#this is quite shit actually

[adustoflove]

Born to be clingy and obsessive, forced to be cool and nonchalant about things

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.

[alexakakarumi]

Get the wormies!!!! Now!!!! Get them!!!!!

[vaguely-concerned]

the fact that irving canonically survives through the end of asunder to be at wynne's funeral is so fucking funny to me. nothing but love and respect for MY unstoppable cockroach morally grey machiavellian mage dad!!! he's survived in his position through multiple attempted rites of annulment and blood mage plots popping up left right and center around him. the chantry keeps trying to stamp him out but his dodge game is simply out of this world, divine. civil wars, political machinations and minefields, chantry atrocities, this wily old motherfucker is dodging and weaving his way through it all, not-quite-no-hits-taken-running-it-but-honestly-close-enough-under-the-circumstances style. if solas does succeed in tearing down the veil I would fully believe that one of the like three people still alive at the end of it all would be a very weary 90 year old first enchanter irving going 'oh this shit again huh'. the maker has cursed him for his hubris and his paperwork is never finished (affectionate, it's fine he canonically loves paperwork)

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[drulalovescas]

The funniest thing about Supernatural gotta be that Cas was this clueless nerdy dude who couldn't flirt if his life depended on it. and yet he somehow ended up with two wives and a husband.

[autisticrosewilson]

Just saw someone get pissy because "people in Gotham would have PTSD from Red Hood killing their family members just for being criminals".

Are you fucking stupid? I'm not joking do you have a brain eating parasite lodged in your skull?

When he's written correctly he's explicitly only targeting the people at the top. The crime lords, people who lace their drugs, traffickers, rogues. He isn't just breaking the necks of random crooks. We're talking about a kid who grew up stealing to survive, whose father died doing crimes to provide for them.

To call Jason being compassionate for small scale criminals and not a trigger happy psycho "fanon" or a "headcanon" puts your literacy into question at best and makes you look like an asshole at worst, especially when you put it in the main tag and don't bother to put it in the "Anti Jason Todd" or "Jason Todd critical" or "Jason Todd salt" or even "Jason Todd bashing". See that collection of easily blockable tags so I don't have to see your utter fucking nonsense on my dash?

They also said they don't think Jason cares about crime prevention at all and was just an angsty teen rebelling. Like tell me you didn't even fucking read Under the Red Hood without telling me.

[dragon-spaghetti]

Silly hours

[6okuto-moved]

i was thinking about oikawa and i just KNOW that he LOVES to be babied. that's just him, yk? like that's totally him and i would love to read about 30 year old professional volleyball player oikawa tooru being babied by his wife

(timeskip, fem!reader) he's just like me fr. i actually wrote something different but there wasn't enough babying so here u go 🥹🙆🏻‍♀️

tooru is one of if not the hardest worker you know, never losing sight of his ambitions and passion. determination lines his veins, and late nights of practice and analysis have seeped into the cartilage between his bones, gluing together what makes tooru oikawa, #17, setter for club athletico san juan.

but it's not oikawa, it's tooru, the boy you met in high school who stumbled down the steps after using a cheesy pick-up line on you and whines when you try to leave his arms for the washroom, who's your husband.

"long day?"

tooru groans and buries himself deeper into the crook of your neck, arms wrapped snug around your middle. he didn't really need to answer—the lit street lights and dim sky outside were answer enough.

holding back a laugh, you comb your fingers through his hair, the familiar scent of jasmine and vanilla dancing its way to you. "proud of you, baby."

your husband's voice is quiet, "thank you."

"you want me to run a bath for you?"

"...maybe later?"

"m'kay. you wanna stay here for a while?"

"yeah." his fingers trace hearts across your back, and when he pouts, you feel it against your skin. "i'm so tired."

pouting too in response, you press a kiss to his head and rub his back. "i know, baby, at least you're home now."

"but then i have to leave you tomorrow."

"and then you come back to me again tomorrow."

"but then i leave again—oh my god, what kind of sick world do we live in?" he whines, letting out a noise that could be described as a choked sob.

and this time, you let yourself laugh. "aw, my poor tooru,"—you cradle his head against you —"the horrors of a job have caught you."

"what if we worked somewhere together?" he lifts his head to look at you.

you raise a brow. "i love you, you're the light of my life, but you are not getting me on that court."

he gapes. "betrayal from my own wife?"

"okay, then come to my job."

"...well—"

"betrayal from my own husband?" you gasp and tooru pouts again—though at this point you're not sure if the original pout ever left to begin with.

it's still just as endearing, and your expression softens. "you'll be fine, 'ru. i'll baby you as much as you want every time you come home."

his pout pulls even more at his lips, and you mirror it. bringing your hands up, you hold his face and squish his cheeks with your words— "i, tooru oikawa, love my wife and my job, and i'm a strong, independent guy who can do anything."

"d'you rilly hafta hol' m'face?"

"it's for the effect and affirmations," you tease, before your amusement softens to something else. "how long are you out tomorrow?"

tooru's jaw drops as much as it can with you holding him in place. "why would you—9 hours!"

and before the dread of leaving you can fully take hold, you kiss his forehead. the apple of his left cheek, the right, then his eyes, his nose, both sides of his jaw, his lips—all with a resounding mwah!

tooru's arms cling tighter, and he leans into each kiss, always chasing your affection though he doesn't have to. you smile at the flush dappled across his face. "see? a kiss for each hour."

he opens his mouth to answer, but then the pout comes back. "each half hour at least. each 15 minutes—"

"tooru." you snort. "what is that, like, 36 kisses?"

"okay, a kiss for each minute."

"babe—"

"you know how hard i train, i know you watched my interview."

and you really don't think you'll make it to 100, much less 500 kisses, but you'll try anyway, even if after the first one, tooru says, "one."

you snicker as you place the next four, and he counts them before pointing out, "you know, kissing your husband is way easier than doing rdl's."

"yes, yes, i know, honey." you softly laugh and press another to the spot between his brows. "i'm not complaining."

he counts again—six, seven, eight, nine—and you remember the determination and patience of oikawa was never separate from tooru, especially not when it came to you.

[lgbtlunaverse]

Most annoying NMJ or JC take is when someone that dislikes them is like "oh you're a fan of him? *scoff* Well obviously you've only seen cql, where he was super watered down. In the novel he's a dislikable asshole and that's the objectively superior canon I'm working from instead of your woobified fanfic." Meanwhile your main canon is novel canon and you genuinely find novel Jiang Cheng and Nie Mingjue complex sympathetic characters.

[leftneb]

INFRINGER ALERT ⚠

INFRINGER ALERT ⚠

[neptunechromo]

mouthwashing as objects !!!! 🤪🤪🤪🤪🤪🤪🤪🤪

thank @maxandrubyfan2008 for this

[voom81]

OSCAR CONTRACT EXTENSION!!!!

[minalots]

🐺🐺🐺🐈‍⬛

First drawing is just me seeing how I would draw all the WWs (excuse the fact I used trimax ww’s assigned pen for the rest of them) (tbh I think it helps seeing the differences but next time I’ll draw em with their assigned brushes)

Second drawing is a redraw from WW’s expression sheet

[randomalistic]

I used to avoid watching wreck it Ralph bc turbo would make me feel new emotions that I couldn’t/refused to process

you and me brother... that's how i was for 7 years and then I let the floodgates open

> Hyperfixation trance state

> Wake up 9 months later in a parking lot

> I'm in a tracksuit covered in dirt and grass stains

> Strong urge to check my computer

> 2-hour video on my hard drive

[dol-dee]

He's lucky he caught her on an off day

based on this scene that I recently got ingame. I couldn't get Dee's reaction out of my head :D