#this is why I love them

[moths-are-better]

This frame is so funny because we have Goultard who looks fucking exhausted and Yugo looks like it’s just another Friday

[maspers]

Carter Kane has been well aware that he is living in The Mummy and Indiana Jones since he was young, and is trying really hard to stay alive while utilizing the confines of the genre to his advantage. 

Sadie Kane decided without evidence that she is in Doctor Who and just kept going with it and succeeding despite the universe's many desperate and would-be-lethal attempts to correct her.

[alun1r]

Sebastian: Valeria, my love, where would I be without you?

Valeria: Azkaban.

[bird-inacage]

Only Friends Finale: Ray & Sand vs Boeing

Admittedly it's taken me a few days to unpack the resolution to the Boeing conflict (aka final boss arc), how Ray and Sand went about this, and how they came out of it unscathed as a couple. There’s a fair bit to cover here so hang in there folks - this is a long one.

Sand's Uncertainty: Questioning the Present or Tributing the Past?

I can see why people had grievances about Sand not being more assertive, why he allowed Boeing to kiss him, why he wasn't definitive when Ray accused him of still having feelings for Boeing if he did not.

The scene in which Sand apologises to Ray briefly touches on this but doesn’t really convey the extent of it. By Sand's own admission, it is hugely difficult to be confronted by someone you used to love, especially a first love. Sand had planned his hopes, dreams and future with Boeing very much in the picture. Boeing's sudden return brought that all back and the lack of closure that came with it. Sand’s hesitancy to act is not due to a resurgence of his feelings from back then, but rather the nostalgia and sentimentality attached to this chapter of his life. Boeing very knowingly plays on this too.

During the pool scene, Sand hasn't made this distinction yet, and is generally lacking clarity on what exactly he feels for Boeing. So when Ray suggests they kiss to find out, Sand does question himself. The 'what if' from his past makes him wonder; an open-ended question he never got an answer to. 'What if Boeing came back to me?' But indulging in such a curiosity is never going to be satisfactory because the circumstances are no longer the same. Time has moved on and Sand along with it.

I believe Sand was also keen to pass Ray's test. He later refers to the kiss as Ray 'challenging' him to do it. We've seen him rise to Ray's goading before, only he's never quite as assured in his execution as he thinks he is. The most obvious example being when Ray suggests they have sex first and initiate a friendship second. Sand agrees with a sense of misplaced confidence that Ray will be hung up on him, when he's promptly the one to catch feelings. As much as Sand tries to be objective, he's consistently tripped up by emotion. Boeing's return is no different. His downfall is that he cares too much.

The way Sand behaves when Boeing kisses him is extremely telling. It feels like an attempt at muscle memory, retracing something he can't quite recall anymore. He looks lost, detached, slightly thrown and overpowered in Boeing's presence. This may be residual patterns of behaviour caused by Boeing controlling the end to their relationship. This is in stark contrast to how Sand kisses Ray, which is passionate, needy, mutually engaged and eager.

Sand's inability to push back against Boeing's advances is because his judgement is coloured by their history, their shared past, the feelings he used to have for Boeing. Not by the present. In an ask I received last week, I mention that Sand's apparent leniency is out of politeness, a final act of kindness even. It's his way of saying 'I don't like what you did to me but I'm trying to be civil because I owe it to who we once were to each other.' Sand's attributing that last bit of leniency to the Boeing he used to love, not the Boeing in the here and now.

Sand doesn't like to hold grudges. If someone apologises to him sincerely, he can let it go. When Ray does this back in Episode 1, he immediately forgives him. Since Sand has now moved on, it doesn't serve any purpose to harbour animosity with Boeing or to go out of his way to actively hate him. It's a lot of wasted energy to be resentful and Sand has far better things to do. So when Boeing makes his reappearance, Sand's initial reaction is not anger. Therefore I do believe his sentiment to "let bygones be bygones", which may explain why he was willing to let a few indiscretions slide. What he didn't anticipate is that Boeing would try to manipulate him, and cause a wedge in his newfound happiness with Ray as a result. Having his final act of decency thrown back in his face was rightly the last straw for Sand, and irrefutable confirmation that he doesn't owe Boeing anything. Sand wants to continue looking forward, not back.

Ray's Ultimatum

As much as I praise Ray for being noticeably more level-headed and mature in this episode, he still falls prey to being over-zealous; boxing Sand into an highly uncomfortable and sexually charged battle between himself and Boeing. Ray initially expects Sand to take responsibility, even if Boeing is the instigator. Largely because Ray presumes what Sand is feeling. "You still love him," he claims, though Sand is yet to confirm or deny. And that is the exact genesis for Ray's concern, because he can't fathom why Sand is puzzling over what this means to him and why he can't provide an immediate answer.

The fact that Ray thinks Sand's kiss with Boeing proves he's "second string" is absurdly untrue. Anyone with eyes can see Sand is miles more passionate and responsive with Ray. "Anyone can see he wants you back," Ray echoes (ironically), which is later debunked by Mew. It just goes to show how blindsided you can be when you're in the situation itself. Ray is misinterpreting this as a 'me vs Boeing' issue but it's really not about that at all. Sand isn't trying to compare the two. Neither is he planning to make a choice between them, because that wasn't even on his radar. What Sand is unsure of is how he feels about Boeing, irrespective of Ray. He never managed to reconcile his feelings for Boeing after his betrayal.

I don't think Ray is wrong for demanding that Sand determine this. However, the man probably had emotional whiplash from seeing his ex and boyfriend in the same room together, let alone watching them aggressively make out, all in one night. Sand was hoping to deal with this on his own terms, without Ray complicating the equation. Whilst Ray proceeds to do exactly that, hastily jumping the gun in order to provoke the answers out of Sand by force.

Essentially they wanted the same result but didn't discuss it. So it’s no surprise when their separate approaches don't sit right with one another. Sand appears far too permissive and ambiguous by Ray's standards, and Ray appears far too irrational and defiant by Sand's. This is partly due to Ray feeling compelled to intervene as Sand was struggling to be decisive, but Ray is also hugely impatient by nature.

Once Mew tells Ray that Boeing is intentionally trying to rock the boat, Ray recognises this is no longer Sand's burden to resolve alone. His concerns rested on the belief that Boeing genuinely wanted Sand back, and attempts to display guilt or regret may have tugged on Sand's heartstrings, causing him to waver. But since there's no truth to this, there's no basis for Sand giving him another chance. Sand's past with Boeing is very much 'dead and buried', with Boeing being the one who put the nails in the coffin.

Mutual Respect or Ownership?

By the time Ray and Sand have their final confrontation with Boeing, they are both on level footing. They have aligned their intentions. When Ray says "he's my boyfriend", what he's saying is 'his problems are my problems'. Similarly when Boeing quips "that's up to him", Ray retorts with "that's up to me too". This is what they've learnt from their earlier run-in with Boeing. As a couple, they will stand as a united front going forward.

Ray defending Sand on his behalf does not belittle him in any way. Sand allows him to do it. You see the air of pride he has in watching Ray fight for him. Besides, Ray is merely saying what Sand is already thinking, he's just allowing him the satisfaction of hitting back at Boeing for trying to demean his position at Sand's new boyfriend. What little leniency Sand may have reserved for Boeing is now gone because he actively tried to exploit Sand's good will and patience.

This is further supported when Sand states himself as being owned by Ray (only because Boeing started the analogy of referring to him as a dog). Sand is purely making a point about his loyalty. His loyalty will be steadfast based on the sincerity of the recipient. Ray has proven himself worthy of Sand's loyalty, and that's why he's happy to let Ray take control or be more dominant at times. You can only do this with someone you truly trust.

Though declarations of ownership such as 'you're mine', 'you belong to me' can sound like there is an inherent power play, but actually the language of 'owning' someone is a more possessive way of saying 'I take responsibility for this person and their wellbeing'. If I own them and they belong to me, I will be responsible for their everything.

As Sand has generally taken the care-taker role in their relationship, Ray's way of returning this sentiment is often through this love language, "I'll handle it." "They're gonna have to deal with me." The least Ray feels he can do is to defend his boyfriend's best interests and honour if the situation ever calls for it. Sand no longer has to deal with things on his own.

[shaniacsboogara]

Top 5 Beatdown is fun because you get to see Ryan's list and go "Ah yes, meow meow beef boy, so valid once again." But you also get to wait in a state of horrified trepidation for Shane Madej to reveal whatever absolutely batshit ranking he's amalgamated from the chaos-fueled recesses of his mind

[fluffykitty149]

Branch coded in the sense I'm catastrophizing and Poppy coded in the sense that I'd rather live in happy denial and figure it out on my own then ask for help 🤪

[theenemyod]

Constantine and Jericho would get into arguments about the most random shit ever like Constantine said that if sometimes people absorb their twins in the womb what if one of them absorbed their triplet and they got into an argument about which one of them was the one who absorbed the hypothetical triplet.

[polarisjisung]

something about dreamies laughing over dad jokes whilst looking like the finest people to ever walk this earth heals my soul

[raylatdp-astridhttyd]

These are probably the best speeches I’ve ever heard in my entire life

I honestly started clapping like crazy after both

looks like the watcher has learned from the master

[fluffypotatey]

What if the roles were reversed ? And Macaque had to kill Wukong…and just couldn’t, he steps away at the last second.

So Wukong kills Macaque. Because it can’t never end differently. A complete different story but the same end. Tragedy always finds a way with these two

not to mention: when reversed, this is a Wukong scorned with no support group or monk he is tied to/forced to protect. i do not think his anger will be in the least in check.

and just like before, both monkeys will believe they lost their best friend

[justasopearchive]

Sope are NEVER beating the “Golden Retriever” and “Black Cat” Boyfies Allegations 😩

They both went on IU’s Palette and…well, you see 🤣

[bookloverturnedfangirl]

Foul Heart Huntsman Spoilers!!

FHH just canonically shows that Orion and Rosalind will always find a way to bicker. He was mind controlled, memory-less saying “you mean nothing to me,” only for Rosalind to bite back “Excuse me? I am your wife,”

[deducemyheart]

Cecil while chatting with a zookeeper on air: I’ve learned a lot of neat things while wearing a blindfold

Listeners of Night Vale:

[ufash]

FNAF movie: *Is PG-13*

Jack and Eef: LET FREDDY SAY FUCK‼️‼️ LET FREDDY SAY FUCKK

[cedar-sunshine]

my boys are so comically intertwined. They're two halves of one whole but it wasn't a neat split, they're torn remnants of what could have been a person and there's pieces missing and things that they picked up but they're both roughly half of a whole, not cut nearly, but torn apart by hand, sorted into mismatched piles. They were always supposed to be together and they will do everything in their power to avoid this until it happens. It's not sun and moon symbolism, its life and death, day and night, the same font saying two reflected things. They're interchangeable and complete opposites and the exact same

[pinkrasberryfish]

Azriel, the Torture Master Shadowsinger of the Night Court, gets hard from the flouncy-peach-dress-frilly-curls-sunhat-in-the-garden aesthetic and I feel like we need to write a dissertation to dissect the wholesome psychology behind that