#this is just. me having fun with fiction ig

[touchlikethesun]

randomly thought of a pretty shitty convo i had with someone over a year ago but if we’re engaged in a discussion about fictional characters and you stop the conversation to say “you know they’re fictional right” i will actually think less of you, because you’re not playing the game right. obviously they’re fictional if they weren’t i wouldn’t talk about their lives like that. call it trauma or whatever but i only really let myself talk freely about the characters i care about with people i think i can trust, and if you're going to take that trust and use it to put me down i'm sorry but clearly you don't understand how important this was to me and we shouldn't be friends

[bisxualbucky]

x

[waywardsalt]

fuck it, unedited snippet from an early early post-ph scene i decided to write one night

[estbela]

Should I reblog an ask game. Question of the century. Idk maybe it will make me able to form a coherent thought about hetalia

[casiavium]

I have two stardew valley farms rn, one where the character is a boy and the other the character is a girl. I hate talking to people on the girl save because they call me miss and girl. this means nothing and I will not be thinking about this for the next three to five weeks

[redeemed-wren]

Me, age ten, reading Roman Mysteries: Jonathan my beloved my fictional crush

Me, age twenty-two, watching Roman Mysteries: Why Jonathan's Dad lowkey the most attractive man here???

[lukesunbornn]

bruh i get such a superiority complex over being a good writer

[unproduciblesmackdown]

meanwhile, some quotes about the material:

The "musical within a musical" is about a ramshackle theater troupe haphazardly putting on a show destined for Broadway in exchange for doing chores around the farm. People fall in and out of love throughout the process, all while the city folk comically struggle with the country life. Emmy-winning writer Cheri Steinkellner was given one mandate, however: "No tractor," she laughed on the phone just weeks before the show was set to begin previews. "They were adamant about that. And there's a tractor in the movie. There's a tractor in almost every scene. It's in many ways about a tractor. But I was told absolutely no tractor." [...] "We're all working on this like we're on an actual summer stock schedule. Art imitates life imitates art. It's just go, go, go. And I couldn't be prouder of our cast, and our Jane and Joe," Steinkellner, who is also a Golden Globe winner, said. Her writing partner also happens to be her husband Bill. "Our 'Summer Stock' is more 'inspired by' than adaptation. There are four songs included from the original film that you can't not do. But the new songs are the best of the old songs. The secret sauce was the great American Songbook." She said "It Had To Be You" is one of the classics audiences can expect.  

[source: ‘High School Musical’s’ Corbin Bleu makes his Goodspeed debut in ‘Summer Stock’]

So, how different is the musical Summer Stock from the movie? It feels like a whole new animal, even though we’ve borrowed some elements from the movie. It is still, first and foremost, a love letter to the theater; it’s about this group of players who come to a farm to put on a show. So many numbers are how they get into farming through performance! We also still focus on how Joe and his partner Phil [played by Gilbert L. Bailey II] fight to get the show on its feet, and how Joe helps his eventual love interest Jane [played by Danielle Wade] find her inner performer. But a lot has changed from the film, including some of the relationships. We have a brilliant new writer, Cheri Steinkellner, who has dropped in a lot of nods to why we love musical theater. We have Veanne Cox as Orville’s mother, who is the new ���villain” of the piece. And we’ve added a lot of music, such as “It Had to Be You” and “It’s Only a Paper Moon,” and we’ve switched around who’s singing some of the film’s songs, such as “Dig, Dig, Dig” and “Happy Harvest.” But the most important thing is that while we’re still in the late 1940s, there are two Black actors playing the male leads – me and Gilbert Bailey as Phil – and it is definitely not color-blind casting; it’s color-conscious. That means we’re dealing with an interracial love affair, for instance. The racial element is an additional driving force, which I think is necessary, but the main story isn’t about the struggle for racial equality. In the end, it’s still a feel-good MGM-like affair. You’ve previously stepped into the figurative shoes of Gene Kelly, who originated the role of Joe in the movie, as well as Fred Astaire. How does that feel? I am always aware these golden age icons from MGM have such a specific style and that they make what they do look easy. Of course, I want to bring that to Joe. But in the tap dance sequence, for instance, we also have a bit of Gregory Hines, even though I’m no Gregory Hines. And at the end of the day, it’s me on stage, and I work hardest on finding my own characterization of these roles. This is your first time working with Donna Feore, who is one of Canada’s leading directors and choreographers. Tell me about your experience with her? Donna is wonderful to work with, both as director and choreographer. I think the best thing about her handling both roles is we don’t have to get everyone on the same page, because she is the same page. She’s also really hands-on with the music; she fought to have a drummer in the room during rehearsals so we could find those beats while we created the choreography, not just insert them later. As she directs, she considers the movement of every scene, but also the story that we’re telling through that movement! It’s not movement for movement’s sake, and I appreciate that! Goodspeed isn’t the easiest place to do a dance-oriented show, is it? Yes, we’re dealing with the confines of a very small stage, it’s like dancing on a Chiclet. I am so impressed how vibrantly our cast can move on this stage. We’re on top of each other!  I think we’d look great on a bigger stage, which is just one reason why everyone is focused on moving this show to New York.

[source: Interview: Corbin Bleu Talks About the New Musical Summer Stock and the Fourth Season of HSMTMTS]

“Summer Stock” is right in Corbin Bleu’s wheelhouse. “I feel at home on the stage,” he said. An actor, singer and dancer his whole life, Bleu is appearing in the upcoming stage adaptation of the Hollywood musical beginning July 7 at the Goodspeed Opera House. “I established myself in this particular genre, doing shows associated with Gene Kelly or Fred Astaire,” he said. “I am a bit of an old soul. This is what my voice naturally goes to.” The “High School Musical” star is playing Joe Ross, one of a troupe of actors that descends on a small farming town to turn an old barn into a theater. It appears he was born to play the role originated by Kelly on the big screen. “I grew up as a theater kid,” Bleu said. “I grew up watching old MGM movies. I was a theater nerd and a musical theater fan. My dad kept a storage unit of stuff from our childhood, and he found an old school paper from when I was in elementary school where I’m dreaming of performing in musicals.” [...] Of the four shows, “Holiday Inn” is most similar to “Summer Stock,” which was also adapted from a movie . “Holiday Inn” was a fairly close reworking of the film, but “Summer Stock” takes a few more liberties. “It’s not the exact same story,” Bleu said. “When I watch the movie, I think it could definitely use some updates.” Those updates include a multi-racial cast. “Let’s not skirt the obvious,” Bleu said. “I’m a Black guy doing characters traditionally played by white men, doing things Black men weren’t traditionally able to do easily at the time these shows take place.” [...] “Some parts of the book are still in process,” Bleu said. “Cheri is in the room with us at rehearsals. We want this to feel modern, but we don’t want to shoehorn anything in. “I was also part of the workshop we did in New York a month and a half ago,” he added. “I’m loving seeing it and I’m loving being a part of it. We know this genre. It’s a feel-good musical comedy, a big song and dance show.” Though there is a lot that has been rethought when reshaping “Summer Stock” for the 21st-century stage, those who know it as a Gene Kelly movie will have plenty to latch onto. “We are completely paying our homage to Gene,” Bleu said. “I am not Gene, but I do have a natural tendency to lean into that style. Gregory Hines is also a big inspiration. There’s tap dancing in this. There’s a whole Lindy Hop number. There are a lot of very large dance numbers.”

[source: ‘High School Musical’ star Corbin Bleu is rethinking ‘Summer Stock’ at the Goodspeed Opera House]

[yourknightinshiningplastic]

girl help I'm thinking. about that guy again.

[deus-ex-mona]

story of my life tbh

[wreckedhoney]

^^ "coming to the conclusion that positioning the "can people enjoy things that would be immoral IRL in their fiction" debate as a proship v anti fandom debate is akin to pretending that "should we have the death penalty" is a discussion that only matters in Death Note discourse"

not proshipper not anti but a secret third thing (person who has a career in the media and, through covering legislative politics, has watched "associating with problematic fiction or entertainment is an indicator of moral degeneracy" rapidly become a mainstream GOP position that they are encoding in legislation to target the queer community under the guise of protecting children, thus coming to the conclusion that positioning the "can people enjoy things that would be immoral IRL in their fiction" debate as a proship v anti fandom debate is akin to pretending that "should we have the death penalty" is a discussion that only matters in Death Note discourse — the extent and manner to which fiction affects reality is an issue that is immediately relevant to today's US politics, and to summarize my opinions on the matter in fandom terms would be to diminish the ways this debate is affecting america Right The Fuck Now. and i have stopped taking "this person is bad for shipping the wrong anime thing and being horny about it" in any sort of good faith ever since I saw it literally used as part of a GOP smear campaign against a transgender state legislator in an attempt to defend the right from backlash after they used their supermajority in the Montana house to prevent her from speaking on the floor. Anyway I think everyone on this site, especially Americans, could benefit from ceasing to think in proship v anti vocabulary and instead developing coherent political positions on the nature of fiction that do not directly align with current fascist political tactics)

[afterglowsainz]

we used to have more pt. 2 | oscar piastri

part 1 part 3 part 4

pairing: oscar piastri x reader

summary: after oscar gets back with his ex you found yourself coping in the best way possible: running away

fc: different girls from pinterest

warnings: some very questionable work dynamics that i’m pretty sure are not accurate at all (good thing this is fiction and i can do whatever i want for the plot!)

a/n: thank you so so so much for all the love you gave to part 1! this story is like my baby and i’m truly so happy people liked it <3

—

liked by oscarpiastri, carlossainz55 and others

yourusername always ✨chaotic✨ in melbourne🦘

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username AHHHH i live for her weekly race posts

username the bag essentials ✨

username her ig is what my pinterest boards looks like 🥹

username manifesting this life truly

declanmurray first pic is unfocused

yourusername NO! WHAT?

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lissiemackintosh i need that lipstick actually 😭

yourusername come and we’ll share 😭

[lissiemackintosh’s instagram stories] [yourusername’s instagram stories]

[caption 1: ✈️💗] [caption 2: lights out…]

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yourusername settling just fine 🍊🧿🍒

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username she’s working at indy now omg

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username probably one of her friends she always with

patriciooward that podium pic 😩

yourusername it was a cool champagne trick!

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milesbaldwin survived our first week in america

tagged yourusername, lissiemackintosh, miguelsossa and declanmurray

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yourusername against all odds!

username ohhh so they are ALL in indy

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username right like the season JUST started

miguelsossa we’re perfect 😉

davidmalukas perfectly deranged!

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yourusername 👀👀👀

oscarpiastri have fun mate 👍🏽

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yourusername another week, another race day🏎🏁

tagged davidmalukas and lissiemackintosh

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username the way this could’ve been about china but no! she’s in america 😭

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username you can’t physically separate them i’m afraid (liked by yourusername)

liked by yourusername, declanmurray and others

patriciooward nice afternoon🧡

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username second podium in a row yesss

miguelsossa congrats mate! (liked by patriciooward)

username guys you lost me i’m in love with a mclaren 😔

username no i get you because this is me with oscar 😔

milesbaldwin feliz navidad pato! (or whoever you say it) (liked by patriciooward)

username close! welcome back sebastian vettel

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patriciooward thank you!

—

taglist; @heavy-vettel @a-beaverhausen @astroniii @chunkpiboli @theonottsbxtch @eclecticcreatorweaselsalad @charli123456789 @stopeatread @coriyaps @nina-or-anna-or-nora @ninasw0rld @loveelylani @marauders-wife @dramallama9 @mxdi0 @piastrigate @ladyoflynx @prudyhoo @idkwtdwml123 @southernbaguette @ellelabelle @emryb @fastfactory

[dilfkuza]

thinking about Kiryu so much today has given me the urge to finish some of my kazumaji fics + start 2 more. dont ask me how many are already sitting in my drafts <3

[hawkeyefrommash]

i have some specific hangups that keep me from watching the last of us (or playing the game) but im glad that nick offerman played a gay tragedy that feels right and from what i've seen it's done really well

[panther-os]

I have hopes and dreams and predictions for the show but if they don't come true, I go "Okay, this is actually really cool in another direction" or "Damn, that was disappointing but I wonder what's gonna happen next" and I enjoy what I got and go write fanfiction about what I didn't.

"Expectations are premeditated disappointments." This doesn't mean don't have expectations, it means be aware your expectations might not be met and that you're going to have an emotional reaction about it.

And while I don't believe there's any such thing as overreacting because you feel what you feel, there is such a thing as reacting appropriately or inappropriately. So when your expectations are let down and you're having an emotional reaction about it, make sure to express that reaction appropriately.

Maybe come up with a plan in advance. "If Cody doesn't show up in the finale, I will choose something else I like about the episodes to focus on instead of obsessing over my disappointment. When I'm done watching, I will be miserable into my pillow for a bit to properly feel the emotion. Afterward, to cheer myself up, I will grab comfort food or take a shower and then make/look for fanworks about what he was doing instead or about him deus ex machina-ing the episode. I will not harass the creative team who did their jobs or my fellow fans who aren't that upset about it."

Please reblog if you're here for the story.

I watch The Bad Batch as an exploration of the beginning of the Empire from the perspective of a group of fugitives trying to get by in a galaxy that doesn't always make sense.

I'm here for their story.

I'm here for WHATEVER the writers, artists, and composers give us in their own good time. I want the plot to be given to me slowly. I want a character's redemption or further fall to have so much meat to it that I sit back and think, "Wow. They went through hell to get here."

I want to find out what makes the characters tick one morsel at a time, and I'm NOT going to complain about where the writers take them if it's not what I envisioned for them because it's the story.

Honestly, I'm finding this fandom to be a tedious place lately. A lot of people only seem to enjoy the show if they are given exactly what they want by the writers and the moment the show deviates from that, they complain.

I'm here for the story. Please reblog this or leave me a comment if you are too because I want to surround myself with other fans who are here for the Batch's story in whatever direction it takes us.

[ablednt]

See my main problem as a creator is that one specific group of headmates is going into every story we write. Like you'll meet Prima and then you're going to see a character very similar to her in basically every oc story we make. I can't just slam dunk her into every story I've ever had so it's like I am about to create a character that is so actually just serving the roles prima would play in this story.