#this is actually a really cool war action series??? the fuck???

[freyadragonlord]

I will freely admit it when I am wrong.

Reading the manhwa, I didn't think Lout of the Count's Family would actually ever get to the war part Cale has been talking about since the beginning.

And I sure as hell didn't predict the battles would be this brutal and badass. Holy shit.

[zutarawasrobbed]

ALTA Live Action Season 1 Initial Thoughts (Spoilers)

I just finished the season, and holy shit!

Quick things that need to be addressed/debunked:

“Sokka is no longer sexist”

I dont know what people were talking about when they talked about Sokka’s “sexism” being removed. It’s still there! But not in the overly exaggerated comical way it was in the original.

In fact, it’s more in line with ancient practices of indigenous tribes where men are seen as protectors and providers while women are expected to nurture. It’s not the same “boys are better than girls” narrative in the original.

Additionally, Suki still beats the fuck out of Sokka and humbled him really quick. They’re super cute by the way. And I love Suki’s “I like my men a little stupid” vibe. She’s great.

“Aang doesn’t run away like the original!”

That is not true. He does run away, but not because he’s trying to get away from the temple but instead to get some air because he feels overwhelmed. He’s more like taking a quick break and planning to come back. It’s not exactly the same, but almost. It also is done in a way where his guilt feels more justified.

“Katara doesn’t talk about her mom anymore like the original”

This is true… BECAUSE THEY SHOW INSTEAD OF TELL. I was honestly not prepared to see the death Kya in such graphic detail and how Katara was in the room hiding when it happened. It’s honestly really sad and more heartbreaking.

Plot:

The timeline seems to be ambiguous compared to the original series where it was “end of current year.” In fact, they repeat “three years” a few times, which makes me think if the series get greenlit for more seasons, it would be over a three year period.

Jet is still villainized but given more nuance and not a simple "good v bad" way like the original.

Zuko’s story about how he got his scar has additional lore that makes him come across as even more selfless and compassionate. The additional context of the platoon he advocated for in the war meeting, becoming his current crew, really added to the story.

Eradicated the nepotism baby plot point with Pakku only training Katara when he finds out he used to date her grandma. Instead, Katara proves herself and ends up teaching the other male fighters the techniques she learned from watching other benders use their elements and mimics them.

This season doesn’t have Aang learning any waterbending, but rather facing his trauma and the consequences of his actions. He get roasted by all his past lives. Which is an interesting choice, but I think it works well in how they executed it.

This season seems to actually be Katara focused and her journey of learning waterbending which I honestly loved because it really hits home the element of “water” being the story of an untrained waterbender learning her element. But, I do think Aang could’ve learned a little bending. It felt a little off.

Katara ends up advocating for all waterbending women and ends up leading an army of both men and women during the siege. She’s really bad ass and is given the title of master without being formally trained by Pakku. She made herself a master.

I think the timeline is a little wonky because of how much they had to fit in with the limited episodes they had.

Kuruk is given respect! I loved that.

June actually seems into Iroh which I thought was a funny but cool way to flip the script from the original.

The relationship between Zuko and Iroh is really beautifully executed. I love the depth they added with flashback scenes and their bond prior to the Agni Kai. It also wasn’t as frustrating watching Iroh and Zuko’s dynamic because Iroh communicated with Zuko in a way he could understand with straight answers rather than seeming to actively sabotage him with cryptic puns and shenanigans like the original.

They changed the love triangle with Yue Hahn and Sokka to be very healthy. They gave Yue autonomy and a choice in her relationship- which- again- is much more in line with indigenous cultures. Also, Hahn and Sokka’s relationship is really supportive and full of respect and no ill will.

They way they handled grief and the realities of war with the loss of life was very well done and really drove home the point that this is a war and these are child soldiers.

There’s a lot more but these are my initial thoughts. Will probably post more later.

Shipping:

Kataang is all but removed. Literally DOA. There is no indication of a crust on either side. It’s painted like a sibling relationship, which is like the original, but this time everyone seems to be on the same page. But, I swear the writers had to have read ZK fics because damn.

They canonized a popular Zutara theory/hc about the cave of two lovers and how the crystals would light up once it went completely dark instead of a “kiss” activating the crystal glow.

Speaking of the Cave of two lovers. They keep the Oma and Shu story with red and blue coloring. Making it come across more as foreshadowing than a direct link to the present tunnel story.

Sokka is put in Aang’s place with Katara in the tunnels and turned it into a story about the love of family and sibling bonds. Aang wasn’t even present.

Zuko and Katara share a meaningful look when they first see each other and continue to have a Katara centric scene followed by a Zuko centric scene and vice versa.

The scarf scene. I will not be elaborating further. If you know, you know.

Zuko and Katara fight scene in the North is epic. He still taunts her with almost the exact same dialogue but it’s so sassy- I love the banter.

Suki and Sokka were really cute and the actors had great chemistry. I think Yue and Sokka was really rushed and didn’t really feel anything about them, honestly. But I attribute that to lack of episodes to develop all that plot.

[stackslip]

so after a second watch, the thing with arcane s2 so far is that near all the plot beats are really good and exactly what i wanted, but they also almost all desperately needed more buildup. it's like we're missing 10-15 extra minutes an episode for the scenes that would really flesh out a lot of the characters' motives for the choices they make and to build up the world! it's so painfully obvious that they're craming in plot bc they're missing a season or have cut time per ep, and as a result while im ecstatic at a lot of the developments v few of them feel earned!

vi choosing to become an enforcer, her agonizing feelings re jinx in particular feel like they're missing. we should have seen the moment cait chose to use the vents to target the undercity and others' reaction to this, especially vi. it's great to see the hole silco left, but we needed to see the underground falling apart in something that's not a shiny league amv. we needed to see the kid spend more time with jinx for her choice to defend jinx to hit harder. we needed to see more of jinx's suicidality and her voices disappearing. i would have been so grateful to see mel trying to do more to rally to counter her mother's influence and being foiled at every turn. more hints of ambessa's manipulation too! would have loved to see ekko and his peers rescuing undercity people and dealing with the aftermath of the war there directly!

and like tbc i think they v clearly considered what they did have the time with and chose to trim or cut off near anything that wasnt a super cool fight scene or important plot beats. the ACTUAL beats are near all a win to me tbh! i am ecstatic about cait's character arc, her using the vents made me gasp; the mel and ambessa situation is sooooo fascinating and fucked up; i love the revelation about hextech poisoning the ground; sevika and jinx dealing with the gaping wound of silco's death is so good; viktor's ominous messiah arc is hitting for me; i loooooved cait hitting vi and vi just breaking down.

in terms of missteps, i wish ekko didnt feel like he's just being explained plot at (i like his dynamic with jayce so far tho), i think vi of all the characters suffered by far the most of the sacrificed time to make her choices and words mame proper sense, caitvi kiss felt far more like they had to kiss before they broke up but in context did not work, and made me roll my eyes so hard, we did not need a five minute cait angst montage, i did not care for how "league" the zaunite chembarons felt instead of an organic part of zaun like they did in s1, half the songs are a complete miss to me, etc etc

i dont think the season is a loss and again im interested in the actual beats, and tbh i kinda feel sorry for fortiche and the writing team bc it's obvious that this is less like, active clumsiness on their part or shite writing and far more that time was a deeply limited resource for the story they wanted to tell and they had to make choices. you could argue if it would have been better to drop some plot threads entirely and focus more deeply on others but imo it wouldnt work for a series like arcane where the cast' actions have such massive ramifications on each other so. i get it. it's just really unfortunate considering how tightly written s1's tragedy was

[chaifootsteps]

tbh one thing i liked about the instas that i dont think the series will bring back is him wearing casual clothes outside of work. the concept of a gay male sinner from the 1940s embracing modern day fashion from the current era because of how cute it is without anyone caring because its hell, (with the implication he mightve been doing this for decades beforehand before he came to the hotel,) is just really cool concept to me :3 it gave him a fashion identity outside of his sex work (something the show really doesnt do at all,) and it let him explore a more cutesty side to his character, but in a really natural way! i also just liked it because most of the sinners we saw tended to stick to dressing from their era, which made angel stand out more.

but this isnt present at all in the series, and even weirder, the one time he has a chance to put on pajamas in episode 2 like the girls have, where hes alone in his room with fat nuggets, he doesnt. maybe we wouldve had time for that if there wasn't a joke dedicated to showing how tone deaf and christian charlies morals are for the bisexual daughter of lucifer morningstar.

all the clothes he wears, there's more of a focus of his outfits from posion rather then anywhere else. i hardly see as much fanart of that stupid ugly ripped finale suit, as much as i see fanart of the latex suit angel wears while singing about being unable to help swallowing poison. either that, or the outfit he wears while dancing with val. love the fluffy spider butt, but cmon. we can get an angel dust design thats more spider in a natural way, but we can't see him wear casual clothes when he isnt working? or even see him in a full suit? (i really miss the purple suit from the instas, no stupid pink stripes, full suit for both arms, and his boobs were out w his tie instead of being hidden away like they are in the finale, which was perfect for his character </3)

him wearing clothes separate to his identity as a pornstar also helped him reclaim some of his freedom under his contract, obviously being unable to choose what val makes him wear on set. that's what angel dusts actions reflected in the instas and the comics too. (the "work shit" box comes to mind, i hate that borderline on screen rape is fine for an amazon funded show, but a box of dildos is too much,) even the addict mv shows this, with angel wearing just a pink sweater and some purple shorts when laying with cherri. or even just the casual, but cute outfit he wears when he blows up that club with her.

its just one of the few things that made him feel human, especially when fashion is bound to change in so many ways when youve been in hell for 77 years like he has. this part of his character being missing (along with the implication he even has a life outside of his work in the series; pilot ad was coping with work with hard drugs, being an teasing asshole as a defensive mechanism, getting into turf wars and murdering mafia goons. but still dresses cute and gets to be cute w his friends in his own time! series ad is coping by self destructing and letting people drug and fuck him so he'll be "broken" but then gets better by going out once after being waterboarded at work, only to not relax and be a mom to a joke character at a club called fucking consent,) is one of the reasons im still bitter about the instas being nuked. but not the only reason.

viv will always takes the credit for them anyway, no matter if she feels they do or not, because her fanbase isn't smart enough to realize someone else wrote these stories they still love. even if theyll be the first one to remind you they arent canon, because the creator said they arent. but my honest to god confession is that sometimes the instagrams feel more like the canon hazbin hotel to me, even months after s1 dropped, simply due to the nuance and detail it has compared to the actual series. it wasnt perfect, but you could tell there was passion there- passion that now, only the leads are allowed to put in hazbin so their favorite character can get more screentime and attention.

Thank you, Anon, for this absolutely beautiful writeup. It was true, seeing the difference between the outfits Val forced him into versus the outfits he chose to wear on his own time was one of the most interesting aspects of Instagram Angel Dust. It was a more safe-for-work extension of the "work shit" dildoes that didn't make it to Amazon Prime (while his graphic on-screen gang rape did) and it was powerful.

Of course, there are practical logistical reasons why cartoon characters wear the same outfit, but if only one character in HH was going to have a big wardrobe, it absolutely should have been Angel. But of course it wasn't, because as far as Viv and Raph were concerned, the only Angel outfits that mattered were the ones that fed into their shared fetish.

[david-talks-sw]

When 'Star Wars' dilutes the impact of a "Kurosawa samurai standoff"...

It's no secret that one of the major inspirations for Star Wars was Akira Kurosawa movies. The Hidden Fortress influenced the basic structure of the first film, was a basis for Lucas' character archetypes and his use of narrative POVs.

But, really, all of Kurosawa's films were an influence on the making of Star Wars. Including the duels seen in his and other samurai films from the 60s.

Dunno if you've seen a kendo fight, but they're pretty similar.

The duelists size each other up, and there's a lot of mind games going on before the strike actually happens.

If you hold your sword this way, the other guy adjusts his stance.

You move your foot that way, the adversary responds accordingly.

Cinematically, this process allows you to play with a whole treasure trove of elements to build up the drama and suspense. We see this slow-yet-tense approach to dueling reflected all over the Original Trilogy. And we've seen it again in recent Disney-released content.

The perfect and first real example of this in Star Wars is the fight between Ben Kenobi and Maul, in Rebels.

The tension increases more...

... and more until the two fighters move, the music swells...

... and then it reaches its climax.

Beautifully executed.

Dave Filoni's done his homework, it shows, and while it's an awesome homage, narratively it also holds weight. There's a reason why this fight is so quick:

This time, Obi-Wan isn't fighting to avenge the death of his master, he's not fighting to save his own life... he's fighting to protect Luke's. And that means there's no time to fuck about. He'll end the conflict swiftly and decisively, he won't let it come to a prolonged acrobatic fight. So he lures Maul in by making him think he's taking Qui-Gon's form, and strikes true when Maul, increasingly consumed by his own rage to the point of blindness, falls for it.

Again: a wonderful fight and an excellent homage.

Then we get to Luke's stand-off with Kylo on Crait, in The Last Jedi.

An interesting take on the trope, also with meaningful narrative impact. As Rian Johnson writes in the TLJ screenplay:

"This is not like a saber fight. This like an old-fashioned samurai duel."

Here too, the tension gets built up...

... and every time we're close to getting that climax, Luke dodges.

It leaves a feeling of dissatisfaction, which is exactly what Kylo is feeling as he boils with rage.

Suddenly, we do get the climax...

... and a twist. Luke was never actually there. Boom. Those inserts during the build-up phase? If you look at them again they're clues (Luke doesn't leave a mark on the ground, salt doesn't land on his clothes, etc). Luke wasn't engaging because he wasn't actually there, he was buying time for the Resistance to escape.

Okay. Cool.

Next time we see a "Kurosawa" duel... it's here, in The Mandalorian.

Again, a lot of posing, slow movements and patience, as is expected from the trope.

But we know nothing about the opponent Ahsoka is fighting other than her name is Morgan... so no emotional impact, there.

At some point, Ahsoka loses a lightsaber. The apprentice to the Chosen One is struggling against some rando.

We find out later on that Morgan is a Nightsister from Dathomir, and that's cool... but we already know how Jedi-trained folks fare against the Dathomiri.

If you ask me, it feels like manufactured stakes. But that's beside the point. In fact, y'know what? It's fine.

Though the impact of this duel isn't as great as its predecessors, the whole episode is filled with visual homages to Kurosawa's work.

It makes sense that the duel would be too. Also it's the first time we're seeing Ahsoka in live action, in a lightsaber duel, the hype is real. Let's cut 'em some slack.

So we come to the series Ahsoka... where almost every duel in the the show has the Kurosawa posturing and tip-toeing and... I dunno. I was bored?

Like, the primary purpose of this approach to duels is that it's meant to be suspenseful and intense... and now it's not.

Because we know Ahsoka is gonna beat the crap outta these droids...

... so why even bother faking some semblance of "what's her next move gonna be?" suspense? There's a hole right behind her, gee, I truly wonder.

Oh, you think putting her against an Inquisitor's gonna make us fear for her life, wonder if she's gonna get outta this situation unscathed?

She was wiping the floor with two of them at the same time, a decade prior. At 17, she was killing Inquisitors while disarmed.

Do you really expect your audience to fear for her life in a fight against Marrok?

So we get to the fight with Baylan, and the posturing and studying opponent's next move would be welcome here (two Order 66 survivors, knew Anakin, both well-trained former Jedi)...

... if we hadn't literally seen that same dynamic with Marrok who, again, we knew was gonna die.

No tension was built in either moment, the only thing it achieved was me pressing >> on my keyboard.

It's not captivating anymore, it's just slow and un-dynamic.

Bottom line:

Tributes to Kurosawa are nice. They're part of what makes Star Wars what it is. But c'mon, we get it already.

Lightsaber duelists don't need to tiptoe around each other and change poses at every fight. Because when the actually meaningful duels come up (like the one with Baylan), the impact will be lessened.

The "Kurosawa samurai duel" is artistic and interesting, but it should be used sparingly in order to maintain its charm and not get old and trope-y. AKA too much of a good thing becomes a bad thing.

[audsthoughts]

I get it, live actions aren’t for everybody and that’s totally fine. Not everyone’s gonna like it. But to shit on the stupidest things, or draw the dumbest conclusions??? Blocked. Y’all look dense as fuck. Views will be mixed as they always are, quit clogging up the tags with your negativity and find some chill 😂 The originals are still there to watch or read and enjoy…so go do that…it’s literally on the same app 👏🏻 I’m trying to be understanding I am, but some of y’all are so damn hung up you’re letting it completely destroy something you’d otherwise enjoy

Anyways!! Here’s some of the stuff I loved from the atla live action!

•cinematography, soundtrack, costumes - all on point

•getting to see the airbenders flourishing!!! Also the dude who played Gyatso?! Didn’t think I could love him more!! Even though it was painful as FUCKKKK getting to see the first invasion of the fire benders was an epic masterpiece

•speaking of, the first scene?? With the earthbender soldiers in the fire nation?? Iconic

•Omashu: unpop opinion I’m sure (bc y’all hate change but simultaneously hate when it’s carbon copy????????🤦🏼‍♀️) I loved how they incorporated like 3 or 4 episodes into one, and they flowed really well together. Jet is FOINEEE. Mechanist was perfect & his son is a freaking badass, amazing casting! Even though it was change, the secret tunnel scenes were still really freaking cool and the badgermoles were SICK AS FUCK. Also I love that Bumi was still cooky but not just randomly cooky? Like mans was run down from being king basically the entire war…which FAIR. And it made sense that he was peeved with Aang BECAUSE they were such good friends. Like the other avatars being mad at him? Yea that’s whatever. But for Bumi it was kinda personal. Also CABBAGE MAN WE MISSED YOU 👏🏻👏🏻👏🏻 Oh! And the way they mentioned other episodes like they were lore when Zuko was trying to find Aang? That was an amazing way to tie back to the OG series

•I love how they incorporated the blue spirit, Koh, the fog of lost souls & parts of the ep where sokka and Katara got sick & Aang had to get them frogs - just reimagined it. Oh also Hei Bai! Yea, I loved that whole episode. Koh & Hei Bai were SCARY as fuck, it was awesome!!

•HAHN MY BELOVED…I ADORE YOU! Favorite character that they added/changed. Katara getting the other women involved in the battle?! Tui & La? The oasis?! 😭😭 stunning!!!! I also LOVEDDDDD Aangs avatar spirit that he turned into, literally perfect! And I loved the change that he gave himself over to the spirits wrath..fucking SICK. Also right before aang turned into the spirit/whatever that’s called, I was praying they’d do the line and thEY DIDDDD!!!

•Fire lord Ozai?? 😳😚 nothing needed to be said - perfection

•Kyoshi?! The Kyoshi warriors?! SUKI?! - speechless

•I like that they’re making more of a point to show how smart Sokka is! Mechanist calling him an engineer…I hope they play more into that! Ik they did a bit in the show with the subs (cartoon), but still

•”~hE rAn~” seriously my favorite line, I was DYINGGGG!!! The scenes with Zuko and Iroh, Zuko before the war meeting, the leaves from the vine being in the background at the funeral….ARE YOU FUCKING WITH ME?! Zuko’s crew being the crew he SAVED?! And when they find out they all do the fire nation bows to their prINCE?! 😭😭😭😭

I’m being fair y’all - things I don’t love/hope they change:

•this one I’m 50/50 on - I don’t love that they tried to give Kuruk a reason for disappearing. They tried to pull shit from Korra to make him look meaningful & not useless as an avatar and it didn’t hit for me

•some of the wigs: obviously we won’t see Yue again, but I wanted her hair to be white. I didn’t love the wig but it wouldn’t have been as bad for me if it wasn’t so grey. Also do NOT love Azula, Tylee or Mai’s hair. Ik they look just like the show but whether that’s wigs or their actual hair (I’m clueless) it needs some serious improvement. Azula’s looks great down, I just don’t like how big the side pieces are that frame her face when it’s up.

•Katara, my love, I am PRAYING part of your development is also going to be her becoming more outspoken and badass, bc this season we saw the tiniest of glimpses of it, not a fan (unless it’s a part of her development…she did grow up in a tiny ass tribe so I’m giving them the benefit of the doubt)

• IK they’re going with a much more serious Aang, but pleaseeeee give us some actual moments of him being a kid. We saw that like twice 😭

•Dante is the PERFECT ZUKO, I will hear NO slander. However, I need him to be more of a dick. I’m hoping we’ll get that when he gets super desolate when they’re on the run & then we have Zuko alone & he has his inner battle. I need snarky dickhead Zuko, so you can truly see the big differences between what he’s fighting (himself vs. who his dad wants him to be)

Have fun kids!

In case I haven’t made it clear, idgaf if you disagree. I go so hard for these live actions because it’s fun! It’s just supposed to be fun and different and new. If you get so serious about it you’re ALWAYS going to be disappointed, there’s no way around it bc nothing is ever going to be as good as the original book, the original show, the original tale. OG atla is ALWAYS gonna be the winner, nothing will compare! So sit back ~relax~ and find some joy in the little things

[hestzhyen]

Chapter 60 Plot Posting

Hi again, dear void. So, about those complaints I've had in regards to the pacing... and others that I've been holding off on to see how they'd be handled... this is a long and mostly negative yapfest that rambles about the chapter itself and some general writing choices.

Bad TL of Editor's note stuff:

First Page: 会議-!! [kaigi-!!], "A meeting-!!" Last Page: 征くは修羅の道...!! [yuku ha shura no michi...!!] "Leaving for battle on Asura's path...!"

Asura are the demigods who fought against the Devas in Hindu and Buddhist mythology, by-the-by. Basically, the gist is that Chihiro and the Masumi are heading out on a road fraught with carnage and strife to face an extremely powerful foe. Oh, and Hokazono-sensei clarified that the squad are indeed called "Masumi" and not "Makizumi"- the latter is a typo.

Before I rant, I got something wrong with my interpretation of the Japanese version last week. In the last panel here:

"Controlled the war" is still not the greatest way to phrase the line, but mine was way off too since I got too hung up on the literal meaning of a particular kanji (駆ける [kakeru]). The actual meaning of what John's saying there is more along the lines that Samura's an experienced war veteran, which isn't as cool but if that's the more accurate translation then so be it. Please do not ever trust my translations to be correct and I'll do a better job of relaying that I'm not to be trusted if I try to interpret something.

What the Fuck, Man

Alright, so... I'll get this out of the way. This chapter was a huge let-down for me.

It did all the necessary things but the proportion of time spent on what and the way they played out made my concerns about the fast pacing boil over. Come on, Hokazono-sensei. Slow down just a smidge to let us maintain our bonds with the characters.

Slower chapters are necessary to make it easier for the reader to keep their suspension of disbelief and stay immersed! A great story is more than racing from points A through Z with just the bare minimum detail to give context for the next cool action scene. When people ask for the pace to slow down or for there to be more "filler", what they're really asking for are more meaningful times spent with the characters interacting with each other and getting in their heads. Letting some emotional moments linger, bonds get set up and maintained outside of tense moments and strictly necessary plot events, things like that.

After such heavy chapters back-to-back for about a month with Samura's betrayal, I think most of us need a breather. Just some time to sit with the characters to reflect on everything that happened and how they feel about it, you know? A lot of stuff happened and Chihiro especially has a lot to process. We even had a time limit of a week set up to do that- surely one day or even half of one could be given over to letting the cast regroup and take a breath on-screen before the next beat. But Hokazono-sensei seems allergic to giving us time for quiet reflection so now I'm more exhausted than the protagonist who died and came back to life a few hours ago. Yes, Chihiro rested for a few days off-screen before rolling out but we didn't get to see it. So it's not a break for us.

I've been holding back on criticism of this because I wanted to see where the story was going and what the author would do but the pacing is an outright flaw as of this chapter. It's something that I wish had been left behind in the action movie genre; that kind of pacing works for films because you're doing 90ish-minute installments every few years. But it's terrible for a weekly manga.

I will eat a whole stick of apple cinnamon incense if this is some long-con on the author's part to eventually slap Chihiro down for running on fumes and force him to sleep for a week or something. But I'm only making this bet because by now I think it's clear that we're in thriller action movie pacing for the rest of the series' run. It's just something that will have to be accepted as part of the experience going forward. For me, it's a drawback. An acceptable one since everything else is still holding my interest (for now) but a major one nonetheless.

What Did we Not Rest For?

An administrative meeting, a Shiba & Chihiro conversation, and Minimura exposition; Hakuri was so unimportant that he gave an offscreen info dump and went back to sleep, apparently. That's a hell of a lot- there was a ton of yapping and all of it was related to the plot and keeping the momentum up. That's not appropriate downtime! It's the manga equivalent of working from home early Saturday morning after pulling all-nighters at the office from Monday through Friday.

Anyway... this chapter was dense as fuck. I don't catch everything each week but damn I feel like I'm missing a lot of things to speculate on this time. I don't have the brain power to get every little thing until we start tying up some existing threads; hopefully what I caught here is good enough until more room can be made. Early Bird Kamunabi Conference

Azami! Good to see you again! Please do stuff more often to give me a heads up so I can start preparing defense statements against those traitor allegations.

First up, the Kamunabi convening at a little after 3 in the morning. Using Magatsumi's still on the table despite the sealing process being partially complete, obviously. And based on the discussion it seems like we'll probably meet Subaru, the Sushi Chef Bearer from Sushi Subaru next. Sorry girl Bearer fans. Hope Ms. Masumi in a suit can tide you over until then.

In terms of Kamunabi member insights, I'm really warming up to the mask Kamunabi guy that was impressed by Hiyuki's evaluation of Chihiro (and helped Kunishige hide after the war). He's the one who cares about the well-being of others the most out of everyone who we got to hear from. I'm thinking he's also a true believer in the mission with a more compassionate bent to his philosophy than Mutton Chops. Mutton Chops is pretty competent when he's not being a Rokuhira Hater, though.

Everyone else is pretty much on the practical discussion side to get us away from a bunch of talking heads as soon as possible. Except Ear guy- he's still as flippant as ever. I've still got my eye on you for corruption and/or negligent incompetence, buddy.

They all get failing grades for sending Chihiro back out again so soon, though. Guess we won't be dealing with the political side of the conflict just yet. Samura using Owl to monitor all of Japan for Enchanted Blade signatures is pretty spooky though!

Shiba and Chihiro

[Slaps Shiba] This bad boy can fit so much misguided grief in it.

The long conversation was a must-have and I'm glad it happened! I just wish it had gone a bit differently. Less Minimura, more just the two of them, you know? (Or solo Chihiro reflecting on things before Shiba comes in!) They've got a lot of complicated emotions going on and I really wanted to see more of Shiba's conflict over how he wants to protect Chihiro but also feels like he can't. It's been there in the background since Chapter 1 and this would have been a great time to dig into it a little more. He just watched Chihiro die in his arms and some stern faces are all he can muster?! After shaking and nearly crying for comedic effect over the stunts Chihiro and Hakuri pulled in Ch. 46? And busting into the hospital room with a yell in Ch. 11? Call it a nit-pick if you like but it just feels weirdly subdued from Shiba's end when he's normally so emotive about Chihiro's well-being. I guess this is the "heavy feelings make the comedy guy get serious" trope in effect. Boo hiss bad application, let this man be more emotional about his adopted nephew!

I guess I can at least appreciate that Shiba being subdued contrasted with Chihiro being the most outwardly emotional we've ever seen him (in the present) when he echoes the words his dad spoke to him:

Passionate, glossy-eyed Chihiro gets anything he wants forever and ever no questions asked.

CHIHIROOOO you need to rest and get some hugs, not go out and kill more people! But we're already well aware of why he's out here doing this, so... damn it, you get to go. Just don't keep accumulating wounds and stuff, OK? And don't freakin' die again!

I understand why Shiba didn't put up much of a fight when Chihiro asked for Enten back. He's driven by guilt just as much as the rest of the major characters this arc, especially over failing to protect Kunishige. Won't commit on the exact reasons right now but they're probably along the lines of "If I hadn't failed that day then Chihiro wouldn't feel the need to do any of this, so the least I can do is train him and catch him when he falls". This is good stuff honestly! I just wish we'd gotten to see a bit more of his inner thoughts.

The second biggest thing I disliked about this chapter was the implication that Chihiro finally heard at least some of the truth of things from Shiba there in the hospital room but we the audience still can't know about it yet. Which is fine for us- it's tough being teased about it for so long but I don't mind. What bothers me is that I think this is something that's important enough for us to learn about the same time Chihiro does. So we can feel the weight of whatever this monstrous cover-up was, you know? We're supposed to be on this journey with him, seeing the world from his point of view and coming to understand things as he does. Something this massive should have been dropped on the reader and the protagonist at the same time! I don't want the reveal relegated to a flashback in the middle of a fight- give it the full attention it deserves. But maybe the author's cooking again. No choice but to wait and see anyway.

Zombie Chihiro?!

HMM...

Samura spared Chihiro, which makes sense. He just wants Chihiro to stop before he goes too far down this path. But of course Chihiro's gotta have that clash of ideals and say "I'm a sinner too".

I did feel really bad for Chihiro again this chapter. Being reminded that he's just a nice 18-year-old kid pushing himself to be a killer out of grief and feeling like he can't turn back hits right in the kokoro. I hope we can see how a Bearer bonds with their sword since his contract with Enten was severed...! Samura can sense blades with contracts when they're in use so I wonder how Chihiro will adjust to that too. He's watching all of Japan for signs of enchanted blade activity so Chihiro might have to use Enten as a regular sword for a while.

Chihiro's rapid recovery could either be ascribed to Samura's precision in slicing him or some other kind of power, possibly from Tobimune.... HMM... do we really need more little details to chew on in this chapter? Sure, why not. Let's add another thing to ponder on while we wait for resolution on the all the other hanging threads too. At least this one's tied to some blade or Chihiro sorcery lore. If it's a Tobimune power, wouldn't Chihiro know about it? Unless it's a True Realm ability that hasn't been documented. More things to theorize over, yay...

It's also the last remaining shred of hope for Uruha being alive despite apparently being in autopsy. I'll admit, it's pretty damn fishy that Shiba can't get info and Chihiro refuses to believe the man is dead, so I guess I can't complain if my favourite goofy ronin dude comes back somehow. Would still prefer it if he was left definitively dead though because we have more than enough "but maybe?!" threads hanging around already.

Not to get too gruesome, but... if this is a flag that the Kamunabi are doing unethical things to Uruha's corpse, hoo boy. Oh man. I'm not ready for that kind of development despite being a horror fan.

The Sore Spot

Couldn't you have saved this for next chapter?

And then... a lotta Minimura exposition yap.

I feel like this conversation could have been pushed to the next chapter with Minimura stepping into the hospital room as the cliffhanger to end this one. It's just too much information overload and exposition when we've been begging for Chihiro to rest for months now in real time. Even if the in-universe timeline remained the same, it would have given us readers a lull while Chihiro had the heart-to-heart with Shiba and thought about everything that just went down. Heck we might have even gotten some time with Hakuri too.

The last page of Chihiro and the Masumi stepping out in suits was cool as heck but it didn't land due to how sick I am of these characters running from plot point to plot point. Now it's Chihiro and the ninjas out there doing Things and Stuff to find their answers from Samura... I'm interested in the conflict that will arise from Samura's old guards -basically his little family- fighting against him, don't get me wrong. It's got some very tasty parallels to Hakuri's story and resonates deeply with Chihiro's need to know the truth about the people he cares for so much. Again for the millionth time though, I just wish this had gone down a little bit differently.

Hakuri Where?!

There's a lot of baseless venting here and some raw, barely-edited thoughts- sorry in advance. This chapter is kind of an information overload (and I'll be honest, I got super petty over Hakuri's status being hand-waved away). I just don't have it in me to condense it all like usual. Sorry.

Oh, he's just drowning in self-hatred offscreen. Don't worry about it we gotta get going.

So, Chihiro's the MC and this is his story. Stuff with him will usually take precedence over other characters. But when you barely acknowledge Hakuri -ostensibly one of the most important characters in the cast other than Chihiro himself- in the aftermath of a series of major events that he was directly involved in like this, I gotta wonder.

I'd be happier if he wasn't mentioned or shown at all beyond still being alive because that would mean there was more to say that needed proper time to be allocated. But much like Chihiro waking up alone and the Shiba and Chihiro conversation, a prime chance for character and/or relationship quality time was skimmed over to keep the plot moving at mach five.

"Finer details not necessary."

I'm not saying this because I wanted HakuHiro hospital fluff that badly. I'm saying this as a Hakuri fan who's worried that he'll be reduced to an exposition and gag delivery tool. It's happened to some of my favourites before despite the prominent billing they got, and I hoped it wouldn't happen again here after the Rakuzaichi arc set Hakuri up to be second only to Chihiro in terms of narrative importance. But shoving him offscreen so we get updates about him indirectly -giving us no time to even see him wake up or express anything directly- feels like side-character treatment. You know, how Hinao was treated in Chapter 11 (where's she been lately?).

The best that can be hoped for is that he gives us a PoV that lets us explore the Kamunabi side more via his hospital stay somehow. Feels bad when the author clearly hates deviating from the action to do those kinds of scenes, so I wonder how much we'll actually see of Hakuri struggling and working through his issues while he's setting up plot points for other characters and the larger narrative. All while Chihiro's shoving him out of mind for one reason or another to keep focusing on the story events too.

Chihiro not checking in on Hakuri after he wakes up isn't a huge issue- that can readily be ascribed to guilt thanks to the panel of him recalling how he said he'd rely on Hakuri's help with a sad expression. He's worried in general too even if it would have been better if he'd been more proactive about expressing it. It's not like Chihiro has to wake up in a cold sweat and demand answers but shouldn't he be a little more concerned about his "equal partner"? Especially after all the emphasis put on how important they are to each other during the last arc?

Chihiro seems hesitant to broach the subject of Hakuri at all despite obviously caring a great deal.

The most generous interpretation I can make of this is that Chihiro and Hakuri are both too guilty to face each other right now. Chihiro's got a lot of other stuff going on anyway, so he can avoid thinking about the guilt of dragging Hakuri in to his mess by continuing on his mission. Meanwhile Hakuri's clearly thrashing himself something fierce. The panel of him curled up on the bed under Minimura's narration combined with him requesting the Masumi to help Chihiro in his stead is all we need to see based on what we already know- Hakuri is absolutely drowning in self-loathing right now. So he probably doesn't want to see Chihiro either even if he can get out of bed and walk himself over.

I don't want to go on a fuckhuge tangent about this but I've not got a lot of hope that these guys will interact or resolve the situation any time soon. It seems like very small potatoes compared to facing Samura, dealing with the Hishaku, and whatever's yet to come with the Kamunabi. Honestly, though? I just plain hate miscommunication drama. It's realistic here and very understandable from both sides but please, for the love of god, don't drag it out for the rest of the arc. Let them talk when Chihiro gets back or so help me God I really will think the author is pulling their relationship beats out of a generic BL tropes bin.

After Having Calmed Down...

Alright, alright. Enough of that. At least a few days passed between Chihiro waking up and rolling out again, we just didn't get to see it. So maybe they did meet up at some point. Or maybe the avoidance is to follow up on the "friendship" flags set up by Hiruhiko. Something about how they should still be relying on each other in situations like this instead of flagellating themselves in isolation. That's classic shounen, right? At any rate, we have Hiruhiko and Hakuri one-sidedly calling themselves Chihiro's friends for a reason, so we'll just have to wait and see what comes of that. I don't think that will end with Hakuri and Chihiro not being friends somehow.

Also, despite the dialogue about Hakuri not having much hope for healing his damage nerves, I'm pretty sure he will at least partially recover at some point. I just hope it's not entirely off-screen. The vast majority of character development in Kagurabachi happens through combat and the direct lead-up to the fights, which is a big strength of the series. But that also means that characters who can't fight don't get much on-screen development.

Hakuri's going to have some time to examine his circumstances in a future chapter after all the set up he got earlier in the arc. His thing will probably be learning to value himself; most likely in the sense that he's not just a tool, but a person. Hard to see how that will happen while he's stuck in recovery mode though. Will the author change tack and start having more scenes of talking heads and political drama to explore between action scenes? Seriously doubt it. So either Hakuri gets put on an expedited recovery schedule of his own or he'll be out of the story until he's useful to Chihiro('s story) as a sorcerer again. ...Not great vibes with so much of his trauma being tied to "utility=worthiness of love" but maybe I'll be pleasantly surprised? I hope?

It'll be really tough for him to learn his lesson for this arc if he's burnt out after failing to save someone he swore to protect, too. A day after finally proving himself to be a genius of rare talents capable of doing so no less. God this poor kid. He finally got everything he wanted and deserved and lost it all... well he didn't lose Chihiro and Shiba, but he probably thinks he deserves to right now. Especially since Chihiro seems to have left without seeing him even once.

Which would have just made his guilt worse anyway because of what happened to him and Uruha. Hakuri summoned Chihiro back in a panic and got him killed too! And now he's totally burnt out and may be forever, so he can't even try to make up for it by training his power and "earning" redemption by becoming stronger and saving more lives. The last thing he did with his abilities was fail to save a life he promised to protect and get his friend killed. He was already being crushed under the weight of what happened to Ice Lady and now...

Huh, wouldn't that kind of be a good point to make though? That you have to forgive yourself before the guilt eats you alive. Else you'll never stop self-destructing... wonder if the author will go that route for Hakuri and/or Chihiro.

... Man. The feelings I have about Hakuri are really messy and way too closely tied to my own life experiences, so it's hard for me to be objective about him and how I want him to be handled. His journey mirrors my own in so many ways and made this series a ride or die for me based on how he was written last arc. In terms of Current Events, though? From a neutral standpoint, I think we'll get scenes of him interacting with other characters for side-plot reasons while the focus is on Chihiro's exploits. From a personal standpoint, I want in-depth explorations of him like we got in the Rakuzaichi arc. I want to see more of that, as much as possible. Even if it means deviating away from cool spreads and Chihiro doing awesome stunts more often. (In other words: the author's priorities and mine probably don't overlap right now.) So even though I know objectively that it's just not time to get back to Hakuri yet, I'm anxious that even when we do it won't be handled with grace because he can't be directly tied to the action scenes.

There are a lot of complicated thoughts about how Chihiro interacts with people in general, too... Hakuri's not the only one who does the emotional heavy lifting when it comes to depicting the relationship between them. A lot of character screen time is devoted to establishing bonds and such with Chihiro but rarely from Chihiro's point of view in return. He's completely consumed by plot things and we don't know how he feels about the people close to him directly for the most part. Hakuri is actually the lucky one who got a whole few sentences of Chihiro's inner thoughts acknowledging him as someone stronger that one time! Everything else is left to context and facial expressions -which is appropriate for a relatively reticent MC- but it would be nice get in his head to hear what he thinks about Shiba, Hakuri, and others more often.

Normally I work all that feelings stuff out in a private draft, but I'll leave it here in case you were starting to think I was anything more than a sad sack mad man, dear void. Depending on how next week goes I might not post; maybe not until after New Year's if life keeps being difficult. Be kind if you're given a choice, okay? Take care out there.

[gremoria411]

*The following contains spoilers for Mobile Suit Gundam: Requiem for Vengeance*

This is a follow-up post to my earlier one covering the first two episodes of Mobile Suit Gundam: Requiem for Vengeance. I’ll link it here but I’ll probably be covering a lot of the same points

I’m also going to completely give the game away right now: I don’t find Requiem for Vengeance to be a good show. Probably the nicest thing I could say is that that the designs are nice. It has some good ideas, it just really mangles the execution.

A lot of these are notes I made as I was watching the episodes, and I specifically rewatched episodes 4 and 6, because I’ve got a lot to say about them relative to everything else.

Characters

Is the only reason they made Iria a mother so they could justify her empathy towards the enemy pilot!? Like motherhood isn’t a necessary component of caring about other humans. You can just do that.

Follow-up: Iria doesn’t really express much affection towards her actual flesh-and-blood child during the show. He’s presumably in Zeon somewhere, but he never appears except in photograph. But her actions at the end of the show….. really don’t help.

Major Ronnay’s odd. Because he kinda feels like the only sensible character/the only character who’s aware of the wider situation - the war’s starting to turn against Zeon, and shifting to shepherding his resources to compensate for disrupted supply lines feels like a good decision at this point, not picking fights with the Earth federation’s newest prototype. Ronnay also marshalls the group’s evacuation from Earth. Yeah, he’s mean to the protagonists, but he’s under a lot of stress and he’s in charge of a worsening was situation. It’s just quite odd to see the only character who indicates a wider understanding of the conflict presented so negatively. That said, it’s not like he’s really immune to the bad acting and dialogue. When talking about dead civilians in episode 4, he sounds more bothered that they died for something so measly, as opposed to the fact that they were innocent people caught up in a war that had nothing to do with them.

I really don’t like Captain Zydoss. He kinda just exists to verbally explain other characters backstories, or to tell other characters that they’re in the right. There’s no real character here. Man straight-up says: “Those soldiers? They were just doing their jobs.” That is not a line I’m really enthused about hearing in a show like this, because it makes me question what the fuck the writers were trying to say here.

I kinda already made a post about this, but I really don’t like Yuri Kellerne in this. The design’s awful, he only shows up to say to the viewers “Yeah, Iria was right, also she’s a cool dude who doesn’t afraid of anything”. He doesn’t really do anything, and it just feels like a “see 08th MS team fans, it’s that character you like!”.

To be honest, I didn’t really have strong opinions on the other characters. There just isn’t a lot there to care about honestly.

Story

Okay, so “War is Hell” just isn’t a theme here. That’s kinda the main problem. There’s no real attempt to humanise the Earth Federation or present them as anything other than largely faceless. I’ve noted before that “War is Hell” is kinda the main thing that makes Gundam work in my opinion, because it’s really noticeable if it isn’t there. It’s just a very by-the-numbers military series. There’s no real “hook” or idea that it’s putting forward. It might’ve helped if Iria’s squad mates had been better characterised, so there’d be a sense of them having actual plans beyond the war. But, ultimately, they die because of the federation’s new mobile suit - not because war is an ultimately horrifying and tragic thing. The presentation just doesn’t line up for me at all.

I do think the emphasis on the watch is good, because it emphasises that time is running out for Zeon. But it never really comes up again after the first two episodes.

The voice work really brings it down, because there’s just no way for the scenes to have any real gravitas or impact when the voices are this poor.

I think another problem is that the opening episode(s) with the Gundam sell it as a threat too well - it effortlessly wiped out Iria’s entire team, as well as numerous other Zaku’s that challenge it while Iria’s scrambling around in recovery. It shrugs off machineguns, bazooka’s, a fuel tanker…… so any attempts by Iria to bring the fight to it just feels utterly stupid, because there’s no real reason it shouldn’t just wipe out another two Zaku’s. The fight in episode 4 is particularly obvious - the Gundam just slowly approaches, it’s doesn’t exhibit any of its trademark speed and never presses the advantage. There’s never a sense that any damage dealt to it is “earned”, it just takes a hit because the plot demands it.

Okay, the dress turning to blood thing was ambitious, and if it had worked would’ve been really cool. But fabric and liquid are hard to animate at the best of times, so one to the other in a show like this was never going to pan out.

You can really tell this was made by former transformers alumni. Not that that’s necessarily a bad thing, just some of the shots are very transformers-esque.

Wait, doesn’t Iria’s comment about not shooting disembarking pilots directly contradict the actions of the federation forces earlier in the show? Also didn’t she just tell her squadmate to kill him? Oh, getting out of his mobile suit and trying to escape in order to come back in a fresh suit? Oh well, it just wouldn’t be sporting to kill him now, better let him go.

“I wasn’t aiming to take out the pilot! This is our best chance to take out the Gundam!” “At what price, lieutenant?” I dunno, two enemy combatants that were just trying to kill you? And have killed your allies? In a warzone? Seems like an odd time to develop a conscience, Iria. It’s not necessarily off-brand for Gundam, but it’s just so hackneyed. Iria recognises the Gm pilot and later the Gundam pilot as human exclusively, but the infantry and tank gunners were apparently fair game.

Follow-up: Iria also randomly spares a Guntank in episode 6. A Guntank that could very easily shoot down Zeon HLV’s that Iria is currently defending. I feel like that was unwise.

To be clear here, I’m not criticising the decision to have Iria spare characters, I’m criticising the decision to present it in this way - it causes Iria to come off as hypocritical and careless to ignore active threats, and the rationale of why she’s sparing them never comes up.

The URMC guy helps the cast attack the enemy (such as in episode 4). Doesn’t that kinda spit in the face of his neutrality?

Oh hey, I was so busy talking about the poor character writing that I almost forgot to mention the false flag operation. Y’know, that thing that is illegal under wartime law? That the characters commit when they dress up as Federation forces in order to steal the GMs? Yeah, that. Like, I know it’s par for the course in shows like this (like 0080), but it still feels odd to see it presented in such a heroic fashion. It just would’ve felt better if the characters had acknowledged that it was a sketchy/desperate thing to do (like 0080), rather than playing it completely straight.

It kinda feels like they came up with the title first, and then introduced elements to fit with it - Iria being a violinist just feels very vestigial, and vengeance…… either isn’t a theme or it’s badly executed enough that I didn’t notice it (characters talk about it a lot, but not to any real purpose).

Okay, the combination of character animation, voice work dialogue and the fact that Iria probably has a concussion makes the fact that Iria decides to pilot her Zaku in episode 6 (unintentionally) really funny. Because she’s giving this big dramatic speech with swelling music, but it genuinely just feels like this is the shock and concussion talking, so I just expect her to step on to the truck and fall flat on her face.

We can swear now, great, good for us. That isn’t an excuse for the dialogue to be as bad as it is.

Alright, I fully fell off on episode 6. I’m sorry, it crosses the line from plain old regular bad to hilariously bad for me. It’s like the hyper-realistic faces coupled with the absolutely terrible animation and voice acting just blends together into something completely farcical.

“Machineguns are not effective, aim for the treads” *continues firing*. Also, did they just forget that guntanks have missile launchers?

There’s kind of no real sense of flow to the fights either. Everything moves as fast as it needs to. Stopping stock-still in the middle of a combat zone is a death sentence, so it’s really noticeable how frequently Requiem for Vengeance stops fights so its characters can have dramatic conversations. This is very, very noticeable in episode 6.

Wait hang on. Iria: “The Earth Federation’s Won, We’re just trying to retreat, please let us go” Gundam Pilot: “Then surrender, if we let you terrorists go you’ll just attack us again later” Iria then proceeds to not surrender. Furthermore, Zeon is withdrawing military personnel and war material like mobile suits, which they will use against the Earth Federation in the last months of the war. Isn’t the Gundam pilot completely in the right here? But the presentation of the scene seems to be trying to put Iria in the right. But what the Gundam pilot’s saying is correct. Zeon did start the war, and will continue attacking the Earth. So it feels like the narrative is presenting the Gundam pilot as being in the wrong simply by their nature as a child soldier thrust into this war. They didn’t have a choice, they need Iria (who’s a mother, by the way) to tell them they have a choice. The narrative places the fact that they’re a mother and child over the fact that they share a common humanity. It’s such a stupid choice.

“Zeon forces were driven completely out of Europe and Asia” that’s a funny way of saying “we were driven off the entire Earth”.

Other stuff (mostly Setting and Visuals)

I do like the little Zaku ears, they’re nice.

So why is the character covered in highly identifiable Zeon tattoos considered for an infiltration? Just a note.

The mobile suits are pretty dang gorgeous.

The Gundam pilot has a Nintendo switch.

Sooooo…… no mention of why they’re going to Odessa? No reason that might be relevant to anything?

I will probably do a small post on Loum. Because this is gonna annoy me.

Can the Gouf’s fly in this? It’s really throwing me. Because they shouldn’t be able to, but it looks really cool? Maybe they just didn’t want to model Gouf flight types.

Yes, Requiem for Vengeance, I enjoyed the Gouf Custom in 08th MS team as well. Can I please have literally any other mobile suit. (Yeah, it’s cool, but it’s not cool enough to carry your entire show).

Follow-up: it feels like the writers wanted to emphasise that the Gouf Custom in 08th ms team could totally have beaten the Gundam if it had needed to. Like yeah, but that’s not important. The point of that scene (in 08th Ms Team) isn’t some kind of dick-measuring of mobile suits, it’s to emphasise Norris Packard’s character and skill, that he made those decisions in service to the wider objective (and to iterate on Ramba Ral and Amuro’s relationship from 0079). It’s not there to demonstrate how strong the Gouf is. I mean, yeah they want you to buy the models, but come on.

In case the ratio of criticism-to-praise above didn’t give it away, I really didn’t like Requiem for Vengeance. It just fails to engage with the theme I consider central to Gundam: “War is hell”. It also doesn’t really humanise any of the opposing side, which while not a deal-breaker, certainly doesn’t help its position. There just really isn’t a lot of character on display here, so there’s little to distract from the bad dialogue, stiff animation and near-comedically poor line deliveries. The human animation and writing really kill the series for me, since they just cripple the shows ability to deliver any kind of impact on its points. Then again, when its points are “The Earth Federation is just SO MEAN you guys”, it’s probably best the delivery’s as poor as it is. I don’t really know what the shows trying to say but it certainly doesn’t seem to be “War is bad”.

It feels like the writers were able to grasp gundam’s thesis of “child soldiers are bad”, but took that to be “people who use child soldiers are bad”, not “the circumstances that war creates will eventually cause children to take up arms for a cause they don’t fully understand, leaving them to have short miserable live of perpetuating the harm they have suffered upon others, as just one part of the horror that war visits upon its victims”. This is emphasised by the ending, which is pretty shit. Despite the opportunity to return home and retire, like multiple other Zeon aces did. Iria instead fucks off and joins the Zeon remnant in Africa, while stating that many of the other soldiers there “don’t have a home to return to, are consumed by hatred or yearning only for a glorious death on the battlefeild”. THEN WHY ARE YOU THERE. Why are you perpetuating the conflict by throwing in with remnant groups? How the hell is this supposed to prevent child soldiers from happening? Go home.

Plus, the way Zeon’s presented here seems kind of…… dishonest. Like it’s not incorrect or canon-breaking, it just seems to skirt around a lot of details in order to paint Zeon as, for want of a better term, “less evil”. So, we have characters mention The Battle of Loum, without mentioning what Loum was. We have characters note the worsening war situation, without engaging with why Zeon’s on the back foot. The characters retreat back up into space, but it isn’t stated what they’re retreating from. You’d expect someone to mention the actual wider war situation. I know they’re soldiers, and they’re likely fed a steady diet of Zeon propaganda - but then why not let us see that propaganda, note how the characters engage with it. Do they agree, disagree? Do they take it as gospel, accept that the principality is covering up some things or rage that it’s blatant lies? How does Zeon, the nation, its leaders and its governance affect these characters? The choice to completely ignore it seems wrongheaded and, as above, dishonest. There’s no hint of Zeon’s fractious command structure here, that the upper brass are too consumed by infighting to heed the wider war situation. There’s no mention of Garma Zabi, late commander of the Earth Attack Force, who presumably the characters would have a lot of opinions on. Requiem for Vengeance doesn’t exactly paper over Zeon’s failings, it just doesn’t mention them. I find it interesting that of the “big three” Zeon Earth Commanders (Garma Zabi, Yuri Kellerne, and M’Quve) we only see Yuri, who’s arguably the softest of the three. Like, M’Quve is right there, you guys. There’s even a Tony Takezaki illustration that could be used as a basis to adapt his design to the new style:

And M’Quve would have been the perfect opportunity to showcase Zeon’s fractious upper command. So his omission just feels glaring (much like the illustration). Major Ronnay’s perhaps the closest to being a member of Zeon High Command, but he’s essentially the stock “Commander whose orders the protagonist disregards” archetype. I *could* describe him as the most humanised out of the cast, but that feels like I’m reaching. There is Joshua Stein (the commander in the first episode, who originally calls the Red Wolves in), but he feels more genuinely incompetent, rather than saying anything meaningful about Zeon as a whole - his failings are more personal, rather than symptoms of a wider problem with Zeon Command (and in any case he’s only got around three scenes, so it’s difficult to glean anything from him).

Slight follow-up, but we’re also not told anything about the Battle of Odessa. I noted in my posts in the run-up to the release of Requiem for Vengeance that it takes place shortly before the Battle of Odessa, which was the big turnaround for Zeon’s fortunes on Earth, leading to a mass retreat back up into space. This is a *big thing* in the wider war, because it is where the Federation finally gets its momentum (and mobile suits) going and essentially forces Zeon into the back foot, a position they never really recover from. For all the series loves to bang on about Loum, it never mentions Odessa. Part of this is excusable - Zeon would likely downplay its loss as Odessa to keep morale high, and the characters may not have received accurate reports yet, but I’d just like someone to mention it - “seems Odessa didn’t go to plan” or just something like that. Because it’s the whole reason they’re retreating in the last few episodes and no-one says anything.

I’d ordinarily be pretty easy on the whole “Zeon’s War for Independence” thing, since it’s an example of how the populace of Zeon was motivated to fight, but it’s a lie. It’s a lie told to justify the One Year War (and subsequent acts of spacenoid aggression). Like, there’s no problem with the characters believing the lie, but presenting it completely straight feels off. Like, if there was just one instance where it was acknowledged that maybe we shouldn’t trust the motivation of the guys who declared war and dress like space nazi’s, then cool, but the series doubles down on this impression by Iria’s statement at the end that the war didn’t really end as far as she’s concerned. Again, no problem with Iria believing that, by all accounts that’s how a lot of Zeon Remnant Groups saw the situation but it just reads oddly when talking about the One Year War. It kinda makes the series feel like in-universe propaganda or revisionist history, because at no point does it acknowledge that maybe Iria isn’t that reliable of a narrator.

Iria: “and so, to prevent more children from becoming child soldiers, I became a deadbeat mom.”

So yeah, Mobile Suit Gundam: Requiem for Vengeance - the mechanical design and opening’s pretty nice, but they really can’t carry the rest of the show and over time the dull plot, uninteresting characters and awful voice acting really just sap away any initial goodwill I possessed. The fact that it seems utterly unwilling to engage with *why* the war happened and *why* Zeon lost is particularly irritating, since (by its nature as a Zeon-focused show) it’s in the perfect position to talk about those questions.

[silver-starss]

I have (spoilery) Thoughts on Ahsoka episode four

First of all how dare you

Second of all how dare you

THIRD OF ALL HOW DARE YOU

Bro why is Hera taking Jacen on this mission? I know she has a penchant for lugging around badass kids, but he's what, 10? A bit young imo.

Called it. Marrok was a red herring. Filoni knew that we'd all go nuts about the identity of yet another cool masked dude and let fan speculation run wild. Though him turning to dust does bring up new questions...

Sabine and Shin round two! I like that Sabine was actually able to use her armor/equipment this time and fight Shin on more even ground.

That moment when Marrok died and Shin seemed genuinely shook? And Sabine recognizing this and trying to take advantage of Shin's shookness? *chef's kiss*

Really good special effects in the shot with the ring coming out of the atmosphere! That was stunning!

Ahsoka and Baylan fight was genuinely cool, and the choreography felt much more Ahsoka-esque. Particularly that flip she did, which didn't look wired like the one from Ep 2.

So Clan Wren is dead. :/ Not surprising, I assumed that would be Sabine's character arc when the series was first announced (feeling survivor's guilt after the Purge), but what does Ahsoka have to do with that? Is it an emotional support thing?

Sabine joining up with the bad guys makes sense. Her #1 priority is finding Ezra and they're her only means of getting there. She's probably planning to gun down Thrawn in the process, though I imagine Baylan is fully aware of that and planning accordingly.

On the bright side, this gives us more opportunities to explore her rivalry with Shin...

Speaking of, love the dynamic with Shin being the feral one yet actually listening to/respecting her master. I imagine there's a story there and I'm very curious to hear it.

I don't know whether to be mad or impressed that Jacen said part of the Iconic Star Wars Line but not the full thing.

Beautiful transition between the ocean and the World Between Worlds. It looks absolutely gorgeous in live-action.

Why and how is Ahsoka in the World Between Worlds?

HAYDEN ALREADY???? I didn't think he'd show up until episode 5.

"SNIPS" (!!!!!)

Holy fucking shit I'm losing my mind.

He looks way better than he did in Kenobi, but the de-aging isn't 100% great. Still though.

Interesting that Ahsoka's first instinct was to call him "Master". Old habits (and attachments) die hard I guess. They're going to have some serious issues to sort out next ep though.

Lmao casuals must be super confused by this ending. Imagine that.

Goddamn that's a cliff-hanger. And on the strongest episode so far!

[byfulcrums]

okay. i just watched transformers one yesterday (couldn't do this b4 because it was like 3am) and want to give it a review so here we go!!

the overall rating i would give this movie is a 9/10. there are some flaws, some that are noticeable and some that aren't, but the good overshadows the bad here, so. nine out of ten

and there are gonna be spoilers from now on so be careful and go watch the movie if you haven't!!!

The good parts of this movie

TF1 shows us the story of Cybertron before the war in great detail, something that isn't very often seen in the movies and series, as the most info we get about this (mostly of Optimus and Megatron's relationship) comes from things like flashbacks. It's just a very nice thing to see!

The graphics and animation of this movie are stunning. I couldn't watch it in a very good quality, since I was unable to go to the cinema like I'd previously planned, but it still looked incredible. The designs are super cool too. The amount of detail that went into this movie is amazing, and I also loved all of the cameos (I screamed when I saw Arcee)

The voice acting is also very good. I think that the casting for Megatron/D-16 was brillaint. The VA did an incredible job in playing his character. It was like I could feel what he was feeling. Chris Hemsworth's voice for Orion Pax also worked really well! It was a great choice to cast him for a younger version of Optimus Prime. I think that it works better as Orion than as Optimus, but that's just me being picky lol

Elita's and Bumblebee's VAs were amazing too! I talk more about OP and D-16 because they're the ones the movie is centered around, but the rest also were great :)) The other characters's voices help give them more character depth, as they change once the movie goes forward. I think that's beautiful. Unlike the Spanish version, the EN one has some VERY good casting (im salty)

The lore was done extremely well, especially with the limited time they had. The worldbuilding was great too!

I loved the designs of the places. Iacon was just,,,,, great. The flora of the surface looked beautiful

The fight scenes made me fall in love. The sequences were incredible. Fast, with lots of action, and very exciting and fun to watch. The race made me feel so many things too

The visuals are pretty much perfect basically

I love how they worked with OP and D-16's friendship too. In most universes, their characterizations are very different: OP is more serious, a little more introverted, and Megatron/D-16 is still angry over the unfair life he was given. In this version they give them more personality, as a way to show that they have changed a LOT by the time the war begins

They weren't always leaders. In here, Orion is a little bit of an idiot; he's reckless, he talks a lot, he gets into trouble. Surprisingly, D-16 appears to be quieter. He wants to follow the rules, to not cause too much trouble. These two things mean that D-16 often has to help Orion when he fucks up

Something I loved to see is how much of a rule breaker mech Orion is. A thing most people tend to foget is that (in every version I've seen, at least) Orion Pax also fought for freedom before he was a Prime. He's a "fuck the goverment" kind of guy, only less violent than, say, fucking Megatron

I was lowkey scared of what they would do with Orion. I didn't want them to give him only a Hot Rod type of personality and then give him too little depth. But i loved him!!! so much!!!!!!

I also believe that making Orion a miner too was a great choice and that more should do it from now on. It just speaks more to me to see a guy that wasn't a high or middle class person fighting against Megatron

Orion and D-16's relationship was amazingly done too. In this movie, they actually feel like friends. They do things for each other without the other having to ask, they banter, they hit each other playfully, they always have each other's back

From the little things like D-16 quietly helping Orion get out of trouble, Orion looking behind him to make sure D-16 is following him, to the bigger things, like Orion getting themselves in the race and them helping each other during it, Orion giving him the Decepticon insignia sticker, and D-16 being horrified when he realizes who he shot

The banter, the way they laugh, how they just seem so comfortable around the other, showcases how truly great their relationship was, how much they love each other. These two actually feel like friends

Their relationship also makes D-16's anger stand out more. From Orion's reactions, we can see that he was never a truly angry person. Every single time D-16 did something different, something that wasn't like him at all, the camera would show us Orion's face. D-16 wasn't always like this. Orion knows this more than anyone, and he is scared and worried for his friend

Orion and D-16's motivations and ideals are very clear throughout the entire movie. Orion wants to be something more, he knows that he's missing something, that something's wrong. D-16 follows the rules and makes sure to not get into trouble, and yet even though he just wants to live in peace, he still allows himself to get into so much trouble when it comes to Orion

Orion's ideals didn't change much. He knows everything is unfair. He wants to change it. He changes, too, but he's still the guy that craves freedom more than anything

D-16's dreams are shattered with one hit. Everything changes immediatly. Before, he wanted to stick to protocol, and now, he just wants to kill Sentinel Prime. He still wants freedom, though; that much hasn't changed

It hurts how understandable D-16's POV is. He's angry and he's hurt and he never wants to be afraid again. He begins to hate. And we know that he's not good, that he isn't doing the right things, but God. I understand him. I understand the people cheering when he kills Sentinel and I undertsand him. It's not right to kill an unarmed man begging for mercy, and from a tactical POV it is also not a good idea since he's the one making deals with the Quintessons and they could use him to put an end to the invasion, but D-16 is rightfully angry

It kills me how this shows the way rightful anger can be useful, but also deadly when it goes too far. D-16 stopped being right when his anger got the best of him, when he started killing civilains, when he let his best friend fall to his death

Optimus, after getting the Matrix, looks so... tired. His best friend is gone. He knows that peace will not last forever and that it might be because of Megatron's fault. The logical choice would be to kill Megatron where he stands, but he just. Can't do it. The day he becomes a god is the day he loses everything

I have more things to say but this is getting long, so we'll go with the rest now

The bad parts

I wasn't a fan of how Bee seemed to only be a comedic relief, and though I loved him a lot, I wish he was something more

I'm also not a big fan of how Elita was done in some parts. Sometimes she felt a lot like the stereotype of the badass girl character. She didn't do much and she seemed to be there just for there to be a Girl Character. Honestly, they should've made her more central to the plot, instead of just having her give a terrible pep talk (which was funny, I did like it, but it was not enough) and expect everyone to just roll with it

The plot could've been better. Not complaining, but it seemed odd that everything /just so happened/ to be where it was (Steve, Meg and OP being chucked 50 levels below ouut of nowhere)

The pacing felt too fast. D-16's downfall came too quickly. Not much to say about this

I think there should be less familiar faces in one place. It can make the world feel a little too small after a while

I also would've liked more scenes of Orion confronting Meg when he gets Violent TM, instead of just standing there. At least just.. trying too, even if he's not being listened to. I think it would've made it better

Plus I would've liked to see them struggling with fighting more. Make them a little less competent, make it look more like they're just improvising, and the movie would've been a lot better

I also wish we'd seen more anger from the other characters. More sadness. From both background characters, and the MCs (minus meg he's already angry)

I cant think anymore i am very tired. so this is it. but i have more opinions that i might be sharing later!!!

Overall

Very good movie. Not perfect, but still fantastic. Fell in love with literally everything

Voice acting: 9/10. The main cast was perfect!!

Visuals: 10/10

Plot: 7.5/10. We already knew what would happen, so it wasn't too much. However, the movie did some VERY cool things with the way it worked with the plot!

Characterization: This is kinda hard. Overall, I'd go with an 8/10. Meg, Sentinel, OP, Alpha Trion, etc are 9.5/10, but there are some other characterrs I didn't like so much, as I've stated before

Music: 7/10, the TFP soundtrack KILLED ME

[spacevixenmusic]

Unfairly Maligned Games, Vol. 3

Games I loved that got low scores, review bombed, or have some other weird negative stigma attached to them that I think is unfairly earned.

NOTE: I don't believe in giving games a number score or a letter grade. Maybe I'm just bad at criticism or very easy to please, whatever.

Indivisible [2019]

Mostly only known as the "from the makers of Skullgirls" game, Indivisible is another prime example of a game that was crowdfunded as one thing but turned into another, and gets a bad rap for its association with the ever-present controversiality of Skullgirls' creators. That said, I still think - as always - that it's crucial to view a game for what it is, not what it isn't. And what it IS is an extremely engaging mish-mash of genres and endearing characters, oozing with style and appeal, that fills a very particular void left behind by some of the most classic RPGs of a bygone era.

At its core, Indivisible is a 2D Metroidvania/RPG hybrid with an unusual battle system that plays similarly to an old PSX game series called Valkyrie Profile. During combat, each character's gauge will fill up, allowing them to take action(s). Your four party members are each assigned to one of the four face buttons on a controller (e.g. A, B, X, Y), and pressing that button will - in real-time - execute an attack on the enemy. Using it in combination the D-Pad allows for several different types of attack. All party members' attacks can overlap simultaneously, allowing you to string together combos to really rack up the damage, or juggle enemies to prevent counterattacks and break their defenses. The Metroidvania and platforming portion comprises the rest of the game, with a heavy focus on using those same action skills to scale massive environments, solve platforming puzzles, and dodge spikes. Typical Metroidvania stuff.

Story-wise, in our modern world of RPGs that is dominated almost exclusively by Japanese and Scandinavian narratives, Indivisible is breath of fresh air that focuses heavily on South and East Asian mythology and themes. Heavy inspiration is taken from the cultures of India, Tibet, Mongolia, and the South Pacific. This is reflected not only in the characters and their various ethnicities, but in the game's approach to spirituality, reincarnation, second chances, and being a teenager hellbent on destroying god. Our main protagonist Ajna is a teenager studying martial arts who isn't quite as in touch with her spirituality as her mentor would like her to be. When war strikes the land and burns her home to the ground, she gets pissed and sets out on a quest for retribution, discovering in the process that she actually does possess certain godlike powers of destruction, and also that she can absorb certain people into her head, which is just a cute way of lampshading having a Party System.

I've seen Reviewers and big Opinion-Havers on the internet criticize the game's writing for having a bull-headed protagonist who boldly rushes into confrontation, unleashing her wanton destruction without first considering the catastrophic consequences for civilians. It's almost like they've forgotten what being a teenager and making poor choices is like. But I say fuck 'em. I say we need MORE stories about uninformed teenagers with immense godlike powers and no sense of nuance making rash decisions and fucking up royally. That alone is crucial to understanding the rest of the game's themes about atonement, reincarnation, and understanding why you believe what you believe in. That's what Indivisible is all about. In many ways, I feel like Ajna shares a common story arc with Korra from the Avatar series, and it's very cool to see how she learns to deal with the damage she's caused and what insight that gives her when facing down the Big Bad.

Of course, what is a good story without characters to flesh it out? The characters in this game are absolutely charming and multifaceted, coming from a wide array of different cultures and personalities, many of which are vastly underrepresented in not only RPGs but video games in general. Personal favorites include, but are not limited to, big booba water mom Thorani (based on a buddhist deity of the same name), Leilani the Hawaiian sharknado (spins around in a cyclone attack using a leiomano, a Hawaiian shark-tooth sword), lesbian pirate mom Baozhai (based on the famous Chinese pirate Ching Shih), and of course, local nihilistic swamp witch Razmi (a loose mishmash of Korean and Persian Zoroastrian shamans). The full cast of characters is enormous (well over 20 playable ones alone), and each one comes with a unique moveset and playstyle that not only keeps gameplay interesting, but matches their personality and the role they play in the story.

But if there's one thing I truly want to focus on when I gush about this game, it's this. Indivisible has one thing over most other games of its genre, something that modern RPGs in particular suffer heavily from a severe lack of, and that's its strong commitment to multiculturalism. Indivisible made a clear decision to not only feature characters from around the globe, but to blend their cultures together in interesting and exciting ways that don't diminish or water them down. Every character is allowed to shine in their own way without diluting what makes them stand out in the first place, which is why you can have a game that features a gunblade-wielding cowboy, a Namibian songstress, an armless Chinese dancer, a Kamen Rider knock-off, and a Mongolian archer who people keep mistaking for Pearl from Steven Universe. This sort of melting-pot cultural stew used to be common in classic anime and 90s RPGs, but kind of fell out of fashion with the rise of gacha waifu games and Elder Scrolls derivatives. Now more than ever, I feel like Indivisible is exactly the sort of injection the gaming world needs to rekindle those flames of pure imagination that the old classic era brought us.

All that said, one of the biggest reasons Indivisible will always have a dark mark next to its name is of course due to the fact that its lead designer (the studio head) was involved in a sexual harassment case that resulted in everyone on the team either quitting or being laid off, and the rights to the work and characters getting lost in the shuffle. Additionally, the game was still finished and released as intended, but did not feature any of the guest star characters that were promised during crowdfunding, most of whom were indie darlings of the time (Shovel Knight, Hyper Light Drifter, and Super Time Force to name a few). Naturally, this has left a sour taste in many folks' mouths, so it is somewhat understandable why the game would have a negative stigma attached. There are also a few bizarre and possibly off-putting cameos hidden among the NPCs (a few outdated meme references and Zone-tan, of all people), but these are entirely skippable and serve only as background extras.

Sour grapes aside though, I wholeheartedly recommend Indivisible for anyone looking for a fresh take on action RPGs. The neat hybridization of Metroidvania and real-time RPG with fighting game mechanics gives it a very unique identity, and if the compelling spirituality of the story doesn't grab you, the charm of the characters absolutely will. It certainly took me for a ride. My only word of caution is to follow the game's own suggestion and get good at Blocking in combat as early as you can!

[aroeddiediaz]

20 questions for fic writers

Tagged by @cal-daisies-and-briars , @jesuiscenseedormir , @diazsdimples

How many works do you have on ao3?

27!

What's your total ao3 word count?

61,537

What fandoms do you write for?

Currently I’m pretty much exclusively a 9-1-1 writer, but in the past I wrote a lot of Flarrowverse (do they still call it that?). I also have published fics for Fantastic Beasts and a few anime (Given, Haikyuu, Saiki K). Given the number of Bnha wips i have locked away in the vault it’s amazing I don’t have anything published for that.

Top 5 fics by kudos:

(I am omitting all the Flarrowverse fics in my top 5 on the basis that they were written in high school and I’ve changed as a person, and they probably only beat out on the numbers due to being up for years longer)

1. Kabe-Do’s and Kabe-Don’ts (Given, 861 kudos)

2. You’re Not Special (Saiki K, 598 kudos)

3. How Eddie Learned To Stop Worrying And Embrace The Kitten Life (9-1-1, 327 kudos)

4. The Boy Formerly Known As Miracle (Haikyuu, 277 kudos)

5. Under The Hood (9-1-1, 275 kudos)

Do you respond to comments?

Yes!! As many as I can!

What is the fic you wrote with the angstiest ending?

This probably has to be The Crimes of Queenie Goldstein, in which Queenie is put on trial for her actions during the war. Don’t @ me but Queenie turning traitor was bu far the most interesting part of the Crimes of Grindelwald (the only interesting thing, really). There could be such an interesting story between her and Tina if only JKR would let the movies out of her grasp.

What's the fic you wrote with the happiest ending?

Fuck, idk if I have a happiest ending fic, a lot of them tend to not have that much story arc. (A lot of established relationship fluff or smut lmao). I guess if I had to pick one it would probably be How Eddie Learned To Stop Worrying and Embrace The Kitten Life.

Do you get hate on fics?

Not since that one anti-olicity fic that I wrote while deep in the trenches of Flarrowverse discourse, which I totally deserved :/. I have regrets. Also I should probably orphan/delete that one if I haven’t already. In my defense, high school. I have learned.

Do you write smut?

Yea lol. I think my 9-1-1 stuff has been almost exclusively smut. Idk how it happened. (I do know how it happened smut is fun to write)

Craziest crossover?

I haven’t published any of my crossover fics :( none of them have been complete enough. I have many many unfinished RotBTD wips that have never seen the light of day though.

Have you ever had a fic stolen?

Who would steal my stuff? Lol

Have you ever had a fic translated?

One time someone offered to translate one of my fics into Russian but idk if that ever actually happened.

Have you co-written a fic before?

Nope

All time favorite ship?

Right now definitely Buddie! Percabeth holds a special place in my heart though <3

What's a wip you want to finish, but doubt you ever will?

Ok. After the end of the Heroes of Olympus Series, but before Trials of Apollo was announced, I tried my own hand at writing the sequel that was clearly coming based on all the loose threads in the final book. It was going to be a Solangelo quest to save the Oracle of Delphi from Python, while Akhys tries to poison Percy to turn him into an evil god(?). Half the details have been lost and I desperately want to remember them, because I haven’t attempted anything nearly as cool or ambitious since then. The first 5 chapters are posted on my ao3 (Will Solace and the Oracle’s Cry) and I still think high school me had the most interesting characterization of Will out of everyone else on the internet at the time. Even if it is still very 2015.

What are your writing strengths?

I think I’m good at getting into the heads of different characters. Understanding their motives and weaknesses.

What are your writing weaknesses?

Editing.

Lmao I have a lot of weaknesses but I definitely struggle the most with trying to look back on or change things I’ve already written, even when it’s necessary.

Also my tendency to just drop fics if I stop working on them for too long. Rip to my wip graveyard.

Thoughts on dialogue in another language?

That’s a minefield I’m not willing to play in. Unless it’s Chinese. Very limited amounts of Chinese. Or like, a pet name or phrase that’s already ubiquitous in fandom so I’m not risking anything.

First fandom you wrote in?

Percy Jackson!! That Will Solace quest is the first thing I ever wrote! I definitely had a tendency to jump into the deep end with new hobbies lmao. Like my first ever cosplay that took me 3 years to complete.

Favorite fic you've written?

I think my favorite fic is always going to be the one I’m currently working on writing. But I am very proud of the silly little dramatic ironies in In Hindsight, which I wrote entirely over one long lunch the day after 7x04 broke me. Also I have to shoutout Teacher’s Pet, that one ruler spanking fic nobody ever reads because it’s Eddie/Ana lmao. I enjoyed putting in a bunch of tiny incompatibilities between them. So, uh, I guess my favorite thing in my own writing is dramatic irony?

Tagging: @aspecbuddie @pirrusstuff @jesuisici33 @steadfastsaturnsrings @lemonzestywrites @your-catfish-friend @inkmortal-trash389 @evanbegins s @wildlife4life @eddiebabygirldiaz @epicbuddieficrecs @kitteneddiediaz @alliaskisthepossibilityoflove @coatedpanda16 @nicotinewrites @estheticpotaeto @babytrapperdiaz @snowviolettwhite @wikiangela

[egg-emperor]

Eggman is pretty much fascism and unchecked capitalism in human form. He is a repersantion of it they way Sonic is the representation of freedom.

In the games we get to see glimpses of the world under Eggy's rule and it is not pretty. Even in the first game, Eggman's scrap brain zone is a polluted dystopian hellhole, smog and poison everywhere. Meanwhile green hill zone is a lush paradise full of greenery.

In Sonic CD, we can see even his own robots suffer in the bad futures. They looks broken , neglected and musty. He doesn't even care about his bots. So much for a robot kingdom 🤖👑

Don't get me started on Forces where he fully takes over the earth and turns it into a bleak, broken hellhole and spews propaganda everywhere. Everyone is miserable. He even made a propaganda vid where he encourages people to accept his robotomy treatment and become his robot slaves to make life bearable.(Robots don't need food , water or clean air to breathe. They don't even think)

Benevolent dictatorship it is not. I don't know where people get that from.

Exactly, for it being such a prominent theme in the series, I wish more people would get the message and not dismiss it/miss the point and try to say "Eggman is good, actually". It's much more interesting to look at it for what it is, it's what makes Sonic vs Eggman and Eggman's goals compelling to me to analyze. Eggman is a great representation of the terrible and harmful things humanity can be capable of but without completely blaming the entire human race.

He portrays the dangers of fascism, damage of the environment, and the dangerous destructive lengths one can go to in greed for power and control. There's been many examples of him attempting to captilize on harmful things, carelessly tearing the planet/other planets apart in selfish endeavors, and how dystopian the world would be if he succeeded in enforcing his order. They've explored propaganda, manipulation, war, and invasion with him.

Ignoring the message of Eggman's character also downplays, softens the impact of, and dismisses the meaning of Sonic's character. He's all about freedom and the only thing he hates is oppression, Eggman is the oppressor of the story and Sonic wants to stop him, that way people can live in peace and freedom without Eggman stripping that away from them and forcing them to be and do exactly and only what he wants in the world he wants it to be alone.

It's cool because Eggman is also like an example of if you take your own personal freedom and desires too far with greed and a lust for power and control. To the point that you value it and yourself so much above all else, you want to force everyone else to comply by your rules and fulfill your desires, no matter how much they don't want it and it damages them and the world around you. Meanwhile, Sonic's just happens to benefit the world and people around him.

And in a world where Sonic wins, it stays beautiful, bright, lively and free with nature, wildlife, man, and technology coexisting in harmony and peace. In a world where Eggman wins you get the opposite where it's ugly, dark, dead, and controlled with nature and wildlife suffocated until it's dead- replaced by technology and reshaped in Eggman's selfish image and twisted idea of what a "perfect" world is, one where only he decides what it's like.

It shows through their characteristics, actions and outlook, and their impact on the world and people around them and that's so fucking neat. I don't know why people act like that stopped being a theme when, as long as it's Sonic vs Eggman, it's definitely always present. But I feel that a part of it is absolutely the way that people try to make it seem like Eggman isn't so bad and suggest the idea that maybe he's actually really progressive and wants to do good.

It's very clear that he doesn't lol. Such is obvious by the lengths he's willing to go to get what he wants, knowingly and carelessly hurting many people and even finding sadistic enjoyment in it at other times, all the while acknowledging that he's evil and saying it himself and owning it. He knows he has to create propaganda, lie, and manipulate others into getting what he wants and further his plans which also proves full awareness that what he's doing isn't innocent.

And of course the most obvious is how the world under his control is most often depicted as a dark industrial dead and polluted dystopian hellhole where all suffer, even his own creations, and he doesn't care because he's in control and gets to rule over it and turn it into everything he wants. And their suffering is just part of the idea, which he makes clear with his own words with Eggmanland in Unleashed and the Interstellar Park in Colors, in that he wants people to suffer.

There are times this isn't shown visually in a places of his creation and under his control, such as the Interstellar Park and Ego City. But guess what? There's still tons of danger and death due to attractions in the Interstellar park that he acknowledged and intended as features, and the PAs in Ego City with the propaganda and lies about the intention and "benefits" of animals in robots and the hint that he doesn't actually take criticism- all prove his real sinister intent in it.

It shows that Eggman can also pretty things up and sugarcoat them with visually beautiful creations, sweet words and promises of great things through lies and propaganda. That's scary because it can lure people in, only for them to be subjected to great horrors once they arrive, even if nobody and maybe not even themselves can see and realize it's all a lie and the cost that is their suffering at first, until it's too late and they face it in the most terrible and painful of ways.

And the truth would show visually eventually anyway, evident in Eggmanland's darker polluted setting. Even to the point of further destruction and decay, like CD bad future where even his own creations are broken down and abandoned. He'll destroy the world to build his new one yet even that will rot due to his carelessness as long as it doesn't get in the way of his own enjoyment, he'll use things up and abandon them when they no longer serve him.

In Forces he wants to burn the world so it will be "nothing but ashes, from which a glorious Eggman Empire will rise," willing to cause great damage to get it. That's why he happily blew up Sunset Heights, let Green Hill be dehydrated and die, had forests carpet bombed, and was willing to drop the sun on people. Hell, in the Join the Eggman Empire propaganda video, he promotes further ruination and pollution of the world after he's taken over as a good appealing thing.

And the real reason why is because it will push anyone that's still unwilling after all his attempted lies and propaganda to give in and accept the robotomy treatment, so they don't have to suffer in it anymore because they won't have a choice because it'll be that or die. But with it they'll also have to give up all their freedom and never be able to eat, sleep, or think ever again and Eggman will tell them "that's what we call "living the good life!"

And again, him saying that loving it is mandatory in the video proves he doesn't care how much it hurts people and how much they'll really hate it. He knows full well but doesn't care because it's not about what they want, it's all about him and what he wants and they have no choice or say, they literally have to comply or die. And fuuuck it's so good and messed up. That perfectly represents how terrible and dangerous and harmful his dictatorship is.

Besides the whole "what if he actually cared and genuinely wanted to help people and the world though" which this all clearly disproves, I also see people say they'd like to become robots so they don't think it's so bad. And it's like well fascist dictatorship doesn't suddenly become a good thing just because some of it personally aligns with your desires lol. Authoritarianism doesn't suddenly become good just because it's enforcing your personal morals and values.

I highly doubt anyone would still be saying this if they it really happened and they realized how much they'd sacrifice in it and what they'd have to go through as Eggman clearly doesn't treat his creations well, whether it's through abusing them or just leaving them to decay like those seen in CD bad future. And let's say even if was good for you personally in some way, it wouldn't be for everyone and most people would still suffer because they don't want it.

And let's say your biggest dream came true through it. It's still being enforced through Eggman's fascism and oppression and many will suffer from it and have to abide by it against their will. It's like how Eggman tried to bribe Sonic in the great Super Sonic and Super Eggman Sonic Channel story by saying he could give him a world of chili dogs, no paradise is one that is forced, no matter how pretty and appealing one tries to make it seem.

And in Eggman's case it's not just that but the fact his "paradise" is everyone else's hell, his enjoyment is everyone else's pain, his desires are the antithesis of freedom. Because he's deeply selfish and intends and revels in much of the damage and suffering he causes. It's inherently sinister, harmful, and only his twisted definition of a perfect paradise that serves only himself with his selfishness and self-centeredness that he can't and doesn't care to see past.

He's one fucked up bastard and that makes him so interesting and threatening, he's the main villain of the series for a reason. 💜 It's really interesting to think about the themes he represents and the many different ways they've been portrayed and explored throughout the series and the message it sends just as much as Sonic's, I wish to see more acknowledgement and discussion of it so I try my best to bring light to it with my own contributions like this!

[stillsolo]

GET TO KNOW THE MUN. respond to the prompts out of character !

what made you pick up the current muse(s) you have? oh, where do i even begin?  well, i suppose i should start with how long sw has been in my life.  ANH was the first movie my mother ever saw when she visited the USA; she saw it with my grandmother ( and subsequently developed a massive crush on harrison, so indiana jones became a huge part of my childhood too lol ).  for this reason, my mother introduced my brother and I to sw when we were actual babies.  then, when the prequels came out, it’s all me and my brother consumed.  from the movies themselves to the original clone wars cartoon to the PS2 games to the novels/book series.  we watched it on a tiny portable player for every trip, and every time my relatives needed us to go away to let the adults talk lol.  it also helped our comprehension of english so much. i can’t recall a time in which sw hasn’t been present in my life! before i joined the tumblr swrpc, i kept to myself in the prequels community, wrote fanfic, and rped anakin on skype.  he’s always been a character that hit a little too close to home in one too many ways.  the main parallel i have with him (that doesn’t relate to his mental issues haha) is his love/devotion/attachment to his mother.  it’s difficult for me to explain without getting into the aspects of my culture (孝順 / filial piety), but in short, i am cantonese; if my mother asked me for my thumb tomorrow, i would give her my arm today.  anakin’s love for his mother, his determination to free her from slavery at an early age, was very touching.  EPII has been memed to oblivion, yes, but the pain i feel when anakin doesn’t get to hear his mother tell him she loves him one last time before she dies, and knowing that it haunts him for the rest of his life (eu), makes me want to throw myself out a window lmao  i have an extremely close relationship with my parents; this sort of pain is absolutely gutting for someone like me. anyway, when i joined the tumblr swrpc, writing han solo was never the plan.  i originally wanted to write luke but ended up changing my mind at the last second.  I’d written well over a dozen fics with han at that point, but was nowhere near confident, so i thought of it as more of an experiment. guess that doesn’t matter in the grand scheme of things, because if you really think about it, since the day i started writing him in fics, he hasn’t stopped butting into my brain.  in fact, he’s been harassing me ever since—to the point that i even switched from writing luke to him… lol given my upbringing and my mother’s love for him, han has always been my childhood hero, as well as my brother’s.  our dad was our han solo.  the nostalgic and familial associations run so deep, it’s difficult to articulate.  we share many traits, right down to his universally agreed-upon zodiac sign (sagittarius); i know han solo like the back of my hand—and it’s probably because i wanted to be just like him when i grew up.

is there anything you don’t like to write? character death.  if i have to say another, it’s when people conflate harrison with the character he plays and then decides to address that in a thread.  harrison was a ladies man back in the 80s, and that’s fine, but that doesn’t mean the same for han.  i hate seeing the conflation between the two.  not sure if this happens as often anymore, but there was a time when fics/threads/even han rpers would lean into it, by default, thus totally destroying his character in my eyes.  i mean, write it as a storyline, that’s cool and fine, but infidelity has never been inherently part of his character.  i will die on this fucking hill.

is there anything you really enjoy writing? most unpopular opinion ever: action sequences.  critical situations, fast paced action, thriller scenes featuring immediate, life-threatening circumstances.  i love writing that which exhibits a sense of urgency and tension, with sprinklings of emotional depth and contemplative introspective moments.  scenes with internal conflict combined with aforementioned external events.  even evading enemy forces, sustaining minor/major injuries, dressing wounds.  dunno why those are always the most fun to me.  aside from that?  romance/romantic angst.  i’ve had many writing partners over the years, and each one thought they could outdo me in writing romantic angst.  sometimes, the psychosomatic pain of heartbreak isn’t far from feeling like you’ve lost a limb in battle.

how do you come up with headcanons? by being the most annoying, meticulous person ever.  i’m extremely detail oriented; when i see incongruities in my own work, i perish.  so, when i come up with headcanons, i have to consider all factors that may affect the outcome of whatever question i’ve posed in my mind and feel the need to justify my choices, for whatever reason, by tying it back to XYZ.  my headcanons must align with my muse’s personality, their environment from childhood to adulthood, their current circumstances, and if it’s an AU, how it mirrors canon events.  canon/eu is everything imo, because they are their own choices; it’s what shaped them into the character we know them as.  ofc, this is my process and opinion, so make of that what you will.

do you write in silence or do you play music? no music, no tv.  sometimes people talking is too much for me.  i have adhd and my medication only helps so much.  i will absolutely start writing down the conversation or lyrics playing in the background lol

do you plan your replies or wing them? plotting vs planning replies is different to me.  plotting gives me a foundation, but it can’t be too confining.  to plan a reply is to block out each moment.  if you trap me, i will always deviate; so i wing everything, even when i have a foundation.

do you enjoy shipping? yes, absolutely!  i’m not sure why people tend to assume otherwise, but i’m more open to it than people think.  i’ve never cared about who you write, if they’re in the sw franchise, or even what era of sw etc etc  never given a shit about what people think; if our muses click, they click.  honestly, some of the best ships i’ve had with han, as in the most enjoyable and enlightening of his character, have been ‘crack ships’.

what’s your alias/name? vin, vince, vincent.  vincent van hoe.  trash bin vin.

age? 27!

birthday? dec 2!

favorite color? silver.  if that’s not a color to you, then blue.

favorite song? you can’t expect me to… well, ‘in your eyes’ by the weeknd has been up there for a long time.

last movie you watched? star wars: the clone wars (2008)

last show you watched? … the clone wars lol

last song you listened to? billie jean - MJ.

favorite food? my mother’s 番茄炒蛋 ( egg and tomato stir fry ), unagi, freshly baked breads, fresh fruit …

favorite season? i get mostly tropical weather, but i love a cold winter.

do you have a tumblr best friend? unfortunately, so many people have left the site over the years, but i'm grateful to call these people some of the closest friends i have in the rpc: @techniiciian @desiccation @vibraea @rcvanchist @sgterso @voxcrystallis

tagged : @debelltio thank you for thinking of me!! tagging : if you're still reading this, i tag you!

[ginger-snap-talkin-nonsense]

Iron Man 3 as best Phase 2 movie? Ooh, that's an intriguing take. I remember everybody hating it when it came out for the Mandarin twist (which is moot now thanks to Shang-Chi and that one short film) and Tony telling a terrorist his address on live TV with no plan after that. I can still remember Honest Trailers ripping into it. But admittedly I haven't seen it since 2013, so is it actually a great movie and I just didn't realise?

I can’t believe people have a problem with Iron Man 3. It’s some of the best Marvel has to offer period.

“Tony doxxing himself on live tv with no plan was really dumb” yeah no shit! It’s hard to remember this in a post “everyone acts like cinemasins” world but not every characters actions are logically justifiable. You know who else tells Tony that was the dumbest shit they’ve ever seen? Literally everyone around him!

The crux of the movie is that Tony is being dangerously self destructive because he has severe PTSD from the EVERYTHING he’s been through and also feels as though the entire world rests squarely on his shoulders. Tony believes he owes the world his life as penance for being blind to the horrors Stark Industries contributed to the world while he went off and partied. The whole movie is a character piece about Tony realizing that he is metaphorically and literally letting Iron Man kill him, and that it’s not fair to the people who love him to keep doing that.

It’s also just extremely solid as a movie. The villain is fun and his plan is diabolical, the mandarin twist was fucking cool and literally circumvented the movie having mega racist undertones and instead made a point about using the War on Terror and the racism of the American people for militaristic and political gain (which is something Iron Man loves to do), and there’s some great scenes and characters!

The team of Iron Man suits all showing up to help save the president at the end? Peak cinema. Happy watching Downton Abbey in the hospital because Tony remembers it’s his favorite show while he visits him in his coma and so he asks for it to be turned on? I may cry. Pepper finally getting to have cool scenes that don’t amount to bickering with Tony because we remembered she’s a person? About damn time!

Dude I am still so fuckin bummed that Harley never showed up past being at Tony’s funeral-he’s such a reflection of Tony and also a plucky young science boy who throws snowballs at walking bombs to save people like holy shit that’s Spider-Man before Spider-Man was out get that little shitster a mini series where he and Tom Holland fight crime together.

I love Tony Stark, I think he’s the most nuanced character in The Avengers lineup and Iron Man 3 is the perfect culmination of everything Tony is, was, and will be. Having a problem with it because “Tony makes bad choices” is to have a problem with most of the movies starring Tony, which is hilarious considering Tony is the most popular character in The Avengers lineup pre Civil War and it’s not even close.

[contritecactite]

As ever, it takes the tiniest hint of encouragement (thanks @grimboigio ) to goad me into generating a wall of text. Well, actually, the wall was already there. Big big Hades II spoilers below in the form of messy half-baked notes I've been jotting down as I play. Some are just things that I got excited about, but there's a tiny sliver or two of theories and expectations.

I think we're headed for no happy ending, just acceptance—the battle is against Chronos, but it's really about *time* as a concept; for these gods, time really did take its toll and change the way mortals relate to them. Supergiant will never make another sequel for the same reason: things belong in their own time.

The lycaons *could* just be heralding Cerberus, but they somehow give me a sense of the trappings of Roman the Empire creeping in (in an intentional, storytelling way). Same with the emptiness of Ephyra and the hints of war in the mortal aspect. It feels like this is the fall of the cultures we now call "ancient Greece" as told through the eyes of the gods who get left behind or changed.

Apollo is giving me traitor vibes. He had a line about how we "have all the time in the world," and there's just something too carefree about him.

This feels like a lovely little patchwork quilt of Supergiant games. Homer is more reactive like the Bastion narrator. The music, the social bonding opportunities, and the inventory and lore screens feel a bit like Pyre. Some upgrade systems remind me of Transistor, and the mood reminds me very much of it as well. The writing and combat are still very Hades, and there are new aspects that speak of a team that has taken the time to understand what works, what doesn't, and what improvement and innovation should look like within their existing framework.

Echo's whole thing is fucking clever. Those gifts: Either repeats or diminishing returns—just like an echo. Holy fucking shit the way I vibrated when I met Echo the first time.

I love my randomly assigned college roommate who never goes to her classes and moves all my shit for no reason (Dora). If she were my actual roommate, I would feel a very different way about this.

Eris is perfect. I love her being mean-spirited mischief rather than brute force or accidental mischief; it feels like a unique character composition. She's awful. I can't stand her. She's perfect. She also reminds me of Spoiler from Pixie Tricks, a series I read as a kid (both in personality and, vaguely, design).

Nemesis and Artemis sound like they have a no-strings on-again off-again kind of thing going on and I love that for them. Also hope Charon and Hermes get to see each other again soon bc I'm rooting for them so hard.

I literally shrieked when taking out one of the sirens *actually impacted their contribution to the song*. I shouldn't have been surprised, but it was so much fun to hear it happen anyway. Very immersive! I'm also in love with Scylla. She reminds me very specifically of Ryan Stiles' Carol Channing impression and a little of Dolly Parton. Also. Her fucking hood. Jesus.

One of my favorite things about Hades is that there was nothing that an enemy or boss could do that you couldn't do through some combination of boons, weapons, and upgrades. The same seems to hold true here so far, and I just can't say enough how *cool* that is. The worst part of any combat-heavy game to me is the realization that the boss or even the cutscene of your character can do things that you, the player, can't initiate or control during a regular battle. Hades says "yeah, fuck that. It'll look different when you do it vs. when that sea serpent does it, but you can accomplish the same action/effect." Likewise, there's practically nothing your character can do that isn't also usable by at least one enemy. That keeps things balanced and combats the sense of "ah yes, you are the Most Special Chosen One" that's often inherent to RPGs. It gives the sense that skill matters a lot and makes me as a player feel skilled—I'm not visually doing anything that my enemies can't do, so... maybe I'm actually kinda good at this? (I am mediocre at best, but the game lets me *feel* skilled).

Additionally, just as in Hades, the enemies in an area are very informative about how upcoming bosses will behave. It rewards a player for paying attention and makes each enemy populating an area make *sense*.

After beating the sirens, ALL I wanted was for Melinoë to be able to have one single fan among the shades like Zagreus in the Theseus map. What I got was even *better*; the same type of interaction, but in a way that takes into account *her* task-focused, serious personality while still giving a little bit of levity. She is *done* with being here and ready for everyone to clear out, and that grumpy shade is not having it. He even makes a new little face! Love you, purple shade in the corner.

Oh, hey, charybdis, there you are

THE 2 IS IN *ROMAN* NUMERALS I'm having a moment

yeah that's it that's what I got. For now. My gaming buddy keeps falling asleep when I try to gush and talk through things, so Tumblr gets it instead.