#this is just my research

[hvkno]

ppl who complain about the gap in between st seasons make me SO MADD

(1) it takes ten months to film and ten months to do post production (and i'm sure pre-production happens from the end of a season to the beginning of filming)

(2) SEASON 3 DROPPED 2019. SEASON 4 2022. CAN YOU THINK OF A MAJOR EVENT THAT HAPPENED BETWEEN THESE TWO DATES????

(3) its insane they even managed to release season 4 in two years after they started filming (in feb 2020 nonetheless). they had to take a break until september 2020 when they resumed filming and with extreme precautions most likely past that, slowing filming down.

(4) THEN THE SAG-AFTRA STRIKE RIGHT AFTER S4 DROPS. that would have completely stopped production for months and months and at last season 5 STARTS filming in january 2024. it's the final season and there's a big cast so it took an extra couple months, but it finally wrapped in december.

(5) AND ABOUT FILMING! this is a PACKED cast that are BOOKED AND BUSY. if you think that this was finn's or winona's or millie's only project or THING happening, then you are WRONG. they are busy which makes filming harder.

(6) POST PRODUCTION is DIFFERENT FOR STRANGER THINGS. yeah, many of the shows from 2016 have wrapped by now. they did not break records in Netflix or include a science fiction plot that required lots of CGI, visual effects etc! plus do you THINK netflix is gonna let them slide with a half assed final product? ON THEIR FINAL SEASON TOO?

so yeah. expecting stranger things to pop out woth a new season every year is actually laughable. ESPECIALLY with the conditions the last few seasons have been under.

and this part is important: i think 2 hours is way too long for an episode. i wouldn't mind a season that's fifteen hours if it was split into reasonable episode times but movie length episodes is unreasonable. THAT BEING SAID, IM SICK OF PEOPLE THINKING THAT SHOWS ARE EASY TO PRODUCE.

[kenapiece-main]

Can you believe I'm having to make this meme even after successfully finishing up taxes and applying to job

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[fesenmoon]

no fucking way

[doctorsiren]

I keep thinking about that AU concept where Ford goes to find Stan *before* he ever went to Gravity Falls and ough these brothers just make me so ill ☹️

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[blackkatdraws2]

[Toon x Mobster] Chapter 1: First encounter.

Next - (chapter list) / (AO3 ver)

Jack Desmond was running under the heavy rain with a bag over his head, as he had given his umbrella to an old lady on his way home. It was an act of generosity that wasn't out of place in the whimsical place of cartoons.

He almost missed the dark shape sprawled out in an alleyway. Nothing too unusual, maybe some ne'er-do-wells or a goofy character caught in some mishap, but somehow, his gut told him that it felt different. Disturbingly out of place.

Faintly, his nose picked up on a worrying scent. Hesitant yet worried, he trudges closer, his shoes being tainted with red as he knelt down beside the dark figure. “Hey, buddy, you alright?” he called out, voice full of concern. His fingers tentatively touched the man’s shoulder.

Jack gasped, pulling his hand back quickly. His fingers were smeared with something deeply red and thick. His brain slowly processes what he's seeing, unbelieving. With the scent being washed down by the heavy rain, he pulls his palm closer to his nose to take a sniff.

His spine crawls and he jolts up, confused eyes shaking yet staying transfixed on the injured person as he stumbles backwards. He takes a closer look at the man's face- or, just his entire self for that matter. Staring back at him was a foreign face twisted into a harsh scowl, unconscious. Deep scars crisscrossed his face, making him look rather villainous.

This guy wasn’t a Toon. The thick dark coat, those scars- the blood. This man was from another Genre, one that didn’t belong in their streets of lighthearted fun.

His eyes caught sight of the gun tucked into the man’s coat, confirming Jack’s fears.

He's a Grim… perhaps a Guktav member?

The Guktav is one of the biggest and most influential criminal syndicates in the Grim genre where this gloomy-looking person probably came from. These men were dangerous, he'd better make a run for it just in case the assailant of this scene was still nearby.

Unsettled and too riddled with uncertainty and fear, he'd planned to just mind his own business and skedaddle… but his foot stayed planted where they stood, eyes transfixed on the wounded Grim man.

The more he stared, the more the puddle of blood spread.

The rain made the blood travel to the soles of his shoes quicker, and Jack’s stomach churned. He’d never seen anything like this before, not in this city. Life here has always been peaceful and non-life threatening despite the slapstick gags of silly violence people were hit with, but this? This wasn’t funny. This sight made his innards twist.

Jack glanced down at his palms, still stained with blood. The rain hadn’t washed it away, no matter how hard it came down. Starting to get a bit dizzy, he slowly starts to walk away.

Authorities… He should go call the authorities.

…

His feet stops not too far away, and the rain comes down harder than before.

"…Oooh-! Applesticks!" Jack curses, turning back with a huff and stomping back towards the man. “This is a bad idea.” He muttered to himself, shaking his head as he bent down again-

Jack's heart nearly leapt out of his chest when the man's gruff hands grabbed unto his arms and pulled him down, bloodshot eyes glaring straight at him. Jack's legs felt weak, his knees buckling and harshly hitting the bloody floor, terrified as the man's stare told him all he needed to know.

Do anything bad and he'd kill him.

The man's eyelids twitched, pupils rolling back. His large body collapsed on top of the smaller man, making Jack stutter as he fell on his bum, unable to balance himself. Jack lets out a breath he didn't know he was holding, staring at the unconscious man lying limp on his stomach, staining Jack's suit with his blood.

Jack Desmond swallows hard, his heart wavering. Should he really do this?

[This chapter has been edited.] _

Next - (chapter list)

[honeyspeeches]

“And Keith is always doing things like flying into asteroid fields and black holes and cool junk like that.”

[jay-wasstuff]

Mike: is struggling financially and mentally

Vanessa: *throws his prescription medicine*

Edit: it's not just about whether Mike needed the drugs (which he didn't, i understand), it's about the fact SHE LITTERED and most likely polluted the river too.

[nathansjosten]

show you’re obsessed with + text posts ...a household staple dare I say

[mari-lair]

Tried my hand at a Researcher Siffrin!

The visions plagued me, so have the fella that speedrun their self-destruction

[blackynsupremacy]

black girls,

make the content you want.

i’m serious.

idc if you think it’s gonna flop.

idc if you think you’re a terrible writer or artist.

idc if you believe that character/celebrity/athlete/whoever likes black girls or not. (who cares what the fandom says anyway!)

idc if you’re the first and only one to start that _____ x black reader tag.

make the content you want to see!

do it for you most importantly! (you will inspire others ofc)

in conclusion, you won’t get it if you won’t make it.

[apricatt-art]

princess tutu posting <3

[lurkinginnernarrator]

I need Shen Qingqiu, who left for a week-long mission to not return. I need the peak lords to look for him, scouring high and low.

Only, they find him. He's crouched behind bushes, journal in hand fastidiously observing Malevolent Mango-Leopard Birds. He looks crazed. It's the dirtiest they've ever seen him. He has rivers of notes and illustrations.

He shushes them all and tugs them behind the bushes.

"The mating rituals of Malevolent Mango-Leopard Birds haven't ever been documented before. It's believed they only mate once every thousand years."

"Shen-Shixiong was here... watching birds."

"Shen-Shixiong didn't send word because... He was too busy watching birds. Mate."

"...don't say it like that."

[choccy-milky]

ty to @icedmatchawoatmilk13 for sending this to me! i may have gone a bit overboard but this was so much fun to fill out/think about BAHAHA💖 ill still never get over how perfect the song sarah smiles is for them...the lyrics AND the fact that its an alliteration...im gonna do an animatic about seb and clora to that song one day i swear 😩 ((blank template by oakwolves!))