#this is too in character

[fennel-tea-and-nightshade]

Bee: So....uhh....is it now she/her or he/him b-because you just named yourself king-

King Eli: Figure it out.

Bee: ....So, King Eli, he-

King Eli: *gets the Bunsenbrenner* "He" was the wrong answer BITCH

[mochasucculent]

Dumb thing that would not leave my brain

[demaparbat-hp]

He's never happy

[a-drama-addict]

not caring too much about a fandom’s favourite guy is the worst. you’ll think “oh i’ll look into the tag see if anything new and cool’s there” and it’s just that fucking guy again

[beebeedibapbeediboop]

Rainy days

[cardo-de-comer]

Sun is always the calm one. While the Moon has more fps, always moves and wants to gnaw on walls, pace around and destroy timelines, the Sun is the one who prevents the chaos, usually by doing nothing. Or at least that's how I see them.

[kimabutch]

One of my favourite questions for figuring out a character’s motivations is which qualities they most fear being assigned to them. Are they afraid (consciously or unconsciously) of being seen as stupid? Ungrateful? Weak? Incompetent? Lazy? Cowardly? Intimidating? Like they actually care? etc.

It’s such a fun way to explore into who they are, why they do what they do, what they don’t do out of fear, and how they might be affected by the events of the story. And I love when characters have negative motivations—trying to avoid something (in this case, being seen a particular way) as much as they’re trying to achieve a goal.

[color-ns]

Sometimes tweeter people know their stuff- this is the right kind of toxic angst I want to read.

[noodles-and-tea]

Icons, truly

[tariah23]

White people are miserable, racist losers period. They’ve even been getting mad at Japanese people for correcting them about Yasuke as well.

[moxie-girl]

im so normal abt sibling relationships in media i swear

[gongyussy]

(✿◕‿◕) die (ꈍ ꒳ ꈍ✿)

[hoshizoralone]

samus loves hanging out with her friends and she’s definitely not clueless

[sanguinarysanguinity]

Expanding a thought from a conversation this morning:

In general, I think "Is X out-of-character?" is not a terribly useful question for a writer. It shuts down possibility, and interesting directions you could take a character.

A better question, I believe, is "What would it take for Character to do X?" What extremity would she find herself in, where X starts to look like a good idea? What loyalties or fears leave him with X as his only option? THAT'S where a potentially interesting story lies.

In practice, I find that you can often justify much more from a character than you initially dreamed you could: some of my best stories come from "What might drive Character to do [thing he would never do]?" As long as you make it clear to the reader what the hell pushed your character to this point, you've got the seed of a compelling story on your hands.

[slavhew]

dandadorks