#this is such an interesting question their dynamic is fascinating

[hoboblaidd]

Solas and Elgie are pretty Spicy at each other. Was there EVER a time Solas thought he should help or trust Elgar'nan, or that he wasn't beyond reason or redemption?

The way the Solas writing part of my brain short-circuited at "Elgie" xD

I don't think they ever really got along because they're too similar (see also Solas with Vivienne and Morrigan). Solas admits on several occasions that he and Elgar'nan are incredibly similar - which itself is so arrogant, to compare yourself to essentially the king of the gods. If they're like brothers, as Rook can suggest, Solas is the very distant younger brother who can't hold a candle to the oldest brother.

Solas witnessed firsthand Elgar'nan's actions during the war. Elgar'nan to me is like a charismatic, unrelenting force of nature. He was The General of the wars, and I imagine he was incredibly ruthless and cruel. Mythal and Solas weren't much better, but Solas at least felt bad about it lol. Elgar'nan is like General Grant in the back half of the US civil war without the introspection: sacrificing so many men just to gain a military advantage, scorched earth policies, and underhanded tactics. Remind you of anyone else in the latter half of his rebellion?

There's also the Mythal factor, which brings with it jealousy. Elgar'nan and Mythal ruled together as equals - maybe not perfect equals in Elgar'nan's estimation, but close enough. Solas was always her Second and left hand, and most loyal to her. It's like two people arguing and trying to prove who mom loves best, even while Elgar'nan is trying to undercut her power. Sawyer (not @ing because they haven't finished the game yet) had a great analysis on the hugely problematic Andruil-Fen'harel situation that is very applicable to Elgar'nan and Solas. Basically, her actions in the story were to place herself above Mythal by using Solas as an instrument/metaphor. I'd argue that's how the Evanuris saw Solas - as an irritant and, at most, a method of putting themselves above Mythal by conquering her (once) most loyal general.

As for respect, it's a respect for his power, not as a leader, and it's born out of fear. Elgar'nan's power is vastly superior to Solas' and all of the other Evanuris. Solas was genuinely afraid to tangle with him in the second memory we find because he knew there's no way in hell he could win. And he didn't, he just kept him occupied long enough for the people to escape, and got hurt in the process. I do think Solas' plea to Elgar'nan in the Blood of Arlathan is earnest - "you could heal it - you have the strength to repair the damage [to the world] without the blight." But I don't think he was under any delusion that Elgar'nan actually would. Elgar'nan wants domination and a world built in his own image with people utterly bent to his will. He doesn't care that the world is broken, per say, he cares that his vision for the world is broken.

[literaryvein-reblogs]

bunny x cat dynamic?

Like, adhd bunny and grumpy cat dynamic? I'm going to try writing a bit where the dynamic of the main characters are fleshed out. Any input on what people often enjoy about these for me to take into account?

To me it's so cute because she considers herself more as an annoying dog but for him, he considers her to be a cute, hyperactive bunny (that's kind of useless to (literal) death but let's put that aside, or not)

The ideal response to this would come from your readers. If you've already established your reader base, try asking them their preferences and expectations. Of course—still, write the story you want (and need) as a writer. And there it is, in your second paragraph. The idea is that if you write what you want, the people who also prefer this dynamic will find your work and stay for the rest of the story, and will more likely enjoy your other work as well (this is essentially what most successful authors advise new writers—write what you want, what you enjoy etc etc). But striking a balance between your readers' and your own preferences would be great too.

If you don't have a reader base yet, I'd suggest going through your favourite literature/films and finding ones that depict this particular character dynamic. Then you yourself, as a reader/viewer now, could answer what you find enjoyable about these pieces of media, and incorporate that in your writing.

Also, here are some tropes that I think have similarities with the dynamic you described. Same suggestion with finding books or films/TV shows you like that feature these tropes. But also research their readers'/audience's feedback to find out what they enjoyed about these character tropes, and this is what you can take into consideration for your story.

Grump and sunshine. One character is so grumpy all the time; the other character is so bubbly all the time. And somehow, through that power-of-love thing, they end up balancing each other out. The grump sometimes has sworn off love.

Savvy Guy, Energetic Girl. This is a potential pairing (platonic or otherwise) between a pragmatic guy and a girl who is very full of energy. One partner in the pair will be lively and optimistic while the other is savvy and more slothful, quiet, or otherwise less expressive. EXAMPLES:

In Corpse Bride, Emily and Victor. The former is a dead bride who is rather lively and spiritual for a corpse, while the latter is a live man who is shy and awkward almost to a fault.

This defines Anna and Kristoff's relationship in Frozen nicely. She is a spunky princess willing to do whatever it takes to bring her sister home, he is a grumpy, rough-around-the-edges ice harvester helping her along the way.

In Pixar's Up, the quiet and timid Carl befriended and eventually married the energetic Ellie.

Uptight Loves Wild. He's stuffy. She's untamed. It's true love. Mr. Stuffy is in a rut: Life is boring because he plays by the rules. Along comes this wild and crazy woman to show him how to live life to its fullest, and she just might learn a few things along the way, too. EXAMPLES:

Enchanted: Stuffy, cynical divorce lawyer Robert meets fairytale princess Giselle.

The Sound of Music: Maria isn't "wild", but she is a Blithe Spirit in the face of the extremely uptight, Captain von Trapp.

Eternal Sunshine of the Spotless Mind: Quite thoroughly deconstructs this. A relationship like this doesn't always work and after the falling-in-love part, it causes more pain than joy; so much so that both parties opt to have their memories removed of each other. The Manic Pixie Dream Girl is also far more complicated: "I'm not a concept, I'm just a fucked-up girl looking for a peace of mind".

Opposites Attract. EXAMPLES:

The Princess and the Frog has Tiana and Naveen. She's a Workaholic, no-nonsense waitress and he's a fun-loving, lazy prince.

Tangled gives us the jaded, worldly-wise thief Flynn Rider and the spirited, innocent princess Rapunzel.

Treasure Planet has Captain Amelia and Dr. Doppler. She's a tough-as-nails Action Girl, he's a bookish scientist, not to mention they're basically an anthropomorphic cat and dog, respectively. The two grow closer throughout the movie, and by the end they even have several kids.

Sources: 1 2 ⚜ More: Writing Notes & References

[quatregats]

Also minor and likely underinformed complaint but for all that I absolutely love the dynamic in "The Frogs and the Lobsters" I do think it completely erases and simplifies the politics of Brittany at that time and place

[skitskatdacat63]

— Emperor Charles VI's diary entry on Count Althann's death

[text: "My only heart, my comfort, my most faithful servant, my soulmate, who loved me dearly as I did him for 19 years, [we] had a true friendship, we were one heart and one soul, and we never concealed anything from one another. He will always be in my heart, [my] beloved friend..I. have lost everything."]

[darkfires]

you guys just don't know how to write angst anymore. putting people who say they like "toxic yaoi" in my dni cause they have no idea how to actually write toxicity

[cherrymoonvol6]

.

[aparticularbandit]

do you ship Kyoko and Junko

Hm.

This! is actually a complicated question!

I'm aware it doesn't look like one, but trust me, it is.

Because! I tend to. not ship things. unless they hit me over the head with it in canon. Or I read a good fanfic and then oh, I see that's a ship, I can see that being a thing, huh. Because I'm, like, shipping blind.

And even then, I rarely actually actively ship things in canon. -shoves massive amounts of Roisa fanfic under the carpet- (And for those of you who want to bring up Harximoff, I'll get to that.)

Most of the time, when I ship something, if I ship something, it's based on writing the dynamic. It's based on writing the characters and oh, huh, I see, that makes sense, cool, got it.

And even then, there's sometimes parameters in place for when I ship that thing. (This is where Harximoff comes in. I do not ship this in canon. I ship it within context of certain aus and fanfic, and in my debatably most canon-compliant fic for them (Finding Family, actually), I would argue that they're more QPR than active etc. It's complicated. It has to be. But this is not what you asked!)

Right now, in regards to Enogiri - Kyoko and Junko - I'm writing the ship for a fic duology (The Thin Line Duology: Of An Endless Infinity and Of A Fatal Captivity, still in the process of being written, etc. etc.), a duology which also includes Junkan and Matsushima (Junko with Mikan and Yasuke, respectively).

I've talked before about both Enogiri and Junkan in context of that duology and how complicated it is to say whether they are ships or not. Because it's complicated, I would hesitantly say that within the context of that duology, yes, I ship it. To an extent. Again, it's complicated because the nature of the ship within that duology is complicated.

Do I universally ship Enogiri? No. Did I start that fic with the intention to write Enogiri? No. Nevertheless, do I find the dynamic of their relationship in that fic fascinating in terms of what I can see it saying about canon - and thus can also take from canon to support what is being written? ABSOLUTELY YES.

I'm more interested in characters and their relational dynamics with each other with regards to Danganronpa than I am with specific ships (Junkan notwithstanding). Sometimes, when writing, those relational dynamics end up as ships. Sometimes, they don't! It really depends on the story.

Which is to say...it's complicated? Yes and no? Maybe? I'm writing the ship but I'm not sure how much I super ship it even in the context of that fic? I like the developments in that fic! But when I talk about Enogiri, it's more from that standpoint than a universal shipping. Ish.

They have a fascinating dynamic, and I'm enjoying playing with it, but I don't know if I will play with it more outside of this context.

But while I'm playing with it in this context, I will definitely be posting about it.

Which I understand doesn't answer your question, but that's the closest I can get to it.

Sorry!

[c-is-for-circinate]

God I am so endlessly fascinated by the world of possible options we have for what Steve's parents are really like.

(And I am even more fascinated by how rigidly and firmly different fans insist that they have the One True Interpretation and everybody else must be wrong.)

[magentagalaxies]

Jessamine is Passionate About Fictional AI Sentience But Not Real AI Sentience: An Essay

one thing about me is when it comes to talk of "sentient" AI irl i 100% don't buy it like technology is not that advanced and being able to act like a person doesn't make it a person, however whenever there's a question about if a fictional AI character is sentient i will go to bat for that character's humanity 100% of a time like fuck you they have just as much of a right to personhood as anyone else

i think it's bc in fiction like. all of these characters are fake, so distinguishing between which characters are fake-real and fake-fake is like. why limit yourself to what could happen in our world. like if we're already dealing with a universe where aliens/magic/etc. exists, why can't this android justifiably be as human as anyone else? plus irl almost all AI software is developed as part of this capitalistic hell structure we're in. no matter how "real" or "human" it feels, its function is to make you contribute to its creators' wealth, and its inability to go against this nature can't help but make it feel hollow and inhuman. however, all the best AI characters in fiction are able to go against their designated purpose, often being defined by it, and often being villainized for it

in our real world, the AI's "immoral" "behavior" is a product of it being a Things that serves capitalism. it's not making choices based on a sense of self beyond what it has been told to prioritize, and a lot of times this lack of human judgment can lead to terrible consequences (e.g. mental health AI chatbots that cannot accurately judge a situation and give appropriate advice, employed because it's cheaper than hiring human staff). but in fiction? AI's immoral behavior is frequently a product of it going against its designated purpose, seeing itself as a person and having to make difficult and morally questionable choices in order to strive for the feelings of personhood and autonomy. this is a far more interesting situation ethically (while an AI itself cannot be seen as morally responsible for its actions in our world, in fiction this AI wants to be a person so badly it's willing to commit moral wrongs to achieve its goal, despite the fact that true personhood would allow it to be seen as morally responsible for these crimes) which i think is also why AI characters, especially those that, y'know, kill people, are often very polarizing figures. this conversation can even be taken a step further into the "liking a fictional character does not mean condoning their actions" discourse, but i also often think about well, if you were in the position of this AI character, would you have done the same?

personally i've always found it very easy to empathize with "artificial" characters like clones, robots, etc. and fictional AI is no different. yes, if you're watching a piece of media and expecting the logic of our world, the AI is fake, and incapable of being a person. but if you're watching a piece of media with the goal of emotionally connecting to fictional characters (who are all inherently fake) and exploring universal themes through a heightened setting, AI characters are one of the most interesting tropes to explore this with. personally, I love AI characters because there's something so vivid about knowing you were designed for a specific purpose/life path and ultimately realizing that's not the life you, personally, want to live. your designers and the world around you doesn't even recognize you as a being that should be capable of wanting anything, much less something completely different, so achieving the life you want is an uphill battle of convincing others of your humanity and, when that often isn't possible, having to resort to the most extreme tactics to claw your way out of the life you were supposed to lead. you know no matter how close you get to this ideal life, there's always going to be some part of you that keeps others from perceiving you as "human", but you learn to embrace that and see every mundane experience as a major achievement

this narrative is especially relatable to me as a neurodivergent/nonbinary person, but i think it can be relatable for many different marginalized identities in different ways, or anyone whose "humanity" has been something often denied to them. but because people are often expecting fictional AI to follow the same logic as actual AI, when i defend robot characters who want to kill their human creators, people give me weird looks like i'm advocating for that in real life. listen, if our current AI situation feasibly produced an AI who was invented for one specific purpose but somehow fucking hated her job and was able to pursue a new life and was also queer (all without any of this being by design) then hell yeah i support her, but that's not what's happening. and in our current capitalistic chatbot hellscape where every company wants to convince you that you're chatting with a super intelligent AI friend to get you to pay for a premium membership, sometimes you have to hold fiction and reality to different standards and enjoy this story about a quest for humanity while also accepting that the people this journey applies to in our real world are often the ones being taken advantage of in our increasingly AI-dominated real world.

idk this was originally supposed to be a short post about how it's funny that i'm so goddamn passionate about AI characters in media while also not being into AI in the real world, but then i got thinking about why this is specifically and came to an interesting conclusion imo. tbh it's very surprising that i don't currently have any of my own projects featuring AI characters fighting for their own humanity bc it's a theme i love so much that i've rarely seen done right and i have so many opinions on it. maybe i will write something about this at some point, but for now if you have any pieces of media you enjoy with AI who are absolutely worthy of personhood pls send them my way!

[mcyt-rarepair-tournament]

*walks up to the mic* Sashannarcy from Amphibia

tbh, sometimes the “platonic explanation for this” is the more interesting one

[plutonianeris]

𝖕𝖑𝖚𝖙𝖔 𝖙𝖍𝖗𝖔𝖚𝖌𝖍 𝖙𝖍𝖊 𝖍𝖔𝖚𝖘𝖊𝖘 𝖛𝖎𝖇𝖊𝖘

🖤PLUTO IN THE 1ST HOUSE: Intense stare, powerful presence, dark hair or intense eye color, transformation through personal appearance, always reinventing yourself, piercing gaze, people are drawn to your energy or feel intimidated, a survivor mentality, fascination with the taboo or mysterious, deep inner strength, obsessive about self-improvement, intense aura, tattoos or body modifications, people sense you’ve been through a lot, constantly evolving, trauma leaves a mark on your personality, fiercely independent, powerful first impressions, doesn’t back down from a challenge, constantly seeking deeper meaning in life.

🖤PLUTO IN THE 2ND HOUSE: Intense focus on money and possessions, wealth obsession, resourceful, making money from transformative experiences, power struggles over finances, secretive about income, investing in taboo industries, a need for financial control, deep fear of losing security, obsessive saver or spender, finding security in unconventional ways, financial rebirths after losses, never gives up when it comes to earning or building wealth, magnetic attraction to luxury, fiercely protective of material possessions, deeply attached to values, transforming personal worth through challenges, accumulating wealth through intense effort.

🖤PLUTO IN THE 3RD HOUSE: Piercing words, intense communication style, probing questions, unafraid to speak uncomfortable truths, obsessed with learning deep or hidden knowledge, power through communication, fascination with conspiracy theories or mysteries, deep conversations, secretive about ideas, mind games, manipulative or transformative writing, able to persuade or influence others easily, a powerful voice, intellectual intensity, using knowledge as a tool for transformation, might have a secretive sibling relationship, constantly seeking deeper understanding of the world, fascinated by psychology and what lies beneath the surface.

🖤PLUTO IN THE 4TH HOUSE: Intense family dynamics, power struggles with parents, emotional transformation through home life, secrets in the family, controlling or obsessive about home environment, ancestral trauma, deep psychological roots, powerful emotional foundation, fiercely protective of family, drawn to living in dark or mysterious places, renovating or transforming homes, deep emotional transformations that start from childhood, hidden issues in the family that surface later in life, obsessed with privacy at home, intense need for security and emotional stability, emotions run deep within the family, feeling a need to uproot and start over.

🖤PLUTO IN THE 5TH HOUSE:Intense romance, obsession with creativity, passionate about self-expression, transforming through love affairs, dramatic romantic experiences, power struggles in romantic relationships, drawn to dangerous or taboo love interests, intense connection to children or the idea of having them, fiercely protective of creative projects, secret love affairs, obsessed with hobbies or creative outlets, taking risks that lead to transformation, emotionally powerful artistic expression, not afraid to explore the dark side of fun and pleasure, passionate about creating things that provoke thought or stir deep emotions in others.

🖤PLUTO IN THE 6TH HOUSE: Obsessed with health and fitness, power struggles in the workplace, control over routines, transformation through daily habits, workaholic tendencies, wanting to master every task, secretive or manipulative coworkers, healing through intense self-discipline, fear of illness leads to obsession with health, chronic health issues that bring about transformation, intensely focused on perfecting skills, transformative experience in everyday life, a powerful need for control over your body and your day-to-day, drawn to deep psychological work through service, healing others through intense care and commitment.

🖤PLUTO IN THE 7TH HOUSE: Intense and transformative relationships, power struggles with partners, magnetic attraction to powerful or mysterious people, obsessive relationships, drawn to partnerships that change you, deep soul connections, fear of betrayal or manipulation in love, possessive tendencies, relationships that challenge your sense of self, experiencing deep transformation through marriage or partnerships, fascination with partners who have a dark or taboo side, unafraid of emotional depth in relationships, partner may have Pluto-like qualities (powerful, intense, secretive), relationships that help you confront deep psychological issues.

🖤PLUTO IN THE 8TH HOUSE: Powerful connection to death and rebirth, fascination with the occult or taboo subjects, intense sexual energy, magnetic attraction, drawn to the mysterious or dangerous, emotional transformation through shared resources, secretive about finances or inheritances, power struggles over shared assets, exploring the depths of intimacy, sexual healing, fear of loss leads to obsession with control, a natural healer when it comes to emotional or sexual trauma, drawn to mysteries, constantly transforming through crises, incredibly intuitive, may experience life-changing financial shifts through inheritances or partnerships.

🖤PLUTO IN THE 9TH HOUSE: Obsessed with the pursuit of truth, drawn to deep or hidden knowledge in philosophy and spirituality, power struggles in beliefs, a need to transform your worldview, fascination with taboo cultural practices, intense traveler, finds profound transformation through foreign experiences, a desire to change the world through higher knowledge, unafraid to challenge traditional belief systems, transformative spiritual awakenings, secretive about your beliefs or personal philosophies, drawn to esoteric knowledge or occult studies, power through education and learning, constantly seeking deeper meaning in life and the universe.

🖤PLUTO IN THE 10TH HOUSE: Intense ambition, obsessive about success, power struggles in career, a magnetic presence in public life, willing to undergo personal transformation for professional goals, drawn to powerful people in authority, secretive about career moves, a need to be in control of your professional destiny, public persona may be intense or mysterious, transformations through career changes, power dynamics in your professional relationships, unafraid to confront difficult issues in public, may rise to prominence through crisis or transformation, obsessed with leaving a lasting legacy, constantly evolving your public identity.

🖤PLUTO IN THE 11TH HOUSE: Powerful connection to social groups, intense friendships, drawn to taboo or unusual communities, transforming the world through social causes, obsession with changing society, fascination with hidden power structures in group dynamics, secretive about personal goals or dreams, power struggles with friends, drawn to friends who challenge or transform you, deeply involved in underground or fringe movements, obsessed with social change, transformative experiences with social networks, a deep desire to revolutionize or transform humanity, fear of betrayal within groups, constantly redefining your social identity.

🖤PLUTO IN THE 12TH HOUSE: Deep connection to the subconscious, obsessed with understanding hidden motives, fascination with the spiritual or the unseen, profound spiritual transformation, power struggles with your own inner world, secretive about your fears and hidden desires, exploring the darker side of your psyche, healing through confronting your deepest fears, powerful intuition, drawn to the mystical or occult, may experience power struggles in isolation or through retreat, emotional transformation through solitude, a need to face your shadows, powerful dreams or psychic experiences, constantly seeking to understand the depths of the soul.

[wlwmedarda]

I'm honestly just looking to rant and this might be long depending on how fast I get irritated the more I type so if this isn't coherent or well written I apologize in advance. Since it looks like Ambessa will take on a more antagonistic role in arcane season two, I would like to unpack the fandom's antiblackness that you guys are either blind to or aware and too pussy to call it out as my gut is telling me it's gonna increase and if no one is gonna start the difficult conversation then I sure as hell will.

Sevika:

Mel:

Starting off strong with the definition of "you guys want complex female characters but can't even handle her". Mel Medarda is in quite the predicament seeing how she's morally grey, a black woman, AND "gets in the way" of a mlm ship so she was kinda screwed from the start. A cunning politician disowned for her pacifism who acts as a sort of bridge to Noxus' slow introduction, and is THE ONLY CHARACTER IN THE SEASON 1 MAIN CAST SPECIFICALLY CREATED FOR THE SHOW. She's treated like satan incarnate or a Jezebel (highly suggest looking into that if you don't know what that is), GOOD character analysis is rare, and when she is talked about positively, it's so often chalked up to appearances that I'd rather yall not talk about her at all. Oh you love Mel? Then can we talk about her relationship with her mother? Unpack her dynamic with Jayce? Maybe more fanworks centered around her? I've seen yall's fake asses dropping the shittiest fucking takes about her only to turn around and gush over how pretty she is, and yall think you're slick about it and you're not. I would say I prefer the ones who are loud and proud about their hatred but that'd be a lie, they're two cheeks on the same ass; annoying and couldn't give a decent break down of her character if a gun was pointed at they head even she's perfect to dissect. I could talk about her more but we'd be here all day and so many black women even from outside the fanbase have already talked about yall so there's no need for me to add on 🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️.

Quick question, have you guys ever tried to talk about her in a non sexual way? Yes, Sevika is undeniably sexy and you could argue that true stans of hers talk about her outside of horny time, but a good half of the fandom is a different story. In a similar case to Mel's, deep dives into her character are rare to find which is crazy when she acts as Zaun's own "kingmaker". She's loyal to her city and the cause, never to a specific person and will not hesitate to betray you. She could be your right hand man one day, and the next she might find a better kingpin to follow and stab you in the back like it all meant nothing. "Were you tempted?" "Not for a worm like him". Simple and subtle and probably my favorite Sevika scene; she comes to realize Silco is no longer the best leader for Zaun, but he's as good as it gets for now and so she sticks by him. I remember a YouTube comment breaking down how she's essentially the quintessential Zaun: a brute warrior molded by her environment, who defied Vander's peaceful ways and embraced Silco's cruelty. Her mindset and goal is interesting and you'd think it'd result in some fascinating meta or exploration of her upbringing when we got a hint that she potentially has some daddy issues right? Obviously, but what do we get instead? White sapphics treating her like nothing more than a sexual object. How delightful!

Ekko:

This might partially be Riot's fault because — and I hate to sound like a league lore nerd — Ekko is quite underdeveloped compared to the richer origins of his former pre arcane self, but I'm gonna hold off on that till the season finale to see how they handle him. Anyways, at this point the fandom clearly sees him as Jinx's trophy husband. When you talk about him, she is brought into the convo 90% of the time. That's exactly why I prefer black timebomb shippers over the nonblack ones because I trust they actually love Ekko as a character on his own. Even though I have my complaints regarding how's been written so far, I still know he's too good to be reduced to Jinx's loverboy. He fights and cares for his city, the only character that you can confidently say is pure of heart, and is the revolutionary leader Zaun really needs. He's just as smart as Jinx too, he is literally going to create TIME TRAVEL. Why does no one wanna talk about that? Can we be excited for his character development and arc not just for the timebomb scenes you'll get out of it?

Ambessa:

Can't even deny this woman is awful but her presence on screen enthralled me after a couple of rewatches and I also love bad mothers in media so I've settled on a love/hate relationship. Yes, she's definitely gonna have some influence on Caitlyn, which makes sense since she has now lost her mother; she's vulnerable and as we have seen, naive. She's practically free real estate for Ambessa. My recent worry though has been how the fandom seems to be willing to put all of Caitlyn's actions on her as if Cait isn't a grown ass woman who can make her own decisions. Of course being grown doesn't mean you're immune to manipulation, but I've seen some Silco and Jinx comparisons and it is NOT the same. Mind you we haven't even seen the first three episodes; we don't know how far Ambessa's manipulation is going to go and we can't really tell what the dynamic is gonna be like based off of clips and trailers that are likely shown out of context on purpose to throw people off. I'll never defend her actions, hell I'll join in on the lashings, but my black ass is also not gonna sit here and let yall talk about her weirdly or pin all of this on her.

Some might say I'm overthinking this, but I've been here since November 2021 and have sat back and observed for 2 years. You don't have to write deep, philosophical conversations 24/7, I'm sure it's not all in bad faith and I won't act like I don't thirst over Sevika or marvel at Mel's beauty. I'm not saying you have to like these characters and that you're racist if you don't. My frustration comes from the lack of nuanced conversations and hypocritical opinions surrounding black characters in this show. When you try to say something about this, you're hit with excuses; it reminds me of how man obsessed fujoshis act when they're questioned for not giving two fucks about female characters. They're either reduced to one character trait, only admired for their looks, or only discussed when it's about the white character they're connected to. Do NOT under ANY circumstance be black and morally ambiguous, you WILL be held to higher moral standards than everyone's wittle blorbos who can do wrong and are defended from all sides when you dare to take the rose colored stan glasses off and criticize them. What's really ridiculous is you hear the "complex characters" bullshit every two to three business days and some of you have the nerve to boast about this series being diverse while simultaneously ignoring the complexities in the characters of color. This is the main reason I took a step back and with season two around the corner I thought "Hey, maybe it'll be better this time!" and it was a mistake. Good to know yall still have an underlying racism problem you don't wanna address but with some extra classism thrown in. "What will we do once Arcane ends?" hopefully get a job, touch some grass, and reflect. Lord knows yall need it. The faster yall sizzle out the better. I'm done that's all I have to say lol goodnight 👍🏽👍🏽👍🏽👍🏽.

[thejakeformerlyknownasprince]

jake in the pirate au has a better memory for who elected him leader than jake in canon lmao

I am FASCINATED by that line in #50 where Jake says "You know why I was in charge in the first place, Cassie? Because once upon a time, a long time ago, Marco said I was.” [emphasis added] Okay, yes, Doylisticly it's probably a continuity error. Tobias declaring Jake the leader was 49 books ago and all.

But in-universe, it says something about how much the team dynamics have shifted by that point in the series. Tobias hasn't believed in Jake The Hero since the first book. He's the first to question Jake's decisions (e.g. #11, #16) and calls Jake out for excluding Cassie more than anyone else in #51 - 53. He knows and resents the fact that Jake "worries about [him] more than anyone" (#22) hates having to rely on Jake (#3), repeatedly sides with Toby against Jake (#23, #34, #47), and hates Jake's habit of putting their friends in danger (#11, #26, #33, etc). Tobias and Jake are also in a uniquely awkward position at that point: "We'd almost traded places. Tobias the orphan suddenly had a mother. Jake, the poster boy for the all-American nuclear family, was alone. Living in somebody else's house, the way I'd always had to" (#49).

Marco, on the other hand, has never been more pro-Jake. Marco has, by his own standards, already won the war: "my mom was back. Happy she and my dad were still nauseatingly in love... I practically had to tie myself to a tree to keep from running up and down the valley, arms spread wide, belting out show tunes" (#51). He's utterly confident that "Jake knows these things," that "Jake's our general" that Jake will win them the war (#51). NOBODY ELSE (except maybe Eva) still thinks this about Jake as of #51, least of all Jake himself. But Marco (and Eva) got those rose-colored glasses because Jake already pulled off killing Visser One.

Which is an interesting reversal from #1, where Tobias insists "you're the leader, Jake" and Marco laughs in Jake's face when he tries to lead, saying "This is reality. You don't know anything about reality, Jake. Nothing bad has ever really happened to you" (#1). How things change, over 3 years and a few hundred hopeless battles.

[blackwaves]

#btw this is why dazai sets him on atsushi #because atsushi is the reverse #he is entirely self preservation #he has trouble moving forward and he freezes #when dazai says “he's better than you” #that's what he means #he's saying see that? do you see that cowering weepy cat? that is the better extreme. #and then he keeps bringing them together because they need each other #atsushi needs akutagawa to be brave enough to act #and akutagawa needs to see what a will to live looks like from someone capable of absorbing the brunt of the fight #also as a reminder. akutagawa is not real. he is a seinen anime character with superpowers. #anime is a stylistic and exaggerated medium #do not work yourself up by dragging them from their context to frame their behavior as if theyre irl high school aged students #the pencil drawings are not hurting each other and cartoon violence is not 1:1 with real violence (tags from OP)

pm!dazai didn't abuse akutagawa. he reacted proportionately to the threat akutagawa posed to himself.

when dazai smacks akutagawa around in canon, they're running drills. dazai is not hitting him in misdirected anger or because he is venting his own suffering on him. akutagawa does not instinctually protect himself. in his fits of hyperviolence, he seeks to kill and be killed, and nearly is in beast, and in the course of his initial pursuit of atsushi.

he does not have the reflex or will or instinct to defend himself, and he is slow because he is having to consciously process the effort. his automatic reflex is to attack, but that will not stop him from being shot or overwhelmed or blindsided.

what they are doing in those scenes, what dazai is uniquely able to practice with him since rashomon can't pierce him, is not unlike cognitive behavioral therapy interventions. akutagawa is wired such that when he is triggered, he develops tunnel vision, pressing forward relentlessly without registering danger or responding to negative stimuli. this is a pattern developed from when he deemed dearh inevitable, and one which is liable to get him killed regardless of whether he has a reason to live.

he needs to consciously retrain his instinctual response, and he has to consciously and consistently reinforce it against his existing, much quicker instinct. he has to do it before he has the conviction or will to do it. and he has to do it over and over again, even when it isn't immediately life or death, because the instinct is self reinforcing, and the pattern he is trying to supplant it with is not yet.

skills are part of their users' framework for responding to their environment. jun'ichiro is anxious, but he can hide within light snow. kunikida has his notebook, but it has rigid limitations that he adapts to, similarly to how he works within the limitations of reality to keep from becoming consumed by his ideals.

akutagawa's skill, meanwhile, is wildly fucking disproportionate to akutagawa's constitution which is a problem when akutagawa wont react defensively. akutagawa is canonically frail, chronically ill, thin, and short (he's 5'8", but asagiri insists he's itty bitty every time he describes him in prose). rashomon, meanwhile, is monstrously powerful and hungry. it lends a false sense of untouchable violence when akutagawa himself is weak, and also is just really difficult to focus and control such that using it brings akutagawa into coughing fits. rashomon is also terrifying even in visage; it invites others to react with violence proportionate to their terror against the spectre of rashomon — but akutagawa is small, sick, and human; what is proportionate to rashomon is IMMENSE overkill if aimed at akutagawa. which is especially egregious because akutagawa will let them.

in other words, when dazai meets akutagawa, rashomon is as dangerous to its user as to anyone else. skills should not get their users killed. dazai is right. it's a shit skill.

akutagawa is vulnerable and self-destructive, and he and dazai are working to rewire his instinctual evaluation of his stakes. even when dazai punches akutagawa after akutagawa kills the mimic soldier, it's not a random act of violence or unregulated anger. the mimic soldier was not going to lead them to gide, there was no reality where they restrained him before he bit his cyanide, and he'd attacked dazai. but instead of reacting defensively at the opportunity, akutagawa fell to the former instinct, leaving himself wide open.

dazai reacts how he does because:

they are supplanting an ingrained instinct that is self reinforcing, the correction needs to be consistent to change the pattern and the former instinct needs to be discouraged with the same severity as the threat it poses;

by punching akutagawa first, dazai gave him notice and time to consciously muster the defense reaction theyre working on;

akutagawa needs to build an association between the defensive reaction and the triggering stimulus for this to work;

the context in which this happens is the exact sort of threat that rashomon is then ill equipped to handle— gide can see into the future, like oda, and mimic are military trained gunmen.

when dazai tells akutagawa that he couldn't ever defeat oda, he's not taunting him, he's right. akutagawa is relying on swift killing blows, but against someone who can see into the future, akutagawa is as vulnerable as a baby. and then, shortly after, that's what happens: gide wrecks his shit and is about to murder him dead when oda swoops in to grab dazai's dumb horrible baby kouhai who's trying to kill himself with the ambitious gusto of a horse.

as long as akutagawa fails to seek self-preservation, he is remarkably vulnerable. he's weak, and he's going to get himself killed. dazai doesn't coddle him about it for the same reason fukuzawa slaps ranpo for scampering into a police car with a murderer. you dont get praise for self endangerment.

dazai is not going to affirm a version of akutagawa that is trying to kill the boy dazai promised to save.

***

(also, this explains why akutagawa hates taking baths and being without his coat. dazai tried to instill in akutagawa the vigilance to register danger. in his absence, akutagawa strove to be worthy of demanding his approval by diligently practicing. but he's dazai's dumb baby kouhai who. takes things too far lmao.)

[anxious-witch]

I think the reason why there are so many amazing ships in Dead Boy Detectives is because the show manages to show different versions of love/lust/devotion through different relationships all characters have.

Like, love triangles have been doing the whole "a girl has to choose between two guys who each being out a different side of her" for over a decade in popular media, some more, some less successfully. But the pitfall they often fall into is that those differences seem very shallow and often ignore the other aspect of the main person who have to choose between the love interests.

Dead Boy Detectives makes sure to not do that.

When we look at how Charles is with Crystal vs how he is with Edwin, we can clearly see the difference. In the beginning of his and Crystal's dynamic, he is flirtier and puts more if a bravado, but he pretty quickly opens up to her. Because he sees that she very quickly sees past his facade he puts up with his constant happy-go-lucky persona. Only when he starts opening up to her and showing his emotions does their relationship progress. Because after David, Crystal needs someone who can be emotionally vulnerable with her and in turn, Charles offers her the same, and offers her a safe space.

In contrast, we see that Charles is more at ease around Edwin. They know each other deeply, and are also woven into each other at this point. It's easy, like breathing. One thing it doesn't do is challenge either of them from the status quo they have built over the years. But there is a sense of ease there, and such devotion. There is no question about what they would do for each other because the answer is everything.

That said, while they both bring out different sides of Charles, those sides of him feel intricately linked to one another! Which is why Crystal coming into the pictures begins changing Charles' relationship with Edwin as well! It brings to light things they have ignored. And in turn, Charles' clear and unwavering devotion and loyalty to Edwin prompts Crystal to learn it herself. To quote Jenny in ep 8, "you were about to leave and never see these boys again, but now you are going to save them"? And yes, she does exactly that.

This even has influence on Edwin and Crystal's rs directly, which I can't recall ever seeing in a love triangle before, at least not in a positive sense. But it's so clear that Charles loves both of them that the other learns to love them too, and they realize their own similarities through it, too!

As for Edwin and his many love interests, well. I know there has been a lot of debate, especially around Cat King vs Charles dyankics with Edwin, but the thing is-you are comparing apples ajd oranges here.

The Cat King is enamored, fascinated by Edwin, and yeah above all, attracted to him. This dynamic serves to challenge both of their characters' beliefs and shake up the power dynamics between them. Whenever you like the Cat King or not Edwin clearly reciprocates the attraction part, at the very least.

Charles loves Edwin and is devoted to him and Edwin to him turn, as discussed above. What is difficult about their relationship is that it became stagnant due to lack of communication, which is why they needed other relationships to shake up that dynamic.

But to address the most prominent comparison I saw, which is the Cat King saying he'll wait for Edwin vs Charles going to Hell to save him.

Both are types of devotion, is the thing. A profession of love, if you will. To this day, we consider Penelope a faithful, loving and devoted wife for waiting for Odyssey for 20 years. Cat King saying he'd wait for Edwin isn't any small confession, given he is aware it could take decades, if not more.

Don't get me wrong, Charles going to literal Hell to save Edwin and succeeding where Orpheus and Eurydice failed is an enormous success and a way to show you love someone. I am not minimalizing that at all.

I am just saying that, for who these characters are and given their rs with Edwin, they did exactly what they were supposed to. They expressed in which ways Edwin had influenced them and what they can offer him if that dynamic becomes romantic.

Cat King represents experience, patience. As an immortal he has all the time in the world to wait for Edwin to return from hell, because he believes Edwin is strong enough to return on his own.

Charles represents love that breaks all obstacles in their way. He goes to save Edwin because he believes Edwin deserves to be helped in the way he helps others. He deserves to be saved.

My point is, there is no better of worse way of loving someone. The character in the love triangle choose the person that better alignes with who they are and who they wish to be as a person. So yes, you are absolutely allowed to say "I think this character would choose person a because it alignes better with their character development" but comparing the two as one being superior is kinda pointless imo? Exploring different dynamic of a character is the goal here, right? Either through canon or fanon.

...I was gonna talk about Crystal/Niko and Edwin/Monty too but this post got away from me to uhh. Might do another one if anyone is interested but in their way! I adore the way DBDA explores different sides of characters while still making them feel like a fully rounded person and doesn't shy away from letting one rs influence other rs character has.

[onyourowndaisymae]

don't mind me... just thinking about the dateables slowly dropping the rest of their roster for you as they fall head over heels...

diavolo (you are here) // barbatos // simeon // solomon -- gn!mc, NSFW under the cut -- warning for mentions of intimacy without reciprocated feelings & the angst associated w it + minor s2 spoilers

diavolo, who is fascinated by humans. when he proposes the exchange program, he's being honest when he claims its to strengthen the bonds between all three realms. but he also has the selfish urge to have humans up close-- he just finds them so interesting. virtually powerless next to angels and demons, yet strong-willed and stubborn despite it all. solomon had been an object of his fascination for awhile, but that was a powerful sorcerer who was practically immortal. but you... like a child with a new puppy, diavolo had to resist the urge not to follow you everywhere you went, burning the observations into his brain for the future. barbatos was his saving grace, redirecting him when his question became too enthusiastic or overbearing, keeping him on task with the grace he'd been known for over the last few centuries. oops. well, at least he would have a whole year to get to know you better.

diavolo, who has high hopes for you. he sees the way you've intertwined yourself so thoroughly into the hearts of the demon brothers, how you've repaired their broken dynamic and made friends of all of them-- even lucifer! as the exchange program drew to a close, he was admittedly quite sad to see you go. he hadn't spent as much time with you as he wanted. he watches your goodbyes with the brothers with a somewhat envious eye. how unfair of his duties to keep him so occupied that he doesn't know you until you're leaving! how wicked, how cruel. he's throwing a pity party for himself behind a stoic expression. but regardless of his reservations, he sends you back to the human world with a smile and a promise that they'll all be waiting for you. and when you finally return to the devildom with solomon, popping in on a random student council meeting with an aloof grin, he can't help but thank fate for the gust of wind that dropped your information at lucifer's feet while they were searching for exchange students.

diavolo, who is royalty-- and looks the part. muscular frame, large stature, gorgeous face and body sculpted to perfection, with the wingspan and horns adorned with gold... it was clear he was a step above the rest. but being royalty had its drawbacks. the expectations that sat on his shoulders were heavy, but they were a burden he had to bear. a suitor of his was watching him from across the party with a knowing smile, eyes sharp, before finally summoning him with a single "come here" motion of their finger. and that was it. the death of his fun evening with friends for the sake of the kingdom. he spared you, the demon brothers, the angels, and the sorcerer one final look before joining the demon's side with a fake smile. he felt horrible. the demon did truly desire him, but diavolo couldn't muster up the same passion for them. not while they stowed away to his bedchambers. not while they were on their knees between his legs, lips and tongue kissing across his hardened length, deep groans rumbling in his chest. not while he returned the favor, enthusiastically lapping at their juices as he prepped them for his cock. and not while fucking them, either, their keens muffled into silk sheets as they clenched around his cock with another orgasm, his murmured praises almost lost in the heat of it all. as his arms wrap around the slumbering demon, tuckered out from a night of intimacy, he wonders if this is the life he's been resigned to. were demon politics so fickle that he'd truly have to marry not for love, but for the good of the devildom? he longed for the freedom of someone he knew... of you. his heart ached as his thoughts wandered to you. at every turn, you'd chosen the decision you wanted, even as the world closed in around you. you followed your heart through every crossroads and ended up on top at every turn. diavolo longed for the freedom you enjoyed-- and maybe that's why he was so fond of you.

diavolo, who eagerly awaits your next visit to the castle. lately he's found himself growing impatient for your visits, easily distracted by the knowledge that you'll soon be at the castle with him. it annoys barbatos to no end. this, he feels bad for... but really, can you blame him? he's giddy with excitement by the time you finally arrive, and it causes him to act familiar with you in a way he maybe shouldn't. he sits not opposite of you but next to you for tea, offering to pour your tea and add sugar cubes to your liking as he listens to you talk about the shenanigans that happened this week at the house of lamentation. your smile is contagious-- he finds himself mirroring it with warm cheeks. he doesn't know who starts it, whether it be his hand brushing against yours or your pinkie reaching for his, but soon your fingers were intertwined as colorful stories fell from your lips. you exchange words like that for awhile, neither one of you daring to ruin the moment by mentioning your hands. and your reward is even better-- eventually his large hand finds your cheek, stroking it with kind eyes for a moment before pressing a kiss to your lips. it's soft and hesitant, an unspoken desire, and he starts to pull away. but you don't let him. you lean in, lips moving against his, gripping his hand a little tighter to let him know you're on the same page. when the kiss is over and you two part, his head is surprisingly blank. all that pining really must have turned his brain to mush after all...

diavolo, who is so proud to call himself your partner. who would follow you to the end of time if you'd keep looking at him like that. greed and lust swirl in your gaze as you pant desperately, tugging a little on his hair when his movements still to watch you. his tongue laps desperately at your hole, chuckling to himself as you clench around nothing. his hands toy with the most sensitive part of yours sex, movements purposeful yet almost lazy in their pace. he's teasing you. his wings flutter a little when you tug at his hair again, and he pulls back enough to let you watch him stick two of his fingers into his mouth. from the movement of his cheeks, he's sure you notice the way his tongue swirls around them, drenching them in saliva before pulling the slick digits out. he eases one into your hole with a little bit of coaxing, the other running carefully along your sex in anticipation. they scissor in sync when they're both in you, purposefully stretching you open, lovingly prepping you for his cock. but it's never enough, is it? the same familiar stretch, that slight burn, makes your clench the sheets in your fists. his words are quiet and calm, sweet nothings against your shoulder and neck as he leaves a few kisses in his wake. he feels guilty each time you're intimate together for the pain he causes you-- he knows demons are bigger than humans, and that you're with him willingly, but the guilt lingers regardless. that is, until you give him permission to move. the first thrust makes you gasp, but after a few shallow movements your pretty eyes roll back into your head. this, he reminds himself, is why he loves fucking you. he hasn't moved beyond a shallow, careful pace, but you're already pulling at his shoulders and writhing underneath him. his golden eyes sparkle with fondness as he begins to move a little faster, hit a little deeper, watching you quickly become cockdrunk and forget the pain of the first few thrusts. he loves you so dearly that it makes his fingers tremble as he intertwines them with yours, pinning you down to his bed as he grinds into you. he is hopeless. a lost cause. walking around blindly, lovedrunk, powerful yet helpless to your whims-- lord diavolo would stop at nothing to bring the three realms to harmon, if only to justify keeping you by his side.

taglist for this series: @the-demonus-aunt // @scienceisfornerds // @hostilemakeover // @snow-fall1 // @kachan890 // @rphantom1 // @respitable // @deepseafragments // @niinian