#this is just my way of showing off my texture edits tbh

[tau1tvec]

Some tips for The Sims 3 Buy/Build

Install LazyDuchess’ Smooth Patch to alleviate lag, esp in Buy/Build and CAS.

Keep your CC merged and organized, esp your patterns, this will also alleviate a lotta lag across all modes.

When building on community lots, or any lot rlly, avoid going to the edit world menu, and just put testingcheats enabled into the cheat window, then shift+click the ground of the lot to enter Buy/Build mode. This makes leaving it to save a lot easier, with less “preparing” screens to possibly get hung up in.

Lower your settings, you don’t need any adjacent lots loaded, and you certainly don’t need super water on either. You can always switch these back on when you’re done.

While you’re at it, remove your HQ mod, and turn off your Reshade/Gshade preset, or at least turn off your depth shaders. I only ever turn on my depth shaders when I’m taking screenshots for better fps while playing. The DoF shader esp requires a lotta resources your game could be using to simulate all those 78 townie sims instead.

Save as… vs Save, I Save as… at least every third save. It’s also just good habit to keep backups.

When using the CASt tool, set down everything you plan to CASt first, then switch to a category like the wall tool to avoid eventual lag and drag when using it a lot. Love yourself. You don’t have to suffer using CASt tool in an overpopulated category like misc deco.

Utilize the clone option through testing cheats to duplicate already CASted objects, it’ll keep your design just like the dropper tool, but it’s a lot less time consuming, I promise.

Don’t be afraid to use the swatch save tool for objects you use often, esp community lot objects, as it helps to keep your aesthetic consistent. I also keep all of my favorite streetlamps, benches, and public trash bins etc in a convenient custom collection folder to speed up the process of doing multiple lots in one sitting. These handy tools are there, use them.

The issue with custom counters. They mess up sometimes, if you can’t recolor it suddenly, here’s how to fix that. Now if you can’t place down a cupboard suddenly, even though nothing’s in the way, and you’ve got moveobjects on activated, try putting it on the wall a tile over, and then try adding it to your desired spot again. Lastly if you set down counters or cupboards at a corner, and it messes up the textures, but you can still recolor it, you could do what the video I linked above does, or you could simply pull out the CASt tool, and switch it back to any of its original swatches and click the check, then feel free to recolor it as you want.

Railings will also do the “can’t recolor” trick too, but this is a simple fix, just delete it, and replace it, and you’re good.

“Oh no, I switched between buy and build mode, and now my catalogue won’t load, and I can’t click on anything at all!” Don’t panic, hit F2 and/or F3 on your keyboard, these are shortcuts for switching between them, and if you’re lucky it’ll load properly again. Should you get the bug where you load a category and it’s somehow empty, don’t fret, just click on a different category and this should fix it. Then if you get the bug where all the objects you put down disappear suddenly, sorry your game is haunted. Call an exorcist, or just reload, they might reappear if you do.

Tbh, if you run into any kind of major bugs, it’s likely a sign to either save immediately or just restart your game. These only ever show up when you’ve been at it a while ( at least for me ), therefore starting fresh wouldn’t hurt. Probably also wouldn’t hurt to check whether you might’ve installed something the game didn’t agree with by running Dashboard, or put it through the ol’ Save Cleaner.

Honorable Mention: Keep an eye on the texture sizes and poly counts of objects. I know it’s tempting to build these ultra hyperrealistic lots with clutter at every inch, but unless you’re just doing it for screenshots, or for your story, or using it very sparingly, it is not by any means recommended purely for gameplay. This is just the truth when it comes to any Sims game. You don’t want lag, or max memory crashes, or save errors? The Sims 3 is a 32bit game, that’s almost old enough to drive, be easy on it.

[celaenacc]

CDD ~ Fresh Start Styled Look

If you’re like me, the first thing you do in CAS is clear everything off the sim for a nice fresh canvas. This custom styled look (when coupled with Mizore’s hider mod) is intended to make that take as few steps as possible every time. 

Download and info below the cut for future updates

Item Details:

Base Game Compatible

Toddler Infant - Elder; Masc & Fem frames (Added infant support on June 16, 2023; please redownload)

1 Variant (per frame)

Custom thumbnails

Needs @mizoreyukii’s Styled Looks Hider to truly be worth it. If you’re overly attached to EA’s styled looks, this cc probably isn’t for you.

Removes all accessories, clothing, shoes, makeup, skin details (excluding acne and scars), tattoos, facial hair and hair (changes color to dark brown for adultFem + children, blonde for AdultMasc, red for toddlers for all of them now I believe (I can’t remember tbh 😅 - if anyone knows how to remove the hair without changing the color, please hmu)

Does not change teeth, eyebrows, eye color, acne and scars (I couldn’t get it to remove these last 2 categories)

Tagged for all outfit categories

Added overrides (June 16, 2023) for shoes/bare feet and masc frame nude tops to resolve the look not applying to those categories after one of the recent patches. If you want to use an alternate override from someone else and it isn’t compatible automatically, (only do this if it’s not working otherwise) open your desired alternative in Sims4Studio, navigate to the warehouse tab, tick the setting box for “ShowInUI”, and save the file. (Edit June 6/20) I’ve been informed by @asixteenthrose that even with changing your desired override to have the showinui checked, you still need my overrides for the styled looks for some reason, and the desired override can’t be in a subfolder/must be in main mods folder.

Added “Stripped Start” (June 16, 2023) which affects the accessories, makeup, facial hair, clothing, and shoes, but does not affect hair, body hair, skin details, or tattoos. You can have both Fresh Start and Stripped Start in your folder at the same time or not; they should not conflict with nor do they depend on each other.

Downloads:

> SFS < (Current Version is a zip)

> Google Drive <  (Current Version is a zip)

Needs: > Hider Mod for EA Looks < (by MizoreYukii)

Notes:

There is no way I would have been able to figure out this project without MizoreYukii’s How to Make Custom Styled Looks tutorial, so huge thank you to her.

This look is mainly for simmers who want nothing on their sim when they start in CAS. If there is enough demand for a version that keeps existing tattoos, skin details, and maybe hair; I might make that as a v2 down the road. After receiving nonny asks, I went ahead and added a version like this while updating the original.

I timed myself clearing every outfit category for a new sim using just this look as fast as I could, and it only took 15 seconds total.

I have added patch numbers to the files in case someone needs the outdated version.

Kijiko eyebrow texture defaults cause the fem frame teen-elder not to show Fresh Start.

[acerathia]

Side-Character changes the genre! | S. Todoroki

Summary:

Waking up in a novel you have once read, you realize something of utmost importance: your favorite character is destined to die as a tragedy! So, you decide to help him avoid this bleak fate with your knowledge of future events, nothing more, nothing less, right?

Wordcount: 14.6k

Read on AO3

Pairing:

Crown Prince!Todoroki Shoto / Jester!Reader

Tags/CW:

reader is a jester, royal au, but also, isekai, this is unserious, only small amounts of angst, failed assassination plot, pinning and getting pinned down, idiot x competent (both of them tbh)

Note:

I finished it earlier than i thought, this fic is unserious, and too long for me to edit with this headache, enjoy lol (shoutout to my derelict favorite o7)

The sky above you seems endless, as the clouds beckon you to just come closer. And oh, how much you want to, stretching your arm towards them in quiet desperation, straining against whatever force is pulling you down. The tips of your fingers barely brush the underside of the sky, too far away to ever reach again, when everything exploded in shards of pain and darkness.

*-*

A gasp shudders out of your body as you jolt upright, the blanket loosely thrown over your legs, barely covering you. It is almost like your restless body has refused the warmth of the slightly coarse covering. Taking a couple of breaths, your hand clutching your chest as if to support this tiny endeavor of gathering air. After you have exhaled a couple of times, the panic has finally subsided, leaving you with phantom aches and a dizzy mind. You don’t remember going to bed at all, the last moment seared into your mind is the motion of falling endlessly.

A sudden sharp pang drives through your skull as you try to remember more, making you gasp once again. Maybe this isn’t the ideal time to try and dive into the last memories. Rather, you begin looking around, trying to discern if this place is in any way recognizable to you. Because it for sure is not a hospital room. It seems like you have woken up in a tiny hut, one space containing the bed you’re currently residing in, a table with only one chair and a kitchen space. The bright windows show you the depths of the forest, leaves brushing against the pane of glass. There is nothing else, the place almost looking neglected, empty, unlived in. Who might have brought you to this place? You don’t remember any of your acquaintances mentioning anything about a cabin in the woods.

You brush the blanket fully away, sliding off the small bed. Your bare feet meet the ground, and you expect yourself to flinch at the cold touch, yet, your body seems accustomed to the slight chill against your skin. You furrow your eyebrows slightly at this, but you decide to ignore whatever your body is doing right now, especially as you in fact do not mind having a little more resistance to the cold than usual.

With careful steps, you begin to walk around the confined space, looking for any possible clue about your current whereabouts. But you find nothing but untouched dust, and a mirror. Curiosity gets the best of you, and you walk up to the mirror until you can see your reflection. And you see yourself as you’re used to. Only in different clothing, ones almost vintage, something one would wear at a renfaire, not at home. Brushing against the texture of the material, you decide that you quite like it, despite its rough style. Only you do wonder how you came to wear this piece in the first place.

Continuing to explore the nooks and crannies of the tiny space, you stumble across a newspaper. One folded neatly in a corner, almost like the person who put it there knew that you might find it. Your eyes immediately jump to the top corners, trying to look for a date. But the moment you find one, it doesn’t make a lot of sense to you. The numbers feel like they have been put there in a whole new context, one fundamentally different from the one you’re so used to. And rather than helping you decipher your current situation, it only made you a little bit more confused.

Yet, you do not have it in you to give up due to some jumbled numbers without meaning. So, you begin to leave through the newspaper. One page after the other, letting the paper slide against your skin. And you’re not even worried about papercuts, as the material seems to be soft around the edges, something of good quality, yet not high enough to warrant sharp edges.

Your eyes glance over the stories, never truly picking something up, the way the words are formed, structured feels familiar yet too foreign to truly properly digest. The only thing that catches your eye are two words: ‘Todoroki Shouto’

“What the fuck?”, you mumble to yourself, dipping your head closer to the paper to read the printed text containing that particular name. It takes you longer than you would have liked to finish reading it, but it still left you reeling.

Letting the newspaper sink, you stare out of the window, your thoughts running around into a chaos of your own making. There is no way that this is true, is it? That’s just an elaborate prank, it has to be. You could not explain it otherwise why apparently your favorite character of your favorite novel is real. Or rather, how you landed into their world.

A giggle escapes you. Running a hand through your hair you feel the need to rip at those strands, trying to feel if anything is real at all. There is no way that Todoroki Shouto is actually going to celebrate his birthday party in the next few days. Because even if everything is real, and the picture in the newspaper seems to tell you that it is, you could not have chosen a worse time to wake up to. Because as much as he’s your favorite character, Shouto is destined to die at the hands of his own brother, and soon. And with the usurpation of the throne by the so-called Dabi, the whole kingdom is going to drown in flames.

That means, not only is your beloved Shouto going to die, but you also are going to follow suit very soon. And you do not want to die before you even understand what has happened in the first place.

Slowly falling to your knees and clutching the newspaper to your chest, you curse the world. Why couldn’t you have reincarnated into a romfan? Or anything else with barely any conflict, why did it have to be a novel filled with intrigue and wars.

As much as you’ve always wanted to meet Shouto, you didn’t mean to follow him into the afterlife. This thought brings a sudden realization with it. Wait. If you’re in the same world as your beloved favorite character, not only can you meet him, but also, possibly save him from his future. You have poured endless hours into changing the canon in your head during your daydreams, if only to make him survive everything and have a happy ending. So why shouldn’t you dare implement those ideas into this world of a novel. And because this is the novel, everything you do is technically canon.

Another giggle, only to turn into slightly mischievous laughter. With this plot of yours, not only will you be able to save Shouto, but also yourself. Suddenly, all these hours reading canon-divergent fics are worth it. Now, what you need to do is actually trying to discern what parts of your memory are canon, and what are simply the illusions brought forth by senseless hope.

Standing up, you use the newspaper to dust yourself off, before you begin looking for a pen and any form of paper. For this, you had to dig deep in a couple of cabinets, their contents often nothing but dust. But you eventually found exactly what you are looking for. Taking your newly discovered writing utensils, you sit down at the only table in this place. And you begin to write everything you remember. During this undertaking, you had to strike through several points, as with deeper thought, they turned out to be parts of some of the fics you have read. And you can’t have that, as your plan has to depend on the actions of the canon, rather than the ones of the wishful thinking of yours.

The important parts of Shouto’s plot are easily recognizable. His mother has been residing at seaside to recuperate from the sudden illness King Enji has bestowed upon her, while his eldest brother, Touya, who once thought to be the rightful heir to the throne, that is until Shouto came and their father changed his mind for no apparent reason. Of course, he couldn’t simply give Shouto the title of crown prince, rather, Touya had disappeared suddenly during a border skirmish. As this was the perfect opportunity, they immediately declared him dead, now truly putting the younger Shouto on the pedestal of the crown prince. This new position of his meant that every assassination attempt has switched targets, attacking him at every corner. And the ones about to come will be the most vicious of his life, even leading to his eventual death.

You can’t have that of course. Exactly those assassination attempts are the ones you have to sabotage to ensure that he stays on top of everything when the final showdown begins. Only, during writing those points, you remembered that not only is Shouto incredibly beautiful and talented, deserving of unending happiness, but also that he is the crown prince. Which is honestly awesome, he manages to do all his training and education with such ease, nobody else deserves that title. The problem lies with you, of course. Because how are you supposed to protect Shouto from his demise, if you can’t even get into the palace? And you highly doubt that they would simply let you in, if you walked over to the gates and told the guards: ‘Uh, hello, his Highness, the crown prince Shouto is about to be assassinated, and I’m the only one who can protect him.’ That would be absurd, and land you into jail yourself as a prime suspect. No, you had to handle it in another way.

Your head meets the wood of the table with a hollow thud. There is no way to do that, it’s hopeless. You cannot even get into the palace, there is no way to manage that, how are you supposed to save your beautiful Shouto?

Worst of all, you begin to feel dizzy. As your mind is already spiraling about the future of your favorite character, you immediately assume that you’re dying, as not only does your head hurt but your stomach is also cramping. Until you hear a familiar grumble, and every single one of your thoughts come to a halt. And if your head weren’t on the table already, you would have considered hitting yourself again.

“Ah. I’m hungry…”

Getting back onto your feet, you begin to look through every cabinet and cupboard, hoping to have overlooked something during your search for your writing utensils. But exactly as you feared, nothing has appeared during the couple of minutes you have looked away. Leading to one shocking conclusion: there is no food in this entire place. You almost went to your knees once again, but you decided to be stronger than this. You will not allow yourself to starve to death, especially with such an important mission. Even if you have no idea how to muster any kind of food, when all you own are the clothes on your back and a dusty place.

With trembling fingers you open the last cupboard, a silent plea to the author to give you one chance to survive. But even your last hope is crushed when you discover it empty of any possible sustenance. The only thing inside the cupboard seems to be a small leather pouch, too small to contain enough food, if food at all. Still, you can’t ignore this random bag, and because your curiosity is stronger than any despair you might have felt, you grabbed the pouch and peeked into it. And the moment your eyes recognize the insides, you almost let it fall in shock. But your self-sufficiency stops you from doing so, eliminating any risk of losing this precious content.

Because the bag is filled with enough cold coins to almost last you a lifetime if you knew how to use it well. And well, as you plan on surviving as long as possible, you cannot risk even losing one single piece to the harsh environment. So, you only grabbed one single coin with the tips of your fingers before closing the pouch once again to safely stash it away. This one coin should be enough to feed you and for you to get some seeds to plant to grow your own garden, giving you the chance to not only be self-sufficient, but also the ability to sell your plants and get more money.

A grin spreads over your face at the thought of gathering more money for your future life. What these gold coins could do for you. You’d never have to worry about starving, and because you have this place, you will always have a home. With these gold coins you’re settled for life, and if you manage to get a bit more out of them, you could even get yourself some tiny luxuries.

Grabbing the gold coin firmly in your fist, which you shove into a pocket for extra protection, you make your way to the door, steadfast in your decision to get yourself some food and some seeds. In front of the door you find a pair of sturdy shoes, and you’re glad that there is no reason for you to venture outside with your bare feet alone. Without ever letting the gold coin go, you shove your feet one by one into their respective shoes and barely manage to tighten the cords to fit you properly. You’d hate to fall and stumble because you neglected to secure your feet properly. Every misstep could mean the loss of this precious coin.

After making sure that the coin is still deep in your grip, you finally venture outside the hut. Only to see nothing but the vastness of the forest beyond the little fenced in space. And for a moment you can’t help but hesitate in front of the small gate, as your mind tells you to not step any further, in fear of what might be lurking just beyond your door. Worst of all, you can’t even convince yourself to pull through because it seems like you have no memories about this place, about the way to the next village. There is no way for you to do this on your own, you have to turn back and find another way…

Your cheek burns with the aftereffect of your slight slapping. But the slight pain jolts you out of your slight panic. You will go through this forest now, you will get yourself some food and not starve to death, and you will eventually find a way to save your beloved Shouto. You will not allow a puny forest to get the best of you.

With this decision burning inside of you, you finally take the first step out of the gate. And the first thing you notice is a small way in front of you, paved by the time and the steps of the people. This little path is currently your best bet, so with a shrug, you begin to diligently follow it. Despite its rather small size, the path isn’t as bumpy or rough as one might have expected it to be, for which you are glad, as you’d rather avoid twisting your ankle because your mind is slightly distracted from the way in front of you.

It barely takes you any time to emerge from the forest unscathed, not even tired out in the slightest. You begin to feel a little bit stupid at your unnecessary panic earlier, considering how easy it actually was to arrive at this village.

For a moment you stay still at the edge of the woods, simply gazing at what’s front of you as the slight breeze brushes through your clothes. The sky seems to stretch endlessly in front of you, open and a brilliant blue, with only the palace poking its tip towards it, as if trying to grasp some part of the infinite. This immense building is but a shard compared to the size of the sky, of the land, and yet it is the biggest there is. And it is your future destination to deflect the worst possible future.

Seeing the palace in the distance only serves to solidify your motivation, your goals and desires. So, you take your first step towards the palace, towards the village, and you are filled with determination to do everything in your power to change the outcome, for Shouto, for yourself, and for everyone else.

Once you arrive at the village, you take your time to slowly discover this place. You wander along the streets, you peek into the windows of tiny shops, and you even enter several to get yourself a basket to fill with fresh food and the seeds you plan to plant in the near future. It feels a little stupid to have forgotten such a necessity like a basket, but you don’t have the time to feel embarrassed as you simply get what you desire and walk around with an unbridled curiosity.

After some time, you stop in front of a fountain, watching the water bubble and fizz with each second, and you decide to take a break right at the edge of it. You sit down and stretch your legs while watching the low buzz of people walking and talking. Your eyes never stand still, always wandering in every direction, slow and comfortable, with no real focus. That is until you catch sight of an announcement board filled with papers tacked to it. And for some reason you feel the urge to read through every single one of them, because no matter how much you try to avert your gaze, your eyes always wander back to it.

With a sigh you grab your basket and make your way towards the board, weaving between the masses, never in a hurry, but with a set destination in mind. Finally coming to a halt in front of the stacks of papers, you begin to read through them by simply glancing at the headline. Until one contains one of your self-input keywords ‘palace’. You immediately step closer and read the posting with much more focus.

‘Now hiring! We’re looking for a jester to join the troupe for the duration of the festivities for crown prince Shouto Todoroki’s birthday. This includes the ball and [… ] No prior experience needed.’

You immediately snatch the paper and clutch it in your hand. This is it, this is your chance to get into the palace and possibly save Shouto from the first assassination attempt. Maybe the author is actually gracing you with immense luck to survive this. Maybe they absolutely want Shouto to survive no matter what. Of course you’re supposed to take this chance, even if your humor may not be up to their standards, because you’re meant to survive. Nodding to yourself at this explanation of yours, you make your way to the address written onto the paper.

It doesn’t take long for you to arrive at the rather open space with a couple of people warming up and doing rather light tricks. Still, you couldn’t help but watch as these people play with fire as if it’s purely silk, and with silk like it’s water flowing out of their hands. And no matter how much work all these tricks seemed to be, they all appear to have a tremendous amount of joy, laughter erupting with every clumsy mistake, leading to nothing but a loud noise or a knot between their fingers.

After carefully wandering between these people, you try finding someone who does not look to be in the middle of a trick or a warm-up. And eventually you almost bump into two people simply having a conversation.

“Ah, excuse me? I’m here because I’ve seen you’re hi–”

“You’re hired! We’re so glad to have you on board, but you must know that you will carry the responsibility if the kind is angered due to any of your jokes. Now, let’s see, you can go grab the costume over there,” he points to a colorful cart, not even letting you have a word. “And then we’ll meet again here the morning of the ball to venture together to the palace, alright? Alright, great. See ya!”

He slightly shoves you towards the wagon, and you stumble slightly, as the barrage of information overwhelms you the tiniest bit, well a bit more than that. Still, you follow his directions and walk to the wagon, where you knock against the door, trying to get whatever you’re supposed to and maybe some more information.

A head pokes out of the opening door, and the moment you both meet eyes, the younger boy breaks out in a grin. The door immediately swings open and he jumps out, drawing a circle around you before he finally stops in front of you, hand outstretched.

“Well, nice to meet you, I’m Hide, the one responsible for giving all these people fitting clothes. I assume you’re our new jester?”, he grabs your hand and shakes it, as you introduce yourself with a name.

“Great, let’s see, we should have something that fits you just right,” and as fast as he appeared, he dips back into the wagon, and you hold yourself back from peeking in while something crashes inside.

It doesn’t take long for him to emerge once again, this time with a slight wobble in his steps. Once again, he just acts before explaining anything, pushing a bundle of fabric into your chest, and you hurry to hold it before it slips from your grasp.

“That’s your costume. You know, shirt, pants and even a mask. We don’t want to risk you getting arrested once out of your costume. The whole being a jester at court thing is dangerous enough as it is.”

“Wait, what do you mean, ‘dangerous’?”, you interrupt him, because that’s the second time someone mentions something like that, and considering that you only talked to two people this whole time, it is quite a lot.

He shrugs. “Well, king Enji is not famous for being a funny guy after all. Many are scared to perform because they think he might just get rid of them. But the court has certain rules, and a jester at court has technically some immunity. Even if not, well, absolute or anything. So, you kind of have to protect yourself, we give you the mask, you try to keep trouble minimal. We survive, yippie!”

You blink at his explanation and slowly nod. It does make sense, as kind Enji is feared due to his hot temperament and his mercilessness, but well you’d rather not risk your life to burn under his scrutiny. A sigh escapes you, well, what one does for love, or something. You really have no other choice but to pull through, because there is no way you would get into the ball otherwise.

So, you accept these clothes and consequently the role as the jester for this troupe, even if temporary. Stowing the bundle into your basket, you decide it’s time to go home. You bid Hide farewell and you make your way back, a sudden exhaustion creeping up your back.

Maybe you have bitten much more than you could chew. How could someone like you even think of changing the outcome of the plot. Even with your money, do you even possess a chance to counteract the numerous assassination attempts? Or are they going to catch you and blame you for everything in the end, making every single step of yours for naught? Oh, how much you desire your favorite character to survive and to live out his life in peace and bliss, but are you the right person to help him do so?

Maybe it’s just enough if you act as a stepping stone to his way to happiness. Maybe you should be happy with that, never wanting more than to see him truly smile after every adversity is overcome.

Maybe you will pull it off, even if barely, You will do anything for that smile, truly. A breath, the thud of the basket against the wooden ground, the rough wool touching your face, and you allow the darkness to overcome you.

*-*

As agreed, you meet the troupe at the same place at a later date. You’re in your costume already, the material softer against your skin as your usual clothing is. The colors are bright and inviting, perfect for the role of a jester, as you would have to pull everyone’s attention towards you. Normally you would hate to receive so much attention, all those eyes scrutinizing your every move, but the weight of the mask against your nose and brows help with ignoring those. Nobody would be able to recognize you outside of your attire, the cap ’n bells covering the rest of your head as the liliripes hang around your face. The costume truly is serving its purpose: to hide your identity.

Yet, during the walk towards the palace, you’re glad to be able to keep your own sturdy shoes. In case something happens, you still would have the right footwear to react, instead of the usual jester shoes with their curling toes.

Finally entering the hall, bypassing the guards by taking the servant’s entrance, you almost stop in your tracks as you marvel over the place. Red and white flowers flow down the walls, their scent tickling the tip of your nose. The huge tables framing the hall are filled with art made of food, and ice sculptures, ones that do not seem to melt no matter the temperature. As you continue to follow the troupe, your eyes wander to the ceiling, only to be awed by the paintings depicting some sort of story you’re unable to decipher, their colors still vibrant underneath the light of the huge chandelier, one seemingly made of pure stars.

You barely notice when the group stops to prepare their acts in their designated area. But once you do, you keep to yourself, standing at the edge and simply watching these people. As your role does not need any preparation or any special space, your thoughts wander while still looking around the hall. And you nod slightly. That’s how the rich live. Very extravagant. You wouldn’t mind experiencing life like them, but you’re also content with simply having a secure future. Well, that’s as long as you manage to successfully help Shouto survive.

Slowly, the hall begins to fill and the music sways through the air, inviting everyone to dance, or to simply relax. As for you, you begin walking around, saying a joke there, doing a tiny prank here. Just whatever is in your capacity without making a big deal out of your presence. Especially due to your lack of experience, you’d hate to commit an irredeemable slip up. So, you focus on simply changing up the mood wherever it’s needed. All while you are waiting for your favorite character to finally make his appearance.

There have been a couple other characters you recognize, if only by the way they mutter or bark their words. Yet, you don’t care for them in particular. Because you know that none of them can be a match to Shouto, be it in appearance or character. Your favorite character truly has the noblest soul out of all the existing characters, and you shall make sure that he can bloom to show his true potential, unlike the outcome of the novel.

You shake your head in disapproval at the simple thought of the novel which brought ruination onto Shouto. Cursing the author in your head, you almost miss the entrance of the crown prince.

“Announcing His Royal Highness, the Crown Prince Shouto Todoroki,” the lord steward diligently does his job as he announces his arrival to the entire hall.

Immediately the whole mass of people turns to face the entrance, almost afraid to miss the chance to get a glimpse. And you’re no different. You even feel the urge to jump to get an even better look. But the thought is unnecessary, as movement sweeps through the people. bowing and curtsying, freeing the view towards him.

His appearance seems to strike you down. Even from afar you’re able to see the smooth, unblemished skin, the straight nose, plush lips and soft cheeks which slowly turn into a sharp jawline. His eyes look like the ocean at different times of the day, his lashes fluttering like a halo. His hair looks like a breeze is caressing him. He’s positively glowing, and you’re unable to move, until someone grabs you, pulling you down.

“Do you want to be beheaded?” the person, Hide, whisper-shouts at you and you realize that for a short moment you were the only one who didn’t greet him properly, practically risking your neck for a glimpse of him.

But his face is imprinted behind your eyelids and you doubt you could ever forget such a sight.

“Worth it,” you mumble, wincing when Hide strengthens his grip around your arm. But all you could do is stay silent with your lips slightly jutting forward. Because even if you don’t regret it doesn’t mean that it wasn’t a foolish thing to do. You only wish you had enough time to see the rest of him too. Maybe that’s the thing you’re actually regretting.

After Shouto has finished his walk through the hall, arriving in front of the dais to greet his father. And as expected, his greeting is short, curt, almost rude. But it’s known that despite him being the crown prince, he does not particularly like his father. Understandably so, if someone asked you for your opinion. King Enji is strong and is able to protect the kingdom with his own power, yet his destructive tendencies have affected a lot of the common folk, especially the ones living on the border of the country.

Of course, as you had read every tidbit about Shouto, you’re well aware how this piece of— this king had treated Shouto and his siblings. Such things aren’t common knowledge though, and you would not dare to utter such facts directly. Well, not as long as your life could be on the line. But even if you wouldn’t start some rumors about him, everyone will eventually know the truth once the allegedly deceased first prince returns.

But you hope to at least avoid it, because the appearance of the so-called ‘Dabi’ is in fact a massive death flag for your favorite character, and you’d rather have king Enji keep his reputation than risk Shouto getting killed.

You can’t help but giggle at the way Shouto immediately turns away to get away from his father. He takes a couple long strides towards the table, and you purse your lips when you notice how long his legs are, and how his thighs look in this particular pair of pants.

You keep your eye on him, not because you’re admiring his profile and how sophisticated he looks, no way, but because you still remember a certain plot point being carried out during this specific ball. But even if you do know that he is going to get poisoned, the novel never specified which glass or beverage had caused that incident. And you hardly could just go up to him every time he picks up the glass and takes a sip before he does, that would be ridiculous. How could you even think of indirectly kissing him, that’s bordering on being blasphemous.

So, all you could do is just keep looking at him and trying to discern if something is wrong with whatever is in his hand. That’s how you watch how he nods at something his conversation partner says, as he slowly raises the glass filled with deep red liquid. And for some reason you feel some sense of deja vu, a shiver buzzing down your spine, and you speed up your steps towards him, sincerely hoping that you might reach him just in time.

You realize too late that you wouldn’t be able to stop perfectly in front of him, so you end up bumping into him. But you take this chance to slap the glass out of his hand, continuing to stumble and to flail your arms, before acting like you found your balance again. You immediately put a hand in front of your eyes when you turn back in his direction, and you utter the first thing that comes to mind.

“Excuse me, your Highness, your beauty has simply blinded me,” you bow before you make your departure as swift as possible, hiding between the groups of people.

You’re tempted to curl into a ball and hide behind one of those heavily decorated pillars, but you reckon that would be too obvious and you would only stand out more than you already do. So, you simply continue to weave between all these people and do your job, this time without bumping into anyone.

Luckily, after some time, you realize that there are no guards looking to arrest and kill you and you start to relax. And as soon as the party begins to slow down, you prepare your leave too, wondering how you might infiltrate the palace once again to offer your help hidden in the shadows. Even if theoretically he does not need any help, because he did not get poisoned, which leads to him being more resistant to the subsequent assassination attempts. But the thing that worries you the most is, that this is a novel, who knows how it might retaliate if only to get to the destined end. So, you’d rather not risk stopping your helpful attempts at distracting the assailants.

Of course, you’re not implying that Shouto needs your help, he’s an amazing character, strong and noble, he definitely can handle himself. But you reckon that your in-depth knowledge of the novel might just give him a better advantage against his villainous brother. Even if you understand Dabi’s motivations, you cannot forgive him for making your favorite character suffer like this, that’s the way of a fan.

Slowly, you make your way towards the exit, the troupe probably assembling outside where there’s more free space to do so. Your attention is too focused on the problems of the future, your eyes trying to see if there’s a hidden servant's passage you could use sometime, you don’t notice the person in front of you until you bump into them.

You stumble slightly, barely catching yourself, and you prepare to either apologize or to say something so out of pocket, the other forgets about what just happened. Yet, the moment you look up, you freeze, as you encounter the beautiful face of Shouto. His beauty is enough to make a poet weep and lament, and sadly you’re no poet, so all you could do is stare. His features are much more insane up close, and even face to face, all you can see is him sparkling. His eyes lock with yours, and you feel like you’re getting swept up in an ice storm, and boy, you would have never been more glad to freeze to death if that’s the last thing you see.

Up close, you notice how broad his shoulders are, how his clothes show his lean, yet well-adorned silhouette, and you have to pull yourself together to not make your stare more noticeable. You immediately prepare to run away, but before you could even think of a way to escape, and you were almost tempted to jump out of the window, you feel his fingers carefully grab your wrist.

There’s no skin contact, as he’s been wearing gloves, but the warmth is the same nonetheless and you feel your veins boil and melt. His grip isn’t bruising, but also not something one can escape so easily. And even if you could, you doubt you would forcefully break the contact. (And you can’t help but be amazed at how a character could be so warm.) So, you follow him wordlessly to wherever he’s dragging you to.

Once you arrive at a secluded spot, he lets you go, and while you mourn the loss of the touch, you don’t let it show on your face. You simply face him and wait for him to say what he wants to say. And you sincerely hope he’s not going to give you the death sentence.

“I want you to stay at the court as my court jester,” he finally says, his eyes roaming over the mask on your face.

You cock your head in confusion, his sudden request something you surely did not foresee. But it is the ideal opportunity for you, as with an official occupation at the palace, you would have access to almost every part of it. Yet–

“Why?”

He slightly shrugs. “My father the king hated you and was annoyed by your presence, that’s reason enough to keep you by my side.” After Shouto explains his reasoning, which makes so much sense with his characterization, you can’t help but shudder at the thought of being at the risk of the king’s wrath. And he seems to notice it, so he adds: “You do not have to worry. I will ensure your safety. My father and his lackeys shall not harm you in any way.”

You cross your arms deep in thought. Shouto is the crown prince and he does wield rather impressive power in the palace. He could definitely keep you safe, but if he truly can keep you safe from his own father is something you can’t help but doubt. But you suppose that this is the only way to stay close to him without breaking in. And as long as you avoid direct confrontation with Enji you should be fine.

You don’t agree immediately, rather, you act like any person with a job offer would, you ask about the benefits, perks and the pay. And unsurprisingly, Shouto is rather generous with his offer, so you end up accepting after taking everything you could get your hands on. You had to make enough to survive after all this is over, and why be stingy?

With that, he leads you back to the exit of the hall, telling you that he’s expecting you tomorrow in the morning. You nod and bow before you hurriedly leave the place. Because no matter how you might’ve acted in front of Shouto, you’re still reeling from the direct experience of seeing him up close and even having a proper conversation. This is much better than simply reading about him.

Returning to the troupe, you make the walk back with them with small talk about how the evening has been for them. And even if you didn’t directly tell anyone about the offer from the crown prince, it seems like Hide is kind of aware of it, as he tells you to keep the outfit, as a parting gift. You thank him profusely, as with this outfit you might be able to keep your real identity a secret for some time.

*-*

The next morning you wake up at dawn, simply staring at the ceiling without moving an inch. You know, you should slowly make your way towards the palace, but you feel hesitant. Due to your interference yesterday evening, the plot has begun to change, but from your experience in reading novels, you’re aware that whatever force is controlling this world can forcibly change the plot back to how it was, especially if you continue to meddle. And you can’t help but worry. There’s no way you’re going to be a challenge for all the assassins or attempts. You’re just a random character now, with no abilities to your name. You would be worried about your life, but you remember that death awaits you either way, so you suppose it is better to at least help Shouto to the best of your capabilities.

With a jerk you sit up and begin to prepare for your departure. You reckon there’s no need for you to take your meagerly belongings with you, so you simply put on your costume and head out.

Arriving at the palace gates, you hesitate once again. He did tell you to come, but how are you to enter the palace in the first place? Did he tell the guards? Are you supposed to introduce yourself?

For a moment, you just stand there, probably looking a little lost, as one of the guards simply walks up to you and looks you up and down. And without a word, he puts his hand on your shoulder, sudden and heavy, to push you through the gate. Wordlessly he returns to his post, leaving you looking around, confused as to why that just happened.

But in the end, it doesn’t really matter, so you walk towards the palace. And instead of entering through the main entrance like you did yesterday, you make your way to the entrance for the servants, as you are technically one now, not a guest.

You find the servants entrance easily, and you thank every author for including maps in their novels. If you hadn’t studied the layout of the palace while reading to understand the details, you might’ve taken a long time to locate the inconspicuous door.

Entering the place, you look around for a moment, before you spot a maid. You did contemplate if you should just go to Shouto on your own, but you reminded yourself that this might look extremely suspicious, in addition to your behavior yesterday. Of course you can’t just wander around even if you know the palace, people might question why you know the layout in the first place.

So, you approach the maid, making sure to make some noise to avoid scaring her. You ask her to lead you to Shouto, and while she does give you a narrow-eyed look, she complies, but not without informing a guard first. You shrug internally at that. Very reasonable of her, if you’re honest.

You follow through the long halls until she tells you to wait as she knocks and enters the room. This isn’t his room, rather, it’s his workplace. And you can’t help but sigh, how could the cruel king give Shouto his work. He is the crown prince, but also, that’s not his job to clean up after the king. Worst thing is, that his underlings are pressuring Shouto, telling him it’s what he’s supposed to do. So, he ends up almost overworking. You can’t imagine how bad it might’ve been if the poison had been added to the overwork he experiences. (Well, you can, but you don’t want to. How could you even think about your favorite character suffering like that.)

After a short while, you’re allowed to enter the room, and as you do, you immediately bow at the sight of Shouto. Partly because you had to and partly because you want to mentally prepare yourself before looking at him directly. You might just freeze again if you see him in his normal attire. While staring at the soft carpet with the intricate details, you can’t help but imagine what he might be wearing at this very moment.

You don’t get the chance to let your imagination run freely for a long time, as he tells you to straighten up with a greeting. Your eyes lock onto him, and you sincerely hope that no one can see where your sight is looking, as you immediately notice the white and fluffy shirt, accentuating not only his broad shoulders and his lean physique, but also frames his revealed assets in such a way you cannot keep looking at this space without imploding.

Averting your eyes, you look at his face, and as you’ve seen him twice already, one time even up close, you thought the effect on you might lessen. That turns out to be not true, as you feel blinded by his beauty once again. So, you resort to simply looking over his shoulders, your eyes twitching as you want to look at him but also avoid looking at him at the same time.

You can’t tell if he notices your conundrum, but you hope he doesn’t. There would be nothing more embarrassing if Shouto of all people realize how you feel about him. At least nobody can hear your beating heart if they’re not too close.

The moment he begins to talk is the moment your strength almost crumbles and you barely hold onto yourself, not doubling over as you hear how smooth and calm his voice sounds. You were too nervous to focus on it when he had approached you last evening, but his voice reverberates not only in the silent room, but also in your chest cavity. It’s slightly husky, and you reckon it’s due to the lack of talking he had done today. You try your best to focus on his words rather than on his melodious voice.

He had begun to explain what is expected of you. Such as performances during events and occasionally during meal time. He explicitly allows you to make a fool out of the king, practically giving you the official jester’s privilege. Now you’re only missing a marotte, you giggle to yourself. Of course you don’t tell him that, as being able to get on king Enji’s nerves is your current job and your shared goal. Maybe you should sometimes imply to know some of his secrets, considering that you’re under protection, if only to get him a little more paranoid.

Outside of your public appearances you’re allowed to go as you please as long as you’re ready at a moment's notice. Food and lodging are of course included in your job, you just have to go to the kitchen at certain times to receive your meals.

This is more freedom than you had anticipated, but that’s even better. That way no one can suspect you as you lounge around the whole place, trying to pick up on possible assassination attempts. As long as you don’t get caught in the several secret passages throughout the palace. This job is such a good deal, you don’t even dare haggle about your salary and possible severance pay, rather you just thank him and leave the room, not only escaping your collapse at the prolonged sight of him, but telling him that you’re keen on exploring the place.

In the halls you take a couple of steps before you lean against the wall, trying to calm your heart. This can’t be healthy, you’re meant to watch Shouto from a safe distance, not this up close. You’re going to get heart palpitations if it continues like that.

You manage to shake this nervousness off, but just as you were going to continue your meaningless walk, you notice a sudden change of guards in front of his door. This is normal, if it were to happen at certain times, but as such change is supposed to happen at regular intervals, ones you’re aware of, this one is rather sudden.

Squinting, you continue to observe the new guard. The one who simply should stand in front of the door. Yet, he is turning towards the door, hand on the handle. Before you know it, you’re already by his side, ramming your foot into the back of his knee, making him lose balance. You don’t give him enough time to get it back, as you shove him down. He crashes to the ground and you immediately get onto his chest, squatting down to get a better look on his face.

The guard curses you and you just cock your head with a grin. And it seems like the noise has caught the attention of the people inside the room, as the door opens to reveal Shouto and some of his advisors.

You jump off of the guard and bow. “Greetings again, it seems like someone wasn’t satisfied with, well, I don’t really know what exactly.” You face the lying guard once again. “What did you not like about working at the palace? The view is impeccable if I may say so myself.”

With view you mean the ability to see crown prince Shouto on a regular basis of course. If you could see his face every day, you would never suffer from any illnesses for the rest of your life.

Acting you’re listening seriously as the guard curses you under his breath and you nod as if in understanding. “I get it, Your Highness, he has been plotting treason! Why else would he spout such nonsense even I cannot repeat.”

For a moment, all Shouto does is look at you, like he wants to know what’s going inside your head. Despite your weird behavior, he complies and lets the guard be dragged away, all while he’s shouting how the king has made a mistake. His cursing is evidence enough, even if you did fabricate some of it earlier, it’s a self-fulfilling prophecy.

Meanwhile you’re almost squirming under Shouto’s gaze, avoiding any eye contact, as you know the moment you directly look at him, your heart might just explode. Especially if he was doing something like leaning against the frame of the door, or holding his weight against it, or simply standing in front of the door, all confidence and strength. Your mind begins to imagine all different possible poses you might find him in.

Luckily, instead of interrogating you, he instead simply dismisses you and returns to his office without another word, sparing you a direct glance in his direction.

The door closes and you wait a couple of seconds before pulling out your hands from behind your back. A dagger is glinting when the light refracts against it, almost like a promise for its sharpness. This is something you have just purloined from the assassin. It’s a little hand trick to make it disappear from the sight of others, especially if they’re distracted by something else.

You’re thankful some of your skills remain, despite being in a strange world, as this short moment reminded you that even if you had managed to stop two attempts as of now, you’re actually completely defenseless without a proper weapon. And you couldn’t really ask the prince to hand over something so dangerous into the hands of someone like you, a mere stranger, only occupying this place for some momentary gain.

With a sigh, you push the dagger into your waistband, its tip dangerously digging into your thigh. You should’ve gotten the sheath too, but your fingerplay was simply not as fast as you were used to. Well, as long as you don’t move wrong, the chance of getting hurt is rather slim, so you’ll take it.

After making sure the dagger is not visible through the spacious and thick fabric of your costume, you continue your walk through the halls almost like nothing has happened.

*-*

Boredom is going to kill you at this point. Since your official employment, there had been no chance to actually work, as there were no events planned and Shouto was and still is swamped in his duties as heir. At least he’s healthy enough to work, you suppose.

At first, you didn’t even mind doing nothing, but at some point there truly was nothing to do. You have explored every possible nook and cranny of the palace, and it seems like the assassination attempts have ceased for the moment, because everything has been pretty quiet. Nothing was suspicious. Well, this might’ve been your influence, partly. Because you’re pretty sure the people behind those assassins probably did not expect their attempts to fail like that. So they’re backing up for the moment, if only briefly.

That’s what you thought, and the reason why you have started exploring the garden. You were enjoying the soft breeze and the smell of flowers it carries, until you accidentally stumble across a pavilion, one which Prince Shouto has been resting under, drinking tea on his own.

Coming to an abrupt halt, you immediately bow and begin to back away so as to not disturb him any further. But before you can properly disappear, Shouto locks eyes with you, and even if you don’t freeze up this time, you don’t get the possibility to get away, as he calls you to step closer.

“Please, join me,” he simply instructs as he gestures towards the empty seat opposite of him.

His words don’t seem like a command, rather they sounded genuine, and who are you to say no to snacking with a snack. So, you bow again and take a seat.

Despite being excited about eating with him, you can’t help but avoid directly looking at him, clenching your muscles at the mere thought of being perceived by him.

You’re not sure he noticed the mix of excitement and nervousness swirling through you, but either way, he simply tells you to eat whatever you want as he sips on his still hot tea. Peeking at him, your heart begins to race at the sight of him holding his cup so elegantly. Better said, his whole posture is absolutely regal and you think you might see rays of light radiate off of him.

Grabbing anything in front of you and almost clumsily stuffing it into your mouth, you try to distract yourself from the perfect being sitting right in front of you. You really can’t say anything rash in his presence, or you might regret it, not only for the rest of your life, but for all eternity.

That’s what you decided on, to be a calm rational person. Sadly, your body didn’t agree with you, because the moment your eyes meet his, the crumbs of whatever sweet thing you have stuffed into your mouth slip down the wrong path, and you begin to choke. At first, you tried to free yourself from their hold discreetly, and you sure are glad that the mask is covering your face, because you doubt your predicament isn’t visible there, but these particles of dough are determined to make your life worse and worse. Because at some point you could not hold back anymore and just began to cough. And it isn’t just a normal, ‘one cough and you’re free' type of cough, it’s a ‘you’re going to eject your lungs’ type of cough. You barely had enough time to turn your face and to bury it into the crook of your arm before the attack started.

Tears are running down your cheeks, and you’re pretty sure a big part of them are from your broken heart. How could you embarrass yourself in front of Shouto like that? This is even worse than being the jester, a person meant to make people laugh, this situation isn’t even particularly funny, just horrible. How could you show your face after all this?

A cup of tea is carefully put into the palms of your hands, the porcelain warm against your skin, but there’s another warmth much more potent resting against the back of your hands, guiding you to take small sips from the tea. After the aromatic drink frees the blockage in your throat, you take a deep breath, relishing in the way you can breathe again.

That is until you feel that kind of pressure on your hands, which should not be caused by a simple cup of tea. You almost hesitate, but when you finally look up, you immediately lock eyes with Shouto, but this time, he’s so much closer to you than you would have anticipated. If your mouth was still filled with something sweet, you likely wouldn’t have only choked, but probably even done something much worse, you don’t even feel the need to think about it.

In your haze of admiration and embarrassment you nearly miss the way he almost imperceptibly furrows his eyebrows. You immediately hurry to calm his worries.

“Your Highness! I’m totally fine now, please, do not worry. You might develop wrinkles way earlier this way,” the last part is mumbled, as you lift a hand towards his face. But before you could even press the pads of your fingers against the crease to soften them, you stop in your tracks. You really shouldn’t do this, as it’s not your place, you’re not meant to get close to him or to touch him. Even if he is more than a simple character to you, even if he’s the realest thing you would ever have in your life.

You open your mouth to say something, you’re not even sure what exactly, but before you could do something about this tension between you (his hands still clutching yours, he’s still crouching in front of you, looking up to you in worry, like you’re worth the worry and–), there’s a crash.

Something has flown past the both of you, barely missing your bodies and hitting the table filled with food. The table which now has an arrow embedded into its wood. There’s no time to hesitate as you let the cup drop, porcelain shattering on the ground at the same time as you throw yourself onto Shouto, pushing him to the ground. Another arrow grazes your back this time, only noticeable by the breeze and the sting of split skin.

There are no other arrows following, as the moment the first arrow has arrived under the pavilion the surrounding knights have immediately assessed the situation and began their own attack. But before they could catch the culprit, it seems like they escaped just after the second arrow had been shot.

Only when you’re sure about the safety of the situation, do you roll away, letting yourself fall onto the cold ground, far from the spilled tea. Pain shoots up your spine, but you ignore it as you watch the knights fuss over Shouto. Shouto who is safe and merely with some scrapes from the dodge.

Slumping against the cold marble, as relief floods through you. Nothing of importance has been harmed, they didn’t succeed, once again. And you hope that this whole ordeal will lead to the security around Shouto tightening. Even if it means you might lose your position due to your foggy, practically non-existent past.

You simply take a breather on the ground, trying to ignore the possible consequences affecting you, because if you get kicked out, how are you supposed to stay by his side, uh, to protect him. There’s no way you’d want anything more. Even if he is the most attractive man you have ever encountered in your whole life, but that’s another whole bomb to defuse, you’ve got bigger problems. At least the knights have taken Shouto inside already, not even giving you the chance to see him to say goodbye or to admire his face, you mean, to make sure he’s alright.

Silence coats the once rowdy pavilion, only you’re left behind. And you don’t mind, you shouldn’t, because in their eyes, you’re no one. No one but someone who’s supposed to bring them joy at the exact right moments. Nothing more. Even if you put effort into being more, it simply won’t matter. And you know it, you know it and you’ve accepted it. That’s why you slowly sit up again, your fingers trying to touch the torn skin at your back, barely grazing it before sharpness drills into you. Yet, the wound isn’t deep, merely a touch of the blade. Something you can simply leave to heal on its own. If it leaves a scar, then it does so, as there’s no reason for you to abhor or be scared of leaving marks on yourself. That is simply life.

Yet, you don’t immediately stand up to go back. You simply stay. Trying for a moment to forget the impending doom and the task of having to stitch your shirt back into one piece. You simply stay and let the air cool you down until the tips of your fingers feel stiff. Only then do you get on your feet, intent on finally going back. But before you could even leave the pavilion in the first place, a knight taps your shoulder.

Turning around to face him, you notice that he doesn’t have the air of a knight, rather one of a noble, with the way his green eyes sparkle and his equally colored hair is styled. You also notice his clothes, which do have some elements of an armor, yet too elegant to be truly one. He smiles at you.

“Excuse me, but Shouto would like to see you,” he tells you simply, but you can see in the way his eyes wander over you that many more thoughts are bubbling over in his head. He’s simply accustomed to keeping them inside, rather than sounding them out.

You simply nod, and you’re silently grateful he wasn’t expecting you to actually bow to him. Because it would be so embarrassing to do so, only for him to notice your ripped shirt. So, you’re readily following him back to the palace and to–

The door you’re standing in front of is not his office. You glance at the noble in front of you as he knocks on the door. It opens and he invites you in, yet stays outside himself.

A moment, a blink, and you do as you’re told, entering something akin to a parlor. And there he is, Shouto, in another set of clothes and impeccably clean, but safe nonetheless. He’s sitting on one of the couches, and you simply bow the moment you see him.

He murmurs your name and you look up. “Take a seat.”

For a moment, you hesitate, unsure if you’re actually allowed to comply, as sitting on the same eye level as royalty is not something you should actually dare (even if that would be your second time, but that only makes it worse, as it could develop into a habit. You don’t want that).

Yet, you follow his command, because he continues to simply look at you, and you could not bear to have his gaze on you for such a prolonged time. So, you sit down on the edge of the couch opposite of him.

But it seems to have been the wrong move, as a small furrow appears between his eyebrows, a small crease, barely noticeable on his smooth face. Upon seeing the change on his face, you tense, ready to immediately stand up and to leave, or do whatever Shouto wants from you.

Before you could throw yourself off the soft cushions, he stands up and walks around the tea table, only to take a seat by your side.

You turn to face him at such a speed, your mask almost got flung away. And you wish you could express yourself with speech bubbles instead of words to articulate ‘???’ properly. But alas, all that comes out of your mouth is a series of warbles, akin to a keysmash. You’re almost inclined to pushing yourself towards the farthest end of the couch, especially with the way his eyes wander over the lower half of your face and–

“Take it off,” he instructs you before you could do anything rash.

“My mask? Your Highness, I’m sorry, but I won’t comply with that, my identity–”

“I mean your shirt. Take it off.”

In a weird reflex, you cross your arms in front of your body. “Wh-What’s that supposed to mean, Your Highness?”

He glances at your arms before looking back at you with a new furrow between his eyebrows. “You got hurt earlier and need medical attention. I will just do that.”

“Oh.”

If the blood didn’t rush into your face due to your surprise, then embarrassment will do the trick just fine. How could you misunderstand him like that, Shouto would never do something like, like that!

You purse your lips, another thought popping into your head. “Your Highness, not to be rude, but why would you of all people do that?”

A slight tilt to his head and his hair falls beautifully onto his cheeks, and the sun hits at the right angle and he glows. You’re doing your best to not straight-up stare at him wide-eyed and amazed by his sheer beauty. You’re so focused on appearing normal, you almost miss his answer.

“Well, you did protect me, so I suppose the injury is due to me, and I cannot leave it just like that.”

You furrow your eyebrows. Technically it’s not his fault, it’s theirs and maybe a little bit yours for being reckless. But definitely not his. But you don’t know how to explain how you’re always on guard due to the rebels always targeting him and how you wanted to protect him from the very beginning. So, you simply comply.

Of course, you don’t take your shirt off, rather, you turn your back towards him with a murmured apology and lift the hem just enough for the wound to be visible. Clenching your teeth, you wait for his next actions.

A cold burn seeps through the edges of the wound and your skin feels hot and cold and tingly. This sensation continues in small jumps all over the open skin and you barely manage to breathe through it, hissing silently between your teeth when the worst part got touched by the cold fire of pure alcohol.

The dabbing stops and you barely feel his touches after that. Nothing but a ghost as the dressing is carefully taped to your back, covering the wound to protect it.

Only after the sensations of the tips of his fingers vanish (you think you might’ve felt them graze your skin a little bit more than necessary, but that surely is nothing but your wishful thinking), do you let your shirt fall back into place. Turning back to face him again, you smile.

“Thank you so much, Your Highness,” you say with a bow, trying to express your gratitude properly to him, but you suppose only actions will truly do that work for you.

For a moment, he just looks at you, gaze unfazed and calm. Just as Shouto opens his mouth to say something, does it seem like uncertainty is tainting his dazzling pupils. Closing his mouth again with a sigh and shutting his eyes, he simply dismisses you without any other explanation.

You’re almost keen to just stay and ask him for his motivations, but you know that no matter how close you feel to him, it’s all in your head and you’re nothing more than a mere subject of his future kingdom. So, you leave. Barely time for a simple glance towards him, meeting his eyes for a second, before the door closes behind you.

Despite your need to get away, to put some distance between you and him, you just stand in front of the door. The last attempt made you realize how close death could be, how precocious you have been acting, thinking that your mere presence could actually be of help to anyone, when actually all you were is an obstacle, standing between the assassins and Shouto. And while it might prove useful, to be a shortlasting barrier, the dull ache in your back made you realize that you want to be more, need to be more.

Something clicks in your mind, something that changes how you view this world, this world that once consisted of fictional beings merged into something more. A world filled with life and death and opportunities and missed chances. And you’re in the middle of it.

Straightening your back, you shove the rest of the implications to the side. There’s no time for you to actually dive deeper into this realization, what this could mean for you especially. Rather, you begin to walk down the hallway, towards the training hall, a certain objective in mind.

*-*

The sun is barely peeking behind the horizon, almost blinding you as you take a breather. At the beginning of your random training regime, you had barely managed to finish one lap around the training grounds before you started to lose your breath. Now, you just finished your second lap and your lungs started to burn towards the end of it. So, you suppose that you gained some stamina by just desperately putting one foot after the other. And normally, you would start another lap until you feel like you’re about to collapse, but today you want to try something new.

At least new to this body. You’re still not quite sure if this is your body or if it’s just one that looks like you. Especially because it feels like some muscle memory of your old life is still ingrained in you, but of a lower quality than you’re used to. That means you need to try everything with caution and act like it’s your first time to avoid any serious harm.

That’s why you had concentrated your efforts on building stamina and muscle with simple exercises. But today feels like you’re ready for a step up. So, after you catch your breath, you make your way to the rack filled with wooden weapons and grab one in the vague shape of a sword. It’s balance is alright and it’s comfortable in your grip. You actually don’t really want to wield a proper sword because it could be turned against you easily due to your lack of experience in actual fighting. That means that a wooden sword is just perfect. It gives you range and it can hurt enough to distract someone without actual injuries. (Unless you shove it into someone’s throat or stab it into their eyes or give them a heavy concussion or —)

Anyway, less harm but still quite effective for your endeavors of protecting Shouto in some way, even if it means to be a competent distraction.

You swing a couple of times to test your grip.

“What are you doing here?” a familiar voice sounds from behind you and as you almost jump out of your skin, you barely keep a hold of the wooden sword slipping out of your hand.

Hurriedly, you turn around, only to actually face Shouto. You immediately bow and mumble a greeting, glad that bowing to him makes him disappear from sight, because you caught a glance at the way his training pants hug his thighs and if you would have seen them for even one second longer your mind might’ve erupted.

Only when Shouto tells you to straighten up, do you fumble for an answer, eyes glued to the wooden stick in your hand.

“Uh, you see, I was just very curious about swords, uh, especially ones from wood. Just wanted to touch them, to feel their texture, uh,” with every word coming out of your mouth, you wanted to slap yourself so badly.

Even if you are supposed to be a jester does not mean you’re meant to be stupid after all. You really don’t want him to think of you as stupid.

You press your lips together to shut yourself up, you can’t even curse under your breath anymore. The heels of your feet dig into the dirt and you’re ready to speed away the moment he dismisses you, but–

“Then, let’s spar. Curiosity can only be satiated by knowing more than anticipated after all.”

He reaches past you, and suddenly his body is hovering over yours, his throat right in front of your eyes and you see as his soft skin dips into his fluttery shirt. If you lean towards him even the slightest bit, your lips would meet the tender spot where throat meets collarbones. Your hands are cramping by your side, one move and they would be able to reach him way too easily. The tips of his shoes tap softly against yours and his arm brushes your shoulder as he pulls back, a wooden sword in hand.

Only when he takes a couple steps away from you and towards the middle of the training ground do you release the breath you have been holding in. Despite your past inability to use your lungs, you notice how his smell still lingers around you. Some sort of mix between the smoky smell of a fire place and the refreshing one of mint, and you wonder if his lips taste like the mint he chewed–

You shake your head before the thought evolves and for a moment you want to excuse yourself and step back, but then you remember that Shouto had an almost fatal weakness. He continues to leave his left side open, and while his friends have helped him improve, sparring with people he’s familiar with will not help him grow. So, you decide to actually have a spar. Even if it’s just one.

Standing in front of him, you try your best to copy his stance. And as you’re only a beginner, he allows you to have the first move.

You rush towards him and he easily parries. Another strike, another parry. He stays on the defensive and you’re focused on getting to know how he moves. And then, you notice the opening. With a feint, you manage to get a hit on him. One that feels like it hurt you instead of him. But you can’t allow yourself to slack just yet. You continue to hit him on his left side every time he allows an opening. Until you take your chances to trip him.

While he’s falling, you don’t expect him to grab you by the wrist and pull you with him. That’s why you flounder and lose your chance to pin him down properly, as all you can think about is how you’re stradling him and how firm his muscles feel underneath your touch, weapon forgotten and limp in your grip.

If only you didn’t get distracted by the way he appears as he looks up to you from between the strands of hair and how the breath leaves his soft lips, and how much contact your bodies are making. If you had managed to react timely, then Shouto wouldn’t have had the chance to grab your waist to flip you over, pinning you underneath him. Your legs trapped between his and wrists caught in one of his hands. And due to the lack of support, he’s almost laying on top of you.

The worst thing is the look on his face as he glances down at you. He looks at you like you’re something to be astonished by, like you’re something truly worthy to wonder at.

The heat is slowly getting to your head and you quickly surrender before you blurt or do something embarrassing. Because there’s no way you would be able to stay still if he holds you any longer in that risquée position.

Shouto slowly pulls back, freeing you bit by bit, at such an excruciating pace, you almost try to pry your wrists out of his hold. But his soft skin against yours is something you want to continue to feel, the warmth of another person, of Shouto specifically.

After he straightened up, he still hasn’t let go of one of your wrists, gently pulling you into a sitting position. Still holding you, he lets his gaze travel over your covered face. (You refuse to pull off the mask outside of your assigned room, wary of the King and the rebel spies. That’s why you have been even wearing it during training.)

Still, despite the coverage it feels like his eyes are able to see you, to truly see the you behind the thin facade of the jester.

“I know what you’re doing,” he suddenly drops, and you stiffen up underneath his touch.

“What– What am I doing, Your Highness?”, you ask, afraid of the answer, no matter if it’s the right or wrong one.

A small sigh. “Since the moment you’ve stepped into my life, well, rather stumbled into it, you were always involved with the assassins around me…”

“Wha– No! It’s purely a coincidence! That’s all I do, stumble around!” you hurriedly try to deny whatever accusations are thrown your way.

Yet, none of your words seem to have any impact, he continues without regard for your protests. “You have been protecting me, why?”

That’s what makes you lose all words, all arguments. You can’t answer him. You can’t tell him that you have known everything from the very beginning. You can’t even tell him a half-truth half-lie, that you heard all kinds of conspiracies. None of these would work. Everything you might say will make you look suspicious. And you’d rather not lie to him.

So, you simply slip his hand off of you, and he lets you go without resistance, just with furrowed eyebrows at your motion.

“I’m sorry,” you mutter as you leave, avoiding answering him, risking breaking the fragile trust he has been building towards you. But it doesn’t matter. All that matters is his survival, and effectively yours after everything is over. There’s no need for it to be more between you. (Even if you wanted to confess everything to him, to tell him how much you appreciate, even love him. But you can’t, you never will.)

(How could you tell him anything, to confess to him about you and your feelings when you’re all-too-aware of what’s about to come, what’s about to happen. You can’t afford to distract him during such a vital time, especially with all the effort you have put in towards making sure he’s alive and healthy… You might’ve accepted this world, but that does not mean that you have a place between its people…)

*-*

It’s supposed to be a simple meal with the royal family. That was the plan. Just King Enji with his children, trying to have some sort of get-together once again. It’s supposed to be simple, as normal as a family of their caliber should be. Shouto has even requested your presence during the meal, as a means to get the King to have an early death due to his blood pressure, maybe.

But you know. You know what’s supposed to happen. And you still came, still decided to have his back even during the climax of his story. One where he’s supposed to perish, but now won’t. Your interference has led to him still being strong and healthy as the Crown Prince is supposed to be.

He won’t lose. The story won’t end in a tragedy.

The door breaks. Pressure putting cracks into its hard wood and splinters fly everywhere. Surrounding knights immediately step forward, building a line of defense between the royal family and whoever is on the other side. Kind Enji barely glances from his meal, even if Shouto has risen to his feet, ready to protect his family if needed.

Your own fingers find the hidden hilt of the stolen dagger, still buried in the space of your clothes. But you don’t step forward. Your fate lies in him, no matter what happens, he shall rise triumphantly.

For a moment, only the clatter of silverware permeates the silence. Until footsteps echo through the hall. Their beat indicates a slight swagger, one confirmed once a black haired individual comes into your sight. You swallow back a gasp. The descriptions in the book would have never led you to believe the extensive scarring stretching over bones, barely healed burns with a shine of purple. Something of pain and suffering. Something a child never should have gone through.

“Ah, Father, did you miss me?” a raspy voice rumbles and fills the air, choking everyone who hears these words.

A crash. The chair resembling a throne has fallen with the vigor of movement from King Enji.

“Speak no lies! Touya has perished long ago!” his powerful voice on the verge of a crack, resembling a man standing at a cliff refusing to see the way down to his end.

“Father, dearest. Your words wound me so, I shall do my best to prove my worth to you,” Tou– no, Dabi clutches his chest dramatically, laughter tinting his voice, another type of crack, one that desires the jump oh-so-much.

Before any of the guards could react, everyone too shocked by the reveal in front of them, Dabi grabs a pitcher filled with water, water meant to be served to royalty.

Yet, he does not simply take a swig, rather, he lets the liquid pour onto his hair, staining his shirt with the blackness that once stained him, revealing white with such purity as snow, a white resembling the one the heads of the royal offspring.

This time, everyone else gasps, you think to see wetness rimming Princess Fuyumi’s eyes at the sight of her long lost brother. Worse even, Kind Enji’s shoulders seem to sack down, as if a sudden weight has returned to him after thinking he was free of the burden.

But no one gets enough time to process the dead coming back to life, as the whisper of metal death resounds. Dabi, who managed to get closer with each person shocked by his appearance, is now wielding a sword. The distance between him and the King is but a jump, one he’s eager to commit, even if it may lead to his demise.

“I’m remorseful, truly, but we have to say goodbye, Father, you possess something I desire and only your death shall allow me to bring it into my possession,” he grins, swinging the blade towards his very own father.

Before cold metal meets warm one, there’s noise of metal against metal. Shouto has jumped in front of Dabi and has parried his intent to kill with the will to protect. You watch as he glances towards the guards, the ones who had gotten busy with the barrage of rebels in the meantime, blocking any effort to try and defend against the true adversary.

But Shouto is still here, his sword steady in hand and mind as clear as his eyes as he locks not only swords but eyes with the brother he has never known.

“Well, isn’t it nice to meet the perfect little Crown Prince? The one who took everything away from me!”

The grin Dabi has worn turns upside down into a snarl, one filled with a different anger, an anger caused by what might have been, one that knows that everything was out of their control, yet why does he have to suffer so?

His attacks seem never stopping, only thinking about moving forwards, about defeating the opponent, barely noticing the way his skin strains, the way Shouto’s blade glides over him, making him bleed oh-so-slowly.

A slash towards the left side of Shouto, and you wince, but blood shall not be spilled and Shouto manages to parry it, even if barely with the touch of a feather. The metal clashes and vibrates, and it seems like the unending cuts and wounds, alone amounting to nothing, but together building a fountain, have started to make an effect. Dabi’s swagger turns into a stagger. His hands tremble as he holds onto the sword with all his might, still swinging and swinging and swinging. But never hitting.

You will never know what motivated Shouto, you will never know what the future holds anymore. But that’s a good thing. Nobody is supposed to know that much, and your lack of knowledge about the coming events means that doom has been subverted. So, you will never know why Shouto has simply decided to wound Dabi, to give him a last act of mercy as he saves him from himself. Maybe he wants to give him another chance, a life where he could be whatever he wanted to be, and maybe Shouto wanted a little bit more freedom. But those are your guesses, and this Shouto is the one you have known for such a long time, but a different one nonetheless.

But that doesn’t matter, you love him all the same, and with his safety secured, you don’t need to know more.

With silent steps you leave the hall, walking towards the room Shouto uses the most. With this ending, there is no need for you in this place anymore. And you should be content. But you can’t. You feel sorrow burying in your heart, digging itself into your veins at the thought of leaving him behind, of never seeing him again. But you must. How dare you stay for no reason at all? You’re not needed, and they –he– won’t miss a mere jester.

Opening the door of his office, you don’t look around, too afraid that you might change your mind at the sight of his belongings. You leave a letter, one to resign, but also one to say goodbye, and by its side you rest your mask, something that has belonged to you, but shall no more. You leave it behind to close this chapter behind you, to refuse to remember everything at its sight in your home.

And then the door clicks behind you and there’s nothing but home, nothing but the little hut in the woods waiting for you.

*-*

It has been some time since you have last visited the village. You’re going to be honest, you don’t need to. Despite the amount of money you own being enough for you to survive comfortably, you decided to make your own little garden, to cultivate your own food and to distract yourself, among other reasons.

So, of course you’re surprised when a couple of soldiers stop by your place, as most of the news never reaches your little place. They barely talk to you, rather, they ask if you live here and simply nod at your response before marching off again.

Scratching your head as you look after them, you shrug it off. As far as you’re aware, you’re not violating any laws or something. This is technically your property, so you suppose you would have a pretty strong standing if there’s a court or whatever they do around here.

What you did not expect is for another person to emerge. One that practically glows under the rays of the sun, his dual-colored hair shining like ice and fire as the breeze plays with them. At this sight you immediately drop whatever utensil you’ve been using to work in the garden. A curse under your breath and you push the hat you’re wearing lower in a weak attempt to hide your face.

Until the tips of his shoes appear in your vision and you can’t help but take a peek. Your eyes meet his and recognition flits through them.

Before you could utter any rambling excuse, Shouto kneels and takes your hand in his. He guides it to his lips. “My Savior”, he mutters against the back of your hand before he presses a soft kiss on your knuckles.

“Ah, Y-Your Highness, please, stand up,” you fret over him, yet not pulling your hand out of his grasp, a part of you had missed his feathery touches against you, him being oh-so-careful every time skin touches skin.

He stands up and his free hand brings something to your face. You can’t help but close your eyes, only to feel a smooth surface against your face. Your mask. And his hand cups your cheek as he leans down. Your eyelashes flutter, his lips meet yours and you melt into him.

You fit into his touch as a mask fits a face, and you realize that this is where you belong, this is where you should be. Not only because fate has brought you to him, but also because he made you a place by his side from the very beginning. Love can be given and received, but a place to be loved has to be made, after all.

[simlicious]

Personal update

It's been a while since I wrote a longer personal post, so here we go. Long wall of text incoming!

I am not focused on making patterns so much as I am trying to make a tutorial on making them. Yesterday, I dived into making an explanatory animation and editing a short video clip I recorded. But adding transitions, titles, hints, etc, that stuff takes AGES. I have definitely gained a new level of respect for YouTubers!

Generally, I struggle a lot to get into any project and keep working on it. I'm 95% sure I have ADHD because the struggles I face are textbook ADHD. I have watched a lot of videos recently on ADHD, and especially also how symptoms manifest in women. I was the kid who always daydreamed in school. Who would go "ssssh!" angrily to classmates who were giggling/disrupting, because I got so distracted by it. I had to put all my energy into paying attention. I studied for tests on the last day or during the break before the lesson because I had no motivation beforehand. I had a hard time doing homework, I was just not motivated to do it and made a lot of careless mistakes too, especially with maths.

TBH, I've always felt really bad about showing so many WIPS and getting people's hopes up, and whenever I promise to get them done in a certain timeframe I meant what I said. But I often disappoint myself and you guys too because I often cannot pick up or work on a project. I know I want to finish it and that it would get me a satisfying feeling and probably praise from you guys, but it's still not enough motivation. It's like there is an invisible barrier and I cannot get through it. I often do not know myself why I can't do it. Whenever I do manage to pick up a project, I often have a good experience and at least make some progress on it. But it does not mean the next time is any easier 😭

I have some projects that are almost done, and there is just a little something to do and I just cannot bring myself to finish them. It's really frustrating. I have periods where I can just go with the flow and pick up whatever I can do and do not agonize as much about not being able to tackle bigger projects. But the tutorial project is one of the few goals I set for myself this year, and the year is more than half over already. I want to finally make some progress!

I realized why I am good at making patterns: They take a short amount of time, often between 15 minutes and 4 hours depending on the complexity, though most I can finish in an hour. I do not have to wait long until I can first test the new CC in my game, which is generally a very gratifying experience., since most of the time, the patterns are fine. But whenever they need to be tweaked again, I tend to put that off. It's really hard to pick them up because the gratification is not as high as the initial loading up. My brain is just not getting a high enough dose of dopamine from it, and it's like nope, why bother.

I also get into phases of hyperfocus, and in those, I can work 8 hours straight on a mesh, but once that streak is over... well, RIP WIP. And I can never finish a meshing project in one go. The base mesh might be finished, but then I need to make LODs, morphs, the textures... I often spend an initial 8 hours on one creation, and 20 more to revise stuff later on. I am also bad at judging how much time something takes, with some of my projects it's probably more like 40 hours that went into them already. Most notably a project I titled Exquisite Comfort Sweater. I have revised it 3 times I think, and I am still not done or satisfied with it:

The problems are not obvious from screenshots, there are texture flaws (which can be hidden nicely with patterns, and since the pattern tiling is so good I have used that cardigan often as a way to preview my patterns), but also bone and morph problems. I would not want to release a creation that is broken in my eyes. It might still work for posing and screenshots, but I want people to be able to play with my creations and not get distracted by terrible bone assignments. With this example, the custom bulky sleeves are what create a problem with the bones and morphs. They are just too different from EA's stuff and there is no good reference to clone those from. Hence I need to do manual edits, but that also involves a lot of trial and error. I recently learned how to tweak the bones manually in Blender, so I know I have the tools I need to elevate that to the level where I wanted it all along. But motivating myself to open that blender file still seems impossible.

My perfectionism compels me to enter a loop of creating, testing, seeing something I do not like, and having to do the cycle all over again. Because often, fixing a tiny thing also means I have to redo morphs,. LODS, textures, it takes ages to fix something. And then if I still don't like it, I have to do it a third time. Once my hyperfocus is over, the thing is just left in whatever state it was when I stopped.

I cannot bear to throw away any of my works in progress, because I do go back to some of them sometimes. But it really only happens very rarely that I finish something.

I spend a lot of time meshing and creating stuff, but it just never gets to a releasable state. So I probably have the same experience as someone who has published 100 meshes but I just have nothing to show for it. It sucks so much 😭

And I have been wanting to make tutorials about creating CC for AGES. In the past, I've written down written ones on a whim, but this time, I want to make video tutorials, because most people find them easier to grasp and more digestible. I have good ideas, and I have the knowledge to pass on, it really makes me sad to see so many people wanting to create CC but struggling to find good tutorials and resources. I want to help, I have the knowledge, but I struggle so much with getting things done. I start and I get overwhelmed. I get lost in details. My anxiety perks up. To say this is frustrating is an understatement. Whenever I publish a pattern collection, it feels as huge as writing a term paper. And I feel proud of myself when it is done and out, but it also exhausts me. I really wish I could put out content more frequently. That it wasn't such a huge deal, such a struggle.

I hardly even make goals anymore because most I never reach anyway, because I cannot walk that road. It's like I get off the path and get horribly lost.

And I really am sorry about not being able to keep promises. I often don't even mention stuff I am working on, but I sometimes do need the input/dopamine from my lovely blog readers to keep going.

I think if I declare a deadline, that will help me finish a project. It sometimes works, but then sometimes it does not. And it sometimes makes me want to write "unreliable" in my tumblr profile, but that feels so harsh and I need to show compassion toward myself if I want to make progress.

Lately, I have watched a lot of "tips and strategies for ADHD" videos. One video addressed something very important: the fact that people with ADHD can get bored with a certain strategy and then it just does not work anymore. So I cannot trust a habit to work forever, because out of the blue, that trusty strategy may just stop working.

Finding strategies that work is difficult, and getting into a new habit is even harder. I feel like life is rigged against me and my struggles are mostly unseen because my wins are not flashy at all. For me, cleaning my apartment is a big deal. Taking a walk with my best friends 2 times a week feels like a full week. We even go when it's raining. Two years ago, I would never thought this possible, but this shows me that I am making progress. The progress is just in areas that remain unseen, that do not produce big results, nothing to put in a resume, or in a portfolio.

I'm writing all this because I have been especially upset and frustrated with my inability to work lately. And I'm sad that I cannot create the resources for you the way I want to. That everything takes me so much longer than I anticipated. That I make promises that I cannot keep.

I need to get my frustrations out of my system so I can focus on small wins and hope they eventually add up to a big one.

If you happen to know some good ADHD resources or strategies that you have experience with, feel free to share them, they are much appreciated!

[stepswowdsen]

【KagePro】 Sen's .dsd/V Scans: Part 2

Sen's Scans and Edits

.dsd/V Sidu MV Material Works 2011 - 2018 (WHITE ver.)

Outer Science - Kuroha/Saeru

Yuukei Yesterday - Takane & Haruka (& Chibi Takane & Konoha)

Children Record & daze & days - Mekakushi Dan & Ene & Azami

Summertime Record - Haruka

Rambles

I tried scanning Outer Science, Yuukei Yesterday, Children Record & daze & days, and Summertime Record from Sidu's .dsd/V artbook.

I bought two copies of Sidu’s .dsd/V artbook, both the Black and White cover versions. I was scanning with .dsd/V (White Ver.)

I wanted to post my progress update!

Refer to this post if you wanna read my initial scans and rambles:

Link: (X)

I’m gonna disable reblogs on my WIP progress updates for now. I tried to scan and edit these as best as I could for now! I’ve been scanning the pages slowly in my free time. I posted LQ versions of my scans for now since I haven’t finalized these yet.

The artbook is bigger than my scanner, so I have to scan a page twice to try and get the full page.

I accidentally bent the the Outer Science page on Sidu’s .dsd/V (White Ver.) artbook after scanning the Yuukei Yesterday art cuz the book had to get scanned at a really awkward angle. The Summertime Record Haruka art is on the next page. The bend isn’t too noticeable or on anything significant, at least.

Thankfully, I have scans of the Outer Science page before it happened, though.

Thankfully, I have two copies of Sidu’s artbook, because I figured that just in case one gets damaged while getting scanned, I’d still have the other one. My .dsd/V (Black Ver.) artbook is still safe, but the Outer Science page in my .dsd/V (White Ver.) artbook got a bit bent while scanning. Thankfully the bend is not on anything important.

I try to be as careful with my artbooks as possible, but Ig it can’t be helped too much cuz of the awkward scanning, and me handling the book a lot. I had to prop up the book with boxes so that it’d rest on the scanner properly (depending on the pages being scanned)

I’ll continue to scan with my .dsd/V White Ver. artbook, since it doesn’t make sense to risk my safe copy. I’ll try to be as careful as I can, but I don’t have to worry as much since my other copy is still safe. I can rescan stuff when I’m finished if I need to.

Hopefully people don’t mind the other pages showing in the background? I did that this time instead of putting just 1 page down on the scanner because I felt like it’s easier to be more careful with the page and avoid bending it when it has the rest of the page’s weight underneath it. I can always rotate and crop the scan once everything is finalized.

Close up of my scans… I have some ideas on how to remove the print screen-like grainy texture on the scan, but I’ll need to look into it. My mutual in scanlation said he’s busy, but he can try and look into it sometime whenever he has free time. Hopefully I can get the hang of it sometime ^^

It’s really hard to get the parts where the book binding cuts off (middle of the scan) due to the book binding, since I can’t lay the book completely flat. Because of that, it casts a shadow, the parts closest to the book binding appears a bit blurry on the side closest to the book binding. This is the best I can get, since I’m a hobbyist scanner.

Imo the only way to get the full pages would be to remove the book binding (debind it) and safely retrieve the pages. My mutual in scanlation is experienced with physical scans because he has a method that can retrieve the pages safley by melting the book binding, but I’m not.

Even if I have two copies of Sidu’s artbook, I’d be really hesitant to risk damaging my book like that tbh, especially since I’m not experienced with working with physical scans. I can rip most things from digital scans/e-books, though.

Sidu’s .dsd/V artbook unfortunately isn’t available online, though.

I will try to stitch the scans through editing when everything is finalized, but it’s not gonna be 100% perfect because there’s a shadow over the part nearest to the book binding, and the scanner might not scan the colours the same, so it might not line up perfectly.

Anything related to 9/6, including XX/6, and all related charas/ships (Kuroha, Takane/Ene, Haruka, Konoha), I will scan first 🖤💛💙

Basically, I prioritized 9/6 first because of my bias LMAO.

Though, I will scan the other pages later!

Ones I’m planning to scan next:

Headphone Actor - Takane

Konoha's State of the World - Konoha (& Hibiya & Hiyori)

Additional Memory - Ayano

Losstime Memory - Shintaro

[aurriearts]

8, 12, and 18 for the artist asks if u wanna?

8. What do you like most about your own work? i really like the way my lines have character + the way i do colours + texture. honestly as soon as i ditched the idea i had to do "neat" art or bother with lineart stage i started having so much more fun with it. all i have to do is clean up the base sketch now! and textured pencil brushes are way more forgiving of messy art compared to regular round brushes. i'd like to think i'm getting decent at doing dynamic poses too :3

12. Show your favourite drawing from this year has to be the michael leonard study with ricardo.

this was really damn good if im being honest. i might touch it up with some more complex modwork detail along his spine + arms but other than that. yeah! i'm super proud of it :3c

18. Do you have any larger projects you’d like to pursue? Like comics, shortfilm, a series etc? i'd love to do a few really polished mini-comics for fallen hero tbh! i have a few wips, i've posted on here, like livestock dreams + steelsnap. there's just so many cool moments in the fallen hero series i wanna draw! and being a superhero setting it lends itself incredibly well to the format anyway. that'll probably mean i'll need to brush up on my perspective skills, but that's all good.

also learning animation/animatics! tentatively figuring something out w/ my sister since she's Really damn good with video editing software, ideally, a rebirth animatic/storyboard set to good life by shayfer james, plus some other smaller ideas. hopefully getting an ipad will let me draw more in general too, since it'd let me make art when i don't have the spoons to set up my desk, very hyped for that

[aweeshie-downloads]

Old Hair Retextures

My terribly slow process of moving all of my downloads to tumblr continues!

Life and other distractions got in the way and moving my downloads has been a low priority tbh. But I just finished replaying Fallout: New Vegas and I am kind of in a gaming lull right now (waiting/hoping for the Skyrim modding community to update mods to work with the Anniversary Edition). I figured I should rename and take screenshots of old hairs that I made ages ago and finally post them here. =]

Rose Donation #70

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Pooklet's V2 textures

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Greys unbinned

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Rose - Mesh

Pooklet - Texture & Colour Actions

Rose Donation #78

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18 natural colours

Pooklet's V2 textures

Colours binned and family-linked

Greys unbinned

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Rose - Mesh

Pooklet - Texture & Colour Actions

Rose Donation #80

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Pooklet's V2 textures

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Rose - Mesh

Pooklet -Texture & Colour Actions

Aelia - Neon Plaid Textures

Peggy #00278

Mesh edited to remove bow

18 natural colours

Pooklet's V2 textures

Colours binned and family-linked

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Peggy - Original Mesh

Rose - Ponytail Alpha

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Peggy #00360

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Pooklet's V2 textures

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Peggy - Mesh & Texture

Lotus - Bang Alpha

Evanesco - Strand Alpha

Pooklet - Texture & Colour Actions

Everyone who replied at the GoS Show Off Your Creations thread

[lilhawkeye3]

I don't know if they thought curly hair was too complicated to animate or something, but for some reason, ALL the clones in TCW have straight hair. It comes off as a simple stylistic choice with the standard crew cut, but then you have characters like Tup and Hunter. And since Trace Martez exists, we know they CAN texture curly hair now, and it doesn't look like it was all that complicated either. I guess in the case of Tup and Hunter we have to chalk it up to mutation in-universe.

Alright. Here’s an image of Trace and Rafa Martez.

I’m gonna say this kindly as a curly haired individual: I would not say Trace has textured curly hair in the show. She has a textured hairstyle meant to represent curls.

Rafa has some waves in her hair that do end in a little curl, and while in real life I would say she probably has one of the “B” classifications for curly hair and appears to have a stronger curl pattern than Temuera Morrison. That said, the animation is still fairly blocky and only represents her having curls.

This gif even shows it: Trace’s hair just... doesn’t move. It’s completely fixed. At least Rafa’s has a bit of sway and bounce at the bottom ringlet.

My honest opinion? The actual animation program itself is not designed to handle curls. What we see with both Martez ladies is that the CG part of their hair is very blocky, but the “texture” comes more from the hand-painted look.

This is something Filoni pushed from the start: CG animation was the new thing in 2005 and George Lucas wanted to use it for the show, but Filoni was a hand-drawing artist. He worked on Avatar the Last Airbender, for example. The way he could keep that feel with Clone Wars was to paint each “panel.” Thus, you had a merging of the two. Here’s a segment of a direct quote from Filoni, taken from this article.

“I wanted it to look like a painting— you see a textured, hand painted style on every character. I have texture artists who literally paint every character right down to their eyeball, because I wanted that human touch on everything.” -Dave Filoni

I actually looked into what program they used (at least for the earlier seasons). In 2008, it was produced by a company called Autodesk, and here is the announcement of them using the software. In the announcement, it mentions that one of Autodesk’s first (and main) developments is AutoCAD, and that their programs are meant to simulate real-world developments. Yeah... AutoCAD is an engineering/architechtural program. It’s very formulated and rigid because so are the materials it needs to simulate.

Here’s an example of a plant designed using a more recent version of AutoCAD (from the Autodesk website). Even with basic colors, it’s clear to see how its older versions would be best for a show full of armored troopers, ships, destroyers, walkers... pretty much every part of Star Wars except for the people, tbh.

The program, and thus any later ones developed off of it, was not equipped to program curly hair. It’s not in their coding.

The other problem is Lucasfilm was outsourcing the animating for most scenes to a team in Asia (as per the linked announcement). That’s not cheap. When you introduce a character like Tup, who is a smaller supporting character, it’s far easier to just use the already developed clone CG model and have his hair tied back so it lays flat. It’s logistically not worth figuring out curls for him.

Hell, look even at Anakin or Obi-Wan’s hair in the first seasons (just search gifs on tumblr tbh). It moves together in chunks, if at all. The last season does have more improvement, but by then 1) it’s ten years later, so animation programs have evolved significantly, and 2) they’re at Disney.

I may hate on Disney for a lot of things, but Disney and Pixar have pioneered so much for digital animation, including hair actually (i.e. Tangled & The Incredibles). And... it’s Disney. They’ve got some of the best technology out there, even if it’s just for a TV show. 

But, back to the clones. Take a look at any of the Sideshow collectible figures available for the clone troopers from the show. Even the short haired troopers have wavy definition to their hair, and for Tup it’s pretty clear he has a curl texture, just that it’s been tightly combed back into a bun.

To help, here’s a trio of images: the left is Temuera Morrison around when he was in Star Wars. The top right is the Showtime collectible of ARC Trooper Fives. The bottom right is Fives in the show. It’s clear they attempted Temuera’s curl texture on the figurine. If you look closely at Fives’ hair from the show still, it still attempts to show that but flat painted on the CG hair panel.

And here’s the clearest image I could find of Tup’s hair. Again, they tried to show his texture with the flat hand-painting.

¯\_(ツ)_/¯ They tried. Kind of. It just doesn’t translate well.

So, to sum it all up: the clones don’t have pin-straight hair. The animation makes it look that way because it is limited in its coding. But for the more realistic versions of the troopers, they’re shown to have some hair texture.

I don’t think they were being purposefully ignorant or racist by keeping the clones’ hair straighter. The style of animation chosen really was just not equipped to handle any type of curly hair pattern.

[For those of you wondering why they chose it though, one of the main reasons for the style was because they wanted motion capture for battle scenes. And y’know... after seeing the Ahsoka vs Maul fight in the final season... yeah, valid decision on that end.]

That said, something that was within the animation team’s control that we should be angry about is how they lightened/whitewashed the clones and Boba Fett in the series.

But that’s some tea for another time... ☕️🦅

If you like my research essays, consider donating to my Ko-Fi (18+ art gift included as thanks EDIT: this post was made in Sept 2020 and the gift is no longer available). If you want to be tagged in future Tea Times, fill out this form here!

[vaguely-concerned]

The Mandalorian Chapter 11 reactions; the ‘the sea is a harsh mistress’ edition

- on first watch this wasn’t really one of my favorite episodes. I think it’s something to do with... one of the many things I love about the mandalorian is how it made the star wars universe feel HUGE. big and surprising and unknowable, there could be fucking anything out there man we don’t know. so having first bo katan show up and then ahsoka being set up right after (quite aside from who’s rumoured to play her, which is an entirely different can of wormy beans) in additon to opening the season on tatooine... eh. I’m not that into it, it feels like shrinking the world. we haven’t even gotten to see any other type of force user yet. it is only early/mid season tho so they’re probably going to pull some unexpected twists on us 

my opinion might change with rewatches too, that happens quite a bit with this show!

- 

🎶I’VE COME TO TALK WITH YOU AGAIN🎶

honestly I had kind of a hard day yesterday and watched this the next morning and kept pointing tiredly to the crest like ‘it me tho’ 

- I was unreasonably happy about seeing the calamari flan again hahaha he’s been keeping that shit in his pockets for a season and a half now (didn’t he pay with some at one other point too?)! also the sound effects for them are SO EXCELLENT, I keep thinking about how well this show does texture which is wild considering how it’s filmed 

- the warm pat din gave frog lady’s arm when he thanked her and said goodbye 😭😭😭😭😭😭😭 I love the small ways he’s thawing 

-

my heart ached so much for him at this point, he just looks so small and tense and lost, like a kid who’s lost his parents in a supermarket

(he keeps his hand on the blaster the whole time too so he knows this is a bad scene but now they’re right out in the middle of the ocean already soooo) 

- din’s very very very dry sense of humour is so blessed. ‘a bowl of chowder for my friend’ faklhfsadkjlfhsadkjhfsd

the baby’s look when he poked the squid thing with his knife too -- yodito’s like ‘dad is a wizard??’ haha. some good baby & dad stuff in this one 

- oh din... side quest boy, side quest booooooyyy

- the shot when bo katan helped him out of the water is perfectly mirroring the scene of bb!din being pulled up to safety by the mandalorian in the flashback, which seems Very Intentional

I Extremely Do Not Trust Her in the larger scale tho. I think it’s important that din knows now that he was raised in a very specific offshoot of the mandalorians ant that there’s some Stuff he hasn’t been told, but I also think it’s crucial to remember that her pov is not unbiased either and she, in fact, already has an established tendency to selectively share information with him to manipulate him into fulfilling her goals. (which he realizes because he keeps saying ‘that is not my mission, my mission is the child’ and I could not love him more). hell, I’m not sure exactly how ‘the children of the watch’ were positioned within death watch, but she was fucking death watch too for the longest time! and she hardly left for particularly noble reasons, she just didn’t like maul! she already lost mandalore like twice, do we just have to trust that third time’s the charm or what! 

she lied to him about the scope of the mission to force him into a position to do what she wanted (fully knowing he’s responsible for a child!!) and she called that ‘the way’ just as easily as the thing about not letting his bravery be forgotten! big red warning lights, NO! I think the thing is that din is having to find his own ‘way’ of being mandalorian (/how does one be a person exactly help?? relatable content, and he’ll get there in the end I’m sure he’s so good), but her way is no less fucked up to me than the children of the watch from what we’ve seen so far. she’s good at killing imperials though which is of course a mark in her favour

(considering that the episode gives her the epithet ‘the heiress’... yeah that’s probably a hint that she’s loyal first and foremost to her entitlement, getting the position she considers hers by right of inheritance. guess we’ll see if the text agrees with her)  

- ‘mandalorians are stronger together’ yeah that’s probably why the cosmic balance makes sure they’re mostly engaged in being at each other’s throats lol 

- so I might be feeling kind of sketch about these guys but on the other hand... when that one lady saved the baby and then promptly took off her helmet to reveal she looks like t h i s ?

you better BELIEVE I was ready to fall down on one knee and propose right then and there holy shit

- ...wow if he didn’t have the jet pack din probably would have just sunk like a rock and drowned there huh 😨 that armour’s pretty heavy, turns out

- in happier news: din has become so good at reading what the child is expressing and responding/labeling the feeling for him! that’s so important to his development! ‘I know you’re hungry’ and both telling and showing him there’s a solution! still a bit of an issue that he thinks he can inform the baby of things like it’s a reasoned adult and have it understand, but we’re getting there we’re getting there lol

- that poor lady guiding them in for landing and sounding more and more worried fhkasjdlhfkjsdlahf (and he fucking TURNS OFF THE RADIO or whatever he’s using to talk to her through sdkfhaksdfhjs he takes a precious split second just to cut her off asfdjhaslkdfsdfhsda I love my salty dad) 

- when the fisherman asshole tells mando he knows where to find more of his people there’s the tinkling bell sound in the background music, I think it’s meant to convey almost childlike longing for belonging and connection, for finding someone who’ll know what to do? 

- when they took off their helmets and baby looked up at din like ‘???dad what the fuck? can you do that???’. (or like he just sensed his father taking a shitload of psychic damage all in one go)

- the way din didn’t start breathing again until they got the baby up from the water and he had him in his arms... the way he held him... sladfhasdklfhsjakdhfjsakldhfsakjldhfsjkadhfjaskdhfskajdhfjsdakhfslakhfskladhfsakljdhfjskadlhfkjsld

that whole scene was like a nightmare, so desperately unpleasant, in a way it mirrors the way the mandalorians have been hunted down and pummeled these last few generations, this must sort of be what it feels like to him subconsciously 

- din isn’t particularly inflexible as a person, after the initial kneejerk rejection he did listen to what they said and is carefully considering it (he did say ‘this is the way’ back at the end!)   

- the baby’s babbling when he wakes up and looks around in the beginning sounds half like ‘baba?’ and I almost had a heart attack

- loved how greasy and awful and dumb all the empire dudes were (and the comedy on board the ship too it was good for me) 

- the boob plates huh. shit they’ve shown with the armorer that they don’t have to do that in any way shape or form and they still brought the boob plates back :/ I guess it’s so they match up with the rebels/clone wars look, evoking that ~*era*~ and everything, but I don’t have to like it lol  

- I feel so validated in my theory that the razor crest is symbolic of din’s sense of self  (now with beautifully added commentary!) after this haha (and also so so scared now they might be ditching it for a new ship eventually). it’s in pieces, his world view is going to pieces and can’t be patched together the way it was before, from what he knows he’s about to deliver the baby to someone else who’ll understand/love/deserve him better (I do think that feeling is still in him) and he doesn’t even have the certainty of the code anymore to fill the void. oh buddy. 

the discomfort I felt when we got back into the cockpit -- into where it’s supposed to be familiar and safe! -- and saw all the ocean junk lying around, making it feel weird and changed and dirty (it probably smells like rotten seaweed in there now :( no likey)... I mean it was also very funny to see the pilot’s chair held together with a literal fishing net, but please favreau leave my dad’s car/ego alooooone 

- baby laughing his little bum off at din catching the small sea monster before it got him and then munching it......... the ‘there’s nothing in this world my dad can’t fix’ safe energy.......... I’m so scared we’re coming up on something din can’t fix 

- knitwear in star wars: I didn’t know I wanted it, but I am ELATED with having been given it

- moff gideon’s amazing evil voice... back in our ears, in our hearts, I gleefully hate him 

- at least din’s armour is clean again after that (awful) swim? one must appreciate some silver linings along the way I suppose

- din goes straight for the main pilot’s seat once they get the imperial out of it, so he must feel really secure that he’s probably the best man for the job; he is genuinely a good pilot! (and after this I am wondering even MORE who taught him. who raised you within the mandos din??)

- even while everything is new and scary and falling apart we can live safe in the knowledge that at least frog lady and frog husband had a good day and will have a good and happy frog life together with their frog children

couple goals tbh 

(I don’t necessarily know how it works for frog people but I uh. guess they got busy quickly huh hahaha good thing mando didn’t turn up again until later)

[alwaysalreadyangry]

most of the UK reviews i’ve read of martin eden have been a disappointment, tbh. i don’t know if this is because critics have been busy with cannes or because outlets here just don’t have the space, or because it’s kind of seen as old news. i have seen no real engagement with the politics or form beyond a couple of cursory lines, and it’s a shame because... i think it’s really rich wrt those elements?

so i am looking again at the (wonderful) review from film comment last year and it’s such a shame that it’s not available freely online. so i thought i’d post it here behind a cut. it’s long but worth it imo (and also engages really interestingly with marcello’s other films). it’s by phoebe chen.

COLLECTIVE CONSCIOUSNESS              Jan  3, 2020                    BY PHOEBE CHEN

EARLY IN JACK LONDON’S 1909 NOVEL MARTIN EDEN, there is a scattering of references to technical ephemera that the 20th century will promptly leave behind: “chromos and lithographs,” those early attempts at large-scale reproduction; “a vast camera obscura,” by then a centuries-old relic; a bullfight so fervid it’s like “gazing into a kinetoscope,” that proto-cinematic spectacle of cloistered motion. These objects now seem like archaic curios, not much more than the flotsam of culture from the moment it shifted gears to mass production. It’s a change in scale that also ensnares the novel’s title character, a hardy young sailor and autodidact-turned-writer-célèbre, famously an avatar of London’s own hollowing transmutation into a figure for mass consumption. But, lucky him—he remains eminent now on the other side of a century; chance still leaves a world of names and faces to gather dust. Easily the most arresting aspect of Pietro Marcello’s new adaptation is its spotlight on the peripheral: from start to end, London’s linear Künstlerroman is intercut with a dizzying range of archival footage, from a decaying nitrate strip of anarchist Errico Malatesta at a workers’ rally to home video–style super 16mm of kids jiving by an arcade game. In these ghostly interludes, Marcello reanimates the visual detritus of industrial production as a kind of archival unconscious.

This temporal remixing is central to Marcello’s work, mostly experimental documentaries that skew auto-ethnographic and use elusive, essayistic editing to constellate place and memory, but always with a clear eye to the present. Marcello’s first feature, Crossing the Line (2007), gathers footage of domestic migrant workers and the nocturnal trains that barrel them to jobs across the country, laying down a recurring fascination with infrastructure. By his second feature, The Mouth of the Wolf (2009), there is already the sense of an artist in riveting negotiation with the scope of his story and setting. Commissioned by a Jesuit foundation during Marcello’s yearlong residency in the port city of Genoa, the film ebbs between a city-symphonic array and a singular focus on the story of a trans sex worker and her formerly incarcerated lover, still together after 20-odd years and spells of separation. Their lives are bound up with a poetic figuration of the city’s making, from the mythic horizon of ancient travails, recalled in bluer-than-blue shots of the Ligurian Sea at dawn, to new-millennium enterprise in the docklands, filled with shipping crates and bulldozers busy with destruction.

Marcello brings a similar approach to Martin Eden, though its emphasis is inverted: it’s the individual narrative that telescopes a broader history of 20th-century Italy. In this pivotal move, Marcello and co-writer Maurizio Braucci shift London’s Oakland-set story to Naples, switching the cold expanse of the North Pacific for the Mediterranean and its well-traversed waters. The young century, too, is switched out for an indeterminate period with jumbled signifiers: initial clues point to a time just shy of World War II, though a television set in a working-class household soon suggests the late ’50s, and then a plastic helicopter figurine loosely yokes us to the ’70s. Even the score delights in anachronism, marked by a heavy synth bass that perforates the sacral reverb of a cappella and organ song, like a discotheque in a cathedral. And—why not?—’70s and ’80s Europop throwbacks lend archival sequences a further sense of epochal collapse. While Marcello worked with researcher Alessia Petitto for the film’s analog trove, much of its vintage stock is feigned by hand-tinting and distressing original 16mm footage. Sometimes a medium-change jolts with sudden incongruity, as in a cut to dockworkers filmed in black and white, their faces and hands painted in uncanny approximations of living complexions. Other transitions are so precisely matched to color and texture that they seem extensions of a dream.

Martin’s writer’s optimism is built on a faith in language as the site of communication and mutual recognition. So follows his tragedy.

Patchworked from the scraps of a long century, this composite view seems to bristle against a story of individual formation. It feels like a strange time for an artist’s coming-of-age tale adapted with such sincerity, especially when that central emphasis on becoming—and becoming a writer, no less—is upended by geopolitical and ecological hostility. At first, our young Martin strides on screen with all the endearing curiosity of an archetypal naïf, played by Luca Marinelli with a cannonballing force that still makes room for the gentler affects of embarrassment and first love. Like the novel, the film begins with a dockside rescue: early one morning, Martin saves a young aristocrat from a beating, for which he is rewarded with lunch at the family estate. On its storied grounds, Martin meets the stranger’s luminous sister, Elena Orsini (Jessica Cressy), a blonde-haloed and silk-bloused conduit for his twinned desires of knowledge and class transgression. In rooms of ornate stucco and gilded everything, the Orsinis parade their enthusiasm for education in a contrived show of open-mindedness, a familiar posture of well-meaning liberals who love to trumpet a certain model of education as global panacea. University-educated Elena can recite Baudelaire in French; Martin trips over simple conjugations in his mother tongue. “You need money to study,” he protests, after Elena prescribes him a back-to-school stint. “I’m sure that your family would not ignore such an important objective,” she insists (to an orphan, who first set sail at age 11).

Anyone who has ever been thrilled into critical pursuit by a single moment of understanding knows the first beat of this story. Bolting through book after book, Martin is fired by the ever-shifting measure of his knowledge. In these limitless stretches of facts to come, there’s the promised glow of sheer comprehension, the way it clarifies the world as it intoxicates: “All hidden things were laying their secrets bare. He was drunk with comprehension,” writes London. Marcello is just as attentive to how Martin understands, a process anchored to the past experiences of his working body. From his years of manual labor, he comes to knowledge in a distinctly embodied way, charming by being so literal. At lunch with the Orsinis, he offers a bread roll as a metaphor for education and gestures at the sauce on his plate as “poverty,” tearing off a piece of education and mopping up the remnants with relish. Later, in a letter to Elena, he recounts his adventures in literacy: “I note down new words, I turn them into my friends.” In these early moments, his expressions are as playful as they are trenchant, enlivened by newfound ways of articulating experience. His writer’s optimism is built on a faith in language as the site of communication and mutual recognition. So follows his tragedy.

One of Marcello’s major structural decisions admittedly makes for some final-act whiplash, when a cut elides the loaded years of Martin’s incremental success, stratospheric fame, and present fall into jaded torpor. By now, he is a bottle-blonde chain-smoker with his own palazzo and entourage, set to leave on a U.S. press tour even though he hasn’t written a thing in years. His ideas have been amplified to unprecedented reach by mass media, and his words circulate as abstract commodities for a vulturine audience. For all its emphasis on formation, Martin Eden is less a story of ebullient self-discovery than one of inhibiting self-consciousness. There is no real sense that Martin’s baseline character has changed, because it hasn’t. Even his now best-selling writing is the stuff of countless prior rejected manuscripts. From that first day at the Orsini estate, when his roughness sticks out to him as a fact, he learns about the gulf between a hardier self-image and the surface self that’s eyed by others.

WITH SUCH A DEEPLY INHABITED PERFORMANCE by Marinelli, it’s intuitive to read the film as a character study, but the lyrical interiority of London’s novel never feels like the point of Marcello’s adaptation. Archival clips—aged by time, or a colorist’s hand—often seem to illustrate episodes from Martin’s past, punctuating the visual specificity of individual memory: a tense encounter with his sister cuts to two children dancing with joyous frenzy; his failed grammar-school entrance exam finds its way to sepia-stained shots of a crippled, shoeless boy. These insertions are more affective echoes than literal ones, the store of a single life drawn from a pool of collective happening.

But, that catch: writing in the hopes of being read, as Martin does (as most do), means feeding some construct of a distinctive self. While the spotlight of celebrity singles out the destructive irony of Martin’s aggressive individualism, Marcello draws from Italy’s roiling history of anarchist and workerist movements to complicate the film’s political critique, taking an itinerant path through factions and waves from anarcho-communism in the early 1900s to the pro-strike years of autonomist Marxism in the late ’70s. In place of crystalline messaging is a structure that parallels Martin’s own desultory politics, traced in both film and novel through his commitment to liberal theorist Herbert Spencer. Early on, Martin has an epiphanic encounter with Spencer’s First Principles (a detail informed by London’s own discovery of the text as a teen), which lays out a systematic philosophy of natural laws, and offers evolution as a structuring principle for the universe—a “master-key,” London offers. Soon, Martin bellows diatribes shaped by Spencer’s more divisive, social Darwinist ideas of evolutionary justice, as though progress is only possible through cruel ambivalence. Late in the film, an image of a drunk and passed-out Martin cuts to yellowed footage of a young boy penciling his name—“Martin Eden”—over and over in an exercise book, a dream of becoming turned memory.

In Marcello’s previous feature, Lost and Beautiful (2015), memory is more explicitly staged as an attachment to landscape. Like Alice Rohrwacher’s Happy as Lazzaro, Lost and Beautiful plays as a pastoral elegy but lays out the bureaucratic inefficiency that hastens heritage loss through neglect. Rolling fields make occasional appearances in Martin Eden, but its Neapolitan surroundings evoke a different history. Far from the two oceans that inspired a North American tradition of maritime literature, the Mediterranean guards its own idiosyncrasies of promise and catastrophe. Of the Sea’s fraught function as a regional crossroads, Marcello has noted, in The Mouth of the Wolf, a braiding of fate and agency: “They are men who transmigrate,” the opening voiceover intones. “We don’t know their stories. We know they chose, found this place, not others.” Mare Nostrum—“Our Sea”—is the Roman epithet for the Mediterranean, a possessive projection that abides in current vernacular. Like so many cities that cup the sea, Naples is a site of immigrant crossing, a fact slyly addressed in Martin Eden with a fleeting long shot of black workers barreling hay in a field of slanted sun, and, at the end, a group of immigrants sitting on a beach at dusk. Brief, but enough to mark the changing conditions of a new century.

Not much is really new, however: not the perils of migration, nor the proselytizing individualists, nor the media circus, nor the classist distortions of taste, nor, blessedly, the kind of learning for learning’s sake that stokes and sustains an interest in the world. Toward the end of the film, there is a shot of our tired once-hero, slumped in the back seat of a car, that cuts to sepia stock of children laughing and running to reach the camera-as-car-window, as if peering through glass and time. It recalls a scene from Wim Wenders’s Wings of Desire, which leaps backward through a similar gaze, when the weary angel Cassiel looks out of a car window at the vista of ’80s Berlin and sees, instead, grainy footage of postwar streets strewn with rubble in fresh ruin. Where human perception is shackled to linearity, these wool-coated and scarfed seraphs—a materialization of Walter Benjamin’s “angel of history”—see all of time in a simultaneous sweep, as they wander Berlin with their palliative touch. Marcello’s Martin Eden mosaics a view less pointedly omniscient, but just as filled with a humanist commitment to the turning world, even as Martin slides into disillusion. All its faces plucked from history remind me of a line from a Pasolini poem: “Everything on that street / was human, and the people all clung / to it tightly.”

Phoebe Chen is a writer and graduate student living in New York.

[ouyangzizhensdad]

will we ever get an analysis from u on the technical failings of cql 👁 it’s an interesting topic to me tbh and I haven’t seen many people talk about it

Hi anon, 

In all honesty I probably will not get into it in details because it would require me to close-watch the show to find illustrative examples and take me so much time. And I am not invested enough in trying to explain something that seems just very glaring? Although in future posts I might address some other failings that have more to do with the screenwriting/directing in general.

Let me first get out of the way that CQL was never intended to be a particularly well-executed series. I don’t mean that the people who worked on the show didn’t do their best, but that if CQL had been intended to be anything close to what we could call “prestige” or serious television or at least competently executed, the budget and the people working on the show would have been very different. That being said.... it is also important to recognize that a lot of the technical failings are just film school 101 things and cannot be easily handwaved away even for an idol drama. 

For example, I can excuse the bad CGI on the budget, but what about the lackluster practical effects? The fake blood is really bad and has a really weird texture? I’d expect this from a student film?

Also, while the soundtrack is generally pretty great, the sound engineering and sound design make my skin crawl with how awful it is 😬. The audio drama team does 100 percent a better job at those, with whatever budget they were working with. 

And it is just so glaring at so many points that some of the people involved just don’t seem to know the basics? For example, in the following scene in episode 2 the camera kept, unmotivated, sliding up and down to finally end up with this horribly composed shot with an inexplicable angle, where the colouring is off as if they didn’t use the right lenses/colour-correcting filters for that harsh daylight or didn’t correct it in post and did not set up additional lighting, resulting in the faces of the two characters in the front of the shot being completely engulfed in the shadows, with the strongest light source reflecting on the less important character, the lady in the background, or on the hand of the lady in the front). And XZ is blocking the donkey although at the moment in the shot we should be focusing on is the reaction of the donkey to the apple being offered (since all the characters are looking at him and audiences instinctually focus on what characters are looking at in scenes composed like this). Like, it is.... not good, from every standpoint 😬.

We could go through each department but at the end of the day it’s a long undertaking to address everything! And I’d rather spend that time over-analysing MDZS!

But I will admit that, to be perfectly candid, it sort of gives me anxiety? that some people genuinely seem to believe that CQL is a well-made show? Some of the praises it receives just makes me wonder if people have ever watched a competently-made tv shows or film? Having some good mise en scène in a few scenes that can be gif-ed by people on Tumblr doesn’t mean the shot composition was done consistently with care, or that the editing is proficient (oh god, the editing....)? Certainly some of the people lavishing the show with praises might be too young still to have a more discerning eye when it comes to well-made tv, but still..... it stresses me out a little. 

People don’t need to try to make CQL into a masterpiece or even a competently-made series to justify liking it and finding it enjoyable!!!! I had fun at the time watching CQL although I spent a lot of time side-eying how it was made and couldn’t make it through to the end because of the pacing. It’s all fine! Let’s just not try to gaslight one another into thinking the show is not what it is (and what it is is a cheaply-made idol drama made by people who were not necessarily close to being masters at their craft) 🤷‍♂️.

[babysizedfics]

I know the dark sides kinda accidentally bullied Virgil for regressing but did they know/realise that he has autism? Did they know how to help his sensory issues or did he just have to try and cope himself?

EDIT 31 oct 2020: this info is slightly outdated now as i have decided vee does not get diagnosed until he is 14

This is a little bit heavy so scroll past if u want fluffy happy stuff!! mention of internalised ableism

Janus was basically his father so yeah he definitely knew Vee was autistic and accommodated him to the best of his ability at the time - but he wasn't the most educated on the smaller aspects of autistic life, he knew the big things like meltdowns (which he was adequate at getting virgil through) and stimming (he actively encouraged it but did tease virgil about being embarrassed about it which only made v more embarrassed) and vee not liking certain textures or bright lights (not necessarily an issue in their house) but he wasn't that aware of the things that go unnoticed like small sensitivities to food and poor emotional regulation and other things i can't think of atm.

He was guilty of thinking Vee was simply picky and fussy as a child and didn't really click that it was just another part of being autistic and should have been taken more seriously. Also Janus thought it was standard for Virgil to have a proper meltdown every week, but once vee moves to the light sides its more like once every 4 weeks because its a much more accommodating environment

Also he is canonically pretty selfish, I'm not sure he would have actually sat down to research accounts of autism from autistic peoples persoectives, he probably researched just the standard medical info and considered that enough

(quickly mentioning here that janus is not bitter that virgil left. he was at first but when he saw how much better virgil was doing in the other house he was satisfied that virgil was where he belonged, even if it was still upsetting to him that it wasn't with him. it's not until he wants in on the regression family dynamic that he recognises he COULD have helped virgil feel better in the dark sides house, and begins to educate himself on virgils specific needs so that he wont make the same mistakes again as nana janus)

back when vee was a child Janus explained to remus what autism is and Remus was pretty indifferent tbh he didn't really listen and janus didn't explain vee's specific needs in detail. remus was not very considerate or observant, so tended to accidentally trigger virgil's sensory overload by being loud and stuff. occasionally he felt a little bad about it but would just roll his eyes - but he wouldn't do any loud pranks for at least a few hours after. he never made things harder for vee on purpose out of cruelty, he just wasn't necessarily willing to adapt his behaviour for the sake of virgil if it meant he wouldn't personally have as much fun.

as much as janus knew how to get virgil through a meltdown, virgil had to deal with all the smaller details on his own. he had to pick certain foods off his plate and wear ear plugs when the others refused to turn down the volume on their horror movies and he struggled a lot with internalised ableism because no one helped him with these things so he thought it would be burdensome for him to ask for help but he also realised he wasnt coping well on his own and really wanted help, he just wouldnt let himself ask for it

in conclusion, they were aware of his autism and didnt make fun of it in any way because thats mean. Still, they weren't very educated on it or considerate at the time and didn't adapt the environement much to make it easier for virgil to cope, which is one of the things that led up to virgil moving out

I want to point out again that these are realistic experiences that explore a family who did not have the tools to effectively make things easier for Vee at the time, it is not abuse and it is not "unsympathetic", though it was undereducated and inconsiderate - A lot of the reason things were so bad in the house was because the dark sides just dont communicate effectively.

janus and remus are awkward with feelings, their idea of a heart to heart is grumbling a slight reassurance veiled in 8 layers of sarcasm then immediately calling each other names to brighten the atmosphere. theyre the friends who say they thoroughly hate you when you make them laugh and they threaten to decapitate each other as a form flattery. and they dont need to change that about thrmselves, some people are just like that, to janus and remus thats their favourite way of communicating and showing affection and it makes them happy. its just a bad match with virgil who is very sensitive to even the slightest insinuation that someone doesnt like him. janus and remus arent bad people they just are not the right people for virgil to live with

I am basing this specific storyline/concept on my experiences with my family and their gradual acceptance and understanding of me being autistic. Yes it would be nice if every family instantly knew exactly how to make things easier for someone who is autistic but it's just not always that idealistic. It's not black and white, it's not either 100% supportive or 100% abusive. it's not always a linear line, sometimes families make mistakes and accidentally make things worse at some point, but what matters is they recognise and acknowledge them, apologise sincerely, educate themselves and unlearn misconceptions, and work to be better in the future!

[minijeong]

Kudos to you for sleeping, even if it is 8:30am!!! Thank you so much for your incredible hard work this comeback, it's so amazing to have you as a content creator and I know that you're doing tons of work that we aren't seeing on tumblr for izone fans on other platforms. I legit was not expecting to be so emotional about this comeback but I WAS and I love Iz*one so much, my heart feels like it'll burst. Can we get more of your thoughts on the comeback? Thank you so much for everything.

thanks for your support as always! tbh i was so sure i was gonna sleep instead of staying up bc i went out the entire day... but i couldnt stop thinking about izone...

honestly theres a point in time for kpop groups when they begin to evolve from idols to artists... and i feel like that is starting to happen to izone

im honestly so freaking happy about fiesta because it’s so much more than i imagined it would be. tbh usually when fans freak out about the dance i cant really trust it most of the time, but after seeing wizone reactions to the showcase on twt i really wanted to believe... and im so glad that they delivered

their dancing feels so genuine to me and it feels like theyre all on the same page and there isnt a single member throwing off the balance and they all have the same fire and intention in their eyes. i dont know how to explain it but my heart can feel how much they value respect and take seriously the stage and the music and the fans. and this honestly reflects back into the people that work with them; the staff, videographers, stylists, etc. the video editing was amazing for mv. the outfits were perfect for the dance both visually and as well for comfort for dancing (the boots are comfy to dance in... much better than violeta shoes). 

can you imagine how much further they’ll continue to grow if theyve already improved and achieved this much in this amount of time?

before i go into small and random thoughts i had imma end it off and say 

stream fiesta and listen to my baby’s ballad thx for coming to my ted talk

small random things i noticed:

yenas dancing is absolutely stunning. she always jokes around and get called a joker and a bluffer and then yuri laughs and says yena needs more practice... but to be able to convey through dance and performance at this level you need to think a LOT and work A LOT i love her

eunbi got given parts that made use of her vocal range and her voice came out so strong... and spaceship made me feel things

there are small parts in the choreo that are “between moves” but they keep focus and also kept that clean... they really went to that level of detail...

ahn yujins growth is freaking scary... and she learned how to dance as a tall person to match short members (this is actually a skill LOL i got yelled at in practice for like 4 months straight for it until i learned)

chaeyeon can include head parts in choreography while keeping the camera’s intention is kind of super insane

im worried for some of their knees in that one leg down part (except for chaewon and yujin who are v stable)

when hitomi did textures in her part i fking cheered my heart out even though it was one second LOL

ive never felt an idol step on my so hard until chaewon’s first part when she threw down and stomped girl GET IT. she also looks down on u like ur a piece of shit i love it we love our swearing girl crush legend

i dont know how two people are able to share a dance break when the formation stays the same and they dont share centre but chaewon and chaeyeon did it

yuri at 4s going down wow

there are times when cheonjae ahn yujin really slows her moves down and takes her time and makes us feel it and i love that

theres a part where they throw their arms up and yujin is in the centre and she doesnt throw her arms up all the way to match everyone elses arm height and that was peak intellectual

whoever izones choreographer is theyve been respecting the music since forever and i appreciate that

theres always one idol in a group that doesnt hold the camera long enough at the end of their part and izone used to have that as well but it doesnt happen anymore wtf

the dance lets eunbi show off her strength rather than going for elegance and i think she slapped me a few times and bonked me with her hips a few times but i encourage that

i love yujinnies hair

hitomis stage presence improved so much i freaking love her

i want yena fancam shes so good

u might be wondering why i care about textures so much but textures are THE thing that kpop always lacked which thus took away the meaning from the dance. u cant always punch and u cant always make things soft and izone GETS IT

chaeyeon dancing looks so happy and that makes me happy 

little main vocal nako is my love

wonyoungs vocal improvement is crazy

the way yuri says hwalryeohan in her chorus ohmygoodness

yena’s chorus in spaceship where she showed us vocal prowess by not going falsetto on the high note

yuri spacebuns

mombi in denim

dimple aegyo yujin in spaceship bridge

the way sakura manipulated me into giffing her first

the way my heart screams CUTE whenever i see nako

the thing on yuris ear idk what it is but it cool

that entire choreo is a left butt workout LOL

the way yena runs up to the centre in spaceship chorus

eunbi slapped me again

miyawaki sakura readjusting her positioning at the end to make a perfect diagonal without sacrificing the dance is classic miyawaki pro behaviour

how is minju’s smile so perfect... esp in her first part...

the way yuri smiles in spaceship but also the way yuri smiles in ayayaya 

izone makes their own genre its not cute its not girlcrush its everything mixed together and anything you could possibly want it to be i dont make the rules it just happened this way

[drbriangay]

Hey, so a little bit ago someone asked me if i would do a tutorial type thing on how to achieve realistic drawings and although this would probably fair better as a video my voice is shit and i can make sure i get everything down if i type it out.

I think the best way to do this is take you through one of my drawings? My latest Brian drawing i saved a decent amount throughout it so i can kind of comment on each process of the drawing. For the this drawing i drew it on Photoshop CS5 which is important bc i do utilise a lot of the tools there so if you use smth different then im sorry but im sure there are alternatives! I’m going to talk you through this drawing:

Because i dont use natural skin colours in my drawings i start drawings in black and white because i find that easier to control the tones? and then i can colour the drawing afterwards in whatever colour and play about with it instead of sticking with a colour from the get go. 

I start with painting the entire background a light ish grey because 1) its nice to work highlights and shade into a mid tone and 2) having pure white as a background can be a bit uninspiring? even with my sketchbooks i always make backgrounds before i do anything on them.

I then take a large brush, i use a mid-dark toned grey for this, i don’t like going in super dark super fast, and kind of mark out where everything goes super loosely, precision and proportions really don’t matter at this point, it will probably look bad but that’s fine! you’ll refine it as you go on!  the brush i use for this stage is usually just a soft non textured brush, but i don’t think the brush you use at this point really matters. My drawing will kind of look like this at this point:

I then go in with a smaller brush with a darker colour and kind of refine the face a little bit, i really take in the shapes of the face i’m drawing and try and get a good base to then really work on the shading/highlighting. Again, although this is your base to work on the proportions aren’t super important, it may still look bad but whatever is wrong with it you can just draw right over it to correct it! This is why i try and not give up on drawings even if they aren’t going the way i’d like it to because you can always correct it! my drawings never look amazing when i start them but i like to work into them as much as i can and i usually end up with something i’m proud of! anyways lmao, this is what my drawing will look like at this point: 

This is when i start the proper like working into the drawing with highlighting and shading and things. I also change my brush at this point! Honestly any brush will do but i really like the aesthetic of having a super textured brush, I do sometimes change up my brush every so often but the brush ive been using more often than not is this brush:

Also at this point i try and not use pure black or pure white, if you’re trying to go for a realistic look then i feel pure white n black really don’t factor into a face.I also think if you use more mid tone colours then there’s more of a natural gradient? which looks more realistic i feel. Of course if you like the aesthetic of having a high contrast then go for it! this is just how i personally like to do it.

I know a lot of people work by gradually working the whole face, like do loose highlights and dark tones on the whole face and then refining it but i like to do each part of the face one by one and i usually always start with the nose, this isn’t important lmao i just enjoy drawing noses so it’s what i start with. i think the use of highlight is super important to utilise when drawing the nose because its what suggests form,, this is my drawing will look like at this point:

I do end up darkening the shadow on the right side of his nose and the bottom of his nose but i usually get to this point and then move on and then once i do more ill go back and try and bring more dimension to the drawing.

Also! one of the best tools on photoshop that you can utilise and in some of my drawings it’s my saving grace is the liquify tool. Basically if you do the drawing and get to a point it would be hard to paint over then u can use liquify, as i was doing other parts of the face i realised that the nose was supposed to be a little to the left and the eyebrows had to be lower down so you if you open up liquify you can just click and drag the nose to where you want it to be so:

it’s a super helpful tool that really helps you get the facial features exactly where you need it, i used it a couple times throughout this drawing. I don’t think sai has it but you can use the lasso tool and rotate it or whatever and just draw over the little break it makes in the canvas:

so the next thing i do is the eyes and eyebrows. I’m usually not the greatest at getting the exact eye shape but again, liquify is your best friend. An important thing to note is the angle of the eyebrows in relation to the middle of the nose, Brian’s eyebrows are quite straight so i tried to keep them that way. I also started darkening up the drawing, i didn’t quite go full black, the darkest colour i used is like just off black. This is what i have so far:

Also another important thing to remember is the lighting of the image, in the image the right side of his face is more shadowed so the shadow on the left side of his nose wont be as intense as the right side and things like the bags under his eye on the right side would be slightly more prominent. Also because of the brow bone, theres more highlight on top of the brows and usually a shadow underneath because the brows are more elevated and the eyes are sunken in a lil bit. There will be a lil bit of highlight on the inner corner of the eyes though. 

In the next part of the drawing i just add a little bit to the forehead and cheeks :

I think by this time i had adjusted a couple of things like the angle his face was at was a little bit too tiled in my original draw so i just free transformed it and fixed the angle and the face i think was a little bit too wide so i just pulled it in a little bit. I think another thing to remember that places like the cheeks and forehead wont be pure highlight, especially with like men and older faces there will be more subtleties, with Brian he has highlight on the top of his cheekbones but the highlight is kind of broken up with the line that comes down under his eye and the forehead isnt a smooth bump above the eyebrows, especially with the lighting of the image the highlights get broken up a little bit. 

The next drawing is a little fast forward, i forgot to save in between but ill try and talk through everything:

When finishing up I realised the left eye/eyebrow was a little too high so i liquified that baby up to bring it down just a little bit. Another thing i sometimes struggle with is getting the exact shape of the face and angle of the jaw but you can just keep on drawing on top of it until it looks vaguely right. 

For the lips and mouth i think its kind of just a matter of trying to get a sense of the shape, look at the cupids bow and the length between the top lip and the bottom of the nose and how far the lips come out in relation to the nose as well, i think as well the shadow underneath the bottom lip is usually all you need to suggest the shape of the lip, it doesnt look all too natural if theres like a solid like to show the shape of the lip, the top lip though, because of the way the light is sitting on his face is almost completely shadowed, so the highlight on the cupids bow that goes down to the edge of the mouth is what helps give the mouth form. With teeth because they’re in his mouth so they’re not going to be super bright so i didnt add any highlight to them and just used a dark tone to outline the shape of them at the bottom and used a little bit of shading in between them to differentiate between them. 

For the eyes i usually just leave them without the pupils because it’s my brand but it wasnt looking quite right to me so i added a little outline of the pupils, i didnt want to do the full pupil because i like adding a lil smth interesting in the eyes but i like the way they turned out!  

The jaw you can usually bring out with the shadow of the neck. I didnt really feel like drawing the outfit so i kind of just did a couple of lines so show that he was wearing a shirt with a collar.

 Also for brian because he has so much hair i more often than not just use flat colour for his hair and because his hair is so dark it usually works fine but with people like Roger who has lighter hair is doesnt usually work out well? especially with a more realistically drawn face. I was originally going to keep the entire background that colour but it wasnt looking quite how i wanted to. I coloured first though, and tbh my colouring process really doesnt take me that long, the longest part is just working out what colours id like to use and what looks good with the drawing I've made.

So for colouring i use the gradient tool, you have have a gradient thats two colours that will make your drawings look like this

but recently ive started using the gradients with three colours so the highlighted sections will be a different colour to the base colour, i really like the way this comes out, without any other editing itll look smth like this:

I like to play about with the settings a little bit because i do enjoy the way this looks but it’s kind of a bit overpowering and i think sometimes the details of the drawing can get lost when you overdo it a bit? 

If you go through this itll give you many different versions of that gradient and i like to go through it and see which i feel compliments the drawing

heres a couple examples

The one i ended up going for was dissolve but it was a bit too intense so i turned the opacity down to 57%

which gave it a kind of static feel which i was in to, to finish it up i added a tiny bit to show some shoulders and then i wanted to add a tiny bit of a background so i used a flat pinky colour and put that around his hair and then on top of the background i added a little bit more into the hair.

and added so more vibrant pink into it as well just to spice her up a little bit.

[comicteaparty]

February 15th-February 21st, 2020 Creator Babble Archive

The archive for the Creator Babble chat that occurred from February 15th, 2020 to February 21st, 2020.  The chat focused on the following question:

If a company wanted to publish your comic or adapt it for animation or games, how willing would you be to change the story if requested to do so?

FeatherNotes(Krispy)

That's such a tough question just because it's such a goal for so many creators, and yet a potential threat to their creativity in a sense. As always, it will depend on what exactly would be changed in order for such a project to be given approval. If it has to do with censoring LGBTQ+ content, changing race for 'marketability' purposes and the like, or erasing a specific topic integral to the plot with relation to politics- then it's a no go. There are plenty enough watered down media that doesn't stretch itself with diversity those companies can have and the subtext they pepper in to stay relevant, def something i find irksome with todays media (its 2020 guys !!) But if it's maybe cutting a chapter that acts like filler, or adding a character ( so long as it is plot relevant) i could take that into consideration! I actually take some time to imagine what Ghost Junk would be in a diff form of media and usually in those scenarios, things change to fit the way its being presented! A video game will differ more than an anime adaptation for sure, so long as the original intent and impact is kept, i would definitely consider some change!

LadyLazuli (Phantomarine)

If I ever had the opportunity to pass my work off to a whole other team for an adaptation, I think I would take great joy in leaving them completely to it - barring a few obvious issues like race changes, gender/sexuality changes, and... changing the entire story to the point where it's unrecognizable. I love seeing reinterpretations of my work, and I understand that every adaptation would need changes of some form. My words and art aren't gospel - I'm open to any change if it improves the whole product. Whatever it takes to translate the material in the best way, which keeps the original message intact, is all good by me.

Changes in the actual comic would be harder to make - and I'd be far less comfortable with them, to be honest - but I wouldn't fight them if they obviously made the story/characters stronger. I've already added in ideas and reorganized plot threads based on reader feedback - luckily the story still has some places where it can bend. So long as a publisher took my basic story seriously, and aimed to remold it rather than remake it - I'd be down for a discussion. Hopefully a reputable publisher would know how best to sell my work, and would aim to make it as good as possible while maintaining integrity - I would try to trust them

chalcara

Comic stays mine, won‘t be changed beyound perhaps some professional line edits and polish. There’s a reason I didn’t shop it around as a graphic novel. I’d actually like that eitherway, would love to get myself a professional editor when I have the money. Adaptions can go nuts, provided the main characters stay true to their comic versions and the woman-loves-woman storyline stays in.

Holmeaa - working on WAYFINDERS

For the story to be told in another medium I would be pretty game for it to change the story a bit. Already now we are changing the story from how we made as a campaign. Makeing it more streamlined and more precise. I wanted originally that our comic could be a TV show. I come from a background of a character animator so that would make sense for me. So seeing it animated would be awesome! There would be some designs that needed to change to fit animation better.

Like Andree has this texture in his skin that needed to go away. But seeing it animated would be awesooome

Deo101 [Millennium]

I think if my Characters stay in Character, then I'm fine with changing pretty much any of the plot or world things. But the Character dynamics and who they are as people is what matters most to me, and I'm not sure I would be willing to sacrifice that. With some of my stories I'd be willing to completely let go of the reins, and with others I definitely want a tighter grip, too.

sagaholmgaard

Agree with the thing about character dynamics. My stories always stem from the characters' relationships and how they evolve, so I'd like for the essence of that to stay. Otherwise I'm pretty loose about the plot itself. Because I have an education in game development, I would totally be down for my comic being adapted into a story driven game of some sort. I'd be okay with changing the story to favor the game mechanics, like putting certain magic abilities in the focus and turning certain scenes into gameplay (like when they're sneaking around or fighting). As long as my handful of core emotional moments come across, I'm pretty happy to change things.

Tuyetnhi

I agree with the character dynamics too. I don't feel comfortable if they change the character backgrounds along with it as well for er what Krispy said for "Markability". That stuff won't fly with me. Comic stuff stay the same but for adaptations, I want to make sure it has similar story beats even if there's a change on few details. Tbh I could totally see er....a visual novel game happening in my comic since that's what my original intention was going for. still at the end I really don't intend my comic to transend other mediums since i'm planning to self publish the story someday lol.

kayotics

I’d be pretty willing to change stuff, actually. I’d want to be pretty involved in whatever adaptation was being made in this hypothetical, but I know that more people can make for stronger work. On the other hand, too many cooks can make for some pretty watered down soup, which is why I’d want to have a large role in things so some of the core stuff doesn’t get changed. But as it is, I’m not married to any ideas that exist in my comic, and am pretty welcome to changes.

DanitheCarutor

If the changes were to benefit the story than I wouldn't mind, if they were going to change everything to make it appealing to the masses than no. Definitely not if they want to mess with the characters since how they are play a major role in the comic. I've got a really specific story I'm trying to tell, so I'm very stingy on changes. If anything I'd be more open to a company making a spin-off or something not totally related to the main story, as long as it's not a complete bastardization. Other than free advertising and the brand name, I don't really see how getting published would benefit me anyway? I'm already in the process of rescanning and re-editing the first four chapters of my comic for self-publishing, if I really wanted to adapt it into an animation I would just do it myself. Along with teaching myself whatever else I needed to get as little help as possible. Sure, I have no experience but it's not like I can't learn, there are classes and free tutorials all over the internet. I've always wanted to get into animating. I can't imagine my comic being adapted into game, what would it even be? An anti-dating sim? An interactive novel? An Apollo drinking simulator?

Capitania do Azar

I WANT A BEAT THEM UP JUST RUN IN ONE DIRECTION KICK EVERYONE

eli [a winged tale]

The dream is a studio ghibli adaption but that won’t be happening I would want to vet the studio/company proposing the adaption and ensure that we are a good fit. I echo what many of you have said about the integrity of the characters and heart of the story. There are a lot of secrets that will come to unravel as the comic progresses and I hope the publisher will be accepting of them. I will be happy to have a conversation on why these structural changes are there and why I think it’s important to allow them to reach a wider audience. That said, I am also eager to see how they would themselves interpret the story and I will give creative freedom to that. Again, it’s a dream and while I would love to direct my own film, I simply don’t have the resources to do it (at this time). https://www.instagram.com/s/aGlnaGxpZ2h0OjE3ODQ3MzIzMTM3NjY4MDA0?igshid=15bnlhamdu3tn&story_media_id=2149085305360952847

Capitania we should just have a super smash bros of all our comic characters

renieplayerone

I think like a lot of people here have already said, Im not changing anyones race, gender identity or sexuality. Otherwise? I'd be really curious what someone else's perspectives could bring to my work if it ever got adapted. I have ideas for comics that are written like they could be movies too, but idk. Its fun trying to write thinking of other mediums

mariah (rainy day dreams)

Im pretty much in the same camp of make changes as it makes sense, but stay true to the core. In the case of a live action thing being made of my story, I would actually be super ok with a POC actor filling the role of any of the white presenting characters. Or actors with different body shapes that what I'd originally draw. More diversity in film is always good

snuffysam (Super Galaxy Knights)

outside of censorship, I would be fine with most story changes? with that said, good luck lol. there are very few scenes I think can be cut out of the story without supremely messing up later scenes. every magic ability on-screen is important in some way, a bunch of random background characters end up coming back & getting way more focus later on, etc. add filler, sure, but there's really not much you can cut out without messing up the entire story down the line.

Cronaj (Whispers of the Past)

I'm pretty open to the idea of changing some details to fit a different medium better. The big thing that I wouldn't want changed in Whispers of the Past (https://www.webtoons.com/en/challenge/whispers-of-the-past/list?title_no=191366) is the characters' races. Since the story explores the idea of culture-shock and cultural identity, and the races/cultures are integral to world-building, it would be stupid the change the characters' appearances/races willy nilly. And besides, we don't want what happened to Eragon or Percy Jackson when they became movies. Congratulations on completely killing a franchise But yeah, as long as races and major plot details aren't changed too much, I'm really open to adjusting things. As an example, cutting out smexy times or making the language a bit friendlier to a wide audience, fine by me. But changing Kelan to a blacksmith instead of a farmer... Why???? I would need a good reason to do something like that. (I'M TALKING ABOUT YOU, ERAGON! WHY WAS RORAN JOINING THE ARMY RANDOMLY, INSTEAD OF BECOMING A MILLER? ISN'T THE ARMY WORKING FOR THE EVIL KING WHO TAXES THEM HEAVILY? EXPLAIN THIS TO ME.) I'm actually pretty scared about the whole race thing. I mean, Hollywood also ruined The ]

if the adaptation is Bad I can always just, like, disown it lmao

Deo101 [Millennium]

clearly im the one with the ideas here B) soo

LMAO yea

Cap’n Lee (Flowerlark Studios)

If it was being published as a comic, I don’t think I’d be willing to change too much- though that would depend a great deal in what kind of change. Cleaning up some wonky dialogue? That would probably be fine. Censorship? Absolutely not. Changing my LGBTQ+ characters’ gender / orientation to appeal to the mainstream? Really absolutely not. If being adapted to a different medium, I’d be much more willing to change things around, but would still insist my minority characters not change their identities. But I understand that as far as plot goes, different mediums call for different approaches. I’m planning on writing my comics as novels someday, and will be taking a much different approach to them. The plots will definitely be altered a great deal to better fit being written in prose.(edited)

AntiBunny

It honestly depends on what the changes were. There's a fair amount I'd change myself. A few core things I'd certainly not change though.

In AntiBunny http://AntiBunny.net/ for instance I could see some people missing the point of Penelope's character being a pacifist and wanting to make her some kind of badass, as if the only kind of strength there is comes from violence. I wouldn't remove the question of Pooky's gender, as in order to ask the question of "what is identity" I stripped Pooky of everything including even a mental construct of gender.

Some things I would change though. Likely I would cut the first two chapters and start at the 3rd when the plot actually gets moving. So demands for a faster flowing plot I could certainly meet. I'd probably cut few extra characters from the cast to streamline things a bit.

So yes for the purposes of streamlining things I'd make changes. I wouldn't make changes that would go against the entire point of the cahracters though.

snuffysam (Super Galaxy Knights)

Oh, a conversation in #general reminded me of something else regarding adapting Super Galaxy Knights Deluxe R - If the comic is to be adapted with no changes at all, it'd be a legal nightmare. Off the top of my head, these are properties that have been directly stated in dialogue - - Yahtzee - Risk - Mario Kart - Settlers of Catan - Pokemon - Disney's Frozen I don't think you could technically get in trouble for any of those? It's not like anything copyrighted was shown on screen, it's just characters talking about things they've seen before. But a publisher would probably want to play it safe and avoid that. Also... the NFL might get mad at the publisher if the gang names in Cunoze City aren't changed? Like I don't ever say the team location, so technically full team names are never used... but again, it's probably best to play it safe.

Desnik

I'd be pretty flexible with changes, but if I have to take out demons to appeal to the Evangelical Christian states of America then obvs that's not going to work out

(And you wouldn't think that'd be a Thing to this day, but apparently it's been sort of this unspoken rule in book publishing since the Satanic Panic of the 80's in the US)

Some changes I'd be okay with: Adjusting ages of characters to appeal to target demographics, removing scenes that are difficult to draw, tweaking characters to be either more or less horrible depending on their role in the story

FeatheryJustice

I will be flexible to a point and the limit of this point is pretty align to my morals. If the editor tells me to include some weird things like "You must have a scene where this guy licks the curtains" I would also be like "What is the point of this scene."(edited)

LadyLazuli (Phantomarine)

“Your protagonist must fight a giant spider in the third act.”

Deo101 [Millennium]

I mean, if you bring up giant spiders in the first act... well...

Q (Wayfinders: Off Course)

Turn it around: if your protag must fight spiders in the third act, well, time to bring in the spiders in the first..?

AntiBunny

The more I think of it, the more I realize that the most likely thing I'd be asked to change in AntiBunny is to either tone down the violence and grimdark for kids, or make it even raunchier to appeal to the "mature" (not mature at all) animation market (Seth McFarlane's audience).

My own comic keeps it rather PG-13, but there's not much market for animation in that field, at least in America. Seems like it's all either kid friendly stories where no one dies or if they do it's off screen (people get shot and stabbed in my comic) or there's the opposite with dropping F bombs every other line and filling it with sex jokes.

snuffysam (Super Galaxy Knights)

Hey, I mean, never say never. Off the top of my head, Futurama and the Samurai Jack revival were both western cartoons that I'd put solidly in PG-13 territory. Both shows were able to go adult when they needed to be, but they didn't take that as a blank check to go into "rated R" territory for the shock of it.