#this is something i am confident in

[taylortruther]

different anon but I really don't think it's wrong or a reach to read that "kill" as possibly negative. that just makes the song more human to me, personally, but no one is obligated to read it that way and I wouldn't claim to know what Taylor intended by it...... I also think it's maybe specifically a better line because the kill could be positive or negative. if someone thinks the song is more meaningful if it's purely positive, which I see would be a cool contrast within Taylor's discography, that's fair, but I don't really see what the issue is with reading that line that way...... I sometimes think swiftie spaces suffer from being unable to decouple possible readings of songs from personal interpretations of Taylor. Finding some anxiety in So High School shouldn't be equivalent to dooming Taylor's current relationship but it sometimes feels like that. I don't mind people wanting to analyse Taylor herself through her songs (within reason) but we're not obligated to do it, in the same way gay interpretations of Taylor's music don't have to mean anything regarding her sexuality... what's the difference here?

i'm not resistant to that interpretation because i am afraid of "dooming" her relationship (my interpretations of hoax say hello), so please don't put words in my mouth. i'm resistant because it doesn't make sense to me given the tone of the song as a whole, which is basically: you make me feel light and free, and it is a little bittersweet because my life hasn't been that way, but this relationship is simple and loving and makes me feel out of my mind because i am so in love with you. it's taylor's "this kiss."

(eta: also, that anon is telling me to "admit" something so let's also keep in mind the conversation was probably not started in good faith)

[the-descolada]

That post going around is really depressing to read as someone working in childcare and education as a transfem (and I've been doing so for over a decade now). I don't doubt how scary and how much of a barrier there is for us getting into this field safely, it's fucking bad out there, but I also think that level of doom and gloom can put off a lot of trans women who dream of teaching, even if it will be hard.

Being a trans woman working in education is to hold a vital power that can and will change kids' lives. You will face stress, and fear, and even aggression, and I don't begrudge people to just say no, I can't handle that. But if it is something you care about enough, and you are in a position where you can have a measure of safety, it is so worth it, more than basically anything.

Kids will see you and ask questions. Those questions may be complicated, or uncomfortable, or uplifting, or any mix of that, but the end result is that those kids will walk away questioning what they've learned and what they've internalized at an early age when that is so much easier to turn curiosity into compassion. And that's just the probably cis kids - the kids who will see you and realize wait - this is a possibility for me, your existence resonating with theirs... There is a very real experience where you will see a kid even once or twice and your very presence and acting as a role model and being kind will permanently change the course of a kid's life for the better; it can be like giving kids the chance and knowledge so many of us wish we had growing up.

This obviously goes for any trans educator, not just trans women, and any questioning trans kid, not just trans women. The impact is immense; I've had first graders, mid elementary schoolers, even middle and high schoolers meet me and have their identities start to crystallize that week, and leave the camp on a firm path to realizing they're trans. It is incredibly fulfilling, and it's worth all the frustrating "are you a boy or a girl etc" questions.

[llemon-soda]

ruining his tough guy persona....

[wardensantoineandevka]

Yeah, I think at the end of it. I get, understand, and agree that the narrative moment we're at is "Bells Hells, feeling they don't have the resources to fight Ludinus a second time today and still uncertain about the central question of what is to be done about the gods in Exandria, move toward Predathos in an attempt to control a situation they feel is inevitable. Imogen feels she has to make the choice to accept it into herself because Predathos is still moving toward her and the Ruidusborn, tragically boxing her into this because she feels she has no other meaningful choices." Great, amazing, I totally understand this, and it is a natural beat and one that coheres as a culmination of the campaign. It's actually a pretty great beat in summary.

The frustrating thing ultimately feels to be the execution, because it constantly feels like the story is meandering from beat to beat after an incredibly long series of meanderings over the course of the campaign. It's ultimately fine the characters feel uncertain, but the storytelling itself feels uncertain as well about what it is doing and that is less fine. Every decision is made with a sort of timid "I suppose that's the thing to do, I don't really know" at the table level without a very clear sense of what they're moving toward narratively, and that's really more of the problem. It's undercutting what is otherwise a really great direction.

Decisions don't feel like they have teeth because the storytelling is so hesitant about whether it's the right direction to take, so the needed feeling of stakes, inevitability, tragedy, suffocating circumstance don't exist in the way they should to give what's happening the needed sense of clarity. It feels like we're all moving through a bog in a not fun way because the story itself isn't sure what it's moving toward even in a sense of vibes or structurally. moving confidently and toward a tragedy in a sense of trapping the characters and cornering them would've done wonders, but instead it kinda has the feeling of trying to unroll a carpet dramatically and it just kinda slowly stops. Like, it's a slow drift down a lazy river instead of feeling dragged out with the tide.

It is a really great beat to have Imogen accepting Predathos because she feels she doesn't have any other choice in the series of pressures occurring right now. But, the pressure doesn't really feel like it exists because it all feels disconnected from the moment or too gently / abstractly applied or too slow to be framed, and the inevitability aspect doesn't feel like it's quite standing because narrative inevitability comes from momentum and strong storytelling intent and purpose, and it's never felt like this campaign has had that. The storytelling is hesitant and uncertain, so the tragedy doesn't quite come through on experience of the moment, even when it does come through in summary.

And that's more the frustrating thing. It's a good beat executed a little too uncertainly. The choice itself for the character is a good one, but it — like much of the campaign — feels like it lacks a storyteller trust in the narrative or trust in the choice itself to make it really feel satisfying as an execution. I genuinely wonder if that's ultimately what I'm bouncing off of, the fact that it doesn't feel like the table is trusting in the narrative or trusting the choices they're making for the story or trusting in themselves and each other to carry through the story they’re telling, so the intentionality and purpose feel off and it's stripping a great beat of its power by making it feel hesitant at a narrative mechanics level.

[elkkiel]

Sleeptober day 3 – Hypnotize

bro is mesmerized fr

[theoldworldsrunnerup]

@deathnotetober day three: task force

Redraw of this:

This is. Technically not finished but I am so sick of looking at this so I’m giving up and posting it

[gatoburr0]

[front-facing-pokemon]

[uncanny-tranny]

So, so many queer people, I've noticed, can put themselves in precarious situations wherein they feel accepted by people and the queer person would do anything for those who accept them, even if it is harmful to them, even if it is scary. It feels like you are indebted to those who accept you because you know that isn't the case for every person you meet. To so many queer people, they are afraid to upset others who accept them (or "accept" them) because they are so scared of rejection. This is completely human and completely normal. But that doesn't mean you deserve to be taken advantage of. You deserve to be treated as an equal because you inherently are an equal - to everybody.

Please know that the people who truly, truly respect and care for you will understand when you can't do everything. They will still respect you, because you are a human being. Saying "no" is neutral at worst. You deserve to honour yourself, too.

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[magnoliasandbeardedtooth]

thinking about the relationship between sif and the universe, and related theories / headcanons aka I listened to a song and I need to get these feefees out of me

this is a lot of prelude for something that can be shown with just the video clip, but I want to include all the strings that make up this knot

Its not explicitly stated, but I believe it's pretty clear that whenever sif repeats something three times while hoping for something (sharpening the keyknife, carving in general, praying to the change god statue in dormont), he is performing wish craft.

however, he doesnt repeat anything three times when getting the keyknife. he doesnt even need to pray to get it at all, the change god just gives it to him. they say themselves that they dont care for rituals. they never even take credit for the stat buff, they only take credit for the keyknife

when sif changes how they pray at the change god statue, their method more strongly resembles the ritual to make a wish at the favor tree (picking the one you like best), and as a result the buff gets better. it is the wish craft ritual that is the important part of the prayer to that statue, not the change god

one thing that IS explicitly stated is just how powerful wish craft is for those who know the rituals, and how dangerous it is in the wrong hands. between the disappearance of colors (Im pretty sure that was the result of a wish, I may be misremembering), the disappearance of the country, and the king being nearly successful in freezing all of vaugarde in time, it only takes one wish to take out massive chunks of the world at a time

we know that wish craft is very entwined in the culture of the country (the story written about in the journal is told as a cautionary fairy tale, the rituals themselves are so deeply ingrained in sif that the wish to forget the country did not restrict his memory of the rituals, and he can perform wish craft without even being fully aware he is doing it)

it seems reasonable to me that the reason for the country's disappearance was to hide the existence of wish craft and the rituals to access that power from the rest of the world. considering sif didnt even remember his culture AND had good intentions, and still nearly ended the world, seems like that concern is pretty well founded. however, thats not the important theory Im making this post about

the country has knowledge of wish craft in conjunction with worship of the universe. "the universe leads, we can only follow," "the universe willed it," seems pretty safe to say that sif's Universe is the "entity" that is granting wishes

the way wishes are described, they dont seem like something the universe grants based on who worships it. as long as you know the ritual, you get the wish. everyone is part of the universe, after all, worshiper or not

Admittedly, its a bit of a stretch to say that the universe as a collective force has any sense of empathy for human struggles. but using the change god as an example, as spiteful as they are to sif, and unsympathetic to anything other than a human's role in the concept of change, they still show a great deal of care and favor to mira, someone who loves them. it is possible for a deity to care for those that care about it

sif, despite no longer having access to his culture or why he cares about the universe, still loves the universe, very very deeply, just as much as mira loves change. the change god says that sif's deity will never answer him, but I dont think thats the case

and this is the important headcanon that I am making this post for

sif is performing the rituals, so he gets the wishes, simple as. but I feel strongly that his wishes getting granted in very small but noticeable ways, despite not knowing how or why hes doing it, is the presence of his universe helping him, caring for him, even when he doesnt remember it

the strongest evidence for this, and the basis for this whole thing, is exactly how euphrasie breaks down in act 5

at first I only really noticed when she laughs, it reminded me very much of how the change god, a being who uses sprites of other characters and has done a whole possession, laughed during their encounter. they and euphrasie are the only two that use anything other than "ha," and right after this laugh is when her breakdown pauses and she says the lines

"... Soon you'll be able to go back to your normal lives. Away from battle and strife. Finally, you'll all be able to go home!!!"

which, knowing the end of the game is coming, is incredibly relevant. very deliberate

before this pause, her breakdown seems pretty chaotic. the characters and the player are just coming out of one harrowing experience, and are clearly headed for another. the cohesiveness of this glitchy breakdown amongst a mess of the rest of the world doing the same isnt really high up on the list of priorities. none of the characters notice anything beyond the fact that reality is breaking, not even sif. it just sounds like scary nonsense.

but with the context of euphrasie being possessed to talk to sif, every single one of her lines makes perfect sense

(footage from Zhain Gaming on yt)

the universe is there its talking directly to him, it was there the whole time

the Universe loves Sif so much

[soup-soup-soup-soup-soup]

to everyone doing their finals right now, remember: GRADES ARE TEMPORARY, SOUP IS ETERNAL

do whatever you can and treat yourself to some soup after :)

[desertduality]

the lonely starling

biggest motivator to attempt to do art is that i get to try to make fanart for my own fic <3

the fic in question - Ao3

[charminglyantiquated]

So, I’m seriously looking into getting into tall ship sailing (waiting on follow-up from an interview rn) and I’m wondering for getting into it more long-term -

what do people do after sailing tall ships? Like, it’s a pretty physical job, and I’d assume there’s a point where your joints just can’t keep up with it.

Are there other jobs in the industry that people move to? I’m not really keen on the idea of moving up in the ship’s hierarchy- admin and being someone’s boss both aren’t really my thing. Do people retrain in completely different careers? Go back to whatever they were doing before they started sailing?

Anyway, I know your sample size might not be super large so I’d appreciate anything. Thanks a bunch!

This is hard to answer directly - on the one hand sailing tall ships is such a niche industry that there are limited pathways for straightforward advancement. But on the other hand, it overlaps with such a large number of other industries, and requires such a jack of all trades skillset - tourism, carpentry, history and preservation, hospitality, marine electronics, etc. etc. etc. - that there's a lot of ways forward for what I guess I'd call lateral advancement: moving to another job which uses most of the same skills. So there's no one answer, but if it helps, here's some things my tall ship deckhand friends have ended up doing, after no longer deckhanding tallships:

Get a captain's license and keep sailing. Captains often have it a bit easier physically (balanced out by the mental stress lol), and are paid better. Owning your own boat is optional; plenty of companies hire captains by the season to sail the boat, while the management of the company is dealt with by the actual owners. (This is what I did! I don't have the sail-hauling arms I did as a deckhand, but my knees and bank account are both in better shape).

Bosun, first mate, engineer, some other specialized non-captain crew member, usually involves licensing or other education that's useful down the road if you switch to an adjacent career

Racing yachts

Captain for hire on private vessels

Outward bound guide, other wilderness education programs

Harbor cruises, lobster tour guides, and other motor-powered tourist boats, both as captain and as crew - you have the patter and the safety skills but you don't want to deal with the hassle of sails

Water taxis, ferries and other passenger vessels

Lobstering, fishing, aquaculture, tugboats, other non-tourist waterfront industries

Marine surveyor, marine electrician, other specialized technician

Working in a shipyard - good fit for all the fit-out skills of sanding, painting, varnishing, covering and uncovering the boat

Cruise ship hostess

Train conductor (the passion for the early 1900s carried over well)

Working at a a museum focused on local maritime history

Tour guide for local buses, walking tours, etc

Boatbuilder (IYRS, Wooden Boat School)

Teaching the captain's license courses (nota bene: there were obviously some other steps between deckhand and teacher, notably ten years of being a captain in between. But this is what they settled into when they decided sailing was too physically taxing, so I want to include it).

Carpentry, house painting

Designing and selling custom made van-homes (apart from the technical skills, living on board a ship helps familiarize making use of every square inch of space)

Sailmaker

Of course there's other friends who went on to try something completely new and unrelated - I think because so many of the people who start sailing tall ships are here for something completely new in the first place, that's not an intimidating prospect so much as an exciting one. But many of them did make use of tall ship skills even when moving on from tall ships, so I hope the above list is helpful in giving a broad sense of what can follow!

[thedeadthree]

𝐃𝐑𝐀𝐆𝐎𝐍 𝐀𝐆𝐄: 𝐓𝐇𝐄 𝐕𝐄𝐈𝐋𝐆𝐔𝐀𝐑𝐃 ➸ irulanne . the rook .

𝐌𝐎𝐔𝐑𝐍 𝐖𝐀𝐓𝐂𝐇𝐄𝐑𝐒 . 𝐄𝐋𝐅 . 𝐃𝐄𝐀𝐓𝐇 𝐂𝐀𝐋𝐋𝐄𝐑 𝐌𝐀𝐆𝐄 .

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