#this is how i wish i could write

[quizzyisdone]

I am not lying when I say I genuinely think this is one of the best belldler fics I've read!!! I rlly hope this turns into a series!!

canis major

adler x bell!reader

summary: adler doesn’t go back to berlin to forget, but he isn’t so eager to remember, either. after leaving you for dead on that clifftop in the arctic, he knows best to leave the past well alone. too bad that past seems to be alive and walking right in front of him; though where he wants to forget, it seems you’ve already beaten him to the punch. or; bell survives solovetsky and only has a hole in her head and amnesia to show for it. read on ao3

tags/cw: bell!reader, amnesia, light angst, referenced adlerbell, somehow bell survives the ending of cw, adler can't let shit go, adler is not capable of remorse but mayyybe a lil guilt?? dog symbolism always, no pairing yet but hopefully i continue this as a spicy drabble series idk wc: 2.7k

a/n: sooo this is my first fic for the cod fandom and the first fic i've posted online in a long time so hopefully this lil ramble suffices!! i've had adlerbell brainrot and wanted to get at least something out before bo6 ruins all of my headcanons so here's a snippet of something i hopefully find the motivation to continue into a mini series. enjoy :')

Sometimes, he goes back to Berlin.

Stumbling out of the muggy bar into the dank alleyway out the back, Adler fishes out a pack of cigarettes from the front of his jacket; two firm knocks of it against his palm before he plucks one out with his mouth, pockets the box, and flips open his lighter. The clink of the metal echoes into the empty around him, the sudden quiet suffused with the sounds of passing cars on the street, muffled laughter from inside the bar, and the distant barking of dogs. Strays.

The cigarette ignites, glowing a cherry red, and he gasps around the filter greedily. Upon exhale, he sighs.

Adler isn’t a sentimental man by any means. What little he clings to, he does so with a loose grip, less than happy but stolid enough to allow whatever else he deems unnecessary slip through his fingers. Places, people. Things. Memories. Tucks the important things- logic, rationality, work, duty- into orderly compartments at the forefront of his mind, archived and marked off ‘til he needs it, while the rest, the mess, gets done away with, thrown into the great black gorge of oblivion. Anything else that stays- more often than not a thorn in his side, an unbidden, wriggling tumour he can’t find let alone cut out- is sequestered to a dark aperture in the back of his mind, anchored deep where it can’t come back up. Yet somehow, some nights, they always do. The smell of his ex-wife’s hair. The day he got his scar. Vietnam. The lab. Solovetsky—

The next word, the name, forks across his mind like lightning, and he bites his tongue before he can think it. It sits at the back of his mouth, nestled like an aching cavity in his molars. A tremulous breath that he forces down with another drag of his cigarette. Out with the rest. Out with the rest.

The barking doesn’t cease. Dogs, a pair of them, he can hear a couple streets over. He pictures them from the gravelly register of their snarling- maybe German Shepherds, a Bullmastiff or a Rottweiler. Their fight enunciated by the violent rattling of chain-link fences, segregated, the only threshold that keeps teeth from necks.

But no, not a sentimental man. He tells himself that the itch to revisit Berlin every Summer is for superficial reasons, and by no means is renting out a shithole hotel room opposite a sewer-laden river considered a vacation from anything other than the luxuries he gorges himself mindlessly on at home- maybe this is to keep him humble, more than anything. It doesn’t do well to remind himself of old times, not when he’s lived the life he has. Remembering seldom accompanies itself with the bittersweetness of reminiscence, and the taste it leaves in his mouth is always acrid. He doesn’t miss Berlin any more than he misses that dismal safehouse, or that sterile room he wheeled you into, questioned- tortured- no, interrogated- well, he doesn’t care to remind himself of the picture. Or the person he strapped to the gurney. But he catches himself thinking back to the city divided more than he likes to admit, and for whatever ostensible reason it is that drags him back here, he relents to it every time.

He tells himself it’s the weather, the cool rain a nice reprieve from the scorching California heat. Or that the food is better, not so much overprocessed shit and sugars. Can take his coffee as black as he likes without the waitress turning her nose up about it and double-triple-checking if he’s sure. And it’s the people, maybe, who leave him well enough alone. Or the drinks. The views, some places. The- air.

Not like Arctic air. Not like—

The one dog’s snarl rips bloodcurdling through the night, all froth and venom, and as the chain-link fence screeches and judders in its rusted welding the other mutt quiets a moment. Cowers under the meaner dog’s ferocity. Then, like it had been wounded, it lets out a low, anguished howl, beast reduced to a scared little pup. Adler holds the smoke in his chest around a stifled breath anticipating a release. But the first dog just grumbles, the fence clinks, and there isn’t much noise after that.

But the quiet doesn’t last long- just as Adler drops his cigarette and snuffs it with a wrench of his heel, another sound resonates, yowling through the alley.

The grinding of tires upon wet asphalt crunches from just beyond the alleyway entrance. The streetlamp overhanging the entryway glares bright yellow as it bounces off of the garishly coloured taxi cab, pulling up to a groaning halt outside the bar.

He thinks nothing of it, pulling at the collar of his leather jacket. It’s getting cold, and he’s left his drink inside. Wouldn’t want to waste good beer. Adler turns, and makes for the door.

And you step out of the car.

A half-finished cigarette bounces on the sidewalk before you exit, the softened heel of your boot following soon after in a splash upon the flooded curb. Your German is rusty- always has been- but it’s easy enough to utter a quick and easy danke as you pull yourself up out of the cab. The door shuts with a slam, and you tilt your head back to gaze up at the sign above the bar- Der Fluss Lethe glaring in faded lightbox red- and you let out a contented sigh, your breath suspended in the frigid air. Pink, bitten fingers pluck at your gloves, fingerless faded green knit, shovelling them into your jacket pocket.

Adler’s fist is already curled around the handle of the back door as he clocks your presence in his periphery, a stranger like any other- but your image resembles the one that coagulates in the borders of old memory, the dried blood of you he hasn’t been able to wash his hands of since ‘81. Enough that he does a double take, his eyes wide behind tinted glasses, and he stops, his heart following suit.

He’s seen enough bodies in his time to fill the morgue in his mind twice over, and plenty ghosts to wander coldly among the unmarked graves. Vietnam alone is an unwinding cemetery stretching endless, catacombs along the inside of his skull, lined with what his old shrink would call remorse. Guilt. As if the feeling mattered. As if self-reproach could turn self-flagellation into something so incandescent as redemption. As if the bile in the back of his throat could bring back the dead.

And it couldn’t, because it isn’t… that’s not—

Bell.

It’s in the way you stand, your back rigid, that slight slouch to your shoulders, always dragged down upon you like they bore the weight of the whole world (and they did, once, do you remember?). The pelting of rain smacks off of the lapels of your jacket and ricochets like stars, caught in the light of the streetlamp overhead, but for all he knows or cares it could be raining diamond and all he sees is you- the wrinkling of your nose as you accommodate to the cold, how your cheeks flush at the chill (as they had those nights he pulled you into the darkroom, evidence of your apprehension drowned in the red glow of safelights); your hair is longer, unkempt, but still that same colour (clumps he’d find in his clenched fist when you’d argue yourselves into a wrestling match, pinning each other by the throats to dented walls in Die Landebahn); that scar upon your brow; that wavering line of your lip, pursed and hiding behind your reticence as you always did, and your eyes- your eyes—

—you feel someone watching—

—your eyes turn, and fix upon him with the startled softness of a doe, hunter betrayed by the snapping of a branch underfoot. Adler’s heel crunches against broken glass, his hand lingering right in that threadbare threshold upon the doorhandle, and he can’t speak, can’t move, can’t think—

Open the door, Bell, open the door—

—and you stop outside the cab, your breath caught in your throat. You see a shadow in the alley, in the shape of a man.

The darkness of the alley gives enough cover that you don’t see much, but what you do make out of the man prickles at a part of your mind long dormant: the haughtily broad set of the shoulders; the halo of blond tinted red just beneath the flickering exit light above the door where he stands; the shadow of a strong, clenched jaw; and in the brief glinting of passing headlights as cars rush on behind you, you see a face half gorged by a thick, forked scar, a fissure struck down his furrowed expression. A pair of dark aviator glasses hide those eyes that you know are looking at you, reflecting back nothing but your own bewilderment.

There is something you know. Deep inside that half rotted head of yours, where an incomplete recollection of your existence before you awoke bleeding on that clifftop lies, you feel a twinge of recognition. Familiarity. Something. Something stirring deep in your marrow- a fear inherited, a conditioned surrender, a faded polaroid, a kiss? Your migraine, chronic, comes clawing back with a vengeance, as it does most nights, but this time with a savage fervour that wrenches your face into an involuntary grimace. Where the hole in your head had once been all those years ago it tickles and burns, burrowing into your brain and groping greedy fingers along remnants of memory. It claws at you, digging through your amygdala to find something fresh, something old, something palpable, real, something- anything. Searching what little remains visible to you in the thick fog of your own mind to pin a meaning to this feeling, an answer to your question, a name to that face.

You’ve seen him before. You swear. Somewhere. In a dream, reoccurring, behind a red door. You don’t know how, or why you’d think you recognise him- in those dreams, the door never even opens. Your hand ever stuck on the handle, jammed and impenetrable, what sits behind it forbidden to you. Like not even your own mind wants you to know. It confines you to your ignorance, almost blissful.

Adler’s heart kicks violently in his chest. He shot you. He killed you. He’d heard your death rattle on that clifftop in Solovetsky and the sound was almost like singing, your last word, your last breath. A miserere for your short and fractured life. And he’s looking at your ghost, standing there all owl-eyed and as beautiful as the day he found you bleeding out on that airstrip. Before he took you. Before he took you and collared you and made a damned mess of things.

The only thing separating you from the Bell he knows he killed- his Bell- is the star-shaped scar split across your left temple. The only wound he never had to sit and heal as he belligerently patched you up, poking and preening you like his prize dog. Yet in spite of never seeing it before, he recognises the wound all too well. He put it there himself.

And as you stand there for that brief moment- no more than twelve seconds stretched to an eternity- he thinks for a moment that you’ve put it together. You recognise him. You see him. As he is. You’ve figured him out, Bell, as you always do. You’re the only one to have gotten away with it, nearly. Or so he thought. And now he’s watching a corpse having dug itself out of the grave he put it in, standing there, staring at him. Suppose you’ve always been a dead man walking.

You could do it, he thinks. Turn. Fling your heel round and barrel towards him with all the enmity of a cornered animal. He thinks of the strays, barking. Can picture your mouth frothing at the sides as you sink your teeth down into him- gnarled canines, hooked to your chain-link fence- which he probably deserves. Not an unfamiliar feeling by any stretch, but one faraway enough to seem almost sweet now through the hazy lens of nostalgia. If there truly is a sentimental bone in his body after all, then maybe it’s just for that. Still, he holds his breath, awaiting the killing blow he’s surely due. But it never comes.

You release your held breath, finally, tearing your eyes away from the callous faced stranger. It’s a ridiculous notion. Just an uncanny instance of déjà vu. You don’t know that man any more than you know yourself. You settle on a more rational answer- just one of those faces. And with a disgruntled sigh you rub the scar upon your temple to soothe the ache, turn around, and enter the bar alone.

Adler sighs, his heart sinking from up high in his throat back down to his chest. His hand has latched onto the doorhandle for so long it’s gone numb from the cold, bruised knuckles bluer than they were before (bar fights- not here, but another, as there will always be). He wrestles his jaw pensively, knowing he ought to take it off, keep the door closed, turn away, and leave. Slink back, tail between his legs, to that shithole hotel room to drink himself into a stupor. Let you haunt him there, instead. As you always have.

But he doesn’t. He has no idea what idiocy compels him, what soft, dewy-eyed weak link in him snags on that chain, to willingly wander back into the viper den of reminiscence, but he wrenches his fist around the handle, pushes, and lets himself back into the bar, the thick, hot air hitting him like a drug that he breathes in, tart and sour with the cloy of sweat and alcohol but still faintly- just faintly- of you. Like rain carried along the wind.

And Russell Adler is not a sentimental man.

But from across the bar he hides behind his beer glass, watches as you move about, a phantom, weaving through the faceless mass of people celebrating a championship he cares nothing to follow. You take your order at the bar with a smile he’s never seen on you before, boots folded to tip-toes as you lean over the liquor-stickied top, your perfect mouth pink and sweet and laughing and alive. The world seems to move about you in a haze, an indistinct mist of blurred faces and bottled voices and beyond all the light and life and joy that seems to burn bright around you like a halo all he sees is you.

Maybe, then, he’s a fool.

But it isn’t lost on him, how your fingers skirt across your hair in an attempt to hide the scar upon your temple. Nor is it lost on him how you wince at the feeling, the stars in your eyes dimmed for just a split second as you shiver, like a touch imperceptible running fingers down your back. Nor even the way you fight the urge to look, to follow the feeling of his eyes fixed upon you, and surely not the way you lose that fight, surrendered to it, your sweet face turning and finding him in an instant. Without so much as trying, like instinct, like something as pathetic and saccharine as fate. Your heart called to it, a lighthouse in the fog. Port in the storm. Ships passing in the night but called crashing to the same shore.

(The pieces of you are scattered everywhere, Bell. He finds you in every split seam inside himself. Splintered shrapnel dug through his temporal lobe, severing synapses ‘til they go dark. Even stars die quicker than that. Quicker than you. Is that what it felt like for you, too? When the lights went out, was it him you last saw- or the sky, waxen, over the Arctic? A waning night, a distant moon. The inconsequence of death- brief celestial ephemera.)

The stranger across the bar looks at you, offering nary a smile, eyes indiscernible behind shadowed sunglasses. And where you ought to find his apparent coldness disconcerting, instead you wring out of your chest with a white-knuckled caress a feeling like… comfort.

Sometimes, Bell, you go back to Berlin. You don’t quite know why.

[crispyliza]

I've got you all figured out fanartists

[stoopidstapler]

SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.

[lostlegendaerie]

there's something deeply gutting about being a writer right now. watching studio execs brag about starving people like you out of your very house just to not pay you anything above the pennies you currently make. watching some people cheer over AO3 being targeted for a DDOS attack. the complete lack of profitability of writing commissions or writing in general in transformative spaces, especially in contrast to fanart. the pivot of so many social media platforms to be video and image based near-exclusively.

I don't know. it just makes me sad to know that the hobby that kept me alive while growing up homeschooled with dial-up internet and local antenna TV... is only ever gonna be a side job with minimal engagement. I know this site is good about supporting libraries and the concept of books but, do me a favor? Reach out to a writer friend you know. Leave a comment on your last five read stories on your favorite website.

Tell us you care.

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[deklo]

my interpretation of adoptive bee :’)

pls don’t repost!

[lokorum]

so....................i've read unraveled the other day.................... and then ive re-read it.........and now im in the middle of re-reading it again????

honestly cant promise that im not gonna keep coming back to it until someone would steal my phone and then i'll just log in from the pc lets be real here (¬‿¬ ) but!!! what i wanted to say is that its just such a good fic?? so well written? it has all the right words in just the right order and i can and will argue till late night that it healed part of myself that i had no idea existed. these descriptions of hugs??? gonna stay with me untill the very end  (*_ _)人  

and drawing something is the least i can do to show just how much your work means, @2btheanswertothequestion  (/▿＼ )

"unraveled" became my spiderverse canon since the moment ive finished chapter one and it will stay this way!!! thank you so so much for all the long hours and all the hard work you clearly had put into it!! you're amazing!! ♡

[dreamerdrop]

Garashir just ticks like. Every box in every way, in thousands of different ways, all at once.

The moral ambiguity. The trauma. The angst. The shared sense of humour. The age gap. The constantly switching power dynamics between two people who refuse to be open with anyone, including themselves. The inherent "I know I don't always know you but I trust you and I'll do this for you" that comes with all of that.

The refusal to walk away, the mutual fascination and obsession, the willingness to bend their own sense of self to try and see the other more clearly.

They are both so traumatised and so lonely and have so much difficulty connecting to others, but they form such an immediate easy connection that goes beyond being friends or not friends. They are both so terrified of someone seeing them for exactly who they are because they think that person is grotesque and unlovable, but they're not.

Neither of them is the monster they think they are, and they see that in each other but not in themselves. Even when they aren't together, even when they aren't around, their character arcs are so wrapped up in what they've brought to one another.

Julian becoming darker, letting go of so much idealism out of fear of losing those he loves, and Garak stepping up, slowly becoming a person he thought he could never be, someone who is kind and heroic, even if he'll still do horrible things, he will do them because he's doing it to help someone who needs that help, for the greater good. Garak demonstrating through the person he becomes that Julian was never, never wrong for trusting him, for believing in him, for forgiving him.

Garak becoming someone through the war who validates all the idealism that the war made Julian try to kill off inside himself, that he thankfully never really could.

They're both self-sacrificing to a fault, Julian revels in it, wraps himself in it as a defence from all his self-loathing and pain, and Garak tries so hard to deny it to himself, to pretend he would never put anyone ahead of himself, ahead of Cardassia, but he does, again and again. He is far more selfless than he gives himself credit for, and likewise, Julian deserves far more selfishness than he allows himself to indulge in.

The shared pride and hubris giving way to the broken foundations they were both raised upon, moulded into someone they hated by parents who let them down, by a universe that couldn't see them beyond labels and histories and crimes. So closely guarded with names chosen for themselves, peppering hints of themselves without ever giving enough away to anyone who won't work for it.

But they do work for it, for each other. They see those little hints, they piece them together for each other because it matters, it matters if it's for them.

They're mirror images and opposites and so different and so similar, and they wouldn't be who they are without each other, pulling them along into becoming someone new.

I don't care if they were in love or not, it's such a tiny speck in the giant abstract mess that is their entire relationship. Lovers, friends, family, a spy and his mark, a doctor and his patient, a friendly acquaintance, a distant former comrade, it doesn't matter.

They're just... everything.

[violetmurmur]

thinking about logan and scott post-x2/pre-last stand taking their grief out on eachother in arguments but also grieving together because they are the only one who understands the others pain

while getting drunk together one night scott mentions not being able to sleep in an empty bed which leads to logan offering to lay next to him and wait for scott to fall asleep. this becomes a bit of a routine until eventually its easier to just stay and sleep next to scott rather than trudging back and forth to his room down the hall.

they dont talk about it and neither do the other professors or students who see the sleepy partings in doorways in the early mornings get more and more fond.

the professors are happy enough about them having less explosive arguments in front of the students to want to question it and risk upsetting the delicate balance of peace they've managed to get to after months.

the students silence is a bit harder to keep once they start noticing scott in more flannels than cardigans and barely finding logan in the kitchen when going for late night snacks anymore.

[violetscanfly]

Today is a very special day isn't it

Bonus:

[heheheku]

some of my headcanons in drawn form

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[crustycrackhead]

*Throws my swampcat brain rot at y’all*

Swampcat MorningKrem (Morning Frost x Kremy Lecroux)

I’m in literal rare pair hell man, no one understands me nor my freak. I’m gonna be the crazy one that draws them like crazy (draws them only once)

Clean Freak 4 Clean Freak, they both particular and shit okay?!?? SIGH, they would prolly even hold hands but to me… they can be silly (do taxes togther)

[starry-bi-sky]

more clone^2 memes because i think they're funny

[xxplastic-cubexx]

Chat have we discussed drunk chess with cherik cause i just think. That would be the darnedest silliest thing they could do

[beneathsilverstars]

been thinking about the differences between SASASAP and ISAT lately. because looking just at ISAT and the two hats ending, you'd think loop went through the exact same house as our siffrin, but looking at SASASAP, it's different. it's mixed up. it's obviously a condensed prototype.

but. that doesn't have to mean it's a different universe entirely.

maybe that's just what happens after a thousand loops.

the house warped in act 5. siffrin lost their shit and the house got changed and corrupted, far past its baseline king uncanniness. so it wouldn't be too out-of-the-question for it to be able to warp in more subtle ways as well, due to a more subtle breakdown.

like a jpeg uploaded and downloaded a thousand times, siffrin changed, and the loops changed. over a thousand loops of efficiency, the house got more efficient. rooms combining. items moving. data compressing. and of course, run in a changed house, the script changed as well. it did so slowly, one bit at a time, over a thousand loops of zoned-out half-listening – and by the time siffrin would have noticed each difference, they were already used to it. (and in the moments that they did look at a room that was less familiar than it should be and realize that they had no idea where to find the key, well. that's just classic siffrin, isn't it.)

through sheer repetition, siffrin was corrupted, and the loops and the house along with them. all purpose lost, all signals distorted, until finally they couldn't recognize the meaning in any of it. it was all noise and despair.

so they made a wish. and the loop restarted. not just a reboot, but something more complete.

the data was backed up onto a star – a guide, a warning, a reference – and the loops were factory reset. and for the first time in a thousand loops, siffrin woke up to a clear mind and the crisp sound of birdsong.