#this is just how we do it and how a lot of systems we know do it
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oriley42 · 2 days ago
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Serious question but no need to answer if you don’t want to
I see a lot of talk about Amber’s portrayal being sexist in the show, but I’m not quite sure why? To me her motives always seemed really well-defined (high pressure = “I’m only worthy when I’m successful”) so she puts on this sharky mask with a feminine facade so she is feminine enough to get a certain amount of approval but never shows how much she cares (which could be used against her but also could be used to undermine her “oh you’re too soft”). I thought the show did an excellent job of showing a mask for her
But a lot of people talk about 00s sexism and how it impacts her characterization. The sexism… Is it that she gets called a cutthroat bitch? Or how her story revolves around a man after she leaves House’s team? Is it the fridging?
Any of those could be it I guess but it just sounds like you and others are talking about something a little more fundamental to her personhood so I thought I’d ask if I’m missing anything.
Very interesting question! I think you're getting at exactly the trickiness of the issue, which is that sexism always operates systemically. It's not that any key aspect of Amber's character "is" misogynist, it's that every aspect of her character is automatically filtered through a lens of sexism.
In today's world where "bitch" has been very de-clawed, turned into a more casual and way less gendered insult that's used without cruel intention in queer slang, I think it's hard to understand just how violent the term was--and was meant to be--in the aughts. House in canon is not calling Amber a bitch in a cute, almost self-deprecating, friendly way (though I think it's valid to re-write it that way in fic to defuse the term!). He is calling her a bitch to contain and belittle and dehumanize her. We see the term mobilized this way against Cuddy in 5 to 9 as well: calling a woman a bitch was an extremely powerful rhetorical tool to turn any dangerously competent, brilliant, threateningly accomplished woman back into a harmless, debased, controllable object. So, "CB" reflects how easily the fact that Amber is the "female House" gets turned against her--it doesn't mean she's an eccentric genius like him, it means she's an evil copycat who needs to be put down. And this kind of structural logic applies to her whole characterization--it doesn't matter that House does it all more frequently and worse, if she does it, it's unacceptable because she's a woman. (There are parallels here with how racism means that when Foreman acts like House, he also gets the axe instead of the narrative bending over backwards to make what he did alright.) That's why she was fired, after all!
And her death. Woof. Classic case of killing a woman for man-pain. Everything supposedly about her death is actually about how her violent destruction can be used to fuel Wilson and House's character arcs. The narrative is occasionally conscious of this, for example, Wilson saying "none of you even liked Amber" is an almost metatextual reminder of how cruelly she was disenfranchised in every way (including the sexism of her trying to "defect" to the men's team early on, having no female friends, because unlike House who has so many people orbiting him, she is truly alone). Comparing her death to Kutner's is instructive: Kutner gets a whole episode that's about characters desperately trying to know him better. They trace their relationships towards him. Amber, on the other hand, is nearly absent from her own death. The characters trace away from her and towards the way male characters feel (Wilson's loss, House's guilt). Amber becomes just an imagined figure of House's guilt. Even her ghost is not her own. (Though I think many fans do a more feminist read and reclaim the way she haunts the narrative--but imho that would be a negotiated if not fully oppositional reading, to use Stuart Hall's decoding/encoding terms.)
One easy way to see that gendered difference is in how the show refers to these characters after death. Kutner is always "Kutner," never just "House's dead fellow" or rarely "our dead colleague." Amber is often referred to as "Wilson's dead girlfriend." Kutner is his own person, Amber rhetorically gets reduced to an object belonging to a man.
In conclusion: sexism operates structurally, which can make it hard to identify! And one of the funny effects of contemporary fandom doing so much good work to un-fridge women and give marginalized female characters richer personalities and more chances to grow is that canon's intended message of sexism gets obscured. Which, is awesome? Keep up the good work! Let's make misogyny unintelligible 🎉
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sunshine-zenith · 2 days ago
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On my daily rewatch of anw I'm thinking about how people thought Hazel and Dev should've swapped fairies because of how unfair the godparent system was and how Dev needed more experienced godparents or how Peri should've been assigned an easy case and while that may be true, I'm just thinking how that swap would have suited the kids' needs.
With Dev, yes, he was a hard case and probably should've had godparent who had more experience with children like him, but he is a child who is lacking in the parental department and needed someone to fill that role.
Same is true for Hazel. She would have been more suited for a first-time godparent, but what she needed and missed the most was her brother and who do we know who has experience with being someone's godbrother? Peri.
I'm probably just rephrasing stuff here so this probably didn't need to be said. Everything more or less worked out for everyone and eventually for others (hopefully).
Anon I have been rotating this ask around in my head since it popped up into my ask box
Confession: I and many others have thought about the similarities between Peri and Hazel, and pointed out that Dev was not a case for a beginner, but I haven’t seriously considered a full out fairy swap until now because I’m actually very fond of the Hazel-Cosmo-Wanda dynamic and the Dev-Peri tragedy dynamic
Still… yeah, you’re kinda right. Dev genuinely would’ve been better suited for experienced godparents, and he might actually benefit from Cosmo and Wanda specifically because A) there’s two of them and B) they’re very parental with their godkids. And Hazel — having Hazel, the kid who misses her brother so much it tipped over the Needs A Fairy edge, be paired up with the godparent who lost his older brother is kinda brilliant
It kinda makes me wonder about how things would be different if we got Hazel-Peri and Dev-Cosmo-Wanda…
Heads up, this gets long
The first thing I wonder about isn’t so much the dynamics, but rather who would be the protagonist? I adore Hazel as a main character, but Cosmo and Wanda are the FOP difacto mascots. They’re the ones who get the cameos and appear in the reboots/sequels. They can exist independently from Timmy/Hazel/Chloe/Viv. If they’re Dev’s fairies, then Dev would be the main POV character. And like. I love Dev, I do, but he’s an asshole. I understand why and I’m down to justify anything he does, but he’s a dick. Plus, well, he’s also super sad. It’d be very hard to make him a fun POV character, especially pre/mid-character development, at least without switching the genre from Heart Felt Comedy Aimed At Children/All Ages to something much darker and more mature. He’s a great side character/deuteragonist, but it would be a Commitment if we followed him 95% of the time
(And before anyone comes at me about Timmy also being The Worst, a lot of that was flanderization. By the time he gets that that point, let’s be real a lot of people stopped watching, and even then he at least had half a dozen I Love Yous and sweet moments with Cosmo and Wanda to make the commitment worth it to the audience.)
Hazel and Peri
So if we keep Hazel as the lead and Peri as her fairy, how’d that work, writing wise? Do we keep his introduction the same and hope the audience is fine with a Sequel Babies Series. Or (and this is just me having fun), do we hypothetically cut out the part where he Introduces Himself With His Deadname For The Audience’s Sake and just hint at him as being Poof from the original series. Then, after Founder’s Day, we introduce Cosmo and Wanda as Dev’s fairies, and the Peri Is Grown Up Poof thing is treated as a Big Reveal, a la Author Of The Journals from Gravity Falls
Now that out of the way, how do I think these dynamics would work, and how would it affect Dev and Hazel’s relationship?
Like you said, Hazel and Peri connecting over missing brothers is a great starting point, and Peri getting to be the big brother for once would be so much fun to watch. Plus, and I’ve pointed this out before, they’re both rule followers (I can totally see a gag of them bonding over Hazel’s DMV love), though Hazel is willing to play things by ear, while Peri gets majorly stressed/anxious/high strung when rule breaking is in question — in fact, that could be a fun angle to some potential conflicts. Hazel makes a wish, but she doesn’t know how to find the words for what she wants, and since Peri is so new, he doesn’t have the experience to confidently guess. He hesitates, both of them get caught in a mini Anxiety Loop, and escalating event happening in the background force them into action, and through hijinx, they both receive character development
I can also see the Antony thing leading to conflict for them — Hazel’s brother is gone, but he comes back. He visits. They reconnect. Meanwhile, Timmy’s gone gone. His memory is wiped. I can see Peri occasionally accidentally fumbling Hazel’s missing Antony with his own likely grief over Timmy. Maybe after another missed flight or phone call, Peri tries to be “supportive” in the same way he tried to cheer Dev up at his birthday, and he accidentally says something that makes Hazel not only miss her old life, but thing she’ll never have any sort of relationship with Antony again.
Or maybe Peri does handle it well until Antony comes back. Then, alongside Hazel trying to recreate the past, Peri gets overwhelmed with jealousy, like he was when Irep tried taking his place with Dev but dialed up by 10. He worries he’ll lose his first godkid AND be fumbling with reawakened grief
(Plus hey, I can actually see this scenario as a good way to justify bringing Timmy back. Maybe Hazel could even include Timmy’s memories as part of her Rule Free Wish in the finally)
Basically Hazel and Peri have so much in common that if they were the main duo, those similarities could lead to so many bonding moments AND dramatic moments where through being mirrors for each other they accidentally hurt each other and help each other to grow as people
(It makes me wonder how Peri would hide himself in Hazel’s day to day life. Peri becomes inanimate objects for Dev, sure, but he doesn’t have a consistent object he hides as. Maybe Peri could have a human disguise, pretending to be a recent college grad who moves into Hazel’s building? Or maybe he could be a “new pet rock”?)
(Also I have a lot of thoughts on C&W being disguised as pets for Timmy and neighbors for Hazel, but that’s a ramble for another day.)
Dev, Cosmo, and Wanda
So the first question is how would Dev become Cosmo and Wanda’s godkid? They weren’t actually assigned to Hazel, they basically just adopted her. Maybe, Cosmo and Wanda could still be traveling and just end up in Dimmadelphia around Founder’s Day, and through their observations, they seen Dev is going through it and come out of retirement for him. This could also lead to a Cookie situation with Dev instead of Hazel (imagine Dev pretending to be a lawyer, there would 100% be a gag of him acting as every shady lawyer stereotype you know.)
I can see Dev still lashing out at them, probably still demanding perfection for hollow wishes since he can’t get what he really wants, BUT C&W would cause mischief as they misinterpret his wishes. I can also see him acting unimpressed/impatient when they take him on little side quests to meet with fairies that specialize in the things he wishes for. He’s have to defrost to them, and they (likely especially Cosmo) would push his buttons. Dev would also probably deny having fun during these adventures. I’m sure he’d eventually come to see them the same way he saw Irep)
A potential conflict could come from the fact that a lot of Dev’s wishes are by nature spiteful/fueled by pride. Again, major Dev apologist here, we’re talking about the kid who wished for a an evil ghost to come from the depths of hell after having a fairy for less than a week. C&W would still grant his wishes, but they wouldn’t approve of him being a bully, and would probably try really hard to get him to realize the error of his ways through these wishes
It’s likely that Dev wouldn’t even get involved with the anti-fairies here. If he did, I can only see this after Dev specifically makes a wish relating to his father loving him, which C&W can’t grant, or something similar — a breakdown after a big, direct moment instead of a breakdown after months of little, indirect moments
I can also see him both clinging to them as parental figures and resenting them as misplaced anger and sadness over his neglectful dad
I can also see him seeing Peri (and maybe even Timmy) as a threat here — Peri is their son, who they adore like Dev wishes Dale adored him. And since Peri isn’t Dev’s godparent here and therefore doesn’t feel the need to look out for/do right by him, Peri would like sass him harder or treat him as an annoyance, an extension of any tension that comes up when C&W their clingy thing. In a scenario where Dev still ended up under an anti-fairy’s influence, he might even wish Peri was Nothing, or still kidnap Peri here out of misplaced resentment
Dev and Hazel
I feel like swapping fairies would also affect their relationship. Part of their comes from Dev’s jealousy over Hazel’s relationship with C&W — she has two while he only has one, she has a positive relationship with her while his “can’t do anything right” (can’t cross the red tape of Da Rules, doesn’t have the experience/comfort level to go buckwild with wishes/has parents that love him/etc). Here, that wouldn’t be a problem— Hazel wouldn’t care that Dev has two fairies instead of one, and C&W would probably have an easier time getting through Dev’s defenses. It’s possible that a lot of their fights and negative interactions just wouldn’t happen here, and if they did, it would be related to Hazel wanting Dev to be nicer to C&W/Peri.
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aylacavebear · 3 days ago
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Soulmates? Yeah, right, pft. - Ch. 30
When you turn sixteen, and your soulmate's name doesn’t appear anywhere on your body that you can find, you figure you had to be the only person on the planet who didn’t have one. Most of the town shuns you, so you stick close to family. Your Aunt Ellen raised you after your parents died in a car crash when you were two, but what happens when the Winchesters return to town and buried secrets begin to come to light?
Pairing: Mechanic Dean Winchester x OC Reader/You
Word Count: 4319
Warnings: Dean being Dean, navigating being an empath, suggestive thoughts, longing, Fluff, Premonition, Bonding (This is something specifically for this AU. I do not see this as a "requirement" to fully connect to someone, but for this story, it is needed).
A/N: This is my non-Supernatural fic I'm attempting. Please let me know what you think, as I always love hearing from my readers.
----------------------------------------- Chapter 30
The following day, he woke before you, lying there just watching you sleep. He knew today would be filled with a lot, and right now, you needed your rest, and he needed this moment. There was nothing to worry about in the now. Right now, nothing troubled him, and you hadn’t had another nightmare. Dean allowed himself to lie there with you for nearly ten minutes before finally dragging himself away and to the kitchen. As soon as he had the coffee brewing, he began making phone calls, informing everyone of what Pamela had said. However, when he called Bobby, he gave him a piece of his mind for how things had gone.
“I’m sorry, Dean. It wasn’t like I knew that stuff would come up,” Bobby apologized for the third time, partially regretting having made the suggestion.
Dean sighed, running a hand down his face as he leaned against the kitchen counter. “I know. You didn’t see her, though. She was distant on the entire drive back here and I couldn’t feel any of her emotions through the connection.” Bobby leaned back in his seat, staring at the closed door of his office. “Is there anything I can do on my end for the two of you?”
Dean thought for a moment, “Yeah. Can you tell the boys they can throw me that surprise party the weekend after we can get out of here?” 
That made Bobby chuckle. “How’d you find out about that?” 
“Jack let it slip. That kid is still pretty innocent in some ways,” Dean replied, remembering back to that second month he was back when Jack had let just enough slip out about the surprise party.
“Yeah, I’ll let ‘em know,” Bobby replied, trying to push aside the growing concern that had come with Dean’s call. “Call if you need anything. We’re all here, for both of you.”
“Thanks. That means a lot to me,” Dean replied, utterly grateful for the support system in the outside world.
Dean poured himself another cup of coffee after he hung up. He’d already called Sam; that had been his first phone call, Bobby his last, and all the adults in between. “It’s gonna be a long day,” he mumbled through a sigh.
Stretching with your arms over your head, you let out a long yawn, the morning finally pulling you from a dreamless slumber. When your arm plopped in the spot Dean should have been, you looked over, a little confused. I didn’t sleep that late, did I?
Glancing at the clock, you chuckled to yourself. Almost nine, of course he’s already up. With a smile on your face, you climbed out of bed and headed into the kitchen. He was there, leaning against the counter, lost in thought. You smiled to yourself, knowing he hadn’t even noticed you yet. “Morning, handsome,” you cooed, stopping next to him, giving him a quick kiss on the cheek.
Dean practically jumped out of his skin at your presence, his hand over his racing heart as he attempted to catch his breath. “Jesus, Sweetheart. You damn near gave me a heart attack,” he breathed out, wondering how you’d managed to sneak up on him.
GIggling, you poured yourself a cup of coffee, then sat down at the table so you could see him. Dean smirked. Oh, someone’s in a playful mood this morning. His whispered words in your mind made you giddy. You were in a playful mood, even though you knew that today was when you were going to share with him what Pamela had told you.
“Maybe,” you replied, drawing the word out, looking down at your coffee as a smile played with your lips. For a moment, you debated dashing to the living room, eyeing the couch briefly.
He set his cup down, enjoying the moment, and wondered just how playful you were feeling. Dean smirked mischievously as he pushed off the counter, slowly strolling toward you. Glancing at him out of the corner of your eye, you giggled quietly, unable to take a sip of your coffee. The anticipation of what he might do twisted nicely in your stomach.
“What’s the matter, nervous?” he teased, his tone going a little lower, making you take a shaky breath.
When he was only a couple of feet away and began taking another step, you squealed as he reached for you, then darted into the living room, laughter ensuing as he chased you. You dashed behind the couch, giving Dean an idea. He didn’t want to hurt you, but he was going to get a hold of you. The way your laughter mixed with his and filled the room was like a beautiful symphony. 
You slowly moved in the opposite direction he went, matching his pace until you were the one now in front of the couch, the coffee table directly behind you. In one swift motion, Dean not only went over the couch but also grabbed the front of your shirt firmly before falling back into the cushions. The squeal you let out as he pulled you onto his lap had him laughing with more amusement than he could contain. 
Dean wrapped his arms around your back, holding you firmly in place, unable to escape. You were laughing so hard that all you could do was rest your hands on his shoulders. The moment froze for Dean, feeling that pang of love that overflowed, threatening to slip from his eyes, but he held it back. As your laughter slowly subsided, you rested your head on his shoulder, evening out your breathing again. “That was fun,” you told him through light chuckles, remembering the way he had eyed you, your breath warm against his neck.
“Yeah, it was,” he sighed contently, rubbing your back with one hand while holding you close with the other. “I love hearing your laughter.”
You debated between telling him everything Pamela had said or just giving him what you had initially planned on saving for his birthday. It wasn’t that you didn’t want to be intimate with him, something about it just scared you.
Don’t go getting lost in your head again. The way his words whispered through your mind made you chuckle, sitting up so you could look at him. “And what if I like getting lost in my thoughts, huh?” you asked playfully, not quite ready to let go of the joy the playfulness brought.
He raised an eyebrow, but you saw that glint in his eyes, knowing he was already plotting something as his grip around you slowly tightened. Dean just didn’t want you to get away just yet. “What’s more interesting than you straddling my lap?” he asked as the smirk on his lips began forming.
You leaned a little closer, being just as playful, “Thoughts of you.” 
Woman, I swear… A low groan, almost inaudible, rumbled in his chest as one of his hands came up and tangled in your hair behind your neck, holding your head. It was a gentle gesture, but sent a shiver down your entire body. “Sweetheart, do you have any,” he gently gripped your hip, pulling you down against him as he lightly bucked his hips up, grinding against you, “idea what you do to me?” 
You hadn’t even realized just how turned on he was until you felt the bulge in his pants rub against your core through your clothes, making you bite your lip. “I didn’t mean to, really,” you told him honestly, and a little shyly. It wasn’t like you were completely ignorant. You just hadn’t done anything with anyone, so you weren’t entirely sure of the things that turned men on, let alone Dean.
Dean gave you a soft smile. He knew you hadn’t intended to turn him on. “I know. It’s why I didn’t just kiss you. I know you aren’t ready. I don’t know why, and you don’t have to explain it to me. I’ll be here, when you’re ready.” Then he leaned closer, leaving a tender kiss on your lips, staying there only a few moments before he pulled away, fighting every urge coursing through his body.
The pout that found your lips at least made him chuckle, but you still felt bad and figured now was as good a time as any to talk to him. Carefully, you climbed off his lap, sitting on the couch next to him, cross-legged and facing him.
After adjusting himself, he turned a bit so that he was facing you, although he wasn’t entirely sure what topic you wanted to talk about. He was trying not to think about kissing you, touching you, and loving you, which was nearly impossible after he’d pulled you down onto his lap. That one he took full responsibility for.
You took one more deep breath, letting it out slowly. It was bad enough that your thoughts were on Dean rather than the topic you wanted to broach, but having his desire mix with your own was making it that much more difficult.
“Okay, so yesterday. Pamela told me a lot, and there are still some things I’m not sure about, but I promised I’d tell you.” It seemed like a decent place to start. “She said that the reason you got sick was because my fear went through the connection we have.” Dean looked at you, a little puzzled, “But, you’ve been afraid before, and it never hit me like that.” he tried to explain, as he was still confused about why it had hit him so hard.
Looking down at your hands, you attempted to remember how Pamela had explained it to you. You pursed your lips as you met his gaze, hoping you didn’t botch it too badly. “She said that hope is your strongest emotion. Well, mine apparently has been fear. It’s what’s been basically running my life. When she mentioned me being afraid to lose you,” your voice got quiet as your gaze fell to the space between the two of you. 
“It just sort of hit me, but for me, it was a knot in my stomach. I’ve just been so afraid for so long… I’m not sure how to just take a leap of faith, like she suggested,” by this point, you were almost whispering, and Dean only wanted to pull you into his arms again. He vaguely remembered that part of what Pamela had said, sort of, since he had to bolt to the bathroom before he was sick in the living room.
“I’m afraid I’ll lose you… if we’re closer,” you finally admitted in a barely audible whisper, and now Dean wasn’t going to hold back. He moved closer and pulled you into his arms, shifting you so that you were sitting sideways on his legs. As your emotions crashed into his, he just focused on you, soothing the storm that had taken hold. It was the missing piece for him, so he could understand what kept holding you back. “Looks like we were both trying to figure out a puzzle,” he murmured softly, tears slipping down your cheeks.
“Those monsters took everything from me. I can’t lose you too,” you sobbed out quietly, feeling like the damn inside had finally broken. You didn’t understand that you needed this in order to finish healing, letting him in deeper than you had let anyone.
For nearly an hour, he held you, uttering soft, soothing words and doing his best to comfort you. He probably wouldn’t have admitted it to anyone, but the pain that came through the connection felt like a vice on his chest. Dean did his best to take slow, deep breaths so your pain didn’t consume him, but a few tears slipped down his cheeks, landing in your hair. He knew that losing your soulmate was one of the most painful things possible, but he hadn’t realized just how much the mere thought of it affected you. Not until now. You were terrified to let someone in that much just to have it ripped away.
“I’ve got you, I always will,” he whispered when your sobs finally subsided. “And I’m not going anywhere, not if I have a say in the matter.” The only hope he had that things would be okay, was because of the words Pamela had said to him. The two of you only had to stay in the bunker for the next week and a half, no matter what.
You wanted to apologize but knew it would frustrate him, so you did your best not to even think the words. “I didn’t mean to break down like that,” you mumbled before sitting up a little.
He met your gaze, seeing how puffy your eyes were from crying. With a soft smile, he gently wiped the lingering tears away. “Crying isn’t a bad thing. Sometimes it helps. Like, how they say you have to hit rock bottom before things get better,” he offered, trying to help.
“I just want it all to stop, to go away,” you pouted, focusing on your hands in your lap as you fidgeted with the hem of your shirt.
Dean debated for a moment, focusing on what you were feeling. There were a few different things he could say, but now was not the time to let the playful remarks slip out. He gently nudged your chin with his finger and thumb, so you met his gaze, trying not to let another tear slip out. 
“Things will be okay. Why don’t we just take this week and a half and just relax? I know that you’ll have to call Crowley, and we’ll be down here past my birthday. But hey, think of this time as a little vacation from the world. It’s different now,” he tried to soothe you, giving you that soft smile that brought a small one to your lips.
He knew the kind of grip your fear had on you; hell, it wanted to consume him. Gently pulling you against his chest, he let out a sigh, trying to find the right words, but he was pretty sure nothing he could say would help you right now. So, he just held you close, gently rubbing small circles on your upper arm with his thumb.
“I don’t know how not to be afraid,” you eventually mumbled. The nightmare you’d had the night before felt like parts of it were playing on repeat in your head, along with what Pamela had said. You just weren’t sure what the consistent was, so you weren’t sure what part of it would happen.
“Why don’t we just take it one day at a time?” he suggested softly.
You moved a little so you could look into his eyes. The sincerity and hope there made you smile a little. I just want to see you smile. The whispered words made your smile grow, your fears and worries slowly slipping away as you let his hope, love, and compassion wash through the connection. It was like the gentle waves as they lapped over the sands of a beach.
“Now, I’m gonna go make us breakfast. You wanna change or just lounge in pajamas all day?” he asked, feeling that soft contentment as you relaxed.
Deciding to focus on not being stressed over things you had no control over, you chose playfulness, tapping your chin with your finger, pretending to think. “Hmm…” you hummed, pausing playfully. “Pajamas, because I’m pretty sure you’ll tease me,” your words came out a little sassy, pulling a playful smirk to his lips.
Again, he was fighting with his thoughts. God, it’s gonna be a long week. The thought made you almost laugh, knowing you weren’t going to make him wait that long. He let his fingers find your ribs, gripping them in just the right way, tickling you. With a squeal, you attempted to get off his lap, but he held you in place.
He hadn’t moved his hand, but the anticipation that kept building was what was driving you absolutely crazy. However, when he leaned in close with that look in his eyes, a shiver went down your spine. “You know, anticipation works on other things, too,” his voice was low, rough, tinged with that teasing that made the butterflies dance in your stomach.
Taking a shaky breath, attempting to focus on anything other than what he was hinting at or the fact that his hand was still holding your ribs. All he had to do was grip, and he could tickle you again. “Thought you were gonna make breakfast,” you told him quickly, unable to hide the joy that was coursing through you at how he had lightened the mood.
The laughter started deep in his chest before filling the room, “Yeah, breakfast.” Not when I’ve got you right where I want you. He couldn’t help himself, though, gripping your ribs enough to make you squeal and try to get away from him. The sound brought that joy to his soul, soothing any stress left in him.
“Stop!” you yelled playfully, squirming in his lap as he held you there. His other hand found the crook in your hip, squeezing down and making you scream at how ticklish you were there.
Luckily, he didn’t tease you long. He didn’t want to accidentally hurt your wrists, and you were trying to stop him, even knowing it was impossible. The man was far stronger than you. Plus, the way you squirmed on his lap was causing another issue to arise. He snaked his arms around your waist, the two of you attempting to catch your breath for different reasons.
“Alright, Sweetheart. I’ll go get breakfast going,” he told you, trying to calm his racing heart. He gave you a quick kiss on your cheek before scooping you up and gently setting you on the couch after he stood. I love you, your whispered words in his mind bringing a wider smile to his lips, trying to push away thoughts he couldn’t act on, not yet anyway.
And that was about how the next several days went. There were board games, watching movies, tickle fests, which you even got him a few good times, and a couple games of pool. The playful banter that went back and forth had you both wound as the sexual tension grew between you. He never pushed anything too much, but he did give it an encouraging nudge. Dean would hold you when you did the dishes, so you would return that when he would cook.
The two of you settled into a comfortable routine. So far, the nightmare hadn’t come back, and the monitors also hadn’t gone off unless it was an animal going about its business. Your fears were slowly slipping away. Being close to him was getting easier the more he bantered with you. So much so that three days before his birthday, when he kissed you after your evening movie, you didn’t pull away after a few moments. You had wanted so badly just to let go of all your fears at that moment, but you couldn’t, even with your body humming from how he touched you. The moment you went to apologize, he gently pressed his finger over your lips and shook his head. 
“I told you, I can wait till you’re ready,” he told you in a soft, sincere whisper. His breathing was heavy, but he meant it; he’d truly wait till you were ready. For now, he’d have his fantasies and enjoy the feeling of your desire as it danced with his own. “How about you go crawl in bed? I’ll be there in a bit,” he added, knowing he wasn’t going to be able to sleep unless he took care of himself.
A blush crept into your cheeks as you bit your bottom lip. I wish I could just let go. It was the one thought that kept going through your head like a repeat record player. Dean gave you that half smile before leaving a tender kiss on your forehead. Don’t make me carry you. His teasingly playful threat made you chuckle. “Alright, I’m going.” You left a soft kiss on his cheek before going to your room, mostly closing it so he had more privacy. 
The tip Pamela had given you, about picturing a bubble around you, was something you had been practicing. So, as you climbed into bed, you pictured that bubble again, needing to have some time so your body could cool down from the fire he always ignited. Lying on your back, staring at the ceiling, you slowed your breathing, picturing a bubble around you. It was an odd sensation after feeling Dean’s emotions for nearly a week now. The connection was still there, and you could feel the thread, but the emotions that passed through it diminished. As you were focusing on how different it felt, Dean gently pushed the door open, a little apprehensive.
“You okay, Sweetheart?” he asked, pulling you from your concentration, effectively popping the bubble. “What was that?” 
You watched him as he crawled into the bed next to you, rolling onto your side. “I was practicing that bubble thing. I probably should warn you so you don’t get so concerned,” you replied sincerely, giving him the soft smile that helped the tension ease from his shoulders.
Dean pulled you closer, the physical contact bringing the relief he needed after feeling the connection diminishing. “Yeah, a heads up will help,” he sighed out, focusing on the way you felt in his arms and the way your emotions danced with his again.
“I can remember,” you told him softly, kissing his cheek tenderly before getting fully comfortable tucked against him. “Get some sleep,” you murmured sleepily.
It took him a few minutes to completely relax again. One minute, he had felt your emotions dancing with his, the desire mingling, and then there was almost nothing. For a moment, he thought something had happened, even being in the bunker. I’ll be thankful when we don’t have to worry anymore. He wasn’t sure how far into sleep you had drifted, but the peace that washed over him like a warm blanket began pulling him off to the dreamworld as well. A quiet hum slipped out as you drifted off to sleep.
You had no idea where you were. It was a town, and it was nighttime. There were a few street lights that cast an eerie yellow glow along the deserted street. What the hell? Looking around, the town seemed deserted. Cautiously, you headed toward the only place that looked open, a gas station several blocks away. There were no sounds like you would typically hear at night, like crickets or owls. Goosebumps prickled along your skin as you rubbed your arms, trying to get them to go away. The closer to the gas station you got, the more a knot began twisting in your gut. Something wasn’t right, but you couldn’t put your finger on what it was. The night air was warm against the chill that settled down your spine when you crossed the street. There wasn’t a single car in the parking lot or at any of the four pumps. Your heart pounded as your breathing became shallow and shaky. Swallowing hard, you made your way to the front of the gas station, only close enough to look inside. There was one person inside, a guy behind the counter that you’d never seen before. Other than that, the place looked empty. Oddly enough, that seemed to steady your nerves, letting out a sigh. You turned and looked back down the way you’d come, then further in the direction past the gas station. Where am I?  You stood outside, debating going in and talking to the cashier or just heading in the direction you were drawn to, past the gas station. Slipping your hands into the pockets of your jeans, you headed further down the deserted street. The further away you got from the gas station, the more surreal everything felt.  A few blocks later, you noticed a motel across the street, Dean’s Impala, parked in front of one of the rooms. Quizically, you tilted your head a bit. Now utterly confused, you made your way across the parking lot to the room, taking note of the number seven on the door.  First, you tried the doorknob, but it was locked. Then, you felt around your pockets, noticing something in one of the back ones you hadn’t felt earlier. Slowly, you pulled out the item, taking a shaky breath, seeing it was a key to the door. Your stomach began knotting up, like something was horribly wrong. Slowly, you unlocked the door but looked over your shoulder, feeling like you were being watched. Dean’s car was gone, replaced by something else. This one was a new model Jeep that you didn’t recognize. As your brows furrowed in confusion, the door was pulled open from the inside. Just as you were attempting to regain your balance and see who had opened the door, someone grabbed you, dragging you into the room. They weren’t gentle about it either. You even attempted to fight against their hold. Whoever it was, it wasn’t Dean, but it was a guy, and he was far stronger than you. “Now, you’re mine,” his voice was low, pleased, but with a cruel undertone. “First, you’ll be bait. I need to sever that connection.”
Your scream reverberated off the walls of the bedroom, echoing through the bunker as you bolted upright in bed. Unable to take a deep breath, you clung to the blankets as Dean’s arms wrapped around you. “Shhh.. Sweetheart,” he began softly, images flashing through his mind. “I’ve got you. It was a nightmare.” However, you both knew the truth. It wasn’t a nightmare. It was a premonition.
----------------------------------------- Chapter 31
Story Master List Main Master List
Tag List: @deans-spinster-witch @jamerlynn @jackles010378 @bruhidkjustwannaread @onthehuntforshinies
@chriszgirl92 @angzls @xolivvies-cornerxo @certainsaladstarfish @onlyangel-444
@nancymcl @muhahaha303 @suckitands33 @kr804573 @justrandomthougt
@suckitands33 @mxtansy @scarletqueenx @krazykelly @roseblue373
@whimsyfinny @ladysparkles78 @aaathazagoraphobiaaa @hobby27 @perpetualabsurdity
@cicibunbuns @n-o-p-e-never @vanessa-boo @foxyjwls007 @uoberpmollah
@xolivvies-cornerxo @certainsaladstarfish @kdadss @bitchykittenconnoisseur @reignsboy19
@bonbonnie88 @ghostieghoul711 @flamencodiva @kayleezee @stillhere197
@lexasaurs634 @enamoredwithbella @winchester-whiskey @brandinicole911
@megs-gadom @dianawinchester03 @nikimisery @cheekygirl2309 @ashleybutler
@deans-baby-momma @bobbdylan @tommysaxes @likedbygaslyy
If I missed tagging, please let me know. I had a lot of requests for tags for this one. If you'd like to be tagged, drop me a comment.
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alexanderwales · 1 day ago
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The second chapter of Save the Cat! is about genre, titled "Give me the same thing ... only different!". The general principle is one that I strongly agree with, even if I don't always practice it in my writing: you must know how and why things work in fiction, you must be a student of the realms you're writing in, you must give your own twists on clichés if you think you might be writing them, and must be familiar with clichés so that you don't end up boring people. Study things that are like the thing you're trying to create. Analyze them, take them apart, understand how they work or don't work.
But then a lot of the chapter is taken up with Snyder's own system of ten genres, and when I was reading it I wanted to just stop him and say "hey, what the fuck, did you even watch that movie?"
Also I laughed for like five minutes at him putting Schindler's List in the "Dude with a Problem" genre, even though I agree that according to his typology it completely fits.
I'm a huge fan of making up arbitrary categories and then stuffing things into them. I don't think it's often very useful, no, but it's fun, and when you're done shoving things into boxes, you can pull them back out, find a new set of boxes, and repeat the process. I'm not going to repeat Snyder's categories here, but I think they kind of suck, and don't accurately reflect genre as we understand them, and the whole thing would have been better off is it was taking story archetypes and saying why they work and then what the usual deviations from them were.
Here are two examples that I take issue with, among others. First, by his accounting Planes, Trains, and Automobiles is a "Golden Fleece" movie, the kind of film centered around a hero's journey where what he ends up finding is, ultimately, himself, and every set piece along the way is important only in the way it relates to the hero's self-acceptance or whatever.
No. Wrong. Planes, Trains, and Automobiles is very very clearly a "Buddy Love" under this system. Look at this fucking image:
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Could this DVD cover make this any more obvious? Literally all the promotional material is like this. It even says in the book that most "Buddy Love" movies start with the "buddies" disliking each other, and that their relationship is central to the movie. And if Snyder is getting this wrong, what else is he getting wrong about his own system?
Example two. I'm just going to quote it in full:
Now look at The Matrix and compare and contrast it with the Disney/Pixar hit Monsters, Inc. Yup. Same movie.
Fucking what do you mean.
Under this system of genres, Monsters, Inc. is very clearly another "Buddy Love" movie. There's a kid they have to deal with, but most of the movie is grounded in the relationship between Mike and Sulley. Like, what's the low point of the whole movie? They get banished to the Himalayas and then have a big fight! It's about their relationship to each other!
(I looked this up on the savethecat website and found an article claiming that it's an example of "Monster in the House", which is fucking stupid, because what's the monster and what's the house? Just does not apply. The child is takes the role of the "monster" for such a small amount of the movie, then they're looking after her and trying to return her home, and even before that it's not relatable as a monster to the audience. Blake Snyder didn't write the article, so maybe he had something different in mind.)
Meanwhile, The Matrix most closely falls into either "Dude with a Problem" (ordinary man thrust into extraordinary circumstances) or "Superhero" (extraordinary man in ordinary circumstances) and I would argue that it's actually neither of those because it's a goddamned hero's journey and those are their own thing and it makes no sense to try to split them into two parts because you don't get more explanatory power of what's working and what's not. His analysis of what he calls "Superhero" films also sucks for that reason and just totally misses the mark about what makes them tick.
So how are these the same movie? I don't know, it probably made sense to Blake Snyder. I have done my due diligence and searched for answers online, but haven't found much, just some weak ass defenses.
Also, I really hated that he says Chinatown and Who Framed Roger Rabbit? are basically the same movie because no shit. Who Framed Roger Rabbit? is a parody of noir, and was adapted from the script for a never-produced third film in what was supposed to be a Chinatown trilogy. But even then, I don't get how you can say they're the same movie without pointing out the strong "Buddy Love" through line in Roger Rabbit!
This whole chapter was a total miss for me. Decent advice at the start that I've been hearing and preaching for a long time, but this typology sucks and he doesn't even seem to understand it (or the movies he's putting in it) very well. And since the typology sucks, it's a bad lens for understanding the underlying rules of writing, of story structure, the components of story, etc.
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night-triumphantt · 12 hours ago
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I have some thoughts about the arcane ending w nowhere to go but uh, if ur not here for some critique keep it pushing loll
Now that I’ve had a day to digest I’m actually v disappointed w the way the story gave up on its revolutionary messaging. The focus of season one is the piltover and zaun plot, the oppression of Zaun and its impacts on the characters, it is how vi and powder are orphaned, it’s why viktor is disabled, it is why the undercity struggles, Zauns independence is what silco was fighting for, vander and silcos ideological disagreements are based on it etc etc. the tensions between the two cities is rising and rising and then it just, fizzles out and pivots and makes viktor the main antagonist without any recognition of how he got here. And don’t get me started on how there’s zero consequences for cait who is?? Still an enforcer??
The plot highlights through Vi that the enforcers are an oppressive arm of a system w how she was treated as a CHILD and even as an adult and she betrays her ideals, to do what she thinks is right bc she thinks she has to take out her sister and bc cait asked her to do so as an enforcer. And then in doing so she betrays her ideals so aggressively that she is now the exact thing that hurt her, an enforcer, traumatizing a child, utilizing the gas on the undercity, excusing the consequences. And when she faces Caitlyn, cait obfuscates and says she wouldn’t have missed even tho that’s not *better*. Bc ok let’s say she didn’t miss, she just kills jinx in front of isha? and she just gassed the city w what we know is toxic gas? And then she discards vi bc vi isn’t going along with what she wants. Cait then is never shown reckoning w the biases and cruel things she’s done and said after that. There is ONE conversation w her and Vi and it’s framed as Ambessa is the issue which, she is partially but like, topside enforcers were all behind her and Cait was quick to lean into all her preconceived notions of zaunites. (Speaking of making what’s her name a mole was stupid and imo done just to make it so Cait doesn’t have to have that convo w her?? Idk)
Also, Vi goes on a drinking spree in which we never actually see her reckon w what she did as an enforcer, (it’s mostly framed around Cait) and then she hurts isha and,,, nothing?? No sorry?? Nothing. Vi has no plot that shows us her thoughts, her reckoning w what she did, or anything. In my opinion it’s bc the writers wanted cait/vi to work and if Vi actually had to think about what happened and what she did then they wouldn’t have worked out. Vi w/ no one to protect who has to rebuild her identity and really decide how she ended up where she did, I would have loved to see it. Her and Jinx’s convo where she says u don’t need me to protect u was actually rlly good, them reconnecting as equals & Vi seeing how jinx became a symbol of the undercity, fighting for it together, finding how she lost her way, like, cmon. Jinx not ending her story w yea actually u should die previously suicidal character, (don’t worry, this is a good way to die) and instead doing the hard work of rebuilding, and seeing a future for herself that isn’t painted in tragedy, surrounding herself w ppl who love her and help her grow (while silco loved her he could not help her grow bc of his own unhealed wounds) using her ingenuity to rebuild w ekko, like, ugh. These are very rough thoughts that got kinda, long, but yea in conclusion, while I loved the characters, the refusal to *commit* to the political message they started hurt the show a lot, and I’m rlly sad for what could have been.
I have a lot more thoughts about sevika and Mel as well but I’m mostly just bummed.
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lyrakanefanatic · 2 days ago
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i might be biased bc she’s my fav but i do think that the reason why people hate lyra for being “whiny” is because they genuinely don’t know what to do when they’re reading about a jlb character whose sadness is always a part of them
like with avery she had gone through so much but was always able to cope with how she felt, and she had a very good support system (after book 1 that is 😬😬) like the hawthornes and jameson to help her out whenever she was feeling upset
and with cassie she had gone through so much but could still put her emotions to the side when she noticed that other people were going through “harder” things, and when she needed to solve cases (poor girl was still sad a lot of the time though ☹️☹️)
but with lyra her sadness consumes her. usually we start jlbs books with just the characters living their normal lives, (well tig, tgg, and the naturals at least) before they get this big opportunity and events happen that progressively break them down and ruin their mental health before building them back up again stronger, but for lyra she’s sad at the beginning, she’s sad when she’s getting broken down, (finding more and more about her father in the game and all the flashbacks) and she’s sad at the end. this girl is literally just depressed and y’all are acting like she lit hawthorne house on fire and danced on hannah rooneys grave just cause she doesn’t know how to cope with her emotions yet 😭😭🙏
and in case you guys forgot, the only people who know what happened to her father and are capable of sympathizing with her for it in any way is a literal grandma who was involved with tobias, whose wife had a part in lyras fathers death, and an ACTUAL HAWTHORNE 😭😭
like yeah averys support system wasn’t that good either, and cassies could have been better, BUT AT LEAST THEY HAD SOME KIND OF FOUND FAMILY SHIT THAT THEY COULD SYMPATHIZE WITH?? jlb really said “yessss found family trope for you” to avery and “found family trope for you” to cassie and then looked at lyra like this:
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this last part is a joke btw, but because you guys are prob going to say something, (or maybe not idk) she does have a family, but there’s a lot of struggles with her telling them her problems because its not really expected of her. idk how many of y’all are the eldest child but there’s that and also this shame that lyra feels with being upset all the time because its so unlike the old her and she feels she owes it to her family to be like her old self, happy and communicative
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ancharan · 3 days ago
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i definitely understand the frustration op is experiencing here
and i want to take a second to acknowledge that part of this frustration seems to be stemming from the compulsive nature of this environment
we can't opt-in to the page-wide ads, we can't toggle a switch or click a button to enable notifications, it's assumed, it's a given, it's another data point on a big board that a company can bundle and sell
but!! it is possible to disengage with a lot of this. the tools are there. everyone and their dog knows about ad-blockers (do you know about ad-blockers? do you know how easy it is to add an extension to firefox that will block ads on the internet?) but op, did you also know that you can turn off the windows search functionality on your desktop? you can change it so it only shows you local files. you can turn off auto-saving on office programs. you can disable cortana permanently, you can delete edge. computers are a tool!! and they can be changed to accommodate your needs
personally, im a big foss person. i love non-corporate, open-source alternatives to paywalled bullshit. i use LibreOffice at home, i use Linux on my laptops, i dont pay for a spotify account...
like im not making this post to brag or anything im just saying it's possible to disengage with these systems
they're unjust and exploitative and unfair and they should be disabled by default, but until the Revolution™️ fixes all of our problems, u can at least save yourself a few headaches
I don't know I'm not done talking about it. It's insane that I can't just uninstall Edge or Copilot. That websites require my phone number to sign up. That people share their contacts to find their friends on social media.
I wouldn't use an adblocker if ads were just banners on the side funding a website I enjoy using and want to support. Ads pop up invasively and fill my whole screen, I misclick and get warped away to another page just for trying to read an article or get a recipe.
Every app shouldn't be like every other app. Instagram didn't need reels and a shop. TikTok doesn't need a store. Instagram doesn't need to be connected to Facebook. I don't want my apps to do everything, I want a hub for a specific thing, and I'll go to that place accordingly.
I love discord, but so much information gets lost to it. I don't want to join to view things. I want to lurk on forums. I want to be a user who can log in and join a conversation by replying to a thread, even if that conversation was two days ago. I know discord has threads, it's not the same. I don't want to have to verify my account with a phone number. I understand safety and digital concerns, but I'm concerned about information like that with leaks everywhere, even with password managers.
I shouldn't have to pay subscriptions to use services and get locked out of old versions. My old disk copy of photoshop should work. I should want to upgrade eventually because I like photoshop and supporting the business. Adobe is a whole other can of worms here.
Streaming is so splintered across everything. Shows release so fast. Things don't get physical releases. I can't stream a movie I own digitally to friends because the share-screen blocks it, even though I own two digital copies, even though I own a physical copy.
I have an iPod, and I had to install a third party OS to easily put my music on it without having to tangle with iTunes. Spotify bricked hardware I purchased because they were unwillingly to upkeep it. They don't pay their artists. iTunes isn't even iTunes anymore and Apple struggles to upkeep it.
My TV shows me ads on the home screen. My dad lost access to eBook he purchased because they were digital and got revoked by the company distributing them. Hitman 1-3 only runs online most of the time. Flash died and is staying alive because people love it and made efforts to keep it up.
I have to click "not now" and can't click "no". I don't just get emails, they want to text me to purchase things online too. My windows start search bar searches online, not just my computer. Everything is blindly called an app now. Everything wants me to upload to the cloud. These are good tools! But why am I forced to use them! Why am I not allowed to own or control them?
No more!!!!! I love my iPod with so much storage and FLAC files. I love having all my fics on my harddrive. I love having USBs and backups. I love running scripts to gut suck stuff out of my Windows computer I don't want that spies on me. I love having forums. I love sending letters. I love neocities and webpages and webrings. I will not be scanning QR codes. Please hand me a physical menu. If I didn't need a smartphone for work I'd get a "dumb" phone so fast. I want things to have buttons. I want to use a mouse. I want replaceable batteries. I want the right to repair. I grew up online and I won't forget how it was!
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butchpeace · 3 days ago
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hi there! thank you so much for you're response to my anon ask- i was honestly expecting you to mock me and then tell me im in a cult and am bringing down other women- which is the response i usually get when trying to ask radfem blogs things- i understand why they would say this but i am asking questions genuinely. I've looked through the medical articles linked in your page, I'll be honest it is concerning but currently I am enjoying the physical and mental changes on testosterone and dont want that to stop- obviously while paying attention to my body and working with my doctor if any issues occur. i think i'll talk about doses with my doctor to understand what options i have when i want to taper off or vaguely slow down, i hope my approach to medical transition isnt seen as aggravating or flippant this is just my general philosophy about things :) i dont know i kinda feel like crying this is kinda the first radfem space i have felt safe in?
i enjoy having a deep voice- being hairy, being flat chested and these are all things women can do-- i feel that my decisions to get a mastectomy and be on hormones to achieve this shouldnt be used to kick me out of butch spaces but maybe im just being naive 🤷
A lot of radfems have that knee jerk reaction to trans identified women. Those are the kinds of people who pushed me away from radical feminism before I transitioned, so I know how that feels!
There aren’t a lot of people who both identify with radical feminism and also have the empathy and understanding needed to help us work through our gender issues. My goal is to be the person I needed back then.
My viewpoint is that people have a wide variety of different feelings about their gender, but at its core it all comes down to the same thing: The inability to accept our bodies as they are.
That’s something butch women particularly have been dealing with for a very long time. Of course butches want to be more masculine. Why wouldn’t we? We live in a patriarchy, and physical masculinity and androgyny is considered attractive in butches.
But my opinion is that accepting our bodies as they are should be the ultimate goal, and that messing with our hormonal systems and having cosmetic surgeries is objectively a negative thing. Not just because of health risks, but also because it’s a way of rejecting femaleness. I believe that all forms of rejecting the female aspects of our bodies come from misogyny. Because of that, giving in to the pressure to change our bodies isn’t a positive thing in the big picture, even if it makes us feel subjectively better about ourselves.
But I feel that way about all cosmetic surgery, including botox and all the other things women do to alter themselves. I don’t think that the way we’ve altered ourselves is any different from what they’re doing. I’m against all of it, but I don’t see us as the problem, I see patriarchy as the problem.
Whether radfems agree with it or not, the fact is that many butch women have taken hormones and have had mastectomies, and we are still women. Testosterone and mastectomies are so widespread among butch women these days that it’s kinda just part of who we are at this point. That doesn’t mean it’s a good thing or that it should be encouraged, and people have the right to criticize it. But we should be accepted.
Our appearances are altered but that doesn’t change who we are, and it doesn’t change the fact that we need community and a sense of belonging.
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cherrylng · 1 day ago
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My Chemical Romance - Gerard Way interview [INROCK (May 2006)]
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“I'm using the word "love" for the first time. I can definitely say this is based on real experience.”
Gerard Way / My Chemical Romance INTERVIEW: AI ANAZAWA
My Chemical Romance have been laying low of late in order to work on a new album following "Sweet Revenge". If all had gone according to plan, recording would have started at some place in Los Angeles by now, but this time it is Rob Cavallo, who produced their heroes Green Day, who is in charge of production. According to Rob, the new album has "some dark stuff, some references to Queen and The Doors. There are also some experimental parts that are reminiscent of System of a Down." The working title of the new album is "The Rise and Fall of My Chemical Romance." It is significant that the album is about 'the rise and fall of My Chemical Romance', even though they have only released two albums so far. As we wait for the album to be released before the end of the year, we attempted an email interview with Gerard, who says he loves Japan.
How have you been? How are you doing these days? Gerard Way (vo.): Good question. I actually just got back from Japan the other day, can you believe it? The day we finished touring in Australia, I went to Japan for a holiday. I was so happy this time because I got to see the beautiful land of Japan without working. What else have I been doing recently? In six days I'll be heading to Los Angeles to prepare for the recording of the new album.
I heard you were visiting Japan. Where did you go and what did you do? Gerard: Hahaha, you already answered your own question. I went to a lot of places. Tokyo, Osaka, Kyoto, Miyajima, Hiroshima and many other places. I also stayed at a ryokan across the sea by boat. I went hiking and visited a lot of temples. I had dinner with a geisha… I had so many wonderful experiences.
Were you alone? Or do you have friends in Japan you can rely on? Gerard: I went with my girlfriend. And her younger sister and her boyfriend, who are both artists by the way. My sister's boyfriend is from Kyoto, so he showed me around. If it wasn't for him, I would have been completely lost. So it's thanks to him that I've had such a great experience. Of course, meeting Kazu, the Japanese label manager, was another highlight of the trip. For me he's not just a label manager, he's a good friend. We got some great photos together.
"I feel like when I go to Japan, I come back a better person afterwards."
What did you buy in Japan? Gerard: I bought a lot of straps to put on my mobile phone, hahaha. I also bought a lot of souvenirs for my family and friends. Tea, Godzilla, and Studio Ghibli stuff.
Why Japan? Gerard: Because it's my favourite place in the world. It's beautiful and I like the way people take care of things. I feel like when I go to Japan, I come back a better person afterwards.
Is there anything you've learnt since you've been here? Gerard: Wow, well… I learnt about respect and the importance of thinking about what's good on a larger community level and not just about yourself.
Don't you think more Americans should travel more and see more of the world? Gerard: Everyone should, not just Americans. It's the only way to learn about the world.
I heard a rumour that you bought a CD of the Don Quixote theme song while you were in Japan. Gerard: Yeah, I liked it so much that Kazu helped me find the CD and buy it. I'm sure Matt Cortez, our guitar tech, will be thrilled when he hears it.
You once said that "I Brought You My Bullets, You Brought Me Your Love" (first album) was about finding yourself, and "Sweet Revenge" was about polishing yourself, so you want to make the next album the ultimate My Chemical Romance album. What exactly do you plan to do to make that happen? Gerard: I think some of the songs on the previous albums have inspired us to grow up and take more risks as a result. For example, "You Know What They Do To Guys Like Us In Prison" on "Sweet Revenge" showed us that we could explore new and more diverse areas. It's like a warm-up before a boxing match knockout. Another thing I can say is that the new album will be more colourful. It will definitely have more depth and you'll see that we don't care about the outcome, we're just going to do what we want to do.
What can we expect from the new album? Are you planning any collaborations with anyone? Who will be your producer? Gerard: I'm looking forward to some intense stuff. Also, there will be a lot of wolves. I don't know about collaborations yet, but we're going to have Rob Cavallo as producer. I'm very happy about that. It's a huge honour.
You mentioned that the new album will have more songs based on real-life experiences. What are the themes of the lyrics? Gerard: Death is still a theme in the new album, but this time it's more humorous than before. There's also a lot of references to self-loathing, self-awareness and a lot of longing. I'm using the word "love" for the first time. I can definitely say that this is based on real experiences.
Looking back, what do you think of your work so far? Gerard: I'm very proud of it. At the same time, I feel that I could have done better. Especially my parts. But hey, I'm good at criticising myself.
"I've been sober for the last year and a half, and it's made my life a lot better."
I heard that "Sweet Revenge" was a concept album, and the makeup was based on that concept. Do you think it was good the way it was? Gerard: Of course. It was necessary for us to make an artistic statement and to get the idea across. It was specific to "Sweet Revenge", and we'll do something different next time.
With that album, you guys were accepted by many people, especially the MTV demographic. I think your popularity has exploded, especially over the past year, thanks in part to the elaborate promotional videos you've made. When we spoke at Summer Sonic two years ago, you said that you still had a strong New Jersey underdog mentality, which I remember fondly. Was it a slow and gradual process for you guys to become popular since then? Or was it a sudden, dramatic change? Gerard: Even though we'd been around for quite a while, it was a sudden change. We just couldn't keep up with the fame. I don't think anyone can ever be prepared for fame. And we didn't get along well with celebrities, so we never got over the underdog mentality. Celebrity pretence was never our forte.
How important is the visual aspect? What can we expect to see from you in the future? Gerard: The visual aspect of the album art and the stage is very important. The costumes we've worn in the past, they've just naturally taken shape to suit the stage. That's why I don't wear the old stage clothes for photo shoots these days.
You have been relatively open about your depression and alcoholism. How are things going for you there? You seem to be a lot happier these days. Gerard: I'm doing great. I've been sober for the last year and a half, and it's made my life a lot better.
Finally, I know you're of Italian descent, but what other bloodlines are you mixed with? Gerard: Italian and Scottish, as well as German and Swedish. My name comes from a Catholic saint. That's a very Italian way of giving a name.
Oh, at the end of the day, did I forget to ask you anything else? Gerard: Hahaha~ I think we covered it all. Thanks for today!
Translator's Note: Please do support me via ko-fi! ☕
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bohemian-rhapsody-in-blue · 18 hours ago
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I’ve been thinking about this a lot. I realize it’s sort of connected to this chart:
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This was a chart that puts into visual terms a system used by US President Dwight D. Eisenhower to decide what to prioritize and do when, and is supposed to help increase one’s productivity. I think Stephen Covey also used it in that Seven Habits of Highly Effective People book that my school was obsessed with for some reason. You can put Tasks You Need/Want To Do into each box, depending on how urgent and important you deem them, and then that will—y’know, in theory—help you decide what order to do them in.
Tim Urban of Wait But Why (he also has some bullshit “enlightened centrist” and Elon Musk-fanboy opinions I don’t agree with, but I love his series of popular posts and TED Talk about procrastination) suggests in this post that procrastinators’ matrices tend to look more like this:
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We tend to live in Quadrants 3 and 4, avoiding Quadrant 1 until it’s absolutely necessary and we’re sent into a panicked frenzy of productivity. But the trick to this is, if you think “oh, clearly what I’m doing to procrastinate is my passion, so I’ll pursue that instead,” it turns from a fun, desirable Q3 or Q4 task into an undesirable Q1 one. It might be the exact same task, or similar, but now it’s urgent and a responsibility and people expect things of you and that’s scary…so now you’re avoiding the task you used to love!
OP seems to have experienced this with art, where it started as a Q4 task (doodling in class, to avoid the Q1 task of learning about Henry VIII) or Q3 task (updating their webcomic on a regular schedule) to a Q1 task when they made it their career. I’ve gone through it with writing: fanfic or random cracked-out stories I write just for myself? Fun! I wanna! My senior thesis, which is literally the same thing, writing short stories? Oh no, now it’s an assignment, and that’s to be avoided.
And like OP said, this means procrastinators are rarely just sitting idle, and they are getting stuff done! Even if it’s not urgent stuff, or stuff that looks important to you right now, it is stuff that is getting done. Of course, what this Q3 or Q4 stuff is can range from “mindlessly scrolling through Instagram” to “working on a successful webcomic and letting your creativity flow.” The other day, I found some free Latin textbooks online and found that I was doing the exercises in them as a means of procrastination—I was literally teaching myself a dead language instead of doing the psych homework I was supposed to be doing. My brain is broken. (Of course, if I actually took a Latin class, I’d probably start procrastinating on doing the exercises for THAT too…)
I don’t know what the conclusion is here—doing a Q1 job I hate to save mental energy for Q3/Q4 stuff I love? I don’t want to never try and seek credit, payment, etc. for things I love to do for fear that they’ll become Q1 things and I’ll start hating them. I don’t know, I’m only a college undergrad here. But I thought OP brought up a very good point that I’ve actually been using for a whole as a framework to look at my procrastination, and I thought I’d provide an alternate visualization that’s helped me too.
i feel like i had a massive breakthrough with understanding in hindsight how adhd has affected my relationship with art, and i sat there for about an hour just like
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lanalaynetalks · 2 days ago
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Tenrou Island is one of my favorite arcs! I love this arc so much. I think this is possibly a controversial take. I don’t know. My favorite thing about shows is learning more about systems in the world. I think it’s just so interesting to see how wizards become s-class. This is going to be long. I am so sorry I love this arc so much. It’s a lot of Cana… I ADORE CANA. Plus a lot of Levy and Gajeel! I just think this arc features so many fan favorite characters so well. This is also before The Thunder Legon was nerfed so they have some cool moments. Just I love this arc so much!
1. I do think it’s crazy that they really just throw us into the arc with no filler episodes/arc between. I think this is one of the only arcs that doesn’t have filler episodes before or a filler arc.
2. Fairy Tail having a sacred place implies that other guilds do as well.
3. Something I find weird about S-Class wizards is why does the title follow you from one guild to another. Juvia and Gajeel were S-Class in Phantom Lord, but not Fairy Tail.
4. Silly thing time! Hiro Mashima trying to put all the main characters and main side characters on the island.
5. Lisanna and Juvia. I wish we kept seeing them as friends.
6. Evergreen and Elfman are one of my favorite ships and should be a main ship. It should be the big 5 instead of big 4. They were more together by the end than any of the other ships! I LOVE THEM!
7. Oh Mest… I miss your silly personality. Also how did he go from ok looking, to hot, to Nastu wannabe. I will be mourning when we see hot Mest for the last time.
8. Why did Makarov keep picking Cana? It seems a little cruel.
9. First Mavis mentioned. Mavis is one of my favorite characters of all time. I love her so much. Fairy Tail Zero is so good and made me love her more.
10. While pacing was my biggest issue for the last two arcs I feel like this is when the show found its pace. Without this arc the grand magic games would have not been as good as it was. I said what I said!
11. If I walked into the route and saw it was Mira I would have just walked away. Mirajane scares me the most out of all characters in the show.
12. I’m going to say it! I ship Lily and Carla! I said what I said!
13. I never got why Hades was so obsessed with Zeref. Because Zeref literally taught him how to use magic. I also wish we got more info on why he turned evil. It’s hard for to believe e he would attack Fairy Tail because he was a founder and was like best friends with Mavis. Him being Precht makes no sense because we never get a full explanation on how he turned evil other than he basically accidentally went down the alt right pipeline
14. I will never get over the Iron with a heart in the O. When I saw it for the first time I screamed and I still scream and fangirl over it!
15. Makarov talking Gajeel into joining Fairy Tail will forever be one of my favorite Gajeel scenes.
16. This arc is really when we start seeing Wendy come into her character and she becomes less of just the little kid to a true character.
17. It’s heavily implied you can’t say no to being Fairy Tail’s guild master. We see Makarov be like lol no and Precht being like lol too bad. Then we see Guildarts being like lol no and Makarov being like lol too bad! Then we see Guildarts being like lol as master you are now master again! Like can they really not say no?
18. I wish we could see Makarov in his prime. I know there has been discussion about how the series is going to continue. I don’t want next generation Fairy Tail I want to see old generation Fairy Tail. I want to see Makarov and his old team beating people up. I want to see Precht as guild master. Or even early days of Makarov being guild master! I would even be ok if it was like Fairy Tail Zero where it was a one arc story.
19. I do have a theory that Precht made Fairy Law. I don’t think it’s stated ever that Mavis made all the grand fairy spells but I maybe wrong. So that’s how he was able to make Grimoire Law.
20. Another theory I have is that Precht took care of Makarov after Yuri’s death.
21. Now this is an out there theory. I know it. I believe that Yuri called Laxus back to the island. HEAR ME OUT! We know that some things just happen in Fairy Tail especially with the living and the dead. Yuri promised to always protect Mavis also his son was in danger. His legacy (Fairy Tail) was in danger. I also think that it could have been Mavis, but I think it’s more poetic coming from Yuri.
22. Makarov saying it’s up to his successor and us being shown Laxus… I am going to call it right now. The end of 100 year quest we will be seeing Laxus becoming master. This would be a perfect way to end his character. This is not the post to get into it, but ya that’s my prediction.
23. God Slayers… oh the magic that was sort of forgotten about. How sad.
24. I will die on this hill. Laxus should have been the Lightning God Slayer. This would had been able to connect him, Ivan and Hades together in a perfect way.
25. This arc also has some of my favorite speeches.
26. One thing about me is I am absolutely sat every time Mirajane transforms.
27. Elfgreen is such an underrated ship.
28. I love Evergreen so much.
29. Capricorn is cool! I really like him even if he isn’t used enough. I love him! Probably second favorite spirit. First is Aquarius because I am an Aquarius and she is just awesome.
30. Favorite Juvia moment is when Meredy said she was wanting to kill Gray.
31. Also wow the show that has shown over and over again to become more powerful is to channel your emotions is showing how emotions makes people more powerful. I really don’t get why people give Fairy Tail so much hate using the power of friendship. It’s almost like we are shown over and over again that is literally how it works. More emotion = more power. It also makes me more mad now knowing the show was created because Hiro Mashima was lonely.
32. One of my favorite things to come out of this arc is Juvia and Meredy’s friendship.
33. Honestly Juvia vs Meredy is my favorite Juvia fight.
34. Cana my love. We both have daddy issues. She just like me for real!
35. Me realizing I’ve misspelled Gildarts name this whole time… oops
36. Seeing Cana’s mom’s will and seeing Cana’s cards being around it. I think her mom also used card magic.
37. Can we talk about how Cana was defeated by Laxus in her first S-Class trial. We don’t talk about this enough!
38. I truely believe that any minor inconvenience Cana threatens to use Fairy Glitter.
39. Fairy Tail having grand spells implies that other guild have grand spells
40. Rip thunder legion…. They aren’t dead they just get hella nerfed after this arc. Well more than they already were after the battle of fairy tail.
41. One thing about Gray is going to try to cast ice shell.
42. I love Ultear so much. She is one of my favorite villains.
43. Lily being scared of thunder and lightning. Adorable. I love him.
44. I do think Hades being a founder was added later on because when he revealed he was the second guild master he didn’t mention being a founder and I think that’s something that would have been mentioned.
45. LAXUS IS BACK BABY! ONE THING ABOUT LAXUS HE KNOWS HOW TO MAKE AN ENTRANCE!
46. We are so spoiled in this arc. We got so much of side characters showing their skills.
47. So Nastu just got the flame lighting power. Honestly don’t understand how it worked! But I don’t care because it’s cool! Wanna know what’s not cool? The fact that Wendy is the only 1st generation dragon slayer to not get an extra dragon slayer element. I hope by the end of 100 year quest she gets something. I want cobra to give her poison. Because that would be badass.
48. The exceed side mission is so adorable and goofy. I LOVE IT.
49. To think of Hades just kept his Fairy Tail emblem he would have been able to win the final fight because the tree was restore
50. People say it’s a plot hole that Ultear was able to restore the tree because she said she can’t use her magic on living things, but I think it was just bad phrasing and really it’s like humans and animals she can’t us her magic on.
51. The Laxus ship that makes the most sense to me is that him and the thunder legion are just a poly relationship. Yes Elfman is apart of this.
52. Another reason why I don’t think Hades was always supposed to be a founder of Fairy Tail is because how did he not recognize Zeref as the man who taught him magic?
53. I love Gildarts and Cana so much! I know if Cana told him from the start he would have stopped going on his long jobs to take care of her. He is such a girl dad.
54. Everyone begging Makarov to let them stay and fight is another moment that makes me cry every time. Honestly the whole episode does.
55. Most iconic scene in Fairy Tail is them holding hands and no one can change my mind.
56. Mavis protecting her guild. Her babies! I love her. The foreshadowing of fairy sphere being more powerful than Acnologia.
Tenrou Island is one of the best arcs. It is also a soft reboot of the show. I can’t wait for the grand magic games. I don’t know if I’ll watch the clock arc. I haven’t watched it in years. It is always a skip for me because I want to get to the grand magic games. I know I missed a lot during this arc and forgot to write things down. I watch the show while working on my school work. I love talking about Fairy Tail so don’t be shy send me things! Thank you for reading me fan girling over my favorite piece of media! The grand magic games post will likely be multiple parts because I think it’s peak Fairy Tail.
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raqualswonderfunblog · 13 hours ago
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Rebecca Helm PhD., as shared by Open Ocean Explorationa biologist and an assistant professor at the University of North Carolina, Asheville US wrote:
Friendly neighborhood biologist here. I see a lot of people are talking about biological sexes and gender right now. Lots of folks make biological sex sex seem really simple. Well, since it’s so simple, let’s find the biological roots, shall we? Let’s talk about sex...[a thread]
If you know a bit about biology you will probably say that biological sex is caused by chromosomes, XX and you’re female, XY and you’re male. This is “chromosomal sex” but is it “biological sex”? Well...
Turns out there is only ONE GENE on the Y chromosome that really matters to sex. It’s called the SRY gene. During human embryonic development the SRY protein turns on male-associated genes. Having an SRY gene makes you “genetically male”. But is this “biological sex”?
Sometimes that SRY gene pops off the Y chromosome and over to an X chromosome. Surprise! So now you’ve got an X with an SRY and a Y without an SRY. What does this mean?
A Y with no SRY means physically you’re female, chromosomally you’re male (XY) and genetically you’re female (no SRY). An X with an SRY means you’re physically male, chromsomally female (XX) and genetically male (SRY). But biological sex is simple! There must be another answer...
Sex-related genes ultimately turn on hormones in specifics areas on the body, and reception of those hormones by cells throughout the body. Is this the root of “biological sex”??
“Hormonal male” means you produce ‘normal’ levels of male-associated hormones. Except some percentage of females will have higher levels of ‘male’ hormones than some percentage of males. Ditto ditto ‘female’ hormones. And...
...if you’re developing, your body may not produce enough hormones for your genetic sex. Leading you to be genetically male or female, chromosomally male or female, hormonally non-binary, and physically non-binary. Well, except cells have something to say about this...
Maybe cells are the answer to “biological sex”?? Right?? Cells have receptors that “hear” the signal from sex hormones. But sometimes those receptors don’t work. Like a mobile phone that’s on “do not disturb’. Call and cell, they will not answer.
What does this all mean?
It means you may be genetically male or female, chromosomally male or female, hormonally male/female/non-binary, with cells that may or may not hear the male/female/non-binary call, and all this leading to a body that can be male/non-binary/female.
Try out some combinations for yourself. Notice how confusing it gets? Can you point to what the absolute cause of biological sex is? Is it fair to judge people by it?
Of course you could try appealing to the numbers. “Most people are either male or female” you say. Except that as a biologist professor I will tell you...
The reason I don’t have my students look at their own chromosome in class is because people could learn that their chromosomal sex doesn’t match their physical sex, and learning that in the middle of a 10-point assignment is JUST NOT THE TIME.
Biological sex is complicated. Before you discriminate against someone on the basis of “biological sex” & identity, ask yourself: have you seen YOUR chromosomes? Do you know the genes of the people you love? The hormones of the people you work with? The state of their cells?
Since the answer will obviously be no, please be kind, respect people’s right to tell you who they are, and remember that you don’t have all the answers. Again: biology is complicated. Kindness and respect don’t have to be.
Note: Biological classifications exist. XX, XY, XXY XXYY and all manner of variation which is why sex isn't classified as binary. You can't have a binary classification system with more than two configurations even if two of those configurations are more common than others.
Biology is a shitshow. Be kind to people.
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I mean, I think you partially answered your own question there. Because you're right, If we treat TMA/TME as a binary it can't include intersex issues. And you're right, it is often applied without any consideration towards intersex issues. However, my point with the original post is that TMA/TME isn't and shouldn't be a binary.
First of all, lets talk real quick about the terms themselves. Transmisogyny Affected/Exempt. These are deceptively simple labels, and I think that's where a lot of the confusion comes up for people. Transmisogyny can refer to specific interpersonal acts, but it's also first and foremost a term describing the societal system that is designed to oppress transfems, i.e. people who were Assigned Male At Birth and no longer identify with that. And at a systemic level, that is the deciding factor. Transmisogyny picks its targets based on that assignment at birth. Individually, people who were not AMAB may find themselves the target of interpersonal transmisogyny, just as any individual can be mistakenly targeted by bigotry that doesn't apply to them. I get misdirected anti-hispanic shit thrown at me all the time, it doesn't make me hispanic. Likewise, being subjected to transmisogyny as someone who was AFAB does not necessarily make one TMA.
You're right, though, being intersex means you're not necessarily going to fall neatly into either a TMA or a TME bucket. Which means unfortunately when perisex people get to spend some time adjusting to the concept in Transmisogyny 1001: Transfemininity for Babies, you've been forced to skip ahead a bit to Transmisogyny 2001: Critical Thinking & Intersectionality. I don't know you or anything about you, so I'm not gonna talk too specifically here, I'm just trying to give you the lead to make your own analysis. SO. Here we go.
On some issues, you might be reasonably considered affected by transmisogyny. Depending on where you live and how legislation is written, you might find yourself targeted by transmisogynistic legislation. On many issues, however, as someone who was AFAB, you will find you are not going to be affected systemically by those issues. Because Transmisogyny's primary target is (primarily perisex) people who were AMAB and are now transfem. Regardless of whether or not you're TMA/TME though, this overlap in the treatment of transfem people and intersex people means we get to do something really cool called Intersectionality, where we focus on discussing the shared problems our communities face. Like personally, I don't particularly care whether or not you're TMA/TME. The fact that we have shared experiences matters more than the labels at that point. Transmisogyny and Intersexism have very similar playbooks and a lot of the time, one is going to include some level of the other. I'd rather discuss the intersection of our experiences than try to delineate where one starts and the other ends.
you folks realise TME isnt just a new synonym for transmasc right. like you realize when trans women are talking about TransMisogyny Exempt Individuals that includes, like, for example, cis men and women, right?? if you're gonna throw a fit over TMA/TME being "a new binary" i think you are a) purposefully misrepresenting these terms for the sake of delegitimizing them or b) being taken advantage of by those who do so. check your transmisogyny and do better lmao.
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nausikaaa · 20 hours ago
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Six Sentence Books Sunday
hello y'all! i've been having a busy week, trying to get all my christmas shopping done before December even begins, because otherwise i know the entire month will escape me and i'll wind up realising i've missed someone on christmas eve. despite my efforts, i still haven't got anything for my dad- usually he's the easy one to buy for, but this year i'm just stumped.
i'm also putting my billy goat Hadrian out with the girls (Juno, Daisy, Lucy and Mina) in just under a week, but Daisy was getting pushed around and picked on, so i separated her last week so she can put on a little weight and relax beforehand, because if she's stressed, she may not come into season. then it snowed. goats are herd animals, they prefer to have company, so i made sure she could see the others through the fence, but it turns out she is absolutely loving having her warm little hut to herself while the others all share the big shed, while Hadrian has a corner of the hay shed to himself, with wickets keeping him from the hay.
flattering photos of the handsome chap and damsel in distress before the snow hit:
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sorry for the ramble. anyway! writing! well... i haven't been doing much lately, to be honest. when i'm in a writing slump, i like to read instead, and i view it as putting words in my brain so that it can make it's own words. it also helps me pick out things i do and don't want to emulate in my own writing. so instead of sentences, here are six books I read this year which i took something from:
We Solve Murders by Richard Osman, from which I am taking that it's okay to just use "said" instead of using a billion synonyms, as it blends in to the background and allows the story to flow more naturally. unless the way something is said is really relevant, it's better to show a character's feelings another way.
American Hippo by Sarah Gailey, which has such easy to follow yet engaging action and fight scenes, which I aspire to.
Home Fire by Kamila Shamsie, which had me sobbing inconsolably at the end. if a book prompts a physical reaction in me, that's an instant 5 stars. it's based on the ancient greek play Antigone, and though you don't need to know the play to enjoy the book, it really does deal an additional sucker punch to know how that story ends and yet hope so desperately the whole time: maybe it will turn out okay this time? a masterclass of foreshadowing and implication, somebody can literally die and it go unsaid, but you will know and it will destroy you.
Alcestis by Katherine Beutner. I hated this book. Plot? I barely know her. Consent? What's that? Resolution? Nah, pass. I learned what not to do from this garbage.
Percy Jackson: Wrath Of The Triple Goddess by Rick Riordan. I actually read both of the new pjo books that came out this year and honestly, they've shown me that sometimes a book can just be fun. There's no world ending drama, but still emotional moments and tension, and the whole story takes place over a matter of days. It doesn't have to be perfect, it can just be a good time.
The Amber Fury by Natalie Haynes. As somebody who writes a lot about grief, this book really helped with that by depicting it in such a raw and honest way, allowing the audience to connect with it even if they've never experienced the kind of loss the main character has. I do draw on my own experiences, but this helped me put it into words. It also shows how healing is always possible, no matter how severe the grief, so long as you have the right support system, something I am still muddling through.
an invitation to share some sentences or some books: @forabeatofadrum @cutestkilla @run-for-chamo-miles @roomwithanopenfire @prettygoododds @bookish-bogwitch @ic3-que3n @blackberrysummerblog @j-nipper-95 @youarenevertooold @larkral @that-disabled-princess @orange-peony @aristocratic-otter @thewholelemon @alexalexinii @confused-bi-queer @shrekgogurt @comesitintheclover @raenestee @hushed-chorus @you-remind-me-of-the-babe @noblecorgi @shemakesmeforget @ileadacharmedlife @supercutedinosaurs @artsyunderstudy @otherpeoplesheartachept-2 and @ninemagicks
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tanix-dragon · 4 months ago
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Is That a New Guy or Am I Losing My Mind; or, A Beginner's Guide to Finding Headmates
Written by Roger de Camden of the Draconic Wizard Workshop
Hello, everybody! This is an essay for both plurals who might struggle finding, identifying, or confirming headmates, as well as people who are questioning whether or not they’re plural. Certain pieces of advice may apply better to questioners than established systems, and vice versa, but rest assured, it is intended for both!
This essay will be broken into several sections for various “phases” of discovery and working things out, but a disclaimer before we get to that: this is heavily based on our own experiences. This is not a one-size-fits-all kind of guide. I’m going to try to make it such, but, well, I can’t make any promises, because there are infinite ways of being a system out there, and everyone’s a little different. This is just what I’ve found works for us, and, to a large extent, many of our system friends! That being said, if you try to start syscourse or invalidate other systems for any reason in response to this essay, I’m going to block you and that’s that.
Also, sorry if I go between spellings for words. I’m English, but the body is American and that means that I don’t know how to spell certain words anymore.
So! Onwards, towards discovery!
Step One: Getting an Inkling
The first step to figuring out whether or not you’ve got a headmate (new or otherwise undiscovered; I’ll mostly be calling them “new” as in “new to you”) is having an inkling that one might exist. This is mostly a passive process, and you’re probably familiar with it if you’re reading this guide. Maybe you felt something scuttle through headspace (if you have one) or through the back of your mind. Maybe you felt a presence looming behind you, mentally, that bolted when you “looked.” Maybe you had a very strong emotional reaction to something that makes no sense for you to react to, but would make sense for a character you’ve been really attached to in a show. Or maybe you slipped into an unfamiliar accent, had a loss of memories and woke up with nail polish on in a colour you hate, or just felt an opinion about something that doesn’t match your usual one. Sometimes, you may even “hear” comments about things going on in your mind.
There are a lot of little things that can tip you off. Most of them are going to be things that are misaligned with your own perception of yourself, your opinions, and your behavior. This is usually a sign that someone is co-conscious or co-fronting with you without you being aware of it. Some headmates are very sneaky this way, and some may not realise that they exist at all while doing this! Don’t hold being hard to notice or get a hold of against your headmates—many of them don’t realise that they exist, don’t know how to not be this way, or are doing it for what they perceive to be a good reason (this last one is especially common in disordered systems). Maybe they’re scared, or just not ready to be confronted yet. Don’t worry—remember, you have your whole lives to figure out everyone who’s in there, and the time will pass anyways! Take it easy.
One specific thing that tends to tip us off to a new fictive is that we realise that… no one is aware of running a character that we’re playing in a tabletop roleplaying game. Maybe someone started off running them, but they sure seem to be doing their own thing now! That character may be hard to “turn off” or “put on the shelf” when you stop playing them—and they may continue to make comments and have opinions about things in your life. This is a dead giveaway! Sometimes when we think about a character, we feel a “movement” or interest somewhere in our mind that doesn’t match anyone else’s pattern of thinking or interests, which also can be a giveaway that they’re scuttling around somewhere. Also beneficial, for us, is our synesthesia—every headmate has a colour associated with them, and when we get a thought pattern that seems to match someone but the colour is off, it can make us realise that maybe there’s someone else in here. For example, if someone were to be really interested in jellyfish, we might think that it’s Caspian, but if the colour comes back as red and not blue, then we know for certain that it’s not him.
This first inkling of a new headmate may be obvious or it may be subtle. You may question yourself repeatedly, but remember: if you feel like you are “accidentally faking,” that’s not how faking works. Faking must be done intentionally and on purpose. You could be wrong, yes, but being wrong isn’t inherently bad. It’s just that you were mistaken about something. Nothing wrong with that! We’re all mistaken about all kinds of things every day! Be kind to yourself while trying to figure things out.
Step Two: Are You There, Headmate? It’s Me, Your Other Headmate
Steps two and three are interchangeable in order, but I thought I’d put this one first because it tends to be the one that’s hardest and most distressing, rather than step three, which is about identifying who the hell your headmate is. We’ll get to that, never fear!
So, let’s say you think there might be someone in there. How can you tell for sure? How can you open communication? How can you get them integrated okay?
The bad news is that this depends heavily on the system. The good news is that there’s no need to panic, rush, or be afraid, because once again, you’ll figure it out eventually, and it will be okay!
My first suggestion is to take note of everything that’s made you think there might be someone else in there. Write it down, if that helps! Write down everything that seems to get the entity’s attention, if anything. Write down anything that might help you identify who it might be! In some instances, you might have a character that seems a little independent but you can’t tell whether they’re really a headmate or not. In my experience, this is often how many non-disordered systems (but it’s not exclusive to them!) realise that they’re plural. Knowing who it is will make this step easier, but it isn’t necessary! After all, if you know who it is, you can also write down things that might bait them into responding. Interests and friends of theirs are good examples.
Your goal in this step is to try to draw them out into doing things, speaking, or acting in ways that will give away that they are for certain there. For systems with heavy amnesia or dissociative barriers, this might be significantly harder, but my best suggestion there is to jump straight to trying to communicate, however you can—and this isn’t a bad approach for other systems, either. You can try internal communication, although you might get no response, or an abnormal one, if the headmate is new. For example, with us, new headmates usually respond to direct queries with anxiety—which, while not good for communication and not ideal for the headmate in question, does help us key in on the fact that they definitely exist. You can also try external communication, if internal communication isn’t working or is difficult for you. Write a note in a journal or a sticky note, or even in a notes app or a private Discord server. Sometimes, headmates can find replying over text to be easier. If you’re a high-dissociation and high-amnesia system who is trying to figure out if it’s someone old or new who is fronting and doing things while you’re unaware, leaving sticky notes places asking people to write down who’s fronting when they see it (if they even know who they are) might be helpful. Keep experimenting, and do what works best for you!
As a last resort for uncertain, new, or inexperienced systems, you can try something called “puppeting” on a suspected headmate, especially if you know who they are and just aren’t sure whether or not they’re here. A warning: this is rude and not advised under most circumstances, but sometimes it’s the only way to make absolutely sure that someone is in there with you, especially when you’re not used to it. Have an apology ready and mean it. Puppeting is when you try to force a headmate to do something, especially something unusual or out of character for them. For example, if I thought I might have my character Gorka as a headmate, but I wasn’t sure, I might try to call up a scenario involving Gorka and then try to imagine her doing something wildly out of character, that she would never, ever do. If I couldn’t get a response out of that, or if I had no idea who this new headmate might be, I might just try to make them physically do something—strongly imagining them doing a stupid dance or similar! No response doesn’t necessarily mean you do or do not have a headmate, but a strong response—usually of anger, offense, or “slapping” your “hands” away—indicates someone separate from yourself! Apologize immediately and then attempt to engage in communication once they’ve calmed down a little, or try to transition into it through an explanation. 
There are a lot of reasons that a headmate might not respond to puppeting, though. They might be non-confrontational, or hiding their presence from you intentionally for any number of reasons. (Maybe they’re nervous, not ready to exist yet, afraid of how you might respond, afraid of accepting that they’re in a system—it could be anything.) In cases like this, you might just get discomfort instead of a strong response, which is easy to confuse for being your own rather than theirs. Try to sort out whether you just feel strange doing it, or if it’s someone else’s discomfort bleeding through. I know it’s hard, but that’s a difficult thing to give advice for, I’m afraid! Other reasons may be that they just dip from the front when you try (removing themself from your sphere of influence completely), or if they’re a character you frequently play, they might be so used to being pulled around into doing things that it doesn’t bother them, or bothers them so little that you don’t notice.
Usually, if you’re at the point of trying puppeting, there’s enough signs that this person really is a headmate to dissuade you from trying it once you’re a little more used to it. It’s a temporary and unideal tool that should leave your toolbox as soon as you become confident enough to identify new headmates without getting grabby with them. Undoubtedly, trying to establish communication is a better approach, if you can get it to work.
Usually, once we’ve properly spotted a headmate and made it clear to them that we know they’re there, one of two things happens: either they come sit in the front for a few days or weeks to settle in, let us identify them, and get used to being a full active member of the system, or they realise that they exist and have a panic attack. This “new headmate panic” can last anywhere from a few minutes to multiple days, and may fluctuate in strength. Sometimes, a new headmate might seem fine early on, but have this panic after a few days, weeks, or even longer. Be gentle during this time, especially if you yourself have a strong reaction—be gentle with both, or all, of you! Realizing that you’re in a system can be very distressing, as can realizing you have a new headmate, so try to be gentle, let yourself feel what you’re going to feel, and work through it in the best way you have. Try not to direct any anger or negative feelings towards anyone else in your system during this time, and just let the storm pass before really trying to get to know each other.
Step Three: Who Is This Guy, Anyway?
Once again, you can do this step before or after step two, but I put it here because I decided to include some tips for getting to know your headmate, not just identifying them (if there is anything to identify). If your system is introject-heavy, or if you’re asking yourself if you’re just really interested in a character or if they’re a new headmate, this is an important step! Who is this? Are they an introject of some kind? Are they something or someone else? Is there anything to identify, per se, or is it just a situation of getting to know a whole new person? This is a very, very different step depending on your system, and is going to skew very much towards my own experiences. I’m sorry about that, but I will do my best!
If you’ve already established communication with this headmate, even if it’s shaky, you can try to get information from them that way. They might be willing to give you a name, a code name, a colour, an aesthetic, likes or dislikes, something you can use to familiarise yourself with them or identify them from a list of “suspects” if you have such a thing. (We always do, because we’re almost all fictives, and we know our own patterns at this point.) For us, new headmates almost never actually identify, and just sullenly sit while trying to figure themselves out and will only confirm who they are once we figure it out. It’s sort of like playing a mystery game, assembling clues based on a myriad of factors. If you have some suspicions, just like the previous step, you can try to bait out responses by doing things that might interest who you suspect this headmate might be.
Again, I suggest writing things down! Write down likes and dislikes, things that get their attention, interests, even things that make them anxious or afraid. Whether it’s a case of identification or just getting to know them, this is invaluable information for interacting with someone sharing a head with you, and it may even be helpful for them as they get their feet under them.
Another invaluable tool is talking to people outside of your system. They can help you identify when you’re acting unusually, when you might have someone unfamiliar riding co-conscious, and even who that person might be. You may be too tangled up in your own feelings, your dissociation, or the desperation to understand who is in your head with you. It’s easy to get lost in the weeds and lose sight of the big picture, but another friend, especially another system that knows you well, can be extremely helpful! One of our system friends has clocked many a headmate of ours before we were even certain they were there—just “hmm, you’ve been very much like X lately” and they were absolutely right. 
Regardless, taking notes on your new headmate, asking them about themselves, and sharing things about yourself are all important steps to getting to know them! They may be uncomfortable, they may distrust you, they may be afraid—or they could be friendly and excited to be here! It really depends on who it is and their comfort level. Don’t push—if they’re not comfortable talking yet, don’t make them! Let them adjust at their own pace and get to know them as they’re willing to let you. I know it can be distressing to have a totally unknown entity co-fronting with you, but sometimes it’s one of those things that you have to take a deep breath and carry on through until they’re willing to talk. I know you can do it! Talk through it with someone outside of your own head if it’s difficult to give yourself some fortitude if you need to. I know it helps me.
Step Four: Now What?
Let’s say that you’ve confirmed that you do have a headmate, and either have or are on the road to identifying them, if applicable. Now what?
As I’ve said before: be gentle with yourselves! Especially for a new or inexperienced system, and especially for someone who is just realising that they’re a system, this can be overwhelming, distressing, or any other number of emotions. Remember that having or gaining headmates isn’t inherently a bad thing, and while this all might take some getting used to, it’s going to be okay. You’ll figure out an equilibrium eventually, and it is absolutely possible to live a long, happy life with your headmates. Remember that you’re all in this together, and you’re a team.
People may not want you to notice them, may not want to be in the system, or may avoid attention as best they can for a lot of reasons, and trying to make them feel at home, or at least more comfortable, is essential. It can be scary being in a system all of a sudden, especially if they’re an introject or otherwise had a life outside or before this one. Maybe they don’t like the body, or are afraid of another headmate, or are terrified of a negative response from you or someone else. Don’t force these people into situations they’re not ready for! If you’re looking for someone, trying to identify them, or trying to help them, and you’re just causing a lot of distress, back off for a while. Let them calm down and come to you in their own time. Sometimes, you have to do the system equivalent of leaving cookies out on a plate and turning your back to them so that your new headmate can take them without being watched. Take things at the pace that you’re all the most comfortable with, and as always, be kind.
I really do suggest talking to someone about this process, if you can. Journal if you’d like, especially if you can’t trust anyone with this, or don’t feel comfortable doing so yet. Getting your words out of your head helps you sort them out a lot, especially in the case of systems, where a lot of people’s thoughts can get jumbled together. Writing them all down, even if you don’t know whose they are, can be helpful. We find that talking to other system friends is of the most benefit, and our new members are far more likely to speak to them first rather than us, because there’s a degree of separation and that’s more comfortable for them. Whatever works for you, do it! The idea is to get comfortable with each other, and with being here together.
Find things that your new headmate likes doing. Goratrix has a whole panel about this aimed at fictives, but essentially, if your new headmate doesn’t have reason to front and isn’t interested in anything, you probably won’t see much of them, and they may end up miserable. Make sure you engage with them and their interests. Let them make friends if they’d like. Get them snacks. Again: whatever works! This is going to depend very heavily on your system, so follow your gut instinct on this one, I think.
Absolutely essential, though, is to not repress anybody. I know sometimes getting a new headmate can be scary, especially if they’re unfamiliar, frightening, seemingly monstrous, or a persecutor, but remember: they’re probably just as freaked out as you are, if not more so, and they need patience and understanding. Statistically, if they’re doing something troublesome, they’re trying to help and just don’t know how, or are misguided on what “help” looks like. Be kind, and try to find a solution that works for everyone.
Past that… just get to know each other. Figure out how to live together and how to make your combined life the best life it can be. For us, there’s so many of us that someone new can almost always find a fast friend in someone else, and sticks with them for a while until they’re more used to the system and more confident fronting and doing things without their buddy. Other systems may be able to mimic this approach, or may need to do something very different. Again, again, again, do what works best for you! If parts of this guide seem unhelpful or counterproductive, ignore them! This is based on our experience of plurality, not yours. Always do what’s best for you, what helps the most of you, and what causes the least distress while still letting you function as much as you need to.
Being plural is a very personal experience, in a lot of ways, which is pretty funny because sometimes that personal experience is spread across two or twenty or five hundred people. It’s also a very personalized experience, meaning we’re all quite different. Your “now what?” might look very different from ours, and that’s okay. We can only do our best, and that’s always good enough.
I hope this is helpful to someone! If you have any questions, please feel free to ask, and I may edit this guide in the future if it seems that I left something out or think of anything to add. =)
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snowangeldotmp3 · 3 months ago
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ok walk with me here. i was rewatching gotg3 a few weeks ago and there was a moment where peter talks about how gamora is different and meaner now because it's really a past version of her and she's not had the same development that the original gamora had. which got me thinking...what if we take the same thing and apply it to natasha.
idk specifics or anything, but somehow something happens which brings a younger, freshly out of the red room and defected to shield natasha, into the present. the present into which she is also, currently, dead. her room is still at the tower/compound, untouched. perfectly preserved. it's a museum. a tomb. natasha feels like a crypt keeper. the only person she really recognizes is clint, and he's older now. how does she adapt? tony is not here. neither is steve. two of the people she frequently allied herself with. her friends. she is not the Other version of herself. the one that saved the world. she's not totally sure she could ever be that version. maybe she could. maybe she can't ever be that version herself. maybe that was a one time thing. maybe there's a cameron from ferris bueller moment she has while staring down an action figure of herself. she's supposed to be a spy. she is a spy. and yet her face is plastered in nearly every toy store in manhattan.
idk just. something along those lines.
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