#this is dedication people

[waveoftheocean]

finally finished this piece!! (originally for superbat week day 4: on a case/undercover)

[apollos-olives]

before october 7th this blog was a meme page btw.

[h4zardousch3micals]

People who use it/its are so cool btw

[thehauntedmarionnette]

He is fighting a war. Just got his arms back. Has been fighting for his life so intensely that even we as the audience are unaware of the passage of time. And still has time to fanboy.

[technically-human]

What if I stayed here for a bit with you, instead?

[poorly-drawn-mdzs]

Burning Rotten Bridges

[First] Prev <–-> Next

[gin-juice-tonic]

gin's unwarranted advice for not feeling terrible on the internet all the time number 37

dont follow people who are constantly doing this

[buggachat]

legitimate question ....... why do people like to tell me all the reasons they don't like miraculous ladybug? i know i complain about the fact a lot, and i find myself on the defensive a lot, and i keep telling myself i'll stop and let it go, but it really is hard when people are always coming onto my posts, in my replies, in my comments, on my art and my fics and my text posts and anything i make, and telling me blatantly all the ways that they don't like the thing that i so blatantly find enjoyment in. "the show is bad". okay? good for you? why are you on my post about it? why don't you make your own? why are you telling me, specifically, this, on the art/fic/analysis i made that i assume you found by searching through the tag?

it's kind of a behavior that i legitimately don't understand. I'm a human being and I hate a lot of things, too. there are things i've loved at first and been disappointed by and have strong opinions about. there are things i like to complain about. so i'll complain about them to my friends or my family or my cat. but i have never, once, not even for a single moment, thought, "oh let me go into the tags of this media, find a positive post about it written by someone who's having fun with it, and make it that random stranger's problem". never once.

i just don't get it. i really don't get it. i sometimes worry that i come across like i'm heavily critical of people who just personally don't like the show, when really i'm just trying to defend my interests to the droves of strangers who are always coming specifically to me to tell me all the ways they hate the thing that makes me happy.

just.......... why? where does the urge come from? what do you get out of this?

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[crowfaraday]

she learns to walk and realises she can just Leave now

[overheard-at-camp-half-blood]

I saw someone in the comments of something Percy Jackson show related complaining about the “wokeness” and then they were just like, “I hope they don’t add any gay shit.”

Who wants to tell them?

[idolomantises]

Rewatching Adventure Time, I can't help but think so much Princess Bubblegum discourse would be non-existent if people actually watched the show to completion instead of randomly hyperfocusing on some of PB's bad deeds.

There's a very bizarre and commonly held belief that Princess Bubblegum did terrible things and got away with it, that nobody held her accountable. When the show makes a point, repeatedly, that Princess Bubblegum is well meaning but deeply flawed, and to some characters, straight up evil.

I see fans point to "The Cooler" a lot as proof that PB is an irredeemable character, and while it is her worst act in the entire show.... I think people forgot that that was the point. Near the end of the episode she stops spying on people in Ooo because it was an invasion of privacy. In another episode she's called out for exploiting some aliens and lets them go. She feels ashamed that her own people are terrified of her. She loses her entire kingdom, and realizes she needs to get her shit together.

I'm pretty critical of shows that are way too lenient on flawed female characters but Princess Bubblegum isn't one of them. She's awesome, and heavily misunderstood.

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[rotitawarenak]

I haven't played this game in a really long time but the hearth kids will always have a special place in my heart

[corsairspade]

Halenthir but none of the Finweans believe Haleth is real because they all assume Caranthir made up a spouse so he could leverage his marriage status for tax concessions. Caranthir is extremely mad about this. Haleth thinks it’s hilarious.