#this is an exorcism of sorts
Explore tagged Tumblr posts
summ3rhead ¡ 2 years ago
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Avatrice: Non Omnis Moriar
The Archer - Alexandra Savior, Twenty-one Love Poems (XVIII) - Adrienne Rich, Fear Of Death - John Ashberry, Tears in the Typing Pool - Broadcast, Twenty-One Love Poems (XII) - Adrienne Rich, Oranges are not the only fruit - Jeanette Winterson, A Grief Observed - C.S. Lewis, Never Seek To Tell Thy Love - William Blake, Autotomy - Wisława Szymborska, A Grief Observed, C.S. Lewis.
381 notes ¡ View notes
deadciv ¡ 19 days ago
Text
this is deeply silly, but given that i did spend a non-insignificant amount of time working through it, I thought i’d put it somewhere other eyes can see it. this is for those who thought arcane season 2 was a bit of a rushed mess with a lot of missed opportunities; I particularly found the Caitlyn arc to be unsatisfying and Ekko’s stuff, while good, to be insufficient. in my opinion, the story sorely needed a season 3 to resolve its various plots (which very broadly can be broken down into cosmic arcane yaoi vs. piltover-zaun class struggle) in a satisfying way. i’ll put the rest under a cut to have mercy on my mutuals
Arcane season 2 redux
Act 1: starts off pretty similarly
only two major changes in the first 3 episodes. Isha gets an intense toxic exposure to the concentrated fissure gases that Caitlyn’s been deploying that begins to have effects on her health; we get a scene of Ekko trying to bring together and unite the Lanes in the wake of Silco’s death where he perches atop the Last Drop, takes off his mask, and tries to convince the people of the undercity that they need to stand together and not bow to Piltover’s demands. After this he does still get sucked into the other reality though
also the big guy gets cut entirely; I see no reason for his existence
Act 2: more substantial changes
Sevika plays the revolutionary vigilante, bringing people together: helps get some firelights/their families out of a Zaun-side enforcer lockup; they agree to come to her rally and listen to what she has to say
Jinx and Isha and Sevika still bond and build up a little family dynamic; save each other from undercity infighting etc. still trying to convince Jinx to become the revolutionary the Lanes have been calling for; fails.
Jinx withdraws into herself and focuses on these people closest to her, all the while worried that things might just fall apart again. Isha eventually goes and tries to use her identity to bring people together; the cops still try to round everyone up but Jinx shows up and uses her powers/gadgets to make everyone scatter before the cops can grab them all. Rictus is there and almost captures Isha but Jinx just barely manages to rescue her in time; Singed isn’t picked up by the cops and fades back into the uncercity
People pin their salvation on her; point to her as the person who kept them from being kidnapped by Piltover—“Jinx is back”
In retaliation, Piltover starts playing even more with the noxious gasses in the vent system and begin allowing it to just filter through much of the undercity in low concentrations, leading to a lot of people sickening, driving them towards Viktor’s commune
Fight with Jinx and Ambessa: Ambessa, curious about the opposition and wondering how Jinx can be giving them so much trouble (and frustrated at her lack of progress with hextech), tracks Jinx to a clinic where Jinx is attempting to treat Isha. The girls stand in line together until the other folks recognize Jinx and insist she go first; talk about how grateful they are that she’s back and that she saved them and their loved ones from being rounded up earlier. Jinx is overwhelmed and doesn’t really know how to feel; as she and Isha leave Ambessa strikes. They battle; Jinx is able to hold her own for a while, impressing Ambessa, but is ultimately disarmed, wounded, and overcome. She talks about using Jinx as controlled opposition and how she helps keep Caitlyn in line; about how she wonders what things might’ve been like had she taken Jinx on as a protege instead. Is about to take Isha captive to control Jinx when she activates a rune gem empowered grenade to try and kill them both. Ambessa disables the bomb with a strike of her blade, scattering the gem away from her while Jinx uses the opportunity to use her speed and escape, fiercely protecting Isha. Ambessa leaves, but not without Jinx’s gemless pistol and a better idea of the players on the board. Tells Jinx that her time will come soon as she goes
Vi still goes Rhea Ripley mode, but instead of Jinx coming to pull her out of it, it’s Sevika. She rakes Vi over the coals for siding with the Pilties and abandoning her sister, trying to get her to understand that Silco did things for ideological reasons and wasn’t just Evil; they talk about being pulled between two different worlds and loyalties, etc. Sevika reveals a bit more of what happened with her and her family and talks about how neither Vi nor Silco was willing to accept Jinx for all of her parts, past and present. She leaves with things unresolved and tense still, but Vi starts to think a little bit more about her place in the world; her sister’s; what really matters.
Vi starts wandering around the city, unsure of what to do with herself, seeing Caitlyn and Jinx in every corner, every shadow. Opens her eyes and her mind and really begins to see the city as it’s become: the hate people have for Caitlyn; the hope they’ve placed in Jinx.
By pure happenstance, the two girls encounter each other on the elevator between city levels, with Jinx on her way back from another clinic with new medicine to treat Isha. Vi, still angry about everything, lays into Jinx, who eventually is provoked enough that she eventually yells back (you couldn’t take me without those overgrown punch gloves that you didn’t even make, etc). They start scrapping; bloodying each other a bit and laying open old wounds with each other’s verbal barbs in a fight that goes from almost playful to deadly intense way too quickly before the medicine takes a tumble and Jinx completely stops fighting in order to rescue it. It begins to really sink in for Vi how different her sister is from what’s she thought, and in confusion and shame she runs off.
Jinx takes Isha, now seriously sick from her exposure to the fissure gasses, to Viktor’s commune. He heals her (in his way); Vi has followed them and sees Jinx caring for this little girl in such a genuine way; it reminds her of them when they were kids and she begins to truly come around. Jinx and Isha still have the “you make me feel like i’m seeing through glasses” conversation, just post Viktor healing
More scenes of Caitlyn and Ambessa doing combat practice
Singed is trying to make common cause with Viktor; at this point, Viktor is having none of it. He won’t have anything to do with Warwick etc etc
Vi can’t quite get the courage up to go to Jinx and try to make up; this is unfortunate because at this point Jayce fucks everything up + Caitlyn has been having Vi tailed in case she and Jinx met up and cops/Noxian military roll in
All those touched by Viktor go into a catatonic, empty state, including Isha. Jinx is fairly devastated by this, understandably
Jinx is captured, Sevika is injured (leg) trying to protect Isha (though she manages to get the body safely away), Vi is ignored and watches as Caitlyn coldly presides over the whole thing from afar with Ambessa by her side.
Singed orders Warwick to make away with him and Viktor; they go to his lab
Act 3: also substantial changes
Episode 7 happens (it’s good I basically don’t want to change it at all). Can’t decide if I’m moving it to the episode 6 spot or not though
Jinx tries to hang herself with her own hair in her cell after a hallucination of Silco telling her the only way to break the cycle is to let go. Caitlyn shocks her with the restraints in the cell and has her men cut the hair off in response
Caitlyn sends her guards away and she and Jinx talk. Jinx admits that she didn’t really care about killing Caitlyn’s mom and was just trying to do something to honor Silco’s death and the struggle that was his life; talks about being a jinx and all the people she’s lost or hurt and how every time she tries to make something better it somehow gets worse. knows she’s about to be executed; accepts it. wishes she could see Vi one last time
Caitlyn walks away troubled and unsatisfied with the fact that Jinx isn’t matching what she envisioned of her, but decides to go through with the execution anyway
Check back in on Mel; her plotline has gone fairly similarly but is interspersed a bit more, with her and Lest and Elora trying to snoop around and figure out what the deal with the Black Rose is. She leaves the Black Rose sanctum without accepting the pendant thing; emerges into the undercity and gets a first hand view of what’s been wrought.
Interlude scene of Ekko seeing various other realities, briefly—Jayce’s torment nexus void reality (and a version that seems like, halfway there), a version of himself killing Jinx on the bridge way back when, him and Vi and Powder playing together as kids…Jinx killing herself with the grenade a la the beginning of episode 9 (no time recursion, though)
Jayce and Mel argue about the paths that led them here; confront the Viktor construct
Singed and Viktor ally with each other now; Singed uses his compounds/Warwick to power Viktor’s survival and evolution. They begin to expand throughout the undercity from their reclaimed compound, a wave of constructs taking people by surprise and subsuming them into the whole in order to build up a great enough force to take the hexgates.
Mel returns to Ambessa and begs her to send troops to the undercity to defeat the new threat; when she refuses, Mel realizes that her mother intends to let the undercity die for the sake of expediency and that she likely is waiting for an opportunity to seize Viktor/Singed’s power for herself. Escapes using her magic, shocking her mother; leaves in disgust to find some way to help in Zaun
Encounters Ekko and Sevika; the two have been working together to unite the under city and cautiously accept her help
Vi sends a message to Caitlyn telling her that the constructs will come for Piltover soon enough and that no one is safe; asks for help and asks her to spare Jinx. Maddie intercepts it.
They drag Jinx out on the steps before the council building for an execution via public guillotine. We see her die a handful of times in recursion, the axe coming down as a couple minor details change in the background……until suddenly, she’s just not there anymore. Ekko spirits her away on his firelight board, Vi shatters the ground around the steps to make a big distraction, and Mel uses her powers to stymie any attacks made against them as they flee. a couple other firelights die in the process, including the vampire bat second in command character who was giving Vi her escape ride. Ekko mourns and struggles with the fact that he chose Jinx over his own guys; the two of them have a brief, uncomfortable conversation as they fly away as Jinx clearly feels like she wasn’t worth the risk and Ekko tells her that he’s tired of giving up on people, and that she shouldn’t give up on them either
As they arrive back in there undercity, Vi and Jinx can’t quite find the words to talk to one another. Ekko needles Vi a bit for her flip-flopping
A concerted attack begins. Constructs start to pour over the undercity, trying to claim more people and create a clear path to Piltover
The battle rages. It’s only through the combined power of Vi, Jinx, Ekko, Sevika, etc that they’re able to fight off the onslaught. Warwick is there and part of the attack; something feels off about him but neither Vi nor Jinx quite figure out what it is.
It turns out that Viktor withdrew his forces in order to make his push towards the Hexgates, and that his constructs weren’t at full power yet but are rapidly approaching it. Amidst the wreckage of the battle, Vi tries to convince everyone to listen to Jayce, to go help Piltover even though they left Zaun to die because if they don’t there won’t be anything left of any of them. Ekko joins her; but it’s not until Jinx adds her voice (in her diffident, nihilistic way) that the people of Zaun decide to listen.
Things are going bad up in Piltover; Ambessa’s troops seem to be hanging back, barely defending anything. Caitlyn fights for her city and is seriously wounded in the battle; is about to die before Jinx shows up and blows away every foe around her, saving her without a word
Jayce tries to reach Viktor to do their cosmic yaoi thing in the hexgates
The cavalry arrives, something that the Enforcers and citizens of piltover are not at all expecting, and the tide begins to turn a little bit. Unfortunately, Warwick shows up and starts to absolutely rip through them, injuring the already hurt Sevika badly and hurting Jinx in her effort to protect her. Vi joins that fight and they try to distract the monster away from everyone else, even though Jinx is in a bad way (crushed right side).
Mel fights her way through the chaos to confront her mom; they begin to fight as Mel realizes that her mom is so nihilistic in her pursuit of power so as to cynically calculate that somehow someone else will solve the arcane monstrosity problem and she will be able to pick up the pieces afterward—or, if they fail, at least there won’t be a world left for her to lose power over. Both interrupted as—
Viktor starts to turn everyone; to convert Jayce etc as in canon
As in canon, Ekko shows up with the z-drive and chucks it into the maelstrom
Cosmic yaoi
Isha and all the other folks touched but not fully converted by Viktor’s power come back to themselves, but Changed both physically and otherwise
In that moment, Vi and Jinx see that Warwick is Vander as a small bit of him passes back through the connection between him and Viktor, just as Ambessa’s people take the leash from Singed and gain control over him, calling him back out of their reach.
Meanwhile Rictus, who was sent to ensure that Vi dies in the chaos, nearly ambushes and kills Vi and Jinx atop the juddering, collapsing hexgate before Caitlyn puts a bullet through his head. She disappears before anyone can be sure what happened, though.
In the process of cosmic yaoi, Piltover is changed forever. The spirals and whorls of the void splice themselves through much of the city, rending the council building and academy in two and altering half of the city irrevocably.
The remnant magic combined with Ekko’s time-bending power traps-in-amber the memories of everything that could have happened here. People see their parents again, see people in their lives perishing in ways they’d never have imagined, see versions of Piltover and Zaun that never came to be. The past is in there, but warped; is the future there too?
Music montage time:
Ambessa sees Mel and Kino in the twists and turns of the half-void
Mel and Lest seem to be in some ancient, underground library of some kind
Singed Daughter
Jinx reunites with Isha at the hideout; Vi reluctantly joins them (remembering the last times she’s seen Isha) and Isha offers her a bug to play their little fighting game. Sevika is slowly and grumpily recovering there, too; she has a leg replacement now as well
Ekko welcomes new recruits into the firelights; looks enigmatically at his mural and Powder in particular
Caitlyn looks out moodily from a high vantage point as enforcers and noxian soldiers muster together below her
Maddie ominously finds what remains of the Z-drive
End of season 2!
8 notes ¡ View notes
everyryuujisuguro ¡ 2 months ago
Text
Tumblr media
13 notes ¡ View notes
aidenwaites ¡ 22 days ago
Text
You see the thing is Christine is THE teenage posession/grieving your best friend and by extension your childhood book. There's no beating it
2 notes ¡ View notes
dennisboobs ¡ 4 months ago
Text
i wrote another rambly dennis analysis and deleted it <3 y'all don't need that
#ada speaks#this happens every time im on my period like fucking clockwork there's something wrong with me#dennis' essence is contained in the ovaries#it was some shit about how he's not actually the cis male power fantasy so many idiot dudebros think he is#and that he's like. ok listen. this will sound insane and probably piss Someone off but.#dennis is like. the worst and most repressed aspects of a female power fantasy#which. the way glenn treats him is.#basically that#yes his character is inextricably linked to misogyny and male privilege but#it's almost like its coming from a perspective that lacks that and he's somewhat of a hypothetical and very opposite exploration#does this make sense#anyway i dont think i can explain this 👍 but i think he's somewhat of a guilty pleasure to write because of this#all sunny characters are sort of meant to be the Worst parts of humanity that you want to Exorcize as glenn puts it#but dennis feels so.#i don't know.#guy who fears loss of power & fights for it not bc he's aiming for the top but bc he is so afraid of being at the bottom ever again#partiarchy and all. you know.#his privilege (primarily in terms of wealth but also his gender) has been just as much of a curse as it has become a weapon#his parents' neglect & their wealth allowing them to throw money at maids lead to him being taken advantage of by an older woman at school#the view of the abuse and it being recontextualized and forced into a positive that shaped the rest of his life because men can't be raped#but i can't explain the. Thing behind this that feels so#pardon the binary#womancoded.#he's like a love interest in a pulpy romance novel written#and i think its partially because he tries to emulate that and its why he is somewhat successful with women#but i don't think it's because he's catering to them i think he's just. oddly a character that comes across like Women Writing Men#i will Not be commenting on what this says about glenn--#cw csa mention#i cant believe i deleted a post and then wrote a rant in the tags about the deleted post this is my curse#the other one was worded better too 👍
2 notes ¡ View notes
climbdraws ¡ 2 years ago
Text
I'll never forget when I was 12 and first started showing signs of depression/anxiety the school guidance counselor sat me down and told me it was all because of my period
50 notes ¡ View notes
featherymainffins ¡ 8 days ago
Text
When I start having a panic attack about visiting my family I know it's time to go to sleep immediately no ifs no buts
#like ohhhh ok essay can wait for the morning it's sleep time now#aaaaaaaaaaaaaaaaaaaahhhhhhhh girl save me i don't want to go there aha#like haha what will i do wrong this time? doing nothing is also doing something wrong. you must always be doing something to#avoid the wrath. but anything you do can also lead to doing it incorrectly and that will get you punished.#wrong question. wrong tone. a mistake. wrong order of activities.#and hey if you manage to do it all just right? if you take care to never make a mistake to avoid prying eyes to do everything#that needs to be done before you begin to do something to ensure that you'll do it just right with no mistakes on the first try#because you know what happens if you don't; if you manage that; well then YOU will be wrong#your existence; your looks; the way you've changed; the way you haven't. you're nothing. you're not a person.#you're something that must always look a certain way and act a certain way. I'll never be a son but I'm my mother's daughter#and don't you know that a daughter's only purpose is to be everything her mother always wanted to be?#her copy but better; a sort of manufactured god; but she's the deity so what does that make you? you're an offering on the altar#and hey if you manage to be all that; then she might love you! which of course translates to 'she finds you useful'#'she finds you infallible' 'she finds you adequate' 'she finds you productive enough'#'she finds you a good tool to achieve what she's always wanted'#but you have to keep it up. you have to always keep it up. I'm an orphan boy and it'd be easier to be a daughter.#but what does it matter i suppose I'll get hit either way. what does it matter I'm not good enough either way.#i could never be good enough for her to like me. i wonder where I've gone wrong. i would say 'i should have tried harder'#but i have no idea what the thing i've failed at is. i keep asking 'what did i do? what did i do? I'll be better I swear I'm sorry.'#but there is never an answer. there's just me begging like a fool and a bunch of people telling me i deserve it.#just a bunch of people saying that is exactly why i deserve it. that it's not even that bad. What's one exorcism between family?#isn't that right? What's a hit what's a beating what's a death threat; amirite? it's nothing a good daughter shouldn't bear with grace#What's a few insults what's controlling your medical appointments what's constantly shifting the rules of the game?#all just things i am supposed to take better than i do.
1 note ¡ View note
endawn ¡ 5 months ago
Text
excerpt of possible party banter - cole & pax
pax, whispered to himself: stendarr, serva me, nam infirmus sum.
cole: stendarr, preserve me. is stendarr your god ?
pax: …. one of my gods, yes. he is a god of mercy.
cole: does he answer?
p: no.
c: it’s consuming you.
pax: i know.
c: she makes it more bearable, but you’re still tired. [ alt non-rom version: you’re tired. ]
p: i know.
c: i hope he helps you. i’m sorry i can’t help.
1 note ¡ View note
acous ¡ 6 months ago
Text
i think of "when will the foe's delivering stroke set me free to dance and sing?" every once in a while and go insane
0 notes
crplpunkklavier ¡ 1 year ago
Text
im mapping out some plot stuff and i think dig enough graves might just end up around 30 chapters again?? really shaping up to be my magic number wrt longfics
1 note ¡ View note
savanir ¡ 19 days ago
Text
“-So that’s why I got these three soul contracts,” Danny holds up three mystical shimmering orbs of light before promptly smushing them together into one “One soul contract now”
Damian raises an eyebrow, which is impressive to see considering he’s at that moment wearing his mask, “you wanted the drunkard magician to owe you one”
“Clock hinted I should sort it out now for future reasons, I have learned not to argue too much about these things with him, it’s literally and figuratively a waste of time.”
“And that’s why you now have soul sight, he gave you that ability for all this”
“Yeah well funny thing, demons will try to scam you in any way they can, it’s very annoying.” but it was also really great to just go ‘I can see the actual soul stuff I want hidden behind your back…’ whenever they thought they were being clever.
“so- what the heck” Danny startles as Batman enters the batcave.
“Danny?”
“Dami… why does father’s soul look like that” Danny keeps squinting with his eyes, trying to make sense of what he’s seeing
And Damian can feel himself get tense, ready for whatever, “... like what”
“it looks… whole… but it’s like it’s made out of millions of tiny fragments, like a cracked prisma. how does that even work?”
Damian thinks really hard, “but it doesn’t look wrong right?”
“No, it's just the world's most elaborate jigsaw puzzle soul. Please explain?”
“Well… the only thing I can think of is that time where father died after we exorcized the demon Nezha from his body and afterwards brought him back to life cause I asked everyone in Gotham to share a tiny bit of their soul with him”
What “Dami what”
“it was that or dead father, Zatanna told me that my life wasn’t sufficient enough for full resurrection, in fact my life and that of the others wouldn’t have worked, so-”
“millions of Gothamites”
“yes”
“our dad is basically Gotham”
Damian shrugs, “father is father”
“Ancients”
2K notes ¡ View notes
ryukatters ¡ 1 year ago
Text
it's your fault for loving me — y. okkotsu ⁺��⋆。°✩
Tumblr media Tumblr media
⟡ pairing: yuuta okkotsu x fem!reader
⟡ cw: /DARK CONTENT, /yandere! yuuta, /dubcon, /NONCON, ex-bf!yuuta, stalking, he breaks into your apartment, he /manhandles you (he’s strong), /implied babytrapping, /possessiveness, MINORS DNI
⟡ wc: 2.9k (someone sedate me)
⟡ song inspo: language by brent faiyaz
⟡ summary: Your ex boyfriend breaks into your apartment. What do you mean he needs to leave? He’s staying right here.
Tumblr media
The slow, muffled drag of your feet ricochet off the hallway walls as you trudge along to your apartment. You fumble with your keys for a little bit, but find no resistance as you insert it into the slot. 
“Huh, that’s odd…I could’ve sworn I locked it.”
You chalk it up to exhaustion. You're only practically ever home to sleep due to the way you've been throwing yourself onto mission after mission. Even now, sleep is a luxury you can barely afford. You kick off your shoes lazily, not bothering putting them in their rightful place on the shoe rack. 
Maybe before, you would have cared more about keeping the house tidy. Or maybe before, your loving boyfriend would pamper and coddle you the minute you opened the front door, so you never had to worry about the little details like putting your shoes in the right place.
You were exhausted. 
You wanted nothing more than to wash up and plop down onto your soft, soft bed. You don’t even make it to your bedroom door before you pause, anxiety prickling your nerves. 
You sense him before you see him. Yuuta’s cursed energy has always had a tendency to seep out whenever he was around you. Whether it’s a testament to how he’s able to fully relax in your presence or a display of raw power, you’re not sure. 
"You're home," a certain black-haired sorcerer chirps. "How was your mission?"
In the past, simply hearing Yuuta’s voice would be enough to melt away the pent up stress from a hard day of exorcizing curses. It’d soothe your aching muscles and tired soul as you let yourself be enveloped by the weight of his affection. But right now, it did everything except that. 
The shiver of excitement that used to run down your spine is replaced by trepidation caused by the only person who used to be able to comfort you. 
You know better than to ask how he knew you were on a mission, much less ask how he managed to break into your apartment. It seems he's been in here for a while, with the way he seems to have made himself at home on your bed, much like the way he used to before. 
"Why are you here?"
The question makes him sit up. 
“Because I missed you. Is that so bad?”
You want to laugh. The whole situation is all sorts of fucked up, and the two of you are talking about it the same way one would the weather.
“Yuuta, we broke up 2 months ago,” you press, vexation lacing your words. You could never imagine yourself using that tone on him. Yuuta’s always been so meticulous in loving you, in making sure you were happy.  He’s never given you a reason to be upset with him. But that was then, and this was now. 
You could say whatever you wanted to say. You were tired and definitely not in the mood to deal with a supposed burglar that happens to be in the form of your ex-boyfriend.
“I don’t remember agreeing to that,” he says simply.
“You walked out on me!”
“Because I thought you needed some space. And now I’m back. But I never said we were breaking up.” 
Space was an extremely generous term for what Yuuta gave you. If you could consider watching your every move from a distance, keeping tabs on who you talk to, and making sure you stay out of trouble secretly, “space.” He would never let you know that though. It’s too much, too soon.
He couldn't help it, not when his precious baby could get hurt. He’d never forgive himself if that happened.
“Come and sit, my love. You look so tired.” He pats the space next to him. You will your heart not to flutter at the familiar nickname. 
Your body moves before your brain can catch up. It’s almost like listening to him was muscle memory. You pause in your step, cross your arms, and glare at him. 
“Leave, Yuuta. I don’t want to see you.” The words rise from the very depths of your soul and spill out of your mouth like bile, burning and spiteful. It hurts to speak to him like this, even after he’d abandoned you with no hopes of return. 
“Sit, love.” A little more demanding this time. “I’m not repeating myself again.” 
The tension in the air is palpable, so thick you can cut it with a knife.
You take a seat. Yuuta doesn’t miss a beat before he has his hands on you. 
“Missed you,” his hand reaches out to cup your jaw, thumb rubbing against the plushness of your cheek. 
You’ve always been so soft, it’s one of the things Yuuta loves the most about you. 
You flinch. Blame it on the adrenaline coursing through your body like wildfire. Your fight or flight response is shot. Yuuta’s touch seems to rewrite everything that’s been hardwired into your brain. 
He presses a chaste kiss to your temple, before moving down to kiss the tip of your nose, and both of your cheeks. Each press of his lips leaves feels like it’s being seared into your flesh, a metaphorical branding iron of sorts— to show that you’re Yuuta’s and Yuuta’s only. 
Your mind goes blank when he sucks a kiss into the side of your neck, whimpering pathetically as he grazes his teeth along the sensitive skin. 
“We can’t do this,” you assert, but the words get stuck in your throat, so it comes out more as a whiny sigh. Your body seems to have a tendency to betray you when it comes to him.
“But we can,” Yuuta coos, pushing you down until your back is flat against the mattress. He takes both of your hands in his, lifting them up until they’re above your head, effectively pinning you in place. “We’re doing it right now, aren’t we?” 
Yuuta can appear pretty unassuming to outsiders. He’s quiet, reserved, almost meek. If one were to take a closer look, however, they’d realize that beneath that unostentatious front was a more commanding aura, one that forces you to submit to his whims with his sweet tongue and sensuous touches. Perfectly calculated, perfectly executed. 
"I fucking hate you,” you spit, thrashing against his hold, but to no avail. 
"No you don't,” Yuuta shuts you down with conviction. Like it’s the absolute truth— the kind that can’t be twisted or broken. It almost feels like he’s chastising you for thinking otherwise. “Take that back right now.”
To be honest, hearing those words stung more than any physical blow you could have ever landed on him. Has he not shown you enough love? Or have you already forgotten? 
Isn’t what you have pure love? 
A hand wraps around your neck, lithe fingers inching up before they grip your jaw, forcing you to look at him.  “I said,” blunt fingernails digging into your skin, “take it back.”
You sputter out an apology with teary eyes, an odd mix of humiliation and regret seeping into your bones, stomach swirling with shame and to your horror, a tinge of anticipation. 
It’s pathetic, really, how easily you give in. 
“Now give me a kiss, sweetheart.” Yuuta bridges the gap between the two of you. He presses his already throbbing bulge against your clothed pussy, moaning into your mouth appreciatively.
You feel so dizzy you think you might explode. 
Yuuta makes quick work of the buttons on your uniform, releasing your wrists so he can throw the offending garment and all your underthings beneath it to some random corner of the room. 
Calloused hands roam your body, squeezing and groping, as if to map out the cartography of your flesh, committing each peak and valley to memory. He watches in fascination how your skin bristles with goosebumps in the wake of his touch. 
He ignores your pleading cries and attempts to push him off. Yuuta is being driven by pure instinct alone. That sick, twisted voice in his head that he’s always tried to suppress whispers. It goads him on to take what he wants, to make sure you remember that you’re his, and his alone. 
He knows that you haven’t been seeing anyone. You were always so loyal, even when you were upset with him. Anyone who did try was taken care of the minute they left your sight. 
It’s been far too long since he’s had you. His desire fills him with a sort of quiet rage, one that metamorphoses into something darker, more sinister and morose the longer he goes without you. Almost like a curse that’s gone far too long without feeding. 
Yuuta Okkotsu loves you to the point of madness.
He thinks he might literally implode in on himself any second longer without you.
It’s almost laughable how different the two of you are. An ethereal beauty too good for this world, yet here you were in between the legs of a cursed man with too much love than he knows what to do with. 
“Yuuta, please,” you cry out. You flail your legs in an attempt to kick Yuuta off. He catches both with ease, throwing them over his shoulder to slide your bottoms off, leaving you completely bare. 
He can’t suppress the groan that tumbles past his lips. You’re even more beautiful than he remembers. 
You’re dewy eyed and gasping, nails clawing at his forearms and beating at his chest in a last ditch effort to stand your ground. Nothing can deter him. 
Yuuta could easily heal himself if he wanted to. But the angry red welts and blossoming hues of purple on his pale skin are a badge of honor of the utmost prestige. It’s undeniable proof that you’re real, that his love for you isn’t just a fragment of his imagination, and that none of this was just some pipe dream. He could take a little pain if that meant you got to be his. 
He’s always been yours without any reservations. 
“You can cry if you want, if it helps,” he says genuinely, but the gleam in his eyes shifts into something predatory. “But you should know you’re really fucking wet.” As if to prove a point, he slowly fucks his middle finger into your weeping hole, then his index, then his ring. They curl up to rub against that spongy spot just the way you like. 
You let out a sharp gasp, spine arching off the mattress. 
You tried to ignore him—detach yourself from the whole situation, let him get his fill, and be done with this whole ordeal. But it’s Yuuta— the man has a grasp on both the corporal and spiritual parts of you that you can’t bring yourself to understand. It seems like he knows you better than you know yourself sometimes. And right now, he’s managed to make a home in all five of your senses. There’s no escape. He's made sure of that. 
He pulls out his fingers with a lewd squelch. A clear sheen of liquid coats every digit, stringy as he parts them to show you. He smiles knowingly.
“You keep fighting me, but it turns out you want it after all, sweetheart.” 
Your cheeks burn in humiliation. Whether it’s from the situation at hand or the truth behind his words, you’re not too sure. 
“Don’t you know?” Yuuta rasps, fingers going back to work their way inside you rhythmically, bringing you closer and closer to the precipice, paying special attention to how you try to mask how your face contorts in pleasure. 
He presses his forehead against yours, willing you to look at him wordlessly. “I know what’s best for you. I know what you want. And right now, this little pussy wants to be fucked. Isn’t that right, my love?” 
He’s met with a breathless moan. You’re so close. Tears threaten to fall as your chest heaves in exertion, trying not to teeter off the edge too soon. 
You look so pathetic it’s insane. Yuuta swears he can feel his mouth water in anticipation for what’s bound to come next. He thrusts his fingers with calculating speed and precision, the heel of his palm slapping against your neglected clit just right. 
He leans down right when you cum, lips catching yours as you moan into his mouth. Satisfaction swells in his chest as your slick drips down his wrist. 
“You’re ready.” 
Yuuta unbuttons his pants, pulling it down just enough for his cock to spring free, tip slapping his abdomen as it leaks with precum. He fists it, jerking his hand up and down his length. He slaps it against your clit once, twice, and a third time before he slips it inside your weeping hole. 
Your walls spasm around his cock to accommodate his sheer size and girth, struggling a bit more than usual. You feel so full. It’s been far too long since he’s fucked you. You claw at his lower abdomen, trying to make space between the two of you. It’s all too much, all at once. Yuuta won’t have it. He slips his hands under your sweaty thighs, pinning your ankles on either side of your head, effectively folding you in half. You cry out at the stretch.
“Always take me so well, angel.” 
He sets a steady pace, dragging his cock in, pulling out, and then back in with an absurd amount of force. The sound of skin on skin ricochets against your bedroom walls like a sort of cacophonous symphony. You don’t get the luxury of the sweet, slow thrusts he usually blesses you with, while he coos about how good you are for him. 
“Where’s all that attitude from earlier? Am I making you feel that good?” 
You glower, refusing to acknowledge the fact that your body betrays your mind— that Yuuta’s bringing you closer and closer to nirvana the further he drags you down into hell. 
He slides his hand down your tummy, rubbing your clit in time with his thrusts.
“Yuuta—!” You clench around his length, hurtling towards your second orgasm quickly. 
“You’re so greedy. Cumming again already?” 
He’s met with silence. He’ll forgive your transgressions this time around. He’ll just have to teach you how to be his good girl again. 
A particularly rough thrust has you choking back a moan.
“Thought so. Cum for me, sweetheart.”
Your peak hits you like a crashing wave. Your body tenses, leaving you gasping for air as you clench around Yuuta’s cock. You cry out deliriously, falling apart as Yuuta continues to pound into you. It’s too much, but you can’t pull away even if you tried. You’re stuck.
“I’m the only one that can make you feel this way, understand?” He grits his teeth, staving off his release just a little longer. He fucks you through your orgasm thoroughly as he chases his own. 
He presses all of his body weight on top of you, your legs on either side of his head as he folds you into a mating press. He groans at the change in position, allowing him to fuck into you even deeper. 
Realization cuts through your cloudy judgment like a sword. 
“Yuuta— Yuuta, please. Pull out–!” 
Your pleas fall on deaf ears. He’s rambling now, intoxicated by all you have to offer, yet you’re the one paying the price. The effects of overstimulation are taking over now, your body twitching involuntarily with each thrust. 
“I’m not leaving you, ever. It’s just you and me.” 
You shake your head in objection, mind too hazy to voice out any resistance. Tears well up, threatening to spill from your lash line. 
Yuuta nods with a grin, canines glinting, just like a predator that’s caught its prey. “It’s true, sweetheart. I’ll make sure of it. Say I’m it for you. That I’m the only one.” 
“Say it.” 
“You’re it for me, Yu. The only one.” You babble, tears streaming freely now. 
You feel the moment he reaches his plateau— the way his dick twitches inside of you right before your walls are being painted white with splashes of Yuuta’s hot cum. 
Your fate’s been sealed. 
He fucks into you a few more times, heavy balls slapping against your ass as he rides out his orgasm. A white ring wraps around the base of his cock, the copious amounts of seed he’s poured into you threatening to leak out. 
Yuuta doesn’t bother pulling out. In a quick show of dexterity and freak strength, he manages to flip the both of you so that your positions are switched, with you lying on top of Yuuta’s chest. The steady beat of his heart fills your mind. 
Your entire body is on fire. You feel numb. You let yourself be carried away by the prospect of sleep, hoping that you’ll wake up to find that this was all just some wild fragment of your imagination.  
He presses a hand against your head, like he was afraid you’d pull away and ruin whatever fantasy he’s deluded himself into believing. 
The simple truth is– Yuuta Okkotsu loves you. And he’ll do whatever it takes to make sure that no one else gets in the way of that. 
He runs his hand up and down your bare back lovingly, admiring your spent form. You’ve always been so soft. So pliant, so willing to give in to his desires. 
It’s the thing that Yuuta loves most about you. 
Tumblr media
a/n: i had to reupload bc this hellsite sucks. hopefully this shows up in the tags now
tagging @princess-okkotsu again hehe
3K notes ¡ View notes
vaspider ¡ 1 year ago
Text
Last year I wrote about what happened at Pride when a couple of kids didn't understand why us older folx were so bitter about Reagan.
This year, I have something a little softer.
Someone who looked a little older than me came up to the booth wearing a pink t-shirt proclaiming him one of the Sisters of Perpetual Indulgence, San Francisco chapter. As I was ringing him up, I asked if he'd been involved for a while.
"Yes," he said, "for a bit," in that way us middle-aged people do when we're sort of wincing and feeling old.
"Okay, well," I said, sitting at my register in my queer booth full of queer clothes and patches and pins, topless in public for the first time. (I had pasties on for my own comfort bc I was working, but I live in the city of the Naked Bike Ride, and I took full advantage). My baby brother and both of my partners ran around behind me, my brother wearing a loose tank top that makes his scars visible.
"I need to tell you that you all helped keep me alive."
He blinked at me as I continued, "I was a kid in high school in the early 90s. I lived in the middle of nowhere in Pennsylvania, and what you all were doing was so loud and so out there that even I heard about your work. It was one of the things that kept me alive. So thank you, and please thank the rest of the Sisters."
I heard about them through people in my parents' church complaining about them, and then I sought more information through the beginning of the internet, through newspapers, through anything I could find. I found the cover of Newsweek that one of the Sisters was on. I read about their "exorcism" of fundamentalist preachers whose books sat on the shelf in my parents' basement and probably still do. I saw how loud and colorful and unapologetically queer they were.
The knowledge that someone was out there, so full of defiant joy, refusing the shame that people kept trying to put on them? Oh, that kept me alive. I saw them, and I knew I could make it through. I wrapped my hands around that knowledge, and I held on so tight.
It took me a long time - a long, long time - to unwind most of it for myself and get to the point where my fat butch ass was sitting bare-chested in the July breeze, looking up at him as he held out his arms and said "you're actually giving me chills." I answered, "I mean every word. You helped keep me alive. So thank you."
I never know what to say when people come up to me in public and tell me that I helped them or changed their life in some way. I appreciate it, and I genuinely love the people who apologized for "fanpersoning" at me last weekend, I just never know what to say. I'm incredibly grateful that the Sister I spoke to was incredibly gracious, saying "usually we give blessings, but I feel like you blessed me." Another member of the party let me pet their tiny dog, who was not very interested in me, and that's okay. It was an overwhelming day. Then, they moved on.
Me? I'm still sitting with the fact that I looked last weekend into the faces of people who didn't know they were holding my head above water, and that I got to tell them the work they do matters. It's a rare thing to get to tell someone, "You saved me," and I'm treasuring it.
Last weekend, I wore my new battle vest with nothing underneath it, unless it was too hot, and then I just sat in my chair, chatting and ringing ppl out with my skin free to the air. I decided last year that top surgery isn't for me, but that also I'm going to love this body unapologetically, and it's no less a transmasculine body because the soft new dark hair on my belly isn't accompanied by pink scars along my ribs.
I didn't get here on my own. I got here because someone else cut through the undergrowth ahead of me so I could take another step forward. Here I am, decades later, still taking step after step, one at a time, and trying to lay paving stones behind me.
Last weekend was another step along that way, another step through unwinding the fear and shame and sadness that my parents and their church built into me. Another step out of hating myself for hiding parts of myself for so long, for acting out in other ways to distract people from my queerness, for feeling so much guilt when other people tell me I'm brave, because I know how much of myself I hid for how long because I was a coward, because I was afraid.
Another step into expiating stigmatic guilt.
3K notes ¡ View notes
p0orbaby ¡ 4 months ago
Text
Forty Winks Would Be Just Priceless
summary: your kid only sleeps when being driven, the diva that she is
warnings: none !
a/n: if someone could drive me around to get to sleep that would be great
word count: 1.7k
-
It’s 2:47 a.m., and you’re sitting in the passenger seat of a car that you didn’t even know Leah could operate at this level of exhaustion. You’re wondering if she’s siphoning energy directly from the Devil, because that’s the only explanation. The car smells like a combination of McDonald’s fries, stale coffee, and something unidentifiable that you’re hoping isn’t some sort of roadkill under the bonnet. Your wife is behind the wheel, white-knuckling it like she’s doing 90 on the M25. In reality, she’s going 15 miles per hour around your parish.
Again.
“Is this the fifth lap or the sixth?” you ask. You’ve lost count. Somewhere around lap three, you started dissociating. The glow of the streetlights is the only indication you’re still on Earth.
“Does it matter?” Leah responds, glancing over at you with an arched eyebrow that you recognise as the look she gives opponents who try to muscle her off the ball. Leah has three moods: sweet, commanding, and “I could end you without lifting a finger.” You’re currently dealing with the third. The funny part is, she’s only this intimidating when she’s wearing a hoodie over her messy hair, dark circles framing her bloodshot eyes, which she insists is the result of “just a little” caffeine.
You eye her warily. “Maybe not,” you admit, slumping lower into the seat. You glance over your shoulder into the backseat, where Eden, your two-year-old sleep terrorist, has finally succumbed to the soothing vibrations of the Mercedes. Eden’s head is lolling to one side, mouth slightly open, and you’re just about convinced she’s auditioning to be the next exorcism case.
Leah’s been driving for about an hour now. You’re on your third consecutive night of the same routine: dinnertime is war, bath time is a ceasefire, and bedtime is a full-blown, special-ops mission with all the difficulty of invading a heavily guarded country. Eden has the upper hand. Eden is always ten steps ahead. And the only way to win is to retreat—to the car.
“I feel like we should get a second car,” you suggest, half-serious. “One specifically for these midnight missions. Maybe something with better fuel efficiency”
Leah gives you a side-eye that says, “You’re joking, right?” But you can tell she’s considering it. “Or we could teach her to fall asleep like a normal child. In her bed. At bedtime”
You snort. “Teach her? Are we raising a human or a feral cat?”
Leah doesn’t even have to respond to that. Eden is a force of nature. You’re just two unfortunate souls caught in her tiny hurricane.
“And what do we do when she grows out of this?” Leah asks, but it’s more like she’s thinking out loud. “Do we drive her to school every day just to get her to wake up?”
“Let’s just worry about surviving the next hour,” you say, looking at the clock. You remember reading somewhere that car exhaust fumes can lull a person to sleep. You briefly wonder if that’s what’s happening to you right now.
Leah clicks her tongue in thought, turning onto the next street, where a dog that clearly suffers from some kind of psychological trauma is barking at nothing. “When I was little,” she begins, “my mum would drive me around to get me to sleep, but we lived in the countryside. There were no barking dogs, just the occasional sheep”
“Well, that’s why you turned out so well-adjusted,” you remark dryly. “If Eden grows up thinking the only way to fall asleep is to go for a drive, she’s going to need therapy. Which we can’t afford, by the way, because we’ll be spending all our money on petrol”
Leah chuckles, but it’s the kind of laugh that’s a little too high-pitched to be real. “We’ll add it to the list of things she’ll blame us for when she’s older. Right next to ‘Mum used to make me eat vegetables’ and ‘Mama never let me play with knives’”
Eden lets out a little snore, and you both freeze, staring at the rearview mirror. Leah’s foot hovers over the brake pedal as if any sudden movement might wake the tiny monster in the back. You can practically hear both of you holding your breath, waiting for the inevitable cry of protest that’s sure to come the second the car stops moving.
But it doesn’t come. Instead, Eden’s snore deepens, becoming the kind of sleep sounds that suggest she’s off in dreamland, probably riding unicorns or setting fire to imaginary villages.
You relax a fraction, and so does Leah, though she’s still gripping the wheel like it’s her last lifeline. You wonder if she’s ever used this level of concentration on the pitch. You’ve never seen her miss a tackle, but this is an entirely different ball game.
“So, when do we stop?” Leah whispers. You can hear the exhaustion in her voice now, thick and sludgy like she’s been awake for a week.
You consider this. “We could keep driving until sunrise. Then she’ll wake up with the sun and think it’s a new day. Maybe it’ll reset her sleep schedule”
“Or we’ll just be perpetually exhausted and still sleep-deprived, except now we’ve got morning traffic to deal with,” Leah counters. “You know, if we were living in a different era, this could be considered some form of witchcraft. Driving around in circles at night to get a child to sleep. Someone would’ve burned us at the stake by now”
“Wouldn’t that be a relief,” you mutter, then immediately regret it, because even though you’re joking, you’re too tired to be sure.
Leah sighs. “I love her. I really do. But sometimes I wonder if we’re the ones being trained here”
“There’s no wonder about it,” you reply, deadpan. “We’re definitely the ones being trained. She’s got us figured out. We’re puppets. Eden pulls the strings, and we drive”
Leah smiles at that, though it’s more of a grimace of acknowledgment. “You know, when I said I’d do anything for her, I didn’t realise it included nighttime rally racing in a residential neighborhood”
“Should’ve read the fine print,” you say, then yawn so hard it hurts. “But hey, at least we’re doing this together, right? Quality time”
Leah glances over at you, and this time, her smile is real. It’s small, but it’s there, and it makes you feel a little less like a zombie. “Yeah,” she agrees softly. “I wouldn’t want to do this with anyone else”
You reach over and squeeze her hand, and for a moment, there’s peace. Not the kind of peace you’ll ever find in a parenting book or one of those sanctimonious mommy blogs, but the kind that exists in the trenches, where you and Leah are currently wading through knee-deep toddler warfare.
As you turn onto yet another street that looks identical to the last, you finally admit defeat. “Let’s call it,” you say. “She’s out. If we keep going, we’re going to end up in Scotland”
“Good idea,” Leah says, already beginning the slow process of easing off the gas and pulling into your driveway. She parks with the kind of precision that makes you think she missed her calling as a getaway driver.
You both sit there for a minute, basking in the silence that only comes when your child is finally, blessedly asleep. You’re in no rush to move, because you know the second you do, Eden will sense it and all this work will be undone in a matter of seconds.
But Leah is braver than you. She quietly turns off the engine, unbuckles her seatbelt, and with the precision of a bomb squad technician, she turns to the backseat. You watch as she gingerly unbuckles Eden, cradling her like she’s made of porcelain.
And somehow, miraculously, Eden stays asleep. Leah manages to get out of the car, Eden still snoozing in her arms, and you’re right behind her, ready to perform the hand-off should things go south.
The two of you tiptoe through the house like burglars, careful to avoid every creaky floorboard. You’re halfway to Eden’s room when she stirs, and you both freeze in place like deer caught in headlights. But then she just shifts in Leah’s arms, sighs deeply, and snuggles closer into her mother’s shoulder.
You finally reach the cot, and Leah lowers her in with the gentleness of a saint. The transfer is seamless. Eden doesn’t even flinch.
The second the cot rail is up, you and Leah back out of the room like you’ve just completed a high-stakes mission, which you basically have. The door closes with a soft click, and you both stand there, wide-eyed, disbelieving.
“She’s asleep,” Leah whispers, like she doesn’t dare believe it.
“She’s asleep,” you echo, equally stunned.
And then, without warning, Leah lets out a sound that you can only describe as a half-crazed giggle. It’s infectious, and you start laughing too, because it’s either that or you’re going to cry, and honestly, you’ve done enough of that in the last few days.
“We did it,” you say between breaths, leaning against the wall for support. “We actually did it”
Leah pulls you into a hug, and it’s warm and comforting, and it feels like a reward for all the hell you’ve been through tonight. “We make a good team,” she murmurs into your hair.
“The best,” you agree, letting yourself relax into her embrace.
But as you’re standing there, holding each other in the hallway like the survivours you are, you both hear it: the unmistakable sound of Eden stirring, a tiny whimper that promises to turn into a full-blown cry in about three seconds.
You look at each other in horror, and without a word, Leah grabs the car keys.
“You can drive,” she says, already heading back towards the front door.
You don’t even argue. Instead, you grab your the keys from her, knowing full well that this battle isn’t over yet.
And as you both head back to the car for yet another sleepless night, you can’t help but think that one day, years from now, you’ll look back on these nights with some kind of twisted fondness.
But for now, all you can do is keep driving.
426 notes ¡ View notes
just-jordie-things ¡ 2 years ago
Note
I know he's not your favorite but consider... #73 with Itadori... short reader has a crush on him but is too afraid to confess bc she knows he likes tall girls lol I think this could be super cute
kiss prompt 73: height difference kisses where one person has to bend down and the other is on their tippy toes
a/n: first time writing for itadori !!! ___
if you had to think about it, you'd had a crush on itadori yuuji since the day you met him.
after getting a call from megumi where he'd begrudgingly asked for your help tracking down a cursed tool that some spooky-loving school club had snatched before he could, you hadn't expected things to take the turn they did.
as soon as you'd run into the pink haired boy, it was like a daze took hold of you. megumi honestly could have believe you'd been poisoned with how you stammered over your words and moved awkwardly. he'd never seen you so out of it when exorcizing curses. you were sloppy, defensive maneuvers delayed, offensive maneuvers... megumi would have gotten the job done better when he was ten, so, let's just leave it at that.
but nothing would have stopped itadori from eating that finger, and, well, we all know what happens from there.
you were surprised with how quickly he adapted to an entire world he'd never known the existence of. he was an avid learner, eager to train, eager to educate himself. he was always asking you questions that megumi found silly having grown up in jujutsu society, but you'd been happy to talk to him for hours about the ins and outs of it all. that was how your friendship began to blossom, you supposed.
it was easy to crush on yuuji. he was kind, handsome, silly, and had a warm energy about him that just drew you to him like a moth to a flame. even with your harbored feelings for him, being around him was easy, and comfortable. you'd only known him a few months, but the way he treated you made you feel like you'd been close friends for years.
however, due to how close you'd gotten, you were well aware that you were not his type. he'd joked a few times about how he liked tall girls like jennifer lawrence, and you didn't exactly meet that standard.
after he'd casually let that information slip, you found yourself comparing the height difference between you two more often. it was no shock that he was taller than you, you could remember the first time you'd met him you'd tilted your head back to stare up at him- your eyes had been blown wide like a deer caught in the headlights of an oncoming vehicle. he'd just leapt through a window like it was nothing and fought alongside you like his entire reality hadn't just flipped upside down- but now that he'd made his ideal type clear, you'd frown when it would dawn on you that you were barely even an average height.
you'd stand up a little straighter when you were standing before him, but even still you'd tilt your chin so you could look at him properly. he'd noticed the sour expression on you a few times, but you always brushed it off as something else. it felt sort of childish to tell him that you were upset for not being taller.
it's one afternoon that you're out shopping with the other first years that you finally tell him the truth. not that you'd planned to, of course, you were ready to take this secret to the grave.
but you're wandering around with yuuji, half avoiding nobara who was on a rampage and throwing armfuls of clothes at megumi, and half looking at the display of silly hats. some of them were cute, but most of them were pokemon themed, or beanies with funny saying.
yuuji had excitedly picked up a fluffy pikachu hat, complete with the tall ears, and fluffy yellow flaps that hung down your face, ending in paw shaped pockets that you could stick your hands into. he was grinning as he turned to you to tug the hat over your head. you had half a mind to scold him for ruining what was a good hair day, but you keep it to yourself. he looked too happy to have you model the accessory for him.
and you'd thought it was cute, at first. then you take note of how he has to stoop over to reach your level in order to properly adjust the dorky hat, and you're made aware again of how short you are in comparison to him. of how small in general you are compared to him. his tall stature complete with broad shoulders and biceps that were starting to display how hard he'd been training himself- as appealing as he was to look at, you're frowning due to your own self pity.
and when he's done playing with the droopy ears on top of your head and sees the look on your face, he's frowning, too.
"what's wrong?" he asks, quietly, worriedly, like a good friend. "you don't hate pikachu, do you?"
it makes you laugh, even just a little bit, and yuuji gives you a small smile in relief that his joke worked to ease your sad expression, even just a little bit.
"no, it's not pikachu," you huff, pulling the hat off your head and placing it carefully back on the mannequin. "i'm just short"
his brow furrows, assuming at first that he'd heard you wrong, but when you don't say anything else and give him an awkward shrug, he realizes you're serious.
"so?" he asks, chuckling to himself. "what's so bad about that?"
you avoid his gaze while you pretend to take interest in the other hats on the wall, despite you not being a hat person, which he knows.
"it's pretty dumb" you say, running your fingers over a fluffy sylveon cap that was similar to the pikachu one.
"try me" yuuji smiles at you, leaning into the display to catch your attention again. his smile reaches his eyes, and he seems to genuinely hopeful to ease your foolish concern, that you find yourself giving in.
"promise not to laugh at me?" you mutter.
he raises a hand to his chest, drawing an x over his heart before raising his palms towards you in silent promise. you crack a smile at how serious he's taking this.
you take a deep breath before confessing the thought that's been plaguing your mind for the last few weeks.
"i know you like tall girls," you say, staring straight ahead at the sylveon hat like it had been the object of your desire for our entire life. "and i know i'm not even close to being called tall,"
yuuji blinks a few times, his brows raising as he processes this information.
you were upset because you didn't consider yourself his type? did he understand that right? so this was because... you wanted to be his type?
"well, maybe a fifth grader would think i'm tall," you began to mumble to yourself. "but that doesn't really make me feel better-"
"you think you wouldn't be my type because you're so short?" he cuts off your rambling, and she turns to him with a bewildered expression.
"well you don't have to put it like that," you mumble with a furrowed brow. "kinda makes me feel worse-"
"(y/n), i promised i wouldn't laugh," he cuts you off again, stepping forward to wrap his hands around your shoulders. "but that's the dumbest thing i've ever heard!"
you frown up at him, not comforted at all at his attempts to make you feel better.
"you're really bad at this" you tell him, and he begins to break his promise as a few giggles escape through his toothy grin.
"are you kidding?" he teases. "you're the cutest person i've ever met!" he reaches his hands up to your face, squeezing your cheeks together playfully. "i don't want you to be any taller, i like you just the way you are!"
your face begins to heat up under his touch, and with his hold on you, you have no choice but to stare back at him, only making your blush burn hotter.
"you are my type, even as a tiny lil' tater tot," he says, and despite his laughter, you can tell he's being completely genuine. you can see it in the shine in his eyes as he stares at you. "that doesn't matter. what matters if you're a really awesome fucking person, and a badass"
the knot between your brows begins to relax and your lips curl into a smile at his sweet words.
"you're not just saying that?" you ask quietly, just to be sure he wasn't spewing out bullshit just to make you feel better.
yuuji laughs at you, the corners of his eyes crinkling from pure joy. he doesn't respond, but he doesn't need to say anything else.
instead he leans over you, bending almost dramatically to reach your short stature in order to press his lips against yours. it's a short kiss, but it's sweet, gentle, warm- all things yuuji.
when he pulls away, before he can stand back up properly, you're shooting up to the tips of your toes, your hands flying towards his shoulders for balance as you return his kiss. it's fast, eager, curious- all things you. he can't help but smile against your lips as he drops a hand from your face so he can wrap his arm around your waist, keeping you close.
you both distantly hear a harumph! from a passerby in the shop, having forgotten you were still in public. you pull away with sheepish smiles and pink cheeks.
"you are short though" he tells you point blank.
"i know, yuuji" you huff.
"but i like it" he says proudly, and you turn away so he won't see how your blush is spreading down your neck.
you still notice the significant difference in your height often, but it's mostly due to yuuji pointing it out every time he bends over to kiss you from there on out.
___
a/n: i love him sm it's criminal that i haven't written for him :'( xoxo ~ jordie
3K notes ¡ View notes
fatesundress ¡ 2 years ago
Text
⭑ for the love that used to be here. tom riddle x reader
Tumblr media Tumblr media Tumblr media
summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.
tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people
note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡
word count. 21.8k (i know... i KNOW)
Tumblr media
You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.
You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.
He evidently does not.
“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.
You narrow your eyes. “‘Scuse me?”
“I said the powder has to be completely fine.”
“I heard you completely fine. I know how to read.”
He stares blankly at you before returning to his own station, and that’s that.
It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.
There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.
That decides it. Flotsam still floats.
Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 
…It’s just that he’s insufferable.
The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.
Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 
“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.
You blink at the vague shape of him. “What?”
“If you don’t hurt them back, eventually, they’ll just kill you.”
In hindsight, it’s an assumption so hastily bleak only a scared child could make it.
I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.
You roll over and pretend to sleep, and in the morning, you hurt them anyway.
It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.
Tom sits with you in the Great Hall for dinner that night, and he never really stops.
You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.
When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.
You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.
Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 
Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.
You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.
For a month you remain innocuous as can be. You browse through rare historical tomes and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 
You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.
It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.
Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.
You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.
Tom is cross-legged and sat straight, his brows furrowed in concentration.
“What’ve you got?” you ask, leaning over to answer your own question.
Tom as good as rolls his eyes, holding up the book to give you an easier look.
“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”
“It’s the stuff they’ll never teach us.”
“I wonder why.”
He steals a glance at your own book and smiles in that smug way that makes you want to slap him.
“What, Tom?”
He shrugs. “You might want to know you’re reading stories about the author.”
You look down. Lore of — Godelot wrote Magick Moste Evile? 
It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.
“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”
“Well, they’d be out of his quill.”
“Oh my God, Tom, shut up.”
All good things must come to an end. Term resumes and your hackles are back up. 
Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.
Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 
You suppose, for them, it’s a question with few answers. 
For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.
He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)
Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.
You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 
They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.
You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.
“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.
He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”
“Don’t get ahead of yourself. I’m only curious.”
“Curiosity—”
“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”
He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.
You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.
But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.
“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.
“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”
“Of course,” he says blankly. “Hence this.”
This — restricted books and furtive duels — should not be necessary. 
“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”
He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 
It isn’t enough to be as good as them. You have to best them, and you have to do it forever.
The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 
The worst of the world has impeccable timing.
A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.
So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.
And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.
BOMB’S HAVOC IN CROWDED PUBLIC SHELTER
MOTHERS AND CHILDREN AMONG THE CASUALTIES
DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN
All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.
The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.
It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.
In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 
You figure the reason for the extra space is probably not one you want to know.
Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.
But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 
He doesn’t, or at least doesn’t say he minds your relocation.
You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 
You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.
“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.
Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.
He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”
“...Riiiiight, but that isn’t a proper answer.”
You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 
“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”
“An altercation.”
“Very good, that is what I said.”
You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 
“And I suppose you’re above such incidents,” he muses.
You cross your arms and huff. He always wins games like these.
You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 
But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 
She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.
For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.
Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)
Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.
“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.
“Perhaps someone else has,” Tom suggests.
“What? Malfoy?”
You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.
But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”
Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —
“A professor?”
“It may be.” He says it like he’s already decided his suspect.
He is, as always, and ever-infuriatingly, correct.
It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.
He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.
Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.
You consider it a warning.
Tom does not.
“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”
His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.
“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”
“So?”
It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.
“So?” You make an aggressive move with your knight. “So don’t give him one!”
He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.
“Are you stupid, Tom?”
You glance at the board. He’s got Check. A terrible, true answer.
“No,” you finish. “Then don’t act like it.”
Your king glances at you and you nod. He falls. The game is resigned.
Tom acts stupid.
Dumbledore knows.
It all happens very fast.
You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.
You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.
You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.
“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”
Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”
You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.
“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”
“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”
“I —”
“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”
You swear a great deal when you’re cold and mad, apparently.
“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”
“It doesn’t matter! He knows it’s you! He was staring at you all class!”
“So nothing novel then.”
“D’you want me to blast you again?”
His lips form a flat line. No. That’s what you thought.
You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”
That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.
“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.
“Tom.”
“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”
“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”
Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”
“I am half-drowned, dickhead.”
And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.
It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.
The day everything changes starts the same as any. 
You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 
Tom has cracked the book.
It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.
“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.
He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.
“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”
“Tom, I have no idea what you’re talking about.”
“It’s an Encyclopaedia on Parseltongue and its known speakers.”
You flip through the pages and none of it means anything. “Parseltongue?”
“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”
“Okay, so, what — you’re trying to learn it anyway?”
“I have no need.”
You frown. “You… you already know it.”
“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —
“You’re not muggle-born.”
“No, I’m not. And Dumbledore knows.”
“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”
“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”
“Why would he lie?”
“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”
You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.
“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”
He sighs, taking your hand and leading you further into the woods.
“Are you trying to murder me?”
“I might.”
“You’d be the first suspect.”
“No, I wouldn’t. You’ve far too many enemies.”
Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.
He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 
It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.
“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.
There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.
“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”
You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.
“Oh my God. Oh my God, Tom.”
The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.
“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.
He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 
“Should I?”
And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”
It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.
Tom’s smile fades. “We’re nothing like them.”
The thing is, neither of you know that’s the day that changes everything.
You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.
Summer blisters when it comes.
Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 
And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.
A stupid remark. You fervently ignore it.
Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.
But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.
It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?
You say the same to Tom and he rolls his eyes, but the amusement is there.
“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.
“If they’re yours, I doubt they have anything worth discussing.”
And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.
He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.
Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.
You always are.
The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 
Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.
He’s had an ego forever. He just has a few too many reasons for it now.
And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.
Everything changes but the observable truth that he is still insufferable.
You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.
You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.
You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.
Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 
You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.
So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 
It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.
It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.
Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.
The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 
You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.
Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 
But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.
“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.
Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.
“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”
He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.
You move to catch his wrist and manage it this time. “Tom.”
“Don’t argue,” he says thinly.
“You’ll get sick.”
His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”
Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.
Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.
When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 
What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.
You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.
Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.
You are regardless. 
It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.
A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.
Life is for the magical, you find. The muggles can burn.
It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.
You remember with a small ache that you no longer means you and him.
And then — it makes sense. You feel incredibly stupid.
“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.
He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”
“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”
“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”
“Why did you tell him, Tom?!”
“Why?” he deadpans.
You throw your hands up. “Oh, for fuck’s sake.”
“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”
“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”
Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.
To be short, he’s close, he’s very beautiful, and sometimes you despise him.
“Trust me,” he says again, without the derision of the last time. “This will change things for us.”
You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.
You are not his keeper. You know that. 
“Change them for the better, Tom,” you say on a sigh.
He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.
And he does nod, finally, but he does it with his thumb brushing the corner of your lip.
What? Sorry. What’s going on?
He pulls it away like he’s heard you. “You had something.”
You’re almost positive you did not.
Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.
You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.
Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.
Your contentment is remedied quickly.
Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.
You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.
Tom nods at your theory when you manage to escape to the Black Lake together in November.
“That isn’t unreasonable,” he says. High praise.
You sink into the moss, sighing. “Do you think there’ll be more?”
He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.
You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”
“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”
“How’s that?”
“No one would be senseless enough to try.”
And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.
One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.
It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.
You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.
It happens again.
Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.
There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.
You cry that night. You can’t remember the last time you cried.
This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.
You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.
You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)
He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 
And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.
Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.
And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.
The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.
The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.
That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.
One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.
The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?
You take to the library.
Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.
The third sign is the end. 
You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.
He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 
And he’d killed Myrtle Warren.
So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.
Don’t become like them now that you’re not like me.
He’s something else entirely.
What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.
You stand; and you tell no one. Not even Tom.
His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 
You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 
“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.
You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.
“Mhm,” you hum, transfiguring the daisy stem back to its regular length.
Tom observes it with curious eyes. “You’re getting good at that.”
“I’ve been good at it.”
His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.
His own doing and still you flicker with some relentless hope that he's drowning in regret.
“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.
You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.
You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.
He sees all of you.
Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.
“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.
“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."
He stares at you. There’s nothing there.
“Tell me, Tom.”
Your breath catches on an automatic please but you don’t want to offer him that.
“I cannot.”
Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.
It’s late winter and it’s too cold.
“You killed her,” you say quietly.
“If I told you I did not wish for it, would you even believe me?”
“What are you… so it was an accident?”
“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”
“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.
He’s so composed in the face of it that it only makes you more incensed.
“You told me to change things —”
“You killed someone! Can you understand that?”
“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”
“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”
“Do you want me to lie?”
“What could her death possibly bring me, Tom?”
“Her death is the first step to —”
“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”
“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.
All you can do is nod, arms falling to cross over your chest.
“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."
You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.
“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."
“...What?"
“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”
You blink, feeling dizzy. “Myrtle was the sacrifice.”
“Myrtle was there,” Tom remedies.
“How lucky for you.”
“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”
“For — you’d do it again? Again, Tom?”
His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.
“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."
“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”
And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 
You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 
“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 
Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 
Of course you can't stand or talk or think. You're you, contemplating a life without him.
“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 
He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.
After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"
“I thought I would have time.”
“To come up with a good lie? Something I’d sympathise with?”
He bites his cheek. “Evidently the particulars matter little to you.”
Fuck him. “Fuck you.”
“Very cogent.”
“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."
He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”
You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.
“You have lost me, Tom."
He stills as if suspended. Some maceration must follow but it doesn’t.
You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 
You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 
There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.
You fail your N.E.W.T courses. Quite spectacularly.
Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.
That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 
You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.
And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.
You tear the envelope open and pull the letter out.
It’s from Dumbledore. Some of it melds together, but the key words stand out.
Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.
Be well.
You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —
You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.
Some of your letter melds together but the key words stand out.
Thank you, Sir. Whatever you need.
It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.
You find that to be true.
Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.
Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 
“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.
You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 
Teacup to gerbil — to cat, and inverse.
Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.
Study Antar’s Doctrine. Miss Wright will act as your partner.
Due February.
It’s far too much to be done in that time. “Sir?”
Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”
Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.
You nod. “I hope… Good luck, Sir.”
Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”
And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.
Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.
You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.
You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.
In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.
Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.
You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.
But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.
You drink, and don’t look away.
By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.
There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.
You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 
An animal — like that isn’t the vaguest instruction you’ve ever received.
You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 
You’re better than them. You can do it forever.
The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.
The Ministry worker swallows. Dumbledore smiles.
“And — and back?” the worker says, like that will be the thing that stops you.
You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.
You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.
The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.
He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.
You find out you’ve passed with an Outstanding on your birthday.
Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)
“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.
You sigh into your own, partially giddy and mostly nervous.
Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”
You push her hand away but can’t help a small smile. “Outstanding,” you correct.
“Outstanding!” She bursts out laughing. “Bloody ego on you now…”
“Well, I am the smartest person you know.”
“I take that back.”
She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”
Your hands raise in surrender, and you steal only one when she’s gone.
You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.
It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.
On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.
There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.
Indifferent it is. 
“Can I help you?”
“You’re causing quite the stir,” he says, taking one of Mari’s chips.
You’re allowed. It’s infuriating when he does it.
“Am I?”
“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”
“They’re afraid of the wrong mudblood, then, aren’t they?”
Indifference effaced. You’re angry.
He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”
Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.
It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.
“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”
Something in his face shifts at the name. You swell with distorted pride.
He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.
He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”
You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.
“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.
Where is Mari?
“Your friend was at the bar, last I saw her.”
You stare at him with wild eyes. How the hell — ?
“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.
You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.
“Well then —” 
Right. Tom hasn’t actually moved away. You turn and his face is just there.
His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.
“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —
“That would be wise.”
He’s still looking at your lips.
No one else is looking at you at all.
It could exist in just this moment, you deliberate; separate from everything else.
Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.
“So I’ll be going now,” you say again.
“I haven’t protested.”
But he’s leaning in, and he has to know that’s impedance enough.
“But you will.”
His lips touch yours. “Yes, I will.”
You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.
The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)
You’re pulling away in intervals. “You don’t have me, you know.”
“I know,” he responds, lips on the corner of yours.
“You still lost me.”
“I know.”
“I hate you.”
He pauses for a moment. “I know.”
You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.
“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”
You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.
He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.
“My door is always open,” he says.
He lets you go.
You graduate with Mari’s hand in yours, and you aren’t afraid.
Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.
If he’s offering you lodgings now, he could have done it all along.
It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?
You think of him often. You think of his offer.
My door is always open.
Plenty of doors are open to you now. Why should you want to go back to his?
Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.
It’s a tempting door.
The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.
You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.
The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.
Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.
The Ministry job is truly, infinitesimally, insignificant. 
It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.
But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 
A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.
My door is always open.
Then you’ll slam it bloody closed.
Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.
She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.
When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.
It’s one stupid accident the next fall that changes things.
A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.
“Renauld’s on it, though,” your coworker says when the news finds your department.
“Renauld?”
He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.
“Well, yeah —”
You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”
“But McCormack sent him.”
“Where is it?”
“I… McCormack said that —”
“Where is it, Flack?”
“Um. Um, near King William, I think. Moorgate or, um —”
That’s good enough. You toss the Floo Powder into the fireplace and go.
The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.
But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.
“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”
You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”
“Oh my God! Fix. The muggles.”
You afford nothing else before pushing past them to enter the bank.
It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.
“Heal their wings,” you say without greeting.
Renauld jumps. “What? What are you doing here?”
“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”
“Who authorised you?” he hisses.
“I did.”
In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.
But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.
You were completely out of line and utterly right.
It isn’t something people like you are allotted.
Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.
And… he does.
With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.
It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.
There’s really no choice but to promote you.
Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.
By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.
The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.
Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.
After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.
“Oh, please,” says Emilia Alves, twirling her straw, “You seen the shite the aurors are up to lately? I’d rather be a bloody Unspeakable.”
“You’d have to be able to keep your mouth shut for that, Alves.”
Emilia punches Renauld in the arm.
“What are the aurors up to?” Flack asks.
“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”
“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”
“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”
“Hillicker’s not a source,” Renauld scoffs.
“Yeah? How about you ask your daddy for something better?”
“Alves, I’ll have you know —”
You lean in over the counter. “What do you mean they’ve never seen anything like it?”
She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”
You roll your eyes, taking a drink.
That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.
But something about it itches.
You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.
You are green, through and through.
Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.
You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.
You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.
And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.
That makes it much worse when you sleep together. 
There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.
“Thanks for the — well, you have a nice home — I do think I should —”
“Yes.”
“Right.”
“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”
“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”
“I thought you might like to know. Don’t be daft about it.”
You’re incredibly daft about it.
There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 
The itch exacerbates.
You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.
You wake up and he isn’t there.
It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.
The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.
And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.
You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.
You tear the place apart and Transfigure it back together when you’re done.
All you find, in the end, is a scrap of an old envelope in a suitcase.
R.R
It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.
You return to Hogwarts posthaste.
It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.
The Grey Lady is as beautiful as she’s rumoured to be. 
You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.
“Is it found?” she whispers. The snow floats through her.
Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.
“Yes,” you say. And you dare further with the context you know, “In Albania.”
“Oh,” she hums. “Oh…”
And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.
Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.
There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.
But you do, because he told you.
You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.
It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 
It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.
You wait, legs crossed on an old loveseat, fiddling with your wand.
The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 
It strikes you only when he’s standing before you that it’s his birthday.
You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.
He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.
“I placed wards," he says, hanging his bag on a rack by the wall.
“I thought your door was always open.”
You see his posture change from just his silhouette.
“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 
He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.
“Duly noted. What are you here for?” He tries your surname like a foreign language.
You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.
You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.
“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."
“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”
“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."
His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"
“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 
Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.
“Is this a warning? I assure you, I don’t need the condescension.”
“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 
You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"
“Yes."
You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.
“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”
“I earned this,” you hiss.
“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”
“Fuck you.”
He smiles. “There you are.”
“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”
The humour dissolves from his face and you despise the immense glee it brings you.
“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”
“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.
You hum, meddling with your nails. “So what’s your plan?”
“I’d need a Vow for that.”
You laugh. “I’m not that desperate.”
“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”
“How many do you plan to make? How many people do you plan to kill?”
“A Vow.”
“Absolutely not.”
“Tea, then? Biscuits?”
“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”
“Hm. Terrible shame.”
Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”
He smiles at the barb in your words. “You never were good with subtlety.”
“I wasn’t trying to be subtle. This place is horrific.”
“I was referring to your inability to see more than what’s directly in front of you.”
“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”
Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 
“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 
He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.
“Yes,” you concur, “I suppose you should have.” 
You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”
Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.
“You have wandless magic,” he tries. A weak recovery.
“Scout’s honour, Riddle.”
He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.
He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.
“I should have killed you,” he repeats.
It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.
“Yes,” you agree.
It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.
Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.
There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.
He was your first in everything but this.
You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.
You pull him onto the sofa and crawl onto his lap.
“How long?” he asks thickly.
You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 
“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."
You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"
You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"
His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 
You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 
“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"
“N-no.”
He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."
Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 
But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 
You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.
He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.
Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.
His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 
You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.
He dips in and your eyes wrench shut, grasping frantically for his wrist.
“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.
You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.
“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”
And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.
You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.
He’s stroking at you now, pleased by the way you lurch against him with every touch.
You have to recover, you have to make it even, you have to… you…
A finger presses inside and you moan.
“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.
“Doesn’t make me yours,” you breathe.
He shakes his head. “I know. You’ll still take it though, won’t you?”
Oh, fuck.
He makes a sound of approval. “Good.”
Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.
You’ll take it, won’t you? Yes. 
Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.
You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.
He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.
But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.
Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.
“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.
“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.
“Will you give me more?”
Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.
He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.
You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.
He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —
“Want you,” you protest shakily, hand on his abdomen.
That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.
You sound frail, but you have to ask. “Is this how you wanted me?”
A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?
And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.
Maybe you already do.
Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —
He slides in. You cry out at the feel of him inside you, the angle of it like this.
“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”
You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.
“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”
You whimper.
“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.
If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.
“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”
Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.
“You can — uh — you can — ”
"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”
And he slams into you again, drawing a mewl from you that slices your unfinished thought.
You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.
“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.
You remember then. What you meant to say. “You can take me too.”
You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.
He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 
He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.
You have to promise yourself he’ll never have it again.
But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.
Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.
“Look at me,” he says, and for the strained need in it you do.
You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.
He brings you to his bed after and you let him, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.
You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.
“Goodnight, Tom,” you say, finding home in the warmth of his chest.
You’ll dream of a morning where you wake up beside him, but you won’t be there.
3K notes ¡ View notes