mimipantys

[yourknightinshiningplastic]

damn girl are you the new idkhow song because. sex.

[starkwlkr]

Hii!! I had one for the Marvel!Actrice stories.

Can you make one where she gets her hollywood star on the walk of fame the same day that Kevin Feige gets one and Hugh makes a whole speech about her? Thought it would be cute to fit in :))

hopelessly devoted to you | hugh jackman

an: was about to make this hopelessly devoted to hugh.. lol get it? to you? to hugh… I’ll go home (again, reader has no faceclaim so you can imagine anyone you want <3) there’s a big fish and sebastian vettel quote in there so enjoy <3

The day of the walk of fame ceremony was here. It was a hot sunny day in Los Angeles, but you were keeping positive. You were finally joining the walk of fame.

Your whole family was there to witness the moment. Olivia even brought her Polaroid camera to take photos. She had a whole scrapbook filled with Polaroids. Your family was seated in the front row as the ceremony started. Several of your past costars like RDJ, Elizabeth Olsen and Winona Ryder were in attendance to celebrate the milestone.

The presenter started of by giving a speech about your accomplishments while you stood to the side. It felt like forever but eventually the first speech was about to be said by none other than Hugh.

“Twelve years ago, I was here receiving my star. My family was there and it was one of the best days ever. I remember you, my love, saying something in your speech that had stuck with me ever since. She said ‘you are, and ever shall be, my greatest delight’ and that’s what you are to me. We met when we were young. When I first saw you, the world around me had receded into a blur and all I saw was you. To quote one of our favorite movies, ‘they say when you meet the love of your life, time stops, and that’s true’. You have given me the best family and so much love. Also I quickly want to say that if anyone here thinks love at first sight is bullshit, I’ve got my proof right here,” he gave you a quick kiss on the lips as the crowd cheered. “I’m just happy that I met her so early so I didn’t spend a great time looking for her. And to wrap things up, because I can see our daughter shooting glares at me . . . My love, your star here is not just a mark of your achievements, but a symbol of the love and respect you’ve earned from all who know you. I love you, forever and always.”

And with that Hugh and the rest of the crowd clapped for you. You were practically in tears listening to Hugh’s speech. You were definitely going to scold him later for making you cry.

“You deserve this and more.” Hugh whispered to you as he gave you a hug and a kiss on the forehead.

“I hate you right now, you made me cry,” you wiped away a tear. “I love you.”

[the-entity-down-the-street]

Okay so. The New Beetlejuice Movie.

I have thoughts about Lydia and Beetz, and how Beetlejuice's feelings developed for her.

Yes. I ship them. I don't think I've come out and said it yet, but yeah I'm one of those. Block me if it bothers you. Winona and Micheal ship it, too. For the record.

Analysis under the cut

Okay folks. So, I don't believe for a second that Beetlejuice loved her in the first movie. He doesn't know her, barely interacts with her, doesn't care about her outside of having a means to an end. You can see this in how he treats the wedding, too. He rushes it and does everything in his power to stop everyone from saying his name. I don't even think they had a cake?

Now, this isn't to say he isn't intrigued by Lydia.

"I think I could get along with Edgar Allen Poe's daughter, she gets me."

Let's be real, though. He's a scumbag and a sex pest in the first movie.

This is in stark contrast to the sequel. He calls Lydia the love of his life, keeps a photo of her on his desk, fulfills all his promises to her, helps her get revenge on Rory *after* making him tell the truth about his motivations, and the DANCE SEQUENCE?? If his goal was just to escape the Netherworld, he'd have rushed the wedding vows and gotten it over with as quick as possible. And considering he has *more* motivation to get out than the first movie-- Delores coming to kill him, for real, permenantly-- that makes the second wedding even more romantic. He is down BAD bad.

So, how did we get here?

That's what I've been puzzling over for past couple days. I think it has something to do with the psychic connection Beetlejuice mentions to Bob.

@herefortheships has an excellent post that helped fill in the "why" of the psychic connection. Lydia can see all kinds of ghosts. What makes Beetlejuice different?

It's because they almost completed the wedding in the first movie. Sure, Lydia never said "I do", but they were almost there, and with this marriage ceremony being so powerful as to bring the dead back to life, even an interrupted wedding forms a link between them. Beetlejuice being such a powerhouse himself, and Lydia being naturally psychic, probably strengthens it. The closest comparsion I'd make is never closing out with a Ouija board. A very powerful, horny Ouija board.

So, this gives Beetlejuice a chance to get to know Lydia over the years. He watches her grow up, with a set of ghost parents no less. He sees her powers strengthen, and how she goes on to start a show utilizing her gift. I wonder if the show inspired Beetlejuice to start his own business?

She becomes a wife, a mother, a fully rounded adult who never loses her adoration of the macabre. I think he sees what he originally saw in Delores, and it ignites something, for lack of a better term, long-dead within him. Lydia is a much better person than Delores, too, and Beetlejuice knows that. After all, she originally agreed to marry him to save her (already dead) friends.

No wonder he's fucking smack dizzy in love. He softens, becomes a marginally more respectable person. Keeping a picture of teenage Lydia on his desk is objectively creepy, but that's also when he saw her in person last, so it makes sense.

Something else I noticed, and this kind of a tangent, but it's interesting.

He only started appearing to her again recently. Like, she'd felt him around the corners, but it's only around the start of the film that he tries to actively get her attention. I have a theory as to why. In part, he wanted to make himself better for her before making a grand entrance (reputable businessman and all), but there's something else that's more obvious.

Rory. He knows Rory's bad news, and I wouldn't be surprised if he used his connection with Lydia to spy on him. Beetlejuice probably knew he was planning to marry Lydia for her money soon. Now, he couldn't talk to her properly due to her blatantly trying to push him out, but he could still be loudly present.

Notice how when Rory summons him, Beetlejuice presents as a relationship counselor. He even says "I think there's an enabler here, but we'll talk about that later," which I think is because he wants Rory to know he sees through the emotionally manipulative bullshit.

I think he also knows Lydia was not going to believe him if he said Rory was a creep. I mean, why would she? Beetlejuice bides his time with gross out gags and other typical Beetlejuice antics. It's only after he's proven himself honest enough to stay true to his word by saving Astrid and sending her boyfriend to hell that he gives Rory the truth syrum.

He's really, really grown to genuinely love Lydia, way more than he ever loved Delores I'd say, and it's because he's fallen in love with the woman he got to watch her become.

[elderwisp]

◁ || ▷ now playing

Frances: You guys need any extra boxes?

Winona: Probably. Nona has all of these mugs like do we seriously need all fifty million of them?

Aponi: I heard that!

Winona: [ grumbles ] You were supposed to. Lady needs an intervention.

Frances: I think it’s nice to collect little things.

Winona: Are you admitting to me that you’re a hoarder?

Frances: I’m not! So are you excited?

Winona: Sort of. I mean it’ll be cool to have my own bathroom but I dunno. All my friends are here.

Frances: Felt that.

Winona: Frances, are you sure you gotta leave? I could pack you in one of these boxes.

Frances: [ giggles ] Sounds uncomfy.

Winona: I’ll add pillows and blankets.

Aponi: Winona, we’re not putting them in a box. 

Winona: Awh. Fine.

Aponi: Well, it’s that time. Thank you for everything.

Frances: Do either of you need anything from me before I go?

Aponi: No, you’ve been quite the help. Make sure you eat good food, no more ramen packets.

Frances: I promise.

Frances: Take care.

Winona: I’m gonna miss you.

Frances: Me too. Bye now.

[ low rumbling ]

Frances: Icarus? I thought you were working late tonight.

Icarus: I’ll be back. I told them I needed to take care of something first. 

Frances: Everything’s fine. Winona-

Icarus: I’m not sure if I’ll ever see you again and I wanted to… I needed to say bye.

Frances: I-I don’t want to go. 

Icarus: It’s okay.

Frances: I can’t do it.

Icarus: You’ve got big dreams waiting for you, Frances. I’m not gonna hold you back.

Frances: Icarus, please.

Icarus: [ whispers ] Don’t be a stranger.

Frances: I won’t. 

Dan: [ emotionless ] Rough day?

Frances: [ sniffles ] Mhm. You?

Dan: Incredibly rough. 

Frances: Wanna talk about it?

Dan: Not really, you?

Frances: No.

[impactrueno]

i keep getting amazed by how starkly different betelgeuse and lydia’s dynamic is in the movie versus the cartoon. what do you mean one was based on the other? how did we get “that WAS you stalking me!” from the same source material as “you’re one of a kind, beetlejuice. don’t ever change.”

yeah it happens

it seems like they decided on making a beetlejuice animated series first, and then they tried to figure out how to make it kid friendly. there's this interview that says stephen ouimette's first beetlejuice voices were very close to keaton's in the movie, but that they felt there was something very off about having an "evil creepy guy with a goth girl in the attic" and that was when they decided to soften the character. ouimette did a lighter and funnier voice and that alone was enough for them to feel like he wasn't a threat and the goth girl was safe around him. and i guess things just took off from there as they figured out the characters. it IS a children's cartoon, and being ran by abc at the time they had to keep things cute and wholesome. tim burton was very involved in the creation process (as much as he could while working on batman) so having bj and lydia be friends instead of enemies was pretty much his choice. but again, kids cartoon ran by abc. and that's why we have sugary sweet quotes like the one you said.

seems like even back then tim has always preferred a more amicable dynamic for those two. we already know him, michael, winona, everyone in the cast wants them to be together to some degree thanks to recent interviews. and i think that is why beetlejuice's character was slightly changed in the sequel, from an evil creepy guy to just....a creepy guy with a crush i guess. point is, they don't want him to be The Bad Guy anymore and that's why the sequel is the way it is.

BUT they can't just make him "not evil" and expect it to work, that would make no sense, he still needs to have this creepy and wrong edge to him, and lydia's not gonna just forgive and forget what happened in the first movie. so, combining allllll these elements, we get this brand new dynamic between them: creepy guy in love with the woman he's been stalking for 30 years (pure insanity but not exactly evil) and woman who's like "ugh not this fucking guy again" but still goes to him for help, begrudgingly. she can't quite get rid of him. they're obviously not enemies anymore and they're not friends either. but now it's a bit more believable for them to reach some sort of amicability, eventually.....perhaps in the third one.....we shall see

AND THAT.......is how we got from this concept

to this concept

and finally this concept.

three entirely different dynamics. three three three. rule of thirds, you know i love it. it's a crazy journey but i think it makes more sense when broken down like this.

musical stuff isn't really part of this journey BUT the musical did help soften people's perception of beetlejuice even MORE, so now pretty much everyone can buy into the idea that he can be more than just an "evil creepy guy," to the point where soooo many people were actually dying to see the two team up and be friends in the sequel.

and now the original movie feels like the outlier. oh the IRON-E ok sorry im not using that pun again

[moonsceptre]

What is your opinion on the Beetlejuice 2 Dream Theory?

This theory?

My opinion is that it's very likely to be true. I walked away from the cinema extremely happy with all of the shippy moments—so happy I hadn't even considered theorising anything yet, however my first thought about the ending was, So it was all Lydia's dream?

I read through the post and was blown away by how much sense it made, but I think it helped push me to believe it when my friend sent me this

My friend is not interested in theorising or shipping, and has no connection to the BJ fandom, he's just a horror fan. Yet his interpretation of the movie's ending was a summarised version of the whole dream theory. Isn't it far more romantic to imagine Lydia having spent her life with Betelgeuse, and he's indulging her with a dream of her own child? Considering they both have a 'psychic connection', I'm not convinced that Lydia hasn't been thinking about BJ just as much as he's been thinking about her.

This user pointed out both of Betelgeuse's love songs are by artists named Richard, conveniently the name of Lydia's previous partner. The same partner who was described as a horror fan that loved playing pranks, and dressed as a Beetlejuice lookalike for Halloween.

Looks like Beetlejuice, acts like Beetlejuice—either Lydia is equally obsessed, or it's BJ projecting himself onto Lydia's human lover within the dream. Watching the movie with new eyes, I noticed in the "Later, fucker" scene that BJ is sitting in the same place Richard sat while working at the border control. "Astrid" herself has a name related to the celestial bodies, much like "Betelgeuse". You can either take this as a romantic parallel, or Tim is trying to show us that Richard's creation is based on Lydia's fixation with Beetlejuice.

Dream sequences often use characters to represent something within the dreamer's psyche. It's like an abstract analysis of the way that character thinks and feels. Astrid's sequence within the dream shows Lydia's material desires—it confirms everything was based off of what Lydia wanted, which included getting married to a 'monster' (in the sequence of events, Astrid marries a guy dressed as a vampire), and then gives birth to the Beetlebaby. I know in the first movie there is a reference to the horror movie "The Fly", so I imagine this was too.

Did anyone notice the dream sequence watching Astrid didn't actually have a clear indication for when it began? It transitioned from the movie as if everything was a dream right from the start.

Let's not forget BJ straight up looking into the camera and saying "I love a good dream sequence". Lol.

My other reasoning for believing the dream theory is what Winona said about Lydia. Winona and Tim are close friends. Winona pitched the idea of having Betelgeuse and Lydia be the endgame ship in her words, and she happily took part in this movie. If Tim had rejected the idea, why would Winona reprise her role for a story she didn't agree with? Winona knows that Lydia is Tim's self insert (Tim has said many times he relates the most to Lydia), so why would Tim approve of all the shippy moments if he opposed Winona's pitch? No one knows Lydia like him!

Winona said in this interview that she hadn't imagined Lydia ever becoming a mother, but that after a while it started to make sense. She does not elaborate on that, but explains her idea for Lydia was that she would end up a spinster in the attic. If you read the dream theory, it highlights how the movie begins with Lydia in the attic, and then transitions to Lydia's TV show, but the background is still the attic. I found the whole film very dreamlike in this way, and I think the fact that Tim has said Wizard of Oz (a movie where the girl wakes up after a dream, in which those she knew acted as characters within the sequence) is one of his favourite movies helps to put it into effect.

And finally...

It's Lydia Deetz. Lydia loves the strange and unusual.. do you really think she wasn't curious enough to contact Beej again?

[carigm]

MAJOR POTENTIAL SPOILERS/LEAKS REGARDING S5 (WARNING)

Last Spring/Summer, a semi popular fandom account on Twitter got sent some leaks about S5, focused on the first half of the season. At this time, many fandom accounts were receiving supposed leaks, so our attention was a bit scattered and we didn’t focus on any of them too much. A popular leak account on Twitter (unrelated to ST) also mentioned that they had gotten the first half of S5 leaked, and that this source is “never wrong”. Now, it is hard to tell if these leaks are the same as the ones that the specific fandom account I’m talking about received, but something to keep in mind. Her leaks were given to her by a person named James (which I assume is a fake name). These leaks were also posted on Reddit, last year, by her (the person in the fandom that got the leaks from James) but some major things were omitted in that post. I’m gonna leave a link here in case you guys want to read the discussion.

I’m sharing these leaks with you because some things from them are kinda lining up with what we’re seeing from S5 production. Keep in mind that these could be fake/wrong, and James himself said he didn’t have info on the last couple of scripts.

According to James, Mike dies in Ep. 3. I’m adding more screenshots later for more context, but the gist of these leaks is that Mike bites it, mlvn never breakup nor do they get a resolution, and Byler is left up to interpretation but never really happens. (I don’t really need to get into how shitty this all is writing wise)

Let’s go over the things these leaks might have potentially gotten right, according to what we know so far.

1. James said that the time jump would occur in ep. 1, after an establishing scene where S4 left off. He said the time jump would place us in late 1987/early 1988. He also mentioned there would be a series of flashbacks showcasing stuff from before the time jump. The dates he gave do seem to be accurate, and David Harbour had a shaved head right before they went into filming, which could imply pre time jump scenes.

2. According to him, after Mike dies, they find a letter he had been writing. Some of us were theorizing Finn had a letter in his back pocket in those rooftop pics. Could’ve also been Finn’s script and he just stuck it there (who knows).

3. He said that Joyce gets badly injured in ep.3, and since there’s speculation Winona was seen filming at the hospital, some people think that means she was taken there because of her injury. It’s important to notice that Natalia, Cara, and Finn were also supposedly seen filming at the hospital, and that the production called for many extras for nurses and paramedics. So whatever they’re filming at the hospital, it might be bigger than Joyce getting injured in her leg. Let’s remember Max is at the hospital too. I’m not 100% sold on this part of the leaks.

4. Today it was revealed that they’re setting up to film at Stone Mountain. (This is where they filmed UD scenes for S4)

Apparently production might have purple tentacles out already. (UD vines?)

Cara Buono mentioned, in that video shared by Ross Duffer, that she was filming stuff from Ep.2. This was around 2 days ago.

The people that know about the leaks think this is where Mike dies in ep. 3. Here’s some further context:

Here’s some stuff he said about mlvn:

Which is just….meh, because like I said, it doesn’t look like him and El ever breakup before his supposed death. Plus Byler never gets any resolution.

Now some things that might disprove the leaks (I’m trying to be impartial here)

1. These leaks mentioned Argyle a couple of times, saying he has a hero moment at some point. Eduardo made it sound like he’s not coming back to the show, but tbh he could just be lying. He’s listed for ep.2 on IMDb (and yes I know anyone with an account can edit that site)

2. These leaks say that Mike is very insufferable for the 3 episodes he’s alive, basically lashing out at everyone, specially El, and just overall behaving like an asshole. I really didn’t get that from the ElMike rooftop scene, in fact he seemed very gentle with her. People that know about these leaks think that the rooftop scene is Mike maybe apologizing to El and them having a heart to heart, right before he dies (no comment).

All in all, if Mike is dying this early, I’m sure we’ll know soon enough. The rest of the cast is gonna be filming for like a year, and Finn will be done in like two weeks 💀

I also hope there’s more leaks soon (on Reddit) so that we might compare them to these and see wtf is up.

I know someone is gonna inevitably ask why leaks would be out almost a whole year before they started filming when we usually get them during filming or post production, but I’ve been told these leaks happened around the time the writer’s strike began, which is when they were originally gonna start filming. I was also told other shows had issues with leaks around that same time.

I don’t want to get too much into the truly awful writing we’re facing if these are real but…First, I believe it’s a total disservice to Mike’s character. One of your mains since S1 and you don’t even offer him the option of dying towards the end of the season? Even fucking Eddie got that. Two, it seems like a very easy cop out for not having to make Byler canon. Let’s just have neither ship be endgame and that way we don’t get queerbaiting allegations. It also stands in a zone too close to torture porn for my liking, because sure let’s kill the character two of the most traumatized characters in the history of TV love most. And yes, it’s also a disservice to El and Will’s characters. And lastly, if that supposed letter vaguely alludes Mike having some sort of sexuality problems (we don’t know atp) it is pretty fucked up they just killed him off like that. Sure let’s not explore any of that, but give a half assed explanation via letter ex machina. This is looking like Supernatural finale levels of bad to me.

Another point, I distinctly remember the Duffers saying, after S4, that they could never kill off a character like Mike because it would be too painful, and that ST would cease to be ST and lose its identity. They didn’t want to be like GOT. I sincerely hope they actually meant this and were not trying to be cheeky or whatever the fuck.

It would be genuinely insane, and quite frankly, a highlight of their lack of writing abilities.

I hope the leaks are wrong, but I felt like it was necessary to warn everyone just in case. I know I’m not watching something this awful.

[insistonyourcupofstars]

something something all boyd ever wanted from raylan was an admittance of what they had. a moment of truth that existed without deep subtext or euphemism or what have you - just an acknowledgment of what "we dug coal together" actually meant. a moment where raylan wouldn't repress the raging sea of emotions that he holds within himself and give boyd a sign, a true acknowledgment.

and the tragic thing is, boyd gets that. but not at the very end. when he gets what he wants, it's to coerce him into helping raylan take down a man who hurt his family. of course, not only was boyd accused of being involved in the hostage situation with winona, but when raylan goes to him to get his own form of justice, what is it raylan says to boyd?

boyd's not going to help raylan out of protecting ava from him. nope, boyd's going to help raylan because he's. his. buddy.

and what does boyd do? he drives raylan, in the middle of the night, to murder some big-shot mob boss to give raylan a sense of vengeance.

I was rewatching the final episode of s4 a while back, and this moment just hit me like a truck. the way raylan so casually and poignantly tells boyd that he will go with him because they're friends and he does it! because raylan just pulled the uno-reverse card on his ass!

it's such good writing because not only does it shine a light on how far boyd is willing to go for raylan - and this deep-seated feeling of need of validation that he desires from him (raylan did leave him in harlan supposedly not too long after the mine collapse, and they were so young that it definitely would cause limgering feelings of abandonement) - BUT ALSO it shows the depth of raylan's character because HE KNOWS.

raylan knows what boyd wants. he has always known, but like he does with almost everything that elicits an emotion other than "anger" and "sarcasm," he puts it away in a locked airtight box that no one, including himself, ever has to see. and yet, when push comes to shove, raylan is not at all above using this as a way to further his own goal. it's not a good light to cast on his character despite all lighting looking good on his character but it makes his character sooo much more juicy.

[yourknightinshiningplastic]

extree extree read all about it! I miss treebark.

[littlexdeaths]

it’s a recipe for disaster headcanons

below you can find a bunch of headcanons for this little au.

i’ll definitely be adding some more as they come to me <3

enjoy my loves xx.

• set in the summer of 1991 and onward.

• mouse is 20 and eddie is 25.

• sid works at sam goody in the starcourt mall.

• gareth is the assistant manager of upside down comics. (where they host hellfire club meetings every saturday)

• keith (unnamed freak) is a line cook at benny’s.

• jeff works with eddie at the sinclair’s auto shop.

• sid and eddie have been friends for the longest out of the group, they met in fifth grade.

• mouse has had a crush on eddie since middle school. and while he was totally oblivious to it at the time, he can’t stop teasing her about it every chance he gets now. “oh so you liked me, liked me, huh?”

• corroded coffin has started getting gigs in indianapolis and is slowly starting to gain traction in the underground music scene.

• sid is the lead singer of corroded coffin, i picture his voice as chino from the deftones. and his style is very reminiscent of matthew lillard’s character in senseless.

• mouse’s style is very much inspired by a combination of jennifer connelly and winona ryder in the late 80’s and early 90’s.

• robin figures out mouse and eddie are dating almost immediately. i mean she did crack a russian code in another lifetime.

• eddie has literally had to hide in mouse’s closet and under her bed multiple times in the very beginning because he couldn’t help but want to sneak in a quick make out session. he also definitely teased her about her collection of cabbage patch dolls that she has hidden away in her closet.

• mouse made eddie watch my girl with her and he absolutely cried like a baby.

• eddie gives mouse a stick and poke tattoo of a heart on her hip.

• wayne catches eddie trying to sneak mouse out of the trailer before he wakes up one morning but all he has to say about it is, “about damn time, boy.” and rolls over to go back to sleep.

• robin has to go in and erase the security camera footage of mouse and eddie when they got a little too frisky in the adult section of family video. she’s scarred for life.

• when eddie finds out argyle has been supplying mouse with weed for several years now, he’s very offended. “you mean to tell me you’ve been willingly paying for weed, when you could’ve gotten it for free?” but it’s not something a couple kisses can’t fix.

• series masterlist. •

[whinlatter]

beasts | from the postbag 🦉

it is a source of great delight, great gratitude and great guilt that i have an inbox full of juicy questions i haven't answered. reckon it's about time i got around to answering some of them! this is a bumper post with lots to answer and plenty to rummage around in, so if you have sent me a question i hope you will find it answered in here! (if i haven't replied, please know that i have treasured/been tickled by every one and will never not be pleased as punch that people reach out to say hi and chat about stuff i put out into the world). alright. to business!

it’s a fair question anon, and the answer is at least partly as you suggest: neville and seamus are loyal to ginny (dean, ofc, wasn’t there). in c.12 harry talks about having spoken with neville about it, and though he tells ginny about it, he also reassures her neville didn’t spill her secrets - harry doesn’t like people talking about him behind his back, and he’s right to assume ginny wouldn’t either. (i mean, i also think waiting for someone to be ready to talk about something is a basic mark of respect for a loved one - and learning to be patient and not demanding information from people is a skill a certain mr potter could do with learning). but, as i hope c.14 gestured towards and as the flashback chapters will unpack, ginny also had a very specific war that was particular to her and who she was vis-à-vis harry and the order. neville and (to a lesser extent) seamus know some of it, but they don’t know the whole picture. hope this helps!

i live to gag! (thank u anon!) 

i played with writing ginny having different emotional reactions in the final scene of c.14, but in the end decided i liked having her quiet, resigned to it, like she knew this was coming (they’ll all know soon, as she tells herself throughout this chapter). for someone who is often kicking off and raging at people bearing bad news, it’s a lot of fun to write ginny as someone with the wind knocked out from her every now and then. 

i won’t spoil this one, anon, but i will say that i think ginny understands harry, his good intentions, and the reasons for his blindspots. they’ve got chats to have for sure. but will she be throwing hands imminently? i would not bet on it. 

it was little women! the same book hermione's reading in chapter 3. the granger girlies love a classic. they prefer the winona ryder adaptation but hermione takes the family to see the greta gerwig version and bawls and ron has to mop her up in the richmond everyman cinema.

to these lovely anons and the others i am keeping close to my chest - i am reaching into the screen and tenderly stroking your rosy little cheek. thank you for waiting for next bits of my fic !!!

on harry's characterisation - harry is a cranky crabby little grouch with a temper and a good sulk in him. he also is not beating the softie/sentimental allegations and will always be a sweetpea when it comes to those with good vibes and freckles in spades. and we should not forget it!

anon, i don’t know what you’re like as a host, but if two horny teenage houseguests decided to use my hut for a spot of snogging and heavy petting i’d be putting my foot down and setting the skrewts on them.

more seriously - there are lots of reasons, and most are boring. some are just ‘plot’. these are two characters who are not just physically removed from one another, but having to clock their emotional distance from each other, or at least the distance in their experiences of war and how that has changed them. having them physically distant and trying to find their way back to each other through new ways of communicating is a part of this story. it would be a much much more boring story if harry and ginny could see each other every week. i love a hinny hangout as much as the next person. but the story wouldn’t work if they had endless access to each other. and this is where the other reasons come into play - story conventions, or the rules put in place by canon, where characters beyond hogwarts very rarely set foot on hogwarts’ grounds without serious reason, and the school behaves pretty much like every other english boarding school, which is strictly controlling visitor time and not just letting people rock up and hang out with the students whenever they feel like it. 

you best believe michael A&R corner will be handing out the ravenclaw lads’ mixtapes outside the courtroom, anon!

this is definitely an agree-to-disagree on this one, anon. i think, if there were no post-war justice, no trials, no public reckoning, no need to immediate need to clear snape’s name, then maybe. but i think harry would get one whiff of death eaters trying to blame their crimes on old sev and say, not on my watch. he’s literally the only person who can clear snape’s name posthumously. do i think he felt weird about it all? absolutely. but i think he would do as he does in ootp re clearing his own name and make it his business to get the truth out. i don't know if you've noticed but that young man is really rather righteous. he also couldn't wait to tell voldemort snape was actually a goodie. he was chomping at the bit, he was salivating. he had the goss and he could not wait to spread it. he's just like me fr!

thank you sm anon! i have talked a little bit about my view of hermione and ginny's relationship here (forgive the link to an old thing, i am terrible for repeating myself), but i think their relationship as you see it in beasts is my way of trying to write the middle ground between the two views of their friendship often doing the rounds in fandom - eg. they're absolute soulmate besties who totally get each other all the time vs they're basically not friends at all. i am just a bit of a sucker for hard won female friendships earned by girls growing up and getting a grip. now - if harry and ginny had an argument, i imagine ginny would be right, and hermione is always on the sign of reason. but even if ginny wasn't right, i reckon hermione would have a quiet word with her about it, but still make sure she told harry off to, just because it's good to never let the men in your life know peace.

i yelped! you dreamed of my fic! that's bonkers and brilliant in equal measure. look if chapter 15 gets revealed to you in a dream and it's better than in the google doc i'll be soooo fuckin pissed.

[edgy-ella]

Beetlejuice Beetlejuice thoughts

Overall I really liked it! This is definitely Burton’s best outing in years. His signature quirky sense of humor is back, and it’s got some fun performances and a nice blend of practical effects and CGI. Go see it if you can.

From here on out I’m gonna get into spoiler territory so proceed with caution.

This movie along with the original Beetlejuice have made me realize that one of Burton’s unsung strengths as a director is his strong pacing. Both movies are very zippy, never lingering on one shot or scene for too long. That’s a good thing, too, because I don’t think this movie would’ve worked otherwise. The script juggles a lot of characters, old and new, and subplots that don’t tie in very well to each other, leading to a climax that feels like everyone lining up to get a slap in the face before exiting stage left. Burton’s directorial touches—snappy pacing and cartoony German Expressionism visuals—are what make the movie work.

There’s some sequel gap syndrome at play here but it’s not very distracting. I think it helps that there is a huge time skip between the two movies rather than something like Psychonauts 2 which takes place literally the next day after the first game ends. You don’t really question how Beetlejuice unshrunk his head or how he has a bunch of other shrunken head people working for him now; so much time has passed that you can just sort of infer it on your own. That being said, the movie seems to have abandoned the concept of afterlife social workers all being suicide victims.

There is meta humor but it’s all very subtle. It’s never a big punchline where the actors pause for the audience to laugh, it’s always incorporated into the dialogue fairly naturally and there for people in the know to chuckle at. One character says that she’s “never doing Disney again” while talking about Halloween costumes. Neither of my friends picked up on this bit, but I got a nice giggle out of that one. Like you go Tim you’re finally out of your abusive relationship with the mouse.

For those of you that have seen the musical, it is a little distracting early on in the movie because it seems like Lydia and Astrid’s character arc is the exact same one that Charles and Lydia go through in the musical. The kid’s got a dead parent and living parent won’t talk about them, which becomes a source of tension. Astrid doesn’t go running into the Netherworld to find her dad like Lydia does for her mom in the musical, but strangely enough, she just…kinda bumps into him? It’s very strange. He’s working for customs in the afterlife and they just so happen to pass by each other as Astrid is nearly sent to the great beyond. I’m too tired right now to go into what this kind of thing means thematically.

Jenna Ortega gives a good performance as Astrid, but I wasn’t really sold on her character. I appreciate that she’s not just Lydia 2.0, but the Snarky Politically Active Teen Who’s Above All Of The Superficial Blonde Girls™ has been done to death already. I don’t see her having the same cultural impact that Lydia had when the first movie came out.

Monica Bellucci’s character, Beetlejuice’s ex-wife Delores, honestly feels like trailer fodder. She suffers the most from the movie’s lack of focus, especially for how much she’s hyped up at the beginning. Once again, she gives a good performance, but the script isn’t doing her any favors. Bizarrely enough, they didn’t really keep the gag of Beetlejuice keeping her chopped off finger/wedding ring? She’s still missing a finger, but she doesn’t get it back from Beetlejuice. It’s just there with the rest of her. She staples it back onto her body the same time she does her torso and legs.

One of the writers definitely has a pregnancy kink. There’s a couple of those “the writer’s poorly disguised fetish” moments in the movie, which honestly got a laugh out of me for how blatant they were. Congrats guys, you got to see Winona Ryder and Jenna Ortega give birth. There’s also an inflation scene, but that only happened once, not twice.

Lydia is shown taking either antidepressants or schizophrenia meds, which her fiancé throws in the trash in like the first scene of the movie which just made me think of that scene in the Fnaf movie where Vanessa throws Mike’s sleeping pills in the lake.

On a similar note, there’s a shot that is more or less frame for frame that scene from the Casper movie where Kat and Casper start levitating while they’re dancing. It even serves basically the same narrative purpose. Seeing it gave me whiplash. You can’t do this to me Tim.

Kind of related to the meta humor, but I got a kick out of how they wrote Jeffery Jones (the actor that played Charles) out of the movie. I mean, they definitely had to, but still. We see Charles’ death through a pretty goofy stop motion segment, and in the afterlife he’s walking around without a head (presumably played/voiced by a different actor). Conversely, the Maitlands (Alec Baldwin and Geena Davis) don’t show up at all. Lydia says that they “found a loophole and were able to pass on” and that’s it. I wish they got a stop motion segment the same way Charles did.

Bob is my goat. He’s very Sir Dan-coded. He did not deserve the fate this movie gave him.

I wouldn’t say I prefer this movie over the original, but my god, it’s leaps and bounds better than all the remakes, reboots, and gap-sequels we’ve been getting for the last ten years. It could’ve benefitted from a tighter script, but in a movie like this that’s not really what matters. It’s dark, it’s funny, it’s charming, it’s memorable. It doesn’t feel forced or corporate the same way that movies like Hocus Pocus 2 or that new Indiana Jones movie do. It’s worth a watch.

[amazinglyegg]

Fallout 4 companions as which Don't Starve Together character they'd main:

Cait: Wolfgang, and eats all the food so she can stay permanently mighty. I would say Wigfrid but she's too much of a team player, Cait's gonna run off and die unprepared and then whine if she doesn't get revived immediately

Curie: Webber. Cute little spider boy who can befriend spiders and make them friends with the team!! What's not to love?? Also enjoys being helpful to the team by getting a ton of silk and eating all the extra monster meat.

Codsworth: Warly 100%. He takes the work the others are too lazy to do and stays at camp the entire time. Probably has an list of every single crockpot recipe beside him while he plays.

Danse: Wilson. He doesn't get the point of picking a character with disadvantages and thinks having to jump through hoops to manage character-specific issues is ridiculous. He'll never play as anyone other than Wilson.

Deacon: Wes would be too obvious so I'm going with Winona. Doesn't go to base ever, people don't even know he exists, but whenever the team goes to fight a boss he already has a complex cheese setup with catapults and meatbulbs or something. Minmaxes everything.

Gage: Willow. Burns down the chests when his sanity gets low and gets banned immediately.

Hancock: Probably Wortox??? He wants to be a little freak of some sort, that's for sure. Completely abuses his teleports out of laziness and never actually uses his souls responsibly.

Longfellow: Chooses Wickerbottom, dies to Charlie on the first night, then turns off DST and plays Shipwrecked instead. Picks Woodlegs. Still dies on the first night.

Maccready: If not Wolfgang, he probably hears X6 talk about meta strategies and plays as Wanda! Finds it very entertaining that an old lady is one of the strongest characters, and not having a health meter makes him feel much stronger than he really is.

Nick Valentine: Picks Woodie randomly at the character select screen without reading his description, gets pretty attached to Lucy and the easy wood supply. You can imagine his shock on the first full moon.

Piper: Refuses to pick a main for the longest time and goes down the entire list every time she dies, until she reaches Walter. She just CANNOT part with Woby, no matter how much she sucks at playing as him.

Preston: Wendy! He needs Abigail to help him with fights, I doubt he's very good at games. Definitely says he's going on a quick supply run then gets sidetracked by helping pipspooks. He can't just IGNORE them!!

X6-88: W8-78 would be the expected one (same naming scheme!) but I doubt X6 would enjoy having to run around and scan rabbits with Jimmy. He'd probably pick some minmaxer like Wanda or Wolfgang and ruins rush day 1 or whatever. He totally follows an online guide and ragequits when he realizes picking a "meta" character =/= automatic win.

[elderwisp]

◁ || ▷

Frances: You have it together. Any problem I’ve had, quickly resolved with a bit of advice. You always have a solution. What could possibly stress you out? 

Icarus: A lot of things, actually. 

Frances: Like what? A dog swallowed its chew toy again? Or a horse has fallen and it can’t get up?

Icarus: Is that all I’m reduced to?

Frances: Oh god, no, I-

Icarus: I’m sorry. I could have worded that differently.

Frances: Don’t apologize to me. What I said was cruel. I’m really sorry, that was so out of pocket. 

Icarus: … You’re sorry?

Frances: Very. As I’m sure you’re aware, I can be a bit much sometimes. I know I can be insensitive and I’m working on it… [ mumbles ] Yet here I am, doing it again. To you.

Icarus: Frances-

Frances: Don’t try to downplay it, I crossed a boundary this time and I am so sorry. I recognize you’re a person as well, with feelings.

Icarus: …

Frances: Icarus…? Please say something.

Icarus: I’m sorry, I’m a bit taken back. 

Frances: I said something wrong, didn’t I?

Icarus: [ shakes head ] No! No, lately a genuine apology is difficult to come by.

Frances: Well... I just think you deserve better. 

Winona: Sooo… What’s going on here?

Icarus: Winona!

Winona: [ snorts ] Wait til grandma hears about this.

Icarus: Please go away.

[ clears throat ] Anyways… The piece you played-

Frances: [ flustered ] Yeah total shit I know!

Icarus: Jesus Frances! I was gonna say let’s have you play it again so we can refine it.

Frances: TRUE! I have this idea… What if I added a little vibrato?

Icarus: What’s that?

Frances: OH MY GOD, we studied this!

Icarus: I told you! Musically inept!!

[satzuboreas]

thinking about the survivors and food.

like, what do you think that they felt when they got to eat their favorite food made in a proper way? (Because i think that most of them don't cook that well, also that food tastes better when someone else makes it most of the time.) do you think that they felt emotional? Do you think that Wilson felt satisfied? That Wendy wish she could split her banana pop with Abigail?

What do you think that they felt on their first time feasting all together? What do you think they felt when they had time to indulge and eat without it being just for survival but because it feels good, it is tasty, especially around people who are also eating food to indulge themselves.

Like, Wigfrid sometimes says "yes, meat!" for something that has no meat just so she can eat it in character.

Do you think that Warly tries sometimes to keep himself together while cooking because he's thinking how his mother will not be eating the dish that he made that day?

Do you think that they would eat all together more than just those times? Do you think that they would split food with one another, not because it is necessary, but because they feel like it? Do you think that they would like to serve each other? Say things like "I think you'll like this." "Try this!" "You said one time that you like these."

Do you think that they sometimes eat because they want to taste something and not just because they're hungry?

Do you think that even though Maxwell's fav dish is lobster, he has a wish for something that he used to eat with his brother?

Do you think Winona keeps an empty chair besides her when she eats because she thinks of Charlie? Do you think that she wishes she could cook something for Charlie? Do you think that she thinks of leaving some food in the dark so Charlie could eat what she's eating in that moment? Especially if it's something that she would think that Charlie would love to eat? And feel a bit sad that in the morning there would just be a plate with cold food in the ground?

Do you think that when WX-78 was still human, Wagstaff would have to make them eat something because they would go days without it because they wouldn't even think about such things? Do you think that they would eat together in silence? I think that they like more sweet things but would not say that. They would like hot cocoa and hate dark coffee, "IT'S JUST HOT BEAN JUICE." [plain text: "it's just hot bean juice."] Did they had a favorite pastry shop?

Do you think Wendy would start sharing her food with her uncle?

Do you think that Webber would not eat his vegetables on purpose just so an adult figure could go up to him and say something like "That's good for you." "These are pretty tasty, you know?" just like his mother would do to him?

Would Wanda take her time while feasting? Take her time to taste what she's eating?

Do you think Willow felt happy to eat so many good things and have a chance to eat around people she likes? Even that it is in a hellhole, it felt like home?

Was Charlie the type of kid to put what she didn't like on Winona's plate so Winona would eat it? Do you think Winona misses that? Do you think Charlie feels like she wants a home cooked meal? Would she like a hot stew?

Just a lot of thinking

[c-schroed]

Bram Stoker's Dracula (1992) Or Why The Probably Most Accurate Movie Adaptation Of Dracula Still Is Not Accurate Enough

I mentioned some time ago - while salivating over the marvellous razor scene of Francis Ford Coppola's Dracula adaptation - that there is quite some stuff to unpack here. And now I found some time to unpack. So let's begin. I'll start with the good stuff, firstly the good stuff that's not in the book (i.e., the Flourishes), than the good stuff that's true to the book (the Well-Conserved). Thirdly, I'll make note of things that were, unnervingly, changed (by which I mean They Came Back Wrong), and then I'll deal with what is unfortunately left out from the book (the Missing). And finally, finally I'll rant over that two bad things that never were in the book in the first place (a section I'll call JUST WHY?).

So. A tragedy in five acts. Here we go.

Act I - The Flourishes

The razor scene. I think I dealt with this enough by now. It's perfection and I'll die on that hill.

The music. Obviously, Bram Stoker's gothic lil masterpiece is lacking some gorgeous score. But mourn no longer, because Wojciech Kilar cooked up some dashing, pushing tune for us, fitting perfectly to this dark tale of spreading darkness and deepening madness.

Some basic knowledge about blood groups. Yeah, Stoker can't be blamed for this, but still. It's a nice addition to remind us that we do indeed live in a world where blood groups exist.

The Westenra Estate. As much as I pity that the lovely town of Whitby did not make it into the movie, I do love Lucy Westenra's house. Because I'm a sucker for hedge mazes. Simple as that.

Those glasses. Those. Fucking. Nice. Glasses.

Act II - The Well-Conserved

The plot in general. Yes, there are a lot of maddening differences, as we will see soon. But still, this movie at least makes the impression that most of the people working on it had indeed read the darn novel. Which is something that I can't say about many other Dracula adaptations I have seen.

The costumes, the sets, the atmosphere. Well done, everyone!

The Actors. The good thing about being not native in a language is that one is not very prone to dialects that seem off. And as I happen to not be a native speaker of English, I have little problems with Keanu Reeves and Winona Ryder adding some US touch to what should be very, very, v e r y British characters. I even find Reeves perfectly fitting for the oh so darn young Jonathan Harker. And the rest of the cast is marvellous, too (with the exception of Winona Ryder, see below for details). Especially Tom Waits, who is hard-wired to the name of Renfield in my brain ever since I first saw this movie. And Gary Oldman as Dracula… Well. I think I already made clear what opinion I have about that sexy bastard.

Some lucky few of lovely quotes made it over to the film. Dracula's welcome. The Fowl Bauble of Human Vanity, of course. And Qunincey almost making me faint when saying "Little girl" when I least expected it.

Act III - They Came Back Wrong

The dates. Goshdarnit, the dates! It's an epistolary novel, so why make the effort of making up completely new dates for events that already had a precise date in the novel? I just don't get it. And it unnerves me. Every. Fucking. Time.

Time in general. Watching the movie after Dracula Daily makes it feel so very, very hasty. Jonathan travels to Castle Dracula like it's no thing at all. And the first few days in Castle Dracula are condensed into one weird evening.

Dracula meeting Mina before Jonathan is back. I really, really loved the book for avoiding the most terrible tropes. And then comes this movie, and struts right into this terrible pitfall.

Mina. I'm sorry, usually I love the work of Winona Ryder, but here she was way too bland. Maybe it was because her character had quite a revamp (ha. ha.) and no one cared to tell her what new approach she should take. But whatever reason, the clever, adorable train fiend of the original did not deserve this!

Act IV - The Missing

The Voyage of the Demeter is way too short. Where is "But I am captain, and I must not leave my ship"? Where is the poor sea captain tying himself to the wheel? And where is his funeral? Oh, I really missed all that. And, I mean, I don't mind hearing Anthony Hopkins read the lines, but would it have been such an expense to at least hire an additional actor to voice the correspondent or the sea captain?

Jonathan Holding Mina By the Arm. That's really not an objectively big issue. That's just me who fell in love with JonMina after reading this chapter. And almost no one does it properly. They deserve justice!

(Thanks a ton to @smieska for capturing my mood just perfectly!)

Act V - JUST WHY?

Elisabeta. Don't get me wrong here: All of the oh so tragic Drac backstory they invented for this movie is terribly unnecessary. But in this sea of uselessness, the tragically deceased wife of Vlad Țepeș that just so happens to perfectly resemble Mina Murray is an audience-insulting island of unoriginality. I mean, yeah, I guess someone wanted to add some romance to the story of Vlad the Fucking Impaler. Because, well, nineties or so. But Mina, of all women? Why not invent some new character that can be bothered with such stuff? Why ruin an all-nice JonMina ship? I don't get the whole new backstory, and I especially don't get this aspect.

Dracula raping Lucy in his shitty werewolf form. Everything about this is wrong. And it has no relevance for the plot. Just. Blergh.

Epilogue

It's cruel to watch Francis Ford Coppola's take on Dracula right after finishing @re-dracula. I know that now. Everything is still too fresh. It's a good movie, after all, but especially because it's quite good it is frustrating to be so terribly aware of all its shortcomings. In a few weeks or so, I would recommend it, again, I guess. As long as it's still Dracula Off-Season. 7 out of 10 points.