#this is how i wish i could write

[crispyliza]

I've got you all figured out fanartists

[quizzyisdone]

I am not lying when I say I genuinely think this is one of the best belldler fics I've read!!! I rlly hope this turns into a series!!

canis major

adler x bell!reader

summary: adler doesn’t go back to berlin to forget, but he isn’t so eager to remember, either. after leaving you for dead on that clifftop in the arctic, he knows best to leave the past well alone. too bad that past seems to be alive and walking right in front of him; though where he wants to forget, it seems you’ve already beaten him to the punch. or; bell survives solovetsky and only has a hole in her head and amnesia to show for it. read on ao3

tags/cw: bell!reader, amnesia, light angst, referenced adlerbell, somehow bell survives the ending of cw, adler can't let shit go, adler is not capable of remorse but mayyybe a lil guilt?? dog symbolism always, no pairing yet but hopefully i continue this as a spicy drabble series idk wc: 2.7k

a/n: sooo this is my first fic for the cod fandom and the first fic i've posted online in a long time so hopefully this lil ramble suffices!! i've had adlerbell brainrot and wanted to get at least something out before bo6 ruins all of my headcanons so here's a snippet of something i hopefully find the motivation to continue into a mini series. enjoy :')

Sometimes, he goes back to Berlin.

Stumbling out of the muggy bar into the dank alleyway out the back, Adler fishes out a pack of cigarettes from the front of his jacket; two firm knocks of it against his palm before he plucks one out with his mouth, pockets the box, and flips open his lighter. The clink of the metal echoes into the empty around him, the sudden quiet suffused with the sounds of passing cars on the street, muffled laughter from inside the bar, and the distant barking of dogs. Strays.

The cigarette ignites, glowing a cherry red, and he gasps around the filter greedily. Upon exhale, he sighs.

Adler isn’t a sentimental man by any means. What little he clings to, he does so with a loose grip, less than happy but stolid enough to allow whatever else he deems unnecessary slip through his fingers. Places, people. Things. Memories. Tucks the important things- logic, rationality, work, duty- into orderly compartments at the forefront of his mind, archived and marked off ‘til he needs it, while the rest, the mess, gets done away with, thrown into the great black gorge of oblivion. Anything else that stays- more often than not a thorn in his side, an unbidden, wriggling tumour he can’t find let alone cut out- is sequestered to a dark aperture in the back of his mind, anchored deep where it can’t come back up. Yet somehow, some nights, they always do. The smell of his ex-wife’s hair. The day he got his scar. Vietnam. The lab. Solovetsky—

The next word, the name, forks across his mind like lightning, and he bites his tongue before he can think it. It sits at the back of his mouth, nestled like an aching cavity in his molars. A tremulous breath that he forces down with another drag of his cigarette. Out with the rest. Out with the rest.

The barking doesn’t cease. Dogs, a pair of them, he can hear a couple streets over. He pictures them from the gravelly register of their snarling- maybe German Shepherds, a Bullmastiff or a Rottweiler. Their fight enunciated by the violent rattling of chain-link fences, segregated, the only threshold that keeps teeth from necks.

But no, not a sentimental man. He tells himself that the itch to revisit Berlin every Summer is for superficial reasons, and by no means is renting out a shithole hotel room opposite a sewer-laden river considered a vacation from anything other than the luxuries he gorges himself mindlessly on at home- maybe this is to keep him humble, more than anything. It doesn’t do well to remind himself of old times, not when he’s lived the life he has. Remembering seldom accompanies itself with the bittersweetness of reminiscence, and the taste it leaves in his mouth is always acrid. He doesn’t miss Berlin any more than he misses that dismal safehouse, or that sterile room he wheeled you into, questioned- tortured- no, interrogated- well, he doesn’t care to remind himself of the picture. Or the person he strapped to the gurney. But he catches himself thinking back to the city divided more than he likes to admit, and for whatever ostensible reason it is that drags him back here, he relents to it every time.

He tells himself it’s the weather, the cool rain a nice reprieve from the scorching California heat. Or that the food is better, not so much overprocessed shit and sugars. Can take his coffee as black as he likes without the waitress turning her nose up about it and double-triple-checking if he’s sure. And it’s the people, maybe, who leave him well enough alone. Or the drinks. The views, some places. The- air.

Not like Arctic air. Not like—

The one dog’s snarl rips bloodcurdling through the night, all froth and venom, and as the chain-link fence screeches and judders in its rusted welding the other mutt quiets a moment. Cowers under the meaner dog’s ferocity. Then, like it had been wounded, it lets out a low, anguished howl, beast reduced to a scared little pup. Adler holds the smoke in his chest around a stifled breath anticipating a release. But the first dog just grumbles, the fence clinks, and there isn’t much noise after that.

But the quiet doesn’t last long- just as Adler drops his cigarette and snuffs it with a wrench of his heel, another sound resonates, yowling through the alley.

The grinding of tires upon wet asphalt crunches from just beyond the alleyway entrance. The streetlamp overhanging the entryway glares bright yellow as it bounces off of the garishly coloured taxi cab, pulling up to a groaning halt outside the bar.

He thinks nothing of it, pulling at the collar of his leather jacket. It’s getting cold, and he’s left his drink inside. Wouldn’t want to waste good beer. Adler turns, and makes for the door.

And you step out of the car.

A half-finished cigarette bounces on the sidewalk before you exit, the softened heel of your boot following soon after in a splash upon the flooded curb. Your German is rusty- always has been- but it’s easy enough to utter a quick and easy danke as you pull yourself up out of the cab. The door shuts with a slam, and you tilt your head back to gaze up at the sign above the bar- Der Fluss Lethe glaring in faded lightbox red- and you let out a contented sigh, your breath suspended in the frigid air. Pink, bitten fingers pluck at your gloves, fingerless faded green knit, shovelling them into your jacket pocket.

Adler’s fist is already curled around the handle of the back door as he clocks your presence in his periphery, a stranger like any other- but your image resembles the one that coagulates in the borders of old memory, the dried blood of you he hasn’t been able to wash his hands of since ‘81. Enough that he does a double take, his eyes wide behind tinted glasses, and he stops, his heart following suit.

He’s seen enough bodies in his time to fill the morgue in his mind twice over, and plenty ghosts to wander coldly among the unmarked graves. Vietnam alone is an unwinding cemetery stretching endless, catacombs along the inside of his skull, lined with what his old shrink would call remorse. Guilt. As if the feeling mattered. As if self-reproach could turn self-flagellation into something so incandescent as redemption. As if the bile in the back of his throat could bring back the dead.

And it couldn’t, because it isn’t… that’s not—

Bell.

It’s in the way you stand, your back rigid, that slight slouch to your shoulders, always dragged down upon you like they bore the weight of the whole world (and they did, once, do you remember?). The pelting of rain smacks off of the lapels of your jacket and ricochets like stars, caught in the light of the streetlamp overhead, but for all he knows or cares it could be raining diamond and all he sees is you- the wrinkling of your nose as you accommodate to the cold, how your cheeks flush at the chill (as they had those nights he pulled you into the darkroom, evidence of your apprehension drowned in the red glow of safelights); your hair is longer, unkempt, but still that same colour (clumps he’d find in his clenched fist when you’d argue yourselves into a wrestling match, pinning each other by the throats to dented walls in Die Landebahn); that scar upon your brow; that wavering line of your lip, pursed and hiding behind your reticence as you always did, and your eyes- your eyes—

—you feel someone watching—

—your eyes turn, and fix upon him with the startled softness of a doe, hunter betrayed by the snapping of a branch underfoot. Adler’s heel crunches against broken glass, his hand lingering right in that threadbare threshold upon the doorhandle, and he can’t speak, can’t move, can’t think—

Open the door, Bell, open the door—

—and you stop outside the cab, your breath caught in your throat. You see a shadow in the alley, in the shape of a man.

The darkness of the alley gives enough cover that you don’t see much, but what you do make out of the man prickles at a part of your mind long dormant: the haughtily broad set of the shoulders; the halo of blond tinted red just beneath the flickering exit light above the door where he stands; the shadow of a strong, clenched jaw; and in the brief glinting of passing headlights as cars rush on behind you, you see a face half gorged by a thick, forked scar, a fissure struck down his furrowed expression. A pair of dark aviator glasses hide those eyes that you know are looking at you, reflecting back nothing but your own bewilderment.

There is something you know. Deep inside that half rotted head of yours, where an incomplete recollection of your existence before you awoke bleeding on that clifftop lies, you feel a twinge of recognition. Familiarity. Something. Something stirring deep in your marrow- a fear inherited, a conditioned surrender, a faded polaroid, a kiss? Your migraine, chronic, comes clawing back with a vengeance, as it does most nights, but this time with a savage fervour that wrenches your face into an involuntary grimace. Where the hole in your head had once been all those years ago it tickles and burns, burrowing into your brain and groping greedy fingers along remnants of memory. It claws at you, digging through your amygdala to find something fresh, something old, something palpable, real, something- anything. Searching what little remains visible to you in the thick fog of your own mind to pin a meaning to this feeling, an answer to your question, a name to that face.

You’ve seen him before. You swear. Somewhere. In a dream, reoccurring, behind a red door. You don’t know how, or why you’d think you recognise him- in those dreams, the door never even opens. Your hand ever stuck on the handle, jammed and impenetrable, what sits behind it forbidden to you. Like not even your own mind wants you to know. It confines you to your ignorance, almost blissful.

Adler’s heart kicks violently in his chest. He shot you. He killed you. He’d heard your death rattle on that clifftop in Solovetsky and the sound was almost like singing, your last word, your last breath. A miserere for your short and fractured life. And he’s looking at your ghost, standing there all owl-eyed and as beautiful as the day he found you bleeding out on that airstrip. Before he took you. Before he took you and collared you and made a damned mess of things.

The only thing separating you from the Bell he knows he killed- his Bell- is the star-shaped scar split across your left temple. The only wound he never had to sit and heal as he belligerently patched you up, poking and preening you like his prize dog. Yet in spite of never seeing it before, he recognises the wound all too well. He put it there himself.

And as you stand there for that brief moment- no more than twelve seconds stretched to an eternity- he thinks for a moment that you’ve put it together. You recognise him. You see him. As he is. You’ve figured him out, Bell, as you always do. You’re the only one to have gotten away with it, nearly. Or so he thought. And now he’s watching a corpse having dug itself out of the grave he put it in, standing there, staring at him. Suppose you’ve always been a dead man walking.

You could do it, he thinks. Turn. Fling your heel round and barrel towards him with all the enmity of a cornered animal. He thinks of the strays, barking. Can picture your mouth frothing at the sides as you sink your teeth down into him- gnarled canines, hooked to your chain-link fence- which he probably deserves. Not an unfamiliar feeling by any stretch, but one faraway enough to seem almost sweet now through the hazy lens of nostalgia. If there truly is a sentimental bone in his body after all, then maybe it’s just for that. Still, he holds his breath, awaiting the killing blow he’s surely due. But it never comes.

You release your held breath, finally, tearing your eyes away from the callous faced stranger. It’s a ridiculous notion. Just an uncanny instance of déjà vu. You don’t know that man any more than you know yourself. You settle on a more rational answer- just one of those faces. And with a disgruntled sigh you rub the scar upon your temple to soothe the ache, turn around, and enter the bar alone.

Adler sighs, his heart sinking from up high in his throat back down to his chest. His hand has latched onto the doorhandle for so long it’s gone numb from the cold, bruised knuckles bluer than they were before (bar fights- not here, but another, as there will always be). He wrestles his jaw pensively, knowing he ought to take it off, keep the door closed, turn away, and leave. Slink back, tail between his legs, to that shithole hotel room to drink himself into a stupor. Let you haunt him there, instead. As you always have.

But he doesn’t. He has no idea what idiocy compels him, what soft, dewy-eyed weak link in him snags on that chain, to willingly wander back into the viper den of reminiscence, but he wrenches his fist around the handle, pushes, and lets himself back into the bar, the thick, hot air hitting him like a drug that he breathes in, tart and sour with the cloy of sweat and alcohol but still faintly- just faintly- of you. Like rain carried along the wind.

And Russell Adler is not a sentimental man.

But from across the bar he hides behind his beer glass, watches as you move about, a phantom, weaving through the faceless mass of people celebrating a championship he cares nothing to follow. You take your order at the bar with a smile he’s never seen on you before, boots folded to tip-toes as you lean over the liquor-stickied top, your perfect mouth pink and sweet and laughing and alive. The world seems to move about you in a haze, an indistinct mist of blurred faces and bottled voices and beyond all the light and life and joy that seems to burn bright around you like a halo all he sees is you.

Maybe, then, he’s a fool.

But it isn’t lost on him, how your fingers skirt across your hair in an attempt to hide the scar upon your temple. Nor is it lost on him how you wince at the feeling, the stars in your eyes dimmed for just a split second as you shiver, like a touch imperceptible running fingers down your back. Nor even the way you fight the urge to look, to follow the feeling of his eyes fixed upon you, and surely not the way you lose that fight, surrendered to it, your sweet face turning and finding him in an instant. Without so much as trying, like instinct, like something as pathetic and saccharine as fate. Your heart called to it, a lighthouse in the fog. Port in the storm. Ships passing in the night but called crashing to the same shore.

(The pieces of you are scattered everywhere, Bell. He finds you in every split seam inside himself. Splintered shrapnel dug through his temporal lobe, severing synapses ‘til they go dark. Even stars die quicker than that. Quicker than you. Is that what it felt like for you, too? When the lights went out, was it him you last saw- or the sky, waxen, over the Arctic? A waning night, a distant moon. The inconsequence of death- brief celestial ephemera.)

The stranger across the bar looks at you, offering nary a smile, eyes indiscernible behind shadowed sunglasses. And where you ought to find his apparent coldness disconcerting, instead you wring out of your chest with a white-knuckled caress a feeling like… comfort.

Sometimes, Bell, you go back to Berlin. You don’t quite know why.

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[lostlegendaerie]

there's something deeply gutting about being a writer right now. watching studio execs brag about starving people like you out of your very house just to not pay you anything above the pennies you currently make. watching some people cheer over AO3 being targeted for a DDOS attack. the complete lack of profitability of writing commissions or writing in general in transformative spaces, especially in contrast to fanart. the pivot of so many social media platforms to be video and image based near-exclusively.

I don't know. it just makes me sad to know that the hobby that kept me alive while growing up homeschooled with dial-up internet and local antenna TV... is only ever gonna be a side job with minimal engagement. I know this site is good about supporting libraries and the concept of books but, do me a favor? Reach out to a writer friend you know. Leave a comment on your last five read stories on your favorite website.

Tell us you care.

[nothing-but-flowers88]

Ok imagine you’re commander Cody, you’ve been passed out in medbay after a mission and you wake up to find about 10 of your brothers having a some debate. Your heart skips when you realize they found the picture of your general, your Obi-Wan, you keep inside your armor. And the encrypted note confessing your love you keep on you for Obi Wan to find if you die in battle. How do you react?

A. Scream

B. Cry

C. Pretend you’re still asleep to regain strength so you can destroy them

[deklo]

my interpretation of adoptive bee :’)

pls don’t repost!

[carryoncastiel]

One moment with you could sate me for a lifetime

If you like these two may I also interest you in my bladeweave fics on AO3 👈👀

[lokorum]

so....................i've read unraveled the other day.................... and then ive re-read it.........and now im in the middle of re-reading it again????

honestly cant promise that im not gonna keep coming back to it until someone would steal my phone and then i'll just log in from the pc lets be real here (¬‿¬ ) but!!! what i wanted to say is that its just such a good fic?? so well written? it has all the right words in just the right order and i can and will argue till late night that it healed part of myself that i had no idea existed. these descriptions of hugs??? gonna stay with me untill the very end  (*_ _)人  

and drawing something is the least i can do to show just how much your work means, @2btheanswertothequestion  (/▿＼ )

"unraveled" became my spiderverse canon since the moment ive finished chapter one and it will stay this way!!! thank you so so much for all the long hours and all the hard work you clearly had put into it!! you're amazing!! ♡

[vaguely-concerned]

to be distressingly earnest for a moment, I cannot applaud sylvia feketekuty enough for how incredibly well she balances comedy and actual emotional impact in emmrich's storyline. it's such a fine line to walk as a writer, and she does it perfectly to my mind. johanna hezenkoss is a wonderfully cartoonish heightened comedy character whose literal stated goal is world domination by means of necromancy and also this giant skeleton mecha monster I built. her main redeeming quality is that she's SO entertaining and perfectly unrepentantly herself at every turn and never ever does she grow anything we might readily recognize as a conscience; she may be a monster but in such a marvellous way you simply cannot begrudge her for it. we are going full tilt into the yzma zone here and never looking back. and yet! emmrich's reactions to her, and the lingering emotional fallout of their friendship ending clinging to everything, are very real and grounded and genuine, and her functionality in the narrative rock solid. it's still funny the whole way through, but also weirdly poignant.

she is a blunt archetype, but her presence causes nuance in other places. it tests emmrich's inherent kindness to show some of the flaws running through it. it shows quirks in his character you couldn't get at otherwise, exposes what the lines of temptation can get their hooks in him even in all his genuine basic well-meaningness way before the lich storyline gets fully unveiled -- that there is something in him that was drawn to her ambition and unceasing intellectual exploration of the world, even when it edged up on ruthless; that it was only when the line was openly crossed he put his foot down for good. it exposes the darker side of nevarra's political life, especially the mortalitasi -- that it would only take a handful of them forsaking their oaths and morals and deciding that ruling from behind the throne isn't enough. in the words of emmrich, how easily it would make them a new tevinter, except with a skeleton army so arguably much more metal. the slope is slippery. watch where you put your feet, watcher.

and johanna's cheerful and unrepentant spider verse doc ock supervillain antics are emblematic of the way that aside from anything else, this storyline is also -- and I must return to it once more, one cannot emphasize this enough -- so so SO entertaining about it along the way. it sets the tone in that it's campy and over the top and hilarious... a levity you really do need to bring to emmrich's arc, revolving as it does around *checks notes scribbled on hand* ah. the desperate crippling all-consuming terror of death. like um. yes. you need some liberal spoonfuls of comedic relief to make that particular theme palatable enough to get through and process, and providing that feels like both a very kind, a very intelligent, and very wise thing to do as a writer. and also ties in so perfectly with the whole thematic structure and conclusion -- the message that perhaps you will always be afraid of this thing. maybe that fear of cessation, of irretrievable loss, will be with you forever. but there is kindness and connection and fascinating things to discover in this world to make it bearable. it's all very elegantly done and I admire it deeply on a craft level as much as I appreciate getting to engage with it as a player. a masterful balancing act of tone. thank you for coming to my ted talk and goodbye

[bujlililu]

Day 8: yearning

[xxplastic-cubexx]

Chat have we discussed drunk chess with cherik cause i just think. That would be the darnedest silliest thing they could do

[baejax-the-great]

If I were a writer at a big game company working on a sequel to a beloved series and the higher ups kept telling me to make the game shittier and kept sending my work back to me to be dumbed down even further somehow, and then once most of the writing was done they laid me and my coworkers off illegally without severance, I'd probably gleefully watch as people trashed the shitty game that shipped.

[the-ace-with-spades]

(sorry this got longer than I thought)

You know what fic I'd love to read?

One where Carole dies but doesn't get anything in order before her death (as is many times the case) and Mav is installed as Bradley's temporary guardian after her death but everything goes wrong very fast

Due to Mav's less than heterosexuals tendencies, Bradley ends up in the foster system. One day a social worker with a police officer just shows up and takes him away from school and he doesn't know what's going on. He ends up in his first not so good foster family the same evening. Mav can't even visit as he is deemed a bad influence and has an ongoing investigation if he is 'fit' to be Bradley's guardian.

He doesn't stop asking about Mav for months. Keeps trying to run away to him (he's about 50 miles away because foster homes are sparse so no dice) and finally his foster 'mom' is fed up with the constant asks to at least try and call Mav so she tells him Mav didn't want him and doesn't want Bradley to contact him.

And because Bradley is twelve, he believes it.

(It's not that Mav didn't try. There was a whole appeal process but Mav had a deployment right after and he couldn't explain to the social workers that no, Bradley would stay with someone trusted while he was gone, because that someone was Ice, the source of his suspected homosexual tendencies. They literally told him he's not allowed to contact Bradley and once he came back from deployment, Bradley was already in a different foster home, a few counties over and lost in the system.)

Bradley spends the rest of his childhood in the system. His first family is dubious and the following ones are a mix of constant hope and disappointment. He has at least two different families foster him every year, until he is sixteen and ends up in a group home. There are only two families that he actually comes close to calling family - a young married couple that stops fostering when the wife is diagnosed with chronic autoimmune disorder, and a couple of teachers that have to drop one of the two kids they foster when the financial requirements to foster raise and decide that Bradley is going to be that kid.

No one ever even thinks about adopting him. He's got good grades and stays on top of school, but that's about what is going well in his life. Some families he's with are average - they let him be and maybe don't care as much for anything that involves him as long it doesn't stir trouble at the fostering agency and Bradley is healthy and safe. Some families are worse - sometimes he is one of the five kids and is expected to stay and be a live-in nanny, sometimes they're only doing it for the money and he has barely anything, barely any food, barely any attention, barely any clothes, barely any school supplies, just so he doesn't cost too much. Sometimes, things get physical - it happens less, the taller he gets and by the time he starts fighting back, he has enough reputation that no one believes it and no one wants to foster him anymore. And group home it is.

By the time he's seventeen, he's enlisted. Just so he leaves the system as fast as he can. It all works out because the Navy fits the bill for his university and NROTC when the time comes - even if he's told he's not a good candidate for the USNA, even if he was told his grades and his achievements should be more than enough, even if despite the circumstances, he managed to meet the same requirements.

Finding out that it was Pete 'Maverick' Mitchell who protested his application and pulled the plug on it is Bradley's second heartbreak.

Bradley bites down any complaints he has about life and enters UVA at 21, with a military scholarship and NROTC bursary. At that point, he doesn't even know if he still wants to go into aviation, it brings so much bitterness in him. But then his grades and his overall achievement are so good, everyone says it'd be a waste if he didn't go to one of the most competitive pipelines. The Navy pays for his private pilot licence when he hesitates, and sure enough, it does feel good.

The pipeline is where he meets Jake Seresin. Jake Seresin, who has two brothers and two sisters and who has jars of homemade jam and chocolate-covered plums sent in a little package from his mom at least once a month. Jake Seresin, who uses all his leave to attend weddings, holiday parties, birthday parties, even a dog's funeral. Jake Seresin, who comes from every Thanksgiving with spare pumpkin pie, who has a new handmade Christmas sweater every year.

Jake Seresin, who, for some reason not known to Bradley, is impressed with how effortless learning to fly is for Bradley, with how much Bradley knows, with how much he leads in the lectures and the flight lessons - most guys find Bradley annoying and cold and Bradley would've agreed with them if any said it to his face. The Navy is the only good thing Bradley's had since his mom died, he has much more time to focus on being good at whatever Navy throws at him and maybe that makes him strange and aloof. But not Jake.

Jake Seresin, who is a competitive asshole that can't shut his mouth for his own good. Who has no idea of personal space, who fills the silence better than a jukebox, who will drill and drill the topic until he gets an answer he can comprehend, who doesn't care what people think of him as long as he knows his worth.

Bradley might have a bit of a crush on him, but it's an annoying crush kind of crush - one he doesn't really want to have, one he doesn't really know what to do with. Jake Seresin, who probably would never look at Bradley twice, especially in that way.

They get separate F-18 training bases and Bradley forgets for a moment Jake Seresin ever existed.

Then, summer of 2011, Jake Seresin gets restationed, right into Bradley's squadron. And he's still his annoying self, inserting himself into Bradley's private space, private time, and doesn't let Bradley have a say in it, at all.

Maybe Bradley doesn't want to have any say in it, deep down.

A few months later, DADT gets repealed. It doesn't change much for Bradley, he's not going to talk to anyone about his personal life. But it seems it changes something for Jake.

Because he asks Bradley out on a date.

Bradley's never really dated. Didn't really have the time to when he was a teenager, moved so many times, and then he enlisted, and then he was in college and NROTC. He slept with people, but he's never dated anyone.

So he gets to know Jake Seresin. Jake Seresin, who despite bringing all that food back with him any time he visits his parents, can't cook at all and who would hang onto Bradley's arm or shoulders whenever Bradley cooked. Who can sew so well that he saves all of Bradley's old shirts. Who can't keep his mouth shut, no matter the circumstances - not in the theatre, not when they eat, not when they just watch a movie at home, not even in bed. Who seems to know every single tune under the sun but can't play a single instrument. Who has elaborate, detailed plans for his life - an admiral by forty, two kids by thirty-five, a nice little house in driving distance to some body of water, a German shepherd or a border collie for a family dog once the house is there, a personal two or maybe four-person plane by the time he's forty-five, maybe co-owning aeroclub by fifty.

Bradley's never before thought about the future.

He never tells Jake even half of the things he's seen and lived through when he was in foster care, never tells him about his pulled application from USNA, never tells him about Mav. He doesn't think Jake would be able to understand, the way his family seems perfect and loving and caring. He doesn't want him to know how many things is wrong with him.

But Jake knows he's got no family, that his dad died in the Navy, his mom when he started middle school, that he's been in foster care for all his teenage years. Knows that Bradley has no one to come back home.

"Don't be a fool, sweetheart," is what Jake tells him. "You've got me."

For the first time in his life at the age of 29, Bradley requests Christmas leave.

Bradley's never had a big family, but there was a time he once had a family - or so he thought, when he was twelve and the illusion shattered - so he thought he'd be okay.

And at first, he is fine. Jake rotates him around like a prize piece, introducing him to his siblings, parents, aunts, uncles, nephews, cousins, grandparents, but it's just two or three people at once. Whenever it seems like too much, Bradley drifts away to the kitchen where he can just stay silent and listen to Jake's mom talk to the various people that come by while he slices homemade ham or he steps out onto the backyard and talks to the kids of all the ages gathered around the makeshift playground.

But then they're right before dinner starts - there are over thirty people in the open space of the house, now that everyone arrived, and Bradley feels hot, suffocating in the crowded space, in the clutter of gifts and food and colorful Christmas sweaters.

And then, before he can take any of it in, he hears Jake, saying in his typical loud and teasing tone, that Bradley can play the piano, and look at that, he could play something Christmas-y before the turkey is done, and next thing he knows, there's over thirty pairs of eyes on him and plenty of people asking questions and making teasing remarks and it all seems so tricky--

He can't imagine himself, in that room, with all those people, feeling comfortable. So he walks out.

Bradley doesn't know how to be a part of a family. There's no reason to try and lie to himself and everyone else.

They don't see each other for years after. The next time they do, it's only the eight weeks at Top Gun. The Jake that Bradley knew isn't there - this Jake is bitter and sarcastic and sharp with his tongue. This Jake wins Top Gun and never looks back at Bradley when he returns to his station base.

The next time they see each other is at the Top Gun recall when Bradley is going through a life roller coaster.

Not only is Jake being the biggest ass not just to him but to everyone, for the first time in twenty years, Bradley sees Mav. Sure, maybe he's not moved on from Jake - he still remains the only person Bradley ever dated - but he's managed to dodge Maverick, and Iceman by association, in all those years he's been in the Navy and now he's forced to pretend all is fine.

And Maverick doesn't make it easier.

He tries to approach Bradley like they're long-lost friends, saying all those things about how he missed him and how Bradley looks so much like his dad. Like he didn't leave him in the foster system when he was a kid and didn't fuck up his application for USNA.

So he pretends he doesn't remember Maverick because that's the easiest given that Maverick is supposed to train him.

On top of that, Jake mixes himself up into Bradley's shit life situation when he overhears Mav trying to get Bradley to 'remember' and 'renew their relationship' and keeps pestering Bradley. Maybe he can tell you more about your childhood, why the hell are you so rude to him, he wouldn't make up knowing you, you know, maybe he's got some of your parents' stuff and can share---

And hearing the love of his life that he let get away because Bradley didn't know how to be part of his family side with the first person that told Bradley he's not enough to be someone's family - well, it's not exactly helping the state of Bradley'e mental being.

So maybe he explodes at Jake, a little bit, in the end. You want to talk to the man who left me behind when I was twelve and the only time he looked back was to tell me he didn't think I was good enough? Then so be fucking it.

Instead of butting into Bradley's life, Jake shuts up and starts avoiding him. Bradley supposes he has what he wanted.

Bradley doesn't care what Maverick thinks or if he changed or if he wants something from Bradley.

He still turns around when he's shot down. It's not like he's got someone to come back to anyway. Not because he cares about Maverick.

"I'm not you," Bradley tells Mav. "I don't leave people behind."

The admittance - that he knows and remembers Mav and wants nothing to do with him, wants to be nothing like him - works. They survive and Bradley doesn't see Maverick again, not when they're in the med bay, not when they're in the hospital in San Diego, not when he gets discharged.

He sees Jake instead, waiting on him at the reception of the unit he had been on, patiently waiting for Bradley to sign his discharge papers without using his broken wrist.

"What, do you have someone else to take your broken ass home?"

In truth, Bradley was just going to take a taxi. Instead, Jake takes the plastic bag with Bradley's clothes and silently leads them to his truck before he asks for Bradley's address.

And in all this mess, the first thing Jake asks him is, "Are you going to stay in San Diego?" because they have the offer to stay there and make their place in Top Gun-adjacent brand new squadron.

"No, I'm going to go back to my base," Bradley tells him. There's nothing for him San Diego, but there's plenty for Jake and he doesn't want to be a barrier.

"I think you should stay in San Diego. With me."

He wishes it was that simple but the truth is, Bradley is still the same.

"I can't be the person you want to have in your life."

"But you already are the person I want in my life."

"I think this is going to end up badly."

"Only if you let it."

Bradley's never really could say no to Jake.

It all seems so easy, when he falls asleep on Jake's shoulder watching Top Gear, but at some point, Bradley knows, they will get to the point when it'll all crush again.

There is also the whole thing with Maverick, their now CO, who appears to be some kind of ashamed now that he finally knows that Bradley remembers what he did - or rather what he didn't do. He avoids Bradley like the plague and it seems to be affecting the squad - because they all love Maverick and Bradley is the weirdo who can't have fun or be friendly. He's just waiting on someone to call him out as the party pooper contrasting to their fun CO and deem the problem, as always, just because he can't pretend to be happy to be around him.

Jake hasn't said anything about the Maverick thing explicitly but he gives Bradley those looks whenever Maverick is nearby and sometimes he makes those quips

[fayzart136]

Buy myself redemption with my bloodied hands In service to the family as the favoured son

[fluentisonus]

working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol