Especially the Carrot Cake flavored cookies! The Justice League battle the Rocket Reds for the exact number of pages to make it exciting before the Rocket Reds get the order to stand down and team up with the Justice League to help stop an imminent meltdown at a Russian nuclear power plant. Once Blue Jay and Friends realize the power plant is about to go critical, they join in to help stop a nuclear disaster. Its hugs and kisses all the way down now! Bald Thor manages to stop the power plant from going critical but collapses afterward. The Russians wrap him up and cart him off to help him and probably experiment on him if he survives. Blue Jay and the Silvery Brown Sorceress remain with Bald Thor while the Justice League is once again kicked out of a country where they were trying to help. They can't get United Nations backing soon enough! When they head back to their headquarters, they find Maxwell Lord and Booster Gold waiting for them. It's time to find out who their real leader is! Justice League #3 Rating: B+. Giffen and DeMatteis are steering the team nicely in the direction of needing to become international. As the Justice League of America, they were severely limited in their ability to save the world unless the danger came from Texas or Space. Now after two missions where they needed other nation's permission to do their job, they're ready to hear what Maxwell Lord has to say. Although nobody is ready to hear what Booster Gold has to say. It will invariably be dumb and full of future references that nobody understands.

#Justice League #Keith Giffen #DC COmics #DC #J.M. DeMatteis #Kevin Maguire

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twilightofthe · 5 years ago

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In celebration of Mutual Acquaintances.. Satine: 5, 6, 7, 8, 28, 31, 42, 47, 48; Obi-Wan: 7, 8, 12, 14, 27, 31, 33, 47, 48; Padmé: 4, 6, 7, 8, 12, 18, 19, 28, 33, 34, 39, 42; The Disaster Boi: 10, 12, 14, 18, 20, 22, 28, 29, 31, 33 and bc we all need more sexuality headcanons, 13 for ALL of them

Whooo-WEE here we go, thank you! Get ready for VERY VERY LONG Rambling!

SATINE

(5) Cleanliness habits: Oh, she’s a total neat freak. Everything in her office is minimalist style and organized to a T. If someone moved something even an inch, she’ll be hounding everyone about who was messing with her stuff. Constantly washing hands, very clean, doesn’t like dust on stuff at all (has a bit of a dust allergy, actually. Lily pollen getting everywhere is a Problem for her). She’s practical, however, and if she HAS to get down and dirty, she will-- of course not without a suitable amount of icky faces made plus a side of complaints xD

(6) Eating habits and sample daily menu: Ok so we’ve got canon showing her eating meat, but don’t tell me Super Pacifism Lady wouldn’t IRL be that one ubervegan friend of yours on Facebook who’s constantly posting weird things about it and you gotta be like “aight Katie chill”. ANYWAY, so I’d say Satine in canon eats healthy-ish? She’s not the biggest fan of breakfast foods and is always up in the morning doing stuff, so she sometimes forgets to have anything besides black coffee. She’s not a particularly picky eater so she’ll eat whatever the cook is serving that day, but she prefers simpler meals, and can cook for herself (which came in handy during the Year On The Run because neither Obi Wan nor Qui Gon can cook for shit (my canon is no one in that line besides Anakin can cook and I’ll die with it) and eventually Satine was like “guys, I’m sorry, but no, u can’t try and protect me and then poison me at dinnertime. I’ll cook”). She does like to pair her evening meals with whatever drink she’s having that night. I also h/c her as a functioning alcoholic, so she’s always got SOMETHING to drink, but she is trying to work on restraint and control because when she was younger it got... Not Good at one point. She also has a sweet tooth though, and she really likes chocolate!

(7) Fave way to waste time and feelings surrounding wasting time: Satine is a... twitchy.... individual with a stressful job, so she is kinda conditioned into stressing the heck out if she’s got too much free time. Therefore, a lot of her free time is spent trying to relax. Cleaning is theraputic for her, so she does clean (yes, there is a cleaning droid but it is nOT GOOD ENOUGH) when she can. She likes that Mando sword box game we saw Sabine and Fenn Rau playing in Rebels, it clears her head and lets her practice problem solving. She likes going for walks too. She’ll sneak down to the kitchens and just make a bunch of sandwiches. She does enjoy beautiful things, so I’d say shopping for dresses or browsing art galleries is good too. I also think she’d be the type to read and write poetry, then save bits she likes.

(8) Indulgences: Look, Satine likes Nice Things, ok? She does consider fancy wardrobe and buying nice paintings a bit of an indulgence, but she adores color so she excuses that as promoting happiness for the people. As so she does a fancy ship and other fancy trinkets around the house. She’s not a huge fan of most people touching her, but she allowed a massage once... she would be amendable to perhaps another in the future......... Scented candles are nice too, clears the head. She refuses to consider chocolate an indulgence because it is obviously the gods’ gift to humanity, excuse you. Are we calling lusting over her secret forbidden boyfriend an indulgence????

(28) Who is their best friend? Their worst enemy? The sad thing about Satine Kryze is that canon wise, she is extremely lonely. Literally everyone she trusts betrays her at some point-- which also makes worst enemy pretty hard too. In my verse, this has led to her kind of shutting away from friends because people always leave her-- though I’d say she’s always been close with Padmé; she sent aid to Naboo after the Federation Blockade and got to know and became extremely impressed with the young Queen, and they kept in touch afterwards. Whether they could be together or not, I’d always say Obi Wan was her best friend too because that’s ALWAYS necessary in a relationship, and they clearly stayed in contact and knew each other like the back of their hands. I’d honestly say her worst enemy is herself, cliché as it is, because girlie makes a LOT of mistakes-- and then never learns from them or even acknowledges they exist besides an “oh whoops, that happened, we fixed it, everyone as you were”. I get it wasn’t meant that way, but she legit committed ethnic cleansing against her political opponents. I hate to say it, but there are very valid reasons for a lot of people to Not Like Her (none of the guys who attack her on the show count because they’re literally all douchecanoes fuck them), and she kind of shoots herself in the foot trying to fix the problem but making it worse. I h/c her as having a lot of self-loathing problems because she is trying to fix things but nothing ever works and that must be her problem so she must try harder without ever confronting what exactly her problem is.

(31) Most prized possession: Woah, never really thought of that. As much as I want to say “pressed flower from Obi Wan”, that’s a little too sappy. I’m going to go with this. There is a famous Mandalore version of The Art of War, and Satine has an uber-extremely-rare first edition copy given to her from her father, who was a master strategist and had the wealth and power to collect nice things like that. Satine may be a pacifist, but she has her family’s warrior’s spirit, and she enjoys adapting the book’s battle strategies to her own political fights and how she shapes her own life. It’s an actual old paper book, so she keeps it in a locked box under her bed and only ever reads it by candlelight with special gloves on to protect the pages.

(42) Hobbies: Like I said before, cleaning, writing poetry, the occasional cooking. Oh! Whenever she has Korkie over, she lets them pick the activity they do. This may or may not lead to Duchess Satine Kryze of Mandalore getting very invested in Space Mario Kart. She’s good at it too! So yes, gamer girl, and she also likes looking at art and she’s also also pretty good at dancing and yoga, which she does a bit of both for exercise. She also enjoys watching shows at the theater, but she’s weird in the way where she refuses to watch TV or movies because they’re “not as good”.

(47) If they were to fall in love, who or what is their ideal: I’d say trust is the most important thing for her, given how many things go wrong in her life. Someone she can trust to be herself around instead of The Duchess and can both support her when she’s falling but also call her on her bullshit (or try to, anyway) when needed. Again, she likes nice things, so she tends to fall for super attractive people lol. Another thing is, she likes to feel safe. She goes for the protectors, those who fight for everyone and can come back and hold her tight in a hug if she feels like she’ll fall apart because she sometimes needs someone to protect her too. They also have to be as smart as she is (only smarter if they’re not a dick about it) so she can have intellectual conversations (indignant yelling matches), and she needs someone who can match the firecracker she can tend to be, someone who can jump right in after her. Not a weakling, basically xD

(48) How do they express love: She just says it (”I love you”), if they’ll let her. If they don’t let her or she can’t for some reason (*coughOBIcoughcough*), she becomes frustrated because she isn’t always the best, emotion-wise, and she worries she’ll make the wrong gesture or do something to mess up, so frustration can build towards the other person so she can also be very snappy at them. In general though, familial or romantic or platonic, it’s just lots of soft smiles that no one else sees, letting them see her in casual clothing, teasing them or telling jokes, trusting them enough to tell them about the confusion and stress inside her head.

OBI WAN

(7) Fave way to waste time and feelings surrounding wasting time: Obi Wan is of the opinion that time enjoyed is never wasted, so he only views wasted time as exactly that: time that could be spent doing something but is instead being wasted not doing anything or doing something he doesn’t like. His favorite things to do when he has time to himself are read (he’s not picky, he’ll read most things with an interesting plot, though he does enjoy a good mystery or historical nonfiction), watch trashy tv shows (he’s only watching them to judge how bad they are, it’s Anakin’s fault, really, he watched them first, and Obi Wan just needs to know what happens next--), sketch random objects (he’s a pretty good artist, and it’s relaxing), do research on stuff because he is a NERD, go bug Anakin and/or Ahsoka because he honestly delights just sitting in their company and hear them talk about their day, drink with friends, spar (with Anakin, preferably, he’s the most of a challenge because he knows him so well, and he’s the only one who doesn’t hold back at all), sit in the Temple gardens and check on Qui Gon’s favorite flowers he planted there and bask in the serenity of it all.

(8) Indulgences: Ooooohhhh this is hard because Obi Wan is so Obi Wan about that sort of stuff, it can be difficult to read what he would do xD I’ll say he indulges in food? That while Jedi probs have a pretty strict health food diet, on the weekends or once a weekday he indulges in getting nice stuff for breakfast, ice cream for dessert, fried food at Dex’s because why not, it tastes good and Anakin did a good job today or he did a good job today and that deserves something, so oh well, he’ll just work out harder tomorrow. He’s also has some very nice old teas he saved from Qui Gon The Absolute Tea Snob he’ll have when he feels he needs it, and he’s got a cabinet with like four bottles of different really good, expensive alcohols that he’ll drink when he REALLY feels he needs it. I’ll also say this, boi is vain about his hair. Will never admit it in a million years, but he is, so he’s probs got at least some sort of haircare products that aren’t exactly necessary, ya know xD. He also does like his creature comforts when available, so I’d say he’s got a couple super fluffy blankets and maybe the thread count in his sheets are a bit higher than average cuz hey, soft things are nice. He also indulges in being lovey and mushy to the people he cares about

(12) Favorite book genre: Hey, I kinda talked about that! So yeah, I’d say he’ll probs try anything, but he likes mysteries and thrillers since with a book the Force can’t give you any Bad Feelings about anyone, so the surprises are genuine surprises. He also likes historical nonfiction because he is a NERD, but he’ll absolutely pick up whatever’s at the top of the Galactic Times Bestseller’s List if it’s there and give it a chance

(14) Physical abnormalities (including injuries/disabilities, illnesses, allergies): His right hip acts up in the cold from an old slug wound there (Anakin does indeed tease him about being an old man), over half of his teeth are fake or replaced because come on, have y’all seen how often he’s been hit in the face? Scars literally everywhere because everyone and everything has tried to murder him at some point or another. I h/c him with ADD, depression, anxiety, and dyscalcula (he had to really work to be good with numbers) as well as PTSD because basically all of the Jedi do at some point (someone HELP THEM). He also has TMJ, which I also have and I project my issues. It gets worse when you’re stressed and grind teeth, so it’s valid. Idk whether it’s canon or fanon that he has some food allergies, but I am ALL FOR IT with him just... forgetting about them??? And then eating some food and be like “hwoops I’m dying lol” while Anakin is like seriously Master again? and legit ends up the Mom friend with a list of foods like “is there gonna be this food in it? Cuz he can’t eat it” and then he’ll eat it anyway cuz it looks good and Anakin is all “what do you have in your MOUTH” and he’ll be like “uh” and yeah, that sounds funny

(27) Biggest regret: WHY WOULD YOU DO THIS. ok so we all know how literally everything about Obi Wan’s life is a mcfreaking nightmare. We ALSO know he blames himself for literally everything. So yea, he’s got a looooot of regrets. I’d say his biggest though is not being a good enough Jedi (in his opinion) to save those he cared about (Qui, Satine, Anakin, Pads, the entire dang Jedi Order, etc.). Maybe just not a good enough person, in his eyes. If he hadn’t screwed up somehow, everyone would still be here and fine and omg someone help him

(31) Most prized possession: Luke Skywalker. Ok, not actually, but y’all can’t deny Luke was Obi Wan’s greatest treasure. I’d say actually tho it’s holos, of people he loves and cares about, in a kind of album he keeps to himself. He hates having his own picture taken, but he loves seeing the smiling, laughing faces of everyone he knows (and is reminded of them when they’re no longer here).

(33) Concept of home and family: He always feels like other people overcomplicate this. Home is where you feel safe to always return, where you belong, and family is those you love and wish to spend your life with. Now, the fact that he only really allows himself to acknowledge the Jedi as a whole as his family and doesn’t exactly allow himself to dwell on specifics like what Anakin means exactly to him, what Ahsoka means, what Qui Gon meant, because he does love everyone as a family, why does he have to define it? That’s a whole ‘nother basket of his issues lol

(47) If they were to fall in love, who or what is their ideal: Obi Wan Kenobi has always been attracted to chaos and danger like a moth to a flame, so anyone he loves is gonna be a whirlwind of an individual. He likes someone who can challenge him, who can test him. He likes someone who’s loud and bright, the stars at the center of solar systems that everyone else can’t resist orbiting around and Obi Wan is no different. He likes snappy humor and the amusement he can get from playfully bugging them into hissing at him. They have to match him as a team, they have to be able to work with him (and he knows he’s not always the easiest to work with) and have his back. He likes passion, he likes dramatics, he likes the kind of strange ones that other people find a bit hard to get along with, but he couldn’t love them any different from themselves.

(48) How do they express love:

PADMÉ

(4) What would they do if they needed to make dinner but the kitchen was busy: Assuming the people in the kitchen were not making food, Padmé would fix them with a firm Senatorial Scolding Face and ask them politely if they could move it somewhere else. She can easily outargue any protests; the kitchen is for cooking and she needs to make dinner! If ppl were making food in the kitchen, Pads would roll up her sleeves and ask what she could do to help so it would be done faster and she could get started. She grew up with her mother insisting her and Sola help out with all the household chores, kitchen duty included, so she’s a fine cook. Anakin learned to cook from his mother too, so sometimes their husband/wife bonding time will include just making dinner together and enjoying each others’ company. In an OT4 situation with Obes and Satine, Obi Wan is the only one out of the four of them who Cannot Cook and is legit banished from the kitchen except for making drinks/certain desserts, so it ends up with Anakin, Padmé, and Satine all talking and laughing while preparing food while Obi Wan pouts sits in the doorway and talks from there

(6) Eating habits and sample daily menu: Ok, so you know how I said Satine can sometimes get distracted by work and skip breakfast? Well Padmé is like that but worse. She gets so busy with duties, she just forgets to eat for very long periods of time, and then she’ll be doing something and be like “woah, I’m hungry, I don’t think I’ve eaten today,” and Sabé/Anakin/Bail/whoever she’s with will just be like padmé nO. When she does eat, however, she is one of those crazy people who Does Not Like Sweets. Like, at all, they just don’t agree with her. Anakin is scandalized. Satine is scandalized. Everyone is. She just doesn’t like them. She’ll eat fruit, but that’s as sweet as it gets. So when she does remember to eat, or if she’s going out for a dinner, it’s usually something pretty healthy-- though Pads will confess to a weakness for nice cheeses. There’s also this one really greasy bad fried chip thing that she’s got a secret weakness for. Padmé’s also not a huge alcohol person; like, she’ll drink when others do, she’s not a lightweight or anything, but she won’t seek it out herself, just, something about the taste, and she doesn’t like not being in control of her head.

(7) Fave way to waste time and feelings surrounding wasting time: Honey, Padmé is from Naboo. The luxury planet. They know how to lazily waste time in style. She loves long baths and listening to classical music, walking in nature (she loves flowers), practicing new hair styles, facials and manicures. She also reads the gossip columns (no she doesn’t, you never heard that) because she needs the tea. She just do. She likes to read and study new languages (because she is Queen Overachiever) or just add to her bucket list of Ways To Improve The Galaxy. Padmé totally has a Space Pinterest. In reality, she trained herself from a young age how to relax so being a teenager in planetary politics didn’t literally kill her.

(12) Favorite book genre: ROMANCE! It’s canon that Pads is just such an ushy, gushy romantic of a person, so she likes stuff like Space Jane Austen and all the other romantic books. She refuses to associate with Anakin’s trashy dollar romances, she thinks they’re bad writing. He does not agree. He also called one of her faves boring once. They do not discuss books. But also Padmé likes political history and civilization books cuz politician, and she’s pretty into the mysteries like Obi Wan is. She likes religious texts too, learning about different ones, she finds it interesting. Reading can be hard for her because I h/c her as dyslexic, but she loves it too much.

(18) Favorite beverage: Spiced cider. She could get it homemade back on Naboo; cool and refreshing when iced but warm and tangy and perfect when heated.

(19) What do they think about before falling asleep at night: If Anakin’s not with her, she always thinks about him not being there. She can’t help it. If he is with her, she thinks about how much she loves him. She also tends to do a mental to do list every night of what she needed to do before bed and if she’s gonna allow herself to sleep now or not. She also has another mental to do list so she knows what she’s gonna do when she wakes up in the morning. With the damned war dragging on, more and more nights are spent going to bed troubled and worried for the future. She also daydreams, though, of what she can do after. Her happily ever after.

(28) Who is their best friend? Their worst enemy?: This is hard because Pads is so friendly with everyone!!! Queen’s Shadow really made me fall in love with Padmé and Sabé, but I’ll always be a sucker for the canon and fanon where Padmé’s best friend is Bail Organa. I’m sorry, but Bail is just a cinnamon roll of a human being, and he’s such a calm, levelheaded friend for Pads where she can be a bit overeager and chomping at the bit sometimes, but he’s also ALWAYS got her back and she can talk to him about stuff and ahhhhh and he literally raises her daughter as his own and gahhhhhh. Is it messed up if I almost want to say Padmé’s worst enemy is Anakin? I mean to be more general: her worst enemy is the Sith, as they destroyed the Republic and her entire life’s work and corrupted her husband and depending on if you believe the “draining life forces” theory (which I do) they killed her. But Anakin was the one who got past her defences, took her by surprise, and unknowingly ended up playing the most active role in her destruction, which is immensely tragic for both of them because all he ever wanted to do was love her (*crying*).

(33) Concept of home and family: For Padmé, home isn’t so much a place, but an idea of where you can feel closest and most at one with those you’ve decided to share your life with. Yeah, she’ll always love Naboo, but you saw how choked up she got in that TCW episode where Anakin called her Coruscant apartment “home”; for her, home is a state of mind. Family is a bit different; she’ll always have a bit of an idealization towards her own parents’ marriage and how she’s seen Sola’s, and how families developed from that. Canon shows she’s envious because she can’t have that, the 2.5 kids and a dog with a white picket fence outside and a large backyard mentality. She has issues over being separated from family; she had to drop the Naberrie name to go into politics, so I’m guessing there’s some distance felt there, and she can’t even publicly acknowledge her own husband as her husband, so she’ll cling to the idea of a “perfect” family as a someday, as a maybe, and working towards that someday and the long goal she can forget just how complicated and messy her real family-- her parents and sister, her husband, her husband’s new adoptive sister, her husband’s boyfriend, his weird side of the family --is. It’s even more pronounced when everything is falling apart in Revenge of the Sith and it’s obviously falling apart and Anakin is obviously Not Fine, she tries to retreat and take her comfort in “oh but when the baby comes and we can be a Family, things will all work out perfect! It’ll be okay!!!”

(34) Thoughts on privacy (are they a private person, or are they prone to TMI): Padmé is an extremely private person. She’s been in the public spotlight since she was thirteen years old. Everyone’s always staring at her, what she’s wearing, what her opinions are, how she acts, who she’s with. Padmé has nearly nothing she doesn’t have to share with the public eye, so what she does have to herself she tends to hoard and not show anyone except for those she implicitly trusts. Now, whether she’s any good at keeping secrets is a whole other story, but she certainly tries!!! xD

(39) What recharges them when they’re feeling drained: Anakin can make things better or worse for her depending on the mood he’s in and the mood she’s in, but he usually makes her feel better just by showing up and being a dork. She likes her greasy chip snacks and a good book, but she’s a sucker for a good spa day complete with fluffy, comfortable clothing. Also, Padmé loves cat naps, and is the queen of setting an alarm and taking short power naps that actually have her waking up refreshed.

(42) Hobbies: Is creating new outfit designs via Space Pinterest a hobby? Because Padmé does that. Padmé is also the type of person to have a Space Candy Crush problem, and I completely believe that Satine got her into Space Mario Kart (Satine’s actually pretty good at it and Pads isn’t good at it at all, so it’s in no way fair, but they have fun xD). Padmé loves creating flower arrangements too, just creating beautiful things makes her happy. She loves calling one of her handmaidens over and having martial arts practices because she needs to stay ready to defend herself, but also it’s just fun and she’s a good fighter. Padmé’s also into scrapbooking, she makes a bunch of adorable books she puts together, and she gave one to Anakin on their first anniversary and he cried (she hides them, don’t worry).

AHHHNAKIN...

(10) Neuroses: Hooo boy, there’s a lot! Okay, so Anakin is a very handsy person. When he’s nervous or uncomfortable or stressed, he’ll always need something to do with his hands, whether that be fiddling with his clothes, tugging at his hair, messing with the digits on his mechanohand, poking at the wall patterns or other objects. In general, he hates sitting still and has a tendency to fidget if he has to for too long. He will also either stare you directly in the eye or dislike making eye contact at all, depending on his mood. Fiddling with machine parts gives him something to focus his mind and his hands on, so that’s a real big help for him if they’re available, often times he just keeps scraps in his pockets for specifically this purpose. He’s sort of aware he does this, but he doesn’t like to think about it much because that would mean thinking why, and if you try and point any of them out to him he’ll get embarrassed and probs just snap at you.

(12) Favorite book genre: Anakin really isn’t much of a book person. It has to do with his focus issues (I h/c him as ADHD), they just aren’t really able to draw him in enough to keep his attention. It frustrates him because that’s another reason why ppl imply he isn’t smart, which is dumb, he can read just fine, he just doesn’t like to. He does like the trashy penny romances I mentioned before. What can he say? He’s a sucker for the drama and swooning and Epic Proclamations of Love. He’ll read books about the latest ships and speeder models too, because he’s interested in that. He’ll also read tactical strategy books too, because of the war and all. It’s just not his go-to form of entertainment.

(14) Physical abnormalities (including injuries/disabilities, illnesses, allergies): Metal hand. Eye scar. At one point is one big giant asthmatic burn scar who’s like 80% robot. But we’ll focus on Anakin as of now. When he was a child, some brute in the market cracked him hard across the back with something heavy. It damaged his spine, and Shmi was terrified for a while he’d never walk. Thankfully, he recovered, but now his spine is funny as in it is super flexible. Like backbends where it looks like he’s snapped in half, that flexible. It gives him fantastic advantages in acrobatics and combat, but it also means he can do that creepy walk the girl from The Ring can do. He has managed to successfully scare the living piss out of Obi Wan, Padmé, Ahsoka, Rex, and multiple others on different occasions by emerging from the shadows in the middle of the night doing the Ring walk. No one was pleased. Yoda thinks it’s hilarious though. Anakin gets hit in the face just as much Obi Wan does, so he also only has like less than half of his real teeth still in his mouth. Is also covered in various scars from people trying to kill him dead. In total, I project many mental illnesses onto him, so I say he has anxiety, ADHD, BPD, and PTSD. His super strongness in the Force means he is a complete lightweight, so alcohol is an uh oh for him; the only positive is that he never gets hangovers. It also means that Force sensitive objects may suddenly go flying at his head when he’s just trying to casually stroll through a creepy old temple. I also h/c that Anakin is allergic to tookas/lothcats. No other animals, just them. And it’s hilarious when on one occasion some kittens made their way into a briefing room and he just bursts into a sneezing fit, which, why are you all laughing at me? and then Rex points out the little kitten just perched on the top of his head. Poor baby actually does chafe pretty badly from sand too, so his hatred isn’t completely unwarranted.

(18) Favorite beverage: Coffee with a gazillion lumps of sugar in it, protein powder because he’s all about the grind, a hint of space chili pepper, and like a dozen other ingredients that should Not Go In Coffee (one of the ingredients Is Bugs). Obi Wan claims he tasted the concoction once and had hallucinations. Ahsoka says she saw a drop melt the edge of the tabletop. Padmé won’t go anywhere near it. Anakin says they’re all cowards; it’s the only thing that can get him up and focused in the morning.

(20) Childhood illnesses? Any interesting stories behind them?: I h/c that amongst the slaves, Shmi was the local medicine woman. Therefore, Anakin as a child was constantly getting first exposure to all the local sicknesses and building up immunity, so besides one bout of food poisoning, he never got sick as a kid. Once he got to the Temple... well, he was past the age where all the other kids had gotten vaccinations, Obi Wan, bless him, hates dealing with medical and was distracted by everything else and kind of forgot to make sure Anakin was up to date with everything, so he caught EVERYTHING. EVERY LITTLE THING WOULD MAKE HIM SICK. HE HATED IT. OBI WAN HATED IT BECAUSE THE ONLY SICK PATIENT WORSE THAN ANAKIN IS HIMSELF. IT NEVER ENDS. ANAKIN IS TWENTY TWO YEARS OLD AND STILL CATCHING SHIT LIKE THE SPACE CHICKEN POX. THIS ISN’T FAIR.

(22) Given a blank piece of paper, a pencil, and nothing to do, what would happen?: Lots of writings of stuff like “Padmé Skywalker” or “Anakin Kenobi” cuz Ani is at heart a 12 year old girl. Ok ok ok, but actually, there would be lots of different stuff on the page. Mathematical calculations for ships and designs because he is a canon engineering nerd and I h/c he’s a whiz at math. Also little doodles. Anakin’s not a bad artist himself; his style is much more cartoonish than Obi Wan’s, but it means he can do cool little actions scenes of different ships or pods, him being a badass, Yoda getting attacked by space seagulls, etc. Maybe designs for another japoor carving (I h/c he keeps the hobby). Or, the page might be folded up as Anakin turned it into either a boat or a hat or an airplane that actually flies, or just a ball of paper he set on fire because he was bored.

(28) Who is their best friend? Their worst enemy?: OBI WAN KENOBI FOR BOTH OF THEM DAMMIT ANAKIN WHY ARE YOU LIKE THIS. Alright, alright, in reality, his worst enemy is probably more of a combination of himself and his own fears, Sidious for being an evil, manipulative asshole, and society for creating his fears and traumatizing him (though mostly it’s himself because he absolutely had the choice to do the right thing, but he didn’t). Obi Wan is absolutely his best friend though. No competition.

(29) Reaction to extrapersonal disaster (eg Oh no, the house is on fire! What do we do?): For Anakin “I burned down the Republic because you left for an afternoon and I panicked” Skywalker? “Ok, no problem, I got this. I’ve got this. No, wait, I don’t got this. I defiNITELY DO NOT GOT THIS, I MADE IT WORSE, HOLY SHIT, NO ONE PANIC, I NEED AN ADULT-- (Ahsoka: You are an adult) --I NEED AN ADULTIER ADULT.”

(31) Most prized possession: His loved ones ¯\_(ツ)_/¯ And we’ve got at least six movies and a tv show telling us exactly how that did Not Go Well For Anyone

(33) Concept of home and family: Hmmm. I’d say where he feels safe and comfortable. Again, it’s stated in the show he feels at home at Padmé’s, but honestly? He refuses to acknowledge Tatooine cuz ya know, the slavery, so he never really had a strong childhood home, and while I want to say he considered the Temple home at one point, , I’m not sure he does because I feel he’s always on red alert for things to get worse so he never really lets himself get comfortable anywhere-- not even Padmé’s. Family is a bit easier for him; a group of people who love each other-- and for Anakin, it doesn’t have to be blood relations but if you ARE related by blood, you’re a family member by default and he will be Very Offended by blood relations who cut away from their families because he feels if you’re connected like that, you should love each other.

#that took a WHILE but i had fun!#hope y’all agree or at least thought ‘hey that makes sense’#feel free to tell me your own!#one (1) hot mess #our only ho #queen of my heart #peace out #team hot mess #star-crossed lovers #when we were young #political wives #the big 4

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