#this is my entire personality

[notcactusman]

Favorite trope?

“There was only one body” (aka “2 entities 1 body”

Second favorite trope?

“Put the man* in a dress!!!” (Pretty self explanatory)

*silly in the gender department

[digitalcalamity]

[3-mushrooms-in-a-kurta]

I finally have the answer to the one question every student faces at least once in school.

"describe yourself in one word"

my answer:

random

that is who I am.

[spiphin]

Those that know me know its true

forever and ever

[heyybeach]

Growing up is actually just enjoying the exact same things you enjoyed at 14 years old, but in a more gay way

[silverview]

psa

[clownboybebop]

if you’re ever in the position to choose between giving up and accepting defeat, and actually trying to fight the ancient unkillable god that is about to peel apart reality like a string cheese, remember this: scientifically speaking, you might as well give it a shot!

1.there were trees at the beginning of the world! there were trees so long ago that they predate bacteria that causes wood to decay. when a tree fell, it would lie there in stasis and there wasn’t any way of breaking down wood xylem on a molecular level in that way.

2. it seems obvious to say, but wood eating bacteria are literally incapable of comprehending what they’re breaking down. It’s just not information conciously available to a microorganism. they don’t know what they’re deconstructing, where it came from, bacteria have no way to even fathom the existence of a tree as a concept.

3. Regardless of the facts above, the world we live in today is a world where wood inevitably decomposes

it is worth fighting the unkillable god no matter how pointless it seems. it is worth taking the risk even though youre trying to accomplish something impossible. the reality in which you live was also once reality in which trees didn’t rot. You live in a reality that allows for existence before the possibility of destruction. you live in a reality where uncomprehending microbes break down matter that is so far beyond the scope of their comprehension that it feels comical to specify something so obvious. you live in a reality that occasionally allows unshakeable physical truths to be altered with no warning.

It is worth fighting the unkillable god because trees are so old they predate the source of their destruction, and it still did not spare them. It is worth fighting the unkillable god because bacteria rots unthinkingly, because there is room in our cosmos for destruction without comprehension on the part of the destroyer. It is worth fighting the unkillable god because now and then reality retracts the promise of immortality without fanfare, and when that happens there is no mercy for the ancient. the unmaking is not softer for the desecrators ignorance. for all things, existence is endless until the exact point where it ends.

so you might as well try to kill the unkillable god. it doesn’t seem likely, but at the beginning of the world, trees didn’t rot. so you never know! you never know

[itsscaredycat]

the truth is stranger than my own worst dreams

oh the darkness got a hold on me

[floweroflaurelin]

I’m still hungry.

[ruporas]

need to exist in your warmth (id in alt)

[floccinaucinihilipilificationa]

[eternallovers65]

The way she takes of the high heel but is still on tip toes, how she waves around and the car drives itself, the barbieland sign with the hearts around, the pink slide, the glittery posters and the perfect descriptions

SHE'S EVERYTHING HE'S JUST KEN!!!!!!!

Greta you did again!!!!!!

[wizzard890]

okay so picture this.

You're a man named Jim Steinman. You are one of the most prolific songwriters of the 80s. In your spirit, output and essence, you are eternally popping a wheelie on a motorcycle while a hot half-naked woman clings to you and bats wheel in the sky above.

You wrote a song in which Meatloaf plays a hideously disfigured hunk who steals a nubile lady back to his crumbling manor and introduces her to the pleasures of magic lesbian group sex.

You wrote a song in which Celine Dion sings as Heathcliff from Wuthering Heights, dancing with Cathy's corpse on a beach in the moonlight; a scene which you, Jim Steinman, believe should have been in the book. (The moors of Wuthering Heights are landlocked, but you, Jim Steinman, are too fucking real to care about that.)

You wrote the song for the opening scene of the movie Streets of Fire, in which evil leatherdaddy Willem Dafoe leads his malefic motorcycle crew into a concert to abduct Diane Lane while she's wearing a skintight satin jumpsuit.

You wrote a song in which Bonnie Tyler wanders a haunted boarding school as literal demon twinks gyrate at her out of the fog.

There is no peak of goth camp that you, Jim Steinman, have not summited, no horny energy you have not tapped. They say that Alexander the Great wept when he saw there were no more worlds to conquer. But you, Jim Steinman, are not Alexander the Great. You, Jim Steinman, are better. You, Jim Steinman, have vision.

You take your most successful song, the song everyone knows, the most big-haired, white dress, gothic arches, doves flying, possessed choir boys chanting, bombastic song you have, and think: what if this, but with vampires.

And so you change the lyrics to be about death and infinity and a powerful bloodsucking lord seducing a girl who is ALL ABOUT IT, and then toss off a whole musical for this song to be the centerpiece to, and the musical is bad but it's also a weird hit that's been staged in fourteen countries and revived seven times, because nothing has ever whipped as campily, as ridiculously, as perfectly as this:

It never takes off in America. A prophet is without honor in his own land. But that doesn't matter. How could it matter? You are perhaps the most creatively self-actualized man who has ever lived. Look at that vampire. He's coming in hot and a hundred Venetian nuns gave their lives to make his ludicrously capacious lace sleeves. Look at that girl. She was born in a fog machine. She wore her best red velvet cape. She's down bad. She's singing Total Eclipse of the Heart the whole time.

You are Jim Steinman, and you have reached apotheosis.

[bixels]

well monster fuckers and old man fuckers are gonna be happy with my next batch of redesign redesigns.

[raz-mo]

“We’re gonna be knights!”

[shouyuus]

VI FROM ARCANE WITH PILLOWPRINCESS READER?!?! PLEASEEE ILL TAKE ANYTHING DUDEEE 🙏🙏🙏🙏

send me vi thirsts and i'll give u my hand in marriage

yes bc i feel like she'd love this lowkey midkey AND highkey bc vi's love language is def like 50/50 acts of service and physical touch and she'd love the fact that you trust her so much w/ ur pleasure, the fact that she gets to have this control, and you're always so obedient for her, always asks for permission -- the first time she'd gotten you to the edge and you'd sunk your fingers into her hair, thrashing beneath her, but still forcing yourself to look up at her with your big, watery eyes, asking --

"p-please v-vi -- can -- can i?"

she knew that she was done for like done for, the way she knew if she said no, you'd listen. the thought had made her head feel woozy, so much so that her fingers had almost paused inside you, and you'd keened, thighs squeezing around her wrist bc you were so, so close.

"holy shit -- yeah, sweetness -- fuck, yeah, come for me --"

and it's not like she doesn't know how much you like it when she manhandles you a bit; she likes it too, she likes it alot actually, how she can jerk you down the length of the bed, press your knees up all the way to your shoulders, wrap her fingers around your neck, or just hold you down and kiss you till you're shaking apart beneath her.

she likes too that all she has to do is say the word, and you'd drop to your knees for her, pliant and willing, your lips falling open for her fingers or her cunt, how you'd make these happy little mewling noises when buried between her legs, so long as she got a hand on your head, a thumb rubbing your cheek.

"do you... do you ever wish i'd do more... stuff?" you ask one day, crinkling your nose, frowning absently down at vi's hair as you braid the longer bits into a single plait, only to tug it loose and do it all over again.

vi glances over her shoulder, "more... stuff?"

"yeah like... be more active when we're, y'know --"

vi laughs, tugging you into her lap, "if you're asking if i'm happy with our sex life, sweetness, the answer is yes, very."

you sigh, nodding even as you tuck your nose into her curve of her neck.

"okay. just asking."

she runs her thumbs against your skin, drawing circles into your waist.

"why? are you happy with it?"

you nod so hard that you almost topple out of her arms, but she catches you, grinning. "yeah! of course i am!"

"then, what's the problem, princess?"

"nothing! just..."

"c'mon pretty, spit it out," she takes your chin between a thumb and forefinger, giving your face a tiny shake. your breath hitches; satisfaction unfurls in vi's chest.

"i saw something online about -- how being too passive isn't a good thing and --"

"ooookay, i'm gonna cut you off right there --" she hoists you up, twisting you around so you're straddling her lap, your face now parallel to hers. she loves the way you're so easy to read, loves that you don't hide your attraction to her, how all she has to do is twitch her lips and you're already gasping.

"open your mouth for me, pretty girl," she says, and you do, your mouth dropping open as she swipes a thumb along your bottom lip before pushing it forward till it's resting on your tongue. you whine softly, hips shifting, but you hold still till she nods her head, "go on, suck."

you close your lips immediately, your tongue laving at the pad of her thumb. she lets out a clipped groan, watching. a few seconds later, she pulls it out with a light pop, grinning as she tracks the slick finger down your chin, tracing up the line of your jaw till she's got her hand cupping the back of your neck.

"that feel very passive to you?"

your lashes flutter, confusion gathering in your eyes before you lick your lips, blush, and give your head a tiny shake. she smiles.

"good answer. so? are we good now, princess?"

"yeah. we are."

"good!" she gives you a quick kiss, patting your hip, "what'dyou want for dinner? i'm thinkin'... it's been a while since we've been to jericho's."

you pout, "what about that other place we've been talking about?"

"what on the wharfside docks?"

"yeah...?"

vi rolls her eyes, even as she sits up and motions for you to get up. you jump up with a bright smile. she sighs, folding her arms.

"go get dressed. ugh, passive -- dunno what you were thinkin' when you asked me that princess."