#this is the kind of thing we wanted to do years ago when we first moved in

[writersrkive]

Don't shut up | Spencer Reid

summary: Spencer is used to people who constantly tell him to shut up, but somehow, he feels even more embarrassed and sad when he thinks you want him to stop talking after looking at the tired and confused expression you have when he's trying to help you. The thing is you hate when people do that to Spence and would spend years just listening to his voice.

gender: fluff

pairing: Early seasons!Spencer Reid x bau!reader

warnings: mentions of the team shutting Spencer down. Derek and JJ being a little mean to him when he's spreading information. Spencer being a cutie potato. Mention of a stomachache and its causes (mention of miscarriage as one of the causes, but nothing happens). Reader not being a native english speaker, but just a slight mention.

a/n: Dr. Spencer Reid is a genius.... I am not. I literally had to search for information and copy-paste here in some parts, so if there's misinformation, it's Google's fault, lmao. I wrote this yesterday when I was about to sleep, so I'm sorry if something is wrong with the writing (even though I already edited). English isn't my first language, please be kind <3.

Masterlist Spanish ver. On Wattpad (coming soon)

Spencer and you arrived early that morning. He hated being late for anything. He couldn't afford to be late if he wanted to stick as closely as possible to his assigned schedule, especially because he took public transport. On the other hand, you had no choice but to arrive early when you woke up at four in the morning thanks to a severe stomachache and couldn't go back to sleep.

That's how your conversation started. Your genius workmate was surprised to see you, first hour in the morning, when he walked in the office, even before Hotch arrived.

“Are you feeling better?” He asked, furrowing his eyebrows. You couldn't deny that the expression was too cute for your own good.

“Yeah… I think so. It's not even the stomach ache that bothers me, it's the fact that even if I was sleepy, I couldn't fall asleep again. You know? That happens to me a lot. Once I open my eyes, I can't go back to sleep. I've also been feeling mildly unwell for a week, but even though the medication is controlling it, it doesn't stop."

At this point, he already set up his desk, leaving his briefcase on his own chair to walk over to you and sit at your desk, next to the chair you were sitting in, to listen to you attentively and answer.

“The brain works with different phases of sleep: light sleep, deep sleep, and REM sleep. The cycle usually restarts every eighty to one hundred minutes, and we typically have four to six cycles each night.”

Hotch came out of the elevator and walked upstairs after both of you waved at him, and he let out a soft “good morning”. Emily arrived a few seconds later. You greeted her too, as she took place on her desk, but that didn't stop your conversation.

“So, it's completely normal that we wake up in the middle of the night because of that process, but if it is frequent, for three months or more, it may be a symptom of insomnia.”

Your view went to the floor, and your head nodded in a semi-unconscious movement, because although you knew that your sleep cycle was ruined by work, you had not come to that conclusion, maybe that was it.

“Now, the stomachache…” He said, taking one pen from your pencil case to concentrate. He usually never took other people's belongings or shared his own stuff because of the germs, but somehow, after a few years of working together, he had come to have a good amount of closeness with you to borrow some stuff from you. Months ago, it hadn't gone unnoticed by Penelope that Spencer had a box full of pens reserved for you, in case you needed one, nor the fact that he denied JJ one of them once, when the blonde girl needed something to write with quickly.

“The causes can be the most common, such as gas, indigestion, a muscle injury, or stress. Although there are also more serious causes: gastrointestinal infections, inflammatory bowel disease, irritable bowel syndrome, ectopic pregnancy or miscarriage..."

“Wow, what are you trying to do? Scare her?” Derek's voice invaded the place and Emily smirked.

“What? No, I'm just saying the possibilities…” Spencer whispered, looking down, a little worried that he might actually scared the person he cared more, besides his mom.

“It's okay.” You answer loud enough so your friends and coworkers would hear. “Thanks, Spence. I already went to the doctor, so I have none of… those.” I gave him a little smile. “But about stress…” The sentence hung in the air, so Spencer looked up and continued speaking automatically.

“Stress can cause stomach pain because the autonomic nervous system of the gastrointestinal tract reacts to the same hormones and neurotransmitters as the brain. This is because the digestive system is connected to the nervous system, and the enteric nervous system, which is located in the digestive system, is able to send and receive impulses and assimilate emotions.” He started to talk faster.

Your focus on the genius boy and his explanation was sincere, but maybe it was the fact that you didn't rest well, plus the fact that he was speaking too fast and not vocalizing all the syllables, that for a moment your brain didn't process what he was saying.

It was weird. At some point you didn't even hear words, just sounds from his mouth. That didn't happen to you for a really long time because you already had experience with the native speakers, even if english wasn't your mother language. The exhausting feeling of not being able to sleep well was definitely to blame.

While your brain was coming to that conclusion, Spencer could only see your furrowed brow, tense jaw, tilted head, and dissociated look.

“You want me to shut up, right?” That whisper was enough for you to come back to reality. His cheeks were red and his eyes looked a little sad, not to mention the way his mouth formed a line like whenever he felt awkward.

“Yes, please!” Derek answered instead, leaning back in his seat and looking up with his arms outstretched as if he'd had to deal with seven unsubs in the five minutes he'd been there, listening from his place to the information Spencer was giving you.

“Little genius boy got excited… again.” JJ said, looking at some documents in front of her, opening her eyes wide in an expression of tiredness and disinterest.

The young profiler stood up from your desk thinking about returning to his chair, a little embarrassed, but you took his pinky with yours —that way you wouldn't make him feel uncomfortable in case he wasn't in the mood for physical touch, something he refused unless it was you. Again, another special treat—. “Wait. It wasn't like that.” Hazel eyes looked at you intently, still with a bit of doubt. “I'm sorry Spencer. Yes, you got excited, but that's not something bad.”

“It isn't?” He questioned.

“No, but you started to speak fast, and the fact that there are some words that I have a hard time processing in English and I couldn't quite catch what you were saying because I didn't sleep enough, well, that distracted me. Would you mind repeating it again, slower?” This time, you were the one with warm cheeks.

“Oh. Are you sure you don't want me to shut up?” The boy was actually intrigued and a little surprised.

“Why would I want that?” The fact that your teammates often shut Spencer up when he tried to share extra information, or information that he had been asked about, was something you had noticed from the moment you started working with the team. You thought that was rude. You understood that sometimes Spencer got excited, gave information that was perhaps better saved for another time since you were investigating a case, or people could be tired and want silence, but the team either silenced him or made fun of him most of the time. Plus, there weren't many other things you liked more than hearing his voice.

The sweet, soothing tone of his words helped you sleep on the jet after a long case, or made you want to hear more about whatever he was talking about. Feeling like he was sharing with you, a mere mortal, some of the vast knowledge he had was nice.

“I'm always happy to hear whatever you need to say, even if it's about something I don't understand. And, right now, you are helping me a lot, so, please, don't shut up.” The crimson color returned to the tall boy's face, this time not because he was uncomfortable. Your kind and somewhat complicit smile made his heart race, like almost every time he was with you. Spencer knew that no matter how tired he got, he would never shut up if you wanted him to keep talking.

[puckpocketed]

Trying to absorb everything there is to know about ice hockey within the shortest amount of time possible really does strange things to a person. You come up against questions such as what do defensemen even do aside from skate backwards and do tummy time to protect their goalie? (Broadcasts aren’t the most informative) What the hell makes defensemen effective? What do the casters mean when they say “gap”? What are defensive details?

I love watching games back, I love trying to understand the game. I love hockey <3 But sometimes it’s nice to have help, and sometimes my favourite writers/podcasters collaborate!!

Here is part 1/3 of a podcast mini-series about defending, putting it here so I can have a copy of it in case it ever gets taken down + wanted to share with everyone some of my findings! (All episodes are available if anyone just wants to listen to them!) Transcript + edits done by me, all mistakes are mine.

Published 6th November 2024, Hockey IQ Podcast: Modern Defensemen (with Will Scouch) Ep #1 - by Hockey's Arsenal, hosted by Greg Revak (apple / spotify / youtube / bonus substack link)

part 2

[START Transcript]

Greg Revak: On the Hockey IQ Podcast today, we open up a new segment: we’re bringing back our favourite Will Scouch. If you’re on the Hockey IQ Newsletter you know his work by now.

Will, good morning. Earlier than most of us probably normally get up, but it’s a good day.

Will Scouch: Yeah, Greg, thanks for having me, it’s a lot of fun. Me and Greg go way back. We’re boys from years ago and I’m excited to hop on the show. I’m a keen listener, keen reader. 

[They exchange pleasantries]

GR: Beautiful. Well, today we’re gonna talk about three concepts. We’re gonna break it into three spots though, so everyone’s gotta come back next week and the week after that.

We’re gonna talk about defensemen, because everyone knows they’re important but how do we actually play the position well?

WS: Yeah, I mean, it’s a position that’s still, to me, being explored; both by, I’d say youth and junior coaches and pro coaches alike. There’s a lot of different ways that you can do it.

I mean, I watch a lot of hockey from around the world, all kinds of different levels. I’ve watched guys develop from 15 to 24 at this point, and just seeing how their games evolve and everything, and how effective various versions of this position is. And I think it’s a very interesting area that’s still being explored in a lot of really interesting ways, for sure.

GR: Yeah, I think back to David Savard; he comes out of the [QMJHL] as this high-flying offensive defenseman, and if we just forgot about the rest of his career and you just saw him today as this great shutdown, defense-first player, you’d be absolutely shocked.

I mean, you think about Rasmus Dahlin — kid didn’t even play full time defenseman until his actual draft year, he was still playing forward a ton. There’s so much to be explored here.

I feel like [to get a lot of] — for you NHL fans — to get a lot of value in the later rounds out of your defensemen, take those offensive players first, and we can find a lot of hidden gems later.

WS: Well, yeah. I mean, actually, I’ve said this a few times but your listeners probably don’t know, but I did a presentation during the pandemic at the Ottawa Hockey Analytics Conference about this topic exactly; how, when you look at the numbers and the defensive value of players in the NHL, I found that there were just as many in the top 50 defensive value of players in the NHL, there were just as many undrafted players as there were second round picks, second and third round picks combined.

So the draft isn’t really a great historical gauge on defensive ability. Offense is a different story from defensive players, which we could probably get into a little bit.

But I find, personally, that evaluating defensemen and projecting defense to the NHL is still really spotty and questionable. And I don’t know, in my line of work, watching a lot of defensemen, a lot of the ones who I think are some of the better defenders kind of go a little unheralded, because a lot of the time you don’t need to be particularly noticeable to be a good defenseman, but scouts are always looking for the noticeable guys.

So it’s a very interesting world and it’s a very interesting thing to pick through, but there’s definitely a lot of case studies you could dig into, and a lot of players you could look at as cases of, “Oh yeah, nobody was really paying a whole lot of attention to them!” or maybe people were thinking about them the wrong way. But if you think about things a little bit outside the box, you might be able to see something really interesting there.

GR: Yeah, so let's dive into why that may be. Classic example would be Lane Hutson, so maybe we'll pick on him a little bit, but I definitely want to talk about Rasmus Ristolainen, because he is an interesting case study that we wrote about on the newsletter.

So where I want to start with this is just modern day defending. How are defensemen defending today versus old times? A lot of times it was the big hit, separate the head from body. The puck’s somewhere, but let's separate the head from the body, and we’ll worry about the puck later — that is going bye-bye.

Every coach I talk to now, they prefer having the puck rather than having a head on a stake. So for me, it comes back to this old saying of, “position before possession.” We're gaining body positioning, we're not so much separating head from body, but puck from player.

All right, so we've got position before possession. It's super valuable in gaining the space that you need to have first whack in a puck or put the puck where you want it, or just push it to a teammate. Just having the idea of owning space and there's no better league at this and no league that values it more than the NHL. If you don't do this well in the NHL, sooner or later, you're going to find yourself out of a job making a heck of a lot less money in a league that probably no one really cares that much about. You want to be in the show, the big lights: you have to value this more than anything.

And this is actually the one thing that I noticed about Hunter McDonald. He's in the Flyers’ system now — he was an overager, but I was like, “This guy is unbelievable!” He’s a huge frame, you can’t miss him out there. He would just get the positioning before possession, and I was like, “Okay, that’s interesting, let me watch him further.”

And I feel like he’s going to be one of those bottom of the lineup guys who, unlikely, made it out of being an overager in the [United States Hockey League], going to college for a few years, but has those little details of a defenseman that you see in modern day play, which is positioning overall, which is an NHL trait to the nth degree.

WS: No, I know. I think I would definitely agree. Those are the players that are always really, really fascinating to me because you look at a guy like Hunter McDonald and the production just isn't amazing. But it doesn't — to me, when you look at defensemen, it almost doesn't really matter. That's kind of a very secondary-slash-bonus style of thing that comes with a player.

I see a lot of defenders every year and it seems like a thing where a lot of them, maybe at the lower levels, there is a little bit more of that “separate the head from the body”-type of player. And I think there are NHL scouts who still gravitate towards those guys but, at the end of the day when it all comes out in the wash, it's a lot of the time the guys that are kind of, I hate to say ”boring”, but just very effective, and just they're always in a good position.

The guy I always reference as a young defenseman who, I think, is just a really, really high-end defensive guy is Kaiden Guhle in Montreal. We're going to talk a little bit about Lane Hutson in a second, but Kaiden Guhle is a guy who, when he was in the junior level, just played such a great, balanced style of defense.

He was a good skater, but he had really good length. He was a guy who didn't just lay the body every single time, but he certainly could if he needed to. It was about his lateral mobility, it was about tracking rushes, keeping inside the dot lines, and preventing chances from inside and leading with his stick, but then finishing with the body if he had the opportunity or the need to do so. And he seemed to have a really good read of just how to do his job really, really well.

And so that's been a lesson for me for sure. He was a really interesting case study a few years ago, and he's become a pretty solid NHL defenseman. I mean, on a team this year that’s kind of struggling defensively I think he’s been one of the brighter spots on that defense group there, [he’s] doing a pretty good job at least suppressing chances against.

GR: I don’t watch as much as you do, prospects, but Guhle I did catch. For me, the play style wasn’t very good. He had elements of it, you could see the flashes, but he was just really brash. His decision making and his reads were quite poor. But the tools were there, and it was like, “Can he adjust?” Which I think he’s done a phenomenal job [of], and I think Montreal is probably the perfect place for him to develop a lot of that.

So I think you're spot on like, “Okay, how does he actually apply?“ Having assets is one thing, having the tools is one thing, but how do we properly apply those assets, those tools that you have in a good way? So I think another piece, for me, is if you do have the speed, is just making sure that you're controlling speed and then you're also keeping small gaps.

And just knowing with my high school team that no one knows what a gap is, let's define that real quick, which is: the difference in space between the forwards and the defensemen. So the space in between, “How much space are you [allowing]?” in hockey term slang. It's underneath you versus on the other side, which is above you or behind you. So, “How much space, what's that gap between D and O?”

(Editor’s note: He says O instead of F here, I assume because the person attacking isn’t always a forward. As in, “How much space between the defenseman and offenceman?”)

So you got the speed, shrink that gap as much as possible. Don't give them the space to operate or work in, or, I even call it the space to think, which [it often becomes] for forwards, especially unsophisticated ones.

WS: Yeah, I mean, that's really the bread and butter of a lot of the position. It's so much of this, like you said, gap control. I actually just did a bit of video work for a really high end player, [an] NHL draft pick playing in Sweden this year, who is producing really well.

But in terms of the defending side of the game, he's not the most incredible skater you've ever seen, he's not the biggest guy in the world. And a big thing that I noticed, that even at the professional level that was kind of a bit of a work in progress, was that gap management. Especially because the footwork wasn't amazing, [he was] keeping his feet a little too stationary, gliding backwards and sort of allowing that gap.

And when you watch the NHL that's the point of the whole exercise, watching the NHL and how they play. Forwards are fast and they're smart, largely. The guys who can score are the guys who know how to get through soft defensive pressure, the guys who know how to find lanes and cross up defensemen, and if you don't have the footwork or the mobility or the reach or all of it — all of the above — to track all that and manage it, then it's going to be a lot tougher to do your job.

But the interesting thing, though, is that there's a lot of different ways that you can get defensive jobs done. That's always been very interesting to me; seeing how different players approach the position in different ways and seeing the efficacy of that come out in the wash, and how their offense balances with their defensive ability. It's a very interesting world to dig into, for sure.

GR: Yeah, I think you've got a rabbit hole there. You just kind of opened up around defensive skating. What do clean feet look like? What does defensive posture look like, that actually allows you to have that kind of mobility?

So we'll leave that for another day. If anyone wants to go check it out on the Hockey IQ Newsletter, they can do so. Just look up defenseman skating development. We've got two good pieces there talking about building and maintaining defensive posture and keeping clean feet, which — actually massive base for anyone.

It allows you to have the proper gap that allows you to kill plays early, and ultimately, it's a lot about just controlling speed. You don't want McDavid building up to full speed. You don't want MacKinnon building up to full speed. You don't want anyone coming up to you at full speed. It's very hard to maintain that kind of speed going backwards [that we] even generate in the first place. 

How do you kill it early? How do you get a hand on someone? Or, my favorite example is just proper pivoting. A guy dumps a puck on you, how are you going back? What does that pivot look like?

I'll let you open that up because at the NHL it's almost too good, where you can't see what a bad example looks like, but you can see it's everywhere.

WS: Yeah, I mean, it's a make or break skill in the NHL. It's where a lot of defensemen die. I mean, it's a cliche at this point to talk about pucks in deep, to talk about [getting] pucks deep in the offensive zone, get below the goal line, dump and chase. People make fun of dump-and-chase kind of stuff. But if your team is built to do it, you can do it.

You can take advantage of defensemen in the NHL who just don't have the speed or the agility or the skating ability that some of your forwards might have. It is a lot easier to skate forwards than it is to skate backwards. That's just, you know, anecdotal, but also pretty factual — you're naturally going forwards.

I think an interesting trend that you're seeing a little bit more of [is] what they would call ‘scooting’. You're the coach; I don't know if that's exactly what the terminology would be, but [it’s getting] your defensemen in the neutral zone, kind of pinching a little bit more and having them skate forwards, tracking play towards the boards.

So it's not necessarily that they're doing their backwards crossovers, it's not necessarily that they're entirely skating backwards, but you see guys who are really talented skaters or do have a lot of quickness driving play to the boards in a more aggressive way than having the play in front of them. It's about them sort of tracking that play laterally, which is an interesting thing I think you're seeing more of now.

I think there are definitely coaches and systems that love to play their defensemen more that way, and the weak side defense can sort of fill between the dot lines for them and sort of leave the weaker side of the ice a little bit more open. That's kind of what I mean. There's a lot of different ways to achieve these kinds of goals, and I think you're seeing a lot of different things popping up to adapt to this. 

In situations where you have a dump and chase or something like that, or just getting pucks in deep or whatever you say, when you have a defenseman who has trouble with their footwork and turning around… Trust me, I'm a defenseman, when I play hockey, I strap on the skates — I play defense myself and that's where I fall apart, when I do fall apart. Which is often. But definitely, when play turns around and I’ve got to change directions or change my area of flow, it can be tricky. And in the NHL, I can only imagine how tricky it can be there. 

GR: Yeah. I mean, a good pivot you're looking at three steps total, like boom-boom-bam and you're there. You watch an amateur game and it could be like five, six, seven, eight chops before [they] finally get going and [it’s] looking like a proper forward stride again. [Or just] getting into a good defensive posture and positioning. It's total scramble mode.

A big one for me, too, is just the direction that you pivot. Do you wait for that offensive player to commit to their lane? It's just a great defensive habit in general, letting the offenceman make the first move. If you're making the first move, you're the one showing your cards. It's kind of like showing your cards first in Poker.

Let them make the decision and then you can pivot into them. Now you can get that position before possession, or at least get a chip on them, slow them down. You can either make it easier for yourself or your partner. So one, there's the clean footwork on the pivot, and two is making sure that we're controlling the speed and we're pivoting properly in the direction that we want to pivot.

There's a ton of times where I see, especially the lower levels, players coming up, they're in a bad spot, they're skating forward, defenseman skating backwards and they just chip it off the boards. And the defenseman is like a dog just following the puck and it ends up in the middle of the ice where the forward actually went. Again, the NHL is the best at this so it's really hard to see bad examples of pivoting into and controlling the space of the opponent.

WS: Yeah. I do a lot of work outside the NHL, and the biggest thing I notice is not necessarily the number of chops it takes, but the amount of time. You can see guys taking two seconds, maybe more, to get themselves turned around, tracking pucks below the goal line.

To me hockey is a game of milliseconds a lot of the time, right? I was working with someone years ago who really shared the idea with me that, in the NHL, generally goals are not scored if you have the puck on your stick for more than either half a second or a second.

I can't remember off the top of my head, but it's so fast in terms of; when you score goals in the NHL, it's when you touch the puck for a very short amount of time in the offensive zone and get a puck on net. And so, if you have guys who take too long — and “too long” might not be very long… If the difference is relatively short at the time you're making those pivots or those changes, but the [opponent has] got a lot more speed than you and you're [taking more] time to then start generating that speed to match the opponent, you're in trouble.

And in my opinion, I think that you want your defensemen to be more assertive. I always fall back on the strategy of; make them make a decision, make them commit. That might imply that you do the committing first, but that's where the importance of footwork and tactics come into question. 

You have to have strong support, whether it's from backchecking forwards or your partner. You want to be able to adapt to quick players who might fake one way, go another, and be able to use your stick or use your feet or both to be a factor regardless of what happens. 

It's very interesting to watch defensemen play. I find it really, really interesting to see the different approaches of different players and especially how they evolve and get into the NHL.

But yeah, I mean, [it’s so pivotal], the skating ability; defensemen who can skate, it unlocks so many doors for their career. If you're an elite level skating defenseman, it just unlocks so many doors that interest me. If you're not, and if that's not a strength of your game, then it can be a big struggle, especially against faster opponents. Even if you're big and physical and pretty good throwing the body or whatever, there's a lot more of the game in the NHL these days. Very, very interesting stuff. 

GR: I think that's actually the perfect segue into someone who, early in his career, threw the body too much and sold out too much on plays that he probably shouldn't: Rasmus Ristolainen.

Great case study, great case study from when [John Tortorella] started working with him to where he is now. Will, I'll send in the link here from the Hockey IQ newsletter so we can track a little bit better with each other. 

I found him to be a fascinating player. High draft pick, 8th overall in 2013. Really pretty, smooth skating, big body — has all of the tools that you would traditionally say, “Yep, that checks [out].” And then you looked at his stat profile and it was just abysmal. His micro stats were terrible. I think the only thing he was good at was D-Zone Retrievals, which, being able to take contact, it was kind of an easy thing for him.

WS: Yeah. I remember watching Ristolainen when he was in junior hockey, because that was the earliest years of me being kind of curious about that side of the game, and I did not really recall that being a premier area of his game.

I remember him being big, but pretty mobile, and has some skill to play around with. He did have a bit of a physical edge to him, but it feels like it was that tail end of an era in the NHL where those big, mean, physical guys were kind of in vogue, and people were kind of curious and needing guys like that. And I guess that's what Buffalo drafted him to be.

I remember being very surprised that he was in the NHL the year he was drafted. It just did not look like it was really working out there. And Buffalo just seems to have been not a great fit for him, they kind of turned him into something that he wasn't, but I do think that he's turned into some sort of serviceable defenseman.

But he, to me, is a great example of one that I always look back on and go, “Man, what if?” Like, what if things went a little bit differently for him? Because there was good stuff there, it's just I feel like the development was focused in the wrong areas.

To me, 65% of the work [is] scouting, and developing — the easy part is drafting good players, the hard part is developing them and bringing them along into being good NHL players.

So to me, if you can find the most amount of things that get in the way of that process being easy, then you're doing a really good job. And with Ristolainen, I feel like in his case they inserted more things to make that journey more difficult and sort of turned him into something that he wasn't, which is always a scary thing for me to think about doing to a player.

But it's not over for him, obviously. He figured it out. Obviously, Tortorella found something for him to do, and he has shown a little bit better. But yeah, he's always been a what-if guy for me.

GR: I always liked how Tortorella, after the 2022-2023 season, was doing his media stuff and he was like “Yeah, he's our most improved player.” You're a guy who's getting paid big bucks — I think he was making five million plus that year, still is, probably — and even him, he was like, “I was just bad the first half. And then around Christmas break, I started getting going. The second half was much better.”

Basically, the first half, they were just trying to rebuild his defensive game, and this is true for anything. Zach Benson's another good example of this. If you can't play defense in the NHL, you're going to be out quick. Benson can play defense despite being — I think they list them at five foot 10, but there's no way.

WS: Yeah, no, no. I know. He's a little guy, but he's another great example of a player where I, in my work, I do not care how big you are. I just care about how you play. Even in the NHL. And I feel like Benson's a really, really good example of that; a guy who, just forechecking alone is a really… The easiest way to defend is if he can cause turnovers in the opposing team's offensive zone, a guy like Zach Benson does that extremely well.

And if he needs to track guys through the neutral zone and backcheck, he'll do it, and he does it really well, and he does it at a speed that I found to be projectable to the NHL. And again, that's another one where I was a little surprised to see him in the NHL so fast, but he didn't really look out of place there.

He's had a bit of a slow start this season, but just a really, really talented player, and one where you kind of do look at and go, “Yeah, these smaller guys can definitely defend.” They just — the expectations are a little bit higher, and maybe for good reason, but he checks all the boxes for sure.

GR: Yeah. So for Rasmus (Ristolainen), there's two big things that, when I dug into this, that Torts was working at. At this point, I was so intrigued [that] I was tracking every single time Torts spoke and Rasmus spoke to the media. So I was like, “I wonder what they're actually doing?” Which, Torts can be tight-lipped, but he gives it away if you follow long enough.

The big one was just inside, like too much, he was finding himself, Rasmus was finding himself on the outside. So whether that be outside the dots, outside on bad ice, for whatever reason, or just finding yourself outside, like losing defensive side positioning to the offensive player.

If you finish contact, but now you're on the wall and your player's got to step to the net, that's trouble. There's a great, great clip the other night featuring, I think it was (Aliaksei) Protas [who] ended up scoring the goal and K’Andre Miller of the New York Islanders. So Caps — Rangers, not Islanders — Rangers… Where [Miller] went in soft, didn't really take positioning, got beat back to net, and Protas just put out a stick and just tapped it in, Igor Shesterkin never had a chance.

A similar idea of; okay, good, maybe you got some contact, you tried to make the stop, but you still need to maintain defensive side positioning. You still need to finish on the inside. So if you're doing contact, you can't overreach.

You just can't do that. You have to stay in good positioning.

And the second piece was just, finishing with contact to get stops, like stopping movement. Offensive play is a lot about movement, and defensive play is about stopping movement, AKA getting stops. So he would maybe make a play, or get a poke check, but the puck was still moving and could be easily on the other team's stick. 

So how do you make sure you're always staying in good positioning? Staying on the inside, as Torts put it. Or the other piece, which is getting stops, or finishing with contact — but smartly, not chasing the contact for contact’s sake? Being tactful in your play.

I feel like Risto really just learned how to play defense smartly. He was actually thinking and being intentional about what he was doing, rather than like, “I see a puck and a player, I'm going to go end that!” And then, boom, in the big scheme of things, it’s a net negative. Even though at the moment, it may have, especially to him — otherwise he wouldn't make the play — seemed like a positive, really it was a negative for the team.

WS: Well, that's the interesting thing too, going back to talking about junior players and the context in the draft and how defensive players might go a little bit underreported or undervalued in a sense.

I see this all the time, especially with North American defensemen, especially with Canadian ones, but there are definitely players who everybody talks about how good they are defensively, everybody talks about how solid they are. They're big, they're physical, they're mean, blah, blah, blah. But then when you watch things in detail, it's this sort of Ristolainen-style thing. You're talking about K’Andre Miller where it's like, they're along the boards, they're doing the thing along the boards, but they're losing.

They're allowing guys to get low on them, get through them, and even in the junior level, right? What good is it if you're trying to pin a guy against the boards and they give you a little shove, crouch down a little bit, chip the puck three feet out from you, you don't adapt to that, they get three feet of space on you, throw it out in front of the net, and boom, you got yourself a scoring chance, right? I see that all the time.

It's the focus on the body and not focus on the turnover, turning that possession back over, that really seems to be a tough lesson for a lot of defensemen to get over. I find that a lot of defensemen from the age of 18 to 23, in the grand scheme of things, their style of play doesn't drastically shift all that often.

And so, when I see things like that happening, I'm going, okay, I gotta either hope that this guy puts in the time in the gym and becomes, just, a strength nut, and pins that guy to the boards so they can't do anything, or they figure out a way to get into those situations, take a step back, chip at the puck. Really battle for the puck rather than focus on the guy.

Because I've seen it so many times with guys who are bigger and more physical, they apply it in a way where I feel like coaches will go, “Wow, look at you go, you're playing hard, you're playing the thing!” But then they escape, this opponent might escape, and create a little bit of space for themselves. And again, this is a game of inches, it's a game of a couple of feet, and every inch matters.

So in some cases, yeah, you get those situations where guys like Ristolainen, yeah, you're doing the thing, people clip the hits, people clip the physical play, but then five seconds later, someone's got some space on you and they generate a scoring chance. And so what do you really value, right? Personally, fewer scoring chances would be ideal.

GR: I love it. Last piece to wrap this up, because I think it'll go well into our next piece, which is point play. Shorting the zone.

I was able to find some phenomenal clips and do some photos of this for the newsletter. But the concept of; if you're watching a game in the NHL, if you can see all five of the people trying to break the puck out, low in the zone… A lot of it, you think about the NHL today, is like a swarm. We're going to do close support. I'm going to try to crowd the puck out.

A good way to respond to that is to short the zone, which basically means your defensemen, instead of hanging out at the blue line, are going to go into the offensive zone. And they're going to start with small gaps, they're going to be [at the] top of the circles, if not a little bit lower.

Tortorella is another big fan of this, so you can see it with the Flyers a lot, too. I would say [Sheldon] Keefe is another example of a coach who does this a ton. So you saw a lot in Toronto, now you'll see a lot more in New Jersey, which is  the perfect d-core to make all of this work. So I think Devils are going to be good for — that's going to be a great fit.

But just the idea of crowding in the space, setting small gaps, so when you do start defending, you can either cut a play off early — it's an easy pinch there if you don't have to go very far — you can cut it off. Or, 2; create a turnover in a much better spot than what is in your own zone. Why not make it in the o-zone? So from a positioning standpoint, phenomenal place to start, good way to kill plays early.

Before they can get going, before the team can build speed, and just being able to put yourself in a good spot to take advantage both from a defensive standpoint, but offensive standpoint.

WS: Yeah, I love when I see this being deployed. I think, again, I'm a geek, like I'm a math guy, and even just thinking about the numbers here, it makes such a difference if you think about it.

The offensive zone from blue line to goal line is 64 feet. So you're looking at the difference between a guy standing at the blue line being maybe 75 feet from the net or at the top of the face-off circle where you might be 20 feet closer, maybe 20, 25 feet closer. So you're cutting down the time at which you give the defense to adapt, the goaltender to adapt. You're cutting that time down by a third-ish, a quarter to a third. I'm ballparking here, but that automatically is just based on where you are on the ice.

If you can compress the offensive zone on your opponent, you're laughing. The second thing I wanted to mention here is this is, again, why skating ability and quickness and speed are so important to me. Because it is objectively a better position to be in when you're in that position — closer to the top of the face-off circles for your defensemen.

But if you do have a situation where the opponent has possession of the puck you have to get set up, you have to cover that gap, you have to cover for yourself, or you have to have some sort of system in place where a winger can cover for you if you're caught in the offensive zone. Ideally, you have your defensemen who can wheel up, get some speed going, get positioned well to counter that attack, and have a system that can swarm whoever has that puck in the offensive zone.

I think it's a really interesting trend for sure. It's a simple little thing, it's a concept that you see definitely a lot more now than you used to, but I'm all about it. It just makes sense mathematically, and it plays into exactly the styles of player that I always look for: guys who do pinch a little bit more aggressively, but have the mobility and the skating ability to cover for themselves.

I would rather have a player who tries something creative, or tries some sort of play that could lead to a high scoring chance, but may relinquish some space on the ice, but has the ability to cover for themselves.

And I can at least as a coach, rely on them — not that I'm a coach — but rely on them to cover for themselves. To go, okay, I can rely on them to try these things, because I know that if it doesn't maybe go their way, which happens in hockey all the time, I'm not going to be upset at this player, but I know that I want them to backcheck, cover for it, because I know they're capable of it.

I think that that's sort of the trade off that you have to live with, but I'm totally cool with it.

GR: All right, so we're going to call this end of the day on some modern day defending, and we'll pick up on point play in episode two.

[END Transcript.]

part 2 <- convenient link at the bottom <3

[dreamyelectronicmusic]

🎄 Hallmark Christmas Movie AU Part 3 🎄

(part 1) ❄️(part 2)

At this point in the script, we need Simon/his family/the town to face some kind of problem that Wille can help solve in a way that doesn’t rely on his royal status, lets him spend more time with Simon and helps him understand what he’s really passionate about. So what I’m thinking is that Simon’s school or maybe the town community centre is putting on a Christmas play. Actually it’s probably a musical so Simon is very involved. It’s an annual thing that the town is completely obsessed with. It’s not Christmas without it, basically. But now there’s a problem: the beautiful hand-painted scenery flats they always use got damaged somehow (Hallmark Force Majeure) and they’re unusable. Everyone is devastated; the flats are a classic and everybody loves them. They can do the play without them but it just won’t be the same. Nobody is available to paint new ones at such short notice. Except a certain prince who is there on holiday so he has nothing to do besides make eyes at his crush and who took up painting some years ago as a way to calm his anxiety.

So Wille offers to repaint the flats. Mostly he wants to impress Simon and spend more time with him, but he also really likes the thought of being actually useful. I don’t know how long it would take in real life but in fantasy world it takes exactly the amount of time they have. Simon keeps him company whenever he can and enjoys watching him paint and the cute little frown he has on his face when he’s concentrating. They talk and joke and flirt and get to know each other better. Wille thinks that he should probably be trying to protect his heart because he knows that this can never be anything more than a little holiday romance – someone as wonderful as Simon doesn’t belong in his dreary life. But he knows that it’s a lost cause. He’s falling hard and fast and there’s no stopping it, so he decides to just enjoy it while he can.

As Wille paints, at first he’s trying to copy the old flats based on photos, but then he gets ideas for changes and improvements. He doesn’t think he should do that, though; it’s a tradition and he shouldn’t break it. But Simon encourages him to be creative and just do what he feels is right, and Wille finds that he’s really enjoying the process. (See, it’s a metaphor! We are not in a subtle genre.)

And you can guess what happens. At some point Wille gets some paint on his face and Simon tries to wipe it off. They were laughing about something just a second ago but suddenly they’re not. Simon’s thumb brushes over Wille’s cheekbone, smearing the paint. Wille’s nose nudges Simon’s, and their lips finally meet in a kiss that’s been days in the making. It’s soft and brief. They break apart to check in with each other, grin, and the next thing Wille knows is he’s dropping the paint brush and pulling Simon closer, closer, closer.

Simon ends up with paint on the back of his shirt and in his hair, but he doesn’t mind.

[ladyloveandjustice]

so like I saw this entire argument for the first time when someone reblogged this post a few weeks ago, and was like "well it was two years ago, it's cleary a reach but i'm not that invested, they clearly just REALLY want to yell about this issue of Batgirl rather than go with the most obvious interpretation that was clearly intended, whatever, it's fine" (If they had Jordanna bring up "are you poor" after Steph talked about "her own issues" it is supposed to imply she was poor, whether Steph answers or not (and why would she answer that), otherwise why would the comic bring it up, it's not deep)

but then i was looking at one of my old amvs and

Stephanie's house looks kind of rough there. Yet this was a flashback? No earthquake?

man looks rough there too and this was way before the earthquake. weird that doing-well middle class people wouldn't repair a cracked wall and window.

As I said, that there are plenty of other comics that show Stephanie's house looking run down, this is exhibit A that I just happened to run across. I didn't really have the energy to actually look but turns out I didn't have to.

Steph's dad put the family in a financial hole. That is stated in this very comic. "Using all their money" every time he comes back means a bunch of stuff will pile up and you have to dig yourself out of it. Including the house being in disrepair. In-universe, it's only been like what, a year? less? since the last time he did that in most comics she's in. People don't just automatically recover from that. And that was most of Steph's childhood, Arthur doing that. This is a comic where "we have financial issues" is directly bought up. Steph's Mom likely has very little savings.

That's all I say. Comics are inconsistent. The writers are not as thoughtful about finances as the fans sometimes. It's often hard to nail down a single interpretation. But people think Steph has financial issues because there's more than one comic where her house looks rough, because it's directly stated, it's not out of nowhere.

Like I said, not super invested, I'm not going to say else anything past this post. Steph isn't obviously in danger of being thrown out on the streets, there's miles of difference between her and someone who was literally homeless like Jason, but "struggling" isn't a reach. It's been accepted as a fact for 15 years, since the first time I got into comics, with every fan I talked to, and this is the first time I've seen it so hotly contested, even by people who were following my series of scans on scans_daily (liking it or disliking it), having bits from almost every comic Steph was in right in front of them.

(OH. oh. You don't like Stephanie. that explains the amount of passion here that was confusing for me, I didn't understand why it seemed you were so invested in refuting this. it's like a moral thing now whether she's poor? or a 'financially-concious middle class white girl" is that why white was bought up despite not being relevant to the current conversation about finances? or something? idk what's going on in fandom anymore. anyway.)

If you ever have the time/interest, would you break down the canon surrounding Stephanie’s economic circumstances/home life? It seems like a lot of people have chosen to take it a specific way so I’d love to see your reasoning

Sure. Thanks for asking, it’s honestly a fun topic.

Y’know it’s funny—I actually happen to own something that I think most people, even most Steph fans, haven’t seen: Steph’s first appearance. Not her Robin first appearance, her Detective Comics first appearance, her actual introduction. I happened to pick them up by accident at a con a few years ago because they’re also some of Tim’s first cover appearances. 

Other people might disagree with me on this, but I like to go back to the characters’ origins whenever I can to find the baseline of what they were originally intended to be and try to bring later interpretations in line with that. I like to think of retcons as new revelations, new plot twists in an ongoing story, and not a way to reset aspects of the past just to fit your story. It works especially well for this because Steph’s socio-economic status doesn’t actually change, there’s just kind of a game of telephone that happens across the decades that leads people to misunderstand. 

One thing worth noting in these early issues is just how much Steph, a 16-year-old girl, has at her disposal before she ever even glimpses Batman and Robin. Literally the first shot we ever see of the Spoiler is this: 

And because I am, in fact, that kind of nerd, I have gone in a couple of times and dug out old era-appropriate electronics magazines to figure out what that piece of equipment would cost you in 1992. Baseline for a parabolic microphone is $600, and that price is for much larger, more delicate pieces of equipment meant to be used for like, outdoor nature shoots, which wouldn’t be able to hear through glass. Steph probably dropped $1,000 on that microphone alone. 

Remember also that her costume is homemade—she doesn’t have any other way of getting it. She’s also shown using some pretty elaborate climbing and painting gear, with no indication that they were stolen or borrowed or anything, and you can see that she’s got a pretty well-stocked utility belt there.

Again, for some reason people tend to forget or overlook this but, right up until she demanded Bruce make her Robin, Steph operated as Spoiler with zero Bat support. She got some hand-to-hand training from Cass late in the game and tagged along on some of Tim’s assignments, but was otherwise being actively discouraged from vigilantism for most of her career. She made her own costume, bought her own equipment, and maintained her own motorcycle, all without the financial support of either Batman or her parents. 

So right off the bat we know she’s a teenage girl with a not-insignificant amount of personal disposable income, the only hinted source of which is the implication she works a part-time job somewhere—which I don’t think is ever brought up again when she reappears in Robin. 

We all know minimum wage went further in 1992 than it does now, but it didn’t go that much further. So it’s reasonable to assume that Steph has access to at least some money from her parents to support her vigilante habit, whether that’s in the form of an allowance, gifts that she carefully manages between Christmas and birthdays, or money that she’s able to just, take from Crystal without her noticing. 

But this page is more important to our current interests because it’s also when we see Steph’s neighborhood for the first time. We’re told here that Steph and her mother (who is called Mrs. Agnes Bellinger in this comic, although it’s possible she was using a fake name to visit her ex in prison) live in what is described as “115 South Holden Street, in Manchester.” 

Now keep in mind, the Gotham City map can be extremely fluid and tends to change depending on the needs of the story. But there have been attempts to map it, and “Manchester” has never been on any of those maps, so we have to do some extrapolation. At the very least, we can tell the neighborhood is clearly not in the city, given the very deliberate angle there in the first panel to show that they’re well away from the crowded downtown Gotham skyline.

This implies that Manchester is intended to be one of the mainland suburbs that feeds the island city of Gotham, similar to Bristol Township where the Wayne and Drake Manors are located. It’s not nearly as nice a neighborhood as Bristol—note the fenced-in front lawns, the broken shutters on the neighboring houses, and the vaguely racist lawn ornament on the Brown’s property—but it’s also not some rundown slum. People aren’t afraid to let kids play in their front yards or leave their garage doors standing open. And you’ll note those aren’t trailers, either, they’re decently-sized suburban homes.

Also worth noting: Crystal seems to keep this house perfectly fine on her own as a single mother. Arthur doesn’t live with them; when he’s shown having residences it tends to be apartments in the city by himself, and it’s not like he could support them from prison or with his ill-gotten criminal gains. And yet, we don’t see Steph or Crystal worrying at all about bills or mortgages or anything like that throughout any of their appearances. We see the interior of their house on several occasions and, while it’s often messy, it’s not in disrepair or neglect.

This is a constant portrayal throughout all of Steph’s appearances, from Robin through even her run as Batgirl. So, with that in mind, where does the idea that Steph is poor come from? Well, I’ve got a couple of theories.

One is the usual comics fandom problem: canon is huge, nobody can keep up with all of it, and some people go out of their way to be assholes about it, so misinformation gets spread like wildfire, in no small part because Steph is a character that a lot of people use as a self-insert and therefore she must be the misunderstood underdog in all things.

But on the more-interesting-to-talk-about front… I don’t think it’s controversial to say that Steph’s first big storyline was her pregnancy. Yeah? Like, it’s the first story involving her that really started getting critical attention. Whether it deserves that attention is more open to debate—personally, since reading Icon & Rocket for the first time, I’ve come to view it as Dixon pulling the comic book equivalent of white guys repackaging black music and watering it down—but the important thing right now is that it’s the first time people would’ve been specifically reading the Robin comics for Stephanie Brown. And in those comics, Steph’s house is shown as visibly run-down, covered in cracks and disrepair.

Thing is, there’s a context that people miss if you’re reading for the baby storyline and nothing else: this storyline plays out over the last days of “Aftershock” and early months of “No Man’s Land,” the storyline where Gotham is racked by a destructive earthquake that nearly levels the city and is abandoned by the federal government.

Again, we get the reinforced confirmation that Steph’s house isn’t actually in Gotham because it’s not destroyed in the quake—the neighborhood is damaged and briefly evacuated due to a gas line rupture in the immediate aftermath, but once that’s cleared up they’re free to return home, and their suburb is not part of the federal government’s evacuation. Nearly every building in Gotham is shown with similar damage during this time, including Drake Manor. 

This storyline also plays into, I think, the stereotypes that people jump on when it comes to Steph’s socioeconomic status. Like I’ve mentioned before: Arthur is a criminal, Crystal is a drug addict, and Steph is a teen mom. Therefore, they must be poor, right? Because good middle class families supposedly don’t have those kinds of problems.

But, as I’ve mentioned before, that’s an inaccurate stereotype that ignores reality: plenty of drug addicts, criminals and teen moms live in the suburbs. And the Browns’ specific circumstances are distinctly atypical of the stereotype—Arthur’s not some down-on-his-luck thief pushed to crime by economic hardship, he’s an arrogant former gameshow host who thinks he’s smarter than everyone else and resents the world for not handing him the success he feels entitled to. Crystal’s not some crack addict, she’s a working nurse who used to get her doctor friends to write her scripts for prescription painkillers. And Steph is just a teenage girl who slept with a boy and got pregnant, with the costs of prenatal care and/or childrearing never seeming to be a factor in her decision to bring the child to term and give it up for adoption. 

I could go on but that’s pretty much the long and short of it: Steph is simply not shown as being poor in the comics. Ever. She’s not rich, she does clearly rely on her fists much more than any gadgets or fancy gear and lives with her mother rather than moving out on her own for college, but she’s also never shown worrying about student loans and can apparently pay for all her classes with some government assistance and a part-time job alone.

People just assume that she’s poor because they’re misinformed, or they’re projecting, or they’ve got biases they haven’t examined, or they need her to be an underdog to justify their argument against one of the other characters, or they really want her to be buddy-buds with Jason for some reason. 

Or, y’know, they just don’t want to acknowledge that they’re rooting for a middle-class white girl from the suburbs who commutes into the inner city to pick fights for fun. 

[missedmilemarkers]

Hi again!! Figured that since you were technically open to any question, I want to hear your thoughts or views on this. I'm not sure if I could message you (because I'm very awkward and I can't exactly hold a conversation based on small topics) But, how do you feel about choosing something practically over passion? This question has always plagued me ever since it was brought up during class, and it provoked to me how practically was always chosen over passion as it would technically "help" them more than pursuing their passion.

Was choosing tech for you a more practical choice or were you passionate about it? I don't want to sound rude over this question, but it only occurred to me when you mentioned that you were working in a field that is quite more on the technical side. Do you see it as something similar to an art form as you develop products that could help improve lives tremendously? Or is it just a job that you expect to pay good?

(P.S Sharing these photos I took some time ago, I believe it was last year and it was submitted for a class. Hope you enjoy them as well! Not as much sun as the last one though)

First off. Before going into any of the content of this post. THAT GIANT SNAIL IS SOO COOL! I just recently found out that they exist and was just amazed by the size of them. GREAT PICTURE!!!

Alright lets unpack the content of this ask.

TLDR:

You got this I believe in you. Stand tall and proud and go for whatever your heart and head want. If they disagree pick one and evaluate later. Even if your heart and head dont know that is OK as the story of your life unfolds the path will become clear. If you are honest you can always move with confidence and never lose a moment of sleep.

I am choosing to dive deep into this again for a few different reasons. The reason I am doing this you are at a moment in time which you perceive to be important (final exams, deciding about life etc etc etc). The unfortunate thing is this moment is no more important then any other you will experience. All it is would nothing more then a "MileMarker" which you will use for evaluation later in life. That does not mean its not important. All that means is every decision you made every action you took got you to the moment you are in RIGHT NOW. So dont worry no matter your choice you will always make the right decision. Even if its wrong you will always gain insight and that insight will always lead to success if passion is applied.

how do you feel about choosing something practically over passion?

I am not sure if there is exactly a correct answer for this one. If there is I think the best one would be do whatever makes you happy, and the only way to find out what makes you happy is to try. One thing I have learned is sometimes money or love is not enough. One can have all the money in the world and be miserable. Same goes for love. One could be loved by the world and be empty inside. That answer is kind of B.S. for someone that is seeking input. With that being said I will go over some of my experiences. My very first job was at an auto mechanic shop. I used to love working on cars. I would spend my weekends doing it. I would hang out with my friends and all have a great time. So i figured it would be a good choice to work as a mechanic. So I went and got that job. I worked it for about 5 years. At the end of it I never wanted to work on cars again. To this day I will not even change my own oil because I hate it so much. Am I upset it turned out that way? Not at all. Life is all about the experience nothing more nothing less. That lesson for me was finding out what I did not like in life and was just as important in my journey as knowing what I liked. At the end of my mechanic experience I figured I should just go be a garbage man. I would get the same blue jump suit but instead of the trash coming to me I would go to the trash. Really all we can do is to try. There is no wrong answer. Even if one makes a choice and find out its wrong for you that is OK.

Was choosing tech for you a more practical choice or were you passionate about it? "Neither and both"

The reason I brought up the above being a mechanic. If i did not want the same thing to happen on my outlook of computers as it did for mechanics. It was because of this I did not get into tech. I loved it so much I did not want to risk ever hating it. So that is passion but born of practicality based on what is important to me and only me. This is was dictated by my previous experiences and not wanting to have any regret in life. More on this: I have always been interested in computers and tech. I grew up in a very poor household. We only ever had exactly what we needed and nothing more. My childhood was amazing. Yea at the time I wanted more but after I got older and realized how the world was I landed on the outlook of "I could not have asked for more and it was amazing even though it was viewed bad at the time". One of my best friends growing up his family was very rich. It was through him that I was able to get access to technology. From that my obsession was born. I loved tech so much I avoided it professionally because i did not want the same thing to happen as did with mechanics. Then one day just purely by happenstance a neighbor offered me a job. I decided at that moment you know what try it. Why not, I now knew the signs of when i might start to hate it. so why not. We can never have any form of regret. So at that first job I literally ran around a call center unplugging and plugging back in headsets. Was this something that made a difference in this world. No, was it something that I found great internal satisfaction. No. At this point did it provide me financial security. NO IT SURE DID NOT! It was until many years went by to get a chance to shine. When that moment came I was ready and I crushed it. From that moment it was all different. I gained both functional and passion in my career with huge paychecks. But you know what, none of that matters now. The only thing it provides is a story for others of my personal experience. None of it means anything right now and clearly I cannot seem to pay the bills. That is ok. I would not change my situation, the outcomes, my choices or or any aspect of how i got to this moment right now. As long as I continue to try, learn and adapt I will find my way. However none of that will happen if I never take steps on my own and try with every fiber of my being each day.

how practically was always chosen over passion as it would technically "help" them more than pursuing their passion.

Based on that statement I feel how you are looking at this in the wrong context. That statement is taken from the third person. You need to have it worded something more like this. how practically was always chosen over passion as it would technically "help" me more than pursuing my passion. The context of that change is huge. Lets take a moment and reflect on that. I bring special attention to this because 1. We can never know what is best for any other person. Its hard enough knowing what is best for ourselves. Its ok to use other peoples stories and experiences as guidance in our own actions and decisions. It should never be our place to dictate what is best for another. We can never know that persons experiences, thoughts, emotions or context. We can offer guidance and feel happy we had an opportunity to share. 2. This now forces an action from the third person to a first person. This logic dictates something must happen. Even non action is an action and should be evaluated later and potentially adjusted. Sometimes non action is the best action. Often times its not though. Its all about that re-evaluation. 3. Experience is the most important thing in life. If you are struck in any form of "I wish I could...", "I always wanted to...", "Why cant i just...", "I don't know what ...". The only way to fix that is to do anything different. If you are frozen in a conversation start with one single word "Hello". If you are struck with any form of indecision just make one that is easier and more open ended. Instead of "I will make a final decision by", change it to "I try to evaluate my choices on", then take some time do a proper evaluation. Ok i wanted to try but i was unable to do that. Its ok that happened what can I do differently to "try anything else" and step with confidence in whatever choice you make. Even if its wrong there is never any regret because you made the best decision for you at the moment. Changing the view from "Observer" to "Doer" is what this context change provides. When an honest action is taken you can always do it with confidence no matter what it is. to Your final question. Money is a sign of a job well done. If you enjoy what you do you never work a day in your life.

In final thoughts: Tomorrow will never come and yesterday is just a story that only you care about. People might want specific things for you but none of that matters. Anyone who truly cares will want your happiness above all else. If that person cant understand that then they are probably not the best person to spend your time with. If you are living in the past you are depressed. If you are living in the future you are anxious. Its all about right now nothing more nothing less. Just smile, be confident and just do what is best for you and no one else. No decisions are final, you are free to change your mind at any time. Its ok not to know. We can never know the story of life through any other way then just living it how we choose. If future you is worried (anxious). Then present you should do something to set that person which don't know but implicitly care about up for whatever that success is defined as such by you. If past you is upset (depressed) about something then future you (currently present) can do something about it and make a change. Even if that change is wrong you can tell past you (depressed) that you tried and ask that person for advise and make adjustments accordingly. As long as you try you will always get exactly what you need. Survival is a very strange thing like that. It always is right up until it is not. The moments of survival in most cases outnumber the moments of conclusion. So dont ever worry the statistics are on your side.

Time is the only thing we never get back. I choose to spend my time happy. My personal definition of happiness has changed many times throughout life (story). Money will come for me as a result of that. So far it has worked out for me. To date I have survived (lived) far more moments then i have concluded (died). The same thing can be said about anyone reading this.

Conclusion: Each time i chose based on passion, One time I lost a passion. The other time I did not. Each time I was able to survive. Each time i gained valuable experience and understanding of who I was. I always succeed because I will always try hard and hopefully learn from my mistakes just enough to be good. I want to be happy in life and If at any moment I am not that is my measuring stick to make some kind of change.

Much like the seasons change is forced.

But we will always find the beauty of tomorrow. Even though we might have suffered a broken arm.

[phantasmatoucan]

I WAS TRYING TO PICK WHO IS MY FAVORITE VOICE BUT FAILED MISERABLY... RAMBLINGS UNDER HERE

I CANT FOR THE LIFE OF ME PICK A FAVORITE VOICE THEYRE ALL SO GOOD, EVEN THE 4 ONES I PICKED THAT I LIKED MOST ARE THERE LIKE BY A SMIDGE OF HOW MUCH I LOVE THEM AND CARE THEM

SMITTEN HAS BEEN MY FAVORITE VOICE SINCE BEFORE PRISTINE CUT CAME OUT WHEN I FIRST SAW THE GAME LIKE A YEAR AGO, I JUST LOVE CHARACTERS WHO ARE ASSOCIATED WITH LOVE IN A DETRIMENTAL WAY, HIS CODEPENDANCY WITH THE PRINCESS IS JUST SO GOOD, HE CAN NOT STOP LOVING HER EVEN IF SHE HURTS HIM, MANS BLINDED BY LOVE AND ALSO THE FACT THAT HES SO POWERFUL? LIKE THROUGHT THE POWER OF LOVE HES ABLE TO MANIFEST WHATEVER HE HAS IN MIND EVEN TO THE POINT OF CREATING A PLACE OF HIS OWN ACCORD WITHOUT TLQ'S INFLUENCE [to a point], HE NEEDS THERAPY SEVERLY BUT FOR NOW I WILL HOLD HIM IN PURSE

I ALWAYS HAD A SOFT SPOT FOR BROKEN, NOT BECAUSE OF HOW PATHETIC HE COULD BE SOMETIMES WHICH MOST OF MY FRIENDS FIND KIND OF ANNOYING BUT I MOSTLY THINK ITS FUNNY [also a fair stance i too would fold if a goddess told me to do whatever she tells me] BUT BECAUSE HE COULD BE SO SASSY AND BITTER TOWARDS THE OTHER VOICES WHICH OFTEN MADE ME SO INTERESTED IN HIM, HE WAS BROUGHT UPON BY TLQ BASICALLY GIVING UP ON STANDING UP TO THE PRINCESS OF COURSE HES GONNA LET HER TAKE THE REINGS SINCE TLQ BASICALLY GAVE UP HER POWER OVER HIM TO HER AND WITHT HE PRISTINE CUT HE GOT SO MUCH MORE FOR HIMSELF AS WELL, HIS EMPATHY IS SO POWERFUL THAT HE CAN USE IT TO HIS ADVANTAGE AND FOR BETTER UNDERSTANDING OF THE PRINCESS

I HAVE A THING FOR CHARACTERS WHO TRY TO COVER UP THEMSELVES FOR THEIR OWN PROTECTION AND OPPORTUNIST FITS THE BILL, HES A SURVIVALIST FIRST AND MOST OF ALL, HE WILL DO ANYTHING IN HIS POWER TO SURVIVE BE IT BY GIVING HIS CHOICES TO THE MOST POWERFUL PERSON IN THE ROOM OR USING WHATEVER CARD HE HAS IN STORE TO ONE UP WHOEVER IS WITH HIM FOR HIS OWN SAFETY, AFTER ALL HE CAN ONLY TRUST HIMSELF TO KEEP HIMSELF SAFE, HE LIKES TO BE PRAISED AND THE ATTENTION AND I THINK HE DOES WANT CONNECTION BE IT THE OTHER VOICES OR THE PRINCESS BUT HE HAS TO PUT UP A FRONT NO MATTER WHAT SO THAT HE CAN ALWAYS HAVE SOMETHING UP HIS SLEEVE, ALSO HIS GRIN IN PRINCESS AND THE DRAGON IS SO GOOD...

PARANOID! I ALWAYS LIKED HIM AND HOW FUNNY HE CAN BE WITH HIS BLUNTNESS, HE ALWAYS IS TRYING TO KEEP TLQ SAFE BUT WITH THAT COMES HIS LACK OF ACTION, AS IN USUALLY DUE TO THE CIRCUMSTANCES OF THE ROUTES HE CANNOT FIND A GOOD OUTCOME OF ANY OF THE CHOICES U HAVE, HE HAS A GOOD GRASP OF HOW THE SITUATION IN THE CONSTRUCT WORKS AKA BELIEVING AND THINKING IN SOMETHING CAN HAPPEN WILL HAPPEN, BUT THAT ALSO COMES WITH CONSEQUENCES OF BELIEVING BAD THINGS CAN HAPPEN DO HAPPEN [the nightmare in its entirety], HES ONE OF THE BEST VOICES IN TERMS OF SURVIVAL THO BUT WHEN IT COMES TO UNDERSTANDING OTHERS LIKE THE PRINCESS HES THE WORST AT SINCE HE ALWAYS WILL PUT HIS SAFETY FIRST AND WONT TRY TO TAKE A LEAP OF FAITH, his stress laugh in the cage is also very cute [heart]

I DONT WANT THIS TO BE TOO LONG SO I WILL SAY WITH THE OTHER VOICES I CARE THEM A LOT, HERO COULD ALSO BE IN THE TIER ABOVE SINCE HES THE BEST BUT HE GOTS HIS FLAWS [his lack of desicion making dont want to get into it this is long enough as is help] BUT FOR NOW THATS THAT

THE NARRATOR MOSTLY MAKES ME SAD SINCE WE SEE SO MUCH ABOUT HIM AND HOW BITTER AND AFRAID HE CAN BE ABOUT TRYING TO SAVE HIS WORLD AND HOW EVEN IF HE DOES HAVE A CHANGE OF HEART OR SOME UNDERSTANDING WITH THE PRINCESS IT WILL NEVER STICK AROUND BECAUSE HES JUST AN ECHO AND HE CAN NEVER GROW FROM THAT

AND THATS ALL I HAVE TALKED LONG ENOUGH THAT THIS TOOK ME LIKE HALF AN HOUR TO WRITE JESUS CHRIST 23ÑLRKMOPR21

[dreamingofep]

Forbidden Love Pt. 10 💔❣️

Fandom: Elvis - Elvis (2022)

Prompt: Reuniting with Elvis was supposed to be the highlight of your summer, but with unresolved tensions between you two, things aren't what they seem. [Fem! reader]

TW: SMUT, filth, cussing, a lot of bad things in here you've been warned

Rating: Explicit

Word Count: 4.1k

A/N: Hi everyone! A little late night post with a lot of spicy things sooooo yeah🫣 This chapter was going to go a very different direction but the image of E in a robe absolutely ruined me and now we are here🫠 Please enjoy hehe😈

❣️

The next few days were spent in solitude. You didn’t want to interact with anyone and you honestly didn’t have the energy to. Your dream a few nights ago freaked you out and made you reflect on your relationship with Elvis. This rekindled flame you two had was a raging wildfire and you were desperate for him to love you. 

You just didn’t know how to go about that. Should you confess your feelings for him and run off in your happily ever after? That’s if he remotely feels the same way for you too. But it wasn’t going to be that easy. You needed to leave John, he needed to figure out what to do with Dianne, there were a lot of messy bits to deal with.

And to make it worse, these dreams kept happening. They were not as intense as that first one, but they still involved trying to make him fall in love with you and take care of you in anyway he possibly could. You’d wake up jarred from these dreams most of the time, and to your liking, Elvis was still there, ready to comfort you and tell you to go back to sleep.

Elvis worried about you alone in your room all day. He’d check in on you every morning and bring you something to eat. And at night, when the whole house was asleep, he’d sneak into your room again and talk to you. Your spirits were lifted when he was near you. You would talk about movies and what he wants to watch next. He let you borrow a ton of books to read, the ones that were his favorites that talked about philosophy and spirituality. You found them fascinating and enlightened you. It gave you a sense of what Elvis needed; purpose.

He didn’t feel fulfilled doing the kinds of projects he was involved with the last few years but everything changed with his TV special. The world saw him for who he really was. He was an undeniable rock star who had enough talent to impress anyone of any age. 

He’d sleep in your room every night. Sometimes without saying a word, he’d just sit on the floor, his arms on the edge of the bed, looking up at you talking about whatever and acting like it was the most important topic. He was too good to you. You melted every time for him. You never wanted the night to end so you could continue to enjoy having his undivided attention. 

A part of you also didn’t want to fall asleep either. It took you a long time to fall asleep normally, your mind would wander. You’d always tell him to get in bed with you and lay on his chest, listening to his excited heart beat away for you. Every moment you had with him was so precious and you couldn’t help but feel like any moment he was going to be taken away from you. You would wrap your arm over his chest and he would usually hold your hand there, making sure you weren't going anywhere. Those wandering thoughts would keep you up longer than they should... especially if they thought about his hands... or how needy your body felt next to him...

You couldn’t fall asleep tonight and Elvis hadn’t come in to see you yet. He’s made you spoiled and couldn’t rest until he was near you in some capacity.  You hoped he wasn’t in his bedroom because you had this fear you’d find Dianne in there one day. You quickly put a silk robe over your nightgown and make your way out to find him. 

In the hallway, you see the light on in his office. You had never been in there before but really wanted to see him before you went to sleep. You turn the doorknob and crack it open before entering. 

“Elvis?”

You hear the squeak of a chair moving and papers rustling quickly. 

“Oh, come in honey,” Elvis says quietly. 

You enter the office and see him sitting behind his desk. Your poor heart shudders at the sight of him. He was pure, dripping temptation. His hair was a bit unkempt with a few strands that fell on his forehead. What he was wearing made you incredibly weak. He was in a black robe, loosely tied at his waist leaving most of his tan chest exposed. You were practically drooling at the sight. He looks at you with those needy blue eyes and sits up a bit.

“Hey baby, what are you doing up?” He asks.

“I couldn’t sleep, I wanted to see you,” you blush.

The corner of his mouth turns into a smirk and you watch as he raises his index finger, summoning you to him. 

“Come here, baby.”

You close the door behind you and go to him, sitting on the corner of the desk in front of him. You get a better look at what he's wearing and it looks like he's just wearing the long robe and nothing else underneath.

Mhmm. Quite sexy.

“Sorry, I haven’t come to see you. I was just going over some things for the show,” he says picking up a piece of paper with a bunch of songs written on it. 

“A little over a week and you guys open. Are you excited?” 

“In a way, but the other part of me is terrified beyond belief. What if I can’t do it anymore?” He asks shakily. 

“I know you can, you’ve never lost your ability to put on the best show. Someone like you just doesn’t lose that talent,” you tell him confidently. 

“Thanks for believing in me. It’s just overwhelming.”

“I can only imagine. Pretend you’re singing just to me then, maybe that’ll help,” you say lightheartedly. 

His eyes flutter up at you and he smirks again. 

“That would only make me more nervous,” he jokes. 

“What?! You used to tell me all the time that when you got a little nervous before a show, you pretended to sing as if only one friend was in the crowd."

"You're right, I used to say that," he chuckles.

"And back then, if I missed you, I'd pretend that you were singing to me when I put on one of your records. You always ease my mind when I hear your voice,” you tell him. 

He chuckles and grabs your hand, softly rubbing his thumb along the back of it. 

“I still do sing for you,” he says low, his eyes blazing with intensity. 

You stare back at him and feel your breath catch in your throat. He was too beautiful for his own good and made you want to be his more than anything in this world. It was impossible to deny him anything.

He didn't let go of your hand and it made your heart race uncontrollably. You try to distract yourself and go to pick up the setlist that was on the desk and glance over it. He made some edits from the last time you went and saw him rehearse. The show was going to be amazing, there was no doubt about that. You couldn't wait to see him back on stage doing what he does best. 

“I want you to come to Vegas with me,” he says suddenly, taking you a bit by surprise. 

“Yes of course I'll be there. I'll definitely be there for opening night and maybe stay the weekend or something,” you try to explain. 

“Yes, but we leave in a few days. I have to go and rehearse on the main stage with the whole band over there. I want you to come with me then.”

Your first instinct was to tell him no. He was always trying to cause trouble. But now you felt things were different especially because of how John was acting. You felt like you didn't have to be so careful because hell, he definitely wasn’t telling you the truth about things. But there was still apprehension. 

“Well, what would you say to explain why I'm there before the show is even opening?” you ask him. 

“Let me take care of all of that. Just tell me you're coming,” he says squeezing your hand. 

“Okay, I'll go,” you say with a smile. 

“Perfect, I feel less nervous already.”

You let go of his hand to look at the other drafts of the setlist he made. His blocky, chicken scratch writing was hard to make out sometimes, especially when he got frustrated, but you found it cute though. You see there were newspaper articles underneath all his different notes and you pull at the corner of one of them. Elvis puts his hand on top of the pile of papers and takes a sharp breath in. 

“Umm honey…” he trails off. 

This reaction only furthered your curiosity. Now you had to see what he was reading. You move his hand and pull the rest of the newspaper out. It took you a second to realize what you were reading but it was an article about the first movie you were in. The article highlighted your performance in a few sentences but it was still a huge deal for you! You're not sure where you even had a copy for yourself but Elvis had it. 

You look underneath and find more articles and pictures of you in magazines too. Your curiosity heightened and were surprised by this discovery. These pictures of you were from various promotional stills you did for a movie or TV show. Some of these had you in costumes that were more revealing than you remember. There was one where you were playing a cocktail waitress in a strapless short dress. Or another where you were in a bikini for a beach movie. 

“So, what do we have here?” you tease. 

Elvis looks away from you, blushing with embarrassment. 

“Are you my fan?” you giggle. 

“Hmm, I would say a bit more than that,” he chuckles. 

“You have quite the collection of me,” you quip. 

“Yeah well back then… it was the only way I could see you so I would save any article or picture you were in. It’s cowardly now that I say it out loud but that's how I went about it,” he says shyly. 

“Mmm, I see,” you say softly. A realization hits you though, “Well what were you doing with all of these out tonight? I'm just in the other room.”

He flashes his eyes up at you, making your heart stop. 

“I’d rather not tell you what I was doing.”

Your eyes can't help but drink him in right there in front of you. He made it impossible to think clearly and the way he was looking tonight made your inhibitions even murkier. 

“Show me what you were thinking then.” You murmur. 

His eyes blow wide for a second, making sure he heard what you just asked of him. He shakes his head and you feel the overwhelming desire for him take over your body. He begins to pull the silk ties of his robe. You see the material lifted up from his hardened length and you pause. You wanted to have him ravage you tonight. It had been too long but you wanted to watch him before you asked him for that. To your delight, as he pulled back the material from his body, he was naked underneath and his cock was throbbing with need. 

You bite your lip, trying to hold back the moan you wanted to let escape from seeing him naked again. He leans back in the chair, letting you admire him a bit more. Dear lord he was so perfect and you couldn’t help but want him desperately. 

You look back up into his eyes and let a shaky breath out. 

“What were you doing in here with all these pictures of me?” You ask quietly, knowing you might pass out if you heard the answer come from his lips. 

“Honey, I don’t think you understand what you do to me,” he says low and sultry. You watch as he lowers his hand and wraps it around his length. His head was leaking with precum and he glides it down his shaft. 

You felt your body tremble, unable to breathe or respond to what he just said. You secretly loved that he wanted you, just how you wanted him, but hearing it from his mouth was like a dream. He slowly rubs his cock as he takes his time looking at what you were wearing. Your cheeks were beginning to burn as you watched him pleasure himself in front of you.

“I’ve missed being with you,” he groans, letting his head fall back a bit. The sound of his low guttural tone sends a bolt of lightning through your body, causing your arousal to pool. 

“Me too,” you say in a breathy sigh. 

“I wanted to go to your room tonight but I know it was going to be difficult to get in bed with you.”

“How so?”

“You have no idea how hard it is to lay next to your whimpering body at night, clinging onto me for dear life, and somehow not make you satisfied,” he suggests. 

You hold your breath, realizing your fear has come true. He heard you whimpering for him, dying for him to love you and never leave your side. It was embarrassing you couldn’t keep that to yourself even when you were asleep!

“Are you dreaming of me?” He asks mischievously. His hand moves slower and waits for your answer. You can’t say it out loud, it was too damming. You feel your cheeks burn even more and can barely look at him. 

“I-… I’d rather not tell you,” you breathe, your eyes trailing down to his cock. You bit your lip to hide the way you wanted to cuss his name. Watching him like this was so damn hot.

“Then show me. Show me what you want, what I do to you in your dreams,” he commands. 

You feel your head spin and your heart flip by his tone. Oh God, this was so bad, so lewd of what you two were asking of one another. You sit there frozen, unsure what to say. You would never do something like this in front of a man. Elvis was no regular man though. He had you in the palm of his hand and was able to make you succumb to him with the slightest breath. 

You carefully untie your robe, showing the silk nightgown underneath it. He grabs you by the hips and slides you over on the desk so you’re right in front of him. His eyes are heated and serious, too much for you to handle. His fingertips pull your nightgown up, revealing your uncovered core. He sucks in a sharp breath, not expecting for you to be naked underneath.

“Jesus baby… comin’ in here lookin’ like this?” He coos, his hands squeezing around your thighs, making you tremble.

“I always sleep like this, you’ve never seemed to notice,” you spat proudly.

“How lucky am I,” he smirks, as his hand slowly spreads your legs apart and begins to trail up higher until his thumb finds your clit. Your eyes roll back and let him give you this undeniable pleasure. 

“Come on, show me what you want. You’re so nice and wet,” he groans softly.

He’s made you so breathless and wanted to give him anything he ever wanted.

Your hand lowers and finds your throbbing clit. He was right, you were already so wet from just watching him and needed more. You lightly rub it and jolt from the sensation. You were so sensitive and could barely put more pressure on it, let alone, look up into his needy eyes. But you do it anyway and it nearly knocks the wind out of you. God those piercing blues were killers. You so badly wanted to please him.

“I-I’m usually the one to beg for you in these dreams… wanting you to hold me or… to make love to me,” you whimper as your fingers gather more slick that’s dripping out of you. He bites his lip momentarily, liking the thought of that.

“Fuck, I don’t know if I can handle you begging for me… it seems too good to be true,” he says with a groan. You watch as his hand lowers again and his eyes are heavy with lust as he watches you. An airy whimper escapes your throat as you rub your clit more, wanting him to be giving you this pleasure instead of yourself.

“Tell me what else happens? Do I give you what you need?” He asks, licking his lips slowly and biting his bottom lip.

“No, I always wake up before… well, you know,” you say slightly embarrassed. “I’m just desperate for your attention Elvis.”

He groans at that sentiment, loving to hear that you need him so badly.

“I know honey, you’re just too stubborn to let me take care of you.”

He gets up from his chair and slowly sinks to his knees in front of you. Your heart races uncontrollably and grab a fistful of his hair with your other hand.

“I’m not stubborn,” you hiss at him. 

“Yes you are, you would rather pull me into bed every night and pretend to be sleeping even though I know you’re wanting me to take care of that wet pussy,” he says confidently. You are about to protest but you feel his lips kiss the inside of your thigh and you feel on fire. The heat inside of you blinded you from saying anything else.

You answer him with a breathy moan instead, your fingers moving faster and the lower half of your body trying to get his lips to move higher. He teases you instead and doesn’t give you the satisfaction right away. You’re falling apart quickly, wanting him to give you so much more pleasure.

“Elvis,” you softly cry.

“What baby?” He says in between kisses.

“Please… I need you,” you sigh, pulling at his hair tighter.

“Mhmm, I know baby, what do you need? Have to be specific,” he tells you with a sly smile. You then feel his tongue lick the inside of your thigh, all the way to your weeping core. You cover your mouth with your hand and try not to let out the loud moan you need to. You spread your legs wider and push your hips into his face. You hear him hum amused, liking that this is the reaction he’s gotten out of you.

“Yes, oh God,” you cry. 

He groans softly as he eats your pussy with elation, starved for you it seems. You gasp at every flick of his tongue, making you come unglued as each second passes. You let your head fall back and struggle for air. 

He stops suddenly, looking up at you with a devilish stare. 

“Tell me what you need from me,” he growls, squeezing your thighs tight. 

You place your hands on the desk and lean back momentarily. You swallow harshly before speaking, unable to get the words out the way he’s looking at you. 

“Fuck me,” you gasp. 

He quickly stands up, unable to denounce the command you gave him. He sloppily kisses you, tongues and lips crashing into one another. You feel him rub his tip against your core and groan into your mouth. You whimper in agony, too sensitive to be teased. 

“Please,” you beg him. 

He smiles against your lips and hums pleased. 

“Say it again, beg for it,” he whispers out of breath. 

You whine and pull at his hips, wanting him to be inside of you already. 

“Elvis please,” you cry. 

He lets out another groan and he’s rubbing his tip at your entrance. 

“One more time baby,” he breathes in your ear. 

“Mmm Elvis please, I need you. Please fuck me,” you cry. 

He pushes the papers off the desk and with a grunt, he pushes his cock inside of you, stretching your entrance around him. You whimper at the feeling of him and hold onto his arms. He moved slowly, letting you adjust to the size of him and making you even wetter than before. Pleasure seared through you and can’t get enough of him. Your eyes flutter close and let him take over. He was so overwhelming and so addictive. You loved having every ounce of his attention on you. 

“God baby, fuck you feel good,” he groans. 

He grunts with every thrust, going deeper and deeper inside of you. You gasp for breath and look into his heated eyes. You could feel the heat in your belly grow, pleasure building with every second as he looked at you like he was beckoning you to fall apart for him. 

You let your head fall back and hold onto him tighter, never wanting to let him go. His hips pound into you faster and his hands squeeze and caress your breasts, bringing another bit of pleasure to you. Just the way he sounds makes you want to fall apart. He sounds like he’s been deprived of you. He was taking his time and enjoying every inch of you. 

His lips are doing some of the work too, sucking and biting at the sensitive skin, starting at your breasts. You arch your back into his mouth, loving how this feels. He works his way up to your neck too, licking and sucking at the most sensitive part of your neck. He likes how he has you reeling for more. 

You then feel his hands slowly wrap around your neck, making your eyes pop open. 

“Let me look at you. I want to see your face when I fuck you,” he says low, his cock buried deep inside you. You gasp at the feeling of him and try to muster up the courage to look at him. You could barely take any more, you wanted to fall apart on him and then beg him for more. 

You look at him once more and nod your head. 

“Yes baby, don’t stop, please. I’m going to cum,” you whine. 

He smirks at your pleading face and moves more, sliding his hand down your body until he finds your clit. You think the last time was the best he possibly can make you feel but he just continues to prove you wrong. You move your hips with him, feeling your orgasm loom and about to come crashing down. Elvis glances at where you two are connected, making a mess all over his desk, and groans. He looks back up at you, his forehead damp with sweat and his eyes blazing into your skin.

Your muscles tense with each thrust and you come crashing down. You bury your face into his neck and hold back the cry you want to let out. Your orgasm blinds you and gasp for air as he relentlessly fucks you into the desk. He lets out frustrated groans as he feels your walls squeeze around him and your slick pools out of you. He was close too and couldn’t hold back from seeking his own release. You pull your head away from his neck and stay close enough to where your noses are almost touching. Elvis was struggling to keep the pace he set and something about looking at you in the eye was making him come unglued. His jaw clenches and slowly pushes you down onto the desk. He pulls your legs up and has you wrap them around his torso. He watches you get blissfully fucked out of your mind here, taking each inch of his cock and moaning for him to keep going. His hips stutter and you can feel him pour his warm release into you. You both cuss each other’s names, loving how you are making one another feel. You look helplessly at him, watching him come down from his orgasm and groan with each movement he makes.

“Fuck I missed you,” he groans, slowly pumping his cock in and out of you. Your entrance was becoming too sensitive, you could barely handle anything else from him.

“I missed you,” you gasp. You try to sit up on your elbows and watch him move. You grab his wrist and he sees you’re exhausted. He slowly pulls his cock out of you with a grunt. You watched how it came out of you wet and still a bit hard.

He leans down and kisses you with need like he hadn’t just gotten enough of you.

His fingers are back at your entrance, rubbing your arousal along your folds. You hiss at the sensation, you need a break but you know he’s not going to give you one.

“Baby please,” you whimper.

“What honey?” He says slyly.

“I can’t, I need a second.”

“I’m not done with you, I know you want more. I have other ways of making a mess of you.”

You tremble at the idea and nod your head at him, liking that idea way too much.

*

*

*

Tagging:

@loving-elvis @neptuneismysister @velvetelvis @ccab @presleyenterprise @theresalwaysep

@sillybookmarks @dkayfixates

@ellie-24 @rktismylife-blog

@myradiaz @tacozebra051

@18lkpeters @flwrs4aust @emma181873

@austinswhitewolf@eliseinmemphis

@everythingelvispresley@chasingwildflowers

@idontwanttoputanything @ohjustpeachy-

@elvisalltheway101 @austinsmutler @kingdomforapony.

@generoustreemystic @claire-elvisgirl

@ashtag6887 @burnthheparaphilia @richardslady121

@jaqueline19997

@returntopresley. @iloveelvis @rjmartin11@that-hotdog @louisejoy86 @misspresley@cattcb @annapresley8

@arrolyn1114 @raginginkedslut @epthedream69

@mh777ep1938

@50sexyshadestashionista

@oldhOllywOod @hooked-on-elvis @livelovedilfs

@sloppiest-of-jos @thisis-theway @gatheraheart

@aphroditebabygirl @faeolwen

[loganelfreeces]

Shishitoren's Founder: The Silly to Saviour's Serious?

Hey guys, remember when I made that post a while ago about some theories I had about who Umemiya's Saviour is and the kind of person he is and how he'll come back? And how I mentioned he and Shitara know a third person who I have cleverly dubbed the Silly to Saviour's Serious?

We only know three things about this person

They inspired Saviour

They wanted to get stronger by going to Furin

They know Shitara and Saviour due to a Furin connection

So my braincells slammed together and suggested that the Silly to Saviour's Serious guy could in fact be one of Shishitoren's founders or at least one of the main inspirations behind their philosophy. I have no idea if I'm making sense, I'm writing this at 2am and I could be clutching at straws here, but let's roll with it.

Shishitoren's Unclear Origins

Now I bring this up because of the main gangs who have turned up so far, Shishitoren are the only ones with unclear origins.

Umemiya united Furin into Bofurin 2 years ago. KEEL sprung up recently under Endo's funding and then disintegrated. Roppo-Ichiza have been running for a while, protecting the Red Light District and fighting with Furin before Bofurin happened. Gravel sprung up recently out of despiration to provide the impovished people in town with an income. Noroshi are an elite force who left Furin, but have enough connections to muster an army of mooks.

Shishitoren are the only ones we do not know the true origins of. Despite this, we still have a very strong picture of what their philosophy was before Tomiyama and Togame twisted it.

Shishitoren are the Devotees of Power. This means you must persevere, no matter what. You need to push your will through in a fight and never yield to anyone else. You push yourself because strength is the only way you can attain freedom.

The Person Behind The Philosophy

Now, assuming that only one person directly founded Shishitoren and their philosophy, we can then make a few assumptions about this person.

This is a person who has faced immense hardships to get to where they are now, presumably the top of Shishitoren when they created this philosophy.

And given the way Saviour talks about how life won't stop hitting you with tough stuff again and again, I imagine Saviour has had both first hand experience of enduring these difficulties and that Someone Else showed him that there is a way to live through the hardest times.

There's also the fact that strength allows one to become free. While Tomiyama had no idea what this meant, Sakura and Togame do; only those with power are free to be themselves.

Which suggests that Shishitoren's Founder, whoever it was, came from a very restrictive environment that stopped them from being themself.

Then there's the idea of fighting being a means of pushing your will through. I think Shishitoren's Founder understood something that Umemiya taught us near the start of the manga: A fight is a conversation. A fight is a way to push your will through.

Which means that Shishitoren's Founder, if they did come from a restrictive environment, escaped it by becoming strong enough emotionally and physically to push themself through life and let their personality be free.

Potential Connections?

Bringing all these details back to the Silly to Saviour's Serious guy, I think it's very telling that the first main thing we know about this person is that they wanted to get stronger.

Like, on the one hand, of course Silly would be strong if they're on par with Saviour, but that is very much a given in this manga that anyone important to the plot is strong. And most of our other characters who are strong don't get introduced or mentioned with that as their tag line; Suo cracks a joke, Kiryu is chilling with his phone, Umemiya is a airheaded goofball. Why would Nii Satoru focus on Silly's desire to get stronger above anything else?

It's also unclear if Shishitoren, the Devotees of Power, were active when Umemiya was 9. However Saviour does tell us that new teams and gangs sprung up all the time at this stage of Furin's history, so it would make sense if Shishitoren and maybe even Roppo-Ichiza started to find their footing during this period of upheaval.

I think it's also important to note that Hiragi says Tomiyama, who is 17, is the youngest leader in Shishitoren's history who took the top spot some time after Choji's 15th birthday (since he wasn't the leader when he fought Umemiya in his first year). This of course implies that Shishitoren have been around long enough to have multiple leaders and that most of them were not high school aged at this time. Given that Saviour is probably 26 or 27 now, this could mean one of two things:

Shishitoren's Founder is the same age as him, but founded Shishitoren after high school. The latest they could have possibly done this was when they were 24 or 25, but I highly doubt that since they would've been that old when Tomiyama and Umemiya were fighting each other for the first time and Shishitoren seemed to have been better established than the other teams Bofurin had fought before. Though the earliest I would put it at is when Shishitoren's Founder was 20, which again if they're the same age as Saviour, Umemiya and Tomiyama would've been 11. Plenty of time for Shishitoren to get established.

Shishitoren's Founder is older than Saviour and founded Shishitoren after high school. If they are the Silly to Saviour's Serious, then this means they could have played more of a mentor role like the one we see with Hiragi and Kaji, rather than a peer to peer relationship I had initially imagined. Though this makes a lot more sense for how Saviour handled Umemiya's suicidal idealiation if Silly helped Saviour in a mentor role rather than a friendship role. It could also suggest that Silly wasn't loyal to Furin, and potentially neither was Saviour; they just went there to get stronger.

Where is Shishitoren's Founder Now?

Obviously at some point Shishitoren's Founder/Silly to Saviour's Serious and Umemiya's Saviour left Makochi and their respective teams. So where are they now?

Shishitoren's Founder could have left Makochi in search of stronger opponants, or to enjoy that freedom they fought so hard to gain in the first place. I don't think they're still in Makochi since they would have stepped in if they found out that Shishitoren had rotted from the inside out. OR maybe they are still in Makochi but they either no longer care about Shishitoren itself or they don't care about being strong anymore. Either one is possible, though I think them not being in Makochi is much more likely.

I think they may end up returning if Shishitoren have another trouble arc. Not one where Tomiyama or Togame have fallen on the wrong path again, but if Shishitoren are at risk of being destroyed or overwhelmed. After all, changing Shishitoren from the inside after letting it get so bad couldn't have been easy for Tomiyama and Togame. It's possible some former Shishitoren guys saw the return to the old ways as a bad thing and formed their own team to retaliate. We know from flashbacks that Shishitoren often had trouble with a group called Zinc when Tomiyama and Togame were still new to the team, so it's possible Zinc could turn out to be a problem later on if the disgrunted Shishitoren members joined them.

Shishitoren's Founder might just happen to be coming back to Makochi when the fight is about to go down, OR Shishitoren's Founder is the one leading the charge against the current Shishitoren with their own new gang. If that's the case, then this could be Sakura and the other Furin guys' chance to return the help that Shishitoren gave them in the Noroshi arc.

OR if my theories are correct and Shishitoren's Founder is the person that Shitara and Saviour were talking about, I think he and Saviour will show up closer to Umemiya's graduation. That is scheduled to happen in March and we're only in July right now timeline wise, so we have a long way to go before we get there.

If all 3 of them become more relevant during the lead up to Umemiya's graduation, then this means the three could offer different paths for Umemiya to take:

Shitara's Path: Stay in Makochi and care for the local kids as either an orphanage worker or a Furin teacher.

Saviour's Path: Recognise when other people are better equipped at a job and leave them to it.

Founder's Path: Live free of responsibilities and leave Makochi to get stronger from here on out.

Also I bet y'all money that Shishitoren's Founder has birds or lions somewhere in their name. It'd make sense since (at least in the Western world I'm not so sure about Japan) birds are a symbol of freedom. Or maybe Shishitoren's Founder actually has a different kanji for dog in their name, since Sakura called their emblam an ugly dog the first time he saw it.

Who knows, maybe Shishitoren's Founder is related to Inugami.

So yeah that is my 2am frantic thoughts about Shishitoren's past. I'm so looking forward to discovering more about the worldbuilding and what happend to make the town the way it is now.

[lanternlit]

smokedanced is now lanternlit

And with this I return, so excited to be writing again! Further changes...

I have moved Castiel and the Thirteenth Doctor here from their previous blogs (waywardfeathered/dochaes). If you were just followed, we were probably mutuals there! Hi! I plan to slowly follow everyone I had ongoing interactions with or asks I planned to reply to, on those blogs. Slowly, because I want to double check people's guidelines pages first. If you follow me back here, I plan to automatically reply to our things on this blog :)

I've rewritten my guidelines. The contents are mostly the same, but a lot has been reworded, and some minor things have been added or deleted, so it'd be awesome if you could give them a read. I guess this is technically optional, since they're mostly the same as before.

A few muses have been dropped. Kenna de Poitiers, Jeremy Bradshaw, Juliet Burke and Tyrion Lannister have been dropped as muses.

New muses have been added. Cas and Thirteen have been moved here from their previous blogs, and I have added Fifteenth Doctor as a muse. Jake, whom I added, um, nearly a year ago... finally has an about page, now, as well. You all get free shots to fire at me about how I had an OC among my muses for a year almost without any kind of an about page.

Some muses' stories have been altered. Namely, Mary Stuart is now a modern AU based muse, and I don't write her in Reign canon at least for the time being. Ella Finnegan has had her story altered, as well, basically the way her psychic abilities work have been changed. The latter will be easy to retcon in any ongoing interactions.

All muses have at least a dossier and a character premise page. This one is something I am proud of myself for, but also fuck, I got so frustrated trying to write the character premise pages that I can see it when I look at them, what with some of them having the most simple sentence structure and all, but I figured... better some information for my characters than none??? Everyone has something, now! Also, no more half the muses only having placeholder images on their pages! PRAISE THE ABSOL... I mean, my self-discipline. Because these past weeks I have just wanted to COME BACK AND WRITE, but I made myself have those tabs for all the characters first.

It is currently nearing 2am so pleaaaaase excuse me if this post is chaotic. Hi dash love you dash.

Lots of muses have been switched between their activity status. Current list goes:

primary muses: cas, hannibal, iris, izzy, jillian, the tardis, thirteen, will

secondary muses: edi, ed, ella, ever, garrus, lucius, mary, tali, ten

tertiary muses: charlie, clara, dean, river

test muses: chloe, eloise, fifteen, hurley, jake

Speaking of, right, Eloise has been released from "I need to rewatch Bridgerton first!" jail, and she's open for interactions sksksksksk

Guys, I don't remember what else I was meant to say.

The blog has had a bit of a makeover. Nobody look at my navigation page, the only thing I edited there so far was the colour scheme, it is outdated. I know me saying not to look is going to make people look but what can I do. Look at my muse directory and guidelines if you want to look at something, you sneaky sneaks.

The interest tracker has been updated. Chloe and Jake have been finally added on it. Cas and Thirteen have also been added on it. Fifteen has- you understand.

The tracker is the same one I've had before, but if you are interested in any of the added muses, please edit your responses. If you haven't done the tracker before, this would also be a very nice time to do it!

Going forward, I am going to go through my unaswered ooc messages and reply to people, I know there are a lot of you who have been on hold with plotting. Thank you so much for your patience. I am also going to start replying to things again, obviously. Now that my muse pages all have at least something on them, I can continue to work on them while my main focus for the blog is generally, well, roleplay. The pages being in such a state of WIP was a huge source of executive dysfunction for me.

I also plan to re-read everyone's guidelines just to make sure neither of us have edited ours so that we don't match anymore, but that'll not be done overnight with all of you.

I hope the url change isn't a huge inconvenience. If you could give this post a like, if you've seen it, that'd be awesome of you, though not at all necessary! I am genuinely very excited to be here again.

[marlynnofmany]

Exciting update on the "Making the House Awesome" front:

(The cat has already tried to use the mock-stonework as a scratching post, but not the door, which actually looks like wood. Cat logic.)

Anyways, this is looking great, and we're very excited.

[liuisi]

hm.

[bigpeepee]

okay so i am once again in a bit of a pickle due to the fact that i never learn from my mistakes :)

[pepprs]

idk how to reconcile my new self with my old self. also i fucking hate waiting. GRAGHHHHHHHHHHHHHHH

[gingersnapwolves]

So today I want to talk about puberty blockers for transgender kids, because despite being cisgender, this is a subject I’m actually well-versed in. Specifically, I want to talk about how far backwards things have gone.

This story starts almost 20 years ago, and it’s kind of long, but I think it’s important to give you the full history. At the time, I was working as an administrative assistant for a pediatric endocrinologist in a red state. Not a deep deep red state like Alabama, we had a little bit of a purple trend, but still very much red. (I don’t want to say the state at the risk of doxxing myself.) And I took a phone call from a woman who said, “My son is transgender. Does your doctor do hormone therapy?”

I said, “Good question! Let me find out.”

I went into the back and found the doctor playing Solitaire on his computer and said, “Do you do hormone therapy for transgender kids?” It had literally never come up before. He had opened his practice there in the early 2000s. This was roughly 2006, and the first time someone asked. Without looking up from his game of Solitaire, the doctor said, “I’ve never done it before, but I know how it works, so sure.”

I got back on the phone and told the mom, who was overjoyed, and scheduled an appointment for her son. He was the first transgender child we treated with puberty blockers. But not, by far, the first child we treated with puberty blockers, period. Because puberty blockers are used very commonly for children with precocious puberty (early-onset puberty). I would say about twenty percent of the kids our doctor treated were for precocious puberty and were on puberty blockers. They have been well studied and are widely used, safe, and effective.

Well. It turned out, the doctor I worked for was the only doctor in the state who was willing to do this. And word spread pretty fast in the tight-knit community of ‘parents of transgender children in a red state’. We started seeing more kids. A better drug came out. We saw some kids who were at the age where they were past puberty, and prescribed them estrogen or testosterone. Our doctor became, I’m fairly sure, a small folk hero to this community. 

Insurance coverage was a struggle. I remember copying articles and pages out of the Endocrine Society Manual to submit with prior authorization requests for the medications. Insurance coverage was a struggle for a lot of what we did, though. Growth hormone for kids with severe idiopathic short stature. Insulin pumps, which weren’t as common at the time, and then continuous glucose monitoring, when that came out. Insurance struggles were just part and parcel of the job.

I remember vividly when CVS Caremark, a pharmaceutical management company, changed their criteria and included gender dysphoria as a covered diagnosis for puberty blockers. I thought they had put the option on the questionnaire to trigger an automatic denial. But no - it triggered an approval. Medicaid started to cover it. I got so good at getting approvals with my by then tidy packet of articles and documentation that I actually had people in other states calling me to see what I was submitting (the pharmaceutical rep gave them my number because they wanted more people on their drug, which, shady, but sure. He did ask me if it was okay first).

And here’s the key point of this story:

At no point, during any of this, did it ever even occur to any of us that we might have to worry about whether or not what we were doing was legal.

It just never even came up. It was the medically recommended treatment so we did it. And seeing what’s happening in the UK and certain states in America is both terrifying and genuinely shocking to me, as someone who did this for almost fifteen years, without ever even wondering about the legality of it.

The doctor retired some years ago, at which point there were two other doctors in the state who were willing to prescribe the medications for transgender kids. I truly think that he would still be working if nobody else had been willing to take those kids on as patients. He was, by the way, a white cisgender heterosexual Boomer. I remember when he was introduced to the concept of ‘genderfluid’ because one of our patients on HRT wanted to go off. He said ‘that’s so interesting!’ and immediately went to Google to learn more about it. 

I watched these kids transform. I saw them come into the office the first time, sometimes anxious and uncertain, sometimes sullen and angry. I saw them come in the subsequent times, once they were on hormone therapy, how they gradually became happy and confident in themselves. I saw the smiles on their faces when I gave them a gender marker letter for the DMV. I heard them cheer when I called to tell them I’d gotten HRT approved by insurance and we were calling in a prescription. It was honestly amazing and I will always consider the work I did in that red state with those kids to be something I am incredibly proud of. I was honored to be a part of it.

When I see all this transgender backlash, it’s horrifying, because it was well on the way to become standard and accepted treatment. Insurances started to cover it. Other doctors were learning to prescribe it. And now … it’s fucking illegal? Like what the actual fuck. We have gone so far backwards that it makes me want to cry. I don’t know how to stop this slide. But I wrote this so people would understand exactly how steep the slide is.

[guinevereslancelot]

i really be out here having cute flirty moments with guys that i absolutely should not date and then not even noticing when they ask me out

[itsalwaysdark]

i do need 2 work on rewiring my brain so that my immediate very first thought whenever i dont do a small task (like brushing ny teeth taking a shower picking up my room etc) isnt 'We Should Kill Connor ." this would be pretty good for me to do. putting this on the list