#this is obviously a very important location for many of us

[starrysnowdrop]

FFXIV Vanilla Gpose Challenge

Day 2: Landscape/Location 🪦 Grave of a Dear Friend

“…It doesn’t get any easier, does it?” ~ Lord Francel de Haillenarte

[niteshade925]

Saw these tags in a reblog of my Chinese museum posts, and thought I have to make a response just so everyone is clear on how archaeological studies are carried out in China:

^Well, the Shaanxi Archaeology Museum is a Chinese museum displaying artifacts found in China, it's not the British Museum lol.

But anyway just so everyone knows, modern Chinese archaeology has a rule, which is that unless it's absolutely necessary, an ancient tomb/mausoleum should not be disturbed. This means that many of these artifacts in the museums are found in a few main ways:

Tombs that absolutely had to be excavated because there were clear signs of grave robbing present, for example when tunnels left by grave robbers were found near a known tomb. This is called "excavating to rescue" (抢救性发掘), it's done by teams of archaeologists, the artifacts found will then be studied and eventually find a home in museums in China. In comparison, actual grave robbers would steal artifacts and sell them for money; many stolen artifacts would end up in auctions, mostly outside of mainland China. This is why there is no "general positive sense" in the phrase "grave robbing with grant money" when it comes to archaeology in China. Modern Chinese archaeology and grave robbing are simply not comparable in any way whatsoever.

Tombs that absolutely had to be excavated because new infrastructure will be built in that location. Such exacavations are also included in excavating to rescue. Examples include tombs in Xi'an city that had to be excavated because a metro was being built. Since Chinese people and Chinese culture are native to China, there are no ethical problems whatsoever, this simply a question of what matters more, the welfare of living Chinese people or the abstract afterlives of ancient Chinese people. Obviously, the welfare of living Chinese people is a more important matter. As for the argument of "but this goes against traditional culture", first, a culture is only alive if the people of that culture is alive and doing well, otherwise that culture is as good as dead; second, a major part of traditional Chinese culture IS focused on the welfare of descendants (ex: the belief that the spirits of ancestors will protect their descendants), so I'm sure our ancestors would be proud to see us doing well.

Tombs that were excavated because archaeologists were absolutely sure that artifacts discovered within would make major contributions to the study of Chinese history. This is pretty much the only exception to the rule of "excavating to rescue", and it is very rarely allowed. An example is the Xia-Shang-Zhou Chronology Project (夏商周断代工程), where the main focus is to gain a clearer picture of the timeline of ancient Chinese history, when dynasties began/ended, when major events may have happened, etc.

Artifacts that were found when arresting grave robbers. These are called "recovered artifacts" (追回文物).

Artifacts that returned to China from foreign countries, these are called "returned artifacts" (回归文物). A big portion of these artifacts ended up in foreign countries precisely because of grave robbers, and another big portion were and are still lost for the same reason as why the British Museum has so many artifacts from around the world.

Artifacts that were discovered scattered throughout China. There are three facts to consider here: 1) China has a long history and as a result, there are vast amounts of existing artifacts; 2) tombs are material things and thus are subject to the elements; 3) not everyone is an archaeologist. Combine these, and you have situations were valuable artifacts were found in places like the chicken coop of a farmer (this is how the eagle-shaped pottery ding was found).

Donations. Some artifacts were family heirlooms that were donated to museums.

[starryhyuck]

pairing: enemiestolovers!yuta x afab!reader

words: 13.1k+

summary: yuta doesn’t care how adored you are. all he sees is a spoiled, narcissistic brat who has her daddy wrapped around her finger. hell must freeze over before he ever entertains the idea of being with you.

genre: smut, fluff, angst

warnings: reader is doyoung’s sister, reader calls her father daddy in the beginning but yuta becomes the real daddy, throat fucking, public sex, collaring, rough sex, pussy eating, squirting, spanking, lots of degradation, creampies, tiny bit of somnophilia

Since he was three years old, Nakamoto Yuta has always been told that he could never trust anyone but himself. Ironically, the words came from his mother, who he was supposed to trust above all.

His father was a businessman who dominated the industry, being both charming and captivating enough to earn the trust of many powerful people. However, his increasing rise in power also led to an increasing role of danger. Yuta had to start being escorted by security at public events, ensuring that the future of the family is established. He became isolated from the rest of the world except for school, where he eventually met a group of boys who made him feel whole.

His parents disapproved of the friendship, considering some of their fathers rivaled his own. He refused to succumb to their wishes, and to this day, it was the only battle he had ever won against his parents.

The only problem Yuta really has is you.

You’re Doyoung’s sister and the most spoiled girl he’s ever met in his life. He previously knew almost nothing about you since when they first met, Doyoung kept most of his personal life a secret. However, when you started attending university together, Yuta discovered your personality little by little and it crept under his skin.

It’s easy to sum up who you were — a rich girl who had her father wrapped around her finger.

Doyoung complained about you constantly after the rest of the guys had finally met you. Even post-graduation, you still found every opportunity to locate your brother’s group of friends and give him an irritating headache.

"Jesus, what are you wearing?"

Yuta observes as you blink your eyes innocently at Doyoung, staring down at your ensemble. You were wearing a crop top and a miniskirt that didn’t leave much to the imagination.

"It's called fashion, Doyoung. Try it sometime, seriously. I'm tired of you looking like a slob next to me at gala events."

The group is seated in one of the exorbitant steakhouses in the city, where they often frequent for an occasional chat. The owners of the restaurant are close family friends with Jaehyun’s parents, so any service worker helping them understood that discussions at the table were never to leave the ears of the building.

You slide into a vacant seat next to Taeyong, flagging down a waiter and ordering a strawberry margarita.

"Why are you here?" Doyoung questions in an agitated voice.

"Maybe she wants to see someone special," Donghyuck suggests, wiggling his eyebrows at you from across the table.

You pretend to vomit. Yuta snickers and Donghyuck glares at him.

"In your tiny dreams, Hyuck. I'm here because daddy wants us to all be together for dinner tonight. Apparently, he has a very special announcement," you smile mischievously.

Your brother raises an eyebrow. Yuta knows Doyoung’s father barely calls him to any important meetings, so this must be something big. "And what exactly is that?"

"It's obviously the announcement that he's chosen me as the heir to his company,” you say confidently.

At this, the whole table bursts into laughter. Yuta clutches his stomach when it begins to ache from the exhilaration.

"What?" You fume, eyes narrowing at the men before you.

"Babygirl, I really think you've got it all messed up in your head," Taeyong chuckles condescendingly.

You roll your eyes and flip your hair over your shoulder, and Yuta catches the scent of your perfume. It makes him slightly dizzy.

"I'm not wrong about anything, you losers. Do you seriously think you could run daddy's company, Doyoung?" You scoff, and your brother glares at you.

"What would you even know about business?" He challenges in response.

Yuta grins at the clear sibling rivalry. Doyoung would never dare to admit it, but he has always been slightly jealous of you. Ever since the two of you were younger, you surpass him in everything — grades, beauty, charm, and even networking connections. Your contribution to charity is constantly promoted in the tabloids, and you became the model for multiple designer companies, just so Doyoung could not turn a single inch without seeing his baby sister's face plastered on a billboard.

Your father adores you the most, pushing Doyoung to the side most of the time. Yuta knows it hurts his friend a lot on the inside, but Doyoung would never tell you about it. No matter how jealous he gets or how broken your relationship is, you still look up to your brother and care about his opinion and he knows that.

"I know plenty. Daddy always brings me to his work meetings, remember? I have all those stubborn businessmen ready to bend down and kiss my feet. I bet you can't say the same," you laugh, raising an eyebrow at him.

Doyoung opens his mouth to argue against the insult but another customer walking in steals your attention. Park Jinyoung enters in all his glory, and Yuta watches as your head spins around, a smile spreading across your face. Jinyoung’s parents owned a global technology company that was slowly gaining traction, allowing him to enter the elite circles of society.

"Jinyoung!" You call sweetly, eyelashes batting. You quickly lean closer to the table so Doyoung can clearly hear you. "Now, if you don't mind, I have to take care of personal matters. But I mean it, Doyoung, you have to be at dinner tonight."

You quickly leave with that remark, looping your arm through Jinyoung's and pulling him out of the restaurant with your margarita in hand.

“I hate her,” Doyoung grumbles when you’re finally out of eyesight.

“No, you don’t,” Jaehyun laughs, nudging him. “She just gets under your skin sometimes. That’s what siblings are supposed to do.”

“Are you nervous? Your dad’s never asked for a meeting like this before,” Taeyong brings up, analyzing Doyoung’s tense form.

Doyoung shrugs and tries to play it off. “A little, I guess. But there’s no point, my sister’s right. If anyone’s taking over the company, it’s her. My father never prepared me for anything and he prepared her for everything.”

Yuta rolls his eyes. “Come on, Doyoung. A spoiled rich girl like her? She could definitely charm some businessmen but she would let people walk all over her. She’ll never be respected with the reputation she has.”

You were well known as a rich socialite who dated around, and although your father allowed you to be by his side during important meetings, Yuta believes your reputation would be the cause of your downfall.

“A little harsh, Yuta,” Donghyuck frowns at his friend’s criticism.

“It’s true,” Yuta says with no remorse. “The corporate world is brutal like that and your sister’s just not cut out for it.”

Doyoung hums softly. “We’ll see.”

—

“I’m here!” You sing, slipping off your heels and handing your purse to one of the maids standing nearby. She informs you that your family’s already seated in the dining room.

You smile when you see your father sitting at the head of the table, and bounce over to greet him with a kiss on the cheek.

“Hi, princess,” he beams.

You take the seat next to your father and across from Doyoung, who looks more nervous than you’ve ever seen him.

“Hi, daddy. How was work today?”

“Very well, thank you, sweetheart. The merger with Lee Corporations is working out perfectly.”

You huff. “I wish you had picked a different company, daddy. You know how I don’t like Donghyuck.”

“Hey!” Doyoung interjects for his friend. “Hyuck’s a great guy.”

“Who flirts with your sister all the time,” your father reminds him, raising an eyebrow. “Not a very respectable man, Doyoung. I wish you would find someone else to occupy your time with.”

You smile in victory and Doyoung glares at you.

Your father clears his throat. “Anyways, I’m sure you’re both wondering why I called you here tonight. I have some good news and some bad news, depending on how you take it.”

You lean forward in anticipation, eyes sparkling at the thought of finally getting responsibilities in the company. Even though your father allows you to shadow him at work and gives you top secrets about your company rivals, he’s never given you any real tasks.

“The good news is that we’re opening a new branch in Osaka, very similar to the one we have here at home. Day-to-day operations will virtually be the same and all major decisions will still be handled by me. The bad news is that only one of you can run the division.”

You and Doyoung lock gazes, eyes both filled with determination.

“I can do it!”

“I can do it!”

Your father chuckles. “I’m glad you’re both willing. I haven’t made any decisions yet, but I want the both of you to start thinking more maturely about your future if you’re considering running this branch. Doyoung, you’ve barely been involved in company activities and you don’t have a good presence in the media. This is something I’d like you to focus on.”

“I’ve been doing both of those things, daddy, if you don’t remember,” you smile at him, watching your brother’s shoulders deflate.

“I do remember, princess,” your father chuckles. “And I have no doubt in my mind you would rule this company with an iron fist.” You giggle while Doyoung scoffs under his breath. “However, the company has received complaints from several of our partners about your behavior towards potential suitors.”

You swallow. Ever since you turned eighteen, you’ve had multiple men from big corporations try to take your hand in marriage. All of them have been political actions, of course, so you’ve never entertained any of their ideas.

“I heard Yang Hongseok proposed to you last month and you dumped a milkshake on him,” your father recalls, raising an eyebrow. “You humiliated him in front of the press.”

“Proposed?” Doyoung questions in shock. “She’s too young for that!”

“She’s already gotten many proposals, Doyoung,” your father corrects. “And, if I’m not mistaken, every single one of them has ended in public embarrassment for the other party.”

You smile nervously. “They’re just not good enough for me, daddy. What can I say?”

“No one will ever be good enough for you, princess. But that’s not the point. The point is that many of these engagements could be worthwhile for both you and the company. You have to see the bigger picture here.”

“So what?” You reply in a bratty tone, feeling frustrated. “Doyoung just has to show up to a few galas but I have to get married?”

“I didn’t say that,” your father frowns at your attitude. “I just think you should take these proposals a little more seriously. You haven’t gotten to know all of these boys, sweetheart.”

“That’s exactly why I said no to all of them. I don’t know them, daddy.”

Your father sighs. “I understand this is difficult for you, but until I see you start acting more mature about this, you and Doyoung will both be in the running for the leadership of this branch.”

Your eyes meet your brother’s across the table.

Game on.

—

Yuta is bored.

This party, hosted by Johnny, seems a little tame in comparison to last week’s. Yuta guesses it’s because of the negative media attention Johnny’s family has been receiving over his extravagant house parties. Although Johnny won’t say, Yuta knows his family chewed him out about it.

“Yuta!”

He smiles when he sees Seungcheol approaching him, and they exchange a handshake.

“How’ve you been? I can’t believe Johnny’s doing this after all of that insane press coverage.”

Yuta shrugs, glancing around at the small house party. Full of rich kids getting drunk and making mistakes.

“You know Johnny doesn’t care about that. It’s pretty dull tonight anyways.”

Seungcheol nods in agreement. “Did you see that Doyoung’s sister is here?”

Yuta barely notices your presence most of the time, so he’s not surprised that he didn’t see you walk in. You’re probably causing havoc with an outfit that’s more revealing than it should be, and it’s likely giving Doyoung a mild heart attack.

“Don’t care,” Yuta replies with disinterest.

Seungcheol laughs at his curt attitude. “Are you kidding me? She’s the hottest girl I’ve seen in ages. How could you not care?”

“She may have you fooled, but I know her well enough to recognize there’s nothing special under that facade.”

Seungcheol shrugs. “Suit yourself, but you clearly haven’t heard the big news.”

Yuta can’t deny that his interest is peaked.

“What news?”

Seungcheol smirks, leaning in to ensure no other guests would hear this tidbit of information.

“She’s looking for a serious relationship, apparently to ease her father’s concerns about her taking over the business. There’s a line out the door of guys begging for a spare minute of her time.”

And that’s when Yuta finally spots you across the room. Just as he pictured, you’re wearing a skimpy black dress that barely reaches the tops of your thighs. He thinks he even sees a guy trip over the even floor from staring at your legs too long. You’re giggling as Na Jaemin leans down to whisper something in your ear, hand wrapped around your waist like it’s another accessory. It isn’t long before his mouth is connected to yours, hand drifting lower and lower down your back.

“Have you seen my sister?”

Doyoung approaches Yuta and Seungcheol, slightly out of breath. His head turns in every direction in an attempt to locate you. He clearly hasn’t ventured to the other side of the room yet.

“Why?” Yuta asks since usually, Doyoung doesn’t care where you are at these parties and he sure as hell never searches for you. As long as your brother doesn’t have to endure hearing demeaning comments about your choice of dress, he lets you partake in whatever activities you like.

“Donghyuck is here with an engagement ring and he’s planning on causing a big scene. She can’t afford for our father to see her publicly reject him right now,” Doyoung sighs, looking more stressed as the minutes pass.

Yuta has always been confused by Doyoung’s soft spot for you. Even though you two are clearly competing for a chance to take over a major part of your father’s company, Doyoung still wanted to protect you.

“Listen,” Doyoung says frantically, watching as Donghyuck slowly slinks around the floor like a predator hunting its prey. “If you see her, could you please just get her out of eyesight? I’ll owe you guys big time.”

When Doyoung disappears into the kitchen, Seungcheol informs Yuta he’s going to grab another drink. Yuta’s left to stare at you and Jaemin, observing as Jaemin’s touch slowly gets rougher and more intimate.

Against his better judgment, Yuta finds himself walking to you, grasping your upper arm and pulling you away from the younger male.

“What the fuck, Yuta?” You hiss, not pleased in the slightest by his sudden appearance.

“Fuck off, Jaemin,” Yuta growls, and as much as Jaemin wants to object, he admits he’s slightly scared of Yuta’s threatening stare.

You watch pathetically as Jaemin gets further and further out of view, mixing into the crowd. You push at Yuta’s chest, ready to give him the beating of his life.

“What the fuck is your problem?”

“Donghyuck’s going to propose to you,” he replies nonchalantly. “Better start running unless you want the news to spread to daddy.”

You curse under your breath and pray to the gods that a demon would come up and swallow Donghyuck whole. Your eyes widen when you catch him from the corner of your eye, a black velvet box tucked securely in his palm.

It’s in this moment that you execute the only plan that pops in your head. You press your back against the wall, forcefully grabbing the hem of Yuta’s shirt to pull him closer to you. He grunts in surprise when he finds himself being pressed against your front.

Your hand grips the back of his neck and you smash his lips to yours desperately.

Yuta would never publicly admit how much he enjoys kissing you. Your lips feel like velvet on his, and his frame cages you against the wall. His hand inches around your waist and he realizes he’s in the same position Jaemin was moments ago.

As sadistic as it sounds, Yuta loves seeing you being put in your place like this. Vulnerable underneath him, hands grabbing whatever piece of him they can find. You’re in the palm of his hand and it turns him on to no end.

In fact, the two of you are so enraptured with one another that you fail to hear the click of a camera.

—

A newspaper slams in front of you during breakfast the next day.

You tilt your head in confusion when you see you and Yuta on the front cover, looking like a scene straight out of a trashy teen romcom. Your eyes flicker upwards to catch the intense glower of your father.

“What is this?”

You put on your best expression of innocence. “Just me and Yuta having a little fun, daddy.”

“This isn’t fun, sweetheart,” he clicks his tongue in disapproval. “This is softcore porn of my daughter on the front page of every tabloid in the city.”

You glance back down at the photo and wince when you realize you’re clearly grinding against Yuta’s thigh with no care in the world.

You frown, lips jutting out into a pout. “I didn’t realize there would be cameras at the party, daddy. I’m sorry.”

He sighs and shakes his head.

“I’m not mad at you, princess. Would I feel better if you weren’t exposing yourself in public like this? Of course. However, your brilliant mind has stumbled across an amazing opportunity.”

You raise an eyebrow, urging him to continue.

“The Nakamoto family are highly regarded and respected in Japan. Showing a united front with them to the public can work wonders for the business,” your father smiles deviously, and your heart drops to the bottom of your stomach at the implication.

“But daddy, I don’t even like Yuta. It was just a one time thing!”

He shakes his head at your pushback. “It doesn’t matter what your intentions were. I want you to make an acquaintance out of him, and ensure the press sees you two together in a flattering light. If you pull it off, the Osaka branch is yours, sweetheart. No questions asked.”

You huff and lean back in your chair, exasperated by the degrading task.

Across town, Yuta finds himself in a slightly different position.

“The Kim girl? Really, Yuta?”

His mother stares him down fiercely, her eyes expressing all the curses she wishes to throw at her son. She nearly hits him in the face when she launches the newspaper to his chest.

Yuta smirks at the sight of him pinning you down for the whole world to see.

“This isn’t funny, Yuta. Hide that ridiculous look on your face,” his mother scolds him. “I don’t want you to be associated with this girl. Her father is an imbecile for allowing her to be involved with the business in the first place — she’s nothing but a girl blinded by the glitz and glamour, and I don’t want that for you.”

Yuta rolls his eyes. As if his mother even cared about what’s best for him.

“Relax. We were just having fun. You know I’d never touch a spoiled brat like her.”

Especially not after you left him high and dry at that party.

His mother smiles. “Good. I don’t care what you have to do, but stay away from her. She’ll only ruin the Nakamoto image.”

And deep down, Yuta knows his mother is wrong. You’re the most beloved influential figure in the city and any family would kill to have you join them. Every man is praying that by some miracle, you choose them as your future husband. The Nakamoto family would be honored if you even threw them a glance.

But Yuta would never tell anyone that.

—

Doyoung is fuming the next time Yuta sees him. Taeyong has to hold him back when Yuta approaches their regular table at the restaurant.

“You disgusting creep! What the fuck were you doing with my sister?”

“Yeah!” Donghyuck chimes in, looking less than pleased. “You don’t even like her!”

“Calm down,” Yuta sighs, taking his seat and ignoring Doyoung’s death stare across the table. “I had to play into her game since someone decided he would propose to her in the middle of a fucking party.”

Donghyuck scratches the back of his neck sheepishly.

“Besides, we didn’t do anything. We made out and she left when Hyuck disappeared.”

Jaehyun snickers from his spot next to Doyoung. “But you wanted to do more, didn’t you?”

Yuta doesn’t respond, keeping a poker face on. He refuses to let this group of ingrates discover that yes, he wanted a lot more from you that you weren’t willing to give.

“Imbeciles,” Doyoung mutters under his breath. “I told you all that none of you are allowed to touch my sister. You’re lucky I even let you come within three feet of her.”

“Are you kidding me?” Donghyuck bursts out again, eyebrows furrowed. “You complain about her all the time! You always say you wish someone would take her off your hands!”

“I didn’t mean you!”

“What are we talking about?”

You comfortably occupy the seat next to Taeyong, lips wrapped around a cherry lollipop. Yuta watches as you swirl the candy inside your mouth, tongue carefully savoring each lick. He wills his dick not to sport a hard-on in public right now.

The sight urges Doyoung to grab the sweet from your hand and crush it under his glass of whiskey.

“Hey!” You whine. “That was my last cherry!”

“Yeah! What the fuck, Doyoung!” Donghyuck complains, indiscreetly fixing the tent in his jeans.

“Can you be a normal human being for once?” Doyoung snarls at you, and Taeyong almost has to hold him back again. “What were you doing kissing Yuta like that for everyone to see? It’s like you have no dignity!”

“Haven’t gotten ass in a while, huh?” You inquire, giggling into the palm of your hand. Your brother’s face continues to bloom into a terrifying shade of red. “Relax. Yuta was helping me out after someone tried to pull that stunt last week.”

Donghyuck pouts. “So you would’ve said no?”

“I would have crushed that box between my fingers and stuffed it down your throat.”

“God, you’re so hot.”

Doyoung glares at Donghyuck once more.

“Anyways, Yuta, outside?” Your question is phrased more like a statement, and you don’t even offer him a chance to respond before you’re strutting out the door.

“Don’t marry her, please!” Donghyuck begs when Yuta gets up to follow you, clinging onto his wrist desperately. “I’ll do anything to have her. Don’t ruin this for me!”

“I’ll murder you right here, Hyuck,” Doyoung warns.

“I’d love to see you try.”

When Yuta finally shakes Donghyuck off and makes it out the door, he pauses when he sees you’ve suddenly become preoccupied by Lee Jeno in the alleyway. Jeno’s family owned one of the largest designer brands in the country, and Yuta recalls that you just became a spokesmodel for their new line. Jeno’s fingers are tracing your midriff, captivated by the sparkly butterfly chain hanging across your stomach.

“Why don’t you let me take you out this weekend, pretty girl? I’ll even let you choose the music this time.”

You giggle, batting your eyelashes up at him. “But you were so picky last time. How can I trust you again?”

He smirks. “You know I’ll take care of whatever you need, baby. You can trust me.”

Yuta clears his throat, feeling his chest swell with unanticipated rage. He doesn’t like seeing Jeno this close to you, talking to you like you’re a shiny new toy. That condescending language should only be reserved for Yuta.

You look back and catch Yuta’s stare, rolling your eyes at his presence. He clenches his fists angrily. You whisper something quietly in Jeno’s ear and he seems pleased, grinning ear to ear and kissing your cheek before he leaves.

“Did you make me come out here just to waste my time?”

You cross your arms over your chest, and Yuta tries his best not to focus on how the action pushes up your breasts in your tiny crop top.

“I brought you out here to make a proposition.”

He scoffs. “Thinking that I would want anything to do with you is laughable.”

“Oh, please. Don’t act like you didn’t have a hard-on when I was riding your thigh last week.”

His ears redden out of embarrassment. He has shamefully pictured that moment with you more times than he would ever admit. Lately, it’s the only vision that can get him off at night.

“It’s not my fault you were making a spectacle of yourself in public.”

You simply smile, mischievous in the way your hand slinks its way around his bicep, squeezing gently. “You liked it, didn’t you? Showing everyone I belonged to you? Putting the pretty Kim girl in her place?”

You take a step closer and his breath nearly hitches at how you’re inches away from his face. He thinks about your perfect lips puckered in a pout. You surely know better than anyone how to get a man to succumb to your wishes, and Yuta is no anomaly to your power.

You bat your eyelashes at him like he saw you doing for Jeno. “Why don’t you help me out, hm? Go on a few dates with me.”

Yuta freezes, shaking his head in an attempt to take himself out of your alluring reverie.

“Why the fuck would I ever do that?”

“Because I get to show daddy that I’m finally taking a man seriously, and you get to do whatever you want with me on date nights,” your voice lowers to a whisper, lips brushing by his. “I heard around the grapevine that you’re a little rough in the bedroom.” He swallows, recognizing that you have him in the palm of your hand with your sugary sweet voice. Your nails scratch down his torso until you’re cupping his growing length. He swears he’s nearly bursting out of his jeans. “I like it a little rough, and it’s just so hard these days to find a good man to please me. You’ll help me out, won’t you, Yuta?”

He tries to regain control of the situation, fingers curling around your scalp and pulling harshly. He grows even harder when all you do is smile at him, taking pleasure in the pain.

“You do this with everyone? Whore yourself out to climb up the company ranks?”

You grin. You both know that Yuta has already agreed with the way his hips are slowly grinding against the front of your skirt.

“Just you. I only need you, Yuta.”

Fuck, he’s in trouble.

—

Yuta thinks he’s reached the peak of ultimate desperation as he stands in front of your door.

Since last night, he’s been attempting to convince himself that he only agreed to your proposal because he hasn’t gotten his dick wet for quite a while. It also doesn’t help that you have been constantly infiltrating his dreams and every lewd fantasy his brain manages to conjure up.

You laid out the simple terms — he takes you out on public dates, ensuring many photos are taken for your father to see, and you agree to go back to his place and allow him to use your body as he pleases. Yuta might as well have a sign hanging above his head that reads pathetic loser with how easily he obliges.

When you swing open the door to your apartment, he notices that you’re half-dressed and slightly surprised by his presence.

“I didn’t think you’d actually come,” you say, pulling him in and locking the door.

He has to grasp at whatever ounce of self-control he has left, eyes raking over your exposed body. You’re adorned in nothing but a black, lacy lingerie set and a silk robe draped open. It’s like you’re trying to test him.

He balls his hands into fists. “Hurry up and get dressed. I already called the press and they’re on their way to the restaurant.”

You pout at his hostile tone, fiddling with the bottom of his shirt and blinking innocently at him. He grits his teeth as you press your body against his. It reminds Yuta of that night at Johnny’s, when you were wedged so perfectly between him and the wall, your lips chasing his in a frenzied play for power.

He’s never been so easily affected by someone before. Usually, it requires an abundance of work on the other person’s part for Yuta to even spare them a glance. When it comes to you, however, he can’t decide if he wants to fuck you until you beg him to stop or if he wants to argue with you until you’re both screaming.

Maybe a little bit of both.

“Are you sure you don’t want a little gift before we leave? You know, to thank you for doing so much for me,” you hum, fingers dancing across his stomach teasingly.

He grabs your waist tightly, scrunching up the fabric of your robe. He gives you a squeeze in warning.

“Get. Dressed.”

You smile at him before obeying, heading off to your room. You do so with a sway in your hips and he curses lowly, forcing himself to move his eyes away from your tempting figure. He glares down at the growing tent in his pants, willing it to go away.

You return to the living room in record time, and Yuta can see why it took you such a short time to change — you’re clothed in nothing but a lavender slip dress, and it’s clear you got rid of the skimpy underwear as he stares at your hardened nipples poking through.

“Don’t worry,” you giggle when you notice his gaze lingering on your chest. “I got rid of the panties too, just to make sure it was a matching set.”

“We’re leaving. Now.”

You’re nothing but a heap of laughter as Yuta pushes you into the backseat of his car. It’s grating to his ears, especially since he knows the root of your joy is his pain. He nearly growls at his driver, who flashes a raised eyebrow before taking off. He awkwardly shifts in his seat, still begging his erection to lower.

You grasp at the opportunity. “Need help?” You cup his bulge and he groans loudly. “You can fuck my throat if you’d like.”

He mentally calculates how much time you have left until you reach the restaurant before grunting at his driver.

“Take the long way.”

You grin when he pulls down his pants and releases his cock from the confines of his briefs. He can practically see your mouth water as you wrap a hand around his base, causing him to twitch in your palm. He praises the inventor of tinted windows, which allows him to expose you publicly like this.

“Mmm,” you hum happily, sucking on his reddened tip gently and lapping the spurts of white pumping out of him. He pushes your hair out of your face while you eagerly sink down on him. It isn’t until he hits the back of your throat that he offers his first thrust. You gag a little but squeeze his thigh, giving him the green light. He throws his head back and pushes his hips upwards, wanting to fuck your throat until it’s raw.

“Look at you. Fucking pathetic,” he hisses. You whimper around him at his degrading tone. “Whoring yourself out in front of me until I snap, hm? Is this what you wanted? For me to fuck your throat until you cry?”

You moan and he shuts his eyes when he realizes you’re actually crying, tears flowing down your face and mixing with the spit running down his cock. He pulls you up by your neck and allows you a few seconds to breathe before sending you down again.

“Fuck, fuck, fuck,” he pants. “Gonna cum. You better fucking swallow it all.”

He groans when he reaches his climax, holding you steady as he pumps his seed into your waiting mouth. He lets go of you when he’s finished, and you lick up the remaining mess on his cock.

“Good girl,” he praises, watching you clean him up. You beam at his approval and he smiles.

“W-We’ve arrived, sir.”

“Park the fucking car and get out,” he bites at the driver, not caring how much of a dick he’s being. His driver practically launches himself out of the car once it’s in park and you frown at Yuta.

“We’re going to miss our reservation.”

“They’ll make an exception for us. Now get face down so I can eat your pretty pussy.”

—

You can’t get enough of Yuta.

It’s only been a week since your agreement yet you’ve gone on a date every single night, ending with Yuta fucking you wherever and however he pleases. You didn’t lie when you said he could do whatever he wanted to you. Spending continuous nights together, however, prompts the tabloids to swerve into a frenzy of ridiculous headlines.

Nakamoto and Kim — The New Dynasty?

Yuta Nakamoto Seen Eyeing Engagement Rings!

Wedding on Horizon for Nakamoto and Kim Conglomerates

“Yuta!”

But you could care less about the suggestion of your engagement, especially when Yuta has you sprawled out underneath him, ramming into you from behind. Tonight, he was too impatient to finish dinner with you, allowing the cameramen their fair share of pictures before pulling you into the backseat of his father’s car. He instructs the driver to head to his apartment before he’s plowing into you until you cry.

You feel slightly bad for his driver, who hasn’t received a break from the constant fucking all week.

“Ungh, ungh, ungh,” you whimper at the force of his thrusts. It really was true that Yuta was rough in the bedroom, refusing to grant you even a second to breathe until he got his way. You had never felt so used and it aroused you to no end. You’ve had a higher sex drive this week than ever before.

“Why do you even bother to wear panties?” He growls down at you. “You know I hate it when you give me an obstacle.”

You haven’t dared to put on a pair of pants since you began your arrangement. He loves being able to take you anywhere he pleases, flipping up your skirt or rolling up your dress at any time of the night. You suppose he’s even grown weary of your underwear being in his way as well.

“It matches my dress, daddy!”

You never considered calling another man daddy because that term was used exclusively for your father since you were little. However, after discovering Yuta’s liking for the name, you haven’t addressed your father as daddy since then, transferring the moniker to Yuta.

“Who cares?” He laughs devilishly. “You know I’ll rip it off of you before the night ends anyways, sweetheart. And you’ve already made it abundantly clear that you’re all mine. Nobody else would be brave enough to sneak a peek at a pussy owned by me.”

You giggle at the thought of how large your presence has grown in the media. Your father was thoroughly pleased by your association with Yuta, even though Doyoung almost threw his friend off a bridge when he discovered the affair. Your father’s all but signed the Osaka branch over to you, and you can nearly taste victory. You’re certain if you offered yourself to Yuta during the daytime too, he would probably secure an engagement ring on your finger, which would make your father more elated.

Yuta flips you over, pressing your back against the car door and sliding down the window halfway.

“Yuta! They’ll see us!” You squeal, laughing at his carelessness.

“Let them watch then.”

He presses back into you, causing you to moan loudly. You catch the eyebrow raise of the driver through the rearview mirror and smile when you hear the chatter of people on the sidewalk outside, observing your lewd behavior. You pull Yuta down to press his lips against yours, tongues tangling together as he grips your thigh and hooks your leg around his waist. The angle allows him to push deeper into you, and your whines grow louder at the force of his thrusts.

At every red light, you see the flashes of cameras grow brighter and brighter to capture the sight of you and Yuta. You’re frankly too enraptured by him to care, reaching the edge of your climax. He recognizes your telltale signs, and you’re far too gone to be embarrassed by the squelching sounds your cunt makes when he bottoms out.

“Yeah? You gonna cum for daddy?”

You nod, chewing on your lower lip. You shriek when his teeth graze your neck, biting and sucking until he’s left a mark on you. You love how possessive Yuta is, how determined he is to prove to the world that you belong to nobody but him.

Your eyes roll to the back of your head when you topple over your peak, gripping his forearms as he continues his assault on your neck. It’s only after the ringing in your ears ceases that you realize you squirted all over his lower torso and the backseat.

“So fucking messy,” he grunts before following you, spilling his warm seed deep inside you.

You giggle when he collapses on top of you, fumbling around until he finds the button to roll the window back up.

“That’ll give them something to write about tomorrow,” you hum while he licks a stripe up your neck. The car comes to a screeching halt and the driver awkwardly announces your arrival to Yuta’s apartment.

“Let’s go upstairs,” he murmurs into your ear. “I’m not done with you yet.”

—

“Nakamoto Yuta, hm?”

You’re not surprised when another newspaper lands in front of you, but you are a little startled to see Johnny being the culprit behind it. You raise an eyebrow, pushing your laptop to the side as Johnny occupies the seat across from you in this tiny coffee shop.

Once again, you and Yuta are plastered on the front page. There are multiple blurry photos the paparazzi managed to catch of the two of you tangled together in the backseat. No questions need to be asked about what activity you both are engaged in — although the camera doesn’t capture everything, Yuta being shirtless and glimpses of your wild hair is enough to paint a solid picture.

Johnny chuckles dryly at the sight of the grin pulling at your lips.

“He’s not going to last for you in the long run.”

Your eyebrow raise grows higher. “And what makes you say that?”

He smirks. “Because I’m your friend and I know you well enough. You’ll get bored of him. He’s nowhere near your level.”

You fold up the newspaper and slide it across the table with a tantalizing smile.

“Just because I got bored of you, John, doesn’t mean I’ll get bored of Yuta.”

A fire blazes behind his eyes and you know you’ve struck a nerve. You’re not ashamed to acknowledge you’ve slept with most of the men in your elite social circle, considering they’re usually harmless flings and a way to build connections in the industry. Occasionally you’ll come across the type of man who wants more from you, a man who covets the allure of the Kim name.

At this moment, that man happened to be Johnny.

“I heard your father’s offered you a proposition for the Osaka branch,” he comments, taking a sip of his coffee to fake nonchalance.

“So you’ve been prying Doyoung for information?” You guess, playing into whatever game he wanted to lay out for you.

Johnny was a great guy, honestly, and he treated you well when you shared the same bed. But since Yuta took you on your first date a week ago, the thought of being with someone else hasn’t crossed your mind.

“The Nakamoto name — it’s strong now but no one sees them lasting in another decade. Their stocks are down and rumor is that their Tokyo branch is on the verge of collapse. Your father may play with the idea of them at the moment but he’ll soon learn they have much more to gain from your union with Yuta than you do.”

“Such splendid business talk,” you reply with a joyous lilt in your tone. It slightly amuses you that Johnny is so peeved by your newfound relationship. “One would think you’re trying to imply something.”

He leans forward, eyes a little more determined. “The Suh name has been around for decades and has already proven to be stable enough for the market. Our union would play a lot steadier than you and Yuta.”

“The Suh name?” You muse, swallowing a laugh threatening to climb up your throat. “The same Suh name that’s been tainted by their youngest son throwing reckless house parties until the police show up?”

He says your name with rehearsed casualty, though you both understand you know how to play a strategic discussion much better than he does. Your clever wit and the ability to see the argument from all angles is exactly why you’ve been in the running to take the company since you were born, and why Doyoung was lagging so far behind. In this conversation, Johnny is not your friend but simply a business mogul looking to get ahead.

“Come on. I know he’s not the one for you. You’ll miss the chase and you’ll hate the familiarity. I know you.”

“You don’t know shit.”

Yuta approaches the two of you, jaw clenched. Johnny straightens his posture, slightly embarrassed to have been caught talking behind his back. You beam at the sight of Yuta, tugging his hand and pulling him close to you. He continues to glower at the other man before you.

“Ah, so you date in the daytime now too?” Johnny chuckles, attempting to recover from his apparent blunder. “I don’t see any cameras around.”

“You can fuck off, Johnny. You and your ridiculous parties are the reason why you’re groveling at her feet,” Yuta hisses. “Handle your own shit first before tainting another family name with your mess.”

Johnny stands from his spot, causing the chair to squeak from the pressure on the wood flooring. Although Johnny has inches on Yuta, he knows better than to raise a challenge with the growing rate of Yuta’s temper.

Johnny offers one last nod towards you. “Good luck.”

Once he exits the coffee shop, Yuta’s mood sours. You pay no attention to his signs of irritation, pulling him down in the chair next to you and nearly climbing in his lap. You discovered a week ago that you throw your self-respect out the window whenever you see him.

“Daddy, you’re here,” you giggle into his ear, shutting down your laptop that was filled with boring spreadsheets and finance articles. “I missed you. You never come to see me during the day.”

It’s quite obvious that no other man has gotten to know your body the way Yuta has, bearing in mind that you’ve never held a steady boyfriend. Despite the intimacy on your part, Yuta still treats you indifferently during the day, ignoring you whenever you stop by the restaurant they hang out in and refusing to answer your texts until the sun sets. However, when date time commences, he does nothing but shower you in affection and insist it’s hard for him to stay away from you.

It’s very confusing, but you would take confusing and good sex over certainty and boring businessmen any day.

“What else did he say to you?” Yuta asks, brushing off your whines when he doesn’t hold you close.

“I don’t know and I don’t care. Let’s go back to your place,” you propose, already stuffing your laptop into your bag.

You nearly squeal in delight when he tugs on your wrist to take you out of the coffee shop. You watch as he tosses your bag to one of his security guards, telling them to take a stroll while he handles you. You’re skeptical about his behavior until he brings you into a nearby alleyway, shoving your front against the brick wall and flipping your skirt up.

“No panties?” Yuta hisses in your ear, sounding irritated.

“You told me not to!”

It hurts a little when he presses inside of you with no preparation. He takes it slow at first, kissing your shoulder and whispering harshly.

“I never want you to see him again, do you understand?” He questions in a demanding tone. His possessive side turns you on to no end and you nod eagerly, more arousal gushing out of your pussy.

“Whatever you say, daddy. But you know I never wanted to be with him, right? You’re the only one I want to be with.”

“Of course I fucking know that,” he grunts, steadily picking up pace. “I know that because no one else can fuck this pussy like I do. No one else has you wearing a collar with my name on it.”

You giggle at the mention of the collar Yuta had custom made for you days ago, with his name engraved on the little heart emblem dangling from the chain. Many would think it demeaning to wear it and have him attach a leash to you, pulling whenever you disobeyed, but you find it terribly arousing.

It doesn’t take long for you to orgasm, not with him muttering provocative fantasies in your ear and a tight grip around your waist to showcase that you’re his. He takes pity on you and shoots his release on the ground of the dirty alleyway, and you internally mourn the waste of cum that could be filling you up and dripping down your legs. You suppose it could be mortifying to someone else to have their pussy stuffed full of cum with no panties on in public, but you take gratification from it.

He quickly buttons himself back up as you turn around and readjust your skirt.

“So what happens when you get the Osaka branch?” He suddenly asks you, disregarding your inquisitive look.

You frown while fixing your hair through your phone camera. “What are you talking about?”

“The Osaka branch — the reason behind our deal. What happens when you sign the papers? We don’t have to be seen together afterwards, I assume?”

You shrug and tuck your phone away. Despite spending nearly everyday together for the past week, you still can’t get a read on Yuta’s feelings. You’ve taken multiple business classes in the past to overcome this type of difficult feat yet when you gaze into his eyes, you fail to understand the intentions behind his sudden line of interrogation.

“I guess so. We can still see each other in private, though,” you say with a flirty tone, squeezing his upper arm.

He doesn’t return your playful gesture. “See each other until you get married, that is.”

You tilt your head in confusion. Yuta has never brought up the topic of marriage before except to scoff at the headlines speculating the depth of your relationship.

“Um, yes, I suppose we could see each other until I marry.”

He nods and looks distantly off to the side, avoiding your stare.

“I’ll have my driver take you home. I have some business to take care of but I’ll come pick you up for dinner tonight.”

He spins on his heel at his last statement, leaving you alone in an alleyway, more confused than ever.

—

Weeks go by with no more discussions of marriage.

Yuta is on the way to your apartment as the two of you have been recently attending a handful of gala events together, skyrocketing your status as more serious to the public. Tonight was an event hosted by your father, and you hoped it would be the night he announces you as the new director of the Osaka branch.

It’s an important evening for you and Yuta wants nothing more than to be by your side. However, he dreads the moment you sign the Osaka contract, virtually releasing you from all of your duties to be seen with him.

Yuta always thought you were nothing but a spoiled brat until he finally cast aside his own assumptions. Often, during nights when you would sleep over, you both talked about the structure of your family's businesses and what future you envisioned to keep it thriving. It was in these discussions that Yuta really understands how intelligent you are. He used to think you only dreamed of sequined dresses and designer bags, but he can see what a fool he had been.

Your father seriously raised you for the business. After being friends with Doyoung for so long, Yuta knew he wasn’t privy to any of the company secrets or important business meetings. But he hadn’t known that you knew all of it — you possessed every secret that would put the business under, and no one could sweet talk their way out of a dreadful situation better than you. Every heir you’ve slept with usually spills a secret or two during late night pillow talk, and you bring the information back to your father, who uses it as leverage to elevate the company higher and higher until he gets what he wants.

Yuta admires you now more than anything, and that is why he is so afraid to lose you.

Along with the sex being the best he’s ever had, you are truly a magnetic being he can’t separate from. He likes you more than he’s ever liked anyone else, and the idea of you marrying someone other than him terrifies him to his core. You started spending your mornings together instead of simply meeting at night, which was something Yuta tried to prevent for a while in fear of growing too attached to you. It seems far too late to reverse history now, seeing as you have been joined at the hip for weeks.

When he knocks on your apartment door, you swing it open with a glimmering smile painted on your face. He tries to ignore the sound of his heart pounding in his ears.

“Hi, daddy,” you greet with a giggle, kissing him gently and pulling him inside. “What took you so long?”

He watches you cross the living room in search of your other earring and he chuckles.

“Can’t last a second without me?”

You laugh and walk back over as soon as you’ve got your bearings. You kiss him again.

“Don’t get such a big head. I was just wondering when you lost all your manners since it’s impolite to keep someone waiting for you.”

“I like this dress,” he changes the topic, fingers gripping your hips and squeezing roughly. You’ve gone for a simple floor-length red number, one that properly showcases your curves.

“Yeah?” You question, fingers curling around the nape of his neck and tugging gently. “I thought it would look really good with your collar.”

He growls. “Don’t tempt me. Get in the car and let’s go.”

The gala is in full swing when you both arrive, hands locked together as you smile and wave at the flashing cameras. Yuta keeps you close to him when you finally enter the grand ballroom. People immediately flock towards you, desperate to get a chance to chat with the season’s hottest new couple.

Doyoung finds a way to mow through them, approaching you with a bored look. “Congratulations,” he says with a curt tone.

You grin and pinch his cheek. “Aw, don’t be so sad, dear brother. I convinced father to let you shadow him at the headquarters here.”

Doyoung narrows his eyes at the demeaning task but says nothing else to you. Despite his numerous attempts to get his name out in the media, the only question people wanted to know was what designer his sister planned on working with next. Doyoung decided to accept his defeat with grace instead of humiliating himself by taking interviews solely about you.

His stare shifts to Yuta, cold and unforgiving. Doyoung still hasn’t forgotten waking up one morning to the sight of his friend fucking his sister in the back of a car for the whole world to see.

When he turns and walks away without speaking a word to Yuta, you scoff. “What a diva.”

You continue to address the bombardment of excited greetings from fellow guests. By the time you’ve finished a round on the floor, Yuta’s social battery has depleted significantly. With one look at your beaming face, however, his exhaustion spins into adoration.

“I’m nervous,” you whine into his ear, gripping his hand for dear life. “What if they don’t want me?”

“Then they’re idiots who deserve to burn alive.”

You laugh and press a kiss to his cheek. Yuta tries to quell the butterflies swarming his stomach.

“You can burn them for me, daddy.”

The room is silenced when your father steps up to the microphone on stage. You clutch Yuta’s hand tightly and he returns the gesture, afraid of letting you go.

Your father raises his champagne glass and chuckles. “Welcome, everyone. I am thrilled to see so many familiar faces here tonight. As many of you know, Kim Enterprises is looking to branch out and expand our thriving business as we celebrate the continuous growth of our company. And it is my honor to announce the opening of our Osaka branch, which will be spearheaded by my lovely daughter!”

Applause fills the room and all eyes turn to you. You bask in the spotlight, radiating pure joy. Yuta can’t help himself as he leans over to press a kiss to your lips proudly. You return it with as much vigor, giggling and gripping his hand happily.

He catches the sight of your father grinning down at you two in approval. Your father beckons you forward to join him on stage and offer a speech of your own. You squeeze Yuta’s hand one last time before letting go, taking his heart with you.

“Thank you for such a warm reception,” you say cheerfully, extending your champagne flute to the crowd. Yuta catches sight of Doyoung near the stage, who is trying his best to conceal his smile. “I am honored and grateful that my father has chosen me as the new director of this branch, and I will carry out my duties faithfully. I want to thank my brother, who has always allowed me to shine since we were younger and has never hesitated to be there for me.” The audience claps at the mention, and Yuta can tell Doyoung is trying to hold back tears. “And I also want to thank my devoted partner, Nakamoto Yuta, who has become my number one support system these past few weeks.”

You blow a kiss to Yuta, who fails to contain his grin. The audience claps even louder at the mention of your lover, with whispers filling the room about how serious the two of you are.

You finish your speech with as much grace as everyone expects of you, giving your father a kiss on the cheek before he whisks you away to introduce you to important members on the board of directors.

Yuta locates the nearest balcony to catch some fresh air, huffing to himself as he leans over the railing. The silence allows his mind to wander, filled with visions of you eagerly signing the contract to your future. Your father is likely strategizing the next best suitor for you, pushing all thoughts of Yuta to the side.

He can feel the clock ticking away on the time he has left with you.

“You really like her.”

He jumps at the sound of Doyoung’s voice and turns to see his friend with an eyebrow raised.

Yuta coughs awkwardly. “I thought you weren’t talking to me.”

“And I thought you said my sister will never be respected with the reputation she has. That she’s just not cut out for the corporate world,” Doyoung recalls with a knowing smirk.

Yuta scratches the back of his neck. “I was a dick about that.”

“But you like her,” Doyoung states the obvious, joining Yuta’s side by the railing.

“I-I don’t know. We’re supposed to be temporary, and I think that’s all she wants it to be.”

It’s the first time Yuta is voicing any of these thoughts aloud, and the way he’s so affected by the idea of you walking away from him rattles his brain.

“Well, if I know my sister, I know she’s never smiled at anyone like the way she smiles at you. And I know you, and you’ve never volunteered yourself to be willing eye candy at a boring event like this.”

Yuta sighs, wishing he had snagged a good bottle of rum before he came outside. “What am I going to do, Doyoung?”

“Not my place to say,” Doyoung shrugs like the asshole he is. Yuta is very aware his friend is taking a small sense of pleasure in his misery. “Just please, no more fucking in the backseat of cars. Your driver has been gossiping with Taeyong’s about your active sex life and he won’t stop torturing me with the details.”

“Front seats are okay?”

Doyoung’s seconds away from punching him when you run outside, throwing your arms around Yuta’s neck while his hands instinctively slide around your waist.

“Let’s go home, daddy. My feet hurt and I want to give you a good blowie.”

“I’m right here.”

You glance to the side and raise an eyebrow at your brother. All of the sentimental thank yous from earlier are long forgotten.

“Feel free to leave, no one’s stopping you.”

He grumbles at you but does as instructed, heading back inside. You smile when the two of you are alone, pressing a kiss to Yuta’s lips.

“Are you sure you want to go?” He treads carefully. “I’m certain people will notice the guest of honor has gone missing.”

“Who cares?” You scoff, pulling him closer to you. “I just want to curl up with my boyfriend and wear his pretty collar around my neck.”

It’s the first time you’ve ever addressed Yuta as your boyfriend, and he’s not sure that you’ve realized you let the name slip. He kisses you regardless, and sweeps you away in his car. You’re on top of him before he can get a word in, kissing down the column of his throat.

You hum. “I wish you had fucked me before we left, daddy. I’ve been dripping since I saw you.”

“Yeah? You were being a bad girl in front of all those people, waiting to choke on my cock?”

You pull back to respond, but your head tilts in confusion when you catch a glimpse at his gloomy expression. You cup his cheek gently.

“What’s wrong?”

He fails to realize that you can read him like an open book. You look at him with worry, no longer grinding on him like a cat in heat.

“Nothing,” he replies with what he hopes is a convincing smile. “I’m just so proud of you.”

“Liar,” you whisper, pressing a softer kiss to his lips. “Tell me what’s wrong.”

“I’m just, um, I’m just not in the mood tonight.”

“Oh,” you say with astonishment, and he can’t blame you. Until this moment, Yuta has never turned down your advances. You awkwardly shuffle off of his lap.

He swallows nervously. “But I’d still like it if you spent the night. You know, only if you want to.” He’s never seen you look so shocked in your life and he immediately takes it as a bad sign. “Fuck, sorry- Just forget I said anything-“

“No!” You squeak, interrupting his rambling. He doesn’t miss the constant back and forth of his driver’s eyes in the rearview mirror as he watches the two of you finally communicate in something other than dirty talk. “I mean, of course I would like to stay over. We don’t always have to fuck for me to be with you.”

“Yeah?” He says, eyes hopeful.

You smile and lean over to kiss him. “Yeah.”

—

Yuta is a strange creature.

Ever since the night your father announced the launch of the Osaka branch, you feel like Yuta has completely changed his personality from a sex-crazed monster to a loving and doting partner. Oh yes, you two definitely still fuck daily but it’s somehow shifted into sweet, gentle sessions. Instead of bending you over the kitchen table without question, he gently turns you on your side first thing in the morning and presses slowly into you. He also kisses you a lot more when you’re together, and holds your hand whenever you step out in the public eye.

You’re surely not complaining about his behavior, but you are mildly curious about what exactly spurred this on. As far as you know, he thinks you’re a spoiled rich girl who doesn’t deserve everything handed to her. But lately when you’ve been discussing ideas about how to run the Osaka branch, he’s completely attentive and praises you for your progressive thoughts.

Thinking about his changing behavior for too long gives you a headache.

“Do you want to order in tonight? I’m too lazy to cook,” Yuta asks as he fights through a yawn, scrolling through his phone mindlessly while he sits cross-legged on his living room couch.

You’re pulling one of his old shirts over your head since it’s become your new form of pajamas, along with a comfortable pair of panties. You walk out of his bedroom and join him by sitting on his lap.

“Takeout sounds good,” you nod in agreement. He hums and kisses your cheek before checking for available dinner options. You contemplate approaching the topic of his newfound affection, fumbling around with his shirt while you think. “Hey, Yuta?”

“Yeah, baby?” He replies, focus still directed at his phone.

“Do you- Do you not like having sex with me anymore?”

He completely freezes, gathering himself before turning off his phone. He frowns as he looks over at you.

“What the fuck are you talking about? We just had sex in the shower an hour ago.”

You roll your eyes. “Yeah, but now you just treat me like I’m some porcelain doll that’s about to break! I’ve never seen you like this before.”

He sighs and gently nudges you off of his lap. When he stands and starts to pace around the coffee table, you begin to grow worried. Maybe you shouldn’t have brought this up, especially when you see the distressed expression haunting his face.

“Yuta-“

“What are we going to do when you move to Osaka?”

It’s a topic neither of you have broached. You’re supposed to fly out in two weeks to spearhead the launch and oversee all of the new changes. You brought it up to Yuta in passing over a month ago, but you haven’t talked about it since then.

“I-I don’t know,” you say honestly, starting to feel like a child being scolded by their parent. “I thought you would come with me.”

His shoulders relax slightly. “You did?”

“Yeah,” you murmur, feeling smaller than ever. “Do you not want to?”

He kneels before you, taking your hands in his and offering you a solemn look.

“I do, baby, you know I do,” he sighs. “But I don’t want to go if your father just plans to replace me in a couple of months.”

You furrow your eyebrows. “Why would he replace you?”

He looks equally as confused. “Because of our deal? I’m not as valuable to him now since you already signed the contract.”

“Who cares about him?” You hiss, nearly glaring at Yuta. “You’re my boyfriend, I get the final say if you stay or if you go.”

His expression crumbles and you can tell that although you assumed you had been dating for months now, passing the line between casual to serious, he had not been on the same page.

“So you meant it then? That night of the gala — you meant it when you called me your boyfriend?”

“Duh,” you reply as if he’s grown two heads. “I’ve been seeing you exclusively, of course you’re my boyfriend. I don’t just let anyone collar me and hold my hand in public. We haven’t even called the press to take photos of us in weeks.”

He’s kissing you before you realize it, hands cupping your cheeks as he pins you against the couch. You moan into his mouth, feeling his hardened length press against your belly.

“You have no idea how long I’ve been waiting to hear you say that,” he says through a hoarse whisper. “I’ve been treating you like fine china because I thought you were going to dump me.”

“Why?” You pout, suddenly feeling whiny. “I like you and I like it when you throw me around. I don’t want anyone else to use me like you do.”

“Yeah? You mean it, baby?”

You nod and start to feel him manhandle your body until you’re lying on the armrest of the couch. He shoots you a devious look as he hovers over you, slowly slinking down your form. Your breath hitches when his thumbs loop around the sides of your panties, pulling them down your legs and smirking when the fabric clings to your core from your arousal.

“Daddy,” you whimper. “Don’t tease.”

He presses a kiss to your inner thigh and flings your underwear across the room. His tongue runs through your folds before he takes your clit into his mouth, sucking gently. You moan and tangle your hands through his hair. His eyes stay focused solely on you, staring at you as he laps at your cunt. One of his fingers prods at your entrance before pushing in, and you’re almost embarrassed by the squelching sound filling the room. He brings his tongue to your clit again, flicking at the nub.

You can’t help yourself when you start grinding down on him as he presses another digit inside of you. You throw your head back, overtaken by the sensation of him. His nose bumps against you as you messily ride his face.

“D-Daddy- O-Oh fuck, daddy-“

A wail rips from your throat when your pussy gushes, squirting all over Yuta’s face and fingers. You hold him close as he drinks in the remnants of your climax and push him away when it starts getting too overwhelming for you.

He licks his lips in an obscene manner, grinning to himself while you struggle to regain your breath. “Poor baby,” he mocks you, clicking his tongue. “Wants daddy to be rough with her but can’t handle the pressure.”

You don’t even notice he’s left the couch for a short period, blinking away the tears springing up in your eyes at the waves of pleasure still coursing through your veins. Yuta returns with your collar dangling in his hand and you perk up at the sight. He hasn’t used it with you since the night of the gala, and you’re desperate to feel it tugging at your neck. You eagerly sit up and bare your throat to him.

“Good girl,” he praises, snapping the collar tight and hooking his leash around it.

You yelp when he yanks you forward and off the couch. On your knees, you shamefully follow him into his bedroom. He sits on the edge of the bed, peering down at you as you kneel in front of him, your legs tucked neatly below you. He pulls at the leash until you whine, blinking virtuously up at him.

“You’d never do this for someone else, would you? All for me?” He clarifies and you nod fervently, keeping your hands at your side diligently. He strokes your cheek gently and you preen at his touch. “That’s right. You’re mine, baby, and I never want you to look at anyone else the way you look at me, do you understand?”

You nod again and he grins. He leans back and pats his lap, causing you to scramble as you climb on top of him. You straddle his hips, whimpering a little when you feel his clothed length poking at your core.

“Want my cock, baby?”

“Yes please, daddy!”

“Go ahead and take it then,” he says, watching hesitation take over your form.

“B-But you always do all the work, daddy.”

“I know, baby, and I’ve spoiled you way too much. Maybe if you can prove to me you’ve earned it, I’ll be as rough with you as you’ve been craving.”

You frown at his words but you’re not one to back down from a challenge. You pull his cock out, biting your lip at the sight of his leaking tip. He feels heavy in your hand as you line him up against your entrance. He tugs at the leash when you take too long and you cry before finally sinking down on him. A shudder runs through you, still sensitive after your last orgasm.

Yuta is usually the one to set the pace so you struggle to recreate it, whining when you finally take all of him and begin to move. He says nothing as he observes the clear strain this takes on you, your thighs already starting to ache. You ride him as best as you can, twisting your hips in a frenzy while you search for some sort of coordinated rhythm. You hear Yuta chuckle dryly but you ignore him, mind set on proving him wrong.

“My poor girl,” he murmurs in a degrading tone. “Need some help?”

You shake your head even though you’re craving for him to fill you as he normally does, hitting all of the right spots that make you unravel. Tears begin to fall as you press down on him in desperation. You give in, so miserable by your own pathetic attempts.

“Daddy, I can’t-“

“I know, sweet girl,” he coos at you, pulling at your leash until he adjusts you face down on the bed. You mewl when his cock slips out of you, and his hand presses down on the curve of your spine until your ass is perched perfectly for him. His hand kneads at your flesh, cock rubbing through your folds teasingly. “Look at you, can barely do anything for yourself. Such a useless little whore.”

“Daddy, daddy,” you chant, head filled with nothing but Yuta.

You feel complete when he drives the tip inside of you but whine when he pulls it back out.

“Don’t think you deserve it,” he mumbles, spanking you roughly. You whimper as your body lurches forward from the impact. “Spent so long thinking about you, you know? Wondered how I could fall for a spoiled princess like you. Wanted nothing but for you to call me your boyfriend and let me fuck your pretty little throat.”

“I want that too, daddy.” Your picture perfect future includes waking up by Yuta’s side, engaging in a morning quickie, eating meals together, and shopping all day with a few blowjobs in between. You blink away the tears threatening to spill over your eyelids from the overstimulation. “Please, please daddy. I’ll be a good girl for you, I promise. I won’t let anyone else fuck my pussy but you.”

He wraps a steady hand around your leash before putting you out of your misery, pushing his cock through your folds. You moan, head thrown back as Yuta tugs at your leash with every thrust of his hips. It’s exactly what you’ve been missing — the emptiness being replaced with his swelling member stretching your tight cunt around him. The collar makes it hard for you to inhale but you prefer it this way, offering your body in his hands for him to use as he pleases.

“I love you,” he suddenly grunts when his cock angles just right, rubbing against your walls and nudging at your sweet spot. You sob, feeling your orgasm building in your stomach. “I won’t ever love anyone else but you, my sweet girl.” Your eyes roll to the back of your head when your climax hits, spurting around his cock as it drips down onto the sheets. “Fuck, you squirted again? Did you really miss me being rough with you?”

You can barely form a coherent word while he releases his hold on the leash, causing you to collapse onto his pillow like a lifeless doll. You begin to fade in and out of consciousness, but you manage to utter, “I love you too, daddy,” before completely falling into darkness.

When your eyes flutter open again, you’re not entirely certain how much time has passed. Your neck is free from the collar, allowing you room to breathe. Yuta’s body is pressed against yours as you now lay on your back. His cock is still seated warmly inside you and he’s slowly pumping more gentle thrusts. The bedsheets are completely soaked with the evidence of your orgasm.

He hasn’t noticed you’ve awoken again, eyes shut tight and face buried in your neck. He’s groaning lowly, trying not to be too loud.

“Yuta?” You whisper, your voice hoarse and scratchy from all of the screaming. Your fingers brush through the strands of his hair as he looks up at you, smiling softly.

“Hi, baby. Got me worried there for a second.”

“I’m good,” you reassure, and he presses his lips to yours. “Just want your cum.”

He rests his forehead on top of yours, the mood shifting to something more intimate and loving. You never imagined you would be in this position, with Yuta of all people. You always believed you would marry some stuck-up businessman who had no care for your thoughts and feelings, and you became content with the idea over the years due to the overall positive sacrifice it would bring the company. You’ve been raised to think of the business first, but now you see that you can get the best of both worlds.

“I love you,” he repeats, murmuring it quietly.

You swear your heart grows three sizes. “I love you too.”

He grunts when his coil unravels, shooting strands of white into you, painting you to stake his claim. When he gets his bearings together, you both erupt in a heap of laughter. You feel warm all over, like your life is definitively joyous. No one could take this feeling from you.

He rubs his thumb over your ring finger, gazing at the empty spot with a glint of mischief in his eye.

“We should get you sized as soon as we arrive in Osaka,” he says with conviction.

You giggle and pull him down for another kiss.

“Just make sure you get me a big one, okay?”

—

“This is disgusting.”

You chortle when Yuta peppers your neck in a handful of kisses, pulling you closer by the back of your thighs. You feel like a princess sitting on his lap with your engagement ring sitting heavy on your finger. It would all be perfect, except for the fact that you’re surrounded by his friends at their regular table in the steakhouse. The blatant public affection is not completely your fault — who can blame two lovebirds who just got engaged?

It’s only been a few days since Yuta formally proposed. The first thing you did was fly straight from Osaka back to Seoul, rejoicing in the happy news with your friends and family. Your father was overjoyed, openly weeping when he saw how happy you were. Yuta’s mother kept her lips shut tight when you shared the news, clearly expressing disappointment but Yuta displayed no signs of caring for her approval. Since you gained leadership of the Osaka branch, you have been actively working with Yuta’s father to arrange a merger between your businesses. Yuta confessed to you one night that his family’s company was slowly going under, and there was no way you could allow your fiancé to be desolate and poor, could you? His mother hasn’t uttered a bad word about you since then.

Doyoung can feel the bile climbing up his throat at the sight of his sister all loved up with his friend. Donghyuck is pouting in his seat, arms crossed over his chest like a toddler.

“There are others who have to witness this, you know,” Jaehyun says with a smirk dancing across his lips in amusement.

“I can’t believe this!” Donghyuck exclaims incredulously. “You were slut shaming her less than a year ago!”

You coo at him. “Don’t get so upset, Hyuck. You knew you never had a chance.”

He narrows his eyes at you before childishly twisting in his seat until his back is turned to you. Yuta chuckles in your ear, tilting your head towards him so he can kiss you again.

The table collectively groans. “There’s no way you both traveled back from Osaka just to do this,” Taeyong sighs. “Isn’t this supposed to be a party for all of us?”

You part from Yuta and glance over at Taeyong.

“It is a party, but I wasn’t expecting you all to be losers and not show up with dates,” you bite back. You can feel Yuta grinning into your neck at your brazen attitude. Now that he wasn’t on the receiving end of it, he loved it when you got snippy with others and put them in their place.

“Maybe we should go hang out at Johnny’s,” Jaehyun suggests, tired of watching you and Yuta grope each other. “He’s throwing another party at his house tonight.”

“No Johnny,” Yuta says with a stern glare. His friends remain confused while you giggle, pressing a kiss to his cheek at his possessive nature.

“Johnny’s not going to take me from you, daddy.”

“Alright, I’ve had enough,” Doyoung grunts with displeasure, standing from his seat and throwing a few bills down on the table. “Let’s go. I can’t stand to watch this any longer and my ears are already bleeding.”

The group is quick to obey, offering a few more lazy congratulations before exiting the restaurant. Doyoung shoots one last glance towards Yuta, eyes narrowed.

“If you ever make her cry or call her a whore again, I’ll fucking shred you to pieces.”

Yuta salutes him and Doyoung rolls his eyes, leaving you both to your own bubble of gooey affection. You smile and stroke Yuta’s cheek gently.

“Don’t listen to him, daddy. You can still make me cry and call me a whore in bed.”

“You know I wouldn’t have it any other way, sweet girl.”

[felikatze]

Euphrasie and the End

A Deep Dive into the Head Housemaiden and her symbolic meaning

Introduction

Spoilers for the whole game, and also the prologue, by the way.

Hello everybody. You may know me from that other post about Euphrasie or maybe the ludonarrative essay or the QOL one. No matter the case, today I return to my favorite side character, Euphrasie, the Head Housemaiden.

This all starts with a central thesis you're likely to be familiar with.

Euphrasie represents the end. In the most literal sense, she is where every journey ends. She is the representation of Siffrin's fears. With every repetition, Siffrin grows to dread and fear the sight of her, more than they ever do facing down the King again.

And I want to look at that.

The Damsel

It's a tale as old as time. The big bad has kidnapped the lovely princess! Everyone, we must save her! And so, our epic tale begins, as Mario chases after Peach and Link vows to return and save Zelda -

That, quite obviously, is Euphrasie. Albeit not your traditional princess, she's still a female figure with great importance to our protagonist. (Our protagonist, quite obviously, being Mirabelle.)

Mirabelle's entire journey begins with her fleeing the House and embarking on an adventure with one goal - return home, and free everyone. ISAT invokes many many many stereotypical RPG tropes.

It uses those tropes by going, well, you know how the story goes, let's get right into the meat of it, yeah? Because ISAT is a story that only works on the precipice of an ending. It's the last dungeon! We're back in starter town, transformed by the big bad, and now we gotta take it back. (Like, do I have to invoke Ocarina of Time, or something? You know how it goes, you've seen this story before.)

Siffrin isn't afraid of the journey, the intro makes that blatantly clear all on its own. This entire journey is, quite literally, the happiest Siffrin can ever remember being.

He doesn't want it to end.

The story ends when you save the damsel. She will reward the heroes (usually with a kiss, but this time with a hug), thank them for their efforts, and then the credits roll. If we want to stay here and be pedantic, we can pull examples out of our hats all day for this trope as old as time.

Euphrasie is the end, not just within the context of the game's individual story, but for its type of story. Pretty woman, trapped by the bad guy, last person to be saved, emotional importance to the protagonist, dramatically awaits the rescue by her dashing protagonist after giving her the magic ocarina blessing to give Mirabelle her Special Protagonist Power that makes her super special and immune to the bad guy.

Euphrasie also gets the addition of being the wise mentor, combining tropes a bit, though I don't think it's uncommon for mentor figures to be the kidnappees either, even if the example I'm thinking of first is Eyvel from Thracia 776. (And you see once again, that I am incapable of thinking outside of Fire Emblem comparisons.)

So, simply from her role alone, we expect her to be the story's natural conclusion, but the setting helps that point, too. It's the rooftop of the final dungeon. Very obvious location, yeah?

The game's structure also builds anticipation into meeting her. Here and there, you hear about her from Mirabelle. And, right before facing the King, that's when Mirabelle talks about Euphrasie in-depth, how Euphie should've been the chosen one. We've got a lot of ideas about Euphrasie now, we're thinking about her as we go into the final boss.

And Siffrin dies. Duh.

We're so close to the end, and it's torn away from us. We need to get to it, get to her. Finally get past the King to meet her.

She's the conclusion. And in this moment, she is the goal, too.

Speaking of the King, though --

The True Final Boss

As Siffrin faces the King again and again, they grow less scared. More jaded. If you die to him thrice (or play START AGAIN), you get the option to say "Let's just get right to it", and skip his entire monologue.

After all, you've beaten him once. You can do it again. So who cares about him, yeah? Facing him only gets easier and easier as the game progresses. The King may be scary still in some story aspects, but in gameplay? Not a chance.

ACT 4 doesn't end with him. It ends with her.

As Siffrin faces Euphrasie again and again -

(No, no, no, she could've answered your questions, why?!?)

(Even though you asked for something different at the start of this conversation...)

(WHY IS SHE REPEATING THE EXACT SAME THING?!?)

Siffrin (yelling4): "JUST TALK TO ME!!!

Talking to her again makes her scarier, because Siffrin may have gotten past the King, but he's never gotten past her. For all intents and purposes, Euphrasie is the final boss of the story.

Again, ACT 4 - Siffrin's deepest moment of despair, confirmation of ultimate failure, is her.

Speaking of final bosses...

They both cut a rather striking silhouette, don't they?

Yes, yes, islander theory, white hair. That's an in-universe theory though, but the point is, it does make them look similar. They both have long cascading white hair, they're both extremely tall. They are both similar yet different in appearance.

Euphrasie is rounded where the King is jagged, namely. Soft where he is imposing. But those similarities still remain. Contrasting figures that only enhance the similarities all the more.

(I felt utterly insane for seeing this, but. Do you see it. DO YOU??) (Like. Outside of any theory stuff, her being the only person to have white hair beside King and Siffrin, long white hair to boot, has thematic signifcance as well, yes?)

[Side note: Yes, it is utterly irrelevant here that insertdisc5 said her hair is dyed, because it is STILL a striking resemblance of character design that can be interpreted with symbolic meaning, thank you~)

The trangles.

Though she may overshadow the King as the Endpoint past ACT 2 in ISAT, she does not in START AGAIN.

In START AGAIN, the ending beyond does not exist, for all intents and purposes. The endpoint was pulled forward. Whereas ISAT Siffrin's true dread sets in after beating the King, in SASASAP, it does so in the break room right before facing him.

Or, well, the resignation.

In In Stars and Time:

Siffrin (fake1): "Hi." Siffrin (fake1): "You can start breaking down now." Euphrasie (sorry1): Breaking down...? What do you...

In Start Again:

(You wonder how everyone will die this time.) (Will the King beat them with Craft until they are no more?) (Will he freeze them in time, unable to move or breathe for all eternity?) (How will YOU meet your end?) (In blood and stars maybe... In tears and time perhaps...)

The natural acceptance that, (you can look at the title of this again) this is the end. That there is no getting past this. They are both the last obstacle that can never be overcome, between the games.

Hell, just COMPARE SAP's true ending to like, the end of ACT 4.

Siffrin awakens in the meadow. Everything was in vain. Everything was useless.

Siffrin finally, after a thousand loops or even more, beat the King. This is supposed to be the end, but it's not. So, this proves once and for all that there is no escape. They're trapped here forever.

They built it up for so long in their head that all they have to do is beat the King, and then the suffering's over.

And in ACT 4... Siffrin builds it up for so long in their head... All they have to do is ask the Head Housemaiden about Wish Craft. That's it. That's the answer! After that, it's the end! It'll be over! He just needs to do this one thing...

Loop (away1): ...Is that so? But, didn't you already-- Siffrin (unhinged1): "It is so!" Siffrin (unhinged1): "I might be able to break the loop, somehow!" Loop (away1): ... Siffrin (unhinged1): "You know, it might just be that I need to make everyone's wish come true! And everything will be back to normal!" Siffrin (unhinged1): "If I talk to her, she'll know, she'll be able to tell me what to do..." Siffrin (unhinged4): "If I can just talk to her...!"

And is wrong, of course. They wake up in the meadow and despair. So, this proves once and for all that there is no escape. They're trapped here forever.

Siffrin: "Or, or does it mean-- It means--" Siffrin: "It means I'm stuck here for good, aren't I?" Siffrin: "Forever?" Loop: ... Loop: . . . (. . .) Siffrin: (No.) "You think I'm stuck here forever."

It's the exact same mindset with different characters representing the end point. The parallel becomes even more evident in that Siffrin's very last manic shot at victory is the exact thing that proved Loop's failure - supposing that the King is the true end point.

Yet it's also different, in what these two characters represent.

The King is very much a representation of the past. His fate in ACT 5 ultimately proves what it means to refuse to let go - being frozen in time is both a metaphor and very literal. He's stuck in the past, by choice. He could've lived and chosen to embrace Vaugarde and move on, but he didn't.

Y'know, he's a bad end Siffrin, metaphorically (albeit not literally. Narrative mirrors and all.) He's what Siffrin would end up like if they never learned their lesson. If they keep refusing to let go of the past... and embrace the future.

Euphrasie's Agency and lack thereof

To Siffrin, there is no future. They can't conceive of what happens after this journey. So, the character marking the endpoint of the journey, and the start of a new chapter in Siffrin's life, cannot see a future either.

It's... fascinating, to me. How Euphrasie is a vessel of Siffrin's insecurities by force. Siffrin's Wish has taken hold of her. It's using her as a stop, on purpose.

Odile (worried2): Because... Talking to you... Means our journey to save Vaugarde is really over, isn't it? Odile (gimme1): And for you, Siffrin, it also meant all of us going our separate ways, doesn't it? Isabeau (angry1): The very thing the loops were trying to stop...

(Points at my first point about Euphrasie being the Damsel, and thus the natural endpoint of any given RPG. Hey. Hey do you see how obvious this is yet.)

Euphrasie seems to have some sort of ability to feel Wish Craft, or the Universe, or Change, or whatever. She knows what her role in this play is, most of the time. "I can feel it! We both know this! It's all over when you talk to me!"

(IT'S ALL OVER WHEN YOU TALK TO HER.)

What she says mirrors what Siffrin thinks about her. This becomes most obvious only in retrospect, looking once again at the ACT 4 finale.

Euphrasie always says the same thing, because she is the end and the end can neither change nor ever arrive, but she can only say something new in one circumstance.

Siffrin (angry4): (You just wish she would ANSWER YOU!!!!!!) "Now that you know, now that I know, you can fix it!!!" Euphrasie (ending3): . . . Euphrasie (ending3): Fix it?

When Siffrin wishes for her to. Her capability to act in new ways is directly controlled by Siffrin's desire. Since the entire loops are caused by their subconscious desire to stay with everyone, she fulfills the role of keeping everyone together.

Thinking back on what she says...

"I know you thought your quest was over, but it can't be."

Your quest. Yes, quest is also used in a general story context, especially in fantasy, but Quest has long since become a well-established term in video games of all stripes. Sidequests, Main quest, hey, isn't it weird how ISAT refers to all its storylines as quests?

Friendquests being the obvious example. Fetch Quest, Companion Quest, Tutorial Quest, Really? He doesn't need your help with a quest?

But outside of that... I know I just know these terms because of my script wizard activities, but every storyline is a quest. Kingquest. Loopquest. Friendquest.

There's any number of words that could be chosen ("journey" probably being most prominent) and yet she says quest. By using a term inoxerably tied to video games by this point, she's saying "I know you thought the game was over, but it can't be."

And see how the game uses glitched imagery and static to represent everything breaking down, both at the end of every loop, and in ACT 5. This imagery is just confusing and means nothing to the characters, but is very obvious if you are Playing A Game.

The fuzzy static of an old TV, the bars of screen corruption, random symbols in text, the distorted music like a malfunctioning cassette tape…

If I may be so bold as to harken back to one of my own previous essays... The timeloop is the game.

It all ends when you talk to her. Everything ends when you talk to her. The goddamn game ends when you talk to her for the last time.

I got a bit of track here from the point, which is- her agency.

As we've established, she functions as Siffrin's own stop, on purpose. She can only act independently when Siffrin wishes her to.

And her not doing so is the beginning marker of everything breaking down in ACT 5, as well.

When Mirabelle interrupts her usual greeting speech, Euphrasie reacts differently immediately. She takes a look at Siffrin, diagnoses them with Craft overusage, and says they just need rest.

"But he'll be fine, now that the battle is over."

But, as usual, she can... sense what's happening.

"Every time I've tried to reach out and feel what's happening, I sense... Chaos..." "It feels like something is... Rotting..."

Mirabelle: "...?" Isabeau: "Rotting...?" Euphrasie: "I know you thought your quest was over, but it can't be! Something's broken, something's failing, rotting!"

She even skips back and forwards between all her different lines, everything Siffrin expects of her and has memorized by now, when we've seen that she was acting differently just a moment before.

It's Siffrin's wish kicking in again that marks the final straw once more, their clashing desire to stay in the loop against his desparate will to escape, resulting in Euphrasie being torn between who she actually is (acting new! moving forward!) against what Siffrin needs her to be.

(you're still stuck here) (but isn't it fine?) (eternity is within your grasp)

Mentioning eternity even harkens back both to the King ("I just want eternity.") AND the ACT 4 ending ("To know you'll be trapped for all eternity, Siffrin... I am so sorry!!!").

Again, like, Euphrasie's agency being torn from her, falling back into that old pattern, is what marks Siffrin realizing he's been wishing for eternity this entire time. It's written on the wall all over ACT 4.

Like, literally, textually, if you choose to pray to the intact Change God statue in ACT 4, Siffrin's prayer is "(You wish for eternity.)"

Because in the course of all these loops, Siffrin has been denying everyone's agency. Euphrasie is just the most prominent example. In ACT 5, by wishing for eternity, what Siffrin has (accidentally) forced onto Euphrasie all this time, he is trying to force onto everyone.

Whether or not Euphrasie is allowed to be a person is a direct marker of Siffrin's ability to escape the loop. It's only over when she's allowed to be free.

Euphrasie is the first person in the ending to mention going home.

"Finally, you'll all be able to go home!!!"

But in ACT 6, she doesn't. She doesn't mention going home at all. Instead, she tells everyone a new story. One Siffrin's never heard before.

Allowing Euphrasie to be free turns her back into the symbol of change that she's supposed to be. I'm repeating myself, but it truly is her change that is the definite, 100% sure marker that Siffrin is free, too. That the future is here.

Why are circles a symbol of change, anyway?

In me saying, Euphrasie symbolized stagnation, until Siffrin allows her to stand for the future again, it is irony. It is immense irony that the Head Housemaiden of Change Itself turns into a symbol of endings and stagnation through Siffrin's denial.

And, on the topic of irony, I ask you:

When the hell are circles a symbol of change???

You know. Circles. The things that famously represent cycles (wow, wonder if those words are related), repetition, infinity and eternity.

Isn't that weird. Isn't that ironic. The entire symbology of the House of Change is supposed to represent, well, Change, but just amounts to representing cycles (yknow, THE LOOPS. LITERAL TIME CYCLES.) through the recontextualization of Siffrin's experience with them.

Even the Change God doesn't oppose the time loops, instead being excited for how Siffrin changes as everything else stays the same.

The circle symbol is a witty act of irony from a design standpoint, and one I must only applaud, because why the hell didn't I see that sooner.

No, like, for real. If anybody knows some real life religion or culture where circles represent change and new beginnings instead of revolutions or the turn of seasons or the cycle of life and all that stuff. Please do tell me about it? I'm not omnipotent.

But generally, the irony of Euphrasie carries forward into the irony of the Change religion as in-universe these are symbols of change, but out of universe, to us, the players, they're symbols of repetition. Just like how to everybody else Euphie is a change, but to Siffrin she is stagnation. (Re: my other essay where I compare Siffrin to a video game player and the timeloops to a video game and I go on a whole metanarrative tangent.)

This plays into the metanarrative! Making meaning to the characters and to us incongruent! And it's cool as fuck, what can I say.

To cap off, let's compare what she says in every normal loop, and ACT 6, won't we?

Euphrasie (smiling4): Finally, you'll all be able to go home!!! Euphrasie (smiling3): If there's anything the House of Dormont can do to thank you... Please do not hesitate. Euphrasie (thankyou1): But for now... Bask in the feeling of a job well done!!!

And, in ACT 6….

Euphrasie (smiling2): I'm sure you must have a lot to talk about with everyone. Euphrasie (smiling1): But be sure to talk to me when you're all done! Euphrasie (smiling4): So I can happily bless you and your companions' new journey!!!

A Plain Ol' Euphrasie Character Analysis

Heyo, that finishes my essay on Euphrasie's symbolic meaning about narrative and shit! But...

It feels kind of mean, to write so much about what her agency and lack thereof represent, without actually talking about who she is. I didn't mention that a lot, see, because it's not important. Because that part's not important to Siffrin, because during the timeloops, Siffrin doesn't see her as a person.

So. Let's talk about her! Who is she? What is she like? What does she do?

Personality

The Good and the Funny

She's really funny. I mean it. Generally, she loves to joke around, and she has this ojou-sama style "Ohoho~" laugh that I find utterly delightful.

Siffrin (tired2): "But you might know something about--" Euphrasie (smiling4): Ohohoho! Euphrasie (smiling4): Sorry, I know nothing until you talk to your friends! Euphrasie (smiling3): And quite honestly, it is a little funny to see you get steamed about this, ohoho!

So many things in this bit. This is from when you try to talk to her before all the others in a regular loop. The reason she doesn't talk back first is of course because of the whole Agency thing (see above), but also, it's funny for her to take the piss.

Yet her wanting Siffrin to talk to everyone else first also shows that she's a very considerate person! This is The Saviours' Big Moment, and she is dying to talk to Mirabelle's new friends, but she doesn't want to take away from that. She's gonna give them her moment, and only butt in once all the hugs and tears and cheers have been had.

You can see this in ACT 5, too. She doesn't pass out or anything when Siffrin smacks her away, she just recognizes that her presence is upsetting to Siffrin, she doesn't know them or their problems, so she's gonna step back and let them figure it out themselves.

Euphrasie (smiling4): Ohohoho! Don't worry about me, everyone! Mirabelle (awawa1): H-Head Housemaiden! You're okay!!! Euphrasie (smiling3): I am! I was staying away for a little bit. Euphrasie (thankyou1): You all seemed like you needed to talk, so I was patiently waiting for you all to finish your conversation! Bonnie (serious1): That's very considerate of you. Isabeau (hahaha1): It IS very considerate of you!

She even during the hand holding scene is SO considerate that she doesn't speak up and include herself until Odile asks her to join in. Which might be a bit much, actually.

Odile (lol2): Fine. Let's hold hands, then. (Odile takes Bonnie's hand.) Odile (yeah1): Head Housemaiden? Euphrasie (thankyou1): Oh! Yes, of course!

That lil "Oh!" showing she's surprised to be adressed and included in this conversation.

Anyways, the previous exchange also gives us two OTHER delightful facts about her.

Euphrasie (smiling3): I haven't had this much fun since reading the last issue of "The Cursing of Château Castle"!!!

Meaning:

She's a bit of an adrenaline junkie, and considers getting slapped across the room "fun"

The coveted last issue of Cursing of Chateau Castle in the pottery room is hers.

Delightful woman. I love her.

She's also pretty frank! She talks a lot in snappy phrases and witticisms. She's kind and patient, for one, but really not afraid to mince words.

Euphrasie (smiling4): I thought we all knew that the Change God is a pretty lazy deity! Bonnie (wait1): Wow... Odile (urgh1): Isn't that a sacrilegious thing to say...?

Really makes me like her all the more that secondhand, she comes across as graceful, larger than life, almost, and then she simply doesn't care all that much about propriety and what someone of her station is actually supposed to be like. It really fits in with the Change Belief and the ethos of being true to yourself that she doesn't bend herself like that.

I'll also continue to be delighted that she described the King defeating her as knowing that "[she] was toast", just, she's just so casual.

Guilt and Responsibility

In more serious matters. The guilttttttt.

Yeah, she's casual, but she still obviously puts a lot of focus on her responsibility to the people of the House, of Dormont. We know that she was preparing for the King to arrive. She was studying Wish Craft, she was contemplating counter measures. She was making charts of who wished what to figure out whether this could stop him.

(...The Head Housemaiden...) (She's the one who wrote this. She knows about Wish Craft.) (She knew something was wrong, this whole time.) (She might know... How to...)

There's a degree of paranoia evident that we don't see in any of her time onscreen, but you can wonder what it says about a woman to have a deadly rock trap in front of her office.

AND she doesn't have her key out in the open, she has it taped to the underside of her desk drawer. Not an infallible hiding spot, but still hidden, and not just stored.

The other people in the House were all also revealed to be the ones locking doors in the party's path, hoping that it would stop the King.

Bonnie (sad1): . . .You know, I was wondering... Bonnie (sulk2): Like, the King clearly closed this door, and put the Tears in our way... Bonnie (sad1): But the... But the locked doors, weren't they... Mirabelle (sad2): ... Odile (dotdotdot2): Yes... We were wrong. Odile (dotdotdot1): They were most likely locked by residents of the House.

Speaking of people hoping to stop the King, she has a mountain of notes on him in her office as well.

(Some notes about the King.) (The Head Housemaiden must've been looking for more information about him...)

She hid her key, trapped her door, and before that, gathered information on the King and how to counter him. So, let me ask, do you think she improvised her blessing?

Mirabelle (excited1): She's also a great Crafter! She always creates wonderful items that makes everyone's lives easer! Mirabelle (awkward2): She taught me so much... Most of the Craft skills I know, I learned from her.

She's a skilled Crafter to boot, eh?

Looking at this, I don't really think so. Beneath that jolly front, she is a logical and pragmatic woman. Looking at her ability to specifically counter the King's Curse in context of how much we know she prepared for his arrival, I believe she prepped this blessing beforehand. Whether she actually finished it, I don't know, but she had to pick Mirabelle as a subject for it quickly and under duress.

Mirabelle wasn't the ideal choice. She was the logical choice.

Euphrasie (smiling3): Well, I only had the strength to bless one person, and I was already toast, and you were almost out of the House when the King attacked... Euphrasie (smiling3): So, really, you were the only logical choice!

There are some more emotional reasons for the pick, which I'll go into later when talking about Mira, but, still. She mentions this first, before going into Mirabelle's virtues as a person.

Plus, Claude (who will also get a section later), is the person closest to the King and Euphie. She's got the Secret Ingredient for the bomb on her, and had obviously been working on making a Craft Bomb beforehand, as discovered by the gizmo gadget in her room.

Combined, we can surmise that Euphie and Claude were both making different preparations to counter the King, with Euphie focusing on Craft both by studying Wish Craft and working on a Craft to nullify the King's Curse, whereas Claude just worked on a bomb to blow him the fuck up.

Euphrasie was, simply put, working to protect the people she cared for. It's her responsibility.

And she failed.

LET'S TALK ABOUT HER GUILT!!! WOOOO!!!!

When you talk to the people in Dormont during Loopquest, some of them mention the Head Housemaiden also asking them about their wishes, but none of them know why. This implies that Euphrasie was covert in her research, likely not sharing her information either because she was unsure of its verity, or to not cause undue panic. The only other person we see with less than impromptu countermeasures is, after all, literally just Euphrasie's girlfriend, who would be the number one person Euphie would confide in about this stuff.

Even then, though, there is no concrete evidence that she did confide in Claude, outside of Claude preparing the bomb, which is circumstantial at best. Really, did she not have any issues with Siffrin's treatment of her in ACT 5, or did she just swallow it down out of pragmatism?

Can we be sure that it's sincere, when she brushes off Siffrin's worry for her?

Siffrin (US_guilty2): "You said the things you always say when I come and talk to you." Siffrin (US_guilty2): "About how the world is rotting." Siffrin (US_sad1): "And you can't do anything to help." Euphrasie (sorry3): Hm... Euphrasie (smiling4): Interesting! I don't feel like saying it now, though! Euphrasie (smiling1): Or at all! The wind feels nice and fresh. Euphrasie (smiling4): It just feels like a beautiful day, doesn't it?

After all, in the loops themselves... She's the first to notice it, every time. She knows, deep within her bones, that something's wrong, and that it's her fault.

It's especially potent symbolically, that the phrase she never gets to finish is "I hope you can learn to forgive us."

Which is a phrase that received a slight change from its comic counterpart:

"I hope you can learn to forgive me."

Regardless of the me versus us, she, with the most intimate knowledge of Wish Craft right next to the King, directed the people of Vaugarde's wish, and knows that Siffrin ended up as the Wish's subject. She can't know that this is a side effect of Siffrin's wish being entangled with her own, but she does know her own wish is involved.

She starts crying. She's disraught. She breaks down.

Euphrasie (ending2): I can't fix it on my own, not before it all ends... If only I had noticed sooner!!! Euphrasie (ending1): I should've seen it, prevented it!!!

She says that she should have seen this and prevented it. It was her responsibility to do this, and she failed.

Euphrasie (ending2): It's my fault that you have to suffer like this.

Again, she was the only one who knew, the only one who could have ever possibly had any shot of defeating the King before things got too bad. But she fucked up, he stormed in before she could prepare properly, and she squarely lost whatever confrontation might've occured between her and the King.

Euphrasie: Something goes wrong, every time!!! Euphrasie: If you're here now, asking about Wish Craft, then something must be wrong, isn't it? This isn't the first time you've gotten this far, isn't it?!? Euphrasie: It shouldn't be like this... Why does time loop back, even though the King has been defeated?!? Euphrasie: The only answer I can find... Is it's because we did it wrong.

She's responsible, pragmatic to the point of paranoia, and it wasn't enough. Of course she feels guilt. A lot of it. After all, she believes that she personally has doomed someone to eternal stagnation. That she has caused all of Vaugarde to be trapped, and for one person to suffer for it. That she caused all of Siffrin's suffering.

It's so odd to me that she manages to immediately grasp that Siffrin is in a timeloop. It could be Siffrin's wish using her as a mouthpiece, it could be that weird innate connection to the Universe she seems to have, it could be her own immediate deduction on the logic of Wish Craft, or it could be a combination of all three.

But point is, she recognizes Siffrin's looping without having to ever be told about it. And I do not think that goes away, even in ACT 5 & 6. It's just not the time and place for her to speak on her own struggles right now, not when Siffrin is finally getting the help that she cannot provide. Not when she can recognize that she is the conductor of everything that just occured, which, again, nearly broke the entire work.

Euphrasie: If only... If only we had fought back against the King, instead! If only we didn't wish for such a thing! Euphrasie: If only I knew this would happen, if I had noticed it sooner, I would never have let people wish at all!!! Euphrasie: To know you'll be trapped for all eternity, Siffrin... I am so sorry!!! Euphrasie: It's our fault, all of Vaugarde, that you have to suffer like this!!!

She gathered her intel and made her bet. She just made the wrong one.

(Yet what she never seems to recognize is that this had to happen. That without the timeloops, yeah, the King wouldn't have been defeated! The country would have been frozen!)

(But that doesn't mean anything, does it. When she had to take away Change Itself from some innocent bystander.)

Relationships

Anyways in more cheerful news let's look at the two most important people to Euphrasie we know of.

Mirabelle

Mirabelle!! The Meeble!! Euphrasie is super important to Mirabelle, and Mirabelle, in turn, is super important to Euphrasie.

From the third snack break:

Mirabelle (sad2): The Head Housemaiden... She's such a wonderful person. Mirabelle (sad2): She helped me out so much! I couldn't do anything before I came to the House, I could barely sew my own clothes, and she helped me, she taught me... Mirabelle (sad2): I wouldn't be the person I am without her! Mirabelle (sad2): And when the King attacked...  She protected me. Mirabelle (sad2): Everyone... Everyone was being frozen in time around me... Mirabelle (sad4): And the Head Housemaiden made sure I could escape! Made sure I lived!!! Mirabelle (sad4): She gave me her blessing...!!!

Similarly to some of the other older Housemaidens, Euphrasie had a big part in raising Mirabelle (which does imply some things about Mirabelle's past, but that's not the point right now). We don't know the exact sequence of events for Mirabelle escaping (outside of Mirabelle happening to be closest to the door), but Mirabelle adds some action to Euphrasie during whatever happened, saying Euphrasie "protected her".

From Euphie's office:

Mirabelle (sad2): But the King was too strong, and attacked out of nowhere, and now... I don't know what happened to her. Mirabelle (sad2): When I fled the House... The King might've already... ...

They weren't in the same room, Mirabelle doesn't even know what exactly happened to her, but still says Euphie protected her, and obviously shows great esteem for her all around.

Mirabelle just loves Euphie so much, man!

Euphrasie (sorry3): And, Housemaiden Mirabelle... Euphrasie (smiling1): You have always been the most hardworking Housemaiden in the House. Always striving to learn new things. To better yourself. Euphrasie (smiling2): Always meeting challenges head on, even if you didn't think you'd succeed. Euphrasie (smiling3): You were the only logical choice, yes, but you were also the only RIGHT choice! Mirabelle (sad2): Head Housemaiden... Mirabelle (gentle1): No, Euphrasie... Thank you!!!

Mirabelle credits Euphrasie for the person she is today, but Euphrasie turns that back and gives credit to Mirabelle's own strengths. It's just, very cute. She might have taught Mirabelle her literal skills, but the determination and bravery were all Mirabelle's own.

This scene also demonstrates that the bond goes both ways. Euphie loves Mira right on back, and considers Mira to be "stinking cute!" which even the Change God Themself agrees with. She's so proud of Mira!

I also wanna point to the switch from Mira using Euphie's title, to then using Euphie's name after Euphie reaffirms how proud she is of Mira. Throughout the entire adventure, Mirabelle's unwitting deception (that she had been blessed by the Change God instead of by Euphie) had weighed down on her, and Mirabelle kept questioning why she was the one who had to go on this journey, when Euphrasie would have been so much better at it. Like she stole Euphie's spot.

I think that bled into the relationship, here, that she kept imagining Euphrasie being disappointed in her, so she uses the title to make some distance to that mental image. It shows off how distant and unreachable Euphrasie is.

(It's also just a good show of politeness from Mirabelle. Like, if I'm talking to my mother, I'll call her Mama, but if I am talking about her to someone else, I'll say "my mother", as demonstrated by the first part of this sentence.)

Lastly, really minor thing: apparently, Euphrasie is looking into dual Craft types! That's one of the random papers on her desk.

(It's an essay about the 3.5% of people who are dual Craft types users, like Mirabelle.)

That makes me think she started reading on it because of Mirabelle, which is cute.

Generally, the basis of their relationship is very much mentor-student, yet it goes much deeper than that with Euphrasie's big role in raising Mirabelle. TLDR: they love each other, your honor. Fambly.

Claude

Second on the agenda, Mirabelle's roommate, Claude!

Lookin at Claude. It's obvious they're romantically involved. The first hint is the letter on Euphie's desk, of course, but that could imply this is a recent situation, too.

(It's a lovely, cheesy, mushy love letter from someone named Claude.)

Except, well, no. The letter isn't sealed, otherwise Siffrin wouldn't be able to pick it up and skim it if they had to open it first. It was already open, meaning Euphrasie already read it.

And, in Act 6:

Claude: Okay! We'll come and say hi later, then. I'll need to go and plant a big kiss on Euphie, anyway.

Claude mentions how she has to give Euphie a big kiss, which you wouldn't exactly do with someone you only just confessed to. Meaning the relationship has been ongoing for a while now, and also implying that Claude still writes love letters to Euphie, or that Euphie kept Claude's initial confession on her desk, both options make them big saps, which is really cute.

Also also, Claude's the only one to call Euphie Euphie, an endearing nickname.

I also touched on before how Claude was the only one to also prepare for the King's attack by making the bomb, and...

Mirabelle (sad1): I... used to think she should've become a Defender, because she was always helping people, and trying out weird experiments to solve their problems... Mirabelle (sad2): And she would always, ALWAYS help the Head Housemaiden with hers. Mirabelle (sad2): Always trying new ways to organize her desk... To help her finish tasks... To make sure she'd get some free time... Mirabelle (sad2): She'd do it with a smug smile, saying it wasn't that big of a deal, that she'd do it for anyone, but... Mirabelle (sad2): If she knew that the Head Housemaiden was in danger... She would've ran anywhere, everywhere, so she could help her. Mirabelle (sad2): Not only because the Head Housemaiden would've solved anything, would've beaten the King if she could, but because... Mirabelle (sad3): Because... Mirabelle (sad3): . . . Mirabelle (sad3): If Claude is this far into the House, she must've... tried to stop the King herself, so he wouldn't get to the Head Housemaiden.

Mirabelle trails off on that last "because" concerning Claude's motivation to go rushing to Euphrasie, and I think, considering the love letters, we can guess what that was. It's quite evident from Mirabelle's words that the two are super close. "[t]hat she'd do it for anyone, but... If she knew the Head Housemaiden was in danger... She would've ran anywhere, everywhere, so she could help her."

Mirabelle's framing of it reveals that Claude wouldn't do those things for just anyone. That Euphrasie is special to her.

In both ISAT and SASASAP, Claude is the last frozen NPC you find, the closest to the King. Her bomb wasn't finished, but it's telling that Claude carries the Secret Ingredient on her person. Whatever it is, she probably nabbed it from her room and set out to help Euphrasie in her fight against the King any way she could.

I guess the summary here is more simple, but the devotion on display is amazing. Like, again, the bomb wasn't done, Claude had NO weapons to speak of, but came rushing in anyway, because Euphrasie was in danger. She loves her girlfriend so much!! They're mushy and silly and affectionate, and, if Claude is the one organizing Euphie's desk, did Claude keep her love letter on display just to show off? Again, it's. It's cute! It's a lot of environmental storytelling for an NPC!!

Wah. Clauphie are so cute. We don't see Euphrasie talk about Claude at all (because Euphrasie does have more uhhh pressing things to worry about), but just, from the letter on the desk, it's gotta be reciprocated.

There's just so much to speculate about how things went down when the King "attacked out of nowhere", because Euphrasie is at the top of the House. Even when the King is defeated and the House returns to normal, it's still the roof. So, did she draw him up there on purpose to give everyone else time to escape?

I personally think Euphrasie was probably frozen first, with Claude rushing in second. So she did hold him off as long as she could, and that sacrifice allowed Mirabelle to escape in the first place. Nothing would've been possible without her. Euphie feels so much guilt for what she's done, but Mirabelle and Siffrin would not have suceeded without her, okay. She's instrumental.

Which is less about Claude and more about Euphrasie's importance, but hey, this is my essay, and I can be as uncoordinated as I want.

The Job

Last thing I wanna touch on!! Just a fun lil thing.

What the hell is a Head Housemaiden anyway?

Mirabelle and Isabeau react scandalized at the notion of people sharing shrines, so it seems unlikely that the House functions anything like a church at all. Every Housemaiden has a personalized figure of the Change God that they pray to in private, as we see from Mirabelle talking about them, in addition to basically every room in the House having one, down to people making more in pottery class. So, it's suuuper unlikely that the Head Housemaiden has much of a religious function. Spreading the good word, maybe, but actually leading prayer? No way.

Odile (wonder1): We make shrines for our gods, and everyone shares the shrines. Isabeau (huhwah1): SHARING GODS............

She seems to have a much more logistical function, being more like. The manager of the House. This is a files thing, but the map for her room is actually called "admin". She also has a lot of quote unquote boring administrative papers on her desk that Siffrin doesn't care about. Makes one wonder how the position is selected, whether one is elected into the office, or it's just whoever wants to do the paperwork to keep the House running.

(It looks like boring administrative papers.) (It's a petition to serve more bread at lunch.)

Mirabelle (happy1): She manages the House and makes sure everyone is happy and fulfilled! She organizes a lot of events too!

Among things such as "what to serve at lunch" and "organizing events", she's more like the headmaster of a community college, especially considering how heavy the House just resembles a community center. Less of a religious institution, more just a place to host fun classes and a living space for all who need it.

It's hard to tell whether Euphie demands a lot of respect due to her person and office, or it's just Mirabelle specifically that respects her most, since most of what we know of the House and its people is filtered through Mirabelle's perspective.

Speculation!

It's headcanon time, babey.

Yup, after straying close to actual facts for so long, I wanna get speculative. You're probably already gonna know islander theory. (And if you don't, go read that. This is like, the third time I linked it.)

But I wanna like, talk about how that influences how I read Euphrasie a lot!! I didn't go in-depth with that aspect in the og theory post but you can swear to any god you believe in that I've thought so so much how this enhances other aspects of who she is and stands for and also SHOUTOUT TO OCEAN!!! WHO ALSO THINKS ABOUT THIS SO MUCH!!! And again in fact thought about all of this before I did and is also someone who talk about excessively about this. AND ALSO GOT TO PREVIEW A GOOD CHUNK OF THIS ESSAY and motivated me to finish this eheh.

Anways! I wanna circle back to some points here first!

That whole past vs future thing

You might recall how I compared Euphie and the King a lot, esp between their respective roles in ISAT and SASASAP being pretty identical. And I said the King represents the past, as he is literally frozen in time, choosing to remember what he has lost instead of living in the present, and Euphrasie represents the future, which can only arrive when she is permitted to be her own person!

So yeah, uh, how's that feel when you suppose that they're from the same country, and thus, suffered the same loss.

Reading Euphrasie with this HC in mind opens up a very neat second parallel to Siffrin. King is someone who can't let go of the country, and Siffrin is torn between not wanting to let go and knowing they have to. So to put them up against someone who has let go is just pretty nifty.

Euphrasie is content with her life and the culture she lives in, even being a pillar of the community! Whereas King is a 'bad end' counterpart, Euphie, in her Showing The Future Function, is the 'good end' counterpart for that, showing that someone in Siffrin's situation can overcome their grief and find new fulfillment.

The End

So! That's everything I got on Euphrasie! She represents The End, but just as you gotta break an egg to make an omelette, she represents new beginnings, too. Her agency and freedom are change itself.

Mirabelle (hm3): It's to remind us that before changing, we must stop and think about what will be irreparably destroyed. Mirabelle (hm1): But destruction is just a part of change, and we must accept it... Isabeau (brag1): Yeah! It'd be awful to keep yourself from becoming a person you feel comfortable with just because it would upset someone else. Odile (huh1): Huh... That's a harsher belief than I thought.

In conclusion, I love her. This has been 7.4k words. Good night!

[notwiselybuttoowell]

Let’s start with Oregon – what does this mean for unhoused people in Grants Pass?

It means that Grants Pass can enforce its 24/7 citywide ban on public homelessness. The question was whether cities should be able to jail or fine someone who has no other alternative but to live in public space – the unhoused folks who are considered “involuntarily homeless”. The city was already allowed to arrest people who had declined offers of shelter. Now, Grants Pass will likely be fining people who have no shelter options.

When you fine someone who can’t pay, the fine can eventually turn into a misdemeanor. Studies have shown that it doesn’t help an already poor person to be driven into debt. Fining someone makes them less likely to emerge from homelessness, including by ruining their credit score and making them unable to afford basic needs like food.

Beyond fines, the city of Grants Pass is going to eventually jail more people. This is punishing people who have done nothing more than exist in public space. This case was about whether you can punish people for the unavoidable consequences of being human. The supreme court said yes.

How do you expect the decision will impact other jurisdictions across the west?

This is quite possibly the most consequential decision in history up until this point relating to homeless rights. It’s hard to overstate how important it is.

I think more cities will attempt 24/7 citywide bans on homelessness. I think it will encourage cities to shift away from investments in evidence-based approaches like adequately investing in affordable housing, permanent supportive housing and diversion and shift toward more law-and-order, enforcement-led efforts to essentially jail and banish already marginalized people from public view.

Grants Pass argued it wasn’t criminalizing the status of homelessness, but criminalizing the act of camping in public. The supreme court majority in its ruling on Friday concurred, and said that criminalizing an act does not constitute cruel and unusual punishment.

Presumably cities could in the future go even further than Grants Pass has, as long as they frame their laws as prohibiting public camping, instead of prohibiting homelessness, although I don’t think that issue has been fully resolved by today’s decision.

Donald Trump and others have used increasingly dark rhetoric, threatening to force people into “tent cities”. Will the ruling embolden those kinds of efforts?

I think we could see the forced displacement of unhoused folks into what I would call internment camps out in the middle of nowhere – a mass migration of unhoused people from one place where their existence is banned to other places where the laws don’t ban their existence. Many cities already have authorized camps in far-out locations that are completely invisible to the general public. I learned about one that was bordered by a dump, a recycling center and railroad tracks – the quintessentially least desirable place.

The idea of rounding up unhoused folks and forcing them into camps or out of the jurisdiction entirely is obviously very concerning. And it should be of grave concern, because once something is invisible, you don’t know what’s happening to the already really vulnerable people living there. Trump has publicly contemplated using his federal authority to move people into the middle of the desert where they won’t bother anyone by existing. It’s a very dystopian vision of internment camps and the likely abuses and neglect that would come from that. It’s terrifying.

Prior to this ruling, cities already had quite a lot of latitude to restrict camping, correct?

Yes, cities could already sweep encampments as much as they like. In many cities, they’ve been sweeping tents at record rates. They could also already enforce anti-camping laws if there was something that could be shown to be an urgent public health or safety issue with respect to a particular encampment – for example, if an encampment was blocking a whole sidewalk. Cities could sweep without even giving notice in those circumstances. Under the previous standard, cities weren’t even required to provide adequate shelter. It just said if the city lacks shelter, it can’t jail or fine someone, which to me should be so straightforward, and yet somehow here we are.

How do you expect legal advocates for unhoused people will respond to this ruling?

The dehumanizing message of today’s decision is going to galvanize civil rights attorneys. It has to. Anytime somebody’s basic right to exist is threatened, civil rights activists have to regroup. And cities should not approach this too cavalierly. There will be legal consequences for cities that pursue 24/7 citywide bans on homelessness. All this decision does is remove the protections for unhoused folks under the eighth amendment of the US constitution. States across the country have analogs to the eighth amendment in their state constitutions. States can and often do interpret their state constitutional provisions to be more protective than the federal constitution. The eighth amendment at its core is really about how much we value the humanity of vulnerable people. So it’s crippling from a human standpoint to have that protection removed. But there are other avenues that homeless rights advocates and human rights lawyers can still pursue. They can make arguments under other federal constitutional provisions. There are still due process arguments under the 14th amendment. You can still argue there is selective prosecution. There are arguments that could be made under the fourth amendment [which protects people from unreasonable searches and seizures]. There’s the Americans with Disabilities Act [ADA], and most chronically homeless people would likely qualify as someone with a disability who has protections from state-sanctioned abuse.

[autistichalsin]

Mind Flayers and prions: a scientific analysis

Earlier today, I did some brain-related research for a fic of mine, and had a horrifying realization: what the hell happens if a Mind Flayer, which exclusively eat brains, catches a prion infection? A normal Mind Flayer is terrifying enough, now imagine one with kuru!

Then it was suggested to me that Mind Flayers would likely be immune somehow. And yeah, that seems like the second-most Occam's Razor-compliant theory (the first being that prions don't exist in Faerun, but come on, I'm a fucking biology nerd with a Masters in epidemiology and a love of parasitology, the odds of me making it that easy were fucking zero). But the question is: how would that work biologically?

So then I started with a deep-dive into prions in our world, and got my answer from a study on transgenic mice.

Before I get into that, though, I want to lay out the assumptions I'm making here:

Prions exist in Faerun, are capable of infecting humanoids, are found at the same locus (the Prnp gene that codes for PRion Protein [PRP] is located on the short arm of chromosome 20), and are transmitted the same way (in this case, the most relevant is consumption of infected brain tissue).

Considering that in Forgotten Realms canon, Mind Flayer tadpoles can't be inserted into dwarves, gnomes, etc (BG3 diverged from canon in this, and I can't blame them, it would be a sad and lonely game without little folks around), Mind Flayer DNA most closely resembles humans, but is obviously different from human DNA in more areas than elves or orcs (who we will assume are much more closely related to humans given that they can reproduce together) are to humans. That is to say, elves and orcs are closer to humans on the phylogenetic tree than mind flayers are, but mind flayers are still close to all of these, most especially humans.

The genetics of all organisms in Faerun are fundamentally the same as ours. The proteins and respective codons are the same, their form and function and significance are the same, they use the same five mammalian nucleotide bases... you get the picture. Minor genotypic differences are definitely there, but we're going to assume the foundations that inform our understanding of genetics as a whole are the same.

So, then. First, a very brief introduction to prions, because many people have never heard of them aside from possibly knowing about "mad cow disease" (feel free to skip this if you do already know):

The word prion is derived from the words protein and infection. It's exactly what it sounds like. It's a protein that is also an infectious agent, not a virus of bacteria. It exists as a wrongly-folded protein, and is very resistant to protease (enzymes that normally would break down a problematic protein). Over time, due to their resistance to proteolysis (the process that breaks down proteins)*, they eventually can force other proteins to misfold.

*Seriously, it can't be understated how terrifyingly resistant these things are. They can be inactivated with bleach, yes, but they resist autoclaves. You have to subject them to heats of 900 degrees Fahrenheit to denature them. For reference, the inside of a volcano is usually about 2,200 degrees.

The shape of proteins is extremely important in how they function, and proteins really want to be as parsimonious as possible; they want to use the lowest amount of energy possible to find a stable shape. The misfolded proteins require a lower energy expenditure than the normal form to maintain their shape, which is also more stable (hence its resistance to denaturing by heat), so normal proteins adopt it quite readily once exposed. From there, gradually (as little as months to as much as years) the proteins all convert to this unusual state. Unfortunately, while it's more stable for the individual proteins involved, it's a lot less stable for the brain itself, and the cells there begin to clump in amyloids, which cause brain damage and ultimately death. Prions are 100% fatal and care is limited to comfort measures. They also cause probably the worst symptoms of any disease I can think of. For example, the worst one of all, Fatal Familial Insomnia, literally causes sufferers to become unable to sleep. They start with extreme trouble sleeping, then over the course of a year find themselves gradually able to do it less, until one day they can't at all. Death follows in a few months, by which point it's downright merciful because they've been plagued with pain, paranoia, loss of memory, disorientation, headaches, weight loss, and more.

Prions are transmitted in a few ways: as noted, eating infected animal tissue is a big one, and was what led to the "mad cow disease" outbreak in the UK in the 1990s; cows were fed food containing the brain matter of other diseased cows, picked up the disease, and were then turned into food which infected quite a few people. Other ways are through contaminated medical equipment (as noted, you need to basically nuke medical equipment from orbit when it's used on someone with prions, and the long time from exposure to disease onset means a lot of patients are sick unknown to themselves or doctors), through genetics (IE Fatal Familial Insomnia), or sometimes even through spontaneous development if you're one of the unluckiest people on Earth.

So that's your primer on prions. Genetics, I'm going to assume some knowledge here, but I will give a brief explanation (brief because I don't want to seem like I'm just giving a thinly-veiled biology lecture).

The way genes code for proteins is by a series of codons, which are sequences of three nucleotide bases (A, C, G, and U/T depending on whether it's DNA or RNA) that are read and translated by the body. Most of the DNA in your body is non-coding and doesn't do anything, but the regions between a start and stop codon are what are used to make the proteins you need.

The gene that is implicated in prion diseases is known as Prnp, and produces the prion protein (which in its normal state is called PRPc and in its diseased state is known as PRPsc [sc standing for scrapie, which was the first prion disease to be discovered]). It is located on the short arm of chromosome 20. What it does normally is a bit of a mystery still, but the most widely believed hypotheses are cell adhesion or neuronal communication.

So, most mammals are really susceptible to them. Deer in the USA are currently suffering from a massive outbreak of one called Chronic Wasting Disease, humans have quite a few that affect us, and there are some notable ones in sheep, cows, etc. Even cats can get it. Rabbits are believed to be immune, but when scientists did an experiment with transgenic mice that forced them to express the lapine version of the Prnp gene, scientists could still force the protein to misfold by infecting the mice with prions, which suggests their immunity isn't absolute.

On the other hand, canines are also resistant, and scientists who tried to infect transgenic mice in the same manner after making them express the canine version of the gene had no luck (study can be found here). In wild type mice, the attack rate by the prions was 100%, but in the ones with the canine PRP, the attack rate was 0%.

We're getting a bit closer to our answer, then: clearly dogs have a gene that confers protection to their PRP, and since mind flayers most closely resemble a mammal (despite not reproducing the way humanoids do), the answer to mind flayer immunity would likely lie in the same gene.

As for the gene itself? Turns out, dogs have a codon at this locus that is found in very few other mammals. They contain codons that make, depending on the particular base pairs involved, either ASP (aspartic acid) or GLU (glutamic acid). This is not only rare (to the point of occurring in only a few other mammals), but provides a useful comparison: the PRP cats express is the most similar to a dog's. The feline Prnp gene doesn't include codons to make GLU or ASP. Cats are highly susceptible to prions.

So, while the why is still unknown and the correlation not proven yet as a causal pathway, it seems there is very likely a significant link between GLU/ASP production on that locus and the protection conferred to dogs against prions.

SO, finally, we can answer the question. Could mind flayers be safe while eating a diet of exclusively brains, even if they ate the brain of a creature infected with a prion? Yes, they could, assuming their Prnp gene has codons to produce ASP/GLU proteins as part of their PRP. And really, when you think about it, this would be yet another way illithids would claim to be superior organisms; while humanoids have to worry about an incurable neurodegenerative disease caused by something as trivial as an error in protein folding, illithids are conferred immunity by the ceremorphosis process. So it makes sense for the psychology of mind flayers that they're immune, too. And hell, they might even seek out humans infected with one, given they'd be weaker prey, the same way wolves just love to eat moose infected with a fatal brain parasite- and in turn, just like that protects the rest of the moose herd from being infected, illithids consuming sick humanoids would protect other mammals in the area too. It's certainly the kind of thing goodest squid Omeluum would do.

Thank you for coming to my TED Talk.

[indigovigilance]

The Final Fifteen is about Terry Pratchett's Death

read on Ao3

The final fifteen is obviously a major plot point, and serves a role in a story that was written long before Terry Pratchett was ever diagnosed with Alzheimer’s. But the scene itself wasn’t written until just a few years ago, during the writing of Season 2. In fact, the scene came about during a park bench conversation between Neil Gaiman and John Finnemore.

Others have noted that the non-romantic kiss that signals the story moving into the third act is a Neil Gaiman staple. The function of such a kiss, from Gaiman’s perspective, is to communicate.

In 2023 we are seeing a lot of stories written by men, for men, about men who are best friends and discover that their friendship can go deeper than the norms of society would usually allow; that platonic and romantic love are not so far apart, and perhaps the better word for a relationship that can be described this way is intimacy.

Neil Gaiman has made it clear in interviews that his friendship with Terry Pratchett was deeply intimate. They began collaborating on what would become Good Omens in the 1980’s, endured a tumultuous experience together through the first publication, wherein Neil offered to martyr himself on behalf of Terry if the book failed, and then spent the better part of two decades touring the world, meeting the people who loved their work. Neil would even off-handedly remark that Terry’s fans were so cheerful, and Neil’s seemed like they were ready to kill themselves; wouldn’t it be nice if they got married? From the outside, it looks very much as if Terry was Aziraphale-coded, and Neil was Crowley-coded, working together in an unexpected partnership to make the world a little bit more tolerable for the humans inhabiting it. I am not conjecturing that Neil and Terry had romantic inclinations the way their fictional characters do, but I think it is fair to say that their opposites-attract intimacy became an important part of who each of them were.

In 2007 Terry Pratchett was diagnosed with posterior cortical atrophy, a rare form of Alzheimer’s. As the disease progressed, he began to lose himself, and knew that the person he used to be was slipping away. He wanted to end his life on his own terms, and die as himself, but England did not and still does not allow for voluntary euthanasia or assisted suicide. He advocated for the right to die but never achieved it, and ultimately succumbed to the disease in 2015. Neil Gaiman has spoken a lot on the topic of death, and one answer of his that resonated with me reads:

Mostly it feels terrible. It even feels terrible when it’s someone who has been in a lot of pain for a long time or has not really been there for a long time and you know that Death has in some ways been a blessing: suddenly you are mourning the whole person. 

It doesn’t get easier as you age. It gets stranger. The point where you realise how many people you used to know and like who aren’t there any longer, and you cannot talk to them or see them or laugh with them is painful in a way that I had never expected. The first time that someone you had a romantic relationship with dies and you realise that there had been moments both of you shared and now you are the sole custodian of those moments and one day you will be gone and they will be lost forever is peculiarly strange and hard. 

~~~

The entire show is seeded with references to Terry Pratchett, but the most important one is the one that’s missing. Neil Gaiman cameoed as a sleeping moviegoer in S1E4, but a long time ago, he and Terry had discussed cameoing as sushi restaurant-goers, because sushi was weirdly prominent in the book. That cameo would have been in S1E1. But when it came time to do it, Neil couldn’t. Not without Terry. 

Neil: I was gonna say our location is a Chinese restaurant we’d had turned into a sushi restaurant. So Terry and I, Terry Pratchett and I, had a standing… not even a standing joke, just a standing plan, that we were going to have sushi - there was going to be a scene in Good Omens where sushi was eaten and we were gonna be extras, we were gonna sit in the background, eating sushi while it was done. And I was so looking forward to this and, so I wrote this scene with it being sushi, even though Terry was gone, with that in mind and I thought: Oh, I’ll sit and I’ll eat lots of sushi as an extra, this will be my scene as an extra, I’ll just be in the background. And then, on the day, or a couple of days before, I realized that I couldn’t do it.

Douglas: You never told me this before either. I might have pushed you into doing it, had I known. I think you were right not to tell me.

Neil: I was keeping it to me self ‘cause I was always like: Oh, maybe I’ll be… this will be my cameo. And then I couldn’t. I was just so sad, ‘cause Terry wasn’t there. And it was probably the day that I missed Terry the most of all of the filming - it was just this one scene ‘cause it was written for Terry and all of the sushi meals we’d ever had and all of the strange way that sushi ran through Good Omens.

~~~

In the Final Fifteen, it is clear that Crowley and Aziraphale want to stay together. They love each other. They each know that the other loves them. There’s nothing that needs to be said, no convincing that their bond is true and real and precious.

But Aziraphale has to go to Heaven, and Crowley cannot follow him there.

I cannot speculate what it must have been like for Neil to endure losing a friend who, though I’m sure he desperately wanted to still be in his life, he also knew that life had become a burden to him, and grieved that Terry was not able to choose the time and manner of his departure from this Earth. This sort of complex grief, we fan-ficcers know, is the kind that is often best processed through story-telling. 

I think that what we see Crowley going through in the Final Fifteen, alongside its importance to the story arc of Good Omens overall, is Neil processing his grief at losing his friend Terry Pratchett, and even the kiss, that violent, terrible, awful kiss, was the symbolic representation of Neil saying goodbye.

[anisrightarm]

Cregan Stark NSFW Alphabet

NSFW topics ahead don’t read if you’re not comfortable!!

A = Aftercare (what they’re like after sex)

Cleans you up with a rag and warm water while telling how perfect you are for him

Knows you get cold in the north so he always has extra fur blankets to wrap you in

B = Body part (their favorite body part of theirs and also their partner’s)

For him he likes his eyes, knows you go wild for eye contact and you always compliment his eyes

On you he likes your stomach and hips, most northern girls he’s bedded have been rather skinny he loves the feeling of your stomach under his hands

LOVES your hips boy is grabbing them while pounding into you or caressing them while making love

C = Cum (anything to do with cum, basically)

He will cum in you if you’re comfortable with it he goes feral for that shit

If not he loves cumming on your back or stomach something about you being dirty with his seed makes his brain short wire

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Would love to fuck you in the great hall alone obviously

Just the thought while he’s at some important meeting he just has to look at the table to remember what you two did whilst everyone is oblivious

E = Experience (how experienced are they? do they know what they’re doing?)

He has 10 kids.

F = Favorite position (this goes without saying)

Anything where he can see your face

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Cregan lets you set the mood but if it’s after a battle or hunt it’s all business

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

He’s well shaven he likes to keep it neat and manageable

I = Intimacy (how are they during the moment? the romantic aspect)

He’s romantic he wants everything to be perfect for you he will definitely start a nice fire for you

J = Jack off (masturbation headcanon)

He doesn’t necessarily like or need to jerk he has you

K = Kink (one or more of their kinks)

Breeding kink goes brr

Wants you to have his kids so bad he will whisper in your ear during sex telling you how good you would look pregnant

Praise giving and receiving he likes to know he’s making you feel good

L = Location (favorite places to do the do)

Your chambers obviously he loves going to bed knowing you have had sex on the bed

M = Motivation (what turns them on, gets them going)

Imagining you pregnant

Seeing you with Kids (more specifically Rickon)

He loves to see you all dressed up for important events

N = No (something they wouldn’t do, turn offs)

Will never do anything without your consent

Will never lay his hands on you

O = Oral (preference in giving or receiving, skill, etc.)

LIVES for eating you out it’s his favorite meal

Won’t deny head but won’t demand it he prefers giving

P = Pace (are they fast and rough? slow and sensual? etc.)

Once again it’s mostly up to you and your preference but I like to think he goes deep you know quality over quantity

Q = Quickie (their opinions on quickies, how often, etc.)

Only likes quickies if he has absolutely no time

He likes to take his time to make his lady feel good

R = Risk (are they game to experiment? do they take risks? etc.)

Will never do something with you not being comfortable so kind of if your down, so is he

S = Stamina (how many rounds can they go for? how long do they last?)

He can last atleast 3-4

T = Toys (do they own toys? do they use them? on a partner or themselves?)

I can’t imagine him using them on you, he prefers to please you himself

Doesn’t mind if you use them by yourself, he’s a lord after all he’s busy

U = Unfair (how much they like to tease)

He can tease and will but hates making you wait

V = Volume (how loud they are, what sounds they make, etc.)

He’s not very loud but he will grunt and moan in your ear

W = Wild card (a random headcanon for the character)

Cregan was so touch starved before you got betrothed so when you held him the first night you made love he cried but always denies it

X = X-ray (let’s see what’s going on under those clothes)

Oh yeah he’s big you know what they say about northern men😏😏

Y = Yearning (how high is their sex drive?)

This man is down literally 24/7

Z = Zzz (how quickly they fall asleep afterwards)

Cregan makes sure you are comfortable and okay before anything then it’s fair game you both knock out

A/n: My first NSFW alphabet!!! Give me feedback how did I do?? Who next??

[thedeafprophet]

Prophet's Tip For Historical Fashion Reference Finding

Say you're into a Brand New Historical Fandom, or researching something for a project, or even just endlessly curious about what is worn in the past. You set out to look for reference images, type in victorian fashion into a search bar on google and you get...

this.

A wide range of various different fashions, unpinpointed to specific eras, intermingled with AI garbage. Not exactly the most useful, now is it?

Fret not, for I have some advice for how I, Prophet, go about searching for historical references, that may or may not be useful to you. Keep in mind, this is simply some ways i go about it and not a definitive how to, and also that it will be primarily focusing on western fashion for this guide in specific....

Shall we? Tips under the cut if you're so inclined. I will warn you, it is fairly long.

1.Know What You're Looking For

By this I mean, try to know what you want to find from the beginning. There's so much out there in historical fashion, that trying to go into it all at once is like looking for a specific drop of water in the ocean.

Have a specific subject in mind, even if its just "evening dress worn to an 1860s ball" or "green dress from the 1890s" or 'fashion plates from this specific location and era", or even just "evening gowns". Knowing what you want to find before you start looking is imperitive

If you're brand new to historical fashion, you may not know what any of these terms mean. Here, id suggest looking for a basic overview of clothing. Often information can be found by searching "time period" + "location" + "fashion terms". This is where im really gonna suggest starting small - stick to a specific era and place, or its gonna get overwhelming very quickly.

To get you started, Here is a good tumblr post on different types of 1890s dresses, here is victorian fashion terms A ~ M, and this youtube video on "Victorian Fashion Is Not What You Think" + "1920s Fashion Is Not What You Think"

Its also important to keep in mind, as a general rule, the further back you go, the harder it will be to find information. Theres much more retained contents from say, the 1910s then there is for say, the 1700s, simply because of a) what information was put out and b) the difference in the amount of time passing. That isnt to say there isn't an equal amount of information of both, its simply a matter of what records survived and where.

2. Be Specific - Pick A Year, A Style, A Place, etc.

Its all well and good to say you want an evening gown, for example, but just searching 'victorian evening gown' can still lead to a mix of results and costumes

Lets refine our search. Lets look for an evening gown from 1901.

Thats a little more direct now isn't it? How about if we add green.

And there we go! Obviously, we still got that one clearly not what we're looking for at the and there, but as it stands, theres some very lovely looking dress references avaiable for our needs. Adding the term 'fashion plate' can specify us further to fashion plates at the time

These searches also bring us to further websites, which leads me to my next comment

3. Know Where To Look

Using google is all well and good, but quite evidently, still wont always give us the best look through. Especially these days with the rise of unfiltered AI content heavily messing up searches. There are ways to cirumcvent that, but its never been ideal.

There's a most obvious place of where to look: Museums. Obviously going directly to whats on show in places isnt accessible to many, but a lot of museums have online archives of their records availible for purusing. For example, the Victoria and Albert Museum has a very a searchable online catalog.

Here i can search for fashion plates, and then specify a time period. The advice i gave earlier still applies, but searching will be different depending on the site you're using.

I highly recommend looking through what various museums have avaiable online, especially since many will also have written up information on the items you are looking at.

In terms of other places to get you started, heres a link to the page with all of The Mets fashion plates by year.

And while I would normally never recommend Pinterest as a main source for images, here is actually a rare occasion that I would. For one, objects that are this old are generally all public domain anyways, and two, some images are from auctions and private collections, things that were uploaded once and never seen again. Some images on pinterest may only exist there now, with how easy it is for things to be lost. Many people have also taken the time already to comb through old magazines and uploaded images onto there too in collections/pinterest boards.

speaking of magazines...

4. Learn The Names of Historical Brands and Fashion Magazines

Capatalism was not invented yesterday, and those in the past were well on their way to starting things. Magazines and catalogs contained so many various advertisments, especially for that of clothing. Many of those magazines have been uploaded and can be found online to this day! Combing through and being able to find images directly from their sources is incredibly useful!

Examples of titles include The Delineator [American, some catalogs online can be found here and here] , La Mode Illustrée [ French, can be found here tho i do warn the site is in french lol] , La Moda Elegante [Spanish, can be found here and here]

This is just a few, there were many magazines around all with various years and styles. Many also have articles in them which can be a fascinating insight into what was being promoted at the time. [though of course, a warning for period related bigotries and questionable knowledge is always applicable when looking at old texts]

5. Take Your Time

There are a lot of different sources, a lot of different time periods, a lot of different locations and styles. It can be a lot.

Don't go into this expecting to know and have every single thing right away, and don't put pressure on yourself to get it all 100% accurate right away. Take your time, learn what you want to learn, and find what you want to find. Even I, with all my interest in it, am still constantly finding and learning new things.

A collection of references wont be built in one day. Take your time to find the images you like, to comb through sources and approach it in how you want to, and build it up step by step.

6. Don't Be Afraid To Look And Ask Around

I'm sure if you've been around, you'll notice a lot of blogs and pages dedicated to historical fashion. Many people are engaged and interested, and share and catalog their research online.

Look to historical costumers online, from youtube to tumblr and anywhere inbetween! Look at the historical costume blogs and comb through tags and what you want to find! So many people are interested in things, and theres community just in the images.

And if you have questions and want to learn more, don't be afraid to ask! From my experience, people love sharing their interests and sources and everything they've gathered. If you're looking for something specific, chances are, someone else might already know! I know i'm more than happy to share and help when asked ^^

Seriously. I have. a lot of images saved

If you read through this whole thing, I applaud you, and hope some of this information can be of some help! Feel free to ask any questions, and happy fashion hunting!!!

[conflictofthemind]

TL;DR: HNL was studying how to give human subjects electromagnetic, most specifically visible light based, powers in order to bend space-time for their needs.

I’m going to try and condense this as much as I can because considering electromagnetism as a major force in ST (pun intended) opens up so many potential areas of analysis that can only be a brief cover of without turning into multiple essays.

Let’s go over the electromagnetic spectrum:

I hope you might already be recognizing some symbols we see often in Stranger Things, especially if you’ve been following the BTS and some location and set leaks from Season 5.

The electromagnetic spectrum encompasses the different frequencies of electromagnetic radiation - waves of energy that travel at the speed of light (and produce visible light to us at certain frequencies). You’ve probably heard of most of these, including cancer-causing gamma rays and x-rays, the visible light spectrum (the rainbow), microwaves, and radio waves.

In S5, we have the radio station as a main location for the characters. They’re also driving around in the radio station’s van, which has an image of a hawk emitting a rainbow (visible light radiation). Steve’s car also has a massive antenna on top of it. My first thoughts were that the team was trying to keep in contact with Max in hopes of her being able to hear them in her coma, considering she has a radio near her bedside. While that still may be a reason, I think the characters may have come to realize how important electromagnetic fields could be in their fight against Vecna (this where leader of the AV Club also focused on electromagnetic objects Scott Clarke may make his triumphant return).

Now to pivot onto why electromagnetism is so important to the lore of ST:

What the scientists in Hawkins Lab are likely studying is a way for human brains to produce or manipulate certain types of electromagnetic waves through telepathy. Most obviously this is seen by them having the kids try to manipulate and turn on a circle of light bulbs. Our brains actually already produce electromagnetic waves, but at a very slow frequency. The scientists are constantly measuring brain waves while conducting these experiments. We even get full shots of El’s brain waves during NINA, for example. We also see similar shots in S2 while Will is in the HNL.

You can also observe that the Hawkins National Laboratory has absolutely massive satellite dishes on it’s rooftop; ones that do not exist on the real life building but are added in post because they pose some sort of significance. Nudge, it’s because they are transmitting and receiving massive amounts of electromagnetic waves.

Why are they studying electromagnetic waves then?

They are studying electromagnetic waves because they are a method in which time travel can theoretically be achieved - the focus of the Montauk Project in which Stranger Things is based on. The military likely is investigating time travel as another war tactic against Russia.

Let us take a look at the first chapter of the Montauk Project: Experiments in Time book (they are seriously plagiarizing the living hell out of this thing):

Also, did you catch the whole 'attaching a massive antenna on the hood of my car to pick up a secret signal' thing? That's suspiciously similar to the state of Steve's car! Anyway...

The story of Stranger Things starts chronologically, as does Montauk, with the disappearance of the USS Eldridge and Project Rainbow (named after the bending of the visible light spectrum). Brenner’s father was revealed to have captained the boat in TFS, which disappeared for 12 hours into Dimension X and when it came back, the crew was killed or driven mad (except for Brenner Sr). This inspires Brenner to continue onto the Nevada project, and eventually, Hawkins National Lab’s studies. The USS Eldridge / Philadelphia Project conspiracy from real life went as follows:

They were studying electromagnetism, specifically the bending of light, to make objects invisible. This was only the first step in the experiments. Once Henry got involved and came back from his trip to Dimension X with powers, Brenner must have realized he could potentially use human subjects to manipulate electromagnetic fields themselves. Human subjects didn’t require machinery or set up and could bend space-time wherever they pleased, as long as they were able to learn the ability.

The more conspiratiorial side of Theoretical Physics proposes using circulating light beams to warp time-space, creating a wormhole in which one can literally walk through time. This is pop-science, likely not true but interesting for fiction purposes. This method of time travel being used is heavily implied due to the fact that the USS Eldridge was already able to disappear into another dimension by the bending of light.

This is how it worked in the Montauk Project book (absolutely ridiculous how much they took from this honestly):

My guess is that in the Stranger Things universe, they have not yet managed to time travel, only to create portals into this alien Dimension X. Previously, said portals were only made twice by highly advanced technological equipment. El demonstrated that she was able to open a portal all by herself - another step to achieving time travel with singular human subjects. Season five is when we will see the beginning of the time travel plot line, though it like in Montauk is likely already in a loop.

That’s where we get the name for the Rainbow Room, named after this Project Rainbow. The rainbow represents the full spectrum of visible light, and the goals of the project to bend said light into portals and eventually time travel wormholes.

Implications?:

-Well, first of all it seems very obvious by this point that we are going for a time travel plot line, and this is how it will be achieved.

-Will is heavily connected to light in general, the sun, and of course… the rainbow. He is also implied be the one involved in the time travel plot line. This will be very relevant going forward and deserves it’s own post. Potential funniness of defeating Vecna with the power of the rainbow afoot.

-Coma patients are known to have odd, barely detectable brain waves. The kids will be able to communicate with Max in her coma using the electromagnetic spectrum somehow, probably through the radio waves.

-On the farthest end of the spectrum, we have ionizing gamma ray radiation, which is known to cause cancer in humans. Expect Hopper’s daughter Sara to connect to this plot line (and perhaps Sam Owens’ dead son). There is a whole theory on this site already called radiationgate. I have not managed to look into it yet but I think they are probably onto something there. The original al pitch mentions the UD leakage into the real world causing cancer as well.

[whencyclopedia]

Assyria

Assyria was the region located in the ancient Near East which, under the Neo-Assyrian Empire, reached from Mesopotamia (modern-day Iraq) through Asia Minor (modern Turkey) and down through Egypt. The empire began modestly at the city of Ashur (known as Subartu to the Sumerians), located in Mesopotamia north-east of Babylon, where merchants who traded in Anatolia became increasingly wealthy and that affluence allowed for the growth and prosperity of the city.

According to one interpretation of passages in the biblical Book of Genesis, Ashur was founded by a man named Ashur son of Shem, son of Noah, after the Great Flood, who then went on to found the other important Assyrian cities. A more likely account is that the city was named Ashur after the deity of that name sometime in the 3rd millennium BCE; the same god's name is the origin for 'Assyria'. The biblical version of the origin of Ashur appears later in the historical record (Genesis is dated to c. 1450 BCE at the earliest, 5th century BCE latest) and seems to have been adopted by the Assyrians after they had accepted Christianity. This version, therefore, is thought to be a re-interpretation of their early history more in keeping with their newly-adopted belief system of Assyrian Christians.

The Assyrians were a Semitic people who originally spoke and wrote Akkadian before the easier to use Aramaic language became more popular. Historians have divided the rise and fall of the Assyrian Empire into three periods: The Old Kingdom, The Middle Empire, and The Late Empire (also known as the Neo-Assyrian Empire), although it should be noted that Assyrian history continued on past that point; there are still Assyrians living in the regions of Iran and northern Iraq, and elsewhere, in the present day. The Assyrian Empire is considered the greatest of the Mesopotamian empires due to its expanse and the development of the bureaucracy and military strategies which allowed it to grow and flourish.

The Old Kingdom

Although the city of Ashur existed from the 3rd millennium BCE, the extant ruins of that city date to 1900 BCE which is now considered the date the city was founded. According to early inscriptions, the first king was Tudiya, and those who followed him were known as “kings who lived in tents” suggesting a pastoral, rather than urban, community.

Ashur was certainly an important center of commerce even at this time, however, even though its precise form and structure is unclear. The king Erishum I built the temple of Ashur on the site in c. 1900/1905 BCE, and this has come to be the accepted date for the founding of an actual city on the site although, obviously, some form of city must have existed there prior to that date. The historian Wolfram von Soden writes,

Because of a dearth of sources, very little is known of Assyria in the third millennium…Assyria did belong to the Empire of Akkad at times, as well as to the Third Dynasty of Ur. Our main sources for this period are the many thousand Assyrian letters and documents from the trade colonies in Cappadocia, foremost of which was Kanesh (modern Kultepe). (49-50)

The trade colony of Karum Kanesh (the Port of Kanesh) was among the most lucrative centers for trade in the ancient Middle East and definitely the most important for the city of Ashur. Merchants from Ashur traveled to Kanesh, set up businesses, and then, after placing trusted employees (usually family members) in charge, returned to Ashur and supervised their business dealings from there. The historian Paul Kriwaczek notes:

For several generations the trading houses of Karum Kanesh flourished, and some became extremely wealthy – ancient millionaires. However not all business was kept within the family. Ashur had a sophisticated banking system and some of the capital that financed the Anatolian trade came from long-term investments made by independent speculators in return for a contractually specified proportion of the profits. There is not much about today's commodity markets that an old Assyrian would not quickly recognize. (214-215)

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[i-like-forcefem]

PURELY hypothetically speaking, how EXACTLY would you go about forcefemming a guy who’s sooo masc, like he thinks he’s the ALPHA SHIT, he thinks he pulls all the ladies and is the most manly man to ever man… and turning “him” into an adorable little girly princess :3c asking for a friend

For a hard boiled egg like this it’s very important to get her alone in an isolated location for an extended period of time! It always takes a little longer then they’ve got pride, but honestly that makes it so so much more fun when they crack

It’s a bit of a staple, but I think I’ll use my Basement, yes it’s generic, but it’s tried and true, and a girl like this isn’t a time to experiment

Getting her to the basement is usually easy enough, just invite her over for tea or something and apply a little posion of your choice that will have her immobilised, sleepy pills work, but I personally prefer it when you can see the fear in her eyes when they get fully paralysed

I always have my basement prepared for new arrivals, this means a firm lock, and plenty of hand cuffs around the walls and girly furniture for if I want to move her around

The first time she wakes up is always so important and so so fun, so I’ll pick out a good spot to tie her up, I think the plushy couch would be good for this cutie, and make sure to pick a good outfit

For a girl like this I think it’d be best to start with her in just a pair of pink panties, just being handcuffed in a hugging position with a plushy against her skin should be enough embarrassment for the wake up, I’ll also be sure to use my princess gag just to make her first impressions extra cute as she makes muffled screeches

Then I’ll wait till she wakes up, I usually monitor a camera from outside the room and wait to enter, I want her to get a feel for the room and her situation before she sees me, 2 minutes is usually enough for her to glance around the overly girly room, notice she’s tied up, and to start her muffled screams

Then I’ll calmly enter and tell her how she’s my doll now, she’ll have objections of course, being a big bugle “man”, but it’s pretty hard to do anything about your situation when tied up like that

And then I’ll play it slow

I think I can have her docile by the end of the day, dress her up in her first dress (the basement can get very cold so if she doesn’t want to wear her dress that’s fine by me, but she’ll give in by the end of the second day, and to survive that long I’ll probably get some adorable footage of her willingly snuggling up with her many many plushies, hard to think a “man” would do that)

Any food I give her will obviously have hrt inserted into it, but in this case in particular I want to try something new, next to her (estrogen filled) meals I’ll also give her some placebo pills I’ll tell her are actually hrt, and if she’s a Good Girl and takes her pills she’ll be rewarded

Obviously she’ll refuse at first, willingly taking pills is one of the hardest milestones for a girl to pass

But always giving her the option always gives me to opportunity to punish her, and to tell her just how easy it’d be if she just submitted, became my pretty little girl

Now some of the girls have a surprising amount of determination to not become happy, so this might take a while, which is why I’ll give her her hrt anyway

Since it will be so so fun to tease her for it, I could maybe even gaslight her into thinking she might be taking the pills anyway, or her body wants to become a girl so so bad that’s it’s making estrogen all on its own

You’d be surprised how much gaslighting you can get away with if you’re a persons only outside contact

So… I’ve got some plans to say the least!!! I’ve got a whole laundry list of activities we could try every week to keep it fresh (from shock collars to vibrators to bondage, to “toy” pink weightlifting products that are 10 times the weight it says on the box, I will have so much fun breaking her :3)

Now do you have any idea where this hypothetical person is? And do they prefer tea or coffee?

[wikipediette]

emotional motion sickness

General g/n headcanons (an analysation of abuse in the relationship); mentions of abuse dynamics in relationships, talks of physical, emotional, and mental abuse, if these topics trigger you please dont read

so I'll start with the idea of being on earth with Jimmy, I'd like to imagine that curly set you two up, hoping that you'd rub off on him

Your first date you meet and you're charmed by him, he's a sarcastic, flirty, handsome man with a sense of humor (albeit a dry sense of humor)

people like Jimmy are VERY charming and can pretend to be a certain person to draw you in. Then slowly up the ante until you feel trapped

He starts off cute, comes a little late to dates, clothes wrinkled, flowers bent. But hes apologetic and you cant help but feel bad for him

As you get deeper into the relationship the faults start to show.

Maybe a year or so in he starts asking about friends. Nothing too dramatic just an occasional "who's that?"

And at first its cute! He's just worried and protective. But it slowly gets more and more controlling.

One of the first things an abuser will do is isolate you to make it hard to leave them. so he asks you to stop talking to a few people, coworkers or group project friends.

if you question it he will get very intense very fast and uestion why your so hesitant to cut them off.

"is there something your not telling me?" He asks, he had both arms caging you down onto your armchair, his body leaned down to look at you closely. "No!" You exclaim sitting up as best you can with him so close, "I just think it's weird you suddenly aren't ok with me and danny talking anymore!" He laughs but it holds no humor if the look on his face is anything to go by "I know you probably didn't notice but he's constantly flirting with you, he obviously wants to fuck you." you begin to mentally look over your conversations in your head, had he? Was there something you missed? Something misinterpreted? "Really?" You ask, doubting if you really should be talking to a man who liked you while in a relationship. "yes! that's why I don't want you talking to him, he's trying to take advantage of you." you sigh before nodding "yeah, sorry I... didn't even realize" "its fine" he says softly holding the back of your head to lead you into a kiss "I just want to keep you safe".

so you bite and agree, you slowly begin to cut less important people out. As you do he'll pavlov you, with each friend you pick off he'll love bomb you. kisses, hugs, gifts, sex, sweet talk, pet names, bragging about you. He'll play into whatever you want as long as you follow his rules.

When it comes to the biggest hitters like family, close circle friends, and best friends he'll wait a few years to cut them out

He'll plant ideas of a us vs them mentality.

they just want to break us apart.

they're jealous of us.

your too good for them.

they don't treat you right.

they're the abusers.

i'm the only one who REALLY loves you

and after so many years with him, despite your ups and downs you cant help but do what he says because you just don't see him as this horrible monster everyone's making him out to be.

you love him and he loves you!

people just don't understand your dynamic,

they don't know him like you do.

when it's bad its bad but when it's good its so damn good.

and his lonely act works well too, besides curly he doesn't really have any friends.

he has acquaintances and coworkers, but friends? no.

if you broke up with him he'd have no one. and you've been together so long it'd be such a jump. going from deep conversations and intense love to asking about a person's favorite color? fuck that.

when he has you were he wants you that's when all hell breaks loose.

you barely go anywhere and if you do he either needs your location the whole time (probably makes you get life360) or has to be with you, hand on hip, glaring at anyone who talks to you.

when you two get invited to parties he'll play nice (after all he is in public) and let you roam.

you'll talk to people you haven't in a bit while he drinks and talks to curly.

and its times like that that makes the worst moments feel worth it.

speaking of the worst moments.....he's a very jealous person, he constantly is worried if you're cheating on him.

he'll argue with you and wont relent till your crying and exhausted.

then once he thinks you've proved yourself he'll scoop you up and let you cry on his shoulder. murmuring that he loves you and he sorry.

he'll open up, say he knows there's something wrong with him, and he's sorry hes like this, that you deserve better and he's trying.

"I'm sorry" Jimmy softly says into your ear. cradling you like a baby in his arms. your arms are around his neck, your eyes burn with drying tears and sleep, your nose is stuffy, your throat is dry from yelling and sobbing for hours. the rocking isn't helping your sleepiness. "I'm sorry, I know there's something wrong with me. Please don't leave me"

trying to leave in these situations is probably the worst thing you could do

now I'm not under the impression that Jimmy would be overly physically abusive given that his character is all about the subtleties of abuse.

BUT! I do believe he'd restrain you, push you, grab you harder than needed, ect. If you tried to leave him while arguing.

He doesn't like you taking control of the situation and it gets him very mad, as a result he'll force you to stay where he wants.

But he doesn't explicitly hit you as that would leave marks

he wouldn't want you to be bruised because that would bring suspicion to the safety of your relationship.

And most of the relationships abuse is kept to a level that could pass as normal to others.

I think having a friend like curly in these moments that always tries to smooth things over without any bridge burning would definitely lead to him unintentionally gaslighting you about it.

side note: ok this is the first time I've really written in this format, made a romantic x reader, AND this is also my first time posting x reader onto Tumblr lol. apologies if this is ooc I never refreshed myself on Jimmy's character simply bc I don't have the time for that lol. this is also based off of my general knowledge of abusive relationships. if anyone wants more plz let me know i really wanted to try writing fanfiction seriously for a while now lmao, bye :)

[foreverl0stinmymind]

Obey me! NSFW alphabet headcannons

Character: Beelzebub

A: aftercare (What they're like after sex)

Cuddle time! Also, obviously, snacks. He keeps you wrapped up safe and warm in his arms. B: Body part (their favorite body part of theirs and their partner's)

Your lips. He likes to taste you, kissing you over and over again. C: cum (anything to do with cum, basically)

He enjoys eating it, and licking it off. His, and his partner's. D: Dirty secret

He learned to deepthroat using food. E: Experience (how much experience do they have?)

Not much, to be honest. F: Favorite position

Missionary. Perfect for kisses, and looking you in the eyes. G: Goofy (are they more humorus? Or serious?)

He's very serious, focused on his partner's pleasure. H: Hair (how groomed are they? Shaved? Trimmed? Does the carpet match the drapes?)

Natural. And the carpet very much matches the drapes. I: intimacy (how romantic are they?)

Very romantic. It takes a lot to keep him focused on something, and once he is, he's all yours. J: jack off (masturbation)

He doesn't, really. Food is more important. K: kink

Foodplay. He also might be into a feeder kink. L: location (where do they like to do it?)

The kitchen. He can grab an easy snack after. M: motivation (what turns them on?)

Kissing his partner's neck. It also makes him hungry, but he won't say that. N: No (Things they won't do, hard limits)

Any hard kink. Nothing rough, severe, risky, any of that. O: oral (do they prefer to give or receive? Are they good at it?)

Of course, he loves to give oral. He just has to remember to not actually eat while eating someone out... P: pace (how fast are they? Slow and sensual, or fast and rough?)

Fast and rough, though he tries to be gentle. Q: quickie (how do they feel about quickies?)

He doesn't know what they are. But he likes to take his time with his treat, so... R: risks (how likely are they to take risks/try something new?)

He won't. S: stamina (how long can they last? How many rounds?)

He can go for forever, just give him snack breaks. T: toys (do they own any toys? Do they use them on a partner, or themselves?)

No toys owned, but he'll use them if given them. U: unfair (how much they like to tease)

Can't tease, doesn't know how. Hasn't even occurred to him. V: volume (how loud they are/what sounds they make)

Loud. Moans, grunts, as vocal as he can be about you. W: wild card (random NSFW headcannon)

He loses his normal hunger during sex. X: X-ray (what's under their clothes?)

This man is BIG. No, I mean it. Nine to ten inches, and thick. He'll split you in two. Y: Yearning (how high is their sex drive?)

Pretty low, food matters more. But bring his attention to it, and he's ready to go. Z: Zzz. (How fast they fall asleep afterwards)

He won't fall asleep until you do, however long that is. No matter what. Total sweetheart, no doubt about it.

Other characters:

Lucifer

Mammon

Levi

Satan

Asmo

Belphie

Diavolo

Barbatos

Simeon

Solomon

[upat4amwiththemoon]

Unwanted Animal

Summary: Because that unwanted animal wants nothing more than to get out.

Pairing: Natasha Romanoff x female!reader

Warnings: mentions of torture

Word count: 2197

a/n: new series, I’m so excited for this!!

Tags: @thought-of-you-and-me @rafecameronswhore @sayah13 @strangegardentaco @natashamaximoff69

masterlists | guidelines

All parts: part 1, part 2, part 3, part 4, part 5, part 6, part 7

Natasha walks down the empty hallway. Her gun is in front of her, ready to shoot if necessary. She can hear the sounds of fighting coming from the other Avengers. They’re winning. HYDRA didn’t staff the facility with enough men to keep it secure.

Her breathing is calm and quiet, like the steps she takes. She goes through every room, looking for anything important, while skillfully avoiding anything that could make noise on the floor.

A creaking sound comes from near her. She stops moving, listening for the origin of the noise. When nothing can be heard anymore, she continues moving, though now even more cautious than before. There’s a door ajar in front of her. She sneaks right next to it, gripping her gun better, before slamming the door open. Pointing the gun towards the mostly empty room, she suddenly notices a shaking figure at the corner of the room.

The person is holding their arms up and eyes closed, trying to appear as non threatening as possible. “Stand up.” Natasha’s voice is cold. She keeps staring at the figure, who is slowly getting up. It’s a woman. “Who are you?”

“I’m Y/N,” she opens her eyes carefully, “I am a former Black Widow agent. I was caught by HYDRA after the Red Room fell.” Her voice is shaky and quiet. Her eyes meep darting all over Natasha, analyzing her, trying to see if she’s a good guy or not.

Natasha glances at the door behind her. It’s a heavy metal door, meant to keep people in. The room is small with no windows or unnecessary furniture. There’s only a thing mattress and a hole that’s supposedly the toilet.

“One of the agents was bringing me back in until all the loud noises started. He ran away and forgot to lock my door because of it.”

Putting her gun down, Natasha relaxes her stance, though she’s still vigilant, ready to shoot if the woman in front of her decides to attack. “I’m Natasha Romanoff and I’m here with the Avengers. Are there any other prisoners here?”

Y/N shakes her head. “They were moving us out to a different location, don’t know where. I think I was the last person to be moved.”

That explains why the facility is so lightly guarded, there’s nothing important left here. Everything has already been moved somewhere else. “If you came with us willingly, would you to tell us everything you know about HYDRA?”

“Yes.” The answer comes out quick, with no hesitation. She’s desperate to get out.

“Come on then,” Natasha starts leading her back towards the way she came from. “Stay beside me and be careful.”

Y/N looks around the empty interrogation room. It’s very white, with bright lights. There are two cameras in the upper corners of the room. Although, they are hidden, Y/N can easily recognize them. Her hands are cuffed to the table as a precaution, which she understands. She did come clean to being an ex Black Widow assassin after all.

Natasha walks into the room. Her clothes are different. She is out of her mission suit, now wearing clothes with the SHIELD logo on them. She sits down to the chair opposite of her. The chairs are metallic, uncomfortable. “What did you do after the Red Room fell?” She goes straight to questioning.

“I tried to get away as far as possible, but I guess HYDRA heard what happened and wanted to collect as many assassins as they could.” Y/N keeps her eyes locked on the gray table between them. Her head is tilted downcast, not enough so she wouldn’t see Natasha’s expressions from her prephilial vision, but in a way that makes her seem more submissive. “I obviously didn’t get far before they found me.”

“How long were you locked up there?”

“Years.”

Natasha nods. She was the one to shut down the Red Room all those years ago. It still haunts her at nights, but one casualty is nothing compared to the whole organization being shut down. “What were they doing to you there?”

“Torturing,” she shrugs, trying to remember any significant moments or conversations she over heard, “I think they were trying to recreate the Super Soldier serum with us, but to my knowledge they have been unsuccessful so far. Without the original vials, they can’t be sure what the formula contained.”

Glancing at the camera in the corner, she nods. There’s a file on the table she opens. She slides a picture towards Y/N. “Does this person look familiar?” The picture is blurry, most likely because it’s taken from a security camera feed, but the man’s face is still recognizable.

She stares at the picture. Y/N does know the man. “Yes.” She lifts her eyes back up, this time looking at Natasha’s face, though avoiding direct eye compact. She doesn’t want to stare at the man any longer than she has to. “He is the one behind the whole program. He supervised all of our…sessions.”

“Sessions?” Natasha’s brows furrow. It’s the first time she’s showing anything else than neutrality on her face.

“Injecting the test serums in us, interrogations,” her eyes glance over the room then, though she’s in a different place, it feels incredibly familiar, “torture and, other things.” Her voice turns quieter. She isn’t keen on everyone behind the wall hearing her. “I’m sure you understand, you were in the Red Room.”

Biting the inside of her cheek, Natasha puts the photo back inside the file, closing it afterwards. She nods again. “I’m going to take you to medical, so Doctor Banner can check you out, just in case.” When she turns to look at Y/N, her face is changed. She has a small smile on her face. It’s sympathetic.

Tony and Steve glance at each other, they’re watching the interrogation through a screen in a different room. It’s supposed to last longer, but they trust Natasha, so they push away their worries.

Y/N nods with a small smile. Natasha takes out a key from her pocket and opens the cuffs, making Y/N’s hands instantly move to rub her wrists. Although, she’s used to tight handcuffs, they’re never comfortable.

“Come on.” She walks to the door, Y/N right behind her.

As they step out to the hallway, Y/N starts looking all round her. The training is still ingrained in her brain. Look for every possible exit and weak spot. The compound is modern and minimalistic, it looks a bit like a hospital with its long, white hallways and multiple closed doors.

Natasha opens a door and ushers Y/N inside before her. Bruce Banner is waiting in the room. He is wearing a white lab coat with Dr Banner written on it and his hair is all over the place, he looks like he hasn’t slept in a while. “Dr Banner will do tests to see if you’re physically okay, and to see if the Super Soldier tests have changed anything in you.”

“Got it.” Y/N sits down with slight hesitancy, she doesn’t have to fondest memories on hospital chairs.

“Would you like me to stay?” Natasha asks. She surprises herself when the question slips out of her mouth. She’s already becoming too close to the case, but Natasha feels some kind of responsibility over the whole situation. No one could understand all this better than her.

Giving her a small smile, Y/N nods, her posture relaxing a bit. It makes Natasha feel better. Maybe by helping her she can wipe away the red in her ledger for good and make sure something like this won’t happen to her sister. The thoughts swirl inside Natasha’s head as Bruce conducts the health inspection on Y/N. She could really help her adjust to a more normal life, to a better life. She if anyone knows what the woman has been though in her life.

Bruce hums, looking at the tablet, which brings Natasha’s attention to him. “Everything okay?”

“She’s malnourished and dehydrated, understandably, but there seems to be no permanent problems from the serum, at least ones that I can see.” He turns to look at the two with a smile on his face. “I think with rest and food you’ll be fine. Of course your wounds and such need to be bandaged, but I’m sure you can manage that.”

“Yeah,” Y/N lets out a breath she was holding, “thanks, Doctor Banner.” She slides down from the table.

Bruce has a small smile on his lips as he nods nervously. He knows he is just as useful as Doctor Banner as he is as Hulk, maybe even more, but it feels good to hear genuine thank yous every once in a while. He feels like him being a doctor doesn’t get appreciated as much as the green monster in him.

Natasha and Y/N walk out of the room. Taking Dr Banner’s advice seriously, Natasha decides to show Y/N an empty guest room next to her own room, they could do all the official stuff later. “You can sleep here,” she opens the door wide, letting Y/N walk in before her, “you’ll of course be under some kind of supervision by FRIDAY, but I hope you understand that.” Y/N nods, looking over the room. “Mine is right next to you.” She stares at at the other woman, who stays quiet while slowly walking around the room. “I know it’s not much, but-“

“It’s great.” She says quickly. Y/N doesn’t want to seem ungrateful. “It’s better than I have ever had.” Her hands are in front of her stomach, fingers pulling the skin around her nails as her eyes wonder. “It’s big.”

Natasha leans her side against the doorway. The room isn’t that big, it’s the smallest bedroom they have, which obviously in Tony’s standards still needs to be spacey, but it’s nowhere near the lavishness of the other rooms of the compound. But, she understands how Y/N is feeling. Anything bigger than a tiny cell feels overwhelmingly huge. “There’s also has a bathroom connected, over there.” She points at a door on one of the walls.

“Oh, I can use it? Whenever I want?”

“Of course.”

Humming, Y/N nods as an answer. She doesn’t open the bathroom door. Her eyes linger on the big window on the back wall of the room, it has soft looking beige curtains on the both sides of it and the bed is placed right next to it, so you can look out of it while laying down.

“The window is locked,” Natasha states, “but if you decide to stick around, we can unlock it.”

“Stick around?” Finally Y/N turns to look at Natasha again. Her head is tilting to one side, her hair moving with her head.

“Yeah,” she shrugs, “if you want to. We could use someone capable with an extensive skillset.” Her back is straighter as she explains this to Y/N, somehow starting to feel warm under her gaze.

“Oh.” With that, Y/N looks away again.

“Do you like the sound of that? We could give you a home here.” She smiles slightly, though she knows Y/N isn’t looking at her, maybe that’s why she has the courage to smile at her.

“Did you?”

“Did I what?”

“Find a home here.”

“I-“ she hesitates, “I found a place as close to home as I could, I think.” In her mind, Natasha is cursing at the vulnerable sound of her voice. She shouldn’t be opening up yo the newcomer this much, someone from HYDRA especially, but the way her smile flushes away all of her worries is making her feel things she hasn’t felt in a long time. “It’s complicated.”

“Yeah.” She sighs. “I’m not sure I know what a home is. If it’s something you love or hate, run to or run away from.” Her voice comes out as a mumble.

“I think it’s both. Sometimes you can’t stay there even for one second, but other times it physically hurts to be away.”

“Sounds difficult.”

Natasha laughs, though it’s more of a huff coming from her nose. “Yeah.”

“I’m not sure if it sounds worthwhile.”

Rubbing her own arm, she bites her lip. “It might not be,” Natasha comments, “but don’t you want to make sure before deciding?”

Y/N stares at her in silence for a while. Her mouth is moving as her teeth press together every once in a while. “I suppose so.” Her words come out quietly, but they’re clear enough for Natasha to hear.

Somehow this makes Natasha the happiest she has ever been, besides reuniting with Yelena, she has to fight the smile trying to make it way to her lips, so she wouldn’t give away the joy she is feeling. “I’m sure you won’t regret it.” Is the only thing she says, before walking out of the room, closing the door behind her to give Y/N the well needed rest.

“I have a feeling I won’t.” She whispers to the closed door with a slight smile on her face.

[girlactionfigure]

THURSDAY HERO: Helmut Kleinicke

Helmut Kleinicke was a German engineer who supervised construction projects at Auschwitz while saving Jews from the gas chambers.

Born in 1907, Helmut grew up in the forest of Lower Saxony – literally. His parents were forest rangers. Helmut studied civil engineering and joined the Nazi party in 1933. In 1941, right after getting married, Helmut was hired to join the team planning the construction of Auschwitz concentration camp. He moved to Chrzanow, Poland to work on the project.

In Chrzanow, Helmut was ordered to select local Jews who were young and healthy to work on the construction site. He treated them well and didn’t allow the SS to harass them. One survivor remembered, “Those of us who worked for Kleinicke were like VIPs. We had a certificate that we worked for him, and that was our insurance policy.”

When he heard about plans to round up local Jews, Helmut located every person on the list and warned them they were about to be arrested. Then he transported many of them to the border and helped them escape. Others he hid in his attic and basement. Helmut didn’t keep track of the Jews he saved, but it’s estimated there were hundreds.

By late 1943, the higher-ups at Auschwitz noticed that Jews who interacted with Helmut kept disappearing. He was removed from his job and drafted to an artillery unit, then sent to the front lines. When Germany surrendered in 1945, Helmut was arrested by the British because of his membership in the Nazi party. While he was in prison, Jews he had saved submitted affidavits testifying that he had rescued them “without regard to his person” and that many Jews owed their lives to Helmut Kleinicke. He was exonerated in 1949. For the rest of his life, he did not talk about his wartime activities. He told his daughter only that he’d saved some Jews, but wished he’d saved more. He never considered himself a hero. In 1979, the American miniseries “Holocaust” aired on German TV. Helmut watched it and was deeply shaken. Three days after that he had a stroke from which he never recovered. He died a few months later.

Helmut’s heroism was unknown until recently. In a 2015 documentary, Josef Konigsberg, an Auschwitz survivor, testified that Helmut Kleinicke saved his life by pulling him out of a line of people being deported. This interview, and corroborating evidence that Helmut had saved many Jewish lives, led to Helmut Kleinicke being honored posthumously as Righteous Among the Nations by Israeli Holocaust Memorial Yad Vashem. The ceremony was held at the Israeli Embassy in Berlin, and was attended by Helmut’s daughter Juta Scheffzek. Also in attendance was Josef Konigsberg, who told his story of being rescued by Helmut. “I owe him my life,” said Josef, describing how Helmut rescued him from a transport line to Auschwitz: “My mother came and begged him to rescue me. Kleinicke grabbed me and said that I was his best worker.” Josef’s mother and sister were not so lucky and both died in the gas chamber. Crying as he addressed Juta, Josef said, “This is one of the most beautiful days of my life. Thank you, thank you.”

Juta was deeply touched. “It verified what my father said to me in very few words – and I never knew if he had been telling the truth.” She told the Times of Israel after the ceremony, “It was a very long and emotional search to discover the truth about my father, and I hope that people in America, the UK and Israel will hear about it.”

Israeli Ambassador to Germany Jeremy Issacharoff, who hosted the event honoring Helmut, commented, “When you’re in the context of Germany, you’re never free of the historical dimension of the Holocaust, and it’s a very heavy burden to bear for the Germans, and also obviously for the Jewish people, and it’s always there. And I think it’s really important that this type of ceremony also recognizes that there were a few really important people who did the right thing. And that, to me, is the main message that should come out of this.”

For saving Jews while his peers were killing them, we honor Helmut Kleinicke as this week’s Thursday Hero.