#this is very fanon

[wileroadfoolery]

[bereft-of-frogs]

There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation

because WHAT are people talking about sometimes

[lilacgaby]

katsuki would not be overly sweet to his crush. he would come off as mean.

it's not his fault! you make him feel things he'd never felt before. especially if you met him when he was in middle school or early on in his first year. he didn't know why his heart beat fast around you, why his hands sweated more around you, why his mind blanked when you asked him simple things.

his solution? avoid you and get out of conversations with you as soon as he can.

it worked, for a while. but he found that your friend groups overlapped, and sometimes you'd even be grouped together in class.

most conversations between you went as such. "hey, uh bakugo?" you'd ask, moving to face him. he'd stay still as a board, ignoring the rush of his heart and hot feeling on his cheeks. his grip on his pen tightened.

at no response you'd continue. "do you have a-"

"no."

"??? i didn't even-"

"leave me alone."

good thing his friends picked up on his behavior and diagnosed him with said crush. and good thing they shoved the two of you into a closet for seven minutes in heaven, forcing him to finally talk to you, finally realize these feelings brightened him up inside and weren't as bad as he made them out to be.

after that he begun to treat you differently, it was seen in the small things like offering you his jacket, fixing your hair for you, walking you home.

but more than everyone, you'd be the most surprised. because the same guy who avoided you like the plague would be offering his shoulder for you to lay on.

taglist: @k0z3me @darhinadadragon @maddietries @i-the-fluffo @uy242c @irenne-stans

[catpriciousmarjara]

Every single day I'm grateful for that time I stumbled on the SVSSS headcanon that while Bingqiu is considered highkey confusing and lowkey cringe in the demon realm, Moshang is known as the Power Couple™. They're the demonic love story. The 'It Couple'.

Just generations of demons sighing over the dramatic and bloody love story of the Northern King and his right hand man plus spymaster, yearning for one of their own filled with such glorious violence and betrayal! A classic childhood friends to lovers narrative filled with ups and downs and copious murder and gore! Love at first sight! The story of the loyal spy who rose up the ranks of the brutal Northern Court, culling his competition while providing vital intel to his liege, all the while infiltrating the most powerful cultivation sect in the world and eventually even becoming a Peak Lord! The slow burn of all slow burns! All kinds of spicy complicated power imbalances! Sexy, unexpected age gaps! Years of heavy plot! Decades of passionate courting! The pinnacle of inter-species forbidden romance! The tale of a man who swore eternal loyalty after falling violently in love at the very first meeting, calling a mere Prince His King in his desire and determination to see his beloved's ascension to the throne that was his birthright, and the Demon Prince who was unexpectedly presented with fierce loyalty in a life that had until then been rife with treachery and grabbed it with both hands and never looked back!

...and there's Junshan and the weird human he keeps around. Somewhat interesting if you're into that teacher-student thing I guess. There were very few deaths. Some bland murders. The trial arc and the self destruct thing plus corpse hoarding was interesting but overall very vanilla. Unseasoned. Not even a proper decade of drama. Kinda boring. And Junshan's half human so they're like Walmart version inter-species romance. But whatever the Emperor's into I guess. His dad was kinda weird too but at least his relationship with that human woman had some kick to it. The new generation just doesn't appreciate a long drawn out painful romance tsk tsk...

Like infinitely grateful to whoever first spawned that headcanon. Never fails to make me laugh. Honestly the most hilarious thing I've ever seen in this fandom. Hope your pillow is always cold and you never stub your toe.

[phantom-of-the-keurig]

“Unmmmm there’s NO evidence Kamino CULLED clones who were different that would be MEAN and no clones were decommissioned it doesn’t exist!!”

Begging y’all to think before you speak please 😭 these are direct screenshots from the canon wiki, and I even have the actual source book where these come from

[charlie-artlie]

Bonnie in the real world 💖

[hey-hey-j]

they were on their way to Mount Rageous. John was on his way back from Mount Rageous. They bumped into each other. Misunderstandings ensued.

anyway here's some bonus gags

me when I sprinkle Johnkory crumbs into my Flickory AU

(★ my Kofi)

[silicated]

legacy

1 | 2 | [3] | 4

[twstem]

[nyoomerr]

the authorial intent was to get that man wifed up

[astronomodome]

Could you do an eldritch pearlescentmoon or a fae pearlescentmoon, please? :3

how about a little of both? :3

[driftsart]

TERMINUS REDESIGN :D KDKDKDKDKSKJDS

I love him sm you guys don't understand...

[ew01z]

as much as i love that klapollo is the epitome of an Interesting Cool Guy Ever falls for Just A Guy dynamic ... klavier very clearly thinks apollo is the coolest guy in the world. like he calls apollo cool several times in 4-2 Alone

let's be soooo for real. if someone referred to apollo as Just A Guy klav would be flabbergasted. offended even. what's cooler than a 5'5 transmasc guy who stares autistically in court for a living?

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[demonkinguwu]

The Three Subcon Bosses [My fanon version lol]

The trickster shadow, the wrathful queen, and the disappearing moon

Lore Below <3

Snatcher: Once was a kind lonely prince whose only talent was painting, often overlooked and ignored due to this. He fell in love with Vanessa quickly as she was the only one who understood the loneliness of his paintings. The two married after a year of courtship, but the prince worked hard to learn to rule by her side, even going to law school. Unfortunately, he ignored the terrible treatment by his frantic wife for fear of true loneliness until it was too late...

Now the kind prince turned into a terrible and manipulative shadow, using robbed souls and his smarts to grow as powerful as he is, growing to be the sole ruler of the Subcon Forest. He prefers to be in control and over-possessive of everything he deems 'his', including the terrible wife who killed him painfully. He despises her but deep down knows she's the only person who will ever truly care for him even as a monster so she gets to stay as his pathetic little toy <3

However, he can't help but enjoy the very small snippets of moments between them that remind him of a better time when they were young and naive. He can't help but smile as the princess Vanessa was once shines through that red mass of anger, oh how he wishes to rip open the beast and find his princess within it, safe and innocent as she used to be

Vanessa: She was once a kind and sweet princess filled with so much loneliness especially since her father ran away. On a visit to a foreign kingdom, she was immersed in the large gallery of paintings depicting how she felt perfectly, lonely. She soon fell for the painter, a kind but mischievous prince who was just as lonely as she was. But her horrible mother was jealous of her daughter's happiness and poisoned her heart and mind with her evil words, reminding the princess of her father who ran away. The princess' desperate thoughts turned dark and possessive, wanting the prince all to herself, even getting rid of her mother who she thought wanted her prince. The now Queen was more desperate, her heart and mind growing darker and bitter with each day that passed without her beloved... Soon it would all explode, taking every soul within Subcon with her.

After a few years of mindless wrath and pain, she 'cooled down'. Finally gaining sense and guilt, but since no one wished to accept her apologies, she learned not to care over such matters anymore. Her heart grew bitter, cold, and uncaring of much but the evil monster her beloved became. His very existence enrages her, reminding her that her kind sweet prince is gone and all she has is this thing, this terrible and evil shadow who took everything from her. But even so, she can never get rid of him, for he is the only one who will 'care' for her, who could relieve her of her loneliness even if his actions are cruel and taunting. She doesn't want to be truly alone, but he is the only one she can truly trust, so he is the only intruder who will remain safe from her terrible wrath even if she hates him so. Though she knows her prince is gone, she relishes the small brief moments she could see a flicker of him through the monster's wicked being. Oh, how she wishes she could grab her prince in that brief second and never let him go.

Moonjumper: He was once a naive but adventurous lad, a time traveler who shone bright with the moon. Crashing into the strange planet, he met a cold princess whose heart was as cold as ice. He felt understood as he didn't understand what love was either, so he decided to stay with the princess and become her king to find out what love was. They soon had a princess who they named Vanessa. The king loved his daughter very much but didn't love his title or his wife, for he was a being of freedom. Without confronting his wife, he planned to take Vanessa and escape, but he left her behind once his wife figured out his plot. His wife, who grew to love him, was heartbroken and distraught over his betrayal, and so she cursed him with her magic to death, over and over again.

The man became a distorted time rift, cold and alone, wanting nothing more than to find someone to stay with him in his lonely horizon, especially his little princess.

Hundreds of years have passed, and he watches on with great pain as the sweet girl his daughter was once turned into a monster. All thanks to the monster who took over Subcon with that disgusting smirk, he made his daughter the monster she is! And she was no better! Being easily influenced by that monster and turning into a monster herself, they were both horrible beasts! Both were responsible for taking away his little princess! Once he has the chance, he'll get rid of them both! But since he is much weaker and scared of them, he'll abide his time until he can finally avenge his sweet daughter. For now, he searches for someone he could keep in his lonely prison, someone who he can raise to be just as perfect as his little princess...

[the-way-astray]

"what do you mean unraveled comes out in just two weeks, i'm not done with my reread/i need to do a reread still/i barely remember anything" you all are cowards. you will not do a reread. you will read unraveled with your current knowledge of the series as god intended