#this is why i made that post because its not a one time this for this album.. ive seen my trans friends be deliberately misgendered

[trashytracktales]

Hey! Please do a lando x ex!reader. They break up after a lot of arguments due to being away from each other so much and then they meet a few months later and hook up. Like angst in the beginning then lots of smut.

If it's meant to fall apart | LN⁴

💌 REQUESTED by anon ──── I was actually planning to write something similar for so long. Thank you for the request and I hope you like it 🤍

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𐙚 summary ──── Surprisingly, months apart haven’t dulled the connection between them. After a night of passion and honesty on both sides, maybe there is a future where they can make all the right decisions, after all.

𐙚 pairing ──── Lando Norris x ex!reader

𐙚 rating ──── explicit

𐙚 category ──── F/M

𐙚 warnings ──── +18, mature/sexual content, lots of angst & back-and-forth, fluff & smut, teasing, praising, explicit language, unprotected sex, mention of alcohol and drinking, swearing, not the healthiest relationship I've ever written tbh (the toxicity is implicit tho), overstimulation, pussy-drunk Lando, Max F. & Ethan aka FEEFA cameo.

𐙚 word count ──── 10.6k (Thank you to everyone who voted on this poll I posted the other day, I didn’t expect to see so many 🥺).

𐙚 date ──── Nov. 27, 2024

𐙚 a/n ──── Guys, look. I know it's A LOT 🥴 I kinda let myself run with this one because I haven't posted anything in like a week or so. I still have 2 requests I'm working on, so don't give up on me yet 🤞🏻

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SHE'S NOT ENTIRELY sure how long they’ve been dancing, but she hasn't finished her drink yet. Time feels like an illusion, blurring the edges of her vision with every new rhythm of the night. For the first time in months, she feels a little lighter, her friends’ energy pulling her out of her own head — and apartment, where she locked herself in after the break-up.

The club is packed tonight, bodies pressed together in a sea of drunken, sweaty chaos. Neon lights bounce off every surface, painting the room in vivid purples, blues, and pinks. It's not usually her style — not anymore — but she figured it won't hurt to let lose for a couple of hours.

It’s only when she steps away from the dance floor, her feet hurting and her head buzzing, that she spots him.

Why tonight, of all nights?

Why here, of all places?

Why him, of all people?

He’s leaning casually against the bar, a glass in hand, chatting with a few familiar faces. Faces that she can't help but miss.

She stopped talking to Max — well, Max stopped talking to her after ending things with Lando, too upset that she toyed with his best friend's heart for ‘no apparent reason’. Their friendship dissolved under pressure, fragile as a cheap plastic cup in the grip of sulfuric acid. But Max wasn't the only one who took it personally. That's why she needed to cut ties with everyone from her past. She needed new friends — her own friends —, she needed a new place and new clothes, and to rebrand herself from scratch. Which she did.

She thought she had made it through, but the past has its twisted ways of coming back when you least expect it.

Now, the sight of him, so vivid and real, makes her chest tighten.

She stops in place, hoping he doesn’t notice her, but then his eyes flick in her direction and, for a brief moment, neither of them blinks, the noise around them fading into a dull murmur.

He straightens slightly, his relaxed posture gone as his brows knit together. There’s something unreadable in his body language — surprise? Excitement? Confusion? Pain? She doesn’t know, but it mirrors the knot twisting in her stomach.

Her friends call out to her, pulling her attention briefly, and when she looks back, he’s still staring. Except now, he’s moving, weaving his way through the crowd toward her.

Oh, hell no.

Her heart starts to race, a mix of adrenaline and something far more complicated than fear, as she rushes to walk away; she's fought for far too long, and now her instinct is to fly as soon as she senses danger.

Unfortunately, she's not quick enough.

“Hey,” says Lando when he gets closer, his voice low but audible over the music.

Hearing him gives her goosebumps, hating the way her body is betraying her. It’s been months since she’s heard his voice, but it still hits her the same way: sharp and unrelenting.

She turns around, forcing a smile, “Hi, Lando,” she manages, her voice steadier than she feels, thinking she should try acting if she makes it out alive from this encounter.

“Can I buy you a drink?” he asks, his tone careful, yet extremely suggestive.

It makes her stomach twist again.

He used that line the very first night they met, his boyish grin lit by the dim, flickering lights of another club, in another city. Potentially another life, she's not sure. She remembers the way he had leaned in, so full of confidence and asked the same exact question with a mischievous glint in his eye.

It feels too deliberate now, too heavy with the weight of their past for her to ignore.

“All set,” she finally says, her voice quieter than she intended, as she raises her half-full glass in her hand. “Thanks.”

For a moment, it feels like they’re strangers meeting for the first time. Except they’re not, and their history is hanging heavily in the air between them.

Lando nods, shoving his hands into his jeans pockets, “How about this, let me join you for that drink?”

She takes a look to where her friends are dancing, then she turns back to him, “I'm here with my friends.”

It's a pathetic excuse, she knows that. But she has no time to think of something else. Not when her brain is suddenly all scrambled and can't form a single coherent thought.

Lando frowns, disappointed, but not willing to give up that easy. “Come on, just a quick catch-up and then you can go back to your friends. Mine won't mind,” he shrugs, pointing at the bar, where the others are following their every move like a bunch of curious minions.

She catches Max lifting his glass in her direction, and Ethan, waving frantically.

Against her better judgment, she nods.

“Okay,” she murmurs, “Let's catch up,” she spits the words, sounding a bit too sarcastic. Still, it makes Lando smile.

His shoulders relax slightly, relief softening the tension in his body. He gestures toward a quieter corner of the club, away from the pounding bass and the sea of bodies. His first instinct was to take her hand in his, but since that's over the line, Lando keeps looking back, making sure she follows him. And she does. Like a naive, lost puppy that hasn't learned a single thing in the past five months, apparently.

The crowd surges around them, chaotic and loud, and before she can react, someone stumbles into her, their elbow catching her arm. As a result, she's thrown off balance, her feet slipping on the slick floor. Gasping, she's bracing for the inevitable fall that… never comes.

Lando’s hand shoots out, catching her waist and pulling her upright. His grip is firm, grounding, and suddenly she’s pressed against him, her chest brushing his.

“Careful,” says Lando, his lips close enough to her ear for the voice to cut through the noise.

The spot where he's touching her is burning her skin. She looks up, speaking with a hesitant smile, “Thanks, I'm good.”

The club around them fades away, and all she can feel is the warmth of his hand on her waist and the familiar scent of his cologne — a smell she used to know so well. It is almost intoxicating, and it makes her mouth water. She realizes that's what she was missing the most.

Lando smiles faintly, his hand slipping away as if he’s reluctant to let go. “Always got you.”

She doesn’t know how to respond to that, sensing the double meaning behind his affirmation. So, she nods and lets him guide her the rest of the way.

They find a small, semi-private booth near the exit, far enough from the main dance floor that the music dulls to a manageable volume. He gestures for her to sit first, then slides in across from her.

She fiddles with the edge of her glass, feeling his eyes on her.

“So,” she starts, leaning back against the booth, “You're here.”

Here, as in back home.

“For a week or so, yeah. Got a bit of a break between Brazil and Vegas.”

She nods, emptying the rest of her drink in one go, “How’ve you been?”

Lando shrugs slowly, “Alright. Busy with work and everything,” he trails off, his gaze dropping to her lips for a brief moment. “It’s not the same,” he continues, his smile fading away. “What about you, what have you been up to?”

She needs superhuman powers to stop herself from scoffing in his pretty face. It’s such a simple question, yet it feels loaded, heavy with all the things they haven’t said to each other in almost half a year.

“It's been… peaceful. I moved to another neighborhood. Kept busy, distracted.”

Lando hums, his expression unreadable for some reason. “Yeah, I get that. You look great, by the way,” he states it as a fact, his voice soft but unwavering.

She hesitates, then looks up at him, really looks at him. His face is the same and yet… not really. The boyishness is still there, but there’s a weariness in his eyes that's somehow new. Plus some facial hair she always begged him to try out. It tugs at something inside her, something she’s not sure she’s ready to face. Because it hurts. Because it annoys her. Because, after everything, she's still not over it.

“Cheers,” she replies, hoping he won't catch the blush in her cheeks. “I kind of hoped you would look like shit when I saw you again,” she admits. “You know, I'm talking no front teeth and severely balding. But, oh well. You too.”

Lando's smile widens, making everything infinitely worse for her.

He wears a black shirt that clings to his frame in a way that highlights the muscles in his arms. His black cap is pulled low, worn backwards in that signature way he always did, giving him that effortlessly cool vibe. His eyes are still the same, though. Dark, piercing, the same ones that could make her heart beat faster even after everything that’s happened.

“I thought about you a lot over these months, you know,” Lando finds himself saying, chewing on his lower lip.

She shoots him a surprised look.

As if, she thinks. His Instagram feed would say otherwise.

“You did?” she ends up asking, curiosity getting the best of her.

A hint of vulnerability creeps into his voice, “Of course. I've missed you.”

She laughs dryly, “But it's been good for us, right? We just established we both look great, no constant fighting, no slamming doors, no smashed phones…” she says, looking at him intently.

He can't sustain that for long, so he looks down at his shoes, slightly ashamed, remembering how bad it used to get when the distance between them felt too much to handle. He remembers the frustration, and the helplessness he felt when he couldn’t reach her, because he couldn’t make things right. He did smash his phone once, in a fit of anger, because he couldn’t get ahold of her for hours — not his proudest moment, that's for sure.

Lando swallows hard, “Yeah, it has been nice to have some distance. I guess it makes the heart grow fonder, right?”

“Hmm,” she hums, letting her eyes travel across the room, scanning random faces and wondering how life would be if she were someone else, “I don't know about that.”

She knows, in fact. But the words pause in her throat, too tangled up in memories. When he finally looks up, she's holding his gaze for just a beat longer than she should, and she wonders if he can feel it too — that familiar pull, like gravity, drawing them back together once again.

“I know—” Lando begins, not sure from which angle to approach. “I know it was the right choice at the time, but I can't help but wonder what things could have been if I'd fought harder for you.”

“Come on, Lando,” she laughs, unamused, giving her head a shake, “We would've ended up in another vicious circle, no matter what. It's always like that with us, isn't it?”

A part of him knows she's right. Still, “We'll never know.”

“Well, maybe it's better that way,” she manages, her voice lacking conviction.

“Or maybe it’s not,” he contradicts her, his words carrying a weight that presses on both of them. “You never think about us?”

Another sharp, dry laugh — it's either this, or she'll start crying. “I am actively trying not to,” she admits, her tone tinged with exasperation. “What’s the point, Lan? Thinking about what could’ve been won’t change what happened. You were always gone, and I couldn't spend my life following you around like a headless chicken. We had a good time, but it was never going to last,” she says the last part mostly as a reminder for herself. “Not in those circumstances.”

His jaw tightens. “You think it was easy for me? That it didn’t tear me up knowing I couldn’t be there for you the way you wanted me to?”

“I didn't say that,” her eyes snap to his, “We simply weren't working. We were too good at breaking each other.”

Lando leans back in his chair, frustration visible on his face. He hates that she's right, but it doesn’t stop the ache in his chest.

His jaw clenches, “I just… I don’t want to believe that’s all we were. Breaking each other.”

Her expression softens a little at his words, “Not all. But enough to make us miserable.”

For a while, the air between them feels heavier, the noise fading into the background. He wants to say something, anything, to counter her point, but all he can do is look at her and ask himself if they were, indeed, playing a losing game back then.

“Did you meet someone?” his question flies out of nowhere.

Lando looks at her with anticipation, sensing the hesitation.

“I did,” she replies, nodding slowly.

“And?”

She meets his eyes for a split second before looking away again, fixing her gaze somewhere on the table. “And we're happily married with twins on the way. What do you think? I just. Couldn’t.”

Lando's stomach drops, trying his best to remain calm, his hands clenching into fists. “You couldn’t what? Be with them?”

She shakes her head, her movements slow and deliberate, as if choosing her words carefully. “It was too soon.”

Her answer only leaves him with more questions. “So, what does that mean?”

“I don’t know what it means,” she rushes to say, her tone tinged with irritation. It’s clear she’s as unsure as he is, but that only makes it harder for Lando to process her reaction.

He runs a hand over his face, his exasperation bubbling to the surface. “I’m just trying to understand,” he says, his voice quieter but no less intense. “Because I've also tried.”

She looks directly at him now, her eyes narrowing slightly. “And?” she challenges in the same manner, her tone carrying just a hint of defiance.

“They weren't you,” says Lando, the truth of his statement hanging between them like a heavy anchor.

They remain silent after that.

She wants to ask him why — why he still cares, and why it hurts so much to be in the same space again after all they’ve been through. Nothing comes out, though; she already has the answer to that. They didn't break up because they stopped loving each other. They had both been too caught up in their own worlds to find any kind of balance. That broke them up.

He wants her to speak. He needs to hear her speak. To react. But when she says nothing in return, there is a brief second when he feels like giving up for good; he can't do anything if she's already made a decision. He knows how stubborn she is.

Lando nods to himself while getting up and start walking toward the exit, his thoughts all over the place.

The night air greets them with a quiet, cooling embrace as they step out of the club. Of course she follows, and she hates herself for that. But she can't help it — it's instinct. Like a magnetic force he's always had over her.

On the other hand, it's how they always communicated, through gestures and actions rather than words.

The soft click of her heels against the pavement gives Lando hope. He slows down so she can catch up, and then they walk side by side, without talking. The background noise of the city keeps them company, and by the time she decides to break the silence, he stops abruptly.

His voice sounds so small now, like a child asking his parents why can't he eat his chocolate bar before dinner.

“I know it feels so silly looking back,” says Lando, as though afraid to shatter the superficial peace between them. “We did so many things wrong, but I think we also did a lot of things right.”

She hesitates, her eyes dropping to the ground where a patch of light from a distant street light catches the edge of her shoe. Her arms fold tightly across her chest, while trying to look anywhere but at him.

“Yeah, breaking up was one of the right things,” she says thoughtfully, though her voice has a trace of bitterness behind it. “Before that, we tried so hard to make it work that we ended up burning each other alive.”

It's crazy how simple words can cause physical pain so quickly.

“Yet we're still here,” he reminds her. “Knowing what we know now, maybe we wouldn’t burn so fast this time. And isn’t it worth it, even if it only lasts for a little while? We were so happy at the start.”

That’s what he clings to. The laughter, the stolen moments, the way they fit together so effortlessly — she can’t argue with that. Their beginning was a beautiful dream, but it’s the nightmare that followed that keeps her guarded now, even though all she wants is to crack his ribcage open and slip inside him so they will never be apart again.

Her voice shakes as she tries her best to make him see her side, the memories spilling out like water breaking through a dam. “I had to put myself back together, Lando. Piece by piece. And I was all alone.” She forces herself to meet his gaze, finally, her eyes glassy with unshed tears. “Turns out, our friends were actually your friends, and I had to go through the worst breakup of my life with no one by my side. I had to move, I had to build an entire life from pretty much nothing. And I had to do everything alone, because I didn’t just lose you. I lost everything the moment I made you the center of my universe.”

Her words knock the air out of his lungs, guilt clawing at his insides. “Look, I know I should have been there,” says Lando, his voice barely steady. “Fuck me. I wasn’t supposed to let you go in the first place, alright? I should’ve been a better boyfriend, and I should’ve fought harder to make it work, using what we had then. But you did fuck with my head, and I thought being away would help.”

The first tear spills down her cheek, and she wipes it away hastily, as if she could erase the vulnerability altogether.

“It did help,” she agrees. “I know I can live without it now.”

Lando freezes for a split second, then stepping dangerously closer to her. “So, you’ll be fine if we stay broken up?” he asks, his voice almost a whisper.

She nods, but it’s shaky. And when she takes a step back, trying to put distance between them, Lando decides he gave her enough space. Fuck that. He's not thinking anymore, not with his brain, at least. He closes the distance again, his hands finding her waist and pulling her close in one swift motion.

It’s impulsive, desperate even. But he doesn’t care. The moment he feels her presence in his personal space, the fire he’s tried to smother for months, roars back to life, more powerful than ever. And just like that, everything it's right again. The way her body fits against his, the familiarity of it all, makes his heart race in his chest.

“Stop being so fucking stubborn, baby,” he murmurs into her hair, his voice cracking under the weight of his own desperation. “Why can’t we at least try, hm? You told me it was too soon for someone else. Maybe it’s because it’s supposed to be me.”

Her breath catches at the sudden closeness, at the rawness of his voice. She's unsure of what to do with her hands, until they hover awkwardly by his shoulders.

“You're not fair,” she whispers, her voice slightly trembling. “You can’t just accidentally waltz back into my life and say things like that.”

“I don’t give a flying fuck about being fair,” he says, his voice firm. “I just want us back. Simple as that.”

Her tears blur the edges of Lando's face when she tries to push him away, but his grip won't let her. Not this time.

“It's not that simple, and you know it,” she says. “We’ll only end up hurting each other again.”

“Then we hurt, so what?” he counters, his voice soft but sure. “At least we’ll know we tried until there wasn't anything worth fighting for. I'm not done with you, baby. Are you?”

Her hands finally move, trembling as they brush against his cheeks. They're not as soft as they use to be, his little facial hair scratching slightly at the pads of her fingers. The connection sends a jolt through them both as her touch lingers, trailing up to his hair. She pulls at his cap with both hands, placing it on her own head with a weak smile.

“It’s longer than you used to wear it,” she notices, her tears catching the street lights.

Lando’s heart clenches, managing to shoot a small smile in return, “I thought maybe I’d try growing it out. Do you like it?”

“I love it,” she admits as she tries to messily style his hair with her fingers. “It suits you.”

For a little while, they’re trapped in their own bubble. Her touch feels like home, and all Lando can think of is that he can't lose it again.

“I’m not asking you to decide now,” he finally says, his thumbs tracing soft circles on her waist. “I just need to know I’m not the only one still holding on.”

TWENTY MINUTES LATER, they're stumbling into her apartment. She knows it's reckless, and she's basically throwing away five months of progress, but it wasn't going to last, anyway.

Addictions are very hard to keep under control, especially when they have curly, dark hair and give you bed eyes.

“This way,” she says, her lips swollen from kissing all the way to her door.

Lando doesn’t have time to adjust, his head already spinning with hundreds of scenarios that fly tirelessly through his mind. However, the only thing that captivates him at the moment is her, and the way her fingers curl into the waistband of his jeans. She tugs him closer, her lips crashing onto his once again, their breaths blending in a frantic exchange of need and uncertainty.

He watches her fumbling with the buttons of his shirt, her movements clumsy but determined. His heart reaches his throat, swallowing hard, as his hands move from her waist to his belt, blindly unbuckling it before tossing it carelessly aside. The sound of leather hitting the floor barely registers over the erratic, overlapping rhythm of them kissing.

Then, he sees it. The spark in her eyes she used to have when she looked at him — it catches him off guard, giving him hope. He follows her as she moves slowly, her back toward the bed, her movements precise, like a cat's. She lies down, propping herself up on her elbows, while he takes cautious steps closer, his shirt hanging open to reveal his chest and toned abs.

But just as he leans forward, her high heel presses lightly against his chest, stopping him.

Lando freezes, his hands bracing on either side of her foot, tracing his palm up and down her leg, as his eyes dart up to meet hers.

“You can look,” she says, catching a glimpse of confusion in his eyes. “But for now, no touching.”

He frowns, clenching his jaw at her request. It would make sense for her to bring him to her place only to torture him, but she can't be that heartless. Right? The sight of her, stretched out on the bed with her foot holding him at bay, is almost too much to handle already.

“You're not fair,” he mutters under his breath, a ghost of a smile tugging at the corner of his mouth.

“I don't give a flying fuck about being fair,” she repeats his words from earlier, her foot staying firm against his chest.

The power is in her hands, and she's planning on using them properly tonight.

“No touching,” she repeats, determined.

Lando's hands fall at his sides.

Slowly, she slides her foot down, letting it drag across his chest, making a quick stop on his lower abdomen before settling on the bed. Her gaze locks onto his, a daring glint in her eyes as she spreads her legs, revealing the black lace panties. The dress she's wearing lifts up her thighs of its own accord, leaving Lando chocking on air for a brief moment. His lips part as she trails her fingers down her own body, teasing herself the way she’s done countless nights before.

Nights when he wasn’t there.

Nights when she was alone, chasing a high only his touch could give her.

“Wanna see how I got through five months without you?” she asks, her hands traveling way down, hooking her fingers to pull at the soft material.

His breath hitches, the sight of her undressing before him so painfully slowly making his chest ache with longing and guilt.

“I thought of you,” she continues, letting a small whimper out when the soft lace peels off with a little resistance from her already soaked pussy. “Your hands, your mouth… the way you sound when you're turned on,” she discards the panties at the foot of the bed, her breath catching in her throat as she glances at him through her lashes. “Such a delicious combination between your sleepy voice and that low octave you hit when you're drunk.”

Lando’s mouth goes dry, his hands twitching at his sides, itching to lean over and collect the material off the floor to stuff it into his pocket as a souvenir. He’s never felt so powerless and yet so utterly consumed by someone before.

“Will you let me?” she asks, her lips curving into a smile that’s equally wicked and vulnerable, “Show you?”

Her name leaves Lando’s lips in a protest while he takes an instinctive step forward, but she stops him with her foot once again. It’s a punishment, and he knows it. She’s showing him exactly what he missed, and exactly how she wanted him for so long.

Lando's breath is shallow, his chest rising and falling as he watches her. Helpless. His every nerve is tuned to her, eyes following how her fingers slide so easily between her folds, spreading the wetness as she teases her hole. Of course she’s taking her time with it, only to make sure he registers every tiny detail, just in case he forgot.

Her head tilts to the side with a quiet gasp when she pushes slowly inside. The sound of her wet entrance is enough to make his knees weak, still, his body turns to stone.

On the other hand, his heart is a mess of pride and frustration — pride that she still feels comfortable to be this vulnerable and open in front of him, frustration that he has to see her like this, untouchable. That's why he's not even blinking, too afraid he'll miss a thing.

She starts to gently rock her hips against the bed, fucking her fingers in and out, her body trembling as her whimpers fill the room. It's too much for Lando, but luckily, she didn't say anything about moving. His legs finally give out, and he falls to his knees, the sound of his breath ragged and uneven as he gets closer to her.

Yes, she's in charge — for now, at least — but he can't stop his words slipping out. Quiet, yet demanding.

“Slower,” he says, fixing his eyes on the way her fingers slide over her clit. “Don't rush it, please. I want to see all of you.”

Her gaze meets his, and for a moment, neither of them says anything else. She sees the vulnerability etched into his features, the way his body betrays him, shaking with restraint, completely at her mercy.

He looks like a man unmoored, defeated. So beautiful.

“Lando…” she breaths heavily, her back arching against her own hand, that flattered slightly at his words, a blush creeping up her neck and cheeks.

She hates how much he still affects her, obeying him without questioning his ways. Like no time has passed whatsoever.

When they make eye contact again, it's like they silently agree to go with it; whatever tonight will bring.

“That's is,” says Lando with satisfaction as she resumes her movements. “You gorgeous little thing. So beautiful when you listen, yeah?”

She nods, feeling him leaning forward just slightly, close enough that she can feel his warmth on her skin, without him touching her in any way. The air feels electric, her breath stuttering as she keeps fucking up her fingers under Lando's careful guidance. He watches every motion, his jaw tightening, ignoring the ache in his boxers the moment she finds her sweet spot, crying at how good it feels. She tries to muffle the moan, but Lando catches the hesitation, his eyes narrowing in her direction.

“No, let me hear you. Please, let me hear you,” he implores, exhaling sharply. “God, you're perfect. I could watch you forever.”

Lando can't help but notice how receptive she becomes at his words, her body tightening at the way he's praising her. As a result, she presses her fingers harder onto her clit, feeling the pressure building inside.

“Mhm, Lan…”

“I'm with you, baby. Keep going,” he encourages her, his gaze fixating on the slickness dripping between her legs. “Fucking hell. You're already so close, aren't you?”

It's like every word gets caught in her throat, and the only way she can reply to him is with a pathetic, desperate whimper.

In hindsight, she's never came from her fingers so quickly before, but the wave that’s hitting her from every direction right now is too intense to process right away.

It happens too fast, and the next thing she's aware of is Lando's voice, bringing her back.

“Please,” she hears him beg, managing to give him a slight nod of her head in return.

In that moment, the lights go out. Even so, Lando wants to be patient, as his index finger lightly brushes against her warmth. She exhales, giving up control, her gaze locked on him as if he is the only one that ever knew her. Meticulous, Lando traces his long, rough finger through her wetness, causing a shock to run through her whole body as it moves up and down her clit.

She thought she already crossed her limit, but then he leans down to press his mouth on her — deliberately, unapologetically, thirsty.

Lando lets out a deep, guttural groan that reverberates against her, causing her hips to twitch slightly. His tongue is wet and warm on her pulsating clit, leaving her breathless while he tastes her like it's the last time.

“My sweet, sweet baby,” he whispers, his voice intimate and personal, the words enveloping her in layers and layers of honey.

Feeling his warm breath on her center causes a surge of tension within her, making her walls tighten as his tongue explores within. He can't help but smile just as she leans into him, her body responding naturally, and he grips her thighs, closing the remaining gap between them. At that, she instantly buries her fingers in his curls, her hips mimicking his head movements.

“Oh, fuck,” she exhales abruptly.

The rest is pure bliss — his tongue licking in deep strokes, his muffled moans between her thighs, and the way he can’t seem to let go of her, gripping her tightly because he’s been deprived of her taste for so long.

Just for a brief second, Lando raises his head and, as his gaze remains fixed on her eyes, his mouth sucks gently at her clit. She's never seen him so desperate before, the sight of him owning her like that covering her entire body in chills.

Gradually, his kisses become way too powerful, which forces her to quickly grab his messy curls and pull him closer, unable to control herself anymore.

Without any warning, she screams his name as her climax hits her like a tidal wave for the second time in a row.

His growling makes her thighs quiver in his grasp, the vibrations intensifying her pleasure as her body convulses with each new sensation, while Lando’s tongue continues licking her during every heartbeat and shiver.

Next time she looks at him, his lips shine, his cheeks are red, and his gaze so intense that it causes her heart to skip a beat, creating a connection that seems more profound than any physical sensation she's just experienced.

He didn’t try to give her the best she’s ever had, but attempt to remind her how well he knows her body — to show her she still belongs to him.

“You’re so pretty,” says Lando, keeping his eyes on her, while he presses one finger back inside her cunt to test how thight she is after her second orgasm.

“Lando,” she spits his name at the unexpected touch, still too sensitive, “What… are you doing?” she gasps softly, a mixture between a sigh and a moan, when Lando's finger pulls out and glides across her wet, delicate clit once again.

“What do you think I’m doing?” Lando murmurs against her thigh, his voice low and reverent.

He grins in her direction, while his thumb circles her clit with precise intention, like a wheel gripping the perfect racing line. Sure of himself, Lando continues his movements, realizing how overstimulated she is, as he gets up to hover above her. Her hips buck instinctively into his hand, a jolt of reaction she can’t control.

Seeing Lando on top makes her react on instinct, wrapping one arm around his neck, while the other hand travels down his chest. The heat pooling in her stomach rises fast, an apex she didn’t expect to reach so soon. It’s intoxicating, her body spiraling as her mind blanks out the world beyond him.

“Lan—” she gasps, her back arching as if trying to escape, though every fiber of her betrays that she wants more.

“Come on, baby,” he says, increasing the pace. “You can give me one more. You're doing so well, I know you can,” his voice is a blend of dominance and desire, while his fingers press into her, knowing exactly where to go and how to bend, “Like that, see? So easy for me to read you. I could fuck my fingers into your pretty hole all night long and you'd still come for me every single time, wouldn't you, baby?”

Shaking, she clings to his neck, crying out his name in spasms. He loops his free arm around her, gently kissing her cheek — a gesture so tender and innocent that makes her heart grow ten times in size.

She grips his shoulder with one hand, her eyes closing in pleasure. “I can’t—” she chokes, the words tumbling out between ragged breaths.

In an attempt to get her power back, she tries to push at his wrist, but his arm steadies her, determined.

“Of course you can, love,” says Lando, his voice a gentle command, the firmness in his tone like a driver refusing to lift his foot off the pedal, curious to see how far he can take it.

Her hand clenches around his arm as his thumb presses against her clit with ruthless precision. She reacts on instinct, muscles coiling tight as she bucks against his hand, not sure what controls her body anymore, since her brain got disconnected long ago. The slik rhythm of Lando's fingers becomes too much, and she knows she's close when he starts curling them inside at the perfect angle.

“La— Fuck, baby, that feels so good,” her voice is a high-pitched cry now, laced with desperation. “I’m going—”

“I know, baby. So pretty. Look at you, making such a mess for me,” he urges, leaning in to kiss her neck.

Her body tightens as pleasure explodes within her, blinding and all-consumming — a full-throttle sensation, unrelenting in its intensity. She sobs his name as liquid warmth spills from her pussy, coating Lando’s fingers. He doesn’t stop there, though, his hand continuing its pace, coaxing every last wave of her climax as his arm holds her securely against him.

“God, I've missed you.”

When her breathing slows down, he falls down on top of her, burying his head in the crook of her neck. Her legs shake slightly, and her fingers curl weakly into his bare chest as he cradles her close.

Lando presses a tender kisses against her temple, his voice filling the quiet. “It wasn’t acciedntal,” he confesses.

She blinks rapidly, tilting her head to look at him, confused, “What?”

“Earlier,” Lando clarifies, “You said I was accidentally waltzing back into your life — it wasn’t accidental,” he repeats.

“What do you mean?”

Lando places a few more kisses on the heated skin of her neck, sucking in a couple of bruises, the gesture meant to buy himself more time for the storm raging in his head to stop.

“Lando,” she pulls him out of it.

“Been trying to figure out how to do this for a while. I just… couldn’t stay away from you anymore,” he admits, looking up at her, his eyes pleading. “I had Max playing detective while I was away.”

She pushes him off her to sit up on the bed, pulling at the edges of her dress. “Seriously, what?” her tone is not defensive — at least not yet — but there’s a sharpness to it that cuts into him.

“No, I didn’t mean it like that,” he rushes to explain, “Look, I didn’t stalk you or anything. Nor Max,” he continues, getting up to stand next to her. “I didn’t even know where you lived until you brought me here. I swear.”

She wraps her arms around her own body, needing something to ground herself, “What did you do, Lando?” the girl asks, her voice quieter now.

He swallows, “I just asked him to check in on you. To see if you were okay.”

“And how did he do that?”

“He saw you tagged in a pic on this girl's account, and then did some research on the people you were with, paid some dudes to find out if their records were clean—” he starts chuckling when her fist hits his shoulder, playfully, but still with intent.

“Don’t be a dick,” she warns, her smile giving away the fact that she’s still amused by his immature sense of humor.

“I just… didn’t want to simply appear out of nowhere if you were happy. If you’d moved on,” Lando continues, his tone more serious now. “But when he told me you seemed like you hadn’t, I couldn’t keep pretending like I was fine. I'm really not.”

His honesty was always a breath of fresh air, but now it's suffocating. Hearing him admitting he's not okay, implying that she's the reason why, is simply heartbreaking.

Her arms drop slowly to her sides, her fingers gripping the edge of the bed, “Why now, Lando? And why not text or call?”

He scoffs, “Can you look me in the eye and tell me honestly that you would have picked up if I called? Especially given how we left things?”

She cups Lando’s chin in the palm of her hand, forcing him to look at her, “I'll always pick up if it's you.”

The admission makes his chest tighten.

Lando shakes his head, “I promise I’ve tried,” he says, “God, I’ve fucking tried. I threw myself into everything, and nothing worked. Racing, training, sim sessions, going out with the guys — no matter what I did, I was constantly thinking of you. Every night out felt wrong because I wasn’t coming home to you. And I know home is such a vague word for me, because I’m mostly away, but you made every single place feel like home, and that's why it didn't matter where I was at the time. I just needed… need you in ways I can't nor want to explain.”

His confession makes her head spin. The breakup had been difficult for her, but she hadn’t considered how Lando had handled the past five months. All along, she had assumed he wouldn’t miss her — that his life, always on the road and consumed by his own pursuits, was too busy to notice the absence of one small, insignificant detail: her.

She's now realizing how wrong she had been to think that way.

“So…?” she finally asks. “Do you think a few orgasms later can mend what was broken five months ago?”

“What? No, of course not,” he says firmly, leaning forward, his elbows digging into his thighs. “I swear, all I wanted to do tonight was talking to you. I didn’t plan on getting to this point, but I can’t say I’m mad about it,” says Lando, taking her hand in his, brushing his thumb over her knuckles. “You still want me,” she shoots Lando a rapid look, studying his face, “Just like I want you. I see it, I feel it. Baby, I know it.”

Her heart pounds in her chest, the sincerity in his voice cutting through her defenses like a hot knife through butter. She wants to be angry, to accuse him of being selfish, but the truth is, she isn’t. Maybe it’s foolish to believe him, but one thing Lando never did was lie to her. He did worse, yes, but he never lied.

“Lando...” she starts, but her voice trails off, wishing her head would stop spinning so she could think.

“I know I hurt you,” he continues, his voice softer now, “You hurt me. We hurt each other. But we're too good together not to find a way to make it work .”

She doesn’t respond immediately, her mind racing with memories of their past — the good, especially the bad, and everything else in between. Her fingers toy with the fabric of her dress, her eyes flickering between his face and the floor. The room is heavy with silence and, just for a moment, she lets herself believe that maybe, just maybe, they could find each other again.

Otherwise, if it's meant to fall apart, then let it happen with them gasping for air, tangled together, connected in every way imaginable.

THE MORNING SUN filters shyly through the curtains, soft and golden, spilling across the bed where Lando stirs awake. He’s all alone, the sheets around him rumpled from where she had slept. He blinks up at the ceiling, a little disoriented. Then, he hears the faint sound of running water and realizes she’s in the shower. It makes him feel like everything went back to normal, but he can't be sure of what's going to happen next. He can only speculate and hope, but nothing more than that.

The quiet is interrupted by the persistent buzz of his phone on the nightstand. He reaches for it, still groggy from sleep, scrolling through a handful of texts from last night — banter in the group chat, some Instagram notifications, a few missed calls; nothing too important to catch his eye. He places the phone back on the smooth surface carelessly, and his hand knocks over something solid in the process.

Frowning, he sits up to put it back in its place, and that’s when he sees it — a framed picture of them, taken during a rare quiet weekend in Monaco over a year ago, right at the beginning of their relationship. She looked so happy back then, caught mid-laugh as Lando was gazing at her with an expression so tender that it makes his chest ache now. The weight of the memory hits him harder than he expects, pulling him fully awake.

The sound of the bathroom door opening makes him turn, and he puts the frame back quickly. However, it's enough for her to catch his sudden movement, her eyes flicking to the photo and back to him.

Her cheeks flush a deep pink. “I meant to put that away,” she rushes to say, pulling the towel tighter around her body like it might shield her from the embarrassment.

“Carlos took this one,” his voice is soft, as his eyes shift back to the frame. He picks it up again, turning it in his hands. “You asked me why didn't I call, but… why didn't you call?”

She laughs dryly, crossing the space to take the frame from his and and placing it face down on the nightstand. She sits down next to him, shrugging.

“And tell you what, Lando? That I couldn’t stop thinking about you even though you broke my heart?” she asks, shaking her head, the embarrassment turning into something closer to frustration. “It’s just a stupid picture, anyway. We barely knew each other when it was taken.”

“It’s not stupid,” he contradicts her vehemently. His hand reaches out tentatively, brushing against her soft forearm. “It's nice to know I wasn’t completely crazy for hoping you felt the same.”

Her lips part like she wants to say something, but no words come out. The towel slips slightly, and she clutches it tighter, her defenses crumbling under the weight of his hungry eyes.

“Lando…”

“Leave it there, yeah?” he says, pointing at the picture. “Facing your side of the bed, preferably.”

Seeing her suddenly deep in thought, Lando grabs her wrist and gently pulls her onto his lap, his thumb lightly brushing against her silky skin.

She looks at him, her emotions warring on her face. “If it makes me look less pathetic, it was face down most of the time.”

Lando laughs, his hands finding her waist, then her hips, steadying her on his lap, “I love you,” he says it casually, but it still freezing the blood in her veins.

Her fingers fly towards his mouth to cover his lips, “Don't,” she warns.

“You know I do. I was serious last night. You don't have to decide anything right now, but I'm not going anywhere. It sucks we needed to hurt for a while, we're both at fault, but I never stopped loving you,” he repeats.

“You're so unfair.”

“Don't care, say it back,” he teases, digging his fingers into her skin to tickle her sides.

She starts giggling, “Don't you dare.”

His grin widens, “Or what?” he asks playfully as her hands fly to his, trying to fend him off.

“Lando, I'm serious. Stop it,” her laughter blends with his while he leans in closer, his lips brushing her ear.

“I need to hear it, baby. Please. Just say it back.”

“It back,” she chuckles, feeling his fingers tickling her so mercilessly that tears form in her eyes. Their laughter bubbles over, loud and uninhibited, until she collapses against him. “Okay, fine. Fine,” her breathy voice stops him in place, catching his attention. “I love you, Lando.”

A simple confession; he asked for it. But none of them expected it to hang that heavily between them. It's not a lie — not in the slightest — and Lando knows it.

“Enough to give us a second chance?” he asks.

Her breath catches at the sudden shift in his tone, and before she can reply, his thumb traces her cheek gently.

“I'm so scared,” she admits, leaning into his touch.

Lando sighs, understanding too well where she's coming from, “I know, baby. But I'm even more afraid of losing us again. Losing this…”

His hand slides down her chest, tracing the curve of her breasts. With a gentle movement, he tugs at the corner of her towel, letting it drip smoothly down her body. Patiently, he runs his hands down her waist, moving back up to her chest as they leave goosebumps in their wake. Hungry, his hands rest on her breasts, squeezing them lightly until he feels her nipples in his palms, and she drops her head on his shoulder, whimpering softly.

Memories of last night make her body shudder, feeling the heat between her legs intensifying. Following his lead, her fingers start tugging at the waistband of his boxers, until they slip low on his hips.

Lando moves one hand around her neck, pulling her in for a kiss. He groans against her mouth, his breath hot and ragged, before breaking their connection long enough to kick the boxers aside.

Skin on skin, their bodies align like two puzzle pieces.

She hovers over him, his hands on either side of her, “I wanna take care of you,” he speaks softly, closing his eyes when her forehead rests against his. “Please, let me take care of you.”

There’s a vulnerability in his tone that twists something deep inside her. She's just learned how to be independent again. She can't throw all of it away. She can't let herself slip.

She can't.

“Okay,” she whispers, her voice steady despite the storm raging within her.

Her answer is all that Lando needs to hear. His lips crash back onto hers as he swaps their positions, lowering her onto the bed, his body pressing against hers, warm and solid. And so very real. Every touch, every kiss, every whispered word feels like a promise, a vow that he won’t let her slip through his fingers again.

And then, Lando takes control — not the type of dominance he's used to when he steers his car. It's more like devotion; his hands map her body all over again, like a driver learning every twist and turn of a new circuit, his lips following the trail his fingers blaze.

She arches into his touch, responding to him in ways she thought she’d forgotten.

But the body remembers.

And the remembering is, oh, so good.

Last night was just the warm-up, she reckons — an act meant to remind both of them how well they fit together. Lando was gentle, kind, and patient. But now, she sees the shift in him.

His eyes are darker, filled with lust, his touch greedier. She can't help but smile when she realizes that the Lando she knows all too well — the one who’s needy, insatiable, and unrelenting in his desire for her — is still there, and so ready to show off.

Her skin tingles in anticipation as she watches him, knowing exactly what he wants. And for once, she wants it just as much. Maybe even more, considering how her body is acting independently from her brain.

She wants him to give her everything, to burn through her until she’s left gasping and wet and ruined, and she’s ready to meet his hunger with her own.

But before that, “We're not done talking,” she tells him, breathing heavily against his mouth.

“Yeah, we'll talk. Stay with me and we'll talk all you want, baby.”

She wants to protest, but her air gets knocked out of her lungs and her fingernails sink into his shoulders when Lando nudges the head of his cock up and down her slit to collect the wetness. With a gentle kiss on her jaw, she closes her eyes, tracing her fingers down his arms as he pushes inside.

They both exhale, relieved that they're back where they belong.

Talking can wait.

Lando's hands grip her waist just as he pulls out, only to push back in, all the way to the hilt in one slow, but hard thrust. The feeling is almost too much for her, which is ridiculous since he just started moving. But she feels so full, and the sounds he lets out only make her open up for him even more.

“Wait, wait,” she can barely recognize her own voice, stopping Lando when their hips touch together.

She can't explain it, but she needs it.

“What's wrong?”

She looks down between their bodies, confusing Lando even more. “I…,” she begins, but she's not sure how she's supposed to voice her need.

“It's okay, you can tell me,” he assures her, bringing his hand to cup her face in his palm, tracing his thumb over her cheek.

“I—need a second to feel you,” she explains, pushing his hand away only to trace her palms over her face.

Lando chuckles, “Baby, don't hide from me. You're driving me fucking mad when you're blushing.”

“I'm not blushing,” she contradicts him, raising her hips against his, her walls hugging him tighter with every move.

“No?” whispers Lando roughly as if he lost his voice. “God, you're perfect. So good, so fucking sweet and perfect around me, baby.”

Her legs tighten around his waist, keeping him inside, while one hand moves to his lower back to push him against her even more. There is no physical space left between them, but she still wants more. It only makes Lando's cock throb inside her pussy, giving her a few more seconds to adjust to his length before he pulls all the way out and slides back, searching for the perfect pace.

“Fuck, Lando,” she whines, burying her fingers into his hair, tugging at the roots.

“Yes, I know,” agrees Lando, his eyes flicking over her face. His insides tighten at the sight of her parting her lips in pleasure, her breathing hot and irregular. “You're so beautiful from this angle.”

“Shut up,” she cuts him off, which makes Lando chuckle again.

“Why would I?” he asks, leaning closer to her ear, while thrusting a couple more times before pausing. “You look like a fucking goddess taking my cock so well.”

She squeezes her eyes shut at the sound of his voice, low and raspy, rocking her hips to find that sweet friction against her walls again.

“Keep,” she whines, “Keep going, then. Let me have it.”

Lando presses his lips on hers at the same time he resumes his movements, his hands roaming all over her body.

“You can have my cock, baby,” he groans into her hair. “All yours.”

She nods, wrapping her fingers around his biceps, “Yeah?”

“Promise you,” says Lando.

After that, he picks up pace, both falling into an agonizing rhythm. All this time, she had thought that familiarity might dull the edge of being with Lando, that knowing his moves would make it predictable and boring, maybe even ordinary.

Somehow, it’s the exact opposite.

It’s because she knows him, and he knows her so well, that every touch feels ecstatic, every kiss charged with meaning. He doesn’t need to guess what she likes; he already knows how to unravel her, how to leave her trembling and breathless. And she knows exactly what will make his breath hitch, how to draw out that low, desperate groan that ignites her own fire.

In a way, every time feels like the first, but it's always much better, because they know how to make each other fall apart like no one else can.

“Please,” she gasps, breathing wetly in his shoulder. “Harder.”

One thing about Lando, he's always been good at listening. Without thinking twice, he tightens his grip on her hips, fucking his cock inside her harder and faster than before. In an instant, her ears are blessed with the way his moans sound.

“God, I've missed fucking my pretty girl like this,” says Lando, his hands moving on her thighs to spread her more so he can slide in faster. “It's never like this, baby, fuck.”

Being with Lando is chaos, the kind of beautiful, consuming chaos that leaves everything around them in shambles. They are loud and messy, and everything is sweaty and wet and sticky. He kisses her like he’s starving, touches her like he’s desperate to memorize every inch of her skin, and she matches his fervor, meeting him with the same wild energy that pulls them under. Together.

“Lando,” she spits his name out of her mouth in short spasms. “Lando, Lan… Lando.”

It's almost like a cry for help, but she doesn't need saving. Not when he's fucking her so good, slamming against her over and over again, until the outside world fades away and all she remembers is his name.

“Lando,” she whimpers again.

“Keep me in, love. Like that,” she can barely hear him over the sound of skin slapping on skin. “Fuck. You're taking me so well, I won't stop fucking you, baby. I won't—”

She sucks in a breath of air, her body buzzing with pleasure. Wrapping her arms around his torso, she can feel how hot and sweaty his chest is. She moves with him for a couple more thrusts before she lets go, the sound of Lando fucking in and out of her while she comes so obscene that it makes her eyes roll.

“I'll never get tired of seeing you coming like that,” says Lando, pinning her to the bed, his cock feeling so fucking good inside of her that it makes him see stars. “So fucking hot, baby.”

Her nails scratch the skin of his back as her pussy clenches around his length, forcing another hiss out of Lando's mouth.

“Don't stop,” she manages to say, even though she feels her throat raw.

“Ah, look at you, now. Being so good for me,” says Lando with a smirk, tugging at the corner of his mouth. “Letting me fuck you when you're sore and spent. And so wet, baby, you're dripping all around my cock. Fucking hell.”

Lando's jaw clenches, a visible battle playing out in his face as his breath hitches. She feels him moving deeper, hitting the sweet spot inside her, sending ripples of pleasure through her body with every thrust.

“Yes—fuck. Don't stop,” she repeats.

His eyes widen as he tries to hold on for as long as he can, but it's hard when he flashes his eyes in her direction and catches her already looking. It doesn't take long for him to realize there's a replica to her first orgasm. He nods, without saying anything else, bringing his hand up to her neck. She places hers on top of his, not to push it away, but to let it rest there as a sign that it's fine to claim her if that's what Lando needs.

And that's enough for him to lose it.

“Baby,” he breaths out, fucking her slopply, any sense of order dissolving under the weight of their eye contact.

She arches into him, her fingers trembling as they rise to cup his face.

“Keep your eyes on me,” she demands, her voice a desperate need.

She pictured that face thousands of times in the past months, but nothing compares to this. Lando groans at the command, his hooded gaze staying on hers. The intensity of his expression nearly undoes her again — his pupils blown wide, lips parted as he lets out s string of cuss words.

“That's it, pretty boy,” she whispers, her thumb brushing over his cheek as he moves inside her, his pace faltering for just a moment before he snaps back into thay sloppy rhythm, chasing his release. “Want to see you when you let go.”

She barely finishes her sentence when his orgasm crashes over him like a tsunami; no one would be able to even tell where she begins and where he ends.

Lando looks so beautiful and wrecked, and she drinks in every second of his surrender.

Beautiful, beautiful, beautiful.

When his features soften, she sees how vulnerable he is, and it leaves her breathless.

Satisfied and content, her fingers still trace his face, wanting to remember the exact way he looks in this moment, when he is completely hers.

Unable to support his weight, Lando collapses on top of her, feeling his body as light as a feather, which is so far from the truth. But she doesn't mind; she loves the feeling, actually. She loves the heaviness, and the way he keeps his cock tucked deep inside her, wet and softening slowly, not allowing his cum to leak out of her.

Descending back down from their high, the only sounds in the room are their slowing breaths and the soft rustle of the sheets. It's hard not to notice the weight of reality when it begins to creep in around the edges.

She lies beneath him, her fingers lazily tracing patterns on his back, but her mind is miles away.

“When are you leaving?” she finally asks, her voice barely above a whisper.

Lando tenses for a moment, then shifts to lie beside her, propping his head on his hand to look at her. The vulnerability in her eyes twists something deep inside him.

She swallows hard, suddenly flooded by all the reasons they had fought, all the late nights filled with misunderstandings and misaligned priorities. She remembers all the reasons why they broke up, and thinking how bad of an idea this has been. Because, how can she let go of him again, without feeling like she'll be losing both her head and heart in the process.

“On Tuesday,” says Lando softly. “But not how you think.”

Her brow furrows in confusion as she turns to face him. “What do you mean?”

Lando leans over, his hand caressing her cheek as he gathers his thoughts.

“I’ve been thinking about us for months. Since you left, actually,” he begins, his voice low and deliberate. “I had a lot of time, and I managed to figure out why it didn’t work before, why I couldn’t give you what you deserved. So… I’ve talked to the team.”

She almost stops breathing, her eyes widening in his direction while she waits for him to continue. Months ago, she would've die to have this conversation, and now that it happens, she doesn't know how to behave.

“I'm working on a schedule. To have more time for us,” Lando explains.

Her heart skips a beat. “You’d do that?”

“For us,” he repeats, his voice firm. “I can’t keep pretending I’m okay without you. I don't want to be okay without you, it's stupid. And I don’t want to keep coming back here, hoping for a second chance, only to mess it up again. I want to get it right this time.”

She stares at him, not knowing what to do with that information. This is not the Lando she knows. The recklessness and impulsivity got replaced by caution and planning the steps ahead. It's new, and exciting, and it makes her tear up.

“And what if it still doesn’t work?” she asks, her voice small.

He leans closer, his forehead touching hers. “It will.”

His tone is so definitive that she can't say anything else, letting the silence stretch between them as she searches Lando's face for any sign of hesitation.

There’s none.

“How... did you actually know where to find me last night?”

Lando smirks, studying her face with half-closed eyes, bringing his hand to her jaw. “That friend of yours posted on her story. Honestly, I didn’t know you were going to be there. But I hoped.”

She shakes her head, scoffing, “Stalker behavior.”

Lando shrugs nonchallantly, “I just happened to be nearby,” he chuckles.

“Lucky me,” she says, tracing the contour of his nose with her finger, stopping on his jaw.

“Lucky us,” he corrects, pulling her in for another kiss.

Thank you for reading!

None of my works are available for reposting on other platforms. Reblogs, likes, and comments are deeply appreciated ♥︎

© trashy track tales, 2024

[maniculum]

Hear me out: this is a mostly plausible alternate history alphabet.

The places where this one is wrong are all the most RECENT changes to the English alphabet.* So clearly we’re looking at an alternate history with a point of divergence sometime around the late medieval / early modern period. It's got to be a post-printing-press era because the handful of letters that occurred in English but not Latin during the medieval period are all absent, and the development of the printing press was the final push that made English drop them.**

First, ⟨j⟩ wasn’t invented in this timeline. Note that ⟨j⟩ is a very recent letter; there’s no attestation of it being used to represent a distinct sound before the 16th century, and that idea didn’t make it into English until the 17th century. Before then, ⟨i⟩ was doing extra duty. ⟨j⟩ actually developed from a variant of ⟨i⟩ — if you’re familiar with the “long s”, it’s like if someone decided that we should split it off as its own letter, so e.g. ⟨s⟩ made the /s/ sound and ⟨ſ⟩ made the /ʃ/ sound.*** There was a conventional usage where sometimes you'd put a little hook on the ⟨i⟩ depending on its position in the word, just like the long s was position-dependent, and we turned the hooked ⟨i⟩ into ⟨j⟩.

Second, ⟨w⟩ developed differently. Now, ⟨w⟩ as its own letter is also recent, BUT there was already a substantial history of people using a literal double-u -- ⟨uu⟩ -- to represent that sound. However, the differentiation between ⟨u⟩ and ⟨v⟩ is also quite recent, following similar logic to the ⟨i⟩ and ⟨j⟩ thing from above, and developing around the same timeframe, which is why even though we call ⟨w⟩ a "double-u" in English, it looks more like a double-v (and in fact some languages call it that). At the time we named it, those were functionally the same thing; whether the name solidified as "double-u" or "double-v" was pretty much arbitrary. Anyway, you could interpret this alternate alphabet as having split ⟨w⟩ in two at the same time they split ⟨u⟩ and ⟨v⟩: perhaps the ⟨w⟩ with the blob in the middle could represent a "crossed" ⟨w⟩.**** If you want a speculative usage of the second ⟨w⟩ (which we could name "double-v"), I propose that one could represent /w/ and the other could represent /ʍ/.***** Of course, if I were designing an alphabet that split ⟨w⟩, I'd literally do a double-u and a double-v, so that the two characters were ⟨ɯ⟩ and ⟨w⟩.

The semicolon is a tough one, and the reason I described this as MOSTLY plausible. The only possible explanation I can advance is that its inclusion is inspired by the history of the ampersand, ⟨&⟩. For a time, ⟨&⟩ was included as a letter of the English alphabet, usually listed at the end. One could imagine the designer of this alternate alphabet as deciding that they also wanted to change things up by including a punctuation mark, and picking ⟨;⟩. But of course this is misguided, because in fact ⟨&⟩ isn't a punctuation mark; it's a ligature of ⟨et⟩, and I believe technically it qualifies as a logogram.

* I specify "English" because I am not up on the history of orthographical innovation in other languages that use the Latin alphabet. I’m sure there have been more recent changes in other languages’ implementation of the Latin alphabet, but these are the most recent changes that apply to English.

** When Europeans first started making movable type, it was designed to print Latin, so letters not in Latin weren’t available, meaning printed texts couldn’t have ⟨ð⟩, ⟨þ⟩, ⟨ƿ⟩, or ⟨ȝ⟩. Some Norse languages held onto ⟨ð⟩ and/or ⟨þ⟩ anyway and eventually people did make type for them, but English ditched them pretty quickly. To my knowledge no current writing system uses ⟨ƿ⟩ or ⟨ȝ⟩; ⟨ƿ⟩ didn't seem to fully catch on even in the medieval period, and I don't think ⟨ȝ⟩ was ever in use outside of the British Isles. English orthography was kind of already phasing out its extra letters even before printing arrived, so they never had a chance.

*** For people who don’t know IPA, /ʃ/ is the sound English currently represents with ⟨sh⟩. English apparently decided that “add an ⟨h⟩” was the basic solution to differentiating any two consonant sounds, as likewise it replaced ⟨ð⟩/⟨þ⟩ with ⟨th⟩ and ⟨ȝ⟩ with ⟨gh⟩.

**** Annoyingly, there's no Unicode symbol for "crossed W", but it's the style that they use in the Wikipedia logo if you want an example. The two ⟨V⟩s overlap in a kind of x shape instead of meeting at a point in the middle.

***** The phoneme /ʍ/ does occur in English, but it's a little hard for me to describe because it's fallen out of a lot of dialects, including my own. If you pronounce ⟨w⟩ and ⟨wh⟩ differently, your ⟨wh⟩ is probably /ʍ/.

One of the greatest Tweets and it hasn't even existed for 24 hours

[seeliemansi]

Mr. Crawling hated Bath Time and Showers

Warnings: 18+, MINORS DO NOT INTERACT, hint of SMUT, ghost revenge. It's not that bad.

my first post was flagged. dunno if it was reported but seriously?

🧼

No thoughts but forcing Mr. Crawling to take a shower. He has been crawling around since you met him and you have noticed his dirty and tattered clothes. There wasn't a problem when you two were still in that old abandoned building. But in your apartment? Being unclean is a no go. Just like a dog who hates baths, Mr. Crawling hated the idea to the point that he refused to go out of your closet. He had been repeating the same words as you try to pry the doors open.

"You not love me?" "Why bath?" "Not love me that's why bath?" "I like you but you not like me."

You admit it was kind of adorable. It was the same when he panicked when asked if he wanted his hair to be cut short.

You are getting out of nowhere and so with a promise, you told him that he can ask you of anything if he takes a shower. Just like offering a dog a treat during training. It took a lot of reassurance, but in the end, he allowed himself to bathe. If it was that easy.

And just like a vengeful dog that shakes its fur, to spray the excess water on its owner - Mr Crawling did the same.

He flinches, and he jerks, splashing water all over your already small bathroom. And ultimately drenched you, when he strongly pulled you down with him after he freaked out when the hot water turned cold because he was taking too long. You have no choice but to take a shower as well or you'll get a cold.

You can't help the tick of annoyance when he sighs in content as you help dry his hair. His head is on your lap, and he seems refreshed and peaceful. If he wasn't so cute, you will probably get back at him. But he looks so clean, comfortable, and glowing with happiness.

Maybe next time.

Showers always make you feel drowsy. You blink slowly and feel relaxed as he looks up with a wide grin. You can't help but give him a peck on the lips and kiss on his forehead. Such a good boy.

You chuckle when you hear his infamous giggle. You were about to continue drying his hair when he quickly moved, grabbed your shoulders and forcefully pushed you down the couch.

"Done! Me treat!" He declared.

"What?"

He didn't even give you enough time to think when he suddenly held both of your legs and pulled you closer to him. You remind yourself to apologize to the neighbors if they complain about the noise.

He didn't even give you enough time to raise yourself using your elbow, when he raised both your legs up, put it on his shoulder, and giggled as he was face to face with your clothed core. You can feel his hot breath and you gasped when he sniffed you down there. His giggles reverberate as he teases you with an experimental lick.

"Shower here too. Wet."

Is all you remember him say as you felt a full blown shiver of want from your head to your toes. It will be a long night for sure.

He may be cute but Mr. Crawling can be extremely vengeful because you had a hard time walking the next day. He made sure that it wasn't only him who would crawl around. And weirdly enough, after that, he was the one who reminded you that he needed a shower.

[transmisogyny-explained]

I want to submit a perspective on "afab transfemininity" from. an afab multi gender person. I know my experience isn't representative of everyone who calls themselves this, but I wanted to at least share

I don't call myself a trans woman, I hesitate to call myself transfem. nonetheless, I feel connected to femininity in a distinctly transgender way. when I first came out, I hated being a girl. I was a transmedicalist and validated myself by invalidating others. I had to face a lot of internalized misogyny and transphobia in order to really learn what it meant to be a man. after I started testosterone about 3 yrs ago, I realized I was a lesbian, and started feeling more comfortable being, at least in part, a woman. it was different this time because it was something I liked, something new and my own, not something ascribed to me. it's not cisgender in any way, it is transfemininity

this being said, I know my experience toward transfemininity is extremely different from the norm. I am not what most people are referring to when they refer to transfems, and there are many definitions of transfem that do not include me. despite that, I do have some experiences that overlap, things I can relate to. my femininity is at its core transgender in nature. my gender now is more complex... I feel like both a man and a woman, neither and both. but that doesn't mean my feelings about my gender are predatory or invalid. I don't want to talk over transfems, I am very aware of my place in these conversations. but I still have a place, and it frustrates me to see you share posts that minimize my experience into a stereotype

Why do you view transfemininity as being, at its core, the experience of being “both a man and a woman” lmao

Get back to me when you start viewing trans women as actual women and transfemininity as actual femininity, and not an aesthetic or a vibe or “some other third thing” apart from femininity.

You “feel femininity in a distinctly transgender way?” Congrats! You’re nonbinary! But that is NOT what being a trans woman is — Their womanhood and femininity is not essentially different from cis women’s.

What you are describing is a very generic experience of being a feminine nonbinary person, and I don't say that to insult you; but to compare that experience to those of trans women’s betrays the fact that you don't view them as the same gender as cis women. Which is transmisogyny. It’s textbook third-gendering.

Call yourself a nonbinary woman- Call yourself whatever you want, in fact. But trans women and TMA people are never going to feel safe around you so long as you continue insisting that transfemininity is essentially the same as the nonbinary femininity you experience, and essentially different from “real” cis women’s femininity.

Also, can I just say that it’s a little condescending that you would end your ask by saying “I’m aware of my place in these conversations, but…”

Like, if you were really “aware of your place” and were actually listening to transfems when we talk about transfeminism, you would be able to recognize the enormous amount of transmisogyny baked into your message. On top of the third-gendering, you also managed to:

Imply that TMA people don’t understand the complexities of gender and nonbinarity like you, a TME person, do

Imply that TMA people creating the language and spaces to discuss our experiences in a way that excludes you, a TME person, is invalidating and somehow tantamount to labeling you as “predatory” (what does that even mean?)

Sent an unprompted ask to a transfem’s blog venting your frustrations with the language of transfeminism, despite the fact that I’m not even the one who made those posts?

Showed a pretty absurd amount of entitlement by insinuating that it’s somehow my problem that you feel frustration over misunderstanding the basics of transfeminist theory

Subtly demanded that I do the emotional labor of managing your frustration, which, frankly, is just classic misogyny

Displayed a complete lack of understanding towards what transmisogyny even is, nor why we, as the direct targets of transmisogyny, need the the language and spaces to discuss it

I really don’t care what transfem “experiences” you think you relate to, the fact that you perpetuate and can benefit from transmisogyny will always separate you from us, and if you actually gave a shit about us and our struggles, you would recognize that and try to be a better ally to us rather than co-opting and redefining our language in a shallow attempt to define us out of existence.

As has been said countless times now:

“Transfeminine” does not mean “trans + feminine,” it is a term coined by TMA people to describe our specific experiences with being denied our femininity. That is something which you, as a person for whom (as you said) womanhood/femininity was ascribed by the system of patriarchy, cannot understand in the way we do.

[amateurvoltaire]

For the past six years or so, this graph has been making its rounds on social media, always reappearing at conveniently timed moments…

The insinuation is loud and clear: parallels abound between 18th-century France and 21st-century USA. Cue the alarm bells—revolution is imminent! The 10% should panic, and ordinary folk should stock up on non-perishables and, of course, toilet paper, because it wouldn’t be a proper crisis without that particular frenzy. You know the drill.

Well, unfortunately, I have zero interest in commenting on the political implications or the parallels this graph is trying to make with today’s world. I have precisely zero interest in discussing modern-day politics here. And I also have zero interest in addressing the bottom graph.

This is not going to be one of those "the [insert random group of people] à la lanterne” (1) kind of posts.  If you’re here for that, I’m afraid you’ll be disappointed.

What I am interested in is something much less click-worthy but far more useful: how historical data gets used and abused and why the illusion of historical parallels can be so seductive—and so misleading. It’s not glamorous, I’ll admit, but digging into this stuff teaches us a lot more than mindless rage.

So, let’s get into it. Step by step, we’ll examine the top graph, unpick its assumptions, and see whether its alarmist undertones hold any historical weight.

Step 1: Actually Look at the Picture and Use Your Brain

When I saw this graph, my first thought was, “That’s odd.” Not because it’s hard to believe the top 10% in 18th-century France controlled 60% of the wealth—that could very well be true. But because, in 15 years of studying the French Revolution, I’ve never encountered reliable data on wealth distribution from that period.

Why? Because to the best of my knowledge, no one was systematically tracking income or wealth across the population in the 18th century. There were no comprehensive records, no centralised statistics, and certainly no detailed breakdowns of who owned what across different classes. Graphs like this imply data, and data means either someone tracked it or someone made assumptions to reconstruct it. That’s not inherently bad,  but it did get my spider senses tingling.

Then there’s the timeframe: 1760–1790. Thirty years is a long time— especially when discussing a period that included wars, failed financial policies, growing debt, and shifting social dynamics. Wealth distribution wouldn’t have stayed static during that time. Nobles who were at the top in 1760 could be destitute by 1790, while merchants starting out in 1760 could be climbing into the upper tiers by the end of the period. Economic mobility wasn’t common, but over three decades, it wasn’t unheard of either.

All of this raises questions about how this graph was created. Where’s the data coming from? How was it measured? And can we really trust it to represent such a complex period?

Step 2: Check the Fine Print

Since the graph seemed questionable, the obvious next step was to ask: Where does this thing come from? Luckily, the source is clearly cited at the bottom: “The Income Inequality of France in Historical Perspective” by Christian Morrisson and Wayne Snyder, published in the European Review of Economic History, Vol. 4, No. 1 (2000).

Great! A proper academic source. But, before diving into the article, there’s a crucial detail tucked into the fine print:

“Data for the bottom 40% in France is extrapolated given a single data point.”

What does that mean?

Extrapolation is a statistical method used to estimate unknown values by extending patterns or trends from a small sample of data. In this case, the graph’s creator used one single piece of data—one solitary data point—about the wealth of the bottom 40% of the French population. They then scaled or applied that one value to represent the entire group across the 30-year period (1760–1790).

Put simply, this means someone found one record—maybe a tax ledger, an income statement, or some financial data—pertaining to one specific year, region, or subset of the bottom 40%, and decided it was representative of the entire demographic for three decades.

Let’s be honest: you don’t need a degree in statistics to know that’s problematic. Using a single data point to make sweeping generalisations about a large, diverse population (let alone across an era of wars, famines, and economic shifts) is a massive leap. In fact, it’s about as reliable as guessing how the internet feels about a topic from a single tweet.

This immediately tells me that whatever numbers they claim for the bottom 40% of the population are, at best, speculative. At worst? Utterly meaningless.

It also raises another question: What kind of serious journal would let something like this slide? So, time to pull up the actual article and see what’s going on.

Step 3: Check the Sources

As I mentioned earlier, the source for this graph is conveniently listed at the bottom of the image. Three clicks later, I had downloaded the actual article: “The Income Inequality of France in Historical Perspective” by Morrisson and Snyder.

The first thing I noticed while skimming through the article? The graph itself is nowhere to be found in the publication.

This is important. It means the person who created the graph didn’t just lift it straight from the article—they derived it from the data in the publication. Now, that’s not necessarily a problem; secondary analysis of published data is common. But here’s the kicker: there’s no explanation in the screenshot of the graph about which dataset or calculations were used to make it. We’re left to guess.

So, to figure this out, I guess I’ll have to dive into the article itself, trying to identify where they might have pulled the numbers from. Translation: I signed myself up to read 20+ pages of economic history. Thrilling stuff.

But hey, someone has to do it. The things I endure to fight disinformation...

Step 4: Actually Assess the Sources Critically

It doesn’t take long, once you start reading the article, to realise that regardless of what the graph is based on, it’s bound to be somewhat unreliable. Right from the first paragraph, the authors of the paper point out the core issue with calculating income for 18th-century French households: THERE IS NO DATA.

The article is refreshingly honest about this. It states multiple times that there were no reliable income distribution estimates in France before World War II. To fill this gap, Morrisson and Snyder used a variety of proxy sources like the Capitation Tax Records (2), historical socio-professional tables, and Isnard’s income distribution estimates (3).

After reading the whole paper, I can say their methodology is intriguing and very reasonable. They’ve pieced together what they could by using available evidence, and their process is quite well thought-out. I won’t rehash their entire argument here, but if you’re curious, I’d genuinely recommend giving it a read.

Most importantly, the authors are painfully aware of the limitations of their approach. They make it very clear that their estimates are a form of educated guesswork—evidence-based, yes, but still guesswork.   At no point do they overstate their findings or present their conclusions as definitive

As such,  instead of concluding with a single, definitive version of the income distribution, they offer multiple possible scenarios.

It’s not as flashy as a bold, tidy graph, is it? But it’s far more honest—and far more reflective of the complexities involved in reconstructing historical economic data.

Step 5: Run the numbers

Now that we’ve established the authors of the paper don’t actually propose a definitive income distribution, the question remains: where did the creators of the graph get their data? More specifically, which of the proposed distributions did they use?

Unfortunately, I haven’t been able to locate the original article or post containing the graph. Admittedly, I haven’t tried very hard, but the first few pages of Google results just link back to Twitter, Reddit, Facebook, and Tumblr posts. In short, all I have to go on is this screenshot.

I’ll give the graph creators the benefit of the doubt and assume that, in the full article, they explain where they sourced their data. I really hope they do—because they absolutely should.

That being said, based on the information in Morrisson and Snyder’s paper, I’d make an educated guess that the data came from Table 6 or Table 10, as these are the sections where the authors attempt to provide income distribution estimates.

Now, which dataset does the graph use? Spoiler: None of them.

How can we tell? Since I don’t have access to the raw data or the article where this graph might have been originally posted, I resorted to a rather unscientific method: I used a graphical design program to divide each bar of the chart into 2.5% increments and measure the approximate percentage for each income group.

Here’s what I found:

Now, take a moment to spot the issue. Do you see it?

The problem is glaring: NONE of the datasets from the paper fit the graph. Granted, my measurements are just estimates, so there might be some rounding errors. But the discrepancies are impossible to ignore, particularly for the bottom 40% and the top 10%.

In Morrisson and Snyder’s paper, the lowest estimate for the bottom 40% (1st and 2nd quintiles) is 10%. Even if we use the most conservative proxy, the Capitation Tax estimate, it’s 9%. But the graph claims the bottom 40% held only 6%.

For the top 10% (10th decile), the highest estimate in the paper is 53%. Yet the graph inflates this to 60%.

Step 6: For fun, I made my own bar charts

Because I enjoy this sort of thing (yes, this is what I consider fun—I’m a very fun person), I decided to use the data from the paper to create my own bar charts. Here’s what came out:

What do you notice?

While the results don’t exactly scream “healthy economy,” they look much less dramatic than the graph we started with. The creators of the graph have clearly exaggerated the disparities, making inequality seem worse.

Step 7: Understand the context before drawing conclusions

Numbers, by themselves, mean nothing. Absolutely nothing.

I could tell you right now that 47% of people admit to arguing with inanimate objects when they don’t work, with printers being the most common offender, and you’d probably believe it. Why? Because it sounds plausible—printers are frustrating, I’ve used a percentage, and I’ve phrased it in a way that sounds “academic.”

You likely wouldn’t even pause to consider that I’m claiming 3.8 billion people argue with inanimate objects. And let’s be real: 3.8 billion is such an incomprehensibly large number that our brains tend to gloss over it.

If, instead, I said, “Half of your friends probably argue with their printers,” you might stop and think, “Wait, that seems a bit unlikely.” (For the record, I completely made that up—I have no clue how many people yell at their stoves or complain to their toasters.)

The point? Numbers mean nothing unless we put them into context.

The original paper does this well by contextualising its estimates, primarily through the calculation of the Gini coefficient (4).

The authors estimate France’s Gini coefficient in the late 18th century to be 0.59, indicating significant income inequality. However, they compare this figure to other regions and periods to provide a clearer picture:

Amsterdam (1742): Much higher inequality, with a Gini of 0.69.

Britain (1759): Lower inequality, with a Gini of 0.52, which rose to 0.59 by 1801.

Prussia (mid-19th century): Far less inequality, with a Gini of 0.34–0.36.

This comparison shows that income inequality wasn’t unique to France. Other regions experienced similar or even higher levels of inequality without spontaneously erupting into revolution.

Accounting for Variations

The authors also recalculated the Gini coefficient to account for potential variations. They assumed that the income of the top quintile (the wealthiest 20%) could vary by ±10%. Here’s what they found:

If the top quintile earned 10% more, the Gini coefficient rose to 0.66, placing France significantly above other European countries of the time.

If the top quintile earned 10% less, the Gini dropped to 0.55, bringing France closer to Britain’s level.

Ultimately, the authors admit there’s uncertainty about the exact level of inequality in France. Their best guess is that it was comparable to other countries or somewhat worse.

Step 8: Drawing Some Conclusions

Saying that most people in the 18th century were poor and miserable—perhaps the French more so than others—isn’t exactly a compelling statement if your goal is to gather clicks or make a dramatic political point.

It’s incredibly tempting to look at the past and find exactly what we want to see in it. History often acts as a mirror, reflecting our own expectations unless we challenge ourselves to think critically. Whether you call it wishful thinking or confirmation bias, it’s easy to project the future onto the past.

Looking at the initial graph, I understand why someone might fall into this trap. Simple, tidy narratives are appealing to everyone. But if you’ve studied history, you’ll know that such narratives are a myth. Human nature may not have changed in thousands of years, but the contexts we inhabit are so vastly different that direct parallels are meaningless.

So, is revolution imminent? Well, that’s up to you—not some random graph on the internet.

Notes

(1) A la lanterne was a  revolutionary cry during the French Revolution, symbolising mob justice where individuals were sometimes hanged from lampposts as a form of public execution

(2) The capitation tax was a fixed head tax implemented in France during the Ancien Régime. It was levied on individuals, with the amount owed determined by their social and professional status. Unlike a proportional income tax, it was based on pre-assigned categories rather than actual earnings, meaning nobles, clergy, and commoners paid different rates regardless of their actual wealth or income.

(3) Jean-Baptiste Isnard was an 18th-century economist. These estimates attempted to describe the theoretical distribution of income among different social classes in pre-revolutionary France. Isnard’s work aimed to categorise income across groups like nobles, clergy, and commoners, providing a broad picture of economic disparity during the period.

(4) The Gini coefficient (or Gini index) is a widely used statistical measure of inequality within a population, specifically in terms of income or wealth distribution. It ranges from 0 to 1, where 0 indicates perfect equality (everyone has the same income or wealth), and 1 represents maximum inequality (one person or household holds all the wealth).

[yumeka-sxf]

Spy x Family merch updates and manga hiatus

I wanted to post about some recent fandom news, starting with the good news: while I mentioned in my 2-year anniversary post that we've been in a dry spell lately as far as SxF content, we just recently got a bunch of new merch/designs! (mostly from various Jump Festa vendors) I'll start with my favorite of the new designs, from HMV's Jump Festa set - Forgers in winter outfits ❤️

Next is the "French casual" set from Chara-Ani~ Bond's little red beret looks so cute!

Another winter outfit set, from Animate. Gah, this one's so adorable, too 😭

Next is merch from Ichiban Kuji. Not sure if it's for Jump Festa as well, but either way, I want the acrylics and the plate!

And lastly, Ensky's merch for Jump Festa - Forgers baking cakes/cookies!

Again for those who don't know, Jump Festa is a yearly event held in Japan in late December that's dedicated to Shonen Jump IPs. SxF will have its own panel with the four Forger voice actors in attendance. We've always gotten exclusive announcements and content at past Jump Festas, so fingers crossed it will be the same for this year! I'm gonna try my best to get some of this merch when it goes on sale in late December. And of course, if I'm able to make high quality scans of these new designs, I will post those as well!

Now onto the bad news, which most of you probably heard about already: the hiatus for the SxF manga has been extended to December 23rd. I believe this is the longest hiatus the series has had so far, and what makes this one concerning is not only that the date kept changing, but also the noticeable silence from Endo and other official outlets.

In the Japanese version of the manga, the last page of each new chapter typically notes the date the next chapter will come out. In the case of the most recent chapter, 107, it said it would release on November 25th, meaning Endo would be taking a break from the bi-monthly schedule, which isn't uncommon. But then, just a few days before the 25th, official English manga outlets like MangaPlus updated the release date to December 9th. It was disappointing since we had all been waiting longer than usual for the new chapter, but again, a second postponement wasn't too alarming...what was alarming though, was the third one that came just yesterday, only a few days after the last. People started noticing that official manga outlets had, again, changed the date for the next chapter to December 23rd this time.

The fandom got stirred up quite a bit when this happened, mostly out of concern for Endo's well being. What made me particularly worried was the fact that, while these hiatuses had been going on for the past month, Endo hadn't posted anything on his Twitter account, which is very unusual considering every month prior he's posted at least a few unique illustrations. Not only that, but the last thing he posted was this oddly cryptic image on October 19th, with text that says "Don't look for me." And he then deleted it soon after, which makes it even stranger.

But thankfully, Shonen Jump must have noticed the pandemonium happening in the fandom, because just a couple hours later, they made this statement on the official Jump+ Twitter, apologizing for the delay and confirming that chapter 108 will indeed come out on December 23rd.

This to me was good news, since their official statement about it makes it unlikely they'll change the date yet again. But some sort of explanation would have been nice, even a vague one. I'm not someone to spread rumors, but my own personal speculation (which could be totally wrong) is that there was some dispute between Endo and Jump. This is the only explanation I can think of as to why his Twitter would suddenly be barren for a month after he posted consistently for so long - my guess is that he has to get approval from Jump for all the illustrations he posts there. I don't know much about the inner workings of the manga industry, but I would assume he has some contractual obligations where he can't freely post stuff on social media without some sort of publisher's approval. It is possible he's just been too busy with Jump Festa and other things, but he's still posted at least a couple times a month even when he's sick or busy, so I don't think that's the main reason. Again, this is just my speculation that could be completely wrong. There's also the fact that they so quickly changed the release date to the 23rd, the day right after Jump Festa ends, which could indicate that Endo's been busy cooking something big to be announced there. Regardless, I'm happy we finally have a new chapter release date that's pretty set in stone now, though I won't feel totally better until we get clear acknowledgment that Endo is okay, either from himself on his own Twitter or somewhere else official.

Anyway, despite this setback, I'm relieved that SxF is still going strong with all the hype for Jump Festa and season 3. Between that and the new chapter right after, we'll be eating good this Christmas!

[fan-a-tink]

Personal post, but seeing this gif loose in the tournament brought up some stuff and I just needed to get it out of my system.

This moment right here is the reason why this show has come to have such a hold on my soul. Before I watched a single minute of the actual show, I came across the YouTube video where Jayden & George break down the confession scene and it includes this snippet where Charles says "there's no one else, no one else" and I knew then I had to see this show and that I was going to love it.

A few years ago, I fell in love with my best friend and having carried this love quietly for a long time, I finally told them how I felt. It was one of the scariest but also bravest things I've ever done. I had realised that I was ace earlier that year and it took me a long time to work out where I fell on the aromantic spectrum. It was because of my friend that I could understand what being "in love" meant. For me, romantic attraction is all about that secret third thing, that incurable hope to mean something to the other, to be allowed to love them and care for them and be a part of their life not matter what. So when I told them about my feelings, I wanted to acknowledge how important they are to me. I wanted them to know how much they are loved, how important their presence and friendship is in my life. And yes, I guess what I was hoping for was to be just as important to them as they are to me. I was asking them whether they wanted to go through life with me, and let me go through life with them. And although their answer was similarly to Charles a "not yet" rather than a definite "no", it caused a hurt I have still not recovered from and I'm not sure if I ever will. At the end of the day, I was not a priority to them enough that they wanted to figure out what the rest means together.

So hearing Charles say that "there's no one else, no one else" does something to my heart every single time I watch that scene. Having been the Edwin in this moment, I cannot tell you how much Charles' response to Edwin's confession is an affirmation of their friendship, of the importance of their relationship, no matter how they define it. No matter who Charles has a crush on at the moment, there is no one else he would go to hell for. Edwin is the most important person in the world to him and that will never change. It's exactly the response I was hoping for from my friend, the response I didn't get, and hearing Charles say these words tore my heart in two and healed it at the same time. The entirety of the confession scene still does all sorts of crazy things to my emotions, but this is the moment that I cannot let go of, that I will never recover from.

Edwin and Charles mean the world to me because their relationship is the definition of the secret third thing, so devoted that the distinction between romantic and platonic looses some of its significance. They are "it" for each other, they choose each other over heaven and hell over and over again. They care about each other so much that being apart is the only thing they cannot endure. They can deal with whatever happens to them, as long as they are together. The one thing that they are both completely sure of is that there is no one else for either of them. Their relationship is what I had hoped to build with my best friend, and to see these two ghost boys get there has healed something in my heart and made me feel incredibly seen.

[strawberry-shortcakey]

For some reason in my last post your last statement didn't show so here's specifically responding to that!

its almost like mental illnesses can fluxuate like the stress she was under made it 1000000 times worse isha didn't cure her? Shes never going to be cured there's a lot of progress one can make with mental illnesses but she's never fully okay I mean she spends most of the season trying to literally die. She also does experience both but we can see it's tied to her stress levels she's shown as likely having bpd and schizoaffective disorder both of which can be worked on never fully cured her hallucinations aren't as consuming because she's not being torn to shreds by the people around her she's not feeling that abandonment risk as bad she hallucinates when sevika says they took isha she hallucinates in prison when she "talks" to silco we see small hallucinations when she sees vi in the enforcer uniform for the first time. She's never not mentally ill I know how mental illnesses work I'm in school for that actually but anyway. That same explanation is why there's a lack of voices. She changed herself isha was just a small push in the right direction.

arcane pretending like jinx would’ve given a fuck about caitlyn’s mother is the funniest thing so far in the season. there’s an entire scene in s1 dedicated to vi realising her sister is a stone cold murderer + she HATES caitlyn

[tsscat]

On a higher level I agree with this but I fundamentally disagree with this being applied to Arcane (what this post was inspired by) because the animation of Arcane is so handmade and detail heavy that you fundamentally cannot have 15-20 episodes. Like it cannot happen because it takes a long time and a lot of skilled people to make animation like that and it’s near impossible to get the time or money to do that length.

A lot have people talked about how the finale was cut down from its original hour and a half long script but less have talked about why — its because (from what I remember) it was too long to animate. The budget for arcane was 250 million dollars. That’s actually pretty efficient for big budget animation when you look at cost per minute, as some people have pointed out. But that’s still overall larger than most big budget animated films (both spiderverses were 100 million, largest Pixar films are around 200 million). 15-20 episodes per season for Arcane would have likely been something like 400-500 million dollars. That’s obscene amounts of money for any project. The highest budget film ever made from what I can tell (Star Wars The Force Awakens) was 447 million. 20 episodes would be like 555 million!

There’s some oversimplification here that I’m doing because obviously 18 episodes is still a lot more than one movie and it’s actually really impressive what they’ve been able to accomplish with the money they have. BUT this still doesn’t even factor in the time and labor took to make this, and the even more time and labor it would take to make a 15-20 ep arcane.

From what I can tell, writers knew how many episodes there were per season going in (though there’s maybe a rumor that they thought for a second that there were 5 seasons? Idk). I think it is more productive to critique writers on what they chose to write for and how they wrote season 2 given this 9 ep limit. You need to scope properly for any project, and I think fundamentally writers either did not scope properly or did not write for the scope they set.

[happypotato48]

GMMTV 2025 Part 1 Unhinged Tangent Thoughts

Well well well, here we go again. gmmtv the first horseman of the QL apocalypse has grace/curse us again with their presence. surely there would be something worth watching out of this branded trash fire. i will left that one het show out because i don't go there but lol, Nanon really is the last bastion for straight people huh? 🤣

รักแห่งสยาม (The Love of Siam) The Musical : i was 12 when this movie came out so i didn't watched it in theater, only catch it later online when i was in my late teen. tbh i didn't really liked it, i was knee deep in yaoi at that point so i found this movie to be a bit boring. let see how it goes but fornow... no comment.

Dare you to death ไขคดีเป็น เห็นคดีตาย : Eeh, not gonna lie i'm not feeling this one fams. joongdunk doesn't sold me as an actors that could do mystery well. i might be wrong but i'm putting this one for a maybe.

ไหนใครว่าพวกมันไม่ถูกกัน (Head 2 Head) : Only boo! did major disappointed me, and this one seems to be a basic BL so i'm not having much hope. but i still want to see how SeaKeen doing as an growing actors. i'm going to tune in for the first couple EPs then see how it goes.

Burnout Syndrome ภาวะรักคนหมดไฟ : They already got me at Off being naked, and a messy love triangle nonetheless yes plzzzz. glasses guy (i refuse to learn his name) need more workshop, he's too stiff and wooden to sell me on this messy romance he going to has with Gun.

คุณวาฬร้านชำ (Whale Store xoxo) : Its looks cute and i do like LoveMilk. another one in the show up for the couple first EPs pile.

Only Friends : Dream On : or as i dubbed Only Firends 2 These Homosexuals are about to get electrocute boogaloo. i refused to watch Only Friends season one and i will refuse this show again. .... will definitely show up for sex scenes that will get cut up an posts on twitter tho.

That Summer ผมเจอเจ้าชายบนชายหาด : NOPE! next one plz. jk this one seems boring and basic and i hate prince and princess story in thai media. cuz you know the la majeste law is a thing so they are always come from some imagined country and i just don't like that. this one goes to the never to maybe if i hear some buzz pile.

My Romance Scammer รักจริง หลังแต่ง : Sign me the fuck up! let gooo! i'm in a weddings mood and this one has Hot Ohm as a scammer and Dimple Fluke as a dumb himbo whose marriage someone after knowing them for a month. yessss! this show is specifically made for me and i will be seated! Mark and Junior also there i guess.

ความลับในบทเพลงที่บรรเลงไม่รู้จบ (Melody of Secrets) : this show is not really my style but forcebook is forcebook and i'm an easy whore. plus they did ripped my heart out in that ep of PP. i will be watching with caution cause let be real we have no faith in gmmtv to pull this kind of thing off :P

รักครูเท่าโลกเลย Love you teacher : *a loud voice of thousand people yelling Shame! Shame! in background, me tapping the mic : Perth might pull this one off y'all. LET ME COOK! hear me out hear me out this trailer is the first time that Perth feels like he understood the assignment. he looks grumpy and tired but also really in love with Santa's character. this is the first time that this boy made me feels things and i'm just happy for him. AND LET ME BE CLEAR i never read any age regression fics before in my life so this is not even in my trash turf. but idk, i feels thing and it's fluffy and nice. so i will be watching, plz don't judge me.

MU-TE-LUV โปรดใช้วิจารณญาณในการรักเธอ : uhhhhh i'll watch the kathoeys ep and that's it :P

เปย์รักด้วยแมวเลี้ยง (Cat for Cash) : i'm not a firstkhaotung boyie so idk seems like another basic one. another one to the maybe pile wooo!

Girl Rules กฎหลัก...ห้ามรักเธอ : Only Friends but for the girls, pass.

เปิดเทอมใหม่ หัวใจหัดรัก (Boys in love) : Basic highschool BL with PodPapang as a side in 4 couples show?!!? what sin did i commited huh!? gmmtv why are you doing me dirty like this. i will be watching it for the newbies and PodPapang but i will be holding a grudge the entire time.

ทำนายทายทัพ (My Magic Prophecy) : My babies are back!!! and Sea is swol, my, my. don't know what to think of it yet also wtf with all the tarot and fortune readings did someone at gmmtv is going through a divorce ??. anyway i'm a royal whore so i will be seated for this one.

หมาเห่าเครื่องบิน (A Dog and A Plane) : TAYNEW is back in a bl fucking finally!! this one seems promising with its plot and the comedy seems strong. poon also in this as a hussy and i can't be more stroke for my boy. i'm a bit worry about class disparity again cause the thai name of this show is "A dog barking at a plane" it's idiom that mean a lower class person pursuing someone out of their status. we got burned before with peaceful property so holding out hope that we'll not to going get burn again.

มีสติหน่อยคุณธีร์ (Me and Thee) : Phuwin doing comedy inner monologue?! You son of a bitch i'm in. although Fish upon the sky sucked ass in terms of plot imo it was one of the best BL comedy coming out of thailand in recent years and this show reminded me so much of that. at worst it going to be funny nonsense of a show, so what could possibly go wrong hehe (plz don't fuck this up gmmtv.)

WU : Oh hell no! this show is going to be a bromance i've learned my leason from PP and i will not going there again. its looks cool but i'm not doing it I CAN'T!

จาฤกรติชา (Memoir of Rati) : i'm not fan of period piece but this one seems angsty and queer. and maybe second time's the charm for greatinn. they also uses a cheap trick of Great's oilly naked body to lure us in like the siren song of abs and sadly that worked for me 😅

Ticket To Heaven เด็กชายไม่ไปสวรรค์ : G4 are not in a cutesy BL Wowoh! i really like the trailer for this one. the thai name for this show is "Boys/Boy don't goes to heaven" and it's make me get all the feels. i'm intrigued and excited for this one the most cause this one doesn't feels like a typical gmmtv show and against all odd i will hope they could deliver.

Welp let see, i'm excited for 5 out of what 20 shows?? oohh boy gmmtv really in the we throwing things untill something stick era ain't they. i think i'm in the more hopeful side of people whose has been burned by gmmtv. so i'm really hoping that the more unique shows that they got would actually turn out great cause despite what i've said lately about Thai BL, i'm very passionate about them and want to see them do well. i want to see Thai BL and Thai media in general to be someday be recognized on the global level, and gmmtv with all it woes is still the leading voice in this industry. i want them to learns and grow out of this idol manufacturer mindset, which maybe a wishful thinking but i'm still going to be holding up hope for a better days for Thai BL. any fucking way don't fuck Ticket To Heaven up gmmtv or i will be doing cursing ritual on you!

[bogor-o]

mother rambles ahoyyy

i think ive said before, but a lot of crowns "influence" on Mother is almost entirely just dulling emotions and it usually does this by means of scrambling their head a little just to disrupt whatever is causing the disturbance and usually its just memories

very early on it's not as bad because they're actively trying not to think about their life before becoming a vessel and as time goes on and they're trying to live in a "virtuous" way that means giving mercy to people who don't deserve it, the crown just softens the wave of emotions that only gradually build up and its what keeps Mother balanced enough to handle a lot of the early years of cult management

the lingering survivors guilt will always chip away at them, ovidia wants to believe they would have done things differently but the reality is that every choice they made before their capture and death was deliberate, and they faced the consequences. being caught and inadvertently led to the deaths of her little sisters was a butterfly effect of ovidia never really letting go of the fear of death, and for a very long time in her denial convincing herself it was because if she didnt look out for herself how could she ensure that her sisters would be safe?

mentally he frames everything as "i did it for their sake" when the reality was "i wanted to live by any means necessary"

ovidias want for a future he envisioned for himself was always a priority in the back of his mind and fueled all his choices: the way he looked for food and how it was divided, always taking a little more than her sisters because "i need the energy to care for them" and it makes sense of course, but it meant they would never have enough

when the hunger made them malnourished and sick that one could no longer stand, the most risk she took was looking for anything to ease her dying.

the youngest was still young enough to lie to, young enough that if she said she would be okay that she would have no other choice but to believe ovidia, she was their caregiver what reason would she have not to.

and the only selfless thing they'd done was still carrying their sister as they ran, but was it just an act of love done too late? or was it because finally now when their moments of away from being caught and killed, did they want to have the appearance of a person who would have done anything for their family?

the thoughts and the guilt are what eat away at his psyche to most and its why the crown has had to intervene so often and numb them.

the way they treat their followers is an idealized version of who they wish they could have been, they wished they could have been virtuous and selfless, loving and caring, a Mother to someone. this also meant becoming ruthless to the opposition and taking out any anger boiling inside out on the bishops and heretics

Becoming Mother is the "best" version of themself and to one day "lose" him and becoming themself again is another challenge entirely that takes a toll on them mentally all over again.

They see themselves as a different person and even attribute all their bloodshed as a different entity all together because its easier than admitting it was always them.

post Mother, they only half accept that truth.

[writingfromabox]

Alone on Thanksgiving? (adamsapple)

Working on a fic using this ad as a prompt because all I can think of is Adam making this post:

Not done yet but I think if I manage to finish it, I’ll put it on AO3. What I have written under the cut:

Adam had placed the ad out of sheer perverse humor, absolutely certain that no one would bother to call him on it. For a short while, he achieved some internet fame as people passed it around on social media, obviously getting a kick out of the idea. He’d joked around with the girls at the bar and tattoo parlor he worked at, saying his Thanksgiving plans were all wrapped up and this was the way he’d be swimming in pussy by the end of the month.

Obviously, the whole thing was meant as a fucking joke. So, when he got the email from a Charlotte Morningstar, he’d been tempted to send her back something rude about her reading comprehension. Like, was it not clear that this was comedy? The fuck. 

He showed it to Lute, who was in the middle of sketching out something for a client: a lion, holding a dagger in its mouth. Her skilled fingers easily traced out the minute details of the animal’s mane, her mouth set into a frown in concentration. The frown slipped into a wicked smirk as she read the email, her eyes lighting up slightly. 

“What’s the problem?” she asked, setting her pencil down and giving him an expression that attempted innocent curiosity. Lute’s face wasn’t made for that, and her sharp amusement made her look like a cat waiting on a mouse to walk into a trap. “I thought this was your big holiday plan. I thought you were looking forward to all the ladies with daddy issues and the ‘fuck you dad’ sex.”

Going to Lute for sympathy for his bad decisions never turned out right, but for some reason he kept trying it. He just grumbled and put the phone back in his pocket.

“Anyway, why not do it?” Lute asked, turning back to her sketch. “It’s free dinner. Your ass doesn’t have family to go to on Thanksgiving. I’m too busy this year to do our usual ‘neither of us can cook’ dinner. You’re extremely good at being an annoying asshole, why not turn it into a fun way to get free turkey?”

Adam folded his arms and tried to be more insulted about that accusation, but the wheels in his head were already turning. Unfortunately. It wasn’t even as though this would be the worst decision he’d made on a holiday, really. That would have been the time one of his biker friends convinced him to dress like the grinch and steal their ex-girlfriend’s Christmas tree. 

The night had ended in mayhem, with the tree sparking a minor electrical fire and Adam ending up tossing it into the outdoor pool. And then ripping off chunks of flaming grinch suit, screaming, as his accomplice hosed him down. 

Apparently, the ex-girlfriend’s kid still had nightmares from watching it out his bedroom window. 

Compared to that shitshow, this would only be a minor sort of shenanigan. Probably something he wouldn’t walk away with a property damage felony with. It wasn’t technically illegal to pick fights by antagonizing someone’s probably elderly, decrepit dad. Unless he, like, actually punched him. And Adam had some amount of self control as long as he didn’t dip into the recreational beverages. 

“Well? Figured out what you’re doing yet?” Lute asked, looking up at him from her spread out stack of sketches. Someone seemed to have ordered one of a goth bear holding a chainsaw. The holidays always brought out the weird shit.

He shrugged, mulling it over. The girl had a whole screed laid out, with a father who was being a dick about her attempts to house and reform former criminals. She’d gone on some rant about the program itself and he zoned out every time he tried to read it, the whole thing seemed like she was some kind of charity ball debutante getting pissy about her dad giving her some hard truths.

Not like it mattered either way to him, in the end, as long as he got a dinner. Adam would be lying if he said it didn’t sound like fun to fuck with someone and get rewarded for it. 

And so it came to pass that Adam decided to agree to be the fake dinner date of this do-gooder princess for Thanksgiving, with about the same amount of logical thought that went into his usual decision making. Which was to say, absolutely none. 

[emberunderscore]

guys im going crazy with the edits over here (im sure this has been done with this song before but idc i wanted to)

also guys im going to include the rambling in the actual edit post this time because i actually cannot contain myself . (i went on and on for this one i had a lot of thoughts )

OK BIG ONE COOL ONE WHEN IT SAYS "I'm a worthless human being" there is an overlay during the word "worthless" of the prison scene and the word worthless is layed over sherbert's forehead, think of it like the word worthless and failure going hand in hand because icarus doesn't belive they are worth anything if they are not useful and they cannot be useful if theyre a failure which they wholeheartedly believe they are THATS IT THATS MY FAVORITE PART OF THIS EDIT (not really but shshshshs)

ok back to being in order

"I had left you" and "I forgave you" being right next to each other is SO PERFECT because that part is referencing the cave obviously and immediately after centross dies icarus is like 'get the fuck away from me why did you do that, holy shit you were gonna kill me' and then he tells them he can bring centross back and they immediately forgive him (and its not rlly great editing wise cause obviously theres not much contrast between the clips but the sacrifices we make are very small)

"I forgot you" this line is kinda hard to understand how ive coded it cause centross is on the screen so it kinda makes it seems like im saying they forgot centross but NO! they forgot about fable, they were so focused on bringing centross back that they completely lost sight of fable and his actions and how that hurt everyone around them

then the "said you loved me" I LOVE PUTTING VOICELINES IN EDITS CHAT. I LOVE IT SO MUCH AHHHH. i love when the words and they go together and theyre similar and i go crazy . im knawing at the bars of my enclosure

(i was going to put a voicline of fable's 'you will not survive' from cathedral of war in this part, but only chose not too cause it made the audio too chaotic but its still the clip from when he said that so just KNOW) i really love the "said you'd kill me" part. it just looks really cool to me, please appreciate my work thank you goodnight <3

THE WHOLE NEXT PART. THE BEAT DROP IF YOU WILL.

the text is all shaky, the way ive always imagined this part of the song in my brain is like full mental breakdown, hands pulling at hair hitting at your head . theres something inside of you and you want it OUT and you will hurt yourself to makes that happen . so thats kind of the vibe i wanted to portray, however . im not that skilled and capcut only has so many free text effects so . we make do. i also couldn't put that effect on all the text because for it to look right i couldn't use an 'in' animation for the text so having all of it just appear looked kind of weird so i had to comprimise a little

also the font is called "honest" which . if you know me i love putting subliminal messaging in my font usage when i can which i managed to do a couple times in this edit actually. the font is very jagged which fits for the idea of someone who's reaching their breaking point and all the rotation and bold and italics are all just thrown around there. making em all look interesting . for *flavour*

the other font that's got a cool title and this one i actually only picked because of the title and that's "innocent" its used in a lot of frames like "you possessed me", "you controlled me" and "or he'll hurt me" all times, the word 'me' uses the innocent font, because with the song it sounds like icarus is trying to remove any of the blame from themself, it was fable's fault because he manipulated me i didn't do anything wrong. so they see themself as 'innocent' which is also why that text is yellow cause its about icarus. i wouldn't have used that font if not for the title icl. but it also makes the times when that font isn't used all the more interesting, this can be seen most notably in "said you'd kill me", and both of the times in the "he's still speaking, speaking for me" parts , and i will let you cook on that cause not everything needs to be explained in great detail as much as id like to do that

most of the fonts at this one were just me throwing shit at a wall and seeing what fit the vibe ill be so fr, i knew i wanted a lot of variation cause its a chaotic sounding song and the colours also have very little thought when it comes to the difference between white/yellow/red for the most part . green is for fable and purple is just whatever the fuck i felt like .

final thing i'm going to say when it goes "i'm a [worthless human being" there is no text on that part and i just want it to be known on the record that it wasn't an accident and it was an aethetic choice and i can't come up with a bullshit important reason for why there's no text on the screen for that SINGLE PART and honestly it just looked so shit with text there but it also looks so out of place with it being the only part but im sure many of you didn't even notice there wasnt text there before i pointed it out so . i can also point out all the slightly off timings for you if you wanna see my creation through my critical self-loathing eyes /silly

[wingedshadowfan]

⚠️arcane s2 act iii spoilers // criticism ⚠️

in caitlyn's post-war speech, she talks ambiguously of history and of ups and downs and of a story not yet over, but there's no promise for the future, no motivation to keep going, no bigger picture, no lesson learned. we're not shown much work being done either and i'm about to examine why it felt that way to me, leaving me a bit confused, somewhat unsatisfied, and deeply, profoundly sad

of course, jayce and viktor are dead. heimerdinger is gone, potentially also dead but unlike the latter two, we don't quite know what happened to him, he just kind of disappeared. i was left under the impression the were two ekkos - one for each universe, and our ekko's consciousness just changed bodies briefly due to the hexcore before heimerdinger managed to send him back to his own body in the right universe. but it seemed there was only one heimerdinger (body and soul) who'd traveled to the alternative universe as a package and lived there for a thousand years until our ekko came around in the alternative one's body, and instead of traveling back with him, heimerdinger's body and subsequently his consciousness ceased to exist. so... who's inventing things now? who's rebuilding piltover?

jinx and warwick (because there's no vander left there anymore, we made sure of that) are also presumably dead. we see how this is affecting ekko and vi, but not necessarily the undercity, for which jinx was a symbol of freedom, of unity - the perfect person who could've broken a cycle of violence, poverty and oppression. zaun doesn't get its sovereignty and seemingly loses its beacom of hope.

we see sevika as part of the council in piltover instead, but it's not like she's making merry with the other new counselors, in fact they throw her some nasty looks. and of course, i didn't expect it to be easy and it's admirable she's even there at all but unless i missed anyone, she's the only zaunite there out of 9 counselors (w/ zaun being 1/4 of piltover's population in canon afaik). i guess there's work to be done there but there was no indication of it even being able to go in a good direction, since she seems to have no backing from anyone now and again, we don't even know the extent to which the undercity managed to unify under her.

mel, a character always depicted in white and gold, an image of purity and mercy, defiant of her mother's brutality since childhood, now dons her red eyeshadow and sits on her throne on a ship for noxus. in an attempt to save her city, the city she was exhiled in to "learn" this brutality, to be hidden from the black rose from, and that's she's instead given her everything to care for (after barely getting the time to grapple with her own identity crisis and the predetermination of her fate) she's left no choice but to surrender her mother to the black rose, and watch her die in her arms. perhaps it is by virtue of noxian law she assumes her place and has to return to noxus. she leaves her beloved city in such a perilous and war-torn state, riddled with guilt and confusion. is she a wolf now? has she always been one?

ekko presumably grieves jinx by burning a piece of paper for her (my first thought was it was for heimerdinger, his "mentor" whose contributions and potential sacrifice made ekko coming back home possible, and with the time reversal device at that - but i interpreted it as being for jinx because it was in the place he kissed her alternate self in the alternative universe). what of ekko's future, of his commune? what happened to the tree getting corrupted? heimerdinger had plans to fix it with jayce's help or at least find the sickness' origin (the hexcore, yes, but we don't know if what happened to the tree got reversed), instead they found out the undercity was completely reliant on piltover's mercy for their water and air, and this knowledge seems to have died with them (bcuz i doubt ekko has the power to do anything about it).

caitlyn's looking at the kiramman house files, including city plans, potentially to rebuild things after the war but how? first of all, what are they gonna do with the hextech, the weapons, the gates, the magic in general? would they even want to try that again, and what implications would this have for piltover and zaun individually but for their precarious newly founded relationship? and secondly, she's a policewoman/detective turned anti-civil-war-commander turned just war commander, she's not an engineer or a scientist. all those ones? gone. all the people we know of who could rebuild the city in its previous progressive state are gone - jayce, viktor, heimerdinger, even jinx as a technological wildcar in vi's words. caitlyn seems to be telling the story or archiving files and plans for any future kirammans but she doesn't seem to have any work of her own to do anymore.

vi is the saddest case here, which says a lot. she's lost everything and is completely devoid of purpose. it's okay not to be okay, but what she says to caitlyn completely destroys me (and i'll do a separate, more detailed post but this shall do for now). she's depressed. easily. she's grieving jinx, humming a song her mother used to sing to them, the same one jinx was humming when we first saw her this season. when she says, "I'll always be dirt under your fingernails, cupcake." she isn't being cute, flirty, or romantic. she's being self-deprecating, indicating she deems her presence a nuisance to caitlyn, she deems herself unworthy and unwelcome in her house, but it's not like she's going anywhere. where else could she even go? caitlyn is all she has left. that's what she means when she says, "nothing's ever gonna clean me out", but perhaps even more so, she implies she's beyond repair, that she'll never be whole, never be truly okay again after this.

(the only person who got a "happy" ending, and the reason why this pisses me off is because he was truly vile and wicked and idc abt his motivations i will not be convinced otherwise, was fucking singed, who somehow got to have his immortalized robot daughter despite everything)

[fjdkdhdben]

RANT - why am i so lonely?

I don't usually post emotional or personal things, but i felt an odd need to write this out and post it, maybe to find common ground with others or just to vent.

I feel like i'm in this weird place in my life where everyone i'm close to is farther away then i realize. I have friends, i always have, i'm an easy person to talk to and i'm not (generally) rude, but i still have this lingering feeling that something or someone is missing.

I wondered for the longest time if i just pushed others away but i realized i'm trying to pull people closer, just not enough. And for a long time i thought maybe it was because i am single? I have never dated or been romantically involved with a person so i don't really know if thats it, i'm scared that i will at some point scratch that itch and still get nothing on that lingering loneliness. Or that maybe they don't reach my dramatized and fictionalized expectations of a partner i've made up in my head and normalized. I don't feel close enough to my family either, its not that even though i do feel out of place.

I have a couple friends i talk to often and enjoy but i don't think i have genuinely had a friend i felt so close enough to for more than 2 years, which seems like a lot but it isn't. I see people who have known each other for their whole lives and i get this bitter feeling like maybe its me, then another side says its not me. I also feel like its the universe warning me its not time yet.

But it feels like its bound to be time soon, i think i'm just stuck in this mindset and in reality i am happy and i am close with others, then again i find myself laying in my room bored and solemn with no one blowing up my phone with messages or calling me or asking to hang out or coming over. I feel like maybe i'm just romanticizing my inability to connect with others because of my tendency to point out others flaws quickly, its a bad habit of mine to judge others and stick with it.

I sort of think that maybe i'm that sort of person you aren't close with but are good friends with, maybe thats something i have to accept or maybe its not. I wont know until it hits me, and i beg it hits me soon.

[roseofhybrids]

was gonna write this in the tags, but it got way too long for that, so

short answer: If we're going purely off of the cannon material we've seen in the series I have to say too ambiguous to answer

long answer:

on one hand she did a lot of bad things, abuse, murder, siding with robo-satan

but on the other, we never got the chance to see what she would choose to do when truly free to make her own choices through the series, she's either under control of the Elliots or the solver. Which severely limits just how in control she can be of her own choices. Would standing up for your "boss and coworkers" against people and entities bent on abusing and killing them be the right thing to do? Definitely, but it's also a fast way to get yourself and them killed this isn't meant as a justification of any of her actions, just an explanation of why she'd choose them

and we don't get the chance to see if she'd continue choosing to act the way she did in the series after the solver gets defeated

take N and V for example they also did a lot of murder of both humans and drones while working for the solver. While V didn't physically hurt N, as far as we know, she still did mistreat him. You can argue that it was to a lesser extent than what J did, but even if it wasn't as bad, it still wasn't good either All three of them were made to do horrific things while working under the absolute solver. But we only get to see how N and V change when free from that

N's change is pretty quick He didn't remember the solver at the time of the pilot, so he didn't have to consider the possible consequences of going against an eldritch space demon that has already eliminated at least 1 planet

V on the other hand did remember and as a result takes longer to change In episodes 2 and 3 we see she's still intent on killing the worker drones and tries to convince N to do the same. She asks him to stop looking into the solver and goes to the prom planning to kill everyone there. V can remember the deal she made with the solver, and she knows it's out there. She can't start slacking off just because J is gone, it could show up at any point and there would be consequences for both her and N In episode 4 we see this fear first hand. V sees Uzi is getting taken over by the solver and attempts to kill her. She justifies this to N by saying that if they do their jobs, that thing (the solver) will leave them alone. She is killing in order to protect herself and N from the solver

This is the exact same justification J gives to V in the finale. She justifies siding with the absolute solver because she believes there's no way to escape or defeat it. There's no escape even in death, so it's pointless to disobey it. Had J come back sooner and had a similar encounter with V in episode 2 or 3, maybe even 4. It's possible that V would have agreed with J back then

But when they do fight in episode 8, V now believes it's possible to overcome the solver and as a result rejects J's offer to join the "winning team". Cementing her evolution to a heroic character

J on the other hand has not had the chance to have that growth. While N and V had the chance to be free from the solver for a while. J spent that entire time by its side. J isn't free from it till CYN's core is destroyed

so, would J choose to better herself now that there's no obligation to please a violent master that will kill her for stepping out of line?

well we can't say for sure we can speculate, of course. There's certainly signs and evidence that she has the capacity for it, but we can't see if that change takes place. If it happens, it happens post canon

I personally believe she could if given enough time and the room to atone by the other drones.

But she could just as easily be rejected by the other drones and be left alone to stew and grow resentful

Maybe they try to let her in, but she ends up being unwilling to change and instead isolates herself. Be it because of ego or a fear of diverting from the life she's lived for so many years

How J turns out after the credits roll is left to interpretation. It's hard to call her bad when we take her situation into account and see the potential for growth. But it's also hard to call her good when we don't know for sure what happens

Rb and all that jazz