#this is literally the best thing that has ever happened to me

[vaguely-concerned]

To the ‘themes I am picking up on in Veilguard’ list, let's go ahead and add what I have a sneaking suspicion will actually turn out to be The theme:

— the world has changed and can never be as it was again.

— I have been changed and can never be who I was again.

— in this simple unavoidable truth there is endless grief and endless hope.

And I… may be getting a bit emotional about it haha. Let me show my work a bit: 

if da:o is a game about people who are already dead or half ghosts in some form (through societal forces, psychologically, functionally, literally, in body, through the joining etc.) coming together anyway to save the world from being swallowed by total nihilism and despair (symbolized by the blight) through the power of love and friendship and also this sword/potential heroic sacrifice that I found, da2 is a game about people who have lost their homes and been set adrift finding and building new homes in each other (while completely failing to save the world. also through the power of love and friendship. as well as years of petty bickering <3 we must imagine kirkwall if not happy then worth having been because the love was there the love was there and that's the only sanctifying force we can ever have in this doomed world and city of ours), and da:i is a game about old stabilizing-but-unjust comfortable lies vs. disruptive but potentially liberating uncomfortable truths, and the power of friendship to help us distinguish the one from the other and navigate through them...

folks… I'm starting to think that veilguard might be a game specifically about moving towards recovery and acceptance after trauma — about how even in this flawed, severed, scarred state, what is here right now is worth loving and worth caring for. even in an imperfect and impermanent world and self, there is worth and joy. and of course the first real tragedy — and threat — of Solas is that he just cannot find it in himself to accept this and move on, to let go of what was, the regret won’t let him go or he won’t let go of it. which means that even though on the surface it’s Elgar’nan and Ghilan’nain (and the will to subjugate and violate they represent) who are the main villains, the real antagonistic force in this story beneath that is the Dread Wolf’s despair. A despair Rook must make an answer to by the end of the game, one way or another, compassionately or with righteous fury, triumphant or pyrrhic.

The world will change again and again and so will you — BUT the crucial element is that so will everyone else who exists along with you, you are fundamentally not alone in this existential truth. all we’ll ever have is each other and my god that is plenty, my god that is enough!!! Which is the second thing Solas just can’t accept, he keeps himself separate and completely alone out of an awful mix of fear and pride and feeling himself unworthy of anything else. Rook and the player want to save the world of Thedas because it’s where everyone we love lives, Solas wants to go back to the past because that’s the only neighbourhood where he can still visit those he loved — and the person he himself was, before. A very sympathetic and human instinct/trap to fall into when touched by trauma, I think, if only it wasn’t backed by godlike power, a fundamentally oppositional personality, and a catastrophic lack of therapy to make it literally everyone else’s problem too lol. It’s varric and solas’ banter about the man on the island and where meaning in a life comes from all over again, writ large and with detail work — and the added idea of ‘what if there are also other islands out there, though. With other people on them that you could find if you reach for each other’. Rook with the best of intentions has to make choices to which there are no perfect outcomes and live with what happens — and not cut themselves off from everyone else around them even when there is regret or shame. You get back up every day and you make a life with other people doing the same and you do your best, and that’s the only victory this world will give you. In the end, that is more than enough, that is essential. And I um. I love that. So much. It’s why some of the writing clumsiness on top can’t hurt me because this thematic spine is so solid and so beautiful to me. It’s DA2 all over again that way for me personally — I forgive this story for what it isn’t and couldn’t be, and I love it with my whole stupid open heart for what it actually is. Thank you for coming to my TED-talk and goodbye etc.      

(For my fellow TLT heads out there — you know what this story is reminding me of most of all, actually? It has some big Nona the Ninth vibes down there in the deep. It’s about… the horror and unspeakable beauty that can only be found in liminality, and the role of love in making that basic fact of existence bearable. And also even more unbearable at the same time. I'm so sorry.)

[lemotmo]

I’m honestly really worried right now with how nasty this has all gotten so fast.

I feel so bad for Oliver. His entire storyline he’s waited years to tell has now completely been hijacked from start to finish thanks to Lou and his cult.

The disgusting things being said about Oliver. About Ryan. The show itself. All with Lou liking and engaging with them playing up the poor me card with them.

Like they are literally demanding Oliver be written off the show as punishment and any future Buck scenes they already filmed scrubbed out. I saw a few say deport Ryan back to Mexico and then write Eddie off by sending him to Texas permanently and send Buck with him. Some saying Lou should have been kept on and Oliver let go.

Like it’s all insane. And none of them deserve it because they didn’t do anything wrong. No one misled or promised or lied. They have been open and transparent about BT from the start. Tim literally said at the very beginning this was an entry level relationship. No wedding bells.

I’m also getting worried the network is going to pull the plug on buddie because even if it’s not us doing it, they might not wanna deal with the insane blowback these people are causing and will cause when buddie happens.

Don't worry Nonny. Like I said before, Oliver will be fine. Ryan will be fine.

Oliver has disabled comments on his post on Instagram because he knew exactly what was coming. They are both probably avoiding social media right now, but I'm also certain they'll be back as soon as the worst is over.

The show never made any promises about BT. On the contrary, they made it very clear, since day one, that Tommy was there to be a plot device. Eddie was all over the BT narrative in both seasons. In season 8 BT were still in the same place they ended in season 7. There was no growth whatsoever. Also, there was no buildup at all for them. Tommy just existed next to Buck in episode 5, but there wasn't one single sign of physical affection. Even in episode 6 there was only a cheek kiss. It reminded me of Eddie kissing Ana when he returned home after the shooting. A single cheek kiss. We all know how that relationship ended.

I wouldn't worry too much about the network. It seems bad right now, because they are all being loud and obnoxious, but the BT fandom is actually quite small compared to the Buddie fandom and the general 911 fandom. Their voices will be drowned out by all the positivity in the end. These BT stans will stop watching the show, but it won't even make a dent in the ratings. There's only a few hundred of them.

I checked Instagram and I've already seen so many positive comments, saying it was one of the best episodes of season 8, praising all the actors and crew for their hard work.

So don't worry. ABC knows exactly what Buddie could mean for the show. It would most definitely increase the popularity. Bi Buck already brought in a lot of people (some of them who have already left us again since Thursday evening), but a lot of them are here for the bi representation and they are here to stay.

So imagine how crazy things would get if Eddie would turn out to be not so straight after all and very much in love with his best friend? And Buck finally figuring out who he really wants?

The episodes leading up to them finally getting together would draw in so many new people who heard that those two 'gay firefighters from 911' are finally getting together after 7 loooong seasons.

ABC doesn't care about a few hundred people throwing a tantrum under a social media post. They do care for ratings and making a profit. That's it.

¯\_(ツ)_/¯

Tell you one thing though: After what he has done? Lou will never ever work on anything for ABC again, which means that we won't ever see him back on 911 and that's a beautiful thing. 😏😆

[itsrobiyn]

❄️me finally leaving a toxic/abusive relationship after a year and 7 months.

❄️ This is literally a win for me. JUST LOOK AT THE TAGS LOL. Feminism is gonna shine in a new way for me now, I’m gonna get in a non profit to support against psychological and emotional abuse or sth.

—————————————————————————

ALSO @werewolf-mp3

my sideblog hedgie (now novelcracker) with all the translation tips and all it was me lol

SORRY FOR DRAGGING YOU IN I’M JUST SO HAPPY AAAAAAAAH

sorry sorry just ignore it

[kobrafangs]

jaya core

[hulloitsdani]

Book 2 is done! And damn I forgot how good it is.

Okay before someone lights me up for my next statement, Path of Radiance and Radiant Dawn are some of the best video games written. Period. Not even on the same playing field as other Fire Emblem games in my opinion. And I think one of the reasons why book 2 of Heroes works as well as it does is because it’s taking notes from Path of Radiance. And guys, it’s so god damn fun. Surtr is such a good villain, Fjorm deserves to commit some murder as a treat, and every second Helbindi is on screen is absolute gold.

Hold on I gotta go off about Helbindi actually. He’s a type of character I wish we got more of in FEH as a whole. He purely has his own story going on and never has a real conversation with our protagonists. And it’s a perfect decision. The world feels so much more lived in as a result and it makes his situation all the more tragic. They could have helped him, but why would that conversation ever happen? It’s amazing. Not mentioning that every word out of his mouth is pure gold. Favorite line of the entire book is from him— “I know that you were hoping to be slaughtered by the best, so I crawled out of the depths of hell, just for you!” Like man. MAN. Fucking get it Helbindi.

If his chapter 12 part 3 conversation with Laegjarn (where she breaks the news that his sister is dead) was voice acted and/or given more expressive visuals, it might actually get me! Perhaps make me feel a feeling. Because it’s genuinely heartbreaking! We don’t need the on screen build up of his relationship with his sister for it to be so either. Between his actions and the narrative parallels drawn between himself and Laegjarn, we know. Man it’s really good.

You know who else was fun this book? Anna! Like genuinely! Trusting this lady with my life. She’s got a few scenes that become REALLY interesting in retrospect. First and foremost being, woah book 8 foreshadowing? In my book 2? Fascinating! If you can recall, in book 8 we learn that the Order’s initial purpose was a lot more shady. As in, might have been trained to do political assassinations type of shady. Anna specifically worked for, trains for, and might have actively been in charge while this was still the case. And there’s a line in book 2 chapter 5 part 1 where she says verbatim, “There’s a reason why I’m the commander! If I know one thing, it’s how to sneak a squad through enemy territory…” It is then this skill that makes the Order such a menace within a Múspell occupied Nilf. Despite their smaller size and disadvantage, finding and catching up to them is a genuine issue that Laegjarn has to put a lot of thought into effectively countering. She even likens it to a hunt. We can then assume this propensity for stealth is key to the Order’s survival against a majority of their encounters with divine forces. The problem is that I genuinely don’t recall if this ever gets highlighted again past this point. I don’t think it does, but man it would be so fun if it was. More build up to this reveal please it would be so neat. Anna backstory ever so slowly being ringed out of her over literal years would drive me insane in the best possible way.

I also enjoyed Fjorm a lot more than I thought I would? In recent years, she’s treated more like an anime waifu, for lack of a better way of putting it. And I’m personally not the biggest fan of it. But it turns out she is getting a bit of a Lucina treatment— it’s as if after Grima was defeated, Awakening kept going and Lucina, with her driving motivation gone, was given an arc about crushing really hard on Robin. It’s not a good follow up, but Fjorm in her original story and context is pretty fun! Like her a lot actually! I am so down with helping this girl kill Surtr. Sign me up bestie. Let’s go get you some vengeance.

I also love how her vengeance is framed? This very well might be some left over Fates trauma talking, but it bothers me when the anime war crimes game makes a big deal about how killing people is wrong. Of course it is and it theoretically could be an interesting thing to talk about. But, in order to convince an audience that our protagonists are moral paragons that can do no wrong, there’s sometimes an insistence that no one here is killing anybody. In the anime medieval fantasy war game. I vaguely remember feh itself trying to do something similar at some point in the future, but not with Fjorm. People are dying horribly in this book and Fjorm is killing people. Her quest to kill Surtr comes from a deeply wrathful place and is noticeably self destructive, but no one tries to talk her down. How could they? For multiple reasons, they simply cannot. The most that can be done is Sharena insisting that Fjorm rest before she keels over. Reading it now, I cannot shake the feeling that if there is a world where Fjorm cannot kill Surtr yet somehow survived, she becomes a problem. Hell, she probably becomes a similar monster to Líf.

…oh shit is that point? Oh damn I think that’s the point.

Man book 2 is good.

Truly the only thing dragging this down is the racial undertones, which do make me extremely uncomfortable! It’s the major reason why I don’t revisit book 2 more. Surtr and Helbindi’s designs and characters are fucking fantastic, but god damnit guys the stereotype being propagated here is really not good! Hell, while we’re here, Bruno is also part of this. It’s not screaming it on a visual level like the other two, but come on, the only dark skinned character in the cast at the time is also the one has a curse on a his blood that makes him violent? That’s not cute! Don’t do that!

It’s not really the hardest fix either. Sure, the best case scenario would have been getting a second pair of eyes on that before that was an inextricable part of the final product. But, be honest, would anything really be lost if Nifl’s royal family also had some melanin? Or even some of our main cast? It would mellow out those undertones, that’s for sure. Also darker skinned Hríd and Gunnthrá could be so fucking pretty you guys oh my god. Can you see my vision? The second I have some free time I am drawing that.

Anyway, the consensus is that book 2 is really good and should be way higher on my FEH book rankings. Definitely got some flaws, but it is a great ride from beginning to end.

Um. So. I may have gotten stressed and started transcribing FEH’s story mode. Might currently have all of book 1 written down. Perhaps a third of the way into book 2.

This started as a way to have the preface chapters handy since they’re not replayable. But then I looked on the FE wiki and saw that they only have a small fraction of the chapters written down. And that scared me, because means that my hyperfixation has a nonzero chance of becoming lost media if the app were to go down one day. So now I have all of book 1 in my back pocket, including the preface, two intermissions, and the two relevant xenologues. Once I’m further along and have a few more books accounted for, I have no problem making the document public. But until then I encourage others to also write some of its content down. Just in case, you know? Especially those prologues and Tempest Trials.

With that PSA out of the way, omg book 1 hi!!!! It’s been forever!!!!

Apparently, I haven’t reread book 1 in its entirety since I first played Heroes! I’ve gone back to look for specific scenes and replayed the levels on harder difficulties (self inflicted or otherwise), but I haven’t done a thorough second pass before. Which was news to me, because that meant I was consistently blindsided by scenes and characterization that I completely forgot about! Did any of you remember that Zacharias was apparently Alfonse and Sharena’s childhood friend? I didn’t! But there it is, chapter 7 part 5 after battle cutscene, Anna specifies that aspect of their relationship. That’s crazy! How does the timeline even line up on that??? If he spent his childhood in Askr, how did he manage to have a strong relationship with his significantly younger sister? How did he find himself rubbing shoulders with enemy royalty? Could he have inadvertently met Peony? I’m not changing my takes on his character, but I would love to know.

Speaking of character, apparently seven years spent writing a character naturally changes how they sound! Who would have thought. It made seeing the book 1 versions of our Askr trio a little jarring, but in an oddly nostalgic way! This was a phase of the game where the story, its characters, and its world existed with the singular purpose of introducing new players to what Heroes was trying to do. Which was, at the time, being a cute yet unobtrusive gacha app tie in with simplified FE mechanics to give you that gameplay fix on the go. And to its credit, it does do a good job of this! It ain’t a masterpiece, but I was charmed by its emphasis on showing off all these cool characters you could go summon. Ryoma gets to talk for a few lines and you are going to look at his very pretty art! But that meant that the world and characters of Zenith take a bit of a backseat. They’re not here to be too complicated. The Order of Heroes are the friendly faces that go on adventures and meet these heroes that you can summon for only $19.99. But we all know where the game and its story is going to go from here. That emphasis is going to wane as FEH grows into its own identity (and also earn IntSys over $1 billion worldwide).

But that’s a later development. Before that fundamental shift is where book 1 sits. It’s in this fascinating position where these characters have yet to solidify into their recognizable forms. And if you don’t believe me, chapter 9 part 4 has a scene where Sharena and Alfonse’s roles have reversed. For once, Sharena is posing the cautionary “what if the information we are getting from this total stranger is a trap?”, to which Alfonse responds “nah I’m getting a vibe that it’s fine and that we should believe him whole heartedly.” Like??? Huh???? It’s Bruno, but still, that’s hilarious! Alfonse’s pragmatism bordering on paranoia hasn’t established itself as a massive driver of his character yet. Nor has Sharena’s role as trusting emotional core and moral compass of the group. It was very easy to borderline Mandela Effect it into being there, but it isn’t. Not quite. There are hints, sure, but once again these characters were initially made to be simple at the time. The depth doesn’t quite exist yet.

It wasn’t until I was writing this very paragraph that it finally dawned on me why the Askr trio voice lines, especially Alfonse’s lines, are such a big deal. That's where Alfonse’s character arc with trusting Kiran resides. There's the pragmatism we know and love! It’s not super present in the text of book 1, but the depth of these characters can be found in the voice lines you unlock from building them and earning the crown jewel level 40 conversation. That’s where Alfonse’s arc with his self isolating behaviors crumbles at that sight of one silly tactician. That’s where Sharena finally wins a fight against her own loneliness by forming genuine friendship with this stranger form a strange land, who is appreciative of her loud eccentricities. That’s where Anna apologizes about her initial underestimation of Kiran, thanks them for being more reliable than she could have ever hoped for, and swears that whatever hell may come their way, they’re in this together. The books themselves don’t seem to reflect this characterization until book 2, where they overall act more in accordance with the rest of the narrative. It’s as if they're taking from the voiced lines’ example and extrapolating more on the story they imply.

The one standing in slight contrast to all this is Bruno, as he's the most interesting character in book 1. It's blaringly obvious he's Zacharias, but it's genuinely amusing how deep he is in his own gaslighting. He can't manipulate, mansplain, manwhore his way out of this one folks, but he's certainly going to try! His lies aren't even that good, but it honestly contributes to how at wits end he is. Like, sure honey, I totally believe you that you just killed Zacharias. I bet he has an eight-pack too. Just take a nap for two minutes. But then everyone believes him because our protagonists have yet meld their group braincell. Overall, an amusing time.

I don't have a particular point I'm trying to make with this one. Just having a fun and pointing out the things I've noticed. Might give a little update for every book I complete. However many that will be.

[whirlybirbs]

it’s 5:20am i cannot sleep i am consumed with thoughts and yearning for keigo takami i need to be euthanized

[bedforddanes75]

i just think you deserve eternal happiness actually. funny and actually nice. u are jesus. anyway No pls i AM AFRAID u are simply too cool and i cant deal

[hella1975]

you ever have a fic get you in such a chokehold you start pacing your room and talking to yourself

[ghost-proofbaby]

i’m sorry no other show is doing merch like iwtv like their online store is only open at night??? and they sell a literal COFFIN as merch??? fuck off this is the best thing i could have randomly learned today

[unproduciblesmackdown]

omgg lol [guy who won't stop going "more like scapeGOATED" voice] now hold! on!! lmao [same guy just saw encanto voice] Hold on!!!

[sleepy-crypt1d]

people dont write wheatley mean enough, ive decided. like, he's an asshole. that's a huge part of his character. YES he is also pathetic and a fucking loser who i could drop kick.

that's why he's an asshole.

he's mean and self-centered and uncaring because that is how he has always been treated.

he frequently calls you brain dead, he throws out the idea of turning you in to GLaDOS' so he can live, he spends a full minute insulting children and calling manual laborers stupid - because that's how he's been treated. he was made to be stupid, he was abandoned by his creators because they didn't care, and then he's insulted time and time again by being called a moron when, if you actually look at the game from his perspective, he's the one who's did all the work!!

he has been kicked, insulted, almost killed and ignored his entire life no SHIT he's more than happy to turn those exact same actions onto other people without any sort of care for their feelings. no one's ever cared for his?? so why should he??

people either have him as a stammering uwu little baby who's either completely helpless or a creep or they make him super over confident when he's neither. yes, he stutters and yes there are times he's embarrassed but that's because he overthinks and has a hard time putting things into words. he is fucking terrifying, yes, but it's not because he's confident. it's because he's willing to do anything just to prove he can.

wheatley is so mischaracterized it hurts and it makes me so upset. this game has been out for ten years and i need my guy to be seen as the actual nuanced character he is.

[prettycottagequeer]

.

[hongjoongpresent]

BANGER AFTER BANGER AFTER BANGER

[allthepandasintheworld]

I just realized I can’t say Rene and Alois live in my head rent free. Like, they do pay rent.

The rent is emotional support

[cosmicallyconsciouss]

DUDE MY MOM LENT ME SOME EARBUDS AND HOLY SHIT HOLY SHIT MUSIC HAS NEVER SOUNDED THIS GOOD. IM GONNA LISTEN TO LIKE MY 1000+ PLAYLIST TO APPRECIATE IT ALL AGAIN.. DUDE THE FUCKING BASSLINES.. IM LIKE. HOLY SHIITT

[fujouppy]

alright no more sadposting after this but like . man its so funny how the reason for this whole Big Awful Breakup i am like never gonna get over was him Literally getting everything that i have ever wanted